Deserted hut.

Squire Morgan (1886–1974)

Deserted hut.

EXHIBITION HISTORY 1 – 4 of 4 exhibitions

Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Venues

Education Department Gallery (3 June 1922 – 24 June 1922)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Arms, John Taylor. (1887–1953)

1. A gable in theirs. American. | 12 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

1. A little deaf. New Zealand. | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923) and Dillon, Cyril. (1883–1974)

Artist: Boyd, Penleigh. | Title: Hauling the nets. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

1. Hauling the nets. Victoria | £2.02.0 (unframed) | drypoint

Crisp, James. (1879–1962)

1. The farmyard. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

1. The Chapel tower, Melbourne Grammar School. Victoria. | £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

1. St. Paul's Cathedral, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

1. St. James Church, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

1. Old timers, Berry's Bay. £3.03.0 (unframed) | etching

Gruner, Elioth. (1882–1939)

Artist: Gruner, Elioth. | Title: The wattles | Date: (1921) | Technique: drypoint, printed in black ink, from one plate

1. The wattles Kindly lent. | etching

Hope, Edith A. (1870–1942)

1. A Courtyard in France. Victoria. | £7.07.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

1. The Dochart, Perthshire. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

1. Rendezvous. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Micomicon | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

1. Micomicon £15.15.0 (unframed) | etching

Lindsay, Percy. (1870–1952)

1. Landscape. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

1. The little dutch mill £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

1. Ti-Tree. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

1. Jubbergate, York. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

1. Ti-Tree, N.S.W. £4.17.6 (unframed) | etching

Rose, Herbert. (1890–1937)

1. A corner of the Post Office. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

1. Brisbane Laneway. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

1. The Narrow Cave. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The waterhole | Date: 1922 | Technique: etching, printed in brown ink with plate-tone and wiped highlights, from one plate

1. The waterhole Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

1. Across the plains, Windsor (1st state). £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

1. Cool Water. South Australia | £6.06.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

2. Dawn. 15 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

2. Study of an old man's head. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

2. Morning. Victoria | £4.04.0 (unframed) | drypoint

Crisp, James. (1879–1962)

2. Breakfast. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

2. The Swimming Pool, Coombe Cottage. Victoria | £4.04.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

2. Australia House, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

2. Martin Place, Sydney. £4.04.0 (unframed) | etching

None

2. Church, Port Arthur, Tasmania. £2.02.0 (unframed) | etching

Hope, Edith A. (1870–1942)

2. Laon, The Aeroplane. Victoria | £3.13.6 (unframed) | etching

2. Ville D. Eu. Victoria. | £5.15.6 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

2. Magdalen Tower and Bridge, Oxford. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The shanty on the rise | Date: 1922 | Technique: etching, printed in brown ink, with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. The shanty on the rise £2.02.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

2. Blind Man's Wife. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

2. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

2. Tree Study. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

2. Heart of the Bruce. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

2. Reflections Cook's River, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

2. Sydney Harbour. Victoria. | £2.07.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

2. The sentinel. £2.02.0 (unframed) | drypoint

SHIRLOW, John (1869–1936)

2. East and West. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The west window | Date: 1922 | Technique: etching and drypoint, printed in warm black ink with plate-tone, from one plate

2. The west window Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

2. Cottage, Clarendon £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The far shore | Date: 1921 | Technique: drypoint, printed in brown ink, from one plate

2. The far shore South Australia. | £2.02.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

3. The butterfly. 18 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

3. Cornish interior. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

Artist: Boyd, Penleigh. | Title: Evening. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

3. Evening. £4.04.0 (unframed) | drypoint

Friedensen, Thomas. (1879–1931)

3. Barges, Chiswick Mall. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

3. Hunter Street, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

3. Lindisfarne, Hobart. £2.02.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

3. The Blue Mosque, Cairo. English. | £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

3. University, Medical School. £2.12.6 (unframed) | etching

LINDSAY, Norman (1879–1969)

3. Sortie. £6.06.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Old houses, Worcester | Date: c.1919 | Technique: drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

3. Old houses, Worcester £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

3. Deserted hut. £2.12.6 (unframed) | etching

MORT, Eirene (1879–1977)

3. Vaucluse House. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

3. Across Lake Macquarie, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

3. Glebe Island Bridge, Sydney. Victoria. | £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

3. The clock tower not for sale | etching

SHIRLOW, John (1869–1936)

3. Chinese at a doorway Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

3. The Giant. £1.01.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

3. Farmhouse, Hartley. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

3. Valley mists. South Australia | £4.04.0 (unframed) | etching

Arndt, Mina. (1885–1926)

4. Orpeush with his lute. New Zealand | £4.04.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

4. The white gum. Kindly lent. | etching

Friedensen, Thomas. (1879–1931)

4. Old houses, Candebec, Normandy. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

4. St. Mary's Catheral, Sydney. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

4. From the Archbishop's Garden. Victoria. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

4. 'Ben Hall's', The Bushranger's Home. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

4. Unknown seas £15.15.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

4. The harbour, St.Ives £3.03.0 (unframed) | softground

Morgan, Squire. (1886–1974)

4. Deserted Hut (first state). £3.03.0 (unframed) | etching.

MORT, Eirene (1879–1977)

4. The team. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

4. Groote Church, Dordrecht, Holland. £1.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

4. McMahon's Point, Sydney. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

4. The Farmlets. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

4. Ploughing the hill, Berwick. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

4. Hawkesbury River Farm. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

4. The cowshed. South Australia. | £4.04.0 (unframed) | etching

Wheatley, John. (1892–1955)

4. A Point of View. English. | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

4. Willows in Winter. American. | 14 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

5. Caesar's Tower, Warwick Castle. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

5. The Old Slave Market, Capetown. £3.03.0 (unframed) | etching

Hope, Edith A. (1870–1942)

5. Coney le Chateau. Victoria | £6.06.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

5. The Great Red Gum. £4.04.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

5. Bargins. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

5. Staples Inn, Holborn £2.12.6 (unframed) | aquatint

Morgan, Squire. (1886–1974)

5. Deserted hut. not for sale | drypoint

MORT, Eirene (1879–1977)

5. Palm Court, Vaucluse. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

5. The wave, Coogee, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

5. Moonlight on the Scene. £5.05.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

5. The Hawkesbury River. £3.03.0 (unframed) | etching

Wheatley, John. (1892–1955)

5. The Old Engraver. English | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

5. Spring Morning. American | 18 US dollars (unframed) | etching

Bentley, Alfred. (1879–1923)

6. The Hills of Auvergue. English. | £7.07.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

6. An Alley in Antwerp. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Bridge Street, Sydney. | Date: 1922 | Technique: etching, printed in black ink, from one plate

6. Bridge Street, Sydney. £4.04.0 (unframed) | etching

Haines, Fred S. (1879–1960)

6. The Old Beech. American. | US$15 (unframed) | etching

Hope, Edith A. (1870–1942)

6. The Viaduct, Albi. Victoria | £7.07.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

6. The Law Courts. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

6. The Mill. £5.05.0 (unframed) | aquatint

Morgan, Squire. (1886–1974)

