Unknown seas

Artist: b'LINDSAY, Norman' | Title: b'Unknown seas' | Date: 1922 | Technique: b'etching, engraving and stipple, printed in dark-blue ink, from one copper plate'

Norman Lindsay (1879–1969)

Unknown seas

(1922)

etching

EXHIBITION HISTORY 1 – 5 of 5 exhibitions

Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Venues

Education Department Gallery (3 June 1922 – 24 June 1922)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Arms, John Taylor. (1887–1953)

1. A gable in theirs. American. | 12 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

1. A little deaf. New Zealand. | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923) and Dillon, Cyril. (1883–1974)

Artist: Boyd, Penleigh. | Title: Hauling the nets. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

1. Hauling the nets. Victoria | £2.02.0 (unframed) | drypoint

Crisp, James. (1879–1962)

1. The farmyard. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

1. The Chapel tower, Melbourne Grammar School. Victoria. | £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

1. St. Paul's Cathedral, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

1. St. James Church, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

1. Old timers, Berry's Bay. £3.03.0 (unframed) | etching

Gruner, Elioth. (1882–1939)

Artist: Gruner, Elioth. | Title: The wattles | Date: (1921) | Technique: drypoint, printed in black ink, from one plate

1. The wattles Kindly lent. | etching

Hope, Edith A. (1870–1942)

1. A Courtyard in France. Victoria. | £7.07.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

1. The Dochart, Perthshire. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

1. Rendezvous. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Micomicon | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

1. Micomicon £15.15.0 (unframed) | etching

Lindsay, Percy. (1870–1952)

1. Landscape. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

1. The little dutch mill £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

1. Ti-Tree. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

1. Jubbergate, York. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

1. Ti-Tree, N.S.W. £4.17.6 (unframed) | etching

Rose, Herbert. (1890–1937)

1. A corner of the Post Office. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

1. Brisbane Laneway. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

1. The Narrow Cave. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The waterhole | Date: 1922 | Technique: etching, printed in brown ink with plate-tone and wiped highlights, from one plate

1. The waterhole Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

1. Across the plains, Windsor (1st state). £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

1. Cool Water. South Australia | £6.06.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

2. Dawn. 15 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

2. Study of an old man's head. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

2. Morning. Victoria | £4.04.0 (unframed) | drypoint

Crisp, James. (1879–1962)

2. Breakfast. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

2. The Swimming Pool, Coombe Cottage. Victoria | £4.04.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

2. Australia House, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

2. Martin Place, Sydney. £4.04.0 (unframed) | etching

None

2. Church, Port Arthur, Tasmania. £2.02.0 (unframed) | etching

Hope, Edith A. (1870–1942)

2. Laon, The Aeroplane. Victoria | £3.13.6 (unframed) | etching

2. Ville D. Eu. Victoria. | £5.15.6 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

2. Magdalen Tower and Bridge, Oxford. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The shanty on the rise | Date: 1922 | Technique: etching, printed in brown ink, with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. The shanty on the rise £2.02.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

2. Blind Man's Wife. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

2. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

2. Tree Study. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

2. Heart of the Bruce. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

2. Reflections Cook's River, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

2. Sydney Harbour. Victoria. | £2.07.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

2. The sentinel. £2.02.0 (unframed) | drypoint

SHIRLOW, John (1869–1936)

2. East and West. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The west window | Date: 1922 | Technique: etching and drypoint, printed in warm black ink with plate-tone, from one plate

2. The west window Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

2. Cottage, Clarendon £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The far shore | Date: 1921 | Technique: drypoint, printed in brown ink, from one plate

2. The far shore South Australia. | £2.02.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

3. The butterfly. 18 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

3. Cornish interior. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

Artist: Boyd, Penleigh. | Title: Evening. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

3. Evening. £4.04.0 (unframed) | drypoint

Friedensen, Thomas. (1879–1931)

3. Barges, Chiswick Mall. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

3. Hunter Street, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

3. Lindisfarne, Hobart. £2.02.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

3. The Blue Mosque, Cairo. English. | £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

3. University, Medical School. £2.12.6 (unframed) | etching

LINDSAY, Norman (1879–1969)

3. Sortie. £6.06.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Old houses, Worcester | Date: c.1919 | Technique: drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

3. Old houses, Worcester £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

3. Deserted hut. £2.12.6 (unframed) | etching

MORT, Eirene (1879–1977)

3. Vaucluse House. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

3. Across Lake Macquarie, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

3. Glebe Island Bridge, Sydney. Victoria. | £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

3. The clock tower not for sale | etching

SHIRLOW, John (1869–1936)

3. Chinese at a doorway Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

3. The Giant. £1.01.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

3. Farmhouse, Hartley. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

3. Valley mists. South Australia | £4.04.0 (unframed) | etching

Arndt, Mina. (1885–1926)

4. Orpeush with his lute. New Zealand | £4.04.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

4. The white gum. Kindly lent. | etching

Friedensen, Thomas. (1879–1931)

4. Old houses, Candebec, Normandy. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

4. St. Mary's Catheral, Sydney. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

4. From the Archbishop's Garden. Victoria. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

4. 'Ben Hall's', The Bushranger's Home. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

4. Unknown seas £15.15.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

4. The harbour, St.Ives £3.03.0 (unframed) | softground

Morgan, Squire. (1886–1974)

4. Deserted Hut (first state). £3.03.0 (unframed) | etching.

MORT, Eirene (1879–1977)

4. The team. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

4. Groote Church, Dordrecht, Holland. £1.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

4. McMahon's Point, Sydney. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

4. The Farmlets. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

4. Ploughing the hill, Berwick. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

4. Hawkesbury River Farm. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

4. The cowshed. South Australia. | £4.04.0 (unframed) | etching

Wheatley, John. (1892–1955)

4. A Point of View. English. | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

4. Willows in Winter. American. | 14 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

5. Caesar's Tower, Warwick Castle. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

5. The Old Slave Market, Capetown. £3.03.0 (unframed) | etching

Hope, Edith A. (1870–1942)

5. Coney le Chateau. Victoria | £6.06.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

5. The Great Red Gum. £4.04.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

5. Bargins. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

5. Staples Inn, Holborn £2.12.6 (unframed) | aquatint

Morgan, Squire. (1886–1974)

5. Deserted hut. not for sale | drypoint

MORT, Eirene (1879–1977)

5. Palm Court, Vaucluse. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

5. The wave, Coogee, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

5. Moonlight on the Scene. £5.05.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

5. The Hawkesbury River. £3.03.0 (unframed) | etching

Wheatley, John. (1892–1955)

5. The Old Engraver. English | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

5. Spring Morning. American | 18 US dollars (unframed) | etching

Bentley, Alfred. (1879–1923)

6. The Hills of Auvergue. English. | £7.07.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

6. An Alley in Antwerp. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Bridge Street, Sydney. | Date: 1922 | Technique: etching, printed in black ink, from one plate

6. Bridge Street, Sydney. £4.04.0 (unframed) | etching

Haines, Fred S. (1879–1960)

6. The Old Beech. American. | US$15 (unframed) | etching

Hope, Edith A. (1870–1942)

6. The Viaduct, Albi. Victoria | £7.07.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

6. The Law Courts. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

6. The Mill. £5.05.0 (unframed) | aquatint

Morgan, Squire. (1886–1974)

6. Landscape, Scone (first state). £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

6. Kookaburras. £2.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

6. The Little Bridge, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

6. Chinese Opera. Victoria | £5.05.0 (unframed) | coloured etching

URE SMITH, Sydney (1887–1949)

6. Bilgola, Newport. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

7. Shakespeare's Birthplace, Stratford-on-Avon. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

7. Murrundie Valley, N.S.W. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

7. Sant Salvi. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

7. Harmony. £1.11.6 (unframed) | etching

LONG, Sydney (1871–1955)

7. Epping Forest, Landscape. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

7. War Memorial, Double Bay. £2.02.0 (unframed) | etching

QUINLAN, Will J. (1877–1963)

