Macquarie Shore.

Herbert Gallop (1890–1958)

Macquarie Shore.

EXHIBITION HISTORY 1 – 4 of 4 exhibitions

Catalogue of the Eighth Annual Exhibition of the Australian Painter-Etchers' Society [1928].

Venues

Education Department Gallery (8 June 1928 – 23 June 1928)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

ROBERTSON, Bruce (1872–1943)

A bush track. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

The Apple Gum. £2.10.0 (unframed)

Walker, F. Sidney. (1888–1972)

Lagoon. £1.01.0 (unframed)

Narooma, N.S.W. £2.02.0 (unframed)

Sunlit gums. £1.11.6 (unframed)

Harbour. £2.02.0 (unframed)

Haystacks. £1.01.0 (unframed)

Evening, Narooma. £1.11.6 (unframed)

The Drying Creek. £1.11.6 (unframed)

ROBERTSON, Bruce (1872–1943)

10. Riverside Trees. £2.10.0 (unframed)

11. River Oaks. £1.11.6 (unframed)

12. Australian River. £1.05.0 (unframed)

13. The Vista. £1.11.6 (unframed)

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

14. Roadside trees £1.05.0 (unframed)

15. Australina Pastoral. £1.05.0 (unframed)

16. Margarets, Lake Macquarie. £1.01.0 (unframed)

17. The Market, West Wemys Fife. £1.17.6 (unframed)

18. Fairy Bower, Manly, N.S.W. £1.11.6 (unframed)

19. Reflections Cook's River, N.S.W. £2.02.0 (unframed)

Godson, John Barclay. (1882–1957)

20. Church Montreuil. £3.03.0 (unframed)

21. A South Coast Farm*. £3.03.0 (unframed)

23. Entrance to Courtyard of L'Hotel De France, Montreuil*. £2.12.6 (unframed)

24. Scrivener's Mill, Mt. Irvine. £2.12.6 (unframed)

25. Old courthouse, Montreuil. £2.12.6 (unframed)

26. Brotham Bar and Minster, york. £2.12.6 (unframed)

27. The Shambles, York. £2.12.6 (unframed)

28. Jetty, Etaples. £2.02.0 (unframed)

29. Mosque Door, Cairo. £2.02.0 (unframed)

30. Middle Harbour, Peep. £2.02.0 (unframed)

31. Richmond Castle Tower, Yorks. £2.02.0 (unframed)

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: St Pauls, Cobitty | Date: 1928 | Technique: etching, printed in black ink, from one plate

32. St Pauls, Cobitty £3.03.0 (unframed)

33. Packing Oranges. £3.03.0 (unframed)

Friedensen, Thomas. (1879–1931)

34. The Wollondilly, N.S.W. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club

35. Bridge Building, Sydney Harbour*. £3.03.0 (unframed)

36. Homestead, North West. £2.12.6 (unframed)

37. Windsor Castle, Berkshire. £2.12.6 (unframed)

Artist: Friedensen, Thomas. | Title: Cobbers. | Date: 1928 | Technique: etching, printed in black ink, from one plate

38. Cobbers. £2.12.6 (unframed)

39. The Old Drover. £1.11.6 (unframed)

Artist: Friedensen, Thomas. | Title: Cockatoo. | Date: 1927 | Technique: etching, printed in brown ink, from one plate

40. Cockatoo. £2.02.0 (unframed)

Britton, Fred. (1889–1931)

41. Mylor Cottages. £2.02.0 (unframed)

42. Old commissariat stores, Sydney. £2.02.0 (unframed)

43. Hyde Park Barracks. £3.03.0 (unframed) | Print available for selection by members of the Australian Print-Collectors Club.

Artist: Britton, Fred. | Title: Sydney Harbour Bridge construction. | Date: 1929 | Technique: etching and drypoint, printed in black ink, from one plate

44. Sydney Harbour Bridge construction. £3.03.0 (unframed) | Print available for selection by members of the Australian Print-Collectors Club

Artist: Britton, Fred. | Title: Julian Ashton esq. | Date: (1925) | Technique: etching, printed in black ink, from one plate

45. Julian Ashton esq. £3.03.0 (unframed)

46. At Mona Vale. £1.11.6 (unframed)

47. On the Murray. £2.12.6 (unframed)

48. Nocturne. £2.02.0 (unframed)

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Waterloo Bridge in course of demolition | Date: 1928 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Waterloo Bridge in course of demolition £4.04.0 (unframed)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. Hawkesbury landscape £5.05.0 (unframed)

Artist: LONG, Sydney | Title: Dee Why landscape | Date: 1928 | Technique: line-etching, printed in red-brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

51. Dee Why landscape £4.04.0 (unframed)

Artist: LONG, Sydney | Title: Reflections, Avoca | Date: (1928) | Technique: line-etching, printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Reflections, Avoca £3.03.0 (unframed)

53. The Harbour from Greenwich. £2.12.6 (unframed)

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

54. Windmill Street, Old Sydney [1] £3.03.0 (unframed)

55. St. Ives. £4.04.0 (unframed)

Artist: LONG, Sydney | Title: The water meads | Date: 1928 | Technique: line-etching, drypoint printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

56. The water meads £3.03.0 (unframed)

van RAALTE, Henri (1881–1929)

57. Perth Town Hall, Morning. £3.03.0 (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

58. The end of day £4.04.0 (unframed)

59. The creek in flood. £3.13.6 (unframed)

60. Morning. £4.04.0 (unframed)

61. A Karri Tree Glade. £6.06.0 (unframed)

62. Day's beginning. £3.03.0 (unframed)

63. The road. £4.04.0 (unframed)

64. Hills of the south. £3.03.0 (unframed)

Morgan, Squire. (1886–1974)

65. Silhouette*. £3.03.0 (unframed)

66. Willows. £2.02.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

67. The path to the beach. £1.01.0 (unframed)

68. Pointer Pups. £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

69. Piccadilly Circus (under Reconstruction) £3.13.6 (unframed)

70. Martin Place. £3.13.6 (unframed)

71. Home berths. £3.03.0 (unframed)

Glover, Allan. (1900–1984)

72. The Thatched Stable. £1.11.6 (unframed)

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

73. Sunlight and ships £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

74. The mooring post. £1.01.0 (unframed)

75. The Scarred Veteran*. £3.03.0 (unframed)

76. Among the Gums. £1.11.6 (unframed)

77. The foundry. £1.11.6 (unframed)

GOODCHILD, John (1898–1980)

77. Venetian mooring. 1 gn (unframed)

Glover, Allan. (1900–1984)

78. Stormy sunset £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

78. Tivoli, Italy. 2½ gns (unframed)

Glover, Allan. (1900–1984)

79. Hilltop. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

79. Home berths. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

80. Berry's Bay. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

80. Thames Wharf. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

81. Lion Island, Broken Bay. £2.02.0 (unframed)

GOODCHILD, John (1898–1980)

81. Winter Glow. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

82. The Bell Inn at Stilton. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

82. Brandon Bridge 3½ gns (unframed)

FULLWOOD, A.H. (1863–1930)

83. Mt. Cook, N.Z. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

83. Landscape harmony 2 gns (unframed)

FULLWOOD, A.H. (1863–1930)

84. The Hermitage, Mt. Cook, N.Z. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

84. English country [pen drawing]. *4 gns (unframed) | pen drawing

FULLWOOD, A.H. (1863–1930)

