Ah Lum's Farm, Windsor.

Sydney Ure Smith (1887–1949)

Ah Lum's Farm, Windsor.

EXHIBITION HISTORY 1 – 5 of 5 exhibitions

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Society of Artists Annual Exhibition [1923].

Venues

Education Department Gallery (15 September 1923 – 13 October 1923)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

RICHARDSON, Linley, H. (1878–1947)

1. Once Upon a Time. 8 gns

MacDONALD, J.S. (1878–1952)

1a. Lithograph, Ronald. 10 gns

URE SMITH, Sydney (1887–1949)

3. Farm yard, Clarendon. 2 gns

5. Burdekin House. 3 gns

6. Farm sheds, Windsor. 4 gns

7. The sequestered farm. 3 gns

8. Picton farm. 3 gns

9. Old road to Picton. 3 gns

10. Ah Lum's Farm, Windsor. 5 gns

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

18. The crossing 5 gns

19. The Log. 2½ gns

Artist: LINDSAY, Lionel | Title: Dawn | Date: 1923 | Technique: aquatint and burnishing, printed in brown ink with wiped highlights, from one plate | Copyright: Courtesy of the National Library of Australia

20. Dawn 5 gns

Artist: LINDSAY, Lionel | Title: Teamsters | Date: 1923 | Technique: aquatint and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

21. Teamsters 3 gns

Artist: LINDSAY, Lionel | Title: Sussex Street trade | Date: 1923 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

22. Sussex Street trade 7 gns

23. The Old Burwood. 3 gns

24. The Doric Porch. 2 gns

Artist: LINDSAY, Lionel | Title: The selector | Date: 1923 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

25. The selector 3 gns

Artist: LINDSAY, Lionel | Title: The white horse | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

26. The white horse 2 gns

27. The Ivy Jar. 1 gn

MacDONALD, J.S. (1878–1952)

77a. Lithograph Portrait. 10 gns

Stainforth, Martin. (1866–1957)

79. The Widower wood engraving. after Sir Luke Fildes, R.A. Not For Sale

80. Virgin and Saints wood engraving. after Andrea del Sarto. 5 gns

PRESTON, Margaret (1875–1963)

Artist: PRESTON, Margaret | Title: Bird of Paradise. | Date: 1925 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

83. Bird of Paradise. 1 gn

84. Georgette. 1 gn

85. Bird of Paradise. 1 gn

86. Bird of Paradise. 1 gn

Artists' Week Exhibition

Venues

Institute Building [Adelaide]. (29 July 1924 – 16 August 1924)
North Terrace, Adelaide, South Australia, Australia

Works

LINDSAY, Lionel (1874–1961)

121. The Two Trees, Ambleside. 2½ gns

122. The waterhole. 3 gns

123. Demolition of the Girls' High School. 3 gns

124. Beggars. 3 gns

125. A Bronze by Barye. 2 gns

Artist: LINDSAY, Lionel | Title: Heysen's birds | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

126. Heysen's birds 2 gns

Artist: LINDSAY, Lionel | Title: The Jester | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

127. The Jester 1 gn

Artist: LINDSAY, Lionel | Title: Zinnias | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

128. Zinnias 1 gn

129. the Bronze Hawke. 1 gn

Artist: LINDSAY, Lionel | Title: Apple blossom | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

130. Apple blossom 1 gn

131. The Witch. 1 gn

132. The Herring. woodcut (40 prints handset and printed by the engraver). 1 gn | edition of40 prints handset and printed by the eng | woodcut

PRESTON, Margaret (1875–1963)

137. Kookaburras. 1 gn

138. St. Philip's, Sydney. 1 gn

Proctor, Thea. (1879–1966)

139. The Bathers. £4.10.0 | lithograph

URE SMITH, Sydney (1887–1949)

142. The farm yard, Clarendon. 2 gns

143. Windsor, N.S.W. 3 gns

144. The old road to Picton. 3 gns

145. The farm sheds. 4 gns

146. Burdekin House. 3 gns

147. The sunlit barn. 4 gns

148. The sequestered farm. 3 gns

149. Ah Lum's Farm, Windsor. 5 gns

150. Rose's Mill, Mt Gilead. 5 gns

van RAALTE, Henri (1881–1929)

151. Towers at Sunrise. 4 gns

152. An Australian Summer Day. 10 gns

153. Calm Morning. 4 gns

WEBB, A.B. (1887–1944)

154. Nedlands. 2 gns | lino cut

155. A waterside Village. 3 gns

156. The fisherman. 2 gns

157. The swamp. 1 gn | lithograph

Catalogue of the Christmas Exhibition of the Painter- Etchers' Society [1925].