7. Burling Slip, New York. American. | US$20 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

7. West Front, Westminster Abbey. £1.16.6 (unframed) | etching

Smith, D. Murray. (1865–1952)

7. Hammersmith. English. | £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

7. The Tower, Carcassonne, Night. Victoria | £1.01.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

7. The three barns. Kindly lent by Ernest Watt, Esq. | etching

Friedensen, Thomas. (1879–1931)

8. Porch, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

8. The old barn. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

8. Trees in the Wind. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Don Quixote | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

8. Don Quixote £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

8. Strand on the Green. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

8. Macquarie Light. £2.02.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

8. Prince's Set of three. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

8. Uncle William Creech. American | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

8. Timber Belts. £7.07.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

8. Chinaman's garden's, Rose Bay. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

8. St. Peter's, Rome. £8.08.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

9. Avenue, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

9. The lagoon. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

9. Cathedral, Laon. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Red Gums | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

9. Red Gums £1.11.6 (unframed) | mezzotint.

LONG, Sydney (1871–1955)

9. The river from Waterloo Bridge. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

9. Barbara Ann. American. | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

9. The Chaff Cutter. Victoria. | £4.04.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

9. Harbour from Rose Bay. £2.02.0 (unframed) | etching

WALCOT, William (1874–1943)

9. Arc, St. Carlo. English. | £5.05.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

10. Studio Interior, Hammersmith. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

10. Echo Point, Katoomba. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

10. Cathedral, Albi. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

10. Bridge and Basket Willow. £3.03.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

10. Parchment Mill on the Wandle. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Good night in the gully where the white gums grow. | Date: 1922 | Technique: etching and aquatint, printed in brown ink, from one plate

10. Good night in the gully where the white gums grow. Victoria | £7.07.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

10. Sandhills, Bellevue Hill. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

10. Villa Quintilii. English | £8.08.0 (unframed) | etching

Burr, George Elbert. (1859–1939)

10. Arizona Clouds. American. | 36 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

11. The tramp. £2.12.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

11. Darling Harbour, Sydney. £3.03.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The terrace by the sea | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

11. The terrace by the sea £3.03.0 (unframed) | aquatint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

11. Beddington Corner £4.04.0 (unframed) | aquatint

PARTRIDGE, Roi (1888–1984)

11. Carmel, California. American. | 10 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The barn, Evening. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

11. The wooden temple. English. | £9.09.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

12. The Dick Whittington, Smithfield. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

12. Ye Old Fighting Locks, St Albans. £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

12. The Tinsmith's shop, King Street, Sydney £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

12. The passing storm £5.05.0 (unframed) | etching

Miller, Arthur (1893–1975)

12. A Crisp Morning. American. | 6 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

12. Camden, N.S.W. £3.03.0 (unframed) | etching

Whistler, James McNeill. (1834–1903)

12. The Music Room. English. | £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

13. cedar Court, Suffolk. £4.04.0 (unframed) | etching

HADEN, Francis Seymour (1818–1910)

13. A water meadow. English. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

13. The Gypsy dance £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

13. Pan £10.10.0 (unframed) | etching

Miller, Arthur (1893–1975)

13. Morning on a Calif. Hillside. American | US$6.00 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

14. Rue de Seine, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

14. Hunter Street. £2.12.6 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

14. On the Wandle £4.04.0 (unframed) | etching

PLOWMAN, George T.

14. Staples, Inn, London. American | US$10.00 (unframed) | etching

SHORT, Frank (1857–1945)

14. Shap Fell, Cumberland (Mezzotint after Peter De Wint). English. | £10.10.0 (unframed) | mezzotint

FULLWOOD, A.H. (1863–1930)

15. Street Latin Quarter, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

15. The Great Pear Tree, Windsor. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

15. Hawkesbury landscape £3.03.0 (unframed) | etching

PLOWMAN, George T.

15. Cloth Fair, Smithfield. American | 15 US dollars (unframed) | etching

ROBINS, W.P. (1882–1959)

15. Near Potter Heigham. English. | £4.04.0 (unframed) | etching

Lewis, Allen. (1873–1957)

16. The Workshop. American | US$20 (unframed) | etching

LINDSAY, Lionel (1874–1961)

16. The old Bark Hut. £2.12.6 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

16. Between the showers £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

16. Farm near Sandwich, Kent. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

17. William Dixson, Esq. kindly lent. Kindly lent | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

17. The belfry, Bruges £3.03.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

17. South Walsham. English. | £3.03.0 (unframed) | etching

Lewis, Allen. (1873–1957)

17. Gowanus Canal. Lewis, Allan [sic] | US$22 (unframed) | etching

18. Place de la Poissonerie, Chartres. Lewis, Allan [sic] | US$18 (unframed) | etching

18. Place de la Poissonerie, Chartres. US$18.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

18. The pumpkin patch, Windsor £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

18. A Cornish landscape £3.03.0 (unframed) | aquatint

Mura, Frank. (1861–)

18. In the Fields near Lancery. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

19. Bullfight in a Village. £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

19. Fantasy £6.06.0 (unframed) | aquatint

Pearson, Ralph M. (1883–1958)

19. Interpretation, 2nd State. American | 20 US dollars (unframed) | etching

UNWIN, Francis Sydney (1885–1925)

19. The Municipio, Florence. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

20. Rio dei Mendicanti, Venice. American | US$12. (unframed) | etching

LINDSAY, Lionel (1874–1961)

20. Bigola. £4.04.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

20. The Victorian Tower £5.05.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

20. The Groote Kirk. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

21. Sunny Corner, Villefranche. American | US$12.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Old carriage way, Cumberland Street | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

21. Old carriage way, Cumberland Street £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

21. Moonrise pastoral £5.00.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

21. Wheelwirghts, Falaise. English. | £4.04.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

22. The Moth. American | 25 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

22. The lake. softground

Hardie, Martin. (1875–1952)

22. Norfolk Bridge. English. | £3.03.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

23. Cockfight. American | 15 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

23. Pastoral. £7.07.0 (unframed) | softground

Hardie, Martin. (1875–1952)

23. Grey Day, New haven 2 2 0 1924 Sydney 1-13 December. English. | £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

24. The Spirit of the plains £4.04.0 (unframed) | aquatint

LUMSDEN, E.S. (1883–1948)

24. Jodhpur, Sunset. English | £4.04.0 (unframed) | etching

Winkler, John W. (1890–1979)

24. Small Delicatessen Booth Not ). American | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

25. The home of the rooks £4.04.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

25. The Hill Farmland. English. | £5.05.0 (unframed) | etching

Winkler, John W. (1890–1979)

25. Giner Shop for ). American | not for sale | etching

OSBORNE, Malcolm (1880–1963)

26. Le Puy. English. | £6.06.0 (unframed) | etching

Winkler, John W. (1890–1979)

26. Sacramento Street, San Frisco. Sale ). American | not for sale | etching

Barton, Loren R. (1893–)

27. Chinatown market. American | 18 US dollars (unframed) | etching

Benson, Frank. (1862–1951)

27. Black ducks. £21.00.0 (unframed) | etching

SOPER, George (1870–1942)

28. Lifting Potatoes. English. | £4.04.0 (unframed) | etching

Squirrell, Leonard R. (1893–1979)

29. Mill on the Wharfe. English. | £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

98. Studland Bay. £3.03.0 (unframed) | out of print

Representative Exhibition of Oils, Watercolours and Etchings by Leading Sydney Artists

Venues

Sedon Galleries [1] (16 March 1926 – 27 March 1926)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

URE SMITH, Sydney (1887–1949)

49. Hawkesbury River Farm. 5½ gns 5½ gns (Framed) 5½ gns (Unframed)

50. The willows. 4½ gns (Framed) | two copies for sale

51.

Blacksmith's Shop.