6. Landscape, Scone (first state). £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

6. Kookaburras. £2.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

6. The Little Bridge, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

6. Chinese Opera. Victoria | £5.05.0 (unframed) | coloured etching

URE SMITH, Sydney (1887–1949)

6. Bilgola, Newport. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

7. Shakespeare's Birthplace, Stratford-on-Avon. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

7. Murrundie Valley, N.S.W. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

7. Sant Salvi. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

7. Harmony. £1.11.6 (unframed) | etching

LONG, Sydney (1871–1955)

7. Epping Forest, Landscape. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

7. War Memorial, Double Bay. £2.02.0 (unframed) | etching

QUINLAN, Will J. (1877–1963)

7. Burling Slip, New York. American. | US$20 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

7. West Front, Westminster Abbey. £1.16.6 (unframed) | etching

Smith, D. Murray. (1865–1952)

7. Hammersmith. English. | £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

7. The Tower, Carcassonne, Night. Victoria | £1.01.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

7. The three barns. Kindly lent by Ernest Watt, Esq. | etching

Friedensen, Thomas. (1879–1931)

8. Porch, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

8. The old barn. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

8. Trees in the Wind. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Don Quixote | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

8. Don Quixote £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

8. Strand on the Green. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

8. Macquarie Light. £2.02.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

8. Prince's Set of three. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

8. Uncle William Creech. American | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

8. Timber Belts. £7.07.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

8. Chinaman's garden's, Rose Bay. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

8. St. Peter's, Rome. £8.08.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

9. Avenue, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

9. The lagoon. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

9. Cathedral, Laon. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Red Gums | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

9. Red Gums £1.11.6 (unframed) | mezzotint.

LONG, Sydney (1871–1955)

9. The river from Waterloo Bridge. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

9. Barbara Ann. American. | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

9. The Chaff Cutter. Victoria. | £4.04.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

9. Harbour from Rose Bay. £2.02.0 (unframed) | etching

WALCOT, William (1874–1943)

9. Arc, St. Carlo. English. | £5.05.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

10. Studio Interior, Hammersmith. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

10. Echo Point, Katoomba. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

10. Cathedral, Albi. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

10. Bridge and Basket Willow. £3.03.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

10. Parchment Mill on the Wandle. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Good night in the gully where the white gums grow. | Date: 1922 | Technique: etching and aquatint, printed in brown ink, from one plate

10. Good night in the gully where the white gums grow. Victoria | £7.07.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

10. Sandhills, Bellevue Hill. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

10. Villa Quintilii. English | £8.08.0 (unframed) | etching

Burr, George Elbert. (1859–1939)

10. Arizona Clouds. American. | 36 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

11. The tramp. £2.12.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

11. Darling Harbour, Sydney. £3.03.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The terrace by the sea | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

11. The terrace by the sea £3.03.0 (unframed) | aquatint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

11. Beddington Corner £4.04.0 (unframed) | aquatint

PARTRIDGE, Roi (1888–1984)

11. Carmel, California. American. | 10 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The barn, Evening. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

11. The wooden temple. English. | £9.09.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

12. The Dick Whittington, Smithfield. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

12. Ye Old Fighting Locks, St Albans. £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

12. The Tinsmith's shop, King Street, Sydney £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

12. The passing storm £5.05.0 (unframed) | etching

Miller, Arthur (1893–1975)

12. A Crisp Morning. American. | 6 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

12. Camden, N.S.W. £3.03.0 (unframed) | etching

Whistler, James McNeill. (1834–1903)

12. The Music Room. English. | £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

13. cedar Court, Suffolk. £4.04.0 (unframed) | etching

HADEN, Francis Seymour (1818–1910)

13. A water meadow. English. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

13. The Gypsy dance £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

13. Pan £10.10.0 (unframed) | etching

Miller, Arthur (1893–1975)

13. Morning on a Calif. Hillside. American | US$6.00 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

14. Rue de Seine, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

14. Hunter Street. £2.12.6 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

14. On the Wandle £4.04.0 (unframed) | etching

PLOWMAN, George T.

14. Staples, Inn, London. American | US$10.00 (unframed) | etching

SHORT, Frank (1857–1945)

14. Shap Fell, Cumberland (Mezzotint after Peter De Wint). English. | £10.10.0 (unframed) | mezzotint

FULLWOOD, A.H. (1863–1930)

15. Street Latin Quarter, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

15. The Great Pear Tree, Windsor. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

15. Hawkesbury landscape £3.03.0 (unframed) | etching

PLOWMAN, George T.

15. Cloth Fair, Smithfield. American | 15 US dollars (unframed) | etching

ROBINS, W.P. (1882–1959)

15. Near Potter Heigham. English. | £4.04.0 (unframed) | etching

Lewis, Allen. (1873–1957)

16. The Workshop. American | US$20 (unframed) | etching

LINDSAY, Lionel (1874–1961)

16. The old Bark Hut. £2.12.6 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

16. Between the showers £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

16. Farm near Sandwich, Kent. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

17. William Dixson, Esq. kindly lent. Kindly lent | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

17. The belfry, Bruges £3.03.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

17. South Walsham. English. | £3.03.0 (unframed) | etching

Lewis, Allen. (1873–1957)

17. Gowanus Canal. Lewis, Allan [sic] | US$22 (unframed) | etching

18. Place de la Poissonerie, Chartres. Lewis, Allan [sic] | US$18 (unframed) | etching

18. Place de la Poissonerie, Chartres. US$18.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

18. The pumpkin patch, Windsor £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

18. A Cornish landscape £3.03.0 (unframed) | aquatint

Mura, Frank. (1861–)

18. In the Fields near Lancery. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

19. Bullfight in a Village. £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

19. Fantasy £6.06.0 (unframed) | aquatint

Pearson, Ralph M. (1883–1958)

19. Interpretation, 2nd State. American | 20 US dollars (unframed) | etching

UNWIN, Francis Sydney (1885–1925)

19. The Municipio, Florence. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

20. Rio dei Mendicanti, Venice. American | US$12. (unframed) | etching

LINDSAY, Lionel (1874–1961)

20. Bigola. £4.04.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

20. The Victorian Tower £5.05.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

20. The Groote Kirk. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

21. Sunny Corner, Villefranche. American | US$12.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Old carriage way, Cumberland Street | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

21. Old carriage way, Cumberland Street £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

21. Moonrise pastoral £5.00.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

21. Wheelwirghts, Falaise. English. | £4.04.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

22. The Moth. American | 25 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

22. The lake. softground

Hardie, Martin. (1875–1952)

22. Norfolk Bridge. English. | £3.03.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

23. Cockfight. American | 15 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

23. Pastoral. £7.07.0 (unframed) | softground

Hardie, Martin. (1875–1952)

23. Grey Day, New haven 2 2 0 1924 Sydney 1-13 December. English. | £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

24. The Spirit of the plains £4.04.0 (unframed) | aquatint

LUMSDEN, E.S. (1883–1948)

24. Jodhpur, Sunset. English | £4.04.0 (unframed) | etching

Winkler, John W. (1890–1979)

24. Small Delicatessen Booth Not ). American | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

25. The home of the rooks £4.04.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

25. The Hill Farmland. English. | £5.05.0 (unframed) | etching

Winkler, John W. (1890–1979)

25. Giner Shop for ). American | not for sale | etching

OSBORNE, Malcolm (1880–1963)

26. Le Puy. English. | £6.06.0 (unframed) | etching

Winkler, John W. (1890–1979)

26. Sacramento Street, San Frisco. Sale ). American | not for sale | etching

Barton, Loren R. (1893–)

27. Chinatown market. American | 18 US dollars (unframed) | etching

Benson, Frank. (1862–1951)

27. Black ducks. £21.00.0 (unframed) | etching

SOPER, George (1870–1942)

28. Lifting Potatoes. English. | £4.04.0 (unframed) | etching

Squirrell, Leonard R. (1893–1979)

29. Mill on the Wharfe. English. | £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

98. Studland Bay. £3.03.0 (unframed) | out of print

Third Annual Exhibition of Etchings by the Australian Painter Etchers Society

Venues

Education Department Gallery (3 July 1923 – 21 July 1923)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

SOPER, George (1870–1942)

The brick kiln. Lent | etching

FEINT, Adrian (1894–1971)

The Bathers. 2 gns (unframed) | etching

Lindeman, Grant. (1920–)

Head Wind, hayling. Elizabeth Bay Road, Elizabeth Bay, Sydney, New South Wales, Australia | 2 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

The Bathers. 2 gns (unframed) | etching

Morgan, Squire. (1886–1974)

Ti-trees. 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

Rose, Herbert. (1890–1937)

The Sugar Mills. 17 Auburn Grove, Armadale, Melbourne, Victoria, Australia. | 5 gns (unframed) | etching

SHORT, Frank (1857–1945)

Slant of Light in Polperro Harbour. Lent by Justice Street. | etching

Barker, David. (1888–1946)

The brick kilns. etching

Crisp, James. (1879–1962)

1. Young Magpies. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns. (unframed) | etching

Barker, David. (1888–1946)

Artist: Barker, David. | Title: Abdul. | Date: (1923) | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

1. Abdul. 2 gns (unframed) | etching

Boyd, Penleigh. (1890–1923)

1. The Stack. c/- P. Mc Shane, "Worthing", Carlos Street, Artarmon, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

Britton, Fred. (1889–1931)

1. Morning light. School of Fine Arts, University College, Tynte Street, North Adelaide, South Australia, Australia. | 3 gns (unframed) | etching

Campbell, Fred. (1851–1930)

1. The Swinging Basin. 1½ gns (unframed) | etching

Closay, E.T. de. (active by 1930s)

1. Clearing. 2 gns (unframed) | etching

Coffey, Alfred. (1869–1950)

Artist: Coffey, Alfred. | Title: Argyle cut, old Sydney. | Date: 1910 | Technique: etching, printed in warm black ink with plate-tone, from one plate

1. Argyle cut, old Sydney. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 5 gns (unframed) | etching

Dillon, Cyril. (1883–1974)

1. Melbourne Grammar School. 3 gns (unframed) | etching

Farmer, Helen. (1888–1970)

1. Old farm building. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

FEINT, Adrian (1894–1971)

1. Rendezvous. 2 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

1. Table Mountain, Capetown. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 1 gn (unframed) | etching

FULLWOOD, A.H. (1863–1930)

1. Rowe Street, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

1. York Minster. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Bulls on the bridge, Andalucia, Spain | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

1. Bulls on the bridge, Andalucia, Spain 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 3 gns. (unframed) | etching

LINDSAY, Norman (1879–1969)

1. Hyperborea. Springwood, Faulconbridge, New South Wales, Australia | 15 gns (unframed) | etching

Lloyd, Trevor. (1865–1937)

1. The Virtusoso. 3 gns (unframed) | etching

LONG, Sydney (1871–1955)

1. Fishing Boats. c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 2½ gns (unframed) | etching

McBey, James. (1883–1959)

1. Macduff. Lent by Justice Street. | etching

Morgan, Squire. (1886–1974)

1. Fagan's Farm (Souvenir, Henry Kendall). 158 Phillip Street, Sydney, New South Wales, Australia. | 2½ gns (unframed) | etching

MORT, Eirene (1879–1977)

1. The Harbour from Vaucluse. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

PERCY, W.S. (1872–1946)

1 First church, Christian Scientists' Melbourne. Theatre Royal, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

1. Willows, Hunter River. Dee Why, via Manly, New South Wales, Australia. | 1 gn (unframed) | etching

ST JOHN, Ellis (1874–1949)

1. The Spire. 208 Castlereagh Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

Shaw, Gayfield. (1885–1961)

1. The lake. Callaghan House, George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

SHIRLOW, John (1869–1936)

1. St. Matthews, Stawell. 'Beulah', Park Avenue, Glenhuntly, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Testing the new turbine, Red Cliffs pumps, August 1922. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone and wiped highlights, from one plate

1. Testing the new turbine, Red Cliffs pumps, August 1922. 43 Temple Court, Collins Street, Melbourne, Victoria, Australia. | 8 gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

1. The farm sheds. 24 Bond Street, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

van RAALTE, Henri (1881–1929)

1. Bracken banks. 221 Wellington Square, North Adelaide, South Australia, Australia. | 7 gns (unframed) | etching

Wallis, Raymond. (1900–1983)

1. The farmyard. Decoration Galleries, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

Artist: Warner, Alfred Edward. | Title: George Street | Date: 1922 | Technique: etching, printed in brown ink, from one plate

1. George Street 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Zorn, Anders. (1860–1920)

1. Dal River. Lent by Justice Street. | etching

Crisp, James. (1879–1962)

2. The three jackies. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

Barker, David. (1888–1946)

Artist: Barker, David. | Title: Street in Bethlehem. | Date: (1919) | Technique: etching, printed in black ink with plate-tone, from one plate

2. Street in Bethlehem. 2½ gns (unframed) | etching

Boyd, Penleigh. (1890–1923)

2. Edge of the clearing. c/- P. Mc Shane, "Worthing", Carlos Street, Artarmon, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

Britton, Fred. (1889–1931)

2. The Bridge. School of Fine Arts, University College, Tynte Street, North Adelaide, South Australia, Australia. | 2 gns (unframed) | etching

Campbell, Fred. (1851–1930)

2. The quarry. 1½ gns (unframed) | etching

Closay, E.T. de. (active by 1930s)

2. Approaching its End. 2 gns (unframed) | etching

Coffey, Alfred. (1869–1950)

Artist: Coffey, Alfred. | Title: Kirribilli Wharf, Neutral Bay, Sydney Harbour. | Date: 1914 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

2. Kirribilli Wharf, Neutral Bay, Sydney Harbour. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 5 gns. (unframed) | etching

Dillon, Cyril. (1883–1974)

2. Port Phillip Heads. 2½ gns (unframed) | etching

Farmer, Helen. (1888–1970)

2. End of the track. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

Friedensen, Thomas. (1879–1931)

2. Canal in Venice. 2½ gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

2. Old Dawes Point, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

2. Cobles at Staithes, Yorks. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

Lindeman, Grant. (1920–)

2. Head Wind, hayling. Elizabeth Bay Road, Elizabeth Bay, Sydney, New South Wales, Australia | 2 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

2. Don Juan's Last Duel. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 2½ gns (unframed) | etching

LINDSAY, Norman (1879–1969)

2. Death in the garden. Springwood, Faulconbridge, New South Wales, Australia | 10 gns (unframed) | etching

Lloyd, Trevor. (1865–1937)

2. The Outpost. 3 gns (unframed) | etching

MORT, Eirene (1879–1977)

2. The yard. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

PERCY, W.S. (1872–1946)

2. Canterbury College Christchurch, N.Z. Theatre Royal, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

2. Old Argyle. Dee Why, via Manly, New South Wales, Australia. | 2½ gns. (unframed) | etching

Rose, Herbert. (1890–1937)

2. Sydney from Cremorne. 17 Auburn Grove, Armadale, Melbourne, Victoria, Australia. | 2½ gns (unframed) | etching

ST JOHN, Ellis (1874–1949)

2. A back lane off Williams Street. 208 Castlereagh Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Shaw, Gayfield. (1885–1961)

2. Tending the nets. Callaghan House, George Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

SHIRLOW, John (1869–1936)

2. G.P.O. Gateway, Melbourne. 'Beulah', Park Avenue, Glenhuntly, Melbourne, Victoria, Australia. | 3 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

2. The Digger, Red Cliffs. 43 Temple Court, Collins Street, Melbourne, Victoria, Australia. | 1½ gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

2. Farm house, Hartley. 24 Bond Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

van RAALTE, Henri (1881–1929)

2. Adelaide Cathedral. 221 Wellington Square, North Adelaide, South Australia, Australia. | 3 gns (unframed) | etching

Wallis, Raymond. (1900–1983)

2. The Milking Shed. Decoration Galleries, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

2. York Street. 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Crisp, James. (1879–1962)

3. The sultan. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns. (unframed) | etching

Barker, David. (1888–1946)

3. Brickworks, St. Leonards. 2 gns (unframed) | etching

Boyd, Penleigh. (1890–1923)

Artist: Boyd, Penleigh. | Title: The jetty. | Date: c.1921 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate

3. The jetty. c/- P. Mc Shane, "Worthing", Carlos Street, Artarmon, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

Britton, Fred. (1889–1931)

3. Gaston Mervale in the "The Lilac Domino". School of Fine Arts, University College, Tynte Street, North Adelaide, South Australia, Australia. | 2 gns (unframed) | etching

Cameron, D.Y. (1865–1945)

3. Strathearn. Lent by Justice Street. | etching

Campbell, Fred. (1851–1930)

3. East Coast, Port Phillip. 1½ gns (unframed) | etching

Coffey, Alfred. (1869–1950)

3. Chapel, St. John's College, Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 5 gns (unframed) | etching

Farmer, Helen. (1888–1970)

3. Glimpe of the Creek. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: On the balcony. | Date: 1922 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

3. On the balcony. 1½ gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

3. The Up Country Farmer. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 1 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

3. Sydney Observatory. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

3. Old bridge, Staithes, Yorks. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

Lindeman, Grant. (1920–)

3. Sketch. Elizabeth Bay Road, Elizabeth Bay, Sydney, New South Wales, Australia | 1½ gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

3. The Lolly Shop. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 2 gns (unframed) | etching

LINDSAY, Norman (1879–1969)

3. Scherzo. Springwood, Faulconbridge, New South Wales, Australia | 10 gns (unframed) | etching

Lloyd, Trevor. (1865–1937)

3. Fern Trees. 3 gns (unframed) | etching

LONG, Sydney (1871–1955)

3. The old wooden ship. c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

3. Sandgrain Pastoral. c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 2½ gns (unframed) | etching

Morgan, Squire. (1886–1974)

3. Miniature. 158 Phillip Street, Sydney, New South Wales, Australia | 1 gn (unframed) | etching

MORT, Eirene (1879–1977)

3. The trough, Berrima. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

PERCY, W.S. (1872–1946)

3. St. Peter's Adelaide. Theatre Royal, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

3. Oxford Falls Bridge, N.S.W. Dee Why, via Manly, New South Wales, Australia. | 1½ gns (unframed) | etching

Rose, Herbert. (1890–1937)

3. Glebe Island Bridge, Sydney. 17 Auburn Grove, Armadale, Melbourne, Victoria, Australia. | 2½ gns (unframed) | etching

ST JOHN, Ellis (1874–1949)

3. St. James' Doorway, Sydney. 208 Castlereagh Street, Sydney, New South Wales, Australia. | 2½ gns (unframed) | etching

Shaw, Gayfield. (1885–1961)

3. Reflections. Callaghan House, George Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

SHIRLOW, John (1869–1936)

3. Flinders Street. 'Beulah', Park Avenue, Glenhuntly, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

3. Stocking the Boilers, Red Cliffs. 43 Temple Court, Collins Street, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

3. The barn, Windsor. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

van RAALTE, Henri (1881–1929)

3. Mourners at dusk. 221 Wellington Square, North Adelaide, South Australia, Australia. | 3 gns (unframed) | etching

Wallis, Raymond. (1900–1983)

3. Lucerne Farm. Decoration Galleries, Melbourne, Victoria, Australia. | 2½ gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

3. Morning, Berry's Bay. 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

3. The wool team. 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Crisp, James. (1879–1962)

4. Country pasture. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

Barker, David. (1888–1946)

4. Mosque in Baghdad. 3 gns (unframed) | etching

Bone, Muirhead. (1876–1953)

4. Jews' Quarter, Leeds. Lent by Justice Street. | etching

Britton, Fred. (1889–1931)

4. The slips. School of Fine Arts, University College, Tynte Street, North Adelaide, South Australia, Australia. | 2 gns (unframed) | etching

Campbell, Fred. (1851–1930)

4. Flinders Street Railway Station. 1½ gns (unframed) | etching

Coffey, Alfred. (1869–1950)

4. Clyde Street, Miller's Point, Old Sydney. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 5 gns (unframed) | etching

Farmer, Helen. (1888–1970)

4. The lake, Avoca. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

FEINT, Adrian (1894–1971)

Artist: FEINT, Adrian | Title: Basket willow. | Date: (1922) | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

4. Basket willow. 1 gn (unframed) | etching

Friedensen, Thomas. (1879–1931)

4 The Aboriginal. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 1½ gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

4. St. Joseph's Mulgoa, N.S.W. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

4. Cobles at Staithes, Yorks. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

Lindeman, Grant. (1920–)

4. Fishing boats, Boulogne. Elizabeth Bay Road, Elizabeth Bay, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

4. Arab Palace. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 3 gns (unframed) | etching

LINDSAY, Norman (1879–1969)

4. Lands of afternoon. Springwood, Faulconbridge, New South Wales, Australia | 10 gns (unframed) | etching

Lloyd, Trevor. (1865–1937)

4. Tree Ferns. 4 gns (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The camp in the forest | Date: 1920 | Technique: softground-etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

4. The camp in the forest c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 5 gns (unframed) | etching

Morgan, Squire. (1886–1974)

4. The lake, Avoca. 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Careening | Date: 1923 | Technique: softground-etching, printed in black ink, from one plate

4. Careening "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

ROBERTSON, Bruce (1872–1943)

4. Over the Range. Dee Why, via Manly, New South Wales, Australia. | 2½ gns (unframed) | etching

Rose, Herbert. (1890–1937)

4. Berry's Bay. 17 Auburn Grove, Armadale, Melbourne, Victoria, Australia. | 2½ gns (unframed) | etching

ST JOHN, Ellis (1874–1949)

4. Argyle. 208 Castlereagh Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Shaw, Gayfield. (1885–1961)

4. The White Way. Callaghan House, George Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

SHIRLOW, John (1869–1936)

4. Twilight, River Yarra. 'Beulah', Park Avenue, Glenhuntly, Melbourne, Victoria, Australia. | 3 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

4. The Dam, Small Pump, Red Cliffs. 43 Temple Court, Collins Street, Melbourne, Victoria, Australia. | 3½ gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Bank of New South Wales, Windsor | Date: 1920 | Technique: etching, printed in black ink, from one plate

4. Bank of New South Wales, Windsor 24 Bond Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

van RAALTE, Henri (1881–1929)

4. Wayside Gums. 221 Wellington Square, North Adelaide, South Australia, Australia. | 4 gns (unframed) | etching

Wallis, Raymond. (1900–1983)

4. White gum. Decoration Galleries, Melbourne, Victoria, Australia. | 1½ gns (unframed) | etching

Crisp, James. (1879–1962)

5. Late for dinner. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

Britton, Fred. (1889–1931)

5. Norman McDougall Bookplate. School of Fine Arts, University College, Tynte Street, North Adelaide, South Australia, Australia. | not for sale | etching

Campbell, Fred. (1851–1930)

5. The Bush Road. 1½ gns (unframed) | etching

Coffey, Alfred. (1869–1950)

5. Steps, Gloucester Street. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 5 gns (unframed) | etching

Farmer, Helen. (1888–1970)

5. Cobbitty gums. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

5. The Orient Boat. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 2 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

5. Corner of Liverpool Street. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

5. The Old Boathouse. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

Lindeman, Grant. (1920–)

5. Fish Markets, Boulogne. Elizabeth Bay Road, Elizabeth Bay, Sydney, New South Wales, Australia | 1½ gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Hulks, Berry's Bay | Date: 1920 | Technique: etching, aquatint and foul biting, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

5 Hulks, Berry's Bay 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 3 gns (unframed) | etching

Lloyd, Trevor. (1865–1937)

5. The Nikau Palm 3 gns 6 The Day of Rest. 3 gns (unframed) | etching

LONG, Sydney (1871–1955)

5. Strand on the Green. c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

Morgan, Squire. (1886–1974)

5. Morning sunlight. 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

MORT, Eirene (1879–1977)

5. The magpie. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

5. St. Andrew's Castle, Fife. Dee Why, via Manly, New South Wales, Australia. | 1½ gns (unframed) | etching

ST JOHN, Ellis (1874–1949)

5. The porch, St. James. 208 Castlereagh Street, Sydney, New South Wales, Australia. | 2½ gns (unframed) | etching

Shaw, Gayfield. (1885–1961)

5. Hillside dairy. Callaghan House, George Street, Sydney, New South Wales, Australia. | not for sale | etching

SHIRLOW, John (1869–1936)

5. Yarraside. 'Beulah', Park Avenue, Glenhuntly, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

5. Broken Hill silhouette, British Mine, Sunset. 43 Temple Court, Collins Street, Melbourne, Victoria, Australia. | 5 gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

5. Across the plains, Windsor. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

van RAALTE, Henri (1881–1929)

5. Town Hall, Perth. 221 Wellington Square, North Adelaide, South Australia, Australia. | 5 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

Artist: Warner, Alfred Edward. | Title: Pengilley's wool wagon | Date: 1922 | Technique: etching, printed in black ink with plate-tone, from one plate

5. Pengilley's wool wagon 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Crisp, James. (1879–1962)

6. Corner Old Stables, Vaucluse House. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns. (unframed) | etching

Britton, Fred. (1889–1931)

6. Louise Brown Bookplate. School of Fine Arts, University College, Tynte Street, North Adelaide, South Australia, Australia. | not for sale | etching

Campbell, Fred. (1851–1930)

6. Reflection. 1½ gns (unframed) | etching

Coffey, Alfred. (1869–1950)

6. Wooden Bridge, Pyrmont. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Farmer, Helen. (1888–1970)

6. Beauty Point. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Friedensen, Thomas. (1879–1931) and FULLWOOD, A.H. (1863–1930)

6. The Spit, Middle Harbour. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 2 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

6 Clyde Street, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

6. Boatshed, Cremorne Point. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

HADEN, Francis Seymour (1818–1910)

6. The Breaking up of the 'Agamemnon'. Lent by Justice Street. Lent by Justice Street. | etching

Lindeman, Grant. (1920–)

6 Farmyard. 1½ gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

6. Refreshments. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 1½ gns (unframed) | etching

LONG, Sydney (1871–1955)

6. Badnage Landscape. c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 4 gns (unframed) | etching

Morgan, Squire. (1886–1974)

6. The glade. 158 Phillip Street, Sydney, New South Wales, Australia | 1½ gns (unframed) | etching

MORT, Eirene (1879–1977)

6. A Hartley barn. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

6. Australian Bush Road. Dee Why, via Manly, New South Wales, Australia. | 5 gns (unframed) | etching

ST JOHN, Ellis (1874–1949)

6. Old houses, Miller's Point. 208 Castlereagh Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Shaw, Gayfield. (1885–1961)

6. The Mill Hut, Menangle. Callaghan House, George Street, Sydney, New South Wales, Australia. | not for sale | etching

SHIRLOW, John (1869–1936)

6. Kong Mong's doorway 'Beulah', Park Avenue, Glenhuntly, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

6. Hawkesbury River, Windsor. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

van RAALTE, Henri (1881–1929)

6. Barracks, Perth. 221 Wellington Square, North Adelaide, South Australia, Australia. | 3 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

Artist: Warner, Alfred Edward. | Title: Drovers cook making camp | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate

6. Drovers cook making camp 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Crisp, James. (1879–1962)

7. The quintette. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns. (unframed) | etching

Coffey, Alfred. (1869–1950)

7. The mouth of the creek. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Farmer, Helen. (1888–1970)

7. East Gate, Warwick. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

7. The Sydney Herald Building. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

7. Windmill Hill, 1890. 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957) and GOODCHILD, John (1898–1980)

7. St. Mary's Cathedral. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

Lindeman, Grant. (1920–)

7. St. Bartholomew the Great. Elizabeth Bay Road, Elizabeth Bay, Sydney, New South Wales, Australia | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

7. Autumn landscape c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

Morgan, Squire. (1886–1974)

7. Old bullock dray. 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns. (unframed) | etching

MORT, Eirene (1879–1977)

7. Macquarie's Bath House. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

7. Farm bridge, Hunter River. Dee Why, via Manly, New South Wales, Australia. | 3 gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

7. Ashmore House, Kent Street. 24 Bond Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

van RAALTE, Henri (1881–1929)

7. The gust. 221 Wellington Square, North Adelaide, South Australia, Australia. | 10 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

7. Argyle. 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Crisp, James. (1879–1962)

8. Magpies. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Coffey, Alfred. (1869–1950)

8. Half Wooden House, Gas Lane, Old Sydney. Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Farmer, Helen. (1888–1970)