85. Mt. Cook from Lake Pukeki. £2.02.0 (unframed)

GOODCHILD, John (1898–1980)

85. The country mill [pen drawing]. *4 gns (unframed) | pen drawing

FULLWOOD, A.H. (1863–1930)

86. City Railway, Wynyard Square, Sydney*. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

86. King St., Sydney [pencil]. 7 gns (unframed) | pencil

FULLWOOD, A.H. (1863–1930)

87. Clyde Street, Sydney. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

87. Wareham, England pencil. *5 gns (unframed)

88. The Round Pond, Kensington Gardens pencil. *4 gns (unframed)

Coffey, Alfred. (1869–1950)

88. Calder House, Eveleigh*. £3.03.0 (unframed)

Paul, Dorothy Ellsmore. (1900–1974)

89. Nude. £1.11.6 (unframed)

90. The Old Pilgrim Inn. £4.04.0 (unframed)

Farmer, Helen. (1888–1970)

91. Susan Island, Clarence River. £3.03.0 (unframed)

92. Evening calm. £2.02.0 (unframed)

93. On the Banks of the Clarence. £2.02.0 (unframed)

94. The end of the village. £1.01.0 (unframed)

Rose, Herbert. (1890–1937)

95. The Zattere, Venice. £3.03.0 (unframed)

Whitney, William Montague. (1880–1946)

96. A Relic of St. Marys, Edwardstown S.A.*. £2.12.6 (unframed)

97. Old outhouses St. Marys, Edwardstown, S.A. £2.12.6 (unframed) | Print available for selection by members of the Australian Print-Collectors Club

TRAILL, Jessie (1881–1967)

98. The Tunnel, Genoa. £4.04.0 (unframed)

99. The Tower, Carcassonne, Night. £5.05.0 (unframed)

100. Building Harbour Bridge, Sydney, No.II, Nov. £5.05.0 (unframed)

Artist: TRAILL, Jessie | Title: La forza [the force] | Date: 1927 | Technique: mezzotint, printed in black ink, from one plate

101. La forza [the force] £2.02.0 (unframed)

Grey, F. Millward. (1899–1957)

102. The Bather [pen and ink]. £0.05.0 (unframed)

103. The broken strap. £2.10.0 (unframed)

104. The Rackam Gum. £2.02.0 (unframed)

105. The Japanese Girl. £10.11.0 (unframed)

Wood, A.J. (1929–)

106. Portrait. £1.01.0 (unframed)

107. Portrait. £1.01.0 (unframed)

THURLOW, Ernest (1920s )

108. Through the Trees. £1.01.0 (unframed)

Flanagan, John Richard. (1895–1964)

109. The Sage. £2.02.0 (unframed)

Reid, D.G. (1862–1933)

110. Loading Fruit on the Hawkesbury. £2.02.0 (unframed)

111. Hill Crest. £3.03.0 (unframed)

112. The Rickyard*. £3.03.0 (unframed)

113. Source of the Minnimurra*. £3.03.0 (unframed)

114. Within sound of the Sea. £2.02.0 (unframed)

115. The Orchard Cart. £2.02.0 (unframed)

116. The Hayfield. £2.02.0 (unframed)

117. Eventide. £2.02.0 (unframed)

SHIRLOW, John (1869–1936)

118. Hobart Town. £3.13.6 (unframed)

119. Collins Street. £3.13.6 (unframed)

120. Convict Church, Port Arthur. £3.13.6 (unframed)

Walker, Leslie James. (1894–1951)

121. Lakeside. £1.01.0 (unframed)

122. The Iron Gate, Parramatta. £1.01.0 (unframed)

123. Alleyway. £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

124. Ross Bridge. £2.02.0 (unframed)

125. Tasmanian club. £1.01.0 (unframed)

126. North Mine, Broken Hill. £1.01.0 (unframed)

127. The Day Shift. £3.03.0 (unframed)

Goodhart, J.C. (1873–1952)

128. Klondyke Propty. Mine. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

129. Solitude. £1.11.6 (unframed)

McDonald, Sheila. (1902–1971)

130. Five Miles East of Windsor. £2.02.0 (unframed)

131. The Rocks, Sydney. £1.11.6 (unframed)

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

132. Bulletin Place, Sydney £2.02.0 (unframed)

Hilder, Bim. (1909–1990)

134. Gum trees. £1.01.0 (unframed)

Dwyer, Ella. (1887–1979)

135. The wind bloweth. £1.01.0 (unframed)

136. Forsaken. £1.01.0 (unframed)

137. Old mill buildings, Hobart. £2.02.0 (unframed)

138. A bush camp. £1.01.0 (unframed)

139. Bridge at Richmond, Tas. £1.11.6 (unframed)

140. Lady Franklin Museum, Hobart. £1.01.0 (unframed)

Crisp, James. (1879–1962)

141. Possums. £1.11.6 (unframed)

142. Jamberoo to Nowra. £1.11.6 (unframed)

143. The old wharf, Huskisson, N.S.W. £1.01.0 (unframed)

144. Old White House, Rhodes. £1.01.0 (unframed)

145. The Lakes Entrance, Victoria. £1.11.6 (unframed)

146. A bit of Eden, South Coast. £1.11.6 (unframed)

147. St. Michael's Church, Rose Bay. £1.11.6 (unframed)

148. College Street. £1.01.1 (unframed)

Crisp, James. (1879–1962) and Whitford, Dora. (1898–1969)

149. The sentinel. £1.11.6 (unframed)

Crisp, James. (1879–1962)

150. The old mill, Auckland, N.Z. £1.11.6 (unframed)

Hardie, Martin. (1875–1952)

154. A Street at Chioggia. £5.05.0 (unframed)

155. St. Malo. £4.14.6 (unframed)

156. Bric A Brac. £4.14.6 (unframed)

157. Bereland. £4.04.0 (unframed)

158. A river of Normandy. £3.13.6 (unframed)

159. Sunset at Slaughter. £3.13.6 (unframed)

OSBORNE, Malcolm (1880–1963)

160. His Honor, Judge Parry. £8.08.0 (unframed)

161. Avignon. £8.08.0 (unframed)

162. Wayside Talkes, Dieppe. £6.06.0 (unframed)

163. City Walls, Avignon. £6.06.0 (unframed)

164. The Little Crucifix, Carcassonne. £6.06.0 (unframed)

SHORT, Frank (1857–1945)

165. The Shadowed Valley; The South Downs. £21.00.0 (unframed)

166. Mr Right at Dawn. £18.18.0 (unframed)

167. Dawn. £10.10.0 (unframed)

168. The Thames at Twickenham. £10.10.0 (unframed)

169. The head of Langston Harbor. £8.08.0 (unframed)

Airy, Anna. (1882–1964)

170. Pea Pods. £5.05.0 (unframed)

171. The Visitor. £5.05.0 (unframed)

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

172. Nude Study. £6.06.0 (unframed)

Gallop, Herbert. (1890–1958)

173. Burragorang Valley. £1.11.6 (unframed)

174. Windswept. £3.03.0 (unframed)

175. Lacewood Pines. £2.12.6 (unframed)

176. Mt. Keira (North Wollongong). £3.03.0 (unframed)

177. Macquarie Shore. £2.02.0 (unframed)

178. The Open Beach. £1.01.0 (unframed)

Rees, Lloyd. (1895–1988)

179. A Sketch in Rome. £7.07.0 (unframed)

Walker, F. Sidney. (1888–1972)