5½ gns 5½ gns (Framed) 5½ gns (Unframed)

52. Windsor, N.S.W. 5½ gns (framed)

53. Little schooner, Mosman.. 2½ gns (Framed) | one copy for sale

Gallop, Herbert. (1890–1958)

54. The farm sheds. 2 gns

55. Canberra 2 gns

56. The drinking pool. 2 gns

57. Swamp Ti Trees. 2 gns | Reproduced in Art in Australia.

58. White boat house. 2 gns

59. The deserted farm 2 gns

60. The old gateway. 2 gns.

61. Lakeside. 2 gns

62. Spreading Ti-tree. 1½ gns

63. Two Gums. 1 gn

64. Windswept Ti-tree. 1 gn

65. A Quiet Pool. 1 gn

LINDSAY, Norman (1879–1969)

66. Duke in Arcady. 16 gns (Framed)

67. Beethoven's 8th Symphony. 16 gns (Framed)

68. Mantilla. drypoint (two copies). 16 gns (Framed)

Artist: LINDSAY, Norman | Title: Lady and the parrot. | Date: 1917 | Technique: etching, and softground-etching, printed in dark blue black ink, from one plate

69. Lady and the parrot. 12 gns (Framed)

70. The fan 14 gns (Framed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

71. Unknown seas 26 gns (Framed)

72. She Arrives. 12 gns (Framed)

73. Bebut. 16 gns (Framed)

74. Song of the faun 25 gns (Framed)

75. The bride. 15 gns (Framed)

76. Oblation. 16 gns (Framed)

Artist: LINDSAY, Norman | Title: Micomicon | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

77. Micomicon 30 gns (Framed)

78. Femininity. 12 gns (Framed) | 2 copies

LINDSAY, Lionel (1874–1961)

79. Sydney from the Terrace, Abmiralty House. 2 gns (Framed)

80. Hero's Lover. 1½ gns (Framed)

81. Millar Street, Sydney. 8½ gns (Framed)

82. The Doric Porch. 4½ gns (Framed)

83. Ben Hall's. 3½ gns (Framed)

84. The Sailor's Return. 2½ gns (Framed)

FEINT, Adrian (1894–1971)

85. The Sonnet. 2 gns

86. Milson's Point. 2 gns

Artist: FEINT, Adrian | Title: Decoration. | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

87. Decoration. 1½ gns

88. The south wind. 1½ gns

Artist: FEINT, Adrian | Title: Basket willow. | Date: (1922) | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

89. Basket willow. 1 gn

LONG, Sydney (1871–1955)

92. Nymphs and Fawns. 10 gns

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

93. Porte Marechale, Bruges 3 gns

94. Edge of the clearing. 6 gns

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

95. Moonrise pastoral 5 gns

96. The distant dome. 6 gns

97. Riverside. 4 gns

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

98. Between the showers 4 gns

99. Still Pool. 4 gns

100. The quiet corner. 3 gns

101. Landscape. 3 gns

Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.

Venues

Sedon Galleries [1] (26 November 1929 – 31 December 1929)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

Nixon, Job. (1891–1938)

90. Concarneau. 5 Gns (unframed)

91. Concarneau. 5 gns (unframed).

92. Falmouth. 4 gns (unframed)

93. Madona in the wall, Subiaco. 4gns (unframed).

Orlik, Emil. (1870–1932)

149. An old Arab. 2 gns (framed)

150. A Dutch Study. 3 gns (framed)

151. Felucca on the Nile. 1½ gns (framed)

152. Portrait Study. 5 gns (framed)

Geissler, Paul. (1881–)

153. Nuremberg Castle. 3 gns (framed)

154. Lane in Rottenberg. 3 gns (framed)

155. City Gateway, Rottenberg. 4 gns (framed)

Dale, H. Sheppard. (1852–1921)

156. Thomas House, Rye. 3 gns (unframed)

UNWICK, W.N.

157. A Sussex Landscape. 3 gns (unframed)

Upoka, Joseph.

158. The Standard Bearer. 3 gns (unframed)

Geiger, Willy. (1878–1971)

159. The Toreador. 6 gns (unframed)

Boyd, Penleigh. (1890–1923)

160. The big gum. 7 gns (framed) | 1 only for sale

161. Edge of the clearing. 7 gns (framed) | 1 only for sale

162. Edge of the bush. 7 gns (framed)

van RAALTE, Henri (1881–1929)

163. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

164. The cliff 4 gns (unframed)

165. Dawn on the Valley Road. 3 gns (unframed)

166. The sentinel (Torrens Gorge). 6 gns (unframed)

167. Silver evening. 8 gns (unframed)

168. Hillside stream. 6 gns (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

169. The end of day 3 gns (unframed)

170. The road. 3 gns (unframed)

171. Day's beginning. 3 gns (unframed)

172. Roses. 10 gns (unframed)

173. The Big Gums. 10 gns (unframed)

174. Perth (W.A.). 4 gns (unframed)

175. Autumn dawn. 4 gns (unframed)

176. Morning moon. 3 gns (unframed)

177. Moonlit fields [plate for]. 3 gns (unframed)

178. The Karri Tree glade. 6 gns (unframed)

179. Evening symphony. 3½ gns (unframed)

180. Hills of the south. 4 gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

181. The leaning tree 3 gns (unframed)

182. An Australian Summer Day. 8 gns (unframed)

183. The creek in flood. 3½ gns (unframed)

184. Morning*. 2½ gns (unframed)

185. Twisted Branches. 2 gns (unframed)

LINDSAY, Lionel (1874–1961)

186. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

187. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

188. San Lorenzo in the Forum, Rome 4 gns (unframed)

189. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

190. St Ferreol, Marseilles 5 gns (unframed)

191. Casa du Cordon. 5 gns (unframed)

192. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

193. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

194. Church in Seville. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

195. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

196. Old Antequera, Andalucia, Spain 5 gns. (unframed)

197. Convent of St Entemia. 6 gns (unframed)

198. Santa Dominica, Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

199. The compliment 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

200. The vaquero 2½ gns (unframed)

201. The water carrier. 1½ gns (unframed)

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

202. Gamecocks, Spain 10 gns (unframed) | 1 only for sale

203. Alcazar, Seville. 2½ gns (unframed)

204. The bucking brumby. 2 gns (unframed)

205. The Sailor's Return. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little Balcony, Ferry Lane, The Rocks | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

206. Little Balcony, Ferry Lane, The Rocks 2 gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: Old Burwood Hotel, Kent Street. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

207. Old Burwood Hotel, Kent Street. 3 gns (unframed) | 1 only for sale

208. Gloucester Street. 2 gns (unframed)

209. Pastoral. 2½ gns (unframed)

210. The water hole. 2½ gns (unframed) | 1 only for sale

211. A Pipe of Baccy. 2½ gns (unframed)

212. The Law Courts. 2 gns (unframed)

213. The Swing Bridge. 2 gns (unframed) | 1 only for sale

214. Under the Laurels. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

215. The drafting gate, Bendemeer 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

216. Evening ride 5 gns (unframed)

217. Byron. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The fountain | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

218. The fountain 2½ gns (unframed) | I only for sale

219. Kookaburra. 1 gn (unframed) | woodcut

220. Pelican. (1 only). 4 gns (unframed) | 1 only for sale | woodcut

221. Heron. 1 gn (unframed) | woodcut

222. Witch. 1½ gns (unframed) | woodcut

223. Spangles. 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

224. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

225. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The black cat | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block; touched with brush and black ink | Copyright: Courtesy of the National Library of Australia

226. The black cat 3 gns (unframed) | 1 only for sale | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

227. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Dahlias | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

228. Dahlias 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

229. Fruit piece 1 gn (unframed) | woodcut

230. Bignonia. 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

231. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

232. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

233. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

234. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

235. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

236. In Morocco 3½ gns (framed)

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

237. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

238. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

239. The broken plough 3½ gns (framed)

Rose, Herbert. (1890–1937)

240. Piazza Umberto Desengano, Italy. 3½ gns (framed) | drypoint

241. Rue des Tamis, Tunis. 4½ gns (framed) | drypoint

242. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

243. Fondamenta Tasca, Venice. 3½ gns (framed)

244. The Sugar Mills. 8 gns (framed)

245. The Zattere, Venice. 3½ gns (framed) | drypoint

246. Old Village Cagnes. 3 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

253. The Ring 4 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

254. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

255. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

256. The man in black. 6 gns (unframed)

257. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

258. House on the hill. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: The poddy calf | Date: c.1925 | Technique: linocut, printed in black ink, from one block

259. The poddy calf 3 gns (unframed)

260. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

261. Ducks 1 gn (unframed)

Friedensen, Thomas. (1879–1931)

262. Interior, Ann Hathaways's Cottage. 3 gns (unframed)

263. Windsor Castle, Berkshire. 2 gns (unframed)

264. The archway, Riviera. 3 gns (unframed)

265. The Madonna of the Bush. 1½ gns (unframed)

266. Harnessing. 1½ gns (unframed)

267. Homestead in the North-West. 2 gns (unframed)

268. The bark hut. 2 gns (unframed)

269. Venice, No. 2. 2 gns (unframed)

270. Building the bridge, Sydney Harbour. 2½ gns (unframed)

271. Omar, the Tent Maker. 3 gns (unframed)

272. The Drovers. 3 gns (unframed)

273. The Mounain Road, Brush Creek. 3 gns (unframed)

274. The Grand Canal, Venice. 3 gns (unframed)

275. Fountains Abbey, Yorkshire. 3 gns (unframed)

276. The Bush, New South Wales. 4 gns (unframed)

277. Three Kookaburras. 2 gns (unframed)

278. The Wallondilly. 3 gns (unframed)

279. Venice. 4 gns (unframed) | (1 only).

280. Normanby. (1 only). 3 gns (unframed) | 1 only for sale

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

281. The bridge, Avoca 4 gns (unframed)

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

282. The lake, Avoca 4 gns (unframed)

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

283.

The blacksmith's shop

4 gns (unframed)

284. The Hawkesbury River at Wiseman's Ferry. 5 gns (unframed)

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

285. Brisbane water 4 gns (unframed)

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

286. Fishing boats, Kings Lynn 4 gns (unframed)

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

287. Berry's Bay 3 gns (unframed)

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

288. Magpies 3 gns (unframed)

289. Kookaburras. 3 gns (unframed)

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

290. A windy day 3 gns (unframed)

Artist: LONG, Sydney | Title: The roost | Date: 1927 | Technique: line-etching, printed in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

291. The roost 3 gns (unframed)

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

292. Young Kookaburras 3 gns (unframed)

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

293. The river from Blackfriars Bridge 4 gns (unframed)

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

294. The Thames from Waterloo Bridge 6 gns (unframed)

LINDSAY, Norman (1879–1969)

295. Moonlight Piper. 12 gns (unframed)

296. Thieves' Kitchen. [no price given] (unframed)

297. Leda. [no price given] (unframed)

298. Don Juan's garden. 8 gns (unframed)

299. The Innocents. 15 gns (unframed)

300. Femininity. 12 gns (framed)

301. Adventure 25 gns (framed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

302. Unknown seas 30 gns (framed)

303. She Arrives. 18 gns (framed)

304. Song of the faun 25 gns (framed)

305. Oblation. 18 gns (framed)

305a.The. Butterfly. 12 gns (framed)

306. Robin Hood. 7 gns (framed)

307. Enter the Duke. 15 gns (framed)

308. Acceptance. 6 gns (framed)

309. The Poet. 8 gns (framed)

310. Love on Earth. 18 gns (framed)

311. The bride. 12 gns (framed)

Dillon, Cyril. (1883–1974)

312. Spires of St. Paul's, Melbourne. 3 gns (unframed)

313. Melbourne Grammar School. 3 gns (unframed)

314. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

315. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

316. Old houses, Cumberland Street, the Rocks. 2½ gns.(unframed)

317. Entrance, old Colonial Treasury. 4 gns (unframed)

318. 177 Kent Street, Sydney. 2 gns (unframed)

319. Cumberland Street Hostel. 2½ gns(unframed)

320. Argyle. 3 gns (unframed)

321. Ah Lum's Farm, Windsor. 5 gns (unframed)

322. Entrance to the Farm. 2 gns (unframed)

323. Packing Oranges. 3 gns (unframed)

324. Shade. 3 gns (unframed)

325. Hawkesbury River Farm. 5 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

326. Deserted courtyard, Hartley 5 gns (unframed)

327. Rose's Mill, Mt Gilead. 5 gns (unframed)

Cobb, Victor. (1876–1945)

328. Sunday morning, Collins Street. 3 gns (framed)

329. The Tower, Arts School, Universiy. 3½ gns (framed)

330. The two poplars. [no price given] (framed)

331. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

332. Gothic Window, old museum, Melbourne University [1]. [no price given] (framed)

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

333. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

334. Entrance, Trinity College. 2 gns (framed)

335. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

336. Fragment. 1 gn (framed)

Sheldon, Vincent. (1895–1945)

337. Old St. Andrew's, Brisbane. 2 gns (unframed)

338. Evening. 2 gns (unframed)

339. The old kiln. 2 gns (unframed)

Gallop, Herbert. (1890–1958)

340. Lakeshore. 4 gns (unframed)

341. Macquarie Shore. [no price given]

342. Shade Ti Trees. 3 gns (unframed)

343. The farm sheds. [no price given] (unframed)

344. Farmyard, Winter. 2½ gns (unframed)

345. Lacewood Pines. 2½ gns (unframed)

346. Pittwater shore. 2½ gns (unframed)

347. The white boathouse. 2½ gns (unframed)

348. The sheltered barn. 2 gns (unframed)

349. The drinking pool. 2 gns (unframed)

350. Windswept. 4 gns (unframed)

351. The old gateway. 2 gns (unframed)

GRIFFIN, Murray (1903–1992)

352. Enchanted wood 3 gns (framed)

353. Ann Mary. 3 gns (framed)

Thompson, Thelma. (1920–)

354. The Hermitage Bell. 2 gns (framed)

355. The Bridge of Sighs, Venice. 3 gns (framed)

356. York Minster. 3 gns (framed)

Flett, James. (1906–1986)

357. The Treasure Chest. 6 gns (framed)

358. Dead Man's Tree. 2½ gns (framed)

359. Berries. 3½ gns (framed)

Artist: Flett, James. | Title: Jerboas. | Date: (1932) | Technique: linocut, printed in colour, from mutliple blocks

360. Jerboas. 3 gns (framed)

361. The intruders. 3 gns (framed)

Artist: Flett, James. | Title: The artist. | Date: 1928 | Technique: linocut, printed in colour, from multiple blocks

362. The artist. 3½ gns (framed)

363. The Pirate. 3 gns (framed)

364. Victorian Days. 2½ gns (framed)

365. The Dominican. 2 gns (framed)

366. The old captain. 2 gns (framed)

367. Fawkner. 2 gns (framed)

368. Dampier. 2 gns (framed)

369. Peter, the Pumpkin Eater. 4 gns (framed)

Reynolds, Frederick George. (1880–1932)

370. Ti tree. 1 gn (framed)

371. In the Dandenongs. 6 gns (framed)

372. The bullock team. 2 gns (framed)

373. Giant Blue Gums. 2 gns (framed)

374. Edge of the clearing. 2 gns (framed)

375. A bush road. 7 gns (framed)

Hosking, W. John. (1930–)

376. Sunny hours. 3 gns (framed)

377. The Slow Motion Steeplechase. 1½ gns (framed)

378. Pals. 1½ gns (framed)

379. Ursa Major and Ursa Minor. 2 gns (framed)

380. The Shearers. 1½ gns (framed)

381. The caravan. 2 gns (framed)

382. Moonrise. 1½ gns (framed)

383. The Light, Fantastic Toe. 2½ gns (framed)

GOODCHILD, John (1898–1980)