8. A Shady Spot. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

8. Royal, Windsor. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

8. The Rocks. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

8. A Minnamurra Crossing. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Lalanne, Maxime. (1827–1886)

8 Vue Prise du Pont St. Michel lent by Justice Street. Lent by Justice Street. | etching

LINDSAY, Lionel (1874–1961)

8. Gossip, Sussex Street. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 2 gns (unframed) | etching

LONG, Sydney (1871–1955)

8. Old houses, Chissington. c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

Morgan, Squire. (1886–1974)

8 Deserted hut. 158 Phillip Street, Sydney, New South Wales, Australia | not for sale | etching

MORT, Eirene (1879–1977)

8. The sentinel. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

8. Duck Farm, Hunter River. Dee Why, via Manly, New South Wales, Australia. | 1½ gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

8. Harbour from Rose Bay. 24 Bond Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

Artist: Warner, Alfred Edward. | Title: The District Court | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate

8. The District Court Kindly lent by Mr H. Chorley. | etching

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

9. The teamster. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns. (unframed) | etching

Coffey, Alfred. (1869–1950)

9. Doorway, Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Farmer, Helen. (1888–1970)

9. Dee Bridge, Chester. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

9. Circular Quay, Sydney. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

9. Dawes Point. 1 Bond Street, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

9. Scows at Rest. 24 Bond Street, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Mardi Gras, Serville, Spain | Date: 1919 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

9. Mardi Gras, Serville, Spain 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

9. St. Paul's from the river c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 2½ gns (unframed) | etching

Morgan, Squire. (1886–1974)

9. Sketch, Avoca. 158 Phillip Street, Sydney, New South Wales, Australia | 1 gn (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Pont de Sucre, Bruges | Date: 1912 | Technique: etching, printed in black ink, from one plate

9. Pont de Sucre, Bruges "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

9. Australian sunrise. Dee Why, via Manly, New South Wales, Australia. | 3 gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

9. Early morning, the river, Windsor. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

9. Timber. 313 George Street, Sydney, New South Wales, Australia. | 2½ gns (unframed) | etching

Crisp, James. (1879–1962)

10. The teamster [pencil]. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 4 gns (unframed) | pencil sketch.

None

10. Buttress and Pinnacle, St. John's College Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Farmer, Helen. (1888–1970)

10. Government House Gates. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

10. Windmill, Walton, Essex. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

10. First Treasury Building, Australia, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

10. Botanic Steps, Sydney. 24 Bond Street, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

10. Gamecocks, Spain 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

10. Friar Street, Worcester c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 2½ gns (unframed) | etching

Morgan, Squire. (1886–1974)

10. The lakeside. 158 Phillip Street, Sydney, New South Wales, Australia | 2½ gns (unframed) | etching

MORT, Eirene (1879–1977)

10. College gate, York. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

10. Rialto Bridge, Venice. Dee Why, via Manly, New South Wales, Australia. | 1½ gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

10. Little doorway, Bathurst. 24 Bond Street, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

Warner, Alfred Edward. (1879–1968)

10. The team. 313 George Street, Sydney, New South Wales, Australia. | 2½ gns (unframed) | etching

WEBSTER, Herman (1878–1970)

10. Sur le Quai Montebello lent by Justice Street. Lent by Justice Street. | etching

Crisp, James. (1879–1962)

11. Cow and Calf, Pencil Sketch. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 3 gns (unframed) | pencil sketch

Brockhurst, Gerald. (1890–1978)

11. Fabian lent by Justice Street. Lent by Justice Street. | etching

Coffey, Alfred. (1869–1950)

11. Glenyarrah (Gladswood), Double Bay. Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 1½ gns. (unframed) | etching

Friedensen, Thomas. (1879–1931)

11. The Aboriginal. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | not for sale | etching

FULLWOOD, A.H. (1863–1930)

11. Fort Street School, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

11. The fossicker. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 3 gns (unframed) | etching

Morgan, Squire. (1886–1974)

11. Sliprails. 158 Phillip Street, Sydney, New South Wales, Australia | 2½ gns (unframed) | etching

MORT, Eirene (1879–1977)

11. A bush home. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

ROBERTSON, Bruce (1872–1943)

11. Waterloo Bridge. Dee Why, via Manly, New South Wales, Australia. | 2½ gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

11. Cottage, Clarendon 24 Bond Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

11. Lake Tarawera, N.Z. 313 George Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

Coffey, Alfred. (1869–1950)

12. Across the lagoon. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 1½ gns. (unframed) | etching

FULLWOOD, A.H. (1863–1930)

12. Mr. Mitchell's House, Darlinghurst. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Muleteers, Spain | Date: 1921 | Technique: etching printed green-black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

12. Muleteers, Spain 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 2 gns (unframed) | etching

LUMSDEN, E.S. (1883–1948)

12. Benares No.2 lent by Justice Street. Lent by Justice Street. | etching

MORT, Eirene (1879–1977)

12. Uplands. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

12. The wave, Coogee, N.S.W. Dee Why, via Manly, New South Wales, Australia. | 1½ gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

12. The barn, Winnstay. 24 Bond Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

12. The old coach road. 313 George Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

13. Burdekin House, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Old Government House, Windsor, N.S.W. | Date: 1918 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

13. Old Government House, Windsor, N.S.W. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 4 gns (unframed) | etching

MORT, Eirene (1879–1977)

13. The sawmill. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

REMBRANDT van Rijn (1606–1669)

13. No title Kindly lent by Mrs Norman Lindsay. Kindly lent by Mrs Norman Lindsay. | etching

ROBERTSON, Bruce (1872–1943)

13. Merewether Lagoon (out print). Dee Why, via Manly, New South Wales, Australia. | 8 gns (unframed) | out of print | etching

URE SMITH, Sydney (1887–1949)

13. Windsor, N.S.W. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

14. Old King's School, Parramatta. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

14. Breakfast 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 2 gns (unframed) | etching

MORT, Eirene (1879–1977)

14. Sliprails. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

REMBRANDT van Rijn (1606–1669)

14. No title Kindly lent by Mrs Norman Lindsay. Kindly lent by Mrs Norman Lindsay. | etching

ROBERTSON, Bruce (1872–1943)

14. Rue de L'Horlogue, Dinan, France. Dee Why, via Manly, New South Wales, Australia. | 5 gns (unframed) | out of print | etching

URE SMITH, Sydney (1887–1949)

14. Harbour from Curraghbeana Point. 24 Bond Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

15. Gabo Island, N.S.W. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

15. House on the Wall. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 4 gns (unframed) | etching

MORT, Eirene (1879–1977)

15. Pasture. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

ROBERTSON, Bruce (1872–1943)

15. Coming storm, Pittenweem. Dee Why, via Manly, New South Wales, Australia. | 10 gns (unframed) | out of print | etching

URE SMITH, Sydney (1887–1949)

15. Cumberland House, the Rocks. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

16. Hyde Park, London. 1 Bond Street, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

16. Ebeneezer Vickery's, off Pitt Street, Sydney. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 3 gns (unframed) | etching

MORT, Eirene (1879–1977)

16. Court House and Cells, Hartley. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

16. St. Andrew's from Sea, Fife. Dee Why, via Manly, New South Wales, Australia. | 5 gns (unframed) | out of print | etching

FULLWOOD, A.H. (1863–1930)

17. The haunted mill. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

17. Cordova. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | not for sale | etching

MORT, Eirene (1879–1977)

17. The stables, Vaucluse. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

17. Across the bay, Coogee, Sydney, NSW. Dee Why, via Manly, New South Wales, Australia. | 5 gns (unframed) | out of print | etching

FULLWOOD, A.H. (1863–1930)

18. Moonrise at Heidelberg, Victoria. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns. (unframed) | etching

LINDSAY, Lionel (1874–1961)

18. Sacred Grove. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 3 gns (unframed) | etching

Artist: LINDSAY, Lionel | Title: Elizabeth Farm, Parramatta | Date: 1914 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

18. Elizabeth Farm, Parramatta "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

18. Rue de l'Cordonnerie, Dinan, France Dee Why, via Manly, New South Wales, Australia. | 10 gns (unframed) | out of print | etching

FULLWOOD, A.H. (1863–1930)

19. Old Chelsea Church, London. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

19. The Nook, Berry's Bay. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 2 gns (unframed) | etching

Palmer, Samuel. (1805–1881)

19. Sunrise. Lent by Lionel Lindsay. | etching

ROBERTSON, Bruce (1872–1943)

19. Arrival of Australian Fleet. Dee Why, via Manly, New South Wales, Australia. | 10 gns (unframed) | out of print | etching

FULLWOOD, A.H. (1863–1930)

20. Peterborough Cathedral. 1 Bond Street, Sydney, New South Wales, Australia.1 Bond Street, Sydney, New South Wales, Australia. | 6 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

20. Old gum tree, Patterson River N.S.W. Dee Why, via Manly, New South Wales, Australia. | 10 gns (unframed) | out of print | etching

FULLWOOD, A.H. (1863–1930)

21. The chalk hole, Rochester. 1 Bond Street, Sydney, New South Wales, Australia. | 10 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

21. Nobby's Newcastle, N.S.W. Dee Why, via Manly, New South Wales, Australia. | 5 gns. (unframed) | etching

Green, Valentine. (1739–1813)

22. Portrait, Sir Joshua Reynolds, lent by Lionel Lindsay. Lent by Lionel Lindsay. | etching

ROBERTSON, Bruce (1872–1943)

22. Through Australian Bush. Dee Why, via Manly, New South Wales, Australia. | 5 gns (unframed) | etching

Piranesi, Giovanni Battista (1720–1778)

23. No title Lent by Lionel Lindsay. Lent by Lionel Lindsay. | etching

ROBERTSON, Bruce (1872–1943)

23. Hunter River at West Maitland, NSW. Dee Why, via Manly, New South Wales, Australia. | 1½ gns (unframed) | etching

24. Group of Gums, 'Deewhy', NSW. Dee Why, via Manly, New South Wales, Australia. | 5 gns (unframed) | etching

SHORT, Frank (1857–1945)

24. Summer haze. Lent by Gayfield Shaw. | etching

Eilen, E.L. (1923–)

25. The Bathers. Lent by Gayfield Shaw. | etching

WALCOT, William (1874–1943)

26. The Marsey lent by Gayfield Shaw. Lent by Gayfield Shaw. | etching

27. Ludgate Hill. Lent by Gayfield Shaw. | etching

LUMSDEN, E.S. (1883–1948)

28. The Fruit Shop. Lent by Gayfield Shaw. | etching

SOPER, George (1870–1942)

30. The barn. Lent by Gayfield Shaw. | etching

Baumer, Lewis. (1870–1963)

31. Resting. Lent by Gayfield Shaw. | etching

NAILER, C.

32. The dance. Lent by Gayfield Shaw. | etching

Catalogue of the Exhibition of the Australian Painter-Etchers' Society. Exhibition of Etchings by Members and Honary Members of the Australian Painter-Etchers' Society [1925].

Venues

Dunster Galleries (24 November 1925 – 15 December 1925)
104-106 Gawler Place, Adelaide, South Australia, Australia

Works

Burridge, Fred. (1869–1945)

The Mountain Smithy. £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

Evening in the fishing quarter. £4.04.0 (unframed) | etching

Lee Hankey, William. (1869–1952)

Memories. £8.08.0 (unframed) | etching

Sitting Up. £6.06.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

Chinon Castle. £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

In the Path of the Gale. £5.05.0 (unframed) | etching

WALCOT, William (1874–1943)

Venice. £7.07.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

2. Wreckage. £3.03.0 (unframed) | etching

Airy, Anna. (1882–1964)

3. Azaleas. £7.07.0 (unframed) | etching

Lee Hankey, William. (1869–1952)

10. Jeanette of the Market. £12.12.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The farm sheds. £6.06.0 (unframed) | etching

12. Farmhouse, Hartley. £2.02.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

13. Washing day £2.02.0 (unframed) | etching

14. Farmyard, Clarendon. £2.02.0 (unframed) | etching

15. The sequestered farm. £3.03.0 (unframed) | etching

16. The country road. £3.03.0 (unframed) | etching

17. The Hawkesbury, Windsor. £3.03.0 (unframed) | etching

18. Offices of the 'Sydney Morning Herald'. £5.05.0 (unframed) | etching

19. The Old Treasury. £4.04.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

20. The blacksmith's shop, Ambleside £5.05.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

21. Ambleside farmyard £3.03.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

22. Australian sunrise. £3.03.0 (unframed) | etching

23. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unframed) | etching

24. On the Lane Cove, Sydney Harbour. £2.17.6 (unframed) | etching

25. Old Argyle Cut, Sydney. £2.10.0 (unframed) | etching

26. Australian sunrise. £2.10.0 (unframed) | etching

27. Australian natives, Lake Macquarie, NSW. £1.11.6 (unframed) | etching

28. Rue de Mer Rouge, Algiers. £1.11.6 (unframed) | etching

29. Outer Lake, Narrabeen. £1.05.0 (unframed) | etching

30. Old Balmoral Beach, Sydney Harbour. £1.11.6 (unframed) | etching

31. Banksia, Collaroy. £1.11.6 (unframed) | etching

32. Groote Church, Dordrecht, Holland. £1.11.6 (unframed) | etching

33. Trees of Balmoral, Sydney Harbour. £1.01.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

34. An Early Dooway. £2.02.0 (unframed) | etching

Godson, John Barclay. (1882–1957) and Godson, John Barclay. (1882–1957)

35. The Reclamation. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

36. Cobles at Staithes, Yorks. £3.03.0 (unframed) | etching

37. Bushrangers' Hill, Pittwater. £2.02.0 (unframed) | etching

38. Minnamurra Reflections. £3.03.0 (unframed) | etching

39. Early morn. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

40. Strand on the Green. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

41. The riverside £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

42. Beddington Corner £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. Moonrise pastoral £5.05.0 (unframed) | etching

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

44. Young Kookaburras £2.02.0 (unframed) | etching

45. The Snake Yarn. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Radnage, Bucks | Date: 1920 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

46. Radnage, Bucks £4.04.0 (unframed) | etching

47. Belfry, Bruges. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

48. The deserted selection. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Between the showers £4.04.0 (unframed) | etching

50. Fishing Boats, St. Ives. £2.12.6 (unframed) | etching

51. Pastoral. £6.06.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

52. The Breaking up of H.M.A.S. 'Australia'. £3.03.0 (unframed) | etching

53. The Grand Canal, Venice. £3.03.0 (unframed) | etching

54. Lacey's Creek, Burragorang Valley, N.S.W. £3.03.0 (unframed) | etching

55. St. Paul's Cathedral, London. £2.12.6 (unframed) | etching

56. The Up Country Farmer. £2.02.0 (unframed) | etching

57. An old English shepherd. £2.02.0 (unframed) | etching

58. A canal in Venice. £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

59. A Scone farm. £3.03.0 (unframed) | etching

Artist: Morgan, Squire. | Title: Ti trees | Date: 1922 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

60. Ti trees £3.03.0 (unframed) | etching

61. At Palm Beach. £3.03.0 (unframed) | etching

62. Old bullock dray. £3.03.0 (unframed) | etching

63. The lakeside. £2.12.6 (unframed) | etching

64. Deserted hut. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

65. Dawes Point, Sydney. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

66. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. £4.04.0 (unframed) | etching

67. Sydney Grammar School. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

68. The picnic. £4.04.0 (unframed) | etching

69. The launch. £3.03.0 (unframed) | etching

70. Conservatorium of Music, Sydney. £3.03.0 (unframed) | etching

71. Wiseman's Ferry. £4.04.0 (unframed) | etching

72. St. James Church, Sydney. £4.04.0 (unframed) | etching

73. Milson's Point, Sydney. £4.04.0 (unframed) | etching

74. Oxford and Cambridge Boat Race: The Start. £4.04.0 (unframed) | etching

75. St. Joseph's College, Sydney. £3.03.0 (unframed) | etching

76. Chinaman's gardens, Rose Bay. £4.04.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

77. MacTaggart's Farm. £1.07.0 (unframed) | etching

78. The River Tweed. £1.11.6 (unframed) | etching

79. Prince's Bridge, Melbourne. £1.11.6 (unframed) | etching

80. Newport Rocks. £1.01.0 (unframed) | etching

81. Evening. £1.01.0 (unframed) | etching

82. Timber Craft. £1.07.0 (unframed) | etching

83. The Estuary. £1.01.0 (unframed) | etching

84. From the Mountain Side. £1.07.0 (unframed) | etching

85. Along the Murrumbidgee. £1.11.6 (unframed) | etching

86. Mountain Gums. £1.11.6 (unframed) | etching

87. A Sydney Ferry. £1.01.0 (unframed) | etching

88. The river boat. £1.07.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

89. Bullock team. £1.11.6 (unframed) | etching

90. Wool Team. £1.11.6 (unframed) | etching

91. Martin's Farm. £2.02.0 (unframed) | etching

92. In Camp. £2.12.6 (unframed) | etching

93. Politicians. £2.12.6 (unframed) | etching

94. Cultivation paddocks. £2.12.6 (unframed) | etching

95. On the road. £3.03.0 (unframed) | etching

96. Loading Wool. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

97. Sundown. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

98. Gid-Dap. £3.03.0 (unframed) | etching

Farmer, Helen. (1888–1970)

99. The cowbail. £2.02.0 (unframed) | etching

100. A river boat. £1.11.6 (unframed) | etching

101. The paddock gate. £3.03.0 (unframed) | etching

102. The derelict. £2.02.0 (unframed) | etching

103. Chinamen's gardens, Mavey Vale. £2.02.0 (unframed) | etching

104. Loading a drogher. £2.02.0 (unframed) | etching

105. The deserted tenement. £1.11.6 (unframed) | etching

106. The cottage on the hill. £1.01.6 (unframed) | etching

Crisp, James. (1879–1962)

107. A Favorite Spot. £2.02.0 (unframed) | etching

108. The old mill, Auckland, N.Z. £1.11.0 (unframed) | etching

109. The Story. £1.11.6 (unframed) | etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

110. The gander. £1.01.0 (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Sydney Harbour from Vaucluse | Date: 1923 | Technique: etching, printed in black ink, from one plate

111. Sydney Harbour from Vaucluse £2.02.0 (unframed) | etching

112. Government House, Windsor, N.S.W. £2.02.0 (unframed) | etching

113. The yard. £2.02.0 (unframed) | etching

114. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

115. Black Mountain, Canberra £1.11.6 (unframed) | etching

116. A Hartley barn. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

117. The Bridge. £1.11.6 (unframed) | etching

118. Ships at rest. £2.02.0 (unframed) | etching

119. After work. £2.02.0 (unframed) | etching

120. Low Banks. £1.01.0 (unframed) | etching

121. Bush Light. £1.01.0 (unframed) | etching

122. Sydney from Bradleys Head. £2.02.0 (unframed) | etching

123. The smithy. £2.02.0 (unframed) | etching

124. Quiet afternoon, Port Adelaide. £4.04.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

125. Sundown. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

126. Desolation. £1.11.6 (unframed) | etching

127. King William Street, Adelaide. £2.12.6 (unframed) | etching

128. G.P.O., Adelaide. £5.05.0 (unframed) | etching

Britton, Fred. (1889–1931)

129. The Winery. £0.15.0 (unframed) | etching

130. The barn. £0.15.0 (unframed) | etching

131. The wharves, Birkenhead. £1.01.0 (unframed) | etching

132. Old carpenter's shop, Noarlunga. £1.01.0 (unframed) | etching

133. Old cottages at Goolwa. £1.11.6 (unframed) | etching

134. The sunlit homestead. £2.02.0 (unframed) | etching

135. Cottage at Aldgate. £2.02.0 (unframed) | etching

136. The slips. £2.12.6 (unframed) | etching | Collection: British Museum.

van RAALTE, Henri (1881–1929)

137. The water glade (Torrens Gorge). £8.08.0 (unframed) | etching

138. Silver evening. £7.07.0 (unframed) | etching

Artist: van RAALTE, Henri | Title: Tuarts of the South-West. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

139. Tuarts of the South-West. £10.10.0 (unframed) | etching

140. The Cathedral at Dawn. £4.04.0 (unframed) | etching

A collected list of etchings: Squire Morgan.

Venues

Venue Not Identified. None

Works

Morgan, Squire. (1886–1974)

The Hut. edition of 5 | out of print | drypoint

Tree Study. edition of 15 | out of print

Ti-trees. edition of 50

Deserted hut. edition of 50

Old bullock dray. edition of 50

The lake, Avoca. edition of 30

Miniature. edition of 50 | out of print

Morning sunlight. edition of 50

Fagan's Farm. edition of 50

Avoca sketch. edition of 50 | out of print

The sliprails. edition of 50

The glade. edition of 50

The lakeside. edition of 50

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

The lagoon, Dee Why edition of 50

A Scone farm. edition of 60

Kangaroo Valley sketch. edition of 50

Dee Why sketch. edition of 50

Burragorang Valley. edition of 3 | out of print. | plate destroyed

Fagan's Farm (Another Plate). edition of 50

On the road to Tambourine, Queensland. edition of 50

At Palm Beach. edition of 50

The prospector. edition of 50