180. Close of Day, Narooma. £3.03.0 (unframed)

181. Sketch Narooma. £2.02.0 (unframed)

Rees, Lloyd. (1895–1988)

182. The Tower of the Mangia, Sienz, Italy. £8.08.0 (unframed)

183. St. Peter's, Rome. £26.05.0 (unframed)

TRINDALL, Lyall (1866–1965)

184. Nude Study. £15.15.0 (unframed)

Rees, Lloyd. (1895–1988)

185. The Cathedral. £42.00.0 (unframed) | Drawing section

TRINDALL, Lyall (1866–1965)

186. An Interesting tory. £15.15.0 (unframed)

Rees, Lloyd. (1895–1988)

187. Notre Dame De Paris. £10.10.0 (unframed)

TRINDALL, Lyall (1866–1965)

188. Study of a head. £15.15.0 (unframed)

Ashton, Will. (1881–1963)

189. Landscape. £5.05.0 (unframed)

190. Trees at Narrabeen.

LONG, Sydney (1871–1955)

191. St. Ives. £5.05.0 (unframed)

Baker, Normand H. (1908–1955)

192. Head of an old woman. £10.10.0 (unframed)

Ashton, Will. (1881–1963)

193. Rue Mouffard.

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Waterloo Bridge in course of demolition | Date: 1928 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

194. Waterloo Bridge in course of demolition

Ashton, Will. (1881–1963)

195. Rue Galande.

Walker, F. Sidney. (1888–1972)

196. Sketch for Sunlit Gums. £3.03.0 (unframed)

LONG, Sydney (1871–1955)

197. Study for. £10.10.0 (unframed)

Wilkinson, Leslie. (1882–1973)

198. Wells Cathedral, Chapter House Staircase.

199. St. Mark's Venice, North Transpept.

200. The Octagon, Ely Cathedral.

Rose, Herbert. (1890–1937)

201. St. Gervais, Paris. £8.08.0 (unframed)

LONG, Sydney (1871–1955)

202. Study for. £10.10.0 (unframed)

Proctor, Thea. (1879–1966)

203. Scarf. £12.12.0 (unframed)

204. The Dancer. £10.10.0 (unframed)

205. Portrait of a Young Man. £10.10.0 (unframed)

Rose, Herbert. (1890–1937)

206. A Street of Stairs, Villefranche. £8.08.0 (unframed)

Britton, Fred. (1889–1931)

Artist: Britton, Fred. | Title: Julian Ashton esq. | Date: (1925) | Technique: etching, printed in black ink, from one plate

207. Julian Ashton esq. £12.12.0 (unframed)

208. The Old Mint, Sydney. £8.08.0 (unframed)

Rose, Herbert. (1890–1937)

209. The Market, Venice. £12.12.0 (unframed)

210. Rio Toresela, Venice. £5.05.0 (unframed)

211. Old houses, Villefrance. £5.05.0 (unframed)

212. St. Cirq-La-Popie, France. £8.08.0 (unframed)

Reid, D.G. (1862–1933)

213. Old colonial homestead. £3.03.0 (unframed)

Farmer, Helen. (1888–1970)

214. Susan Island. £5.05.0 (unframed)

215. Sketch for Kurrajongs. £5.05.0 (unframed)

Eilbeck, Harrie. (1928–)

216. The Alchemist. £10.10.0 (unframed)

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

217. The cliff £6.06.0 (unframed)

Walker, Leslie James. (1894–1951)

218. Old sawmill, Parramatta. £5.05.0 (unframed)

219. The Hawkesbury at Richmond. £5.05.0 (unframed)

220. Reilly's Sheds, Burragorang. £5.05.0 (unframed)

UNKNOWN

221. Silenus. £7.07.0 (unframed)

PRESTON, Margaret (1875–1963)

222. Banksias. £1.01.0 (unframed)

Artist: PRESTON, Margaret | Title: Circular Quay | Date: 1925 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

223. Circular Quay £1.01.0 (unframed)

224. Nude. £1.01.0 (unframed)

Dattilo-Rubbo, Anthony. (1870–1955)

225. Old age. £15.15.0 (unframed)

FEINT, Adrian (1894–1971)

226. Circe. £2.12.6 (unframed)

Ashton, Will. (1881–1963)

227. Palaces, The Grand Canal.

FEINT, Adrian (1894–1971)

227. Milsons Point. £2.02.0 (unframed)

Ashton, Will. (1881–1963)

228. Landscape near Dee Why.

Baker, Normand H. (1908–1955)

230. Pen and Ink Study. £8.08.0 (unframed)

Reid, D.G. (1862–1933)

231. Dawn. £5.05.0 (unframed)

232. An ancient barn. £3.03.0 (unframed)

Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.

Venues

Sedon Galleries [1] (26 November 1929 – 31 December 1929)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

Nixon, Job. (1891–1938)

90. Concarneau. 5 Gns (unframed)

91. Concarneau. 5 gns (unframed).

92. Falmouth. 4 gns (unframed)

93. Madona in the wall, Subiaco. 4gns (unframed).

Orlik, Emil. (1870–1932)

149. An old Arab. 2 gns (framed)

150. A Dutch Study. 3 gns (framed)

151. Felucca on the Nile. 1½ gns (framed)

152. Portrait Study. 5 gns (framed)

Geissler, Paul. (1881–)

153. Nuremberg Castle. 3 gns (framed)

154. Lane in Rottenberg. 3 gns (framed)

155. City Gateway, Rottenberg. 4 gns (framed)

Dale, H. Sheppard. (1852–1921)

156. Thomas House, Rye. 3 gns (unframed)

UNWICK, W.N.

157. A Sussex Landscape. 3 gns (unframed)

Upoka, Joseph.

158. The Standard Bearer. 3 gns (unframed)

Geiger, Willy. (1878–1971)

159. The Toreador. 6 gns (unframed)

Boyd, Penleigh. (1890–1923)

160. The big gum. 7 gns (framed) | 1 only for sale

161. Edge of the clearing. 7 gns (framed) | 1 only for sale

162. Edge of the bush. 7 gns (framed)

van RAALTE, Henri (1881–1929)

163. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

164. The cliff 4 gns (unframed)

165. Dawn on the Valley Road. 3 gns (unframed)

166. The sentinel (Torrens Gorge). 6 gns (unframed)

167. Silver evening. 8 gns (unframed)

168. Hillside stream. 6 gns (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

169. The end of day 3 gns (unframed)

170. The road. 3 gns (unframed)

171. Day's beginning. 3 gns (unframed)

172. Roses. 10 gns (unframed)

173. The Big Gums. 10 gns (unframed)

174. Perth (W.A.). 4 gns (unframed)

175. Autumn dawn. 4 gns (unframed)

176. Morning moon. 3 gns (unframed)

177. Moonlit fields [plate for]. 3 gns (unframed)

178. The Karri Tree glade. 6 gns (unframed)

179. Evening symphony. 3½ gns (unframed)

180. Hills of the south. 4 gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

181. The leaning tree 3 gns (unframed)

182. An Australian Summer Day. 8 gns (unframed)

183. The creek in flood. 3½ gns (unframed)

184. Morning*. 2½ gns (unframed)

185. Twisted Branches. 2 gns (unframed)

LINDSAY, Lionel (1874–1961)

186. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

187. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

188. San Lorenzo in the Forum, Rome 4 gns (unframed)

189. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

190. St Ferreol, Marseilles 5 gns (unframed)

191. Casa du Cordon. 5 gns (unframed)

192. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

193. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

194. Church in Seville. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

195. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

196. Old Antequera, Andalucia, Spain 5 gns. (unframed)

197. Convent of St Entemia. 6 gns (unframed)

198. Santa Dominica, Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

199. The compliment 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

200. The vaquero 2½ gns (unframed)

201. The water carrier. 1½ gns (unframed)

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

202. Gamecocks, Spain 10 gns (unframed) | 1 only for sale

203. Alcazar, Seville. 2½ gns (unframed)

204. The bucking brumby. 2 gns (unframed)

205. The Sailor's Return. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little Balcony, Ferry Lane, The Rocks | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

206. Little Balcony, Ferry Lane, The Rocks 2 gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: Old Burwood Hotel, Kent Street. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

207. Old Burwood Hotel, Kent Street. 3 gns (unframed) | 1 only for sale

208. Gloucester Street. 2 gns (unframed)

209. Pastoral. 2½ gns (unframed)

210. The water hole. 2½ gns (unframed) | 1 only for sale

211. A Pipe of Baccy. 2½ gns (unframed)

212. The Law Courts. 2 gns (unframed)

213. The Swing Bridge. 2 gns (unframed) | 1 only for sale

214. Under the Laurels. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

215. The drafting gate, Bendemeer 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

216. Evening ride 5 gns (unframed)

217. Byron. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The fountain | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

218. The fountain 2½ gns (unframed) | I only for sale

219. Kookaburra. 1 gn (unframed) | woodcut

220. Pelican. (1 only). 4 gns (unframed) | 1 only for sale | woodcut

221. Heron. 1 gn (unframed) | woodcut

222. Witch. 1½ gns (unframed) | woodcut

223. Spangles. 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

224. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

225. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The black cat | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block; touched with brush and black ink | Copyright: Courtesy of the National Library of Australia

226. The black cat 3 gns (unframed) | 1 only for sale | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

227. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Dahlias | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

228. Dahlias 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

229. Fruit piece 1 gn (unframed) | woodcut

230. Bignonia. 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

231. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

232. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

233. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

234. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

235. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

236. In Morocco 3½ gns (framed)

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

237. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

238. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

239. The broken plough 3½ gns (framed)

Rose, Herbert. (1890–1937)

240. Piazza Umberto Desengano, Italy. 3½ gns (framed) | drypoint

241. Rue des Tamis, Tunis. 4½ gns (framed) | drypoint

242. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

243. Fondamenta Tasca, Venice. 3½ gns (framed)

244. The Sugar Mills. 8 gns (framed)

245. The Zattere, Venice. 3½ gns (framed) | drypoint

246. Old Village Cagnes. 3 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

253. The Ring 4 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

254. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

255. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

256. The man in black. 6 gns (unframed)

257. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

258. House on the hill. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: The poddy calf | Date: c.1925 | Technique: linocut, printed in black ink, from one block

259. The poddy calf 3 gns (unframed)

260. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

261. Ducks 1 gn (unframed)

Friedensen, Thomas. (1879–1931)

262. Interior, Ann Hathaways's Cottage. 3 gns (unframed)

263. Windsor Castle, Berkshire. 2 gns (unframed)

264. The archway, Riviera. 3 gns (unframed)

265. The Madonna of the Bush. 1½ gns (unframed)

266. Harnessing. 1½ gns (unframed)

267. Homestead in the North-West. 2 gns (unframed)

268. The bark hut. 2 gns (unframed)

269. Venice, No. 2. 2 gns (unframed)

270. Building the bridge, Sydney Harbour. 2½ gns (unframed)

271. Omar, the Tent Maker. 3 gns (unframed)

272. The Drovers. 3 gns (unframed)

273. The Mounain Road, Brush Creek. 3 gns (unframed)

274. The Grand Canal, Venice. 3 gns (unframed)

275. Fountains Abbey, Yorkshire. 3 gns (unframed)

276. The Bush, New South Wales. 4 gns (unframed)

277. Three Kookaburras. 2 gns (unframed)

278. The Wallondilly. 3 gns (unframed)

279. Venice. 4 gns (unframed) | (1 only).

280. Normanby. (1 only). 3 gns (unframed) | 1 only for sale

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

281. The bridge, Avoca 4 gns (unframed)

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

282. The lake, Avoca 4 gns (unframed)

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

283.

The blacksmith's shop

4 gns (unframed)

284. The Hawkesbury River at Wiseman's Ferry. 5 gns (unframed)

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

285. Brisbane water 4 gns (unframed)

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

286. Fishing boats, Kings Lynn 4 gns (unframed)

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

287. Berry's Bay 3 gns (unframed)

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

288. Magpies 3 gns (unframed)

289. Kookaburras. 3 gns (unframed)

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

290. A windy day 3 gns (unframed)

Artist: LONG, Sydney | Title: The roost | Date: 1927 | Technique: line-etching, printed in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

291. The roost 3 gns (unframed)

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

292. Young Kookaburras 3 gns (unframed)

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

293. The river from Blackfriars Bridge 4 gns (unframed)

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

294. The Thames from Waterloo Bridge 6 gns (unframed)

LINDSAY, Norman (1879–1969)

295. Moonlight Piper. 12 gns (unframed)

296. Thieves' Kitchen. [no price given] (unframed)

297. Leda. [no price given] (unframed)

298. Don Juan's garden. 8 gns (unframed)

299. The Innocents. 15 gns (unframed)

300. Femininity. 12 gns (framed)

301. Adventure 25 gns (framed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

302. Unknown seas 30 gns (framed)

303. She Arrives. 18 gns (framed)

304. Song of the faun 25 gns (framed)

305. Oblation. 18 gns (framed)

305a.The. Butterfly. 12 gns (framed)

306. Robin Hood. 7 gns (framed)

307. Enter the Duke. 15 gns (framed)

308. Acceptance. 6 gns (framed)

309. The Poet. 8 gns (framed)

310. Love on Earth. 18 gns (framed)

311. The bride. 12 gns (framed)

Dillon, Cyril. (1883–1974)

312. Spires of St. Paul's, Melbourne. 3 gns (unframed)

313. Melbourne Grammar School. 3 gns (unframed)

314. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

315. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

316. Old houses, Cumberland Street, the Rocks. 2½ gns.(unframed)

317. Entrance, old Colonial Treasury. 4 gns (unframed)

318. 177 Kent Street, Sydney. 2 gns (unframed)

319. Cumberland Street Hostel. 2½ gns(unframed)

320. Argyle. 3 gns (unframed)

321. Ah Lum's Farm, Windsor. 5 gns (unframed)

322. Entrance to the Farm. 2 gns (unframed)

323. Packing Oranges. 3 gns (unframed)

324. Shade. 3 gns (unframed)

325. Hawkesbury River Farm. 5 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

326. Deserted courtyard, Hartley 5 gns (unframed)

327. Rose's Mill, Mt Gilead. 5 gns (unframed)

Cobb, Victor. (1876–1945)

328. Sunday morning, Collins Street. 3 gns (framed)

329. The Tower, Arts School, Universiy. 3½ gns (framed)

330. The two poplars. [no price given] (framed)

331. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

332. Gothic Window, old museum, Melbourne University [1]. [no price given] (framed)

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

333. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

334. Entrance, Trinity College. 2 gns (framed)

335. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

336. Fragment. 1 gn (framed)

Sheldon, Vincent. (1895–1945)