Venues

Farmer & Company (30 November 1925 – 12 December 1925)

Works

Airy, Anna. (1882–1964)

1. The Reader. £3.03.0 (unmounted, unframed)

2. King Pippin. £3.03.0 (unmounted, unframed)

Anderson, Stanley. (1884–1966)

3. Bush House From The Strand. £3.13.6 (unmounted, unframed)

4. St. George's, Hanover Square. £3.13.6 (unmounted, unframed)

5. Covent Garden Market. £3.13.6 (unmounted, unframed)

6. Landlopers. £3.03.0 (unmounted, unframed)

Ashton, Will. (1881–1963)

7. Rodney Lane, Ilfracombe, England. £2.02.0 (unmounted, unframed)

8. Old bridge, Ayr, Scotland. £3.03.0 (unmounted, unframed)

9. "Eglise St. Nicholas Du Chardonnet", Paris. £3.03.0 (unmounted, unframed)

10. Le Pont de Bois, Paris. £3.03.0 (unmounted, unframed)

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

11. Ponte Vecchio, Florence £3.03.0 (unmounted, unframed)

Burridge, Fred. (1869–1945)

12. The west wind. £4.04.0 (unmounted, unframed)

13. Lancaster. £5.05.0 (unmounted, unframed)

14. Ghagford Bridge. £3.03.0 (unmounted, unframed)

15. The Mill in the Wirral. £3.03.0 (unmounted, unframed)

Crisp, James. (1879–1962)

17. The old mill, Auckland, N.Z. £1.11.6 (unmounted, unframed)

18. The intruder [1]. £2.02.0 (unmounted, unframed)

19. A glimpse. £1.11.6 (unmounted, unframed)

20. The Story. £1.11.6 (unmounted, unframed)

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

21. Farm corner. £1.11.6 (unmounted, unframed)

22. Feathered Friends. 1.11.6 (unmounted, unframed) | All prices are for unmounted and unframed prints, duplicate prints are available in each instance.

Duff, J.R.K. (1862–1938)

23. Down to the Shearing. £3.03.0 (unmounted, unframed)

24. In Winter. £3.03.0 (unmounted, unframed)

25. Noisy Neighbours. £2.02.0 (unmounted, unframed)

26. King of The Castle. £2.02.0 (unmounted, unframed)

27. Too Much Rain. £2.02.0 (unmounted, unframed)

Emanuel, Frank. (1865–1948)

28. Little Hell Street, Dieppe. £3.13.6 (unmounted, unframed)

29. T'Auld Brig o' Ayr. £3.13.6 (unmounted, unframed)

Farmer, Helen. (1888–1970)

30. A river boat. £1.11.6 (unmounted, unframed)

31. In Mosman Bay. £2.02.0 (unmounted, unframed)

32. Cottage on The Hill. £1.01.0 (unmounted, unframed)

33. Deserted Tenement. £1.11.6 (unmounted, unframed)

34. A Timber Mill. £1.11.6 (unmounted, unframed)

35. The cowbail. £2.02.0 (unmounted, unframed)

36. The paddock gate. £3.03.0 (unmounted, unframed)

Friedensen, Thomas. (1879–1931)

37. Sydney Harbor from Athol Gardens. £3.03.0 (unmounted, unframed)

38. An old street in York. £2.02.0 (unmounted, unframed)

39. Molly. £1.11.6 (unmounted, unframed)

Artist: Friedensen, Thomas. | Title: Old Jimmy. | Date: 1925 | Technique: drypoint, printed in black ink, from one plate

40. Old Jimmy. £2.02.0 (unmounted, unframed)

41. Up-Country Farmer. £2.02.0 (unmounted, unframed)

42. An old English shepherd. £2.02.0 (unmounted, unframed)

43. Porch, Harfleur Church. £1.11.6 (unmounted, unframed)

44. Avenue, Harfleur, Normandy. £1.01.0 (unmounted, unframed)

45. Mediaeval Houses, Rouen (Drawing). £7.07.0 (unmounted, unframed)

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The country postman. | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