384. The Northern Group. 2 gns (unframed)

Goodhart, J.C. (1873–1952)

385. Klondyke Propty. Mine. 3 gns (unframed)

386. Molle Street Bridge, Hobart. 2 gns (unframed)

387. A bit of old Hobart. 1 gn (unframed)

7th Xmas Exhibition of Etchings and Woodcuts by Leading English and Australian Artists

Venues

Sedon Galleries [2] (3 December 1931 – 24 December 1931)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia

Venue Not Identified. (3 December 1931 – 24 December 1931)

Works

Brangwyn, Frank. (1867–1956)

1. Roundabout, Bruges. 7 gns (framed)

WALCOT, William (1874–1943)

2. Back Door, Soloman's Palace. 9 gns (framed)

Zorn, Anders. (1860–1920)

3. My Models and My Boat. 25 gns (framed)

4. Against the current. 25 gns (framed)

Kasimir, Luigi. (1881–1962)

5. The old courtyard, Munich. 4 gns (framed)

6. The Tal, Munich. 3 gns (framed)

Tushingham, Sidney. (1884–1968)

7. Landscape. 12 gns (framed)

Bauer, Carl Joseph. (1897–1989)

8. Nude. 6 gns (framed)

Macbeth-Raeburn, Henry. (1860–1947)

9. Mrs Malcolm (after Raeburn). 6 gns

Ward, Leslie. (1895–1978)

10. The Agglestone, Studland Heath, Dorset. 3 gns

11. Old Poole Bridge. 3 gns

12. A Purbeck Farmstead. 3 gns

13. Moonrise in Pinelandd. 4 gns

14. London, from Cherry Gardens. 5 gns

15. Eastington Farm, Dorset. 3 gns

16. Storm and sunshine in the Cotswolds. 4 gns

17. A Dorset Shipyard. 5 gns

18. Whitgift Jetty, Yorkshire. 4 gns

19. Nocturne, Hammersmith. 3 gns

20. The Home of the Barges, Rochester Night. 5 gns

21. Benscombe Farm, Dorset. 3 gns

22. Doughty's Island. 3 gns

23. Nocturne, Westminster. 4 gns

24. An ancient house, Rochester. 3 gns

25. Near Bradle, Dorset. 4 gns

26. Blackmanstone Farm, Dorset. 5 gns

27. The Two Bowsprits, Poole. 4 gns

28. Under the Stern, Poole. 5 gns

29. House at Worth, Maltravers. 2 gns

30. Low Tide, Hammersmith. 3 gns

31. The condemned dwelling. 5 gns

32. Tugs on the Maas, Holland. 4 gns

33. Swanage Mill Pond. 4 gns

34. Thames Factories. 4 gns

Sharland, Edward W. (1884–1967)

35. London Bridge. 3 gns

36. Blackfriars Bridge. 3 gns

37. London Bridge. 3 gns | colour

38. Prince Henry's House, Fleet Street. 3 gns

39. The Old Mint at Bristol. 3 gns

40. Bit of Old London. 3 gns

van RAALTE, Henri (1881–1929)

54. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

55. The cliff 5½ gns (unframed) | aquatint

56. Hillside stream. 8½ gns (unframed) | aquatint

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

57. The end of day 1½ gns (unframed) | aquatint

58. The road. 5 gns (unframed)

59. Day's beginning. 4½ gns (unframed) | aquatint

60. Perth (W.A.). 5½ gns (unframed) | aquatint

61. Morning moon. 4½ gns (unframed)

61. Evening symphony. 5 gns (unframed)

62. Moonlit fields [plate for]. 5 gns (unframed)

63. The Karri Tree glade. 9 gns (unframed)

65. Hills of the south. 5½ gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

66. The leaning tree 5 gns (unframed)

67. An Australian Summer Day. 10 gns (unframed)

68. The creek in flood. 4½ gns (unframed)

69. Morning. 4 gns (unframed)

70. Twisted Branches. 2½ gns (unframed)

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

71. The Bassra guard 5 gns (unframed)

72. The Casa del Fores, Granada. 4 (unframed)

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

73. The barber of Bou-Saada, Algeria 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The Tunis Gate, Kairouan | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

74. The Tunis Gate, Kairouan 6 gns (unframed)

75. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

76. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

77. San Lorenzo in the Forum, Rome 4 gns (unframed)

78. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

79. St Ferreol, Marseilles 5 gns (unframed)

80. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

81. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed).

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

82. Little market, San Gaetano, Naples 5 gns (unframed).

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

83. Old Antequera, Andalucia, Spain 5 gns (unframed)

84. Santa Dominica, Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

85. The vaquero 2½ gns (unframed)

86. The water carrier. 1½ gns (unframed)

87. The bucking brumby. 2 gns (unframed)

88. The Sailor's Return. 2 gns (unframed)

89. A Pipe of Baccy. 2½ gns (unframed)

90. The Law Courts. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

91. Evening ride 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

92. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

93. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

94. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

95. Fruit piece 1 gn (unframed) | woodcut

Herbert, Harold. (1891–1945)

96. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

97. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

98. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

99. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

100. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

101. In Morocco 3½ gns (framed)

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

102. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

103. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

104. The broken plough 3½ gns (framed)

Hosking, W. John. (1930–)

105. Steeplejacks. 4 gns (framed)

Rose, Herbert. (1890–1937)

106 Piazza Umberto Desengano, Italy. 31/2 gns (framed) | drypoint

107. Rue des Tamis, Tunis. 41/2 gns (framed) | drypoint

108. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

109. Fondamenta Tasca, Venice. 31/2 gns (framed)

110. The Zattere, Venice. 31/2 gns (framed) | drypoint

112. Cagnes, France. 31/2 gns (framed)

113. Sydney Harbour from Cremorne. 4 gns (framed)

Wheeler, Charles. (1881–1977)

114. St. Clement Dane's Church. 4 gns (framed)

Friedensen, Thomas. (1879–1931)

114. The home paddock. 3 gns (unframed)

Wheeler, Charles. (1881–1977)

115. Queen Victoria Memorial. 4 gns (framed)

116. Montmartre. 4 gns (framed)

117. La Tour De L'Horloge, Dinan. 4 gns (framed)

118. Milking Time. 4 gns (framed)

119. Aqueduct, Segoria. 4 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

120. The Ring 5 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

121. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

122. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

123. The man in black. 6 gns (unframed)

124. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

125. House on the hill. 4 gns (unframed)

126. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

127. Ducks 1 gn (unframed)

128. Head. 1 gn (unframed)

130. Fish Lane, Chester. 3 gns (unframed)

Waller, Christian. (1894–1954)

Artist: Waller, Christian. | Title: The Sorceress. | Date: c.1922 | Technique: linocut, printed in black ink, from one block

131. The Sorceress. 1½ gns (unframed)

Artist: Waller, Christian. | Title: Morgan Le Fay. | Date: c.1927 | Technique: linocut, printed in colour, from multiple blocks; hand-coloured with gold paint

132. Morgan Le Fay. 3 gns (unframed)

LONG, Sydney (1871–1955)

133. A Sandgrain Pastoral. 3 gns (unframed)

134. Landscape, Narrabeen. 3 gns (unframed)

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

136.

The blacksmith's shop

4 gns (unframed)

138. Boatshed, Narrabeen. 4 gns (unframed)

Friedensen, Thomas. (1879–1931)

139. A Moorish gateway. 1½ gn (unframed)

140. Canal in Venice. 3 gns (unframed)

141. Clearing, Morning. 3 gns (unframed)

142. The flooded creek. 4 gns (unframed)

143. A mountain selection. 2 gns (unframed)

145. Home in the Bush. 1½ gns (unframed)

146. Homestead on the Federal Highway. 2 gns (unframed)

147. The Madonna of the Bush. 2 gns (unframed)

148. Omar, the Tent Maker. 3 gns (unframed)

149. The Grand Canal, Venice. 3 gns (unframed)

LINDSAY, Norman (1879–1969)

150. Enter the Magicians. 15 gns (unframed)

151. Julia Fisk and Mr Brish. 7 gns (unframed)

152. Leda. 10 gns (unframed)

153. Thieves' Kitchen. 10 gns (unframed)

154. C Sharp Minor Quartette. 15 gns (unframed)

155. Night's Frolics. 8 gns (unframed)

156. Don Juan's garden. 8 gns (unframed)

157. Femininity. 12 gns (unframed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

158. Unknown seas 35 gns (unframed)

159. Oblation. 18 gns (unframed)

160. The butterfly. 12 gns (unframed)

161. The Poet. 8 gns (unframed)

162. Love on Earth. 18 gns (unframed)

163. The bride. 12 gns (unframed)

Zelman, Victor. (1877–1960)

164. Reflections, Thornton. 2 gns (framed)

165. Shepherd's Flat. 2 gns (framed)

166. The wood carter. 2 gns (framed)

167. The Burnley Ferry. 2 gns (framed)

168. Pastoral. 2 gns (framed)

Dillon, Cyril. (1883–1974)

169. Spires of St. Paul's, Melbourne. 3 gns (unframed)

170. Melbourne Grammar School. 3 gns (unframed)

171. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

172. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

173. Old Homes, Cumberland Street. 2½ gns (unframed)

174. Entrance, old Colonial Treasury. 4 gns (unframed)

175. Cumberland Street Hostel. 2½ gns (unframed)

176. Argyle. 3 gns (unframed)

177. Entrance to the Farm. 2 gns (unframed)

178. Packing Oranges. 3 gns (unframed).

179. Shade. 3 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

180. Deserted courtyard, Hartley 5 gns (unframed)

181. Rose's Mill, Mt Gilead. 5 gns (unframed)

GOODCHILD, John (1898–1980)

182. Westminster Abbey, London. 3 gns (unframed)

GOODCHILD, John (1898–1980) and SHIRLOW, John (1869–1936)

183. Sydney from Milsons Point. 4 gns (unframed)

GOODCHILD, John (1898–1980)

184. Night, Venice. 1 gn (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

185. Banks of Arno 2 gns (unframed)

186. Gums in sunlight. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

187. Piccadilly Circus (under Reconstruction) 3½ gns (unframed)

188. Castlereagh Street. 2 gns (unframed)

189. Trafalgar Square, London. 3½ gns (unframed)

190. Australian Summer Landscape. 4 gns (unframed)

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

191. The port, London 2½ gns (unframed)

192. Tivoli, Italy. 2½ gns (unframed)

193. The Estuary. 3 gns (unframed)

194. Gateway, Lincoln. 2 gns (unframed)

195. Evening anchorage. 2½ gns (unframed)

196. Home berths. 3 gns (unframed)

197. King Street, Sydney. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

198. Landscape harmony 2 gns (unframed)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

199. Brandon Bridge 5 gns (unframed)

Artist: GOODCHILD, John | Title: Light through trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

200. Light through trees 2 gns (unframed)

201. Solitude. 3 gns (unframed)

Cobb, Victor. (1876–1945)

202. The two stacks. 3 gns (framed)

203. Sunday morning, Collins Street. 3 gns (framed)

204. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

205. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

206. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

207. Trinity College. 2 gns (framed)

208. Doorway, old Scotch College. 2 gns (framed).

209. Scotch College, Hawthorn. 2½ gns (framed)

210. St. John's Church, Toorak. 2½ gns (framed)

211. Princes Bridge, from the West. 3 gns (framed)

212. Scots Church, Collins St. 2½ gns (framed)

213. The archway, Scotch College. 3 gns (framed)

214. The Tower, Melbourne Grammar School. 3 gns (framed)

215. Norman Archway, City Courts. 2½ gns (framed)

216. War Memorial by Lambert, Geelong Grammar. 3 gns (framed)

217. Ye Olde Mitre Tavern. 2½ gns (framed)

218. Coombe Cottage, Coldstream. 4 gns (framed)

219. Pergola and Bath, Coombe Cottage. 4 gns (framed)

220. Queen's Bridge. 1½ gns (framed)

221. Old St. James' Cathedral. 3½ gns (framed)

222. Evening light, Darebin Creek. 3½ gns (framed)

223. Haunt of the Kingfisher, Alexandra. 3 gns (framed)

224. A glimpse Melbourne. 2½ gns (framed)

SHIRLOW, John (1869–1936)

225. Twilight. 4 gns (framed) | aquatint

226. The smithy, Ross, Tasmania. 2 gns (framed)

227. The city. 3 gns (framed)

228. Sunset. 4 gns (framed)

229. Top of Bourke Street. 3 gns (framed)

230. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)

231. Corio Bay, Geelong. 3 gns (framed)

232. Yarraside. (2nd State). 3 gns (framed)

Hosking, W. John. (1930–)

233. The Shearers. 2 gns (unframed)

234. Sleep. 21/2 (unframed)

235. The preacher in the pulpit. 21/2 gns (unframed)

LONG, Sydney (1871–1955)

235. Boyd's Boatshed, Narrabeen. 4 gns (unframed)

Hosking, W. John. (1930–)

236 The dragon plane. 2 gns (unframed)

237. The fairy ring. 31/2 gns (unframed)

238. The butterfly dance. 5 gns (unframed)

239. The caravan. 2 gns (unframed)

240 Steeplejacks. 2 gns (unframed)

241. Refreshment. 2 gns (framed)

242. Ursa Major and Ursa Minor. 2 gns (framed)

243. Hush! the Mantos Prays. 3 gns (framed)

244. Pals. 2 gns (framed)

245. The Light, Fantastic Toe. 3 gns (framed)

246. The Slow Motion Steeplechase. 4 gns (framed)

247. Sunny hours. 3½ gns (framed)

Taylor, Stephanie. (1899–1974)

248. The gum. 2 gns (framed)

McCulloch, Alan. (1907–1992)

249. The coming storm. 3 gns (framed)

250. The Windmill. 2 gns (framed)

Pestell, William. (1930–)

251. Scots' Church Spire. 3 gns (framed)

Williams, C.W. (1930–)

252. Princes Bridge. 4 gns (framed)

253. Scots' Church, Collins Street. 4 gns (framed)

254. Flinders Street Station. 4 gns (framed)

255. Collins Street, from Treasury. 3 gns (framed)

256. Harbour Mists, Sydney. 5 gns (framed)

257. St. Patrick's Cathedral. 5 gns (framed)

258. Morning mists. 4 gns (framed)

259. Parliament House, Melbourne. 7 gns (framed).

260. The T. and G. Building. 6 gns (framed)

261. Sydney Bridge and North Pylon. 5 gns (framed)

262. Old Sydney and 'Our' Bridge. 6 gns (framed)

Eighth Xmas Exhibition of Etchings and Woodcuts by Master Etchers. 8th&#160;Xmas Exhibition of Etchings and Woodcuts by Master Etchers.

Venues

Sedon Galleries [2] (6 December 1932 – 24 December 1932)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia

Works

Brangwyn, Frank. (1867–1956)

1. Roundabout, Bruges. 7 gns (framed)

WALCOT, William (1874–1943)

2. Back Door, Soloman's Palace. 9 gns (framed)

STRANG, William (1859–1921)

3. A Matter of Business. 10 gns

Macbeth-Raeburn, Henry. (1860–1947)

4. Mrs Malcolm (after Raeburn). 6 gns

Ward, Leslie. (1895–1978)

5. Swanage Mill Pond. 4 gns (unframed)

6. Cement works. 5 gns (unframed)

Wyllie, William Lionel (1851–1931)

7. The Fishing Fleet. 5 gns (framed)

Slater, Eric. (1896–)

9. Autumn. 5 gns (unframed).

10. Pyrethrums. 6 gns (unframed).

11. Japanese Bush Lanterns. 8 gns (unframed).

12. The headland by moonlight. 4 gns (unframed).

13. Corfe Castle, Dorset. 4 gns (unframed).

14. Rough Sea. 4 gns (unframed).

15. Sussex Mill. 5 gns (unframed).

Brouet, L. (1932–)

17. Three Caravans. 10 gns (unframed)

Hartrick, A.S. (1864–1950)

18. The Wassailers. 8 gns (unframed)

19. The evening hymn. 10 gns (unframed)

20. The Bellringers. 10 gns (unframed)

21. The cartbread, St Peter's Dunstable. 10 gns (unframed)

22. Needpath Castle. 8 gns (unframed)

Knight, Loxton.

23. Norwich. 5 gns (unframed)

Blatherwith, Lily. (1859–1934)

25. The Poppy. 5 gns (unframed)

26. February Fairmaids. 5 gns (unframed)

27. Poppies. 6 gns (unframed)

28. Shirley Poppies. 10 gns (unframed)

30. The Frog and the Water Lilies. 10 gns (unframed)

HANFSTANGEL (by 1932)

31. Head after Holbein. 5 gns (unframed)

32. Head after Holbein. 5 gns (unframed)

Christensen, Arent. (1898–1982)

33. A Roman Watermill. 6 gns (unframed)

Emanuel, Frank. (1865–1948)

34. Normanby. 5 gns

HARVEY, F. (by 1932)

35. The Players. 12 gns

Hammer, Nicolas. (1932–)

36. Bromley. 3 gns (unframed)

Fitzgerald, C.

37. Fountain of Love. 10 gns (unframed) | mezzotint

38. The Laughing Cavalier. 5 gns (unframed) | mezzotint

39. La Confidence. 7 gns (unframed) | mezzotint

40. The Dancers of Gondolf Castle (after Corot). 7 gns (unframed) | Mezzotint

Zipperer, Ernest. (1888–1992)

41. Bremen. 4 gns

Japanese printmaker.

42. Geese. 5 gns (unframed) | woodcut

43. The canal. 5 gns (unframed).

44. Winter. 4 gns (unframed) | woodcut

van RAALTE, Henri (1881–1929)

57. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

58. The cliff 5½ (unframed) | aquatint

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

59. The end of day 4½ gns (unframed) | aquatint

60. The road. 5 gns (unframed)

61. Day's beginning. 4½ gns (unframed) | aquatint

62. Perth (W.A.). 5½ gns (unframed) | aquatint

63. Moonlit fields [plate for]. 5 gns (unframed)

64. The Karri Tree glade. 9 gns (unframed)

65. Hills of the south. 5½ gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

66. The leaning tree 5 gns (unframed)

67. An Australian Summer Day. 10 gns (unframed)

68. Morning. 4 gns (unframed)

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

69. The Bassra guard 5 gns (unframed)

70. The Casa del Fores, Granada. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

71. The barber of Bou-Saada, Algeria 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The Tunis Gate, Kairouan | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

72. The Tunis Gate, Kairouan 6 gns (unframed)

73. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

74. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

75. San Lorenzo in the Forum, Rome 4 gns (unframed)

76. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

77. St Ferreol, Marseilles 5 gns (unframed)

78. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

79. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

80. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

81. Old Antequera, Andalucia, Spain 5 gns (unframed)

82. Santa Dominica Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

83. The vaquero 2½ gns (unframed)

84. Street Balcony, Guadelupe. 3 gns (unframed)

85. San Idilfonso. 4 gns (unframed)

86. Dawes Point. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

87. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

88. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

89. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

90. Fruit piece 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Hornbill | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

91. Hornbill 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Polar Bear | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

92. Polar Bear 2 gns (unframed) | woodcut

93. Currassow and Oleander. 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The clipped wing | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

94. The clipped wing 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The crab | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

95. The crab 2 gns (unframed) | woodcut

96. Camelias. 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Owls | Date: 1932 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

97. Owls 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

98. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

99. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

100. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

101. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

102. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

103. In Morocco 3½ gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

104. The haystacks 3 gns (framed)

Rose, Herbert. (1890–1937)

105. St. Marks, Venice. 4 gns (framed)

106. Piazza Umberto Desengano, Italy. 3½ gns (framed)

107. Rue des Tamis, Tunis. 4½ gns (framed)

108. Place St. Pierre, Chartres, France. 3 gns (framed)

109. Fondamenta Tasca, Venice. 3½ gns (framed)

110. The Zattere, Venice. 3½ gns (framed) | drypont

112. Cagnes, France. 3½ gns (framed)

113. Sydney Harbour from Cremorne. 4 gns (framed)

114. Old gateway, Sisteron, France. 41/2

115. The old bridge, Besalu, Spain. 4 gns

GOODCHILD, John (1898–1980)

122. Westminster Abbey, London. 3 gns (unframed)

123. Sydney, from Milson's Point. 4 gns (unframed)

124. Night, Venice. 1 gn (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

125. Banks of Arno 2 gns (unframed)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

126. Piccadilly Circus (under Reconstruction) 3½ gns (unframed)

127. Trafalgar Square, London. 3½ gns (unframed)

128. Australian Summer Landscape. 4 gns (unframed)

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

129. The port, London 2½ gns (unframed)

130. Tivoli, Italy. 2½ gns (unframed)

131. Evening anchorage. 2½ gns (unframed)

132. King Street, Sydney. 3 gns (unframed)

LONG, Sydney (1871–1955)

133. A Sandgrain Pastoral. 3 gns (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

133. Brandon Bridge 5 gns (unframed)

134. Solitude. 3 gns (unframed)

135. Landscape, Otway Ranges. 5 gns (unframed)

136. Barwon Heads. 4 gns (unframed)

137. Otway Ranges. 4 gns (unframed)

LONG, Sydney (1871–1955)

138. Boatshed, Narrabeen. 1 gn (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Yarra Mouth | Date: 1936 | Technique: aquatint, printed in black ink, from one plate

138. Yarra Mouth 3 gns (unframed)

139. Ti-tree and Morning Light. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Afternoon light | Date: 1929 | Technique: lithograph, printed in black ink, from one stone

140. Afternoon light 2 gns (unframed)

Artist: GOODCHILD, John | Title: Riverside trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

141. Riverside trees 3 gns (unframed)

142. Morning glow. 3 gns (unframed)

143. Summer glow. 5 gns (unframed)

144. The barn. 10 gns (unframed)

145. Winter Glow. 2½ gns (unframed)

146. Hick's Lane, Melbourne. 1½ gns (unframed)

147. Swanston Street, Melbourne. 3½ gns (unframed)

148. Italian markets, Rome. 15 gns (unframed)

149. The Grand Canal, Venice. 25 gns (unframed)

150. Ponte Vecchio, Florence. 12 gns (unframed)

LINDSAY, Norman (1879–1969)

151. Enter the Magicians. 15 gns (unframed)

152. Julia Fisk and Mr Brish. 7 gns (unframed)

153. Leda. 10 gns (unframed)

154. Thieves' Kitchen. 10 gns (unframed)

155. C Sharp Minor Quartette. 15 gns (unframed)

156. Night's Frolics. 8 gns (unframed)

157. Don Juan's garden. 8 gns (unframed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

158. Unknown seas 35 gns (unframed)

159. Oblation. 18 gns (unframed)

160. The butterfly. 10 gns (unframed)

161. The Poet. 8 gns (unframed)

162. Love on Earth. 18 gns (unframed)

163. The bride. 10 gns (unframed)

Sherwood, Maud. (1880–1956)

164. Camelias. 4 gns (unframed)

165. The Market. 3 gns (unframed)

166. Spanish shepherd. 1 gn (unframed)

167. Anemonies. 4 gns (unframed)

168. Spanish Market. 4 gns (unframed)

169. Venetian fishing boats. 2½ gns (unframed)

170. Capri. 3 gns (unframed)

171. The Discussion. 2 gns (unframed)

172. Place St Nicolas, Sospel. 2 gns (unframed)

173. After the Service. 1 gn (unframed)

174. The Dancer. 1½ gns (unframed)

175. The Bridge. 1 gn (unframed)

SHIRLOW, John (1869–1936)

176. Twilight. 4 gns (framed) | aquatint

177. The smithy, Ross, Tasmania. 2 gns (framed)

178. The city. 3 gns (framed)

179. Sunset. 4 gns (framed)

180. Top of Bourke Street. 3 gns (framed)

181. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)

182. Corio Bay, Geelong. 3 gns (framed)

183. Yarraside. (2nd State). 3 gns (framed)

184. Swanston Street and Station. 6 gns (framed)

185. Princes Bridge. 5 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

187. The Ring 5 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

188. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

189. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

190. The man in black. 6 gns (unframed)

191. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

192. House on the hill. 4 gns (unframed)

193. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

194. Ducks 1 gn (unframed)

195. Head. 1 gn (unframed)

197. Fish Lane, Chester. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Bantams. | Date: c.1932 | Technique: linocut, printed in colour, from multiple blocks

198. Bantams. 8 gns (unframed)

199. The labyrinth. 3 gns (unframed)

Waller, Christian. (1894–1954)

Artist: Waller, Christian. | Title: The Sorceress. | Date: c.1922 | Technique: linocut, printed in black ink, from one block

200. The Sorceress. 1½ gns (unframed)

Artist: Waller, Christian. | Title: Morgan Le Fay. | Date: c.1927 | Technique: linocut, printed in colour, from multiple blocks; hand-coloured with gold paint

201. Morgan Le Fay. 3 gns (unframed)

202. The Great Breath. (book). 4 gns (unframed)

Wheeler, Charles. (1881–1977)

203. St. Clement Dane's Church. 4 gns (framed)

204. Queen Victoria Memorial. 4 gns (framed)

205. Montmartre. 4 gns (framed)

206. La Tour De L'Horloge, Dinan. 4 gns (framed)

207. Aqueduct, Segovia. 4 gns (framed)

Friedensen, Thomas. (1879–1931)

208. A Moorish gateway. 1½ gns (unframed)

209. Canal in Venice. 3 gns (unframed)

210. Clearing, Morning. 3 gns (unframed)

211. The flooded creek. 4 gns (unframed)

212. The Madonna of the Bush. 2 gns (unframed)

213. Omar, the Tent Maker. 3 gns (unframed)

214. The Grand Canal, Venice. 3 gns (unframed)

Campbell, Fred. (1851–1930)

215. Healesville. 4 gns

LONG, Sydney (1871–1955)

216. Landscape, Narrabeen. 3 gns (unframed)

217. Boyd's Boatshed, Narrabeen. 4 gns (unframed)

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

218.

The blacksmith's shop

4 gns (unframed)

219. Badnage Landscape. 4 gn (unframed)

Britton, Fred. (1889–1931)

220. The slips. 5 gns (unframed)

221. A relic of the forties. 6 gns (unframed)

222. Morning light. 5 gns (unframed)

Goodchild, Doreen. (1900–1998)

223. The Hoers. 5 gns (unframed)

Fasken, Myrtle. (1889–1972)

224 Shearing Woodcuts, 1 guinea each. set of seven. 1 gn each (unframed)

Goodchild, Doreen. (1900–1998)

224. The Hoers. 6 gns

Dillon, Cyril. (1883–1974)

227. Spires of St. Paul's, Melbourne. 3 gns (unframed)

227. Spires of St. Paul's, Melbourne. 3 gns (unframed)

228. Melbourne Grammar School. 3 gns (unframed)

228. Melbourne Grammar School. 3 gns (unframed)

229. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

229. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

230. 'Queens' Melbourne University. 3 gns (unframed)

230. 'Queen's', Melbourne University. 3 gns (unframed)

231. Serenity. 3½ gns (unframed)

231. Serenity. 3½ gns (unframed)

URE SMITH, Sydney (1887–1949)

232. Old houses, Cumberland Street, the Rocks. 2½ gns (unframed)

233. Entrance, old Colonial Treasury. 4 gns (unframed)

234. Cumberland Street Hostel. 2½ gns (unframed)

235. Argyle. 3 gns (unframed)

236. Entrance to the Farm. 2 gns (unframed)

237. Packing Oranges. 3 gns (unframed)

238. Shade. 3 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

239. Deserted courtyard, Hartley 5 gns (unframed)

240. Rose's Mill, Mt Gilead. 5 gns (unframed)

241. Bellevue Hills. 4 gns (unframed)

Cobb, Victor. (1876–1945)

242. Scotch College, Hawthorn. 2½ gns (framed)

243. St. John's Church, Toorak. 2½ gns (framed)

244. Princes Bridge, from the West. 3 gns (framed)

245. The archway, Scotch College. 3 gns (framed)

246. The Tower, Melbourne Grammar School. 3 gns (framed)

247. Norman Archway, City Courts. 2½ gns (framed)

248. War Memorial by Lambert, Geelong Grammar. 3 gns (framed)

GRIFFIN, Murray (1903–1992)

249. Portrait. 1 gn (unframed)

Artist: GRIFFIN, Murray | Title: Regent bower birds [1]. | Date: 1932 | Technique: linocut, printed in colour, from multiple blocks

250. Regent bower birds [1]. 2 gns (unframed)

251. Magpies [1]. 2 gns (unframed)

252. Comrades. 1 gn (unframed)

253. On the road. 1 gn (unframed)

Montgomery, Anne. (1908–1991)

Artist: Montgomery, Anne. | Title: Shadow and sunlight | Date: 1932 | Technique: etching, printed in brown ink with plate-tone on one plate

254. Shadow and sunlight 2 gns (framed)

255. Ti-tree Pattern. 2 gns (framed)

256. The challenge. 1 gn (framed)

257. Spanish Doorway (Phelia Grimwade House). 2 gns (framed)

Zelman, Victor. (1877–1960)

258. Reflections, Thornton. 2 gns (framed)

259. Shepherd's Flat. 2 gns (framed)

260. The wood carter. 2 gns (framed)

261. The Burnley Ferry. 2 gns (framed)

262. Pastoral. 2 gns (framed)

263. Sailors' Mission Church. 2 gns (framed)

Taylor, Stephanie. (1899–1974)

264. The gum. 2 gns (framed)

265. Glimpse of the Bush. 1 gn (framed)

Hosking, W. John. (1930–)

266. The Shearers. 2 gns (framed)

267. Sleep. 2½ gns (framed)

268. The preacher in the pulpit. 2½ gns (framed)

269. The dragon plane. 2 gns (framed)

270. The fairy ring. 3½ gns (framed)

271. The butterfly dance. 5 gns (framed)

272. The caravan. 2 gns (framed)

273. Steeplejacks. 2 gns (framed)

274. Refreshment. 2 gns (framed)

275. Ursa Major and Ursa Minor. 2 gns (framed)

276. Hush! the Mantus Prays. 3 gns (framed)

277. Pals. 2 gns (framed)

278. The Light, Fantastic Toe. 3 gns (framed)

279. The Slow Motion Steeplechase. 4 gns (framed)

280. Sunny hours. 3½ gns (framed)

Thompson, Thelma. (1920–)

281. The Hermitage Bell. 2 gns (framed)

Williams, C.W. (1930–)

281. Princes Bridge. 4 gns

Thompson, Thelma. (1920–)

282. The Bridge of Sighs, Venice. 3 gns (framed)

283. Yorkminster. 3 gns (framed)

Williams, C.W. (1930–)

285. Scots' Church, Collins Street. 4 gns

286. Flinders Street Station. 4 gns

287. St. Patrick's Cathedral. 5 gns

288. Parliament House, Melbourne. 7 gns.

289. The T. and G. Building. 6 gns

290. Old Sydney and 'Our' Bridge. 6 gns

291. Gums. 4 gns

Dyson, Will. (1880–1938)

292. Mornin' White Trash!. 4 gns