337. Old St. Andrew's, Brisbane. 2 gns (unframed)

338. Evening. 2 gns (unframed)

339. The old kiln. 2 gns (unframed)

Gallop, Herbert. (1890–1958)

340. Lakeshore. 4 gns (unframed)

341. Macquarie Shore. [no price given]

342. Shade Ti Trees. 3 gns (unframed)

343. The farm sheds. [no price given] (unframed)

344. Farmyard, Winter. 2½ gns (unframed)

345. Lacewood Pines. 2½ gns (unframed)

346. Pittwater shore. 2½ gns (unframed)

347. The white boathouse. 2½ gns (unframed)

348. The sheltered barn. 2 gns (unframed)

349. The drinking pool. 2 gns (unframed)

350. Windswept. 4 gns (unframed)

351. The old gateway. 2 gns (unframed)

GRIFFIN, Murray (1903–1992)

352. Enchanted wood 3 gns (framed)

353. Ann Mary. 3 gns (framed)

Thompson, Thelma. (1920–)

354. The Hermitage Bell. 2 gns (framed)

355. The Bridge of Sighs, Venice. 3 gns (framed)

356. York Minster. 3 gns (framed)

Flett, James. (1906–1986)

357. The Treasure Chest. 6 gns (framed)

358. Dead Man's Tree. 2½ gns (framed)

359. Berries. 3½ gns (framed)

Artist: Flett, James. | Title: Jerboas. | Date: (1932) | Technique: linocut, printed in colour, from mutliple blocks

360. Jerboas. 3 gns (framed)

361. The intruders. 3 gns (framed)

Artist: Flett, James. | Title: The artist. | Date: 1928 | Technique: linocut, printed in colour, from multiple blocks

362. The artist. 3½ gns (framed)

363. The Pirate. 3 gns (framed)

364. Victorian Days. 2½ gns (framed)

365. The Dominican. 2 gns (framed)

366. The old captain. 2 gns (framed)

367. Fawkner. 2 gns (framed)

368. Dampier. 2 gns (framed)

369. Peter, the Pumpkin Eater. 4 gns (framed)

Reynolds, Frederick George. (1880–1932)

370. Ti tree. 1 gn (framed)

371. In the Dandenongs. 6 gns (framed)

372. The bullock team. 2 gns (framed)

373. Giant Blue Gums. 2 gns (framed)

374. Edge of the clearing. 2 gns (framed)

375. A bush road. 7 gns (framed)

Hosking, W. John. (1930–)

376. Sunny hours. 3 gns (framed)

377. The Slow Motion Steeplechase. 1½ gns (framed)

378. Pals. 1½ gns (framed)

379. Ursa Major and Ursa Minor. 2 gns (framed)

380. The Shearers. 1½ gns (framed)

381. The caravan. 2 gns (framed)

382. Moonrise. 1½ gns (framed)

383. The Light, Fantastic Toe. 2½ gns (framed)

GOODCHILD, John (1898–1980)

384. The Northern Group. 2 gns (unframed)

Goodhart, J.C. (1873–1952)

385. Klondyke Propty. Mine. 3 gns (unframed)

386. Molle Street Bridge, Hobart. 2 gns (unframed)

387. A bit of old Hobart. 1 gn (unframed)

Sydney Harbour Bridge Celebrations ... Etching Exhibition by the Australian Painter-Etchers Society

Venues

Education Department Gallery (21 March 1932 – 3 April 1932)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Dillon, Cyril. (1883–1974)

2. The Wetherby Tower, Melbourne Grammar School. £3.03.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

3. Monarch of the Bush. £3.03.0 (unframed) | etching

4. Australian Bush Track. £2.10.0 (unframed) | etching

5. On the Myall Lakes. £1.11.6 (unframed) | etching

6. 'Morning Calm', Lake Macquarie. £1.11.6 (unframed) | etching

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

7. Roadside trees £1.05.0 (unframed) | etching

8. Australian Natives. £2.02.0 (unframed) | etching

9 'Top of the Hill'. £1.01.0 (unframed) | etching

10. 'White Saplings'. £1.01.0 (unframed) | etching

11. 'On the Lane Cove'. £2.17.6 (unframed) | etching

TRAILL, Jessie (1881–1967)

12. Broken Hill silhouette, British Mine, Sunset. £5.05.0 (unframed) | aquatint

Artist: TRAILL, Jessie | Title: Friendly trees | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

13. Friendly trees £5.05.0 (unframed) | etching

14. Autrefois. £2.02.0 (unframed) | etching

15. Building the Harbour Bridge VII, June 1931. £3.03.0 (unframed) | etching

Nuttall, Charles. (1872–1934)

16. 'Old Rome'. £4.04.0 (unframed) | etching

17. A Fisherman of Volendam. £2.02.0 (unframed) | etching

18. 'De Profundis'. £4.04.0 (unframed) | etching

19. Battle Royal. £3.03.0 (unframed) | etching

20. Burning off. £3.03.0 (unframed) | etching

Crisp, James. (1879–1962)

21. Cattai Creek. £1.11.6 (unframed) | etching

22. A Favorite Spot. £2.02.0 (unframed) | drypoint

23. Australian Golf Club, Kensington. £1.11.6 (unframed) | etching

25. Fishing boats, San Francisco Bay. £1.11.6 (unframed) | etching

26. The intruder [1]. £1.11.6 (unframed) | drypoint

Hilder, Bim. (1909–1990)

27. The Bridge. £1.01.0 (unframed) | aquatint

28. The Travelling Show. £1.01.0 (unframed) | etching

29. The fig tree grove. £1.01.0 (unframed) | aquatint

30. Nocturne mezzotint. £1.01.0 (unframed) | mezzotint

Pratt, Douglas. (1900–1972)

31. The Horse Paddock. £3.03.0 (unframed) | etching

32. Still Waters. £3.03.0 (unframed) | etching

Artist: Pratt, Douglas. | Title: Gums on Monaro | Date: c.1932 | Technique: etching, printed in brown ink, from one plate

33. Gums on Monaro £3.03.0 (unframed)

34. Sydney harbour, Feb. £2.02.0 (unframed)

Friend, Donald. (1915–1989)

34. The Bridge. 1 gn (unframed)

Pratt, Douglas. (1900–1972)

35. Summer Shade. £2.02.0 (unframed)

Friend, Donald. (1915–1989)

35. St. Mark's. 1 gn (unframed)

Pratt, Douglas. (1900–1972)

36. Booloominbah. not for sale

Friend, Donald. (1915–1989)

36. Old steps, Hunter's Hill. 2 gns (unframed)

Pratt, Douglas. (1900–1972)

37. Argyle Cut. £1.11.6 (unframed)

38. Rustling in the Breeze. £1.01.0 (unframed)

39. The King's School. £2.02.0 (unframed)

40. Armidale School. £1.11.0 (unframed)

Morgan, Squire. (1886–1974)

41. Landscape near Scone. £3.03.0 (unframed)

42. Willows. £3.03.0 (unframed)

43. Misty moonrise. £2.02.0 (unframed) | aquatint

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

44. The lagoon, Dee Why £5.05.0 (unframed) | only proof | aquatint

45. Kendall's residence, Fagan's Farm. £3.03.0 (unframed) | 2 other proofs | aquatint

46. Roadside shanties. £3.03.0 (unframed)

47. Scots Church. £3.03.0 (unframed)

Artist: Morgan, Squire. | Title: The bush mother. | Date: c.1932 | Technique: etching and aquatint, printed in black ink, from one plate

48. The bush mother. £1.01.0 (unframed)

49. The Rou of Koala Park. £1.01.0 (unframed)

50. Kookaburras. £1.11.6 (unframed)

51. Three Shafted Dray. £3.03.0 (unframed)

52. A Windsor Farm. £1.01.0 (unframed)

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Officers quarters, Kent Street | Date: 1912 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

65. Officers quarters, Kent Street £2.02.0 (unframed)

Artist: LINDSAY, Lionel | Title: Sunday morning, the Rocks | Date: 1918 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

66. Sunday morning, the Rocks £2.02.0 (unframed)

67. Dawes Battery. £3.03.0 (unframed)

68. The Rocks from Princes St. £2.02.0 (unframed)

69. Dawes Point. £3.03.0 (unframed)

70. Old Millers Point. £3.03.0 (unframed)

71. The Lolly Shop. £2.02.0 (unframed)

72. Milsons Point.

Artist: LINDSAY, Lionel | Title: Old Essex Street, Sydney | Date: 1931 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

73. Old Essex Street, Sydney £3.03.0 (unframed)

74. Gossip, The Rocks. £2.02.0 (unframed)

75. Argyle. £2.02.0 (unframed)

76. Fort Dawes. £4.04.0 (unframed)

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Argyle Cut in 1926. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

77. Argyle Cut in 1926. £3.03.0 (unframed)

Artist: URE SMITH, Sydney | Title: Gore Bay. | Date: 1918 | Technique: etching and aquatint, printed in warm black ink, from one plate

78. Gore Bay. £3.03.0 (unframed)

79. Ashmore House, Kent Street. £2.02.0 (unframed)

80. Upper Fort Street. £1.11.6 (unframed)

81. Scots' Church. £1.11.6 (unframed)

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

82. Washing day £2.02.0 (unframed)

83. Old cottage, Princes Street, The Rocks. £3.03.0 (unframed)

84. 177 Kent Street, Sydney. £1.11.6 (unframed)

85. Old houses, The Rocks. £2.02.0 (unframed)

86. Shell Cove, Sydney. £3.03.0 (unframed)

87. Cumberland House, the Rocks. £2.02.0 (unframed)

88. Laneway to Playfair Street the Rocks. £2.02.0 (unframed)

Godson, John Barclay. (1882–1957)

89. Hilda. £5.05.0 (unframed)

90. In Festive Mood. £3.03.0 (unframed)

91. After the ballet. £3.03.0 (unframed)

92. A South Coast Farm. £3.03.0 (unframed)

93. Sydney University. £4.04.0 (unframed)

94. Etched Bookplates -.

95. Entrance to Gaol, Berrima, N.S.W. £3.03.0 (unframed)

ROBERTSON, Bruce (1872–1943)

95. Morning Calm, Lake Macquarie. 1½ gns (unframed)

None

96. Central Tower, Sydney University. £5.05.0 (unframed)

ROBERTSON, Bruce (1872–1943)

96. Evening, Upper Myall River. 11/4 gns (unframed)

Godson, John Barclay. (1882–1957)

97. Wild Flowers. £1.12.6 (unframed)

ROBERTSON, Bruce (1872–1943)

97. An Australian River. 11/4 gns (unframed)

Godson, John Barclay. (1882–1957)

98. Old court house, Berrima. £3.03.0 (unframed)

ROBERTSON, Bruce (1872–1943)

98. A Blue Mountain Crossing. 1½ gns (unframed)

Godson, John Barclay. (1882–1957)

99. Old timers, Berry's Bay. £3.03.0 (unframed)

ROBERTSON, Bruce (1872–1943)

99. Near Kendall, N.S.W. 2 gns (unframed)

Godson, John Barclay. (1882–1957)

100. Vaucluse House. £2.12.6 (unframed)

Emanuel, Cedric. (1906–1995)

101. A sunny morning. £2.02.0 (unframed)

102. Johnson's boat shed, Rosebay, Sydney. £1.11.6 (unframed)

103. Sunlight and Shade. £1.11.6 (unframed)

104. Old stable, Windsor, NSW. £1.11.6 (unframed)

105. A sunny morning. £1.11.6 (unframed)

106. The Nepean. £0.10.6 (unframed) | woodcut

Owen, Gladys. (1889–1960)

Artist: Owen, Gladys. | Title: Old houses, Darling Point | Date: 1930 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

107. Old houses, Darling Point £1.01.0 (unframed)

108. The Bridge workshops. £2.02.0 (unframed)

Artist: Owen, Gladys. | Title: The Sydney Bridge. | Date: 1932 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

109. The Sydney Bridge. £2.02.0 (unframed)

110. Rose Bay Convent. £1.01.0 (unframed)

FEINT, Adrian (1894–1971)

Artist: FEINT, Adrian | Title: Old Milson's Point, Sydney 1927. | Date: 1927 | Technique: linocut, printed in black ink, from one block | Copyright: Courtesy the Estate of Adrian Feint

111. Old Milson's Point, Sydney 1927. £1.01.0 (unframed)

Coffey, Alfred. (1869–1950)

Artist: Coffey, Alfred. | Title: Argyle cut, old Sydney. | Date: 1910 | Technique: etching, printed in warm black ink with plate-tone, from one plate

112. Argyle cut, old Sydney. £4.04.0 (unframed)

113. Steps, Gloucester Street. £4.04.0 (unframed)

114. Clyde Street, Miller's Point, Old Sydney. £4.04.0 (unframed)

Artist: Coffey, Alfred. | Title: Kirribilli Wharf, Neutral Bay, Sydney Harbour. | Date: 1914 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

115. Kirribilli Wharf, Neutral Bay, Sydney Harbour. £4.04.0 (unframed)

116. The mouth of the creek. £2.12.6 (unframed)

117. Half Wooden House, Gas Lane, Old Sydney. £1.17.6 (unframed)

Whitford, Dora. (1898–1969)

118. The bride. £1.01.0 (unframed)

119. On the slopes of Mt. Remarkable. £1.07.6 (unframed)

120. Moonlight tho' the Saplings. £1.01.0 (unframed)

121. A Melrose Giant. £1.01.0 (unframed)

Dwyer, Ella. (1887–1979)

122. Old houses, Campbell Street. £1.11.6 (unframed)

123. Boat Sheads, McMahon's Point. £1.11.6 (unframed)

124. The Tower, Sydney University. £1.11.6 (unframed)

125. Old Home of 'Commodore' Blue, Berry's Bay. £1.11.6 (unframed)

126. St. Thomas' Church, North Sydney. £1.01.0 (unframed)

127. Walker Street Church, North Sydney (demolished 1931) sandgrain. £1.01.0 (unframed)

128. Misty morning sandgrain. £2.02.0 (unframed)

129. Old mill buildings, Hobart. £2.02.0 (unframed)

MORT, Eirene (1879–1977)

130. Vaucluse House. £1.11.6 (unframed)

131. The stables, Vaucluse. £1.11.6 (unframed)

132. The Palm court. £1.11.6 (unframed)

133. Stone Tubs. £1.11.6 (unframed)

Artist: MORT, Eirene | Title: Elizabeth Farm, Parramatta | Date: 1920 | Technique: etching, printed in black ink, from one plate

134. Elizabeth Farm, Parramatta £1.11.6 (unframed)

135. Hartley Court House. £2.02.0 (unframed)

136. Government House, Windsor, N.S.W. £2.02.0 (unframed)

137. St. Luke's Liverpool, N.S.W. £1.11.6 (unframed)

Herbert, Harold. (1891–1945)

138. Cypresses, Ronda. £4.04.0 (unframed)

139. Fishing boats, Martigues. £4.04.0 (unframed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

140. The hermitage, Martigue. £4.04.0 (unframed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

141. Lime kiln cottage £3.13.6 (unframed)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

142. Brixham trawlers £3.13.6 (unframed)

PRESTON, Margaret (1875–1963)

Artist: PRESTON, Margaret | Title: Circular Quay | Date: 1925 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

143. Circular Quay 2 gns (unframed)

Reid, D.G. (1862–1933)

143. Old church, Illawarra. £2.02.0 (unframed)

PRESTON, Margaret (1875–1963)

144. The Bridge from a Ferryboat. 1 gn (unframed)

Reid, D.G. (1862–1933)

144. The Week-end Den. £1.01.0 (unframed)

PRESTON, Margaret (1875–1963)

145. The Bridge from North Shore. 1 gn (unframed)

Reid, D.G. (1862–1933)

145. Moonrise. £1.11.6 (unframed)

PRESTON, Margaret (1875–1963)

146. Spit Bridge 2 gns Included in Gallery Two, which was not organised by the Australian Painter-Etchers' Society.

Reid, D.G. (1862–1933)

146. The Ruined Coach-House. £1.11.6 (unframed)

Curtis, Robert Emerson. (1898–1996)

149. Traffic Lanes. £1.05.0 (unframed)

150. Romance. £1.05.0 (unframed)

151. The Unveiling. £1.05.0 (unframed)

152. Old Sun - New Shadows. £1.05.0 (unframed)

Byrne, Harold. (1899–1966)

153. St. James' (Nocturne). £2.02.0 (unframed)

Thompson, Thelma. (1920–)

154. A Street in Toledo. £2.02.0 (unframed)

Swan, William J. (1930–)

155. Old shed, Canberra. £1.01.0 (unframed)

156. Old cottage, Duntroon. £2.02.0 (unframed)

Freeman, Dorothy. (1930–)

157. Joining the Arch, August.

McDonald, Elizabeth. (1910–2007)

158. Bowsprit 'Helen B. Stirling'. £1.11.6 (unframed)

GOODCHILD, John (1898–1980)

159. Sydney Harbour Bridge. £5.05.0 (unframed)

Marsden, May. (1876–1968)

160. Sydney Harbour Bridge. £3.03.0 (unframed)

Farmer, Helen. (1888–1970)

161. A river boat. £1.11.6 (unframed)

162. The deserted tenement. £1.11.6 (unframed)

163. An old home, Manly Vale. £2.12.6 (unframed)

164. Susan Island, Clarence River. £3.03.0 (unframed)

165. From Bradley's Head. £1.11.6 (unframed)

166. Kurrajong. £2.12.6 (unframed)

Warner, Alfred Edward. (1879–1968)

167. The billabong. £2.12.6 (unframed)

168. The overflow waggon. £2.12.6 (unframed)

169. Macquarie Street. £3.03.0 (unframed)

170. Mountain Pool, Queensland. £2.02.0 (unframed)

171. No.3 Camp. £1.01.0 (unframed)

172. Wool. £2.12.6 (unframed)

O'SHEA, Molly (1890–)

173. St. Mathew's, Windsor. £1.01.0 (unframed)

174. Boatsheds, Narrabeen. £1.01.0 (unframed)

175. The Bridge from Observatary Hill. £2.02.0 (unframed)

176. The Bridge Sept. £1.11.6 (unframed)

176a. St. Mary's Cathedral. £1.01.0 (unframed)

Shaw, Gayfield. (1885–1961)

177. King's School Bookplate. etching

178. Falling Leaves, Bathurst. £3.03.0 (unframed)

ST JOHN, Ellis (1874–1949)

179. Argyle. £2.02.0 (unframed)

180. The Bridge from Port Macquarie. £2.02.0 (unframed)

181. Dawes Point. £2.02.0 (unframed)

182. Milsons Point. £2.02.0 (unframed)

183. The Old Shed. £2.02.0 (unframed)

Gallop, Herbert. (1890–1958)

184. Cattai Creek, Windsor. £2.02.0 (unframed)

185. Lake Shore. £4.04.0 (unframed)

186. Wharfside. £3.03.0 (unframed)

187. Old cottage, Ryde. £2.02.0 (unframed)

188. Wind-swept. £2.02.0 (unframed)

189. The drinking pool. £1.11.6 (unframed)

190. The white boathouse. £1.11.6 (unframed)

191. Macquarie Shore. £2.02.0 (unframed)

192. Evening. £2.12.6 (unframed)

193. Boat-house, Pittwater. £2.02.0 (unframed)

194. Kangaroo Valley. £1.11.6 (unframed)

195. The Lake. £2.02.0 (unframed)

Goodhart, J.C. (1873–1952)

196. Klondyke Propty. Mine. £3.03.0 (unframed)

197. The Poppet Head. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

198. Journey's End. £2.02.0 (unframed)

199. Morning. £2.02.0 (unframed)

200. Wind-swept. £1.11.6 (unframed)

201. Northern Group (Broken Hill Mines). £2.02.0 (unframed)

202. Central Power Station (Broken Hill). £3.03.0 (unframed)

Walker, F. Sidney. (1888–1972)

203. The Bridge, South Abutment, May 1929. £1.11.6 (unframed)

204. Down in Riverina. £1.11.6 (unframed)

205. Evening Narooma. £1.11.6 (unframed)

206. Morning light, Sydney Harbour. £1.11.6 (unframed)

207. Top of the Ridge. £1.01.0 (unframed)

208. Evening. £1.10.0 (unframed)

209. Lagoon at Merrigoen. £1.11.6 (unframed) | sandgrain

210. Murrumbidge at Wagga. £2.02.0 (unframed)

211. The Wind-jammer. £1.11.6 (unframed)

McDonald, Sheila. (1902–1971)

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

213. Bulletin Place, Sydney £1.11.6 (unframed)

214. The Rocks, Sydney sandgrain. £1.11.6 (unframed)

215. The lagoon, Lord Howe Island. £1.11.6 (unframed)

216. St. Anne's, Ryde. £1.11.6 (unframed)

Artist: McDonald, Sheila. | Title: Old shops, New South Head Road, Darling Point | Date: c.1932 | Technique: etching, aquatint, printed in brown ink with plate-tone

217. Old shops, New South Head Road, Darling Point £1.01.0 (unframed)

218. Chinamen's huts, Rose Bay. £1.01.0 (unframed)

219. Doorway, Commissariat Stores, Sydney. £1.01.0 (unframed)

Australian Painter-Etchers Society. Annual Exhibition 1932.

Venues

Macleod Gallery (1 December 1932 – 17 December 1932)
Bulletin Buildings, 252 George St., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Cattai Creek. 1½ gns (unframed)

A Favorite Spot. 2 gns (unframed)

The intruder [1]. 1½ gns (unframed)

Follow the Leader. 1½ gns (unframed)

The Pigeon Cole. 1½ gns (unframed)

Boxall, d'Auvergne (1895–1944)

1. St. Peter's College, Adelaide. Not For Sale

2. Avignon [pencil drawing]. Not For Sale

3. St. Mark's, Venice. [pencil drawing]. Not For Sale

4. Silver Street, London. 3 gns (unframed)

Crisp, James. (1879–1962)

10. Cocoanut Palms, Magnetic Island, North Queensland. 2 gns (unframed)

11. Young kookaburras [pencil drawing]. 2 gns (unframed) | pencil drawing

12. The conference. 1½ gns (unframed)

13. Magpies [pencil drawing]. 5 gns (unframed) | pencil drawing

Davies, L. Roy. (1897–1979)

14. Hawkesbury River. 1 gn (unframed)

15. Green and gold. 1 gn (unframed)

16. The Apothecary. Not For Sale

17. Mangrove Creek. 1 gn (unframed)

Artist: Davies, L. Roy. | Title: Forest lovers. | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

18. Forest lovers. 1 gn (unframed)

19. Burragorang. 1 gn (unframed)

20. The broken fence. 1 gn (unframed)

Dundas, Douglas. (1900–1981)

21. Ponte Vecchio, Florence. Not For Sale | dry point

Dwyer, Ella. (1887–1979)

22. A bend in the creek. 2 gns (unframed)

23. Pastoral, near Windsor. 2 gns (unframed)

24. Moonrise sandgrain. 1 gns (unframed)

25. Bookplate -.

Farmer, Helen. (1888–1970)

33. From Bradley's Head. 1½ gns (unframed)

Gallop, Herbert. (1890–1958)

37. South Coast Pastures. 2 gns (unframed)

38. Cattai Creek, Windsor. 2 gns (unframed)

39. The country road. 4 gns (unframed)

40. Old cottage, Ryde. 1 gn (unframed)

41. The Lake. 1½ gns (unframed)

42. Macquarie Shore. 1 gn (unframed)

43. The South Wind. 2 gns (unframed)

44. Mount Kiera, South Coast. 2 gns (unframed)

Godson, John Barclay. (1882–1957)

45. Self-Portrait.

46. Hilda. 5 gns (unframed)

47. Study for etching. 15 gns (unframed) | pencil drawing

48. Study for etching [pencil drawing].

49. After the ballet. 3 gns (unframed)

50. Engraved Bookplate.

51. Engraved Bookplate.

GOODCHILD, John (1898–1980)

52. Solitude. 3 gns (unframed)

53. Morning light and Ti-tree. 3 gns (unframed)

54. Otway Ranges. 4 gns (unframed)

55. Landscape, Otway Ranges. 5 gns (unframed)

56. Australian Summer Landscape. 4 gns (unframed)

57. Sydney Harbour Bridge. 5 gns (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

58. Banks of Arno 1½ gns (unframed)

59. Gums in sunlight. 2 gns (unframed)

60. The Rows, Chester pencil drawing. 7 gns (unframed)

61. Hastings [pencil drawing]. 7 gns (unframed) | pencil drawing.

62. Tied Up pencil drawing. 5 gns (unframed)

63. Banks and Ti-tree. 7 gns (unframed) | pencil drawing

Hilder, Bim. (1909–1990)

Artist: Hilder, Bim. | Title: The moderne pyramid. | Date: c.1930 | Technique: etching and aquatint, printed in black ink, from one plate

64. The moderne pyramid. 1 gn (unframed)

65. The Shallow Lake. 1 gn (unframed)

Morgan, Squire. (1886–1974)

70. Booral (The Roue of Koala Park). 1 gn (unframed)

Artist: Morgan, Squire. | Title: The bush mother. | Date: c.1932 | Technique: etching and aquatint, printed in black ink, from one plate

71. The bush mother. 1 gn (unframed)

72. Moonrise. 2 gns (unframed)

O'Reilly, Brian. (1930–)

73. Captain Murray. 3 gns (unframed)

74. Portrait. 3 gns (unframed)

O'SHEA, Molly (1890–)

75. St. Matthew's, Windsor. 1 gn (unframed)

76. Trinity Church, Miller's Point. 1 gn (unframed)

77. Lennox Bridge, Parramatta. 1½ gns (unframed)

78. Boat building, Brookvale. 1 gn (unframed)

79. King's School Chapel, Parramatta. 2 gns (unframed)

80. King's School, Canterbury. 1 gn (unframed)

81. Old houses, Lower Fort Street. 1 gn (unframed)

82. The Bridge, September. 1½ gns (unframed)

Pratt, Douglas. (1900–1972)

83. Paddocks on the Plains. 3 gns (unframed)

Artist: Pratt, Douglas. | Title: Lennox Bridge, Parramatta | Date: 1932 | Technique: etching, printed in brown ink, from one plate

84. Lennox Bridge, Parramatta 2 gns (unframed)

85. The roadside pool. 1½ gns (unframed)

86. Queen's club. 2 gns (unframed)

87. The Cathedral, Armidale. 2 gns (unframed)

88. Ginahgulla. Not For Sale

89. Sydney Harbour Bridge, February. 2 gns (unframed)

90. Country Road, Baulkham Hills pencil drawing. 6 gns (unframed)

91. Avoca Lagoon [pencil drawing]. 7 gns (unframed)

92. Double Bay and Darling Point pencil drawing. 5 gns (unframed)

Reid, D.G. (1862–1933)

93. The White Mill. 1 gn (unframed)

94. Cloud Shadows. 2 gns (unframed)

Sheldon, Vincent. (1895–1945)

100. Haystack. 1½ gns (unframed)

101. The retreat, Glen Innes. 1½ gns (unframed)

102. Ploughing. 1½ gns (unframed)

103. Low Tide, Hamilton. 1½ gns (unframed)

104. Trout Stream, Glen Innes. 1½ gns (unframed)

105. Feeding time. 2 gns (unframed)

106. The old barn, Grafton Road. 1½ gns (unframed)

ST JOHN, Ellis (1874–1949)

107. Entrance, Sydney University. 1½ gns (unframed)

108. Argyle. 1 gn (unframed)

109. The Thames from Chelsea Bridge. 2 gns (unframed)

Tidswell, Quinton. (1910–1940)

110. Trees and Farm Sheds. 1 gn (unframed)

111. Bank of N.S.W., Windsor. 1 gn (unframed)

112. Demolitions. 1 gn (unframed)

113. Old buildings, George Street, Windsor. 2 gns. (unframed)

Warner, Ralph Malcolm. (1902–1966)

114. West Wind. 1 gn (unframed)

115. Evening mists, Lord Howe Island. 1 gn (unframed)

116. Lord Howe Island. 1½ gns (unframed)

117. Winter, Kosciusko. 2 gns (unframed)

118. The Birth of a Ship. 2 gns (unframed)

119. The still stream 1½ gns (unframed)

Walker, F. Sidney. (1888–1972)

120. Morning surf, Collaroy. 2 gns (unframed) | sandgrain

121. The Windjammer. 1½ gns (unframed)

122. Morning light, Sydney Harbour. 1½ gns (unframed)

123. The Murrumbidgee. 1 gn (unframed)

124. Billabong. 1 gn (unframed)

SHIRLOW, John (1869–1936)

125. Laneway, St Paul's Cathedral, Melbourne. 2 gns (unframed)

126. Prince's Bridge. 3½ gns (unframed)

127. Parliament House, Melbourne. 3 gns. (unframed)

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The 'Black Horse' Richmond NSW. | Date: 1894 | Technique: etching, printed in sepia ink, from one plate

128. The 'Black Horse' Richmond NSW. 5 gns (unframed)

Nathan, R.H. Jerrold. (1889–1979)

147. Jeannette. £2.02.0 (unframed)

148. Study of a head. £1.01.0 (unframed)