46. The country postman. £3.03.0 (unmounted, unframed)

47. Rowe Street, Sydney. £3.03.0 (unmounted, unframed)

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

48. Sydney Harbour. £4.04.0 (unmounted, unframed)

49. Conservatorium of Music, Sydney. £3.03.0 (unmounted, unframed)

50. St. Joseph's College, Sydney. £3.03.0 (unmounted, unframed)

51. Wiseman's Ferry. £4.04.0 (unmounted, unframed)

52. Bowling Green, Ludlow - England's Oldest. £3.03.0 (unmounted, unframed)

53. Oxford. £3.03.0 (unmounted, unframed)

54. Old Sydney, 1890, Corner of Liverpool Street and Victoria Place. £2.02.0 (unmounted, unframed)

Artist: FULLWOOD, A.H. | Title: Macquarie Place, Sydney. | Date: c.1923 | Technique: etching, printed in blue/black ink with plate-tone, from one plate

55. Macquarie Place, Sydney. £4.04.0 (unmounted, unframed)

56. The old barn. £3.03.0 (unmounted, unframed)

Gaskell, Percival. (1868–1934)

57. Crowland Abbey. £3.03.0 (unmounted, unframed)

GOODCHILD, John (1898–1980)

58. The Bridge. £2.02.0 (unmounted, unframed)

59. Ships at rest. £2.02.0 (unmounted, unframed) | aquatint

60. After work. £2.02.0 (unmounted, unframed) | aquatint

61. Low Banks. £1.01.0 (unmounted, unframed)

62. Bush Light. £1.01.0 (unmounted, unframed)

63. Sydney, from Bradley's Head. £2.02.0 (unmounted, unframed) | softground

64. The smithy. £2.02.0 (unmounted, unframed)

65. Quiet afternoon, Port Adelaide. £4.04.0 (unmounted, unframed)

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

66. Sundown. £2.02.0 (unmounted, unframed) | softground

GOODCHILD, John (1898–1980)

67. Desolation. £1.11.6 (unmounted, unframed)

68. Wentworth House, Vaucluse, N.S.W. £2.02.0 (unmounted, unframed)

Hardie, Martin. (1875–1952)

69. The Sleepy Ferry. £6.06.0 (unmounted, unframed)

70. An Essex Boatyard. £4.04.0 (unmounted, unframed)

71. Sunset in Scotland. £4.04.0 (unmounted, unframed)

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

72. St. Paul's from the river £2.11.6 (unmounted, unframed)

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

73. Porte Marechale, Bruges £2.11.6 (unmounted, unframed)

74. The Lake [softground]. £10.00.0 (unmounted, unframed) | Two proofs only - Plate Destroyed | softground etching

75. Landscape, Bucks. £4.04.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

76. Autumn landscape £3.03.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

77. Between the showers £4.04.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

78. A Cornish landscape £3.03.0 (unmounted, unframed) | softground & aquatint

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The little dutch mill £3.03.0 (unmounted, unframed) | drypoint

80. Kookaburras. £2.02.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

81. The passing storm £5.05.0 (unmounted, unframed) | aquatint

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Pastoral sandgrain £3.03.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

83. The harbour, St.Ives £3.03.0 (unmounted, unframed) | softground

Morgan, Squire. (1886–1974)

84. Sketch, Avoca. £1.01.0 (unmounted, unframed)

85. Miniature. £1.01.0 (unmounted, unframed)

86. The glade. £1.11.6 (unmounted, unframed)

87. The lakeside. £2.12.6 (unmounted, unframed)

88. Fagan's Farm. £2.02.0 (unmounted, unframed)

89. At Palm Beach. £3.03.0 (unmounted, unframed)

Artist: Morgan, Squire. | Title: Ti trees | Date: 1922 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

90. Ti trees £3.03.0 (unmounted, unframed)

91. Summer Shade. £3.03.0 (unmounted, unframed)

92. On the road to Tambourine, Queensland. £2.12.6 (unmounted, unframed)

93. The roadside shanty. £3.03.0 (unmounted, unframed)

OSBORNE, Malcolm (1880–1963)

94. My mother. £5.05.0 (unmounted, unframed)

95. Arthur. £3.03.0 (unmounted, unframed)

96. Tourks Market Place. £3.03.0 (unmounted, unframed)

97. Cherrac. £5.05.0 (unmounted, unframed)

RICHARDSON, Linley, H. (1878–1947)

98. Portrait of a little boy.

van RAALTE, Henri (1881–1929)

99. After the Bath.

RICHARDSON, Linley, H. (1878–1947)

100. A sunny morning.

101. Off to the Seaside.

102. Once Upon a Time.

ROBERTSON, Bruce (1872–1943)

103. Australian sunrise. £3.03.0 (unmounted, unframed)

104. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unmounted, unframed)

105. Australian Natives. £1.11.6 (unmounted, unframed)

106. Australian sunrise. £2.10.0 (unmounted, unframed)

107. On the Lane Cove, Sydney Harbour. £2.17.6 (unmounted, unframed)

108. Reflections Cook's River, N.S.W. £1.16.6 (unmounted, unframed)

109. The wave, Coogee, N.S.W. £1.01.0 (unmounted, unframed)

110. Fairy Bower, Manly, N.S.W. £1.11.6 (unmounted, unframed)

111. Old Bronte, Sydney, N.S.W. £1.05.0 (unmounted, unframed)

ROBINS, W.P. (1882–1959)

112. Monkton. £7.07.0 (unmounted, unframed)

SHIRLOW, John (1869–1936)

113. The Bank Door (Commercial Bank, Melb.). £3.03.0 (unmounted, unframed)

114. Nightfall. £2.02.0 (unmounted, unframed)

Artist: SHIRLOW, John | Title: A bye-way, Flinders Lane. | Date: 1896 | Technique: etching, printed in black ink with plate-tone, from one copper plate

115. A bye-way, Flinders Lane. £2.02.0 (unmounted, unframed)

116. Morning, Central Station, Melbourne. £3.03.0 (unmounted, unframed)

117. Flinders Street. £2.02.0 (unmounted, unframed)

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

118. Ambleside farmyard £3.03.0 (unmounted, unframed)

119. The country road. £3.03.0 (unmounted, unframed)

120. Rose's Mill, Mt Gilead. £5.05.0 (unmounted, unframed)

121. The Old Treasury. £4.04.0 (unmounted, unframed)

122. Macquarie Fields. £2.02.0 (unmounted, unframed)

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

123. Washing day £2.02.0 (unmounted, unframed)

124. Farmyard, Clarendon. £2.02.0 (unmounted, unframed)

125. Ah Lum's Farm, Windsor. £5.05.0 (unmounted, unframed)

TRAILL, Jessie (1881–1967)

126. Big Building, Yallourn. £6.06.0 (unmounted, unframed)

127. Super Great Power House. £5.05.0 (unmounted, unframed)

Walker, F. Sidney. (1888–1972)

128. Dawes Point, (From McMahons Pt.). £1.11.6 (unmounted, unframed)

129. Milsons Point, September. £1.11.6 (unmounted, unframed)

130. Princes Bridge. £1.11.6 (unmounted, unframed)

131. Midsummer Noon. £1.11.6 (unmounted, unframed)

132. MacTaggart's Farm. £1.07.0 (unmounted, unframed)

133. At the top of the Ridge. £1.01.0 (unmounted, unframed)

134. The Headland, Newport. £1.01.0 (unmounted, unframed)

Warner, Alfred Edward. (1879–1968)

135. Bobadah. £3.03.0 (unmounted, unframed)

136. Martin's Farm. £2.02.0 (unmounted, unframed)

137. Main Entrance, St. Mary's Cathedral. £1.11.6 (unmounted, unframed)

138. On the road. £3.03.0 (unmounted, unframed)

139. Cultivation paddocks. £2.12.6 (unmounted, unframed)

140. The distant road. £2.12.6 (unmounted, unframed)

141. In Camp. £2.12.6 (unmounted, unframed)

Artist: Warner, Alfred Edward. | Title: Prawners | Date: 1935 | Technique: etching, printed in black ink with plate-tone, from one plate

142. Prawners £2.12.6 (unmounted, unframed)

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

143. Sundown. £3.03.0 (unmounted, unframed)

Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.

Venues

Sedon Galleries [1] (26 November 1929 – 31 December 1929)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia