Nude Study.

Anna Airy (1882–1964)

Nude Study.

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

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First Adelaide Exhibition of the Australasian Painter-Etchers' Society

Venues

Institute Building [Adelaide]. (8 March 1922 – ?)
North Terrace, Adelaide, South Australia, Australia

Works

URE SMITH, Sydney (1887–1949)

Launching of H.M.A.S. 'Brisbane', Cockatoo Island 30 September 1915. Illustraed in catalogue but not listed.

None

After the bath.

FULLWOOD, A.H. (1863–1930)

The old mill, Tasmania. edition of | Illustrated but not listed in the catalogue.

Godson, John Barclay. (1882–1957)

Cobles at Staithes, Yorks. Illustrated but not listed in the catalogue

GOODCHILD, John (1898–1980)

Westminster Abbey, London. £1.05.0 (unframed); £0.07.6 (frame) | edition of 75 | etching

St. Paul's, Across Blackfriars. £1.05.0 (unframed); £0.07.6 (frame) | edition of 50 | etching

Waterloo Bridge. £2.02.0 (unframed); £0.09.0 (frame) | edition of 50 | etching

Kingston-on-Thames. £1.11.6 (unframed); £0.09.0 (frame) | edition of 50 | etching

Heysen, Hans. (1877–1968) and LINDSAY, Lionel (1874–1961)

The plough. not for sale | edition of - | etching

Heysen, Hans. (1877–1968)

Billy not for sale | edition of - | etching

The barn. not for sale | edition of - | etching

The blacksmith's shop. not for sale | edition of - | etching

ROBERTSON, Bruce (1872–1943)

1. Lady Tower, Elie, Fife. £1.11.6 (unframed); £0.08.0 (frame) | edition of 50 | etching

Shaw, Gayfield. (1885–1961)

1. The bush pottery. £4.04.0 (unframed); £0.10.0 (frame). | edition of 30 | etching

URE SMITH, Sydney (1887–1949)

1. The farmhouse, Hartley. £2.02.0 (unframed); £0.06.6 (frame) | edition of 50 | etching

Arndt, Mina. (1885–1926)

1. Cornishman. New Zealand | not for sale | edition of 30 | etching

Barker, David. (1888–1946)

1. New Gate, Jerusalem. £1.11.6 (unframed); £0.08.6 (frame) | edition of 50 | etching

Campbell, Fred. (1851–1930)

1. Ti-tree. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | etching

None

1. Buttress and Pinnacle, St. John's College Sydney University. £1.15.0 (unframed); £0.10.0 (frame) | edition of 50 | etching

FULLWOOD, A.H. (1863–1930)

1. Savage Club, Melbourne. £2.02.0 (unframed); £0.08.6 (frame) | edition of 30 | etching

Godson, John Barclay. (1882–1957)

1. Fischer Library, University, Sydney. £3.03.0 (unframed); £0.08.6 (frame) | edition of - | etching

Gruner, Elioth. (1882–1939)

Artist: Gruner, Elioth. | Title: The barn. | Date: 1919 | Technique: drypoint, printed in dark brown ink with plate-tone, from one plate

1. The barn. not for sale | edition of - | dry point

Hope, Edith A. (1870–1942)

1. Concy Le Chateau. £6.06.0 (unframed); £0.14.0 (frame) | edition of - | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

1. The Tinsmith's shop, King Street, Sydney £2.02.0 (unframed); £0.06.0 (frame) | edition of 50 | etching

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Good morning | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

1. Good morning £15.15.0 (unframed); £0.12.0 (frame) | edition of 50 | etching

MORT, Eirene (1879–1977)

1. The slip rails. £1.11.6 (unframed); £0.06.0 (frame) | edition of 50 | etching

van RAALTE, Henri (1881–1929)

1. After the Bath. New Zealand | £6.16.6 (unframed); £0.08.6 (frame) | edition of 20 | drypoint

Rose, Herbert. (1890–1937)

1. Flinders Street, Melbourne. £2.12.6 (unframed); £0.06.0 (frame) | edition of 8 | etching

SHIRLOW, John (1869–1936)

1. The city. £3.03.0 (unframed); £0.08.0 (frame) | edition of 50 | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Melbourne from Richmond Paddock | Date: 1914 | Technique: aquatint and drypoint, printed in brown ink with plate-tone, from one plate

1. Melbourne from Richmond Paddock £2.02.0 (unframed); £0.12.0 (frame) | edition of 25 | aquatint

van RAALTE, Henri (1881–1929)

1. The Monarch, Kalgan River, W.A. £52.00.0 (unframed) | edition of 22 | drypoint

ROBERTSON, Bruce (1872–1943)

2. Elie, Fife. £1.05.0 (unframed); £0.08.0 (frame) | edition of 3 | etching

None

2. A Brisbane laneway. £1.11.6 (unframed); £0.06.6 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

2. The three barns. £3.03.0 (unframed); £0.07.6 (frame) | edition of 40 | etching

Arndt, Mina. (1885–1926)

2. Etching of Two Figures. New Zealand | not for sale | edition of 30 | etching

Barker, David. (1888–1946)

2. The Hill, Mosman. £1.11.6 (unframed); £0.08.6 (frame) | edition of 25 | etching

Campbell, Fred. (1851–1930)

2. The Dredge. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | etching

Coffey, Alfred. (1869–1950)

2. Doorway, Sydney University. £1.15.0 (unframed); £0.09.6 (frame) | edition of 50 | etching

FULLWOOD, A.H. (1863–1930)

2. The Bell Inn at Stilton. £3.03.0 (unframed); £0.09.0 (frame) | edition of - | etching

None

2. Church, Port Arthur, Tasmania. £2.02.0 (unframed); £0.08.6 (frame) | edition of - | etching

Gruner, Elioth. (1882–1939)

Artist: Gruner, Elioth. | Title: The slip-rail | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

2. The slip-rail not for sale | edition of - | dry point

Hope, Edith A. (1870–1942)

2. Laon, The Aeroplane. £2.02.0 (unframed); £0.08.0 (frame) | edition of - | etching

LINDSAY, Lionel (1874–1961)

2. The Travelling Shearer. £2.02.0 (unframed); £0.06.0 (frame) | edition of 50 | etching

LINDSAY, Norman (1879–1969)

2. Lesbia. £5.05.0 (unframed); £0.09.0 (frame) | edition of 50 | etching

MORT, Eirene (1879–1977)

2. The sawmill. £1.11.6 (unframed); £0.06.0 (frame) | edition of 50 | etching

RICHARDSON, Linley, H. (1878–1947)

2. A summer's day, Wellington, N.Z. New Zealand | £6.16.6 (unframed); £0.09.6 (frame) | edition of - | drypoint

Rose, Herbert. (1890–1937)

2. Collins Street by Night. £2.12.6 (unframed); £0.07.0 (frame) | edition of 50 | etching

SHIRLOW, John (1869–1936)

2. Kong Mong's doorway £2.02.0 (unframed); £0.07.0 (frame) | edition of 40 | etching

TRAILL, Jessie (1881–1967)

2. Bush Track. £3.03.0 (unframed); £0.12.0 (frame) | edition of 40 | etching

van RAALTE, Henri (1881–1929)

2. The road thro' Karri. £36.15.0 (unframed); £0.18.6 (frame) | edition of 40 | drypoint

ROBERTSON, Bruce (1872–1943)

3. Old Lambeth Bridge, London. £1.06.0 (unframed); £0.07.0 (frame) | edition of 50 | etching

Shaw, Gayfield. (1885–1961)

3. Bulletin Lane £2.02.0 (unframed); £0.08.0 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

3. The Headland, Bilgola. £3.03.0 (unframed); £0.07.6 (frame) | edition of 50 | etching

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

3. Nude Study. New Zealand | not for sale | edition of 30 | etching

Barker, David. (1888–1946)

3. Church near Jerusalem. £2.02.0 (unframed); £0.08.6 (frame) | edition of 50 | etching

Campbell, Fred. (1851–1930)

3. Captain Cole's House. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | etching

Coffey, Alfred. (1869–1950)

3. The winding creek. £1.07.6 (unframed); £0.07.6 (frame) | edition of 50 | etching

FULLWOOD, A.H. (1863–1930)

3. Entrance Government House, Melbourne. £2.02.0 (unframed); £0.08.6 (frame) | edition of 30 | etching

Godson, John Barclay. (1882–1957)

3. Lindisfarne, Hobart. £2.02.0 (unframed); £0.08.6 (frame) | edition of - | etching

Hope, Edith A. (1870–1942)

3. Venetian boat yard. £6.06.0 (unframed); £0.14.0 (frame) | edition of - | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Bulls on the bridge, Andalucia, Spain | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

3. Bulls on the bridge, Andalucia, Spain £2.12.6 (unframed); £0.06.6 (frame) | edition of 50 | etching

LINDSAY, Norman (1879–1969)

3. The ring. £4.04.0 (unframed); £0.07.6 (frame) | edition of 50 | etching

MORT, Eirene (1879–1977)

3. Court House and Cells, Hartley. £2.02.0 (unframed); £0.06.0 (frame) | edition of 50 | etching

RICHARDSON, Linley, H. (1878–1947)

3. On the beach. New Zealand | £6.16.6 (unframed); £0.09.6 (frame) | edition of 20 | drypoint

Rose, Herbert. (1890–1937)

3. Entrance to Auditorium. £2.12.6 (unframed); £0.07.0 (frame) | edition of 50 | etching

SHIRLOW, John (1869–1936)

3. The balustrade. £3.03.0 (unframed); £0.08.6 (frame) | edition of 50 | etching

TRAILL, Jessie (1881–1967)

3. Jewel Necklace. £3.03.0 (unframed); £0.12.0 (frame) | edition of 10 | aquatint

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: Tuarts of the South-West. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

3. Tuarts of the South-West. £36.15.0 (unframed); £0.18.6 (frame) | edition of 31 | drypoint

ROBERTSON, Bruce (1872–1943)

4. Silver Birches, Winbledon Common, London. £1.16.6 (unframed); £0.07.0 (frame) | edition of 50 | etching

Shaw, Gayfield. (1885–1961)

4. Mill hut, Menangle. £2.02.0 (unframed); £0.06.6 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

4. Hawkesbury River Farm. £3.03.0 (unframed); £0.06.6 (frame) | edition of 30 | etching

Barker, David. (1888–1946)

4. Church on Lebanon Hills. £2.02.0 (unframed); £0.08.6 (frame) | edition of 50 | etching

Campbell, Fred. (1851–1930)

4. Sunset. £1.11.6 (unframed); £0.06.6 (frame) | edition of - | aquatint

Coffey, Alfred. (1869–1950)

4. Half Wooden House, Gas Lane, Old Sydney. £1.07.6 (unframed); £0.07.6 (frame) | edition of 50 | etching

FULLWOOD, A.H. (1863–1930)

4. Bank of New South Wales, Melbourne. £2.02.0 (unframed); £0.08.6 (frame) | edition of 30 | etching

Godson, John Barclay. (1882–1957)

4. The Old Boathouse. £2.02.0 (unframed); £0.08.6 (frame) | edition of 20 | etching

Hope, Edith A. (1870–1942)

4. In dock. £5.05.0 (unframed); £0.12.0 (frame) | edition of - | etching

LINDSAY, Lionel (1874–1961)

4. Bushranger's Home. £1.11.6 (unframed); £0.07.0 (frame) | edition of 50 | aquatint

LINDSAY, Norman (1879–1969)

4. Song of the faun £15.15.0 (unframed); £0.14.0 (frame) | edition of 50 | etching

MORT, Eirene (1879–1977)

4. The sentinel. £3.03.0 (unframed); £0.06.0 (frame) | edition of 50 | etching

Rose, Herbert. (1890–1937) and Rose, Herbert. (1890–1937)

4. Half Moon Bay. £1.11.6 (unframed); £0.07.0 (frame) | edition of 50 | etching

SHIRLOW, John (1869–1936)

4. The corner shop. £1.11.6 (unframed); £0.07.0 (frame) | edition of 40 | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

4. Hole in the trees £5.05.0 (unframed); £0.12.0 (frame) | edition of 10 | etching

van RAALTE, Henri (1881–1929)

4. Banks of the Blackwood. £31.10.0 (unframed); £0.21.0 (frame) | edition of 18 | aquatint

ROBERTSON, Bruce (1872–1943)

5. Kincraig, Elie, Fife. £1.16.6 (unframed); £0.08.0 (frame) | edition of 50 | etching

Shaw, Gayfield. (1885–1961)

5. The White Way. £1.01.0 (unframed); £0.06.6 (frame) | edition of 12 | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

5. Deserted courtyard, Hartley £3.03.0 (unframed); £0.08.6 (frame) | edition of 40 | etching

Barker, David. (1888–1946)

5. The coffee shop, Baghdad. £2.02.0 (unframed); £0.08.0 (frame) | edition of 30 | etching

Campbell, Fred. (1851–1930)

5. Dromkeen, Riddell DP. £1.11.6 (unframed); £0.06.6 (frame) | edition of 30 | drypoint

Coffey, Alfred. (1869–1950)

5. Bridge to Pyrmont. £2.15.0 (unframed); £0.12.6 (frame) | edition of 50 | etching

FULLWOOD, A.H. (1863–1930)

5. Cape Rouel, Tasmania. £2.02.0 (unframed); £0.08.6 (frame) | edition of - | etching

Godson, John Barclay. (1882–1957)

5. The old bridge. £4.04.0 (unframed); £0.09.0 (frame) | edition of 20 | etching

Hope, Edith A. (1870–1942)

5. Carcassone. £5.05.0 (unframed); £0.12.0 (frame) | edition of - | etching

LINDSAY, Lionel (1874–1961)

5. A Guitar Player. £3.03.0 (unframed); £0.06.6 (frame) | edition of 50 | etching

LINDSAY, Norman (1879–1969)

5. Adventure £10.10.0 (unframed); £0.14.0 (frame) | edition of 50 | etching

MORT, Eirene (1879–1977)

5. A bush home. £1.01.0 (unframed); £0.06.0 (frame) | edition of 50 | etching

None

5. Central Station, Flinders Street. £2.05.0 (unframed); £0.07.0 (frame) | edition of 50 | etching

SHIRLOW, John (1869–1936)

Artist: SHIRLOW, John | Title: Latrobe Place, in Chinese quarters | Date: 1915 | Technique: etching, printed in black ink, from one copper plate

5. Latrobe Place, in Chinese quarters £2.02.0 (unframed); £0.07.6 (frame) | edition of 50 | etching

TRAILL, Jessie (1881–1967)

5. Ti-tree frieze. £5.05.0 (unframed); £0.12.0 (frame) | edition of 17 | etching

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The shell. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

5. The shell. £8.08 0 (unframed); £0.15.0 (frame)

£0.15.0 (frame)

| edition of 40 | drypoint

ROBERTSON, Bruce (1872–1943)

6. White gum, Cabarita, N.S.W. £1.05.0 (unframed); £0.06.6 (frame) | edition of 50 | etching

Shaw, Gayfield. (1885–1961)

6. A hillside dairy. £1.11.6 (unframed); £0.06.6 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Bank of New South Wales, Windsor | Date: 1920 | Technique: etching, printed in black ink, from one plate

6. Bank of New South Wales, Windsor £2.02.0 (unframed); £0.08.6 (frame) | edition of 30 | etching

Barker, David. (1888–1946)

6. The waterfront, Amara. £2.02.0 (unframed); £0.08.0 (frame) | edition of 50 | etching

Campbell, Fred. (1851–1930)

6. The quarry. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

Coffey, Alfred. (1869–1950)

6. Clyde Street, Miller's Point, Old Sydney. £4.10.0 (unframed); £0.16.6 (frame) | edition of 20 | etching

FULLWOOD, A.H. (1863–1930)

6. Home sweet home. £2.02.0 (unframed); £0.09.0 (frame) | edition of 30 | etching

Godson, John Barclay. (1882–1957) and GOODCHILD, John (1898–1980)

6. St. Mary's Cathedral. £4.04.0 (unframed); £0.09.0 (frame) | edition of 25 | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Last duel of Don Juan Manara | Date: 1922 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

6. Last duel of Don Juan Manara £4.04.0 (unframed); £0.08.6 (frame) | edition of 50 | etching

LINDSAY, Norman (1879–1969)

6. Beethoven. £15.15.0 (unframed); £0.14.0 (frame) | edition of 50 | etching

MORT, Eirene (1879–1977)

6. The hospital, Port Arthur. £1.11.6 (unframed); £0.06.0 (frame) | edition of 50 | etching

Rose, Herbert. (1890–1937)

6. Portico of Town Hall. £2.02.0 (unframed); £0.07.0 (frame) | edition of 50 | etching

SHIRLOW, John (1869–1936)

6. G.P.O. Gateway, Melbourne. £3.03.0 (unframed); £0.07.0 (frame) | edition of 50 | etching

TRAILL, Jessie (1881–1967)

6. Scaffolding, London (The Victorian Government Offices, Strand, in the building). £3.13.6 (unframed); £0.12.0 (frame) | edition of 10 | etching

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: An idyll. | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

6. An idyll. £5.05.5 (unframed); £0.09.6 (frame) | edition of 25 | drypoint

ROBERTSON, Bruce (1872–1943)

7. St. Regulus Tower, St. Andrews, Fife. £1.05.0 (unframed); £0.08.0 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

7. Brickworks, St. Leonards. £4.04.0 (unframed); £0.09.0 (frame) | edition of 40 | etching

Barker, David. (1888–1946)

7. The brick kilns. £2.02.0 (unframed); £0.08.0 (frame) | edition of 30

Campbell, Fred. (1851–1930)

7. The Bush Road. £1.11.6 (unframed); £0.06.6 (frame). | edition of 40 | aquatint

Coffey, Alfred. (1869–1950)

Artist: Coffey, Alfred. | Title: Argyle cut, old Sydney. | Date: 1910 | Technique: etching, printed in warm black ink with plate-tone, from one plate

7. Argyle cut, old Sydney. £4.10.0 (unframed); £0.16.6 (frame) | edition of 50 | etching

Friedensen, Thomas. (1879–1931) and FULLWOOD, A.H. (1863–1930)

7. The Spit, Middle Harbour. £2.02.0 (unframed); £0.08.6 (frame) | edition of 30 | etching

None

7. Central Tower, Sydney University. £3.03.0 (unframed); £0.08.6 (frame) | edition of 50 | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Don Quixote | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

7. Don Quixote £1.11.6 (unframed); £0.07.0 (frame) | edition of 50 | etching

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: From the moon | Date: 1920 | Technique: etching, aquatint and stipple, printed in black ink, from one copper plate; hand-coloured (by the artist?)

7. From the moon £10.10.0 (unframed); £0.14.0 (frame) | edition of 40 | etching

MORT, Eirene (1879–1977)

7. Quai Vert, Bruges. £2.02.0 (unframed); £0.06.0 (frame) | edition of 50 | etching

Rose, Herbert. (1890–1937)

7. Queen's Railway Bridge. £2.02.0 (unframed); £0.06.6 (frame) | edition of 50 | etching

SHIRLOW, John (1869–1936)

7. Carrum Bridge. £2.02.0 (unframed); £0.06.0 (frame) | edition of 25 | etching

TRAILL, Jessie (1881–1967)

7. Queen and her Satellites. £2.02.0 (unframed); £0.12.0 (frame) | edition of 30 | etching

van RAALTE, Henri (1881–1929)

7. Winter light. £6.06.0 (unframed); £0.12.6 (frame) | edition of 20 | drypoint

ROBERTSON, Bruce (1872–1943)

8. Across the bay, Coogee, Sydney, NSW. £2.02.0 (unframed); £0.08.0 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

8. The barn, Winnstay. £2.02.0 (unframed); £0.08.0 (frame) | edition of 30 | etching

Barker, David. (1888–1946)

8. Street in Jerusalem [1]. £2.02.0 (unframed); £0.08.0 (frame) | edition of 50 | etching

Campbell, Fred. (1851–1930)

8. Reflections. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

Coffey, Alfred. (1869–1950)

Artist: Coffey, Alfred. | Title: Kirribilli Wharf, Neutral Bay, Sydney Harbour. | Date: 1914 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

8. Kirribilli Wharf, Neutral Bay, Sydney Harbour. £4.10.0 (unframed); £0.16.6 (frame) | edition of 50 | etching

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

8. Sydney Harbour. £4.04.0 (unframed); £0.09.0 (frame) | edition of - | etching

Godson, John Barclay. (1882–1957)

8. The Berrima at Williamstowne. £3.03.0 (unframed); £0.08.6 (frame) | edition of 20 | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Red Gums | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

8. Red Gums £2.02.0 (unframed); £0.08.0 (frame) | edition of 50 | mezzotint

LINDSAY, Norman (1879–1969)

8. Imperia. £7.07.0 (unframed); £0.09.6 (frame) | edition of 50 | etching

MORT, Eirene (1879–1977)

8. The duck pond. £1.11.0 (unframed); £0.06.0 (frame) | edition of 50 | etching

Rose, Herbert. (1890–1937)

8. The Mosque, Cairo. £2.12.6 (unframed); £0.07.0 (frame) | edition of 30 | drypoint

SHIRLOW, John (1869–1936)

8. Flinders Lane. £4.04.0 (unframed); £0.07.6 (frame) | edition of 50 | etching

TRAILL, Jessie (1881–1967)

8. Stars of Heaven and Earth, Sydney Harbour. £2.02.0 (unframed); £0.12.0 (frame) | edition of 10 | aquatint

van RAALTE, Henri (1881–1929)

8. Valley mists. £4.04.0 (unframed); £0.09.0 (frame) | edition of 20 | drypoint

ROBERTSON, Bruce (1872–1943)

9. St. Andrew's from Sea, Fife. £2.02.0 (unframed); £0.08.0 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

9. Boatsheds, Mosman. £2.02.0 (unframed); £0.07.6 (frame) | edition of 30 | etching

Barker, David. (1888–1946)

9. Street in Jerusalem, No. 2. £2.02.0 (unframed); £0.08.0 (frame) | edition of 50 | etching

Campbell, Fred. (1851–1930)

9. Yarra from Botanical Gardens. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

Coffey, Alfred. (1869–1950)

9. Steps, Gloucester Street. not for sale | edition of 20 | etching

FULLWOOD, A.H. (1863–1930)

9. The Yarra at Heidelberg, Victoria. £2.02.0 (unframed); £0.08.0 (frame) | edition of 30 | etching

Godson, John Barclay. (1882–1957)

9. Cobles at Staithes, Yorks. £3.03.0 (unframed); £0.08.6 (frame) | edition of - | etching

LINDSAY, Lionel (1874–1961)

9. The old carriage way. £2.12.6 (unframed); £0.08.0 (frame) | edition of 50 | etching

LINDSAY, Norman (1879–1969)

9. The toilet. £5.05.0 (unframed); £0.08.6 (frame) | edition of 50 | etching

MORT, Eirene (1879–1977)

9. College gate, York. £2.02.0 (unframed); £0.06.0 (frame) | edition of 50 | etching

Rose, Herbert. (1890–1937)

9. Sydney Harbour from Cremorne. £2.07.6 (Unframed); £0.06.0 (frame) | edition of 30 | drypoint

SHIRLOW, John (1869–1936)

9. Little Doncaster. £1.11.6 (unframed); £0.05.6 (frame) | edition of 50 | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Friendly trees | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

9. Friendly trees £5.05.0 (unframed); £0.12.0 (frame) | edition of 25 | etching

van RAALTE, Henri (1881–1929)

9. The fair city. £4.04.0 (unframed); £0.09.0 (frame) | edition of 25 | drypoint

ROBERTSON, Bruce (1872–1943)

10. Waterloo Bridge, London. £1.16.6 (unframed); £0.08.0 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

10. The Hawkesbury. £3.03.0 (unframed); £0.07.6 (frame) | edition of 30 | etching

Barker, David. (1888–1946)

10. Boatsheds, The Spit, Sydney. £1.11.6 (unframed); £0.07.6 (frame) | edition of 50 | etching

Campbell, Fred. (1851–1930)

10. The cool stores. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

Coffey, Alfred. (1869–1950)

10. Across the lagoon. £1.07.6 (unframed); £0.06.0 (frame) | edition of 50 | etching

FULLWOOD, A.H. (1863–1930)

10. Old Scots Church, Sydney. £2.02.0 (unframed); £0.08.0 (frame) | edition of - | etching

Godson, John Barclay. (1882–1957) and Godson, John Barclay. (1882–1957)

10. The Reclamation. £4.04.0 (unframed); £0.08.6 (frame) | edition of 30 | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Edge of the world. | Date: 1907 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

10. Edge of the world. £8.08.0 (unframed); £0.07.6 (frame) | edition of 30 | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Madam mystery. | Date: 1920 | Technique: etching, printed in black ink, from one plate

10. Madam mystery. £12.12.0 (unframed); £0.12.0 (frame) | edition of 50 | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Pont de Sucre, Bruges | Date: 1912 | Technique: etching, printed in black ink, from one plate

10. Pont de Sucre, Bruges £2.02.0 (unframed); £0.06.6 (frame) | edition of 50 | etching

Rose, Herbert. (1890–1937)

10. Glebe Island Bridge, Sydney. £2.02.0 (unframed); £0.06.6 (frame) | edition of 50 | etching

SHIRLOW, John (1869–1936)

10. Central Railway Station, Melbourne. £4.04.0 (unframed); £0.09.6 (frame) | edition of 50 | etching

TRAILL, Jessie (1881–1967)

10. Ploughing the hill, Berwick. £2.02 0 (unframed); £0.12.0 (frame) | edition of 30 | etching

van RAALTE, Henri (1881–1929)

10. Red Gums. not for sale | edition of 35 | etching

ROBERTSON, Bruce (1872–1943)

11. Newark Castle, Firth Forth. £1.16.6 (unframed); £0.08.0 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

11. Across the plains, Windsor (1st state). £3.03.0 (unframed); £0.08.0 (frame) | edition of 10 | etching

Barker, David. (1888–1946)

11. The clock tower, Jaffa. £1.11.6 (unframed); £0.08.0 (frame) | edition of 20 | etching

Campbell, Fred. (1851–1930)

11. Ansityum, New Hebrides. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

Coffey, Alfred. (1869–1950)

11. The mouth of the creek. £2.15.0 (unframed); £0.12.0 (frame) | edition of 50 | etching

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The Spaniards, Hampstead Heath. | Date: 1909 | Technique: etching and drypoint, printed in black ink, from one plate

11. The Spaniards, Hampstead Heath. £2.02.0 (unframed); £0.09.0 (frame) | edition of 30 | etching

LINDSAY, Lionel (1874–1961)

11. Cordova. £2.12.6 (unframed); £0.07.0 (frame) | edition of 50 | aquatint

LINDSAY, Norman (1879–1969)

11. Goodnight. £10.10.0 (unframed); £0.15.0 (frame) | edition of 50 | etching

MORT, Eirene (1879–1977)

11. Abbaye de S. Bavon, Ghent. £2.02.0 (unframed); £0.06.0 (frame) | edition of 50 | etching

Rose, Herbert. (1890–1937)

11. Tired. £2.12.6 (unframed); £0.06.0 (frame) | edition of 25 | drypoint

SHIRLOW, John (1869–1936)

11. (Queen's Wharf, Melbourne) £2.02.0 (unframed); £0.07.6 (frame) | edition of 50 | etching

TRAILL, Jessie (1881–1967)

11. Man and Nature. £4.04.0 (unframed); £0.12.0 (frame) | edition of 10 | aquatint

van RAALTE, Henri (1881–1929)

11. The cowshed. £4.04.0 (unframed); £0.09.0 (frame) | edition of 20 | drypoint

ROBERTSON, Bruce (1872–1943)

12. Merewether Lagoon*. £5.05.0 (unframed); £0.08.0 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

12. The Harbour from Carraghbeen. £2.02.0 (unframed); £0.07.6 (frame) | edition of 30 | etching

Barker, David. (1888–1946)

Artist: Barker, David. | Title: A tomb in Bethlehem. | Date: (1919) | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

12. A tomb in Bethlehem. £ 4.04.0 (unframed); £0.8.0 (frame) | edition of 50 | etching

Campbell, Fred. (1851–1930)

12. Healesville. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

Coffey, Alfred. (1869–1950)

12. In the shade of the Casnarina. £1.15.0 (unframed; £0.09.6 (frame) | edition of 50 | etching

FULLWOOD, A.H. (1863–1930)

12. The Cheshire Cheese, London. £4.04.0 (unframed); £0.08.6 (frame) | edition of - | etching

LINDSAY, Lionel (1874–1961)

12. A Sacred Grove. £3.03.0 (unframed); £0.07.6 (frame) | edition of 40 | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Micomicon | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

12. Micomicon £15.15.0 (unframed); £0.15.0 (frame) | edition of 50 | etching

MORT, Eirene (1879–1977)

12. Uplands. £1.11.6 (unframed); £0.06.0 (frame) | edition of 50 | etching

SHIRLOW, John (1869–1936)

12. The Law Courts. £1.11.6 (unframed); £0.07.0 (frame) | edition of 25 | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The frozen river, Saskatchewan, Canada | Date: 1920 | Technique: aquatint, printed in brown ink, from one plate

12. The frozen river, Saskatchewan, Canada £3.03.0 (unframed); £0.12.0 (frame) | edition of 10 | aquatint

van RAALTE, Henri (1881–1929)

12. The fisherman, a study. £3.03.0 (unframed) £0.09.0 (frame) | edition of 8 | drypoint

ROBERTSON, Bruce (1872–1943)

13. Across Lake Macquarie, N.S.W. £2.02.0 (unframed); £0.08.0 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

13. The cooperage. £8.08.0 (unframed); £0.07.6 (frame) | edition of 30 | etching

Barker, David. (1888–1946)

13. A Street in Bethlehem. £2.02.0 (unframed); £0.08.0 (frame) | edition of 50 | etching

Campbell, Fred. (1851–1930)

13. Solitude. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

FULLWOOD, A.H. (1863–1930)

13. Dover Castle. £2.02.0 (unframed); £0.08.0 (frame) | edition of - | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Desolation | Date: 1919 | Technique: spirit-aquatint with burnished hightlights, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

13. Desolation £3.03.0 (unframed); £0.08.0 (frame) | edition of 50 | aquatint

LINDSAY, Norman (1879–1969)

13. The showman. £10.10.0 (unframed); £0.15.0 (frame) | edition of 50 | etching

SHIRLOW, John (1869–1936)

13. Police Office. £1.11.6 (unframed); £0.07.0 (frame) | edition of 40 | etching

van RAALTE, Henri (1881–1929)

13. Low light. £10.10.0 (unframed); £0.15.0 (frame) | edition of 20 | drypoint

ROBERTSON, Bruce (1872–1943)

14. The wave, Coogee, N.S.W. £1.01.0 (unframed); £0.08.0 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

14. Ashmore House, Sydney. £2.02.0 (unframed); £0.06.6 (frame) | edition of 50 | etching

Barker, David. (1888–1946)

14. The fig tree. £2.02.0 (unframed); £0.07.6 (frame) | edition of 30 | etching

Campbell, Fred. (1851–1930)

14. A Still Evening. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

FULLWOOD, A.H. (1863–1930)

14. Peterborough Cathedral. £4.04.0 (unframed); £0.09.0 (frame) | edition of 30 | etching

LINDSAY, Lionel (1874–1961)

14. Terrace by the sea. £3.03.0 (unframed); £0.07.0 (frame) | edition of 50 | aquatint

LINDSAY, Norman (1879–1969)

14. From the moon £10.10.0 (unframed); £0.15.0 (frame) | edition of 50 | etching

SHIRLOW, John (1869–1936)

14. The iron bridge, South Yarra £2.02.0 (unframed); £0.06.0 (frame) | edition of 25 | etching

van RAALTE, Henri (1881–1929)

14. Street Minstrels. £8.08.0 (unframed); £0.10.6 (frame) | edition of 35 | drypoint

ROBERTSON, Bruce (1872–1943)

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

15. Rue de l'Cordonnerie, Dinan, France £6.06.0 (unframed); £0.10.0 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

15. Lennox Bridge, Parramatta. £8.08.0 (unframed); £0.07.6 (frame) | edition of 30 | etching

Campbell, Fred. (1851–1930)

15. Morning in the bush. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

FULLWOOD, A.H. (1863–1930)

15. Hyde Park, London. £2.02.0 (unframed); £0.09.0 (frame) | edition of - | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Moor's gate, Granada | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

15. The Moor's gate, Granada £2.02.0 (unframed); £0.06.0 (frame) | edition of 50 | etching

SHIRLOW, John (1869–1936)

15. The saw mill. £2.02.0 (unframed); £0.06.0 (frame) | edition of 40 | etching

van RAALTE, Henri (1881–1929)

15. The shadow on the hill. £6.06.0 (unframed); £0.09.0 (frame) | edition of 25 | drypoint

ROBERTSON, Bruce (1872–1943)

16. Old gum tree, Patterson River N.S.W. £5.05.0 (unframed); £0.10.0 (frame) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

16. The Post Office, from Wynyard Street. £2.02.0 (unframed); £0.06.6 (frame) | edition of 50 | etching

Campbell, Fred. (1851–1930)

16. Wilson Hall, Melbourne University. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

FULLWOOD, A.H. (1863–1930)

16. Keat's House, Hampstead. £3.03.0 (unframed); £0.08.6 (frame) | edition of - | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The timber belt | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

16. The timber belt £2.12.6 (unframed); £0.07.0 (frame) | edition of 50 | etching

van RAALTE, Henri (1881–1929)

16. Wet pastures. £3.03.0 (unframed); £0.08.6 (frame) | edition of 20 | etching

ROBERTSON, Bruce (1872–1943)

17. Nobby's Newcastle, N.S.W. £5.05.0 (unframed); £0.08.6 (frame) | edition of 50 | etching

Campbell, Fred. (1851–1930)

17. In Southern Pastures. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

FULLWOOD, A.H. (1863–1930)

17. The boatbuilders. £4.04.0 (unframed); £0.09.0 (frame) | edition of 30 | etching

LINDSAY, Lionel (1874–1961)

17. The Drover DP. £3.03.0 (unframed); £0.07.0 (frame) | edition of 30 | drypoint

van RAALTE, Henri (1881–1929)

17. The Crosscut. £3.03.3 (unframed); £0.08.6 (frame) | edition of 30 | drypoint

ROBERTSON, Bruce (1872–1943)

18. St. Andrew's from River. £1.06.0 (unframed); £0.08.0 (frame) | edition of 20 | etching

Campbell, Fred. (1851–1930)

18. A sunlit sea. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

FULLWOOD, A.H. (1863–1930)

18. King Edward VII's Visit to Eton. £5.05.0 (unframed); £0.09.6 (frame) | edition of 30 | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Bilgola | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

18. Bilgola £4.04.0 (unframed); £0.08.0 (frame) | edition of 30 | drypoint

van RAALTE, Henri (1881–1929)

18. Cool Water. not for sale | edition of 25 | drypoint

ROBERTSON, Bruce (1872–1943)

19. Parsley Bay, Sydney Harbour. £1.05.0 (unframed); £0.06.6 (frame) | edition of 30 | etching

Campbell, Fred. (1851–1930)

19. Close Hauled. £1 11 6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

FULLWOOD, A.H. (1863–1930)

19. Carlyle's House, Chelsea. £3.03.0 (unframed); £0.09.0 (frame) | edition of 30 | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Cottage idyll, Ambleside, South Australia | Date: 1922 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

19. Cottage idyll, Ambleside, South Australia £1.11.6 (unframed); £0.6.0 (frame) | edition of 50 | etching

van RAALTE, Henri (1881–1929)

19. The creek. not for sale | edition of 25 | drypoint

ROBERTSON, Bruce (1872–1943)

20. White House, Pittenween, Fife. £2.02.0 (unframed); £0.10.6 (frame) | edition of 50 | etching

Campbell, Fred. (1851–1930)

20. East Coast, Phillip Island. £1.11.6 (unframed); £0.06.6 (frame) | edition of 40 | aquatint

FULLWOOD, A.H. (1863–1930)

20. Town Hall, Peterborough. £4.04.0 (unframed); £0.09.0 (frame) | edition of 30 | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The picador's girl | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

20. The picador's girl £2.12.6 (unframed); £0.07.0 (frame) | edition of 50 | etching

van RAALTE, Henri (1881–1929)

20. The Madonna of the Bush. not for sale | edition of - | drypoint

ROBERTSON, Bruce (1872–1943)

21. On the Creek. £1.06.0 (unframed); £0.08.6 (frame) | edition of 30 | etching

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

21. His ain fireside. £3.03.0 (unframed); £0.08.6 (frame) | edition of 30 | etching

LINDSAY, Lionel (1874–1961)

21. Phillip's Church, Sydney. £4.04.0 (unframed); £0.08.0 (frame) | edition of 45. | mezzotint

van RAALTE, Henri (1881–1929)

21. Morning light. £4.04.0 (unframed); £0.09.6 (frame) | edition of 35 | etching

ROBERTSON, Bruce (1872–1943)

22. Arrival, H.M.S. Renow, Sydney. £5.05.0 (unframed); £0.09.0 (frame) | edition of 50 | etching

FULLWOOD, A.H. (1863–1930)

22. Mercery Lane, Canterbury. £3.03.0 (unframed); £0.09.0 (frame) | edition of - | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Henry Lawson | Date: 1919 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

22. Henry Lawson £6.06.0 (unframed); £0.08.6 (frame) | edition of 50 | drypoint

van RAALTE, Henri (1881–1929)

22. The three willows. not for sale | edition of 25 | etching

ROBERTSON, Bruce (1872–1943)

23. Launch of Commonwealth Steamer 'Enoggera' by H.R.H. at Newcastle. £5.05.0 (unframed); £0.09.0 (frame) | edition of - | etching

FULLWOOD, A.H. (1863–1930)

23. Moonrise at Heidelberg, Victoria. £2.02.0 (unframed); £0.07.6 (frame) | edition of 30 | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

23. The Gypsy dance £2.12.6 (unframed); £0.08.0 (frame) | edition of 50 | etching

van RAALTE, Henri (1881–1929)

23. The arch, Fremantle. not for sale | edition of - | drypoint

ROBERTSON, Bruce (1872–1943)

24. Newcastle, N.S.W. £5.05.0 (unframed); £0.09.0 (frame) | edition of - | etching

FULLWOOD, A.H. (1863–1930)

24. The Gap, Sydney Heads. £3.02.2 (Unframed); £0.08.6 (frame) | edition of 30 | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

24. The pumpkin patch, Windsor £4.04.0 (unframed); £0.08.6 (frame) | edition of 30 | drypoint

van RAALTE, Henri (1881–1929)

24. The Little Dutch Girl. not for sale | edition of 11 | drypoint

ROBERTSON, Bruce (1872–1943)

25. The coming storm. £6.06.0 (unframed); £0.09.0 (frame) | edition of 50 | etching

FULLWOOD, A.H. (1863–1930)

25. Town Hall, Melbourne. £2.02.0 (unframed); £0.08.6 (frame) | edition of 30 | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: A nook at Berry's Bay | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

25. A nook at Berry's Bay £2.12.6 (unframed); £0.08.6 (frame) | edition of 45 | mezzotint

van RAALTE, Henri (1881–1929)

25. The Fremantle Bridge. £6.06.0 (unframed); £0.10 6 (frame) | edition of 40 | drypoint

Catalogue of the Eighth Annual Exhibition of the Australian Painter-Etchers' Society [1928].

Venues

Education Department Gallery (8 June 1928 – 23 June 1928)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

ROBERTSON, Bruce (1872–1943)

A bush track. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

The Apple Gum. £2.10.0 (unframed)

Walker, F. Sidney. (1888–1972)

Lagoon. £1.01.0 (unframed)

Narooma, N.S.W. £2.02.0 (unframed)

Sunlit gums. £1.11.6 (unframed)

Harbour. £2.02.0 (unframed)

Haystacks. £1.01.0 (unframed)

Evening, Narooma. £1.11.6 (unframed)

The Drying Creek. £1.11.6 (unframed)

ROBERTSON, Bruce (1872–1943)

10. Riverside Trees. £2.10.0 (unframed)

11. River Oaks. £1.11.6 (unframed)

12. Australian River. £1.05.0 (unframed)

13. The Vista. £1.11.6 (unframed)

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

14. Roadside trees £1.05.0 (unframed)

15. Australina Pastoral. £1.05.0 (unframed)

16. Margarets, Lake Macquarie. £1.01.0 (unframed)

17. The Market, West Wemys Fife. £1.17.6 (unframed)

18. Fairy Bower, Manly, N.S.W. £1.11.6 (unframed)

19. Reflections Cook's River, N.S.W. £2.02.0 (unframed)

Godson, John Barclay. (1882–1957)

20. Church Montreuil. £3.03.0 (unframed)

21. A South Coast Farm*. £3.03.0 (unframed)

23. Entrance to Courtyard of L'Hotel De France, Montreuil*. £2.12.6 (unframed)

24. Scrivener's Mill, Mt. Irvine. £2.12.6 (unframed)

25. Old courthouse, Montreuil. £2.12.6 (unframed)

26. Brotham Bar and Minster, york. £2.12.6 (unframed)

27. The Shambles, York. £2.12.6 (unframed)

28. Jetty, Etaples. £2.02.0 (unframed)

29. Mosque Door, Cairo. £2.02.0 (unframed)

30. Middle Harbour, Peep. £2.02.0 (unframed)

31. Richmond Castle Tower, Yorks. £2.02.0 (unframed)

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: St Pauls, Cobitty | Date: 1928 | Technique: etching, printed in black ink, from one plate

32. St Pauls, Cobitty £3.03.0 (unframed)

33. Packing Oranges. £3.03.0 (unframed)

Friedensen, Thomas. (1879–1931)

34. The Wollondilly, N.S.W. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club

35. Bridge Building, Sydney Harbour*. £3.03.0 (unframed)

36. Homestead, North West. £2.12.6 (unframed)

37. Windsor Castle, Berkshire. £2.12.6 (unframed)

Artist: Friedensen, Thomas. | Title: Cobbers. | Date: 1928 | Technique: etching, printed in black ink, from one plate

38. Cobbers. £2.12.6 (unframed)

39. The Old Drover. £1.11.6 (unframed)

Artist: Friedensen, Thomas. | Title: Cockatoo. | Date: 1927 | Technique: etching, printed in brown ink, from one plate

40. Cockatoo. £2.02.0 (unframed)

Britton, Fred. (1889–1931)

41. Mylor Cottages. £2.02.0 (unframed)

42. Old commissariat stores, Sydney. £2.02.0 (unframed)

43. Hyde Park Barracks. £3.03.0 (unframed) | Print available for selection by members of the Australian Print-Collectors Club.

Artist: Britton, Fred. | Title: Sydney Harbour Bridge construction. | Date: 1929 | Technique: etching and drypoint, printed in black ink, from one plate

44. Sydney Harbour Bridge construction. £3.03.0 (unframed) | Print available for selection by members of the Australian Print-Collectors Club

Artist: Britton, Fred. | Title: Julian Ashton esq. | Date: (1925) | Technique: etching, printed in black ink, from one plate

45. Julian Ashton esq. £3.03.0 (unframed)

46. At Mona Vale. £1.11.6 (unframed)

47. On the Murray. £2.12.6 (unframed)

48. Nocturne. £2.02.0 (unframed)

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Waterloo Bridge in course of demolition | Date: 1928 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Waterloo Bridge in course of demolition £4.04.0 (unframed)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. Hawkesbury landscape £5.05.0 (unframed)

Artist: LONG, Sydney | Title: Dee Why landscape | Date: 1928 | Technique: line-etching, printed in red-brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

51. Dee Why landscape £4.04.0 (unframed)

Artist: LONG, Sydney | Title: Reflections, Avoca | Date: (1928) | Technique: line-etching, printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Reflections, Avoca £3.03.0 (unframed)

53. The Harbour from Greenwich. £2.12.6 (unframed)

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

54. Windmill Street, Old Sydney [1] £3.03.0 (unframed)

55. St. Ives. £4.04.0 (unframed)

Artist: LONG, Sydney | Title: The water meads | Date: 1928 | Technique: line-etching, drypoint printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

56. The water meads £3.03.0 (unframed)

van RAALTE, Henri (1881–1929)

57. Perth Town Hall, Morning. £3.03.0 (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

58. The end of day £4.04.0 (unframed)

59. The creek in flood. £3.13.6 (unframed)

60. Morning. £4.04.0 (unframed)

61. A Karri Tree Glade. £6.06.0 (unframed)

62. Day's beginning. £3.03.0 (unframed)

63. The road. £4.04.0 (unframed)

64. Hills of the south. £3.03.0 (unframed)

Morgan, Squire. (1886–1974)

65. Silhouette*. £3.03.0 (unframed)

66. Willows. £2.02.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

67. The path to the beach. £1.01.0 (unframed)

68. Pointer Pups. £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

69. Piccadilly Circus (under Reconstruction) £3.13.6 (unframed)

70. Martin Place. £3.13.6 (unframed)

71. Home berths. £3.03.0 (unframed)

Glover, Allan. (1900–1984)

72. The Thatched Stable. £1.11.6 (unframed)

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

73. Sunlight and ships £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

74. The mooring post. £1.01.0 (unframed)

75. The Scarred Veteran*. £3.03.0 (unframed)

76. Among the Gums. £1.11.6 (unframed)

77. The foundry. £1.11.6 (unframed)

GOODCHILD, John (1898–1980)

77. Venetian mooring. 1 gn (unframed)

Glover, Allan. (1900–1984)

78. Stormy sunset £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

78. Tivoli, Italy. 2½ gns (unframed)

Glover, Allan. (1900–1984)

79. Hilltop. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

79. Home berths. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

80. Berry's Bay. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

80. Thames Wharf. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

81. Lion Island, Broken Bay. £2.02.0 (unframed)

GOODCHILD, John (1898–1980)

81. Winter Glow. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

82. The Bell Inn at Stilton. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

82. Brandon Bridge 3½ gns (unframed)

FULLWOOD, A.H. (1863–1930)

83. Mt. Cook, N.Z. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

83. Landscape harmony 2 gns (unframed)

FULLWOOD, A.H. (1863–1930)

84. The Hermitage, Mt. Cook, N.Z. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

84. English country [pen drawing]. *4 gns (unframed) | pen drawing

FULLWOOD, A.H. (1863–1930)

85. Mt. Cook from Lake Pukeki. £2.02.0 (unframed)

GOODCHILD, John (1898–1980)

85. The country mill [pen drawing]. *4 gns (unframed) | pen drawing

FULLWOOD, A.H. (1863–1930)

86. City Railway, Wynyard Square, Sydney*. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

86. King St., Sydney [pencil]. 7 gns (unframed) | pencil

FULLWOOD, A.H. (1863–1930)

87. Clyde Street, Sydney. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

87. Wareham, England pencil. *5 gns (unframed)

88. The Round Pond, Kensington Gardens pencil. *4 gns (unframed)

Coffey, Alfred. (1869–1950)

88. Calder House, Eveleigh*. £3.03.0 (unframed)

Paul, Dorothy Ellsmore. (1900–1974)

89. Nude. £1.11.6 (unframed)

90. The Old Pilgrim Inn. £4.04.0 (unframed)

Farmer, Helen. (1888–1970)

91. Susan Island, Clarence River. £3.03.0 (unframed)

92. Evening calm. £2.02.0 (unframed)

93. On the Banks of the Clarence. £2.02.0 (unframed)

94. The end of the village. £1.01.0 (unframed)

Rose, Herbert. (1890–1937)

95. The Zattere, Venice. £3.03.0 (unframed)

Whitney, William Montague. (1880–1946)

96. A Relic of St. Marys, Edwardstown S.A.*. £2.12.6 (unframed)

97. Old outhouses St. Marys, Edwardstown, S.A. £2.12.6 (unframed) | Print available for selection by members of the Australian Print-Collectors Club

TRAILL, Jessie (1881–1967)

98. The Tunnel, Genoa. £4.04.0 (unframed)

99. The Tower, Carcassonne, Night. £5.05.0 (unframed)

100. Building Harbour Bridge, Sydney, No.II, Nov. £5.05.0 (unframed)

Artist: TRAILL, Jessie | Title: La forza [the force] | Date: 1927 | Technique: mezzotint, printed in black ink, from one plate

101. La forza [the force] £2.02.0 (unframed)

Grey, F. Millward. (1899–1957)

102. The Bather [pen and ink]. £0.05.0 (unframed)

103. The broken strap. £2.10.0 (unframed)

104. The Rackam Gum. £2.02.0 (unframed)

105. The Japanese Girl. £10.11.0 (unframed)

Wood, A.J. (1929–)

106. Portrait. £1.01.0 (unframed)

107. Portrait. £1.01.0 (unframed)

THURLOW, Ernest (1920s )

108. Through the Trees. £1.01.0 (unframed)

Flanagan, John Richard. (1895–1964)

109. The Sage. £2.02.0 (unframed)

Reid, D.G. (1862–1933)

110. Loading Fruit on the Hawkesbury. £2.02.0 (unframed)

111. Hill Crest. £3.03.0 (unframed)

112. The Rickyard*. £3.03.0 (unframed)

113. Source of the Minnimurra*. £3.03.0 (unframed)

114. Within sound of the Sea. £2.02.0 (unframed)

115. The Orchard Cart. £2.02.0 (unframed)

116. The Hayfield. £2.02.0 (unframed)

117. Eventide. £2.02.0 (unframed)

SHIRLOW, John (1869–1936)

118. Hobart Town. £3.13.6 (unframed)

119. Collins Street. £3.13.6 (unframed)

120. Convict Church, Port Arthur. £3.13.6 (unframed)

Walker, Leslie James. (1894–1951)

121. Lakeside. £1.01.0 (unframed)

122. The Iron Gate, Parramatta. £1.01.0 (unframed)

123. Alleyway. £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

124. Ross Bridge. £2.02.0 (unframed)

125. Tasmanian club. £1.01.0 (unframed)

126. North Mine, Broken Hill. £1.01.0 (unframed)

127. The Day Shift. £3.03.0 (unframed)

Goodhart, J.C. (1873–1952)

128. Klondyke Propty. Mine. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

129. Solitude. £1.11.6 (unframed)

McDonald, Sheila. (1902–1971)

130. Five Miles East of Windsor. £2.02.0 (unframed)

131. The Rocks, Sydney. £1.11.6 (unframed)

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

132. Bulletin Place, Sydney £2.02.0 (unframed)

Hilder, Bim. (1909–1990)

134. Gum trees. £1.01.0 (unframed)

Dwyer, Ella. (1887–1979)

135. The wind bloweth. £1.01.0 (unframed)

136. Forsaken. £1.01.0 (unframed)

137. Old mill buildings, Hobart. £2.02.0 (unframed)

138. A bush camp. £1.01.0 (unframed)

139. Bridge at Richmond, Tas. £1.11.6 (unframed)

140. Lady Franklin Museum, Hobart. £1.01.0 (unframed)

Crisp, James. (1879–1962)

141. Possums. £1.11.6 (unframed)

142. Jamberoo to Nowra. £1.11.6 (unframed)

143. The old wharf, Huskisson, N.S.W. £1.01.0 (unframed)

144. Old White House, Rhodes. £1.01.0 (unframed)

145. The Lakes Entrance, Victoria. £1.11.6 (unframed)

146. A bit of Eden, South Coast. £1.11.6 (unframed)

147. St. Michael's Church, Rose Bay. £1.11.6 (unframed)

148. College Street. £1.01.1 (unframed)

Crisp, James. (1879–1962) and Whitford, Dora. (1898–1969)

149. The sentinel. £1.11.6 (unframed)

Crisp, James. (1879–1962)

150. The old mill, Auckland, N.Z. £1.11.6 (unframed)

Hardie, Martin. (1875–1952)

154. A Street at Chioggia. £5.05.0 (unframed)

155. St. Malo. £4.14.6 (unframed)

156. Bric A Brac. £4.14.6 (unframed)

157. Bereland. £4.04.0 (unframed)

158. A river of Normandy. £3.13.6 (unframed)

159. Sunset at Slaughter. £3.13.6 (unframed)

OSBORNE, Malcolm (1880–1963)

160. His Honor, Judge Parry. £8.08.0 (unframed)

161. Avignon. £8.08.0 (unframed)

162. Wayside Talkes, Dieppe. £6.06.0 (unframed)

163. City Walls, Avignon. £6.06.0 (unframed)

164. The Little Crucifix, Carcassonne. £6.06.0 (unframed)

SHORT, Frank (1857–1945)

165. The Shadowed Valley; The South Downs. £21.00.0 (unframed)

166. Mr Right at Dawn. £18.18.0 (unframed)

167. Dawn. £10.10.0 (unframed)

168. The Thames at Twickenham. £10.10.0 (unframed)

169. The head of Langston Harbor. £8.08.0 (unframed)

Airy, Anna. (1882–1964)

170. Pea Pods. £5.05.0 (unframed)

171. The Visitor. £5.05.0 (unframed)

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

172. Nude Study. £6.06.0 (unframed)

Gallop, Herbert. (1890–1958)

173. Burragorang Valley. £1.11.6 (unframed)

174. Windswept. £3.03.0 (unframed)

175. Lacewood Pines. £2.12.6 (unframed)

176. Mt. Keira (North Wollongong). £3.03.0 (unframed)

177. Macquarie Shore. £2.02.0 (unframed)

178. The Open Beach. £1.01.0 (unframed)

Rees, Lloyd. (1895–1988)

179. A Sketch in Rome. £7.07.0 (unframed)

Walker, F. Sidney. (1888–1972)

180. Close of Day, Narooma. £3.03.0 (unframed)

181. Sketch Narooma. £2.02.0 (unframed)

Rees, Lloyd. (1895–1988)

182. The Tower of the Mangia, Sienz, Italy. £8.08.0 (unframed)

183. St. Peter's, Rome. £26.05.0 (unframed)

TRINDALL, Lyall (1866–1965)

184. Nude Study. £15.15.0 (unframed)

Rees, Lloyd. (1895–1988)

185. The Cathedral. £42.00.0 (unframed) | Drawing section

TRINDALL, Lyall (1866–1965)

186. An Interesting tory. £15.15.0 (unframed)

Rees, Lloyd. (1895–1988)

187. Notre Dame De Paris. £10.10.0 (unframed)

TRINDALL, Lyall (1866–1965)

188. Study of a head. £15.15.0 (unframed)

Ashton, Will. (1881–1963)

189. Landscape. £5.05.0 (unframed)

190. Trees at Narrabeen.

LONG, Sydney (1871–1955)

191. St. Ives. £5.05.0 (unframed)

Baker, Normand H. (1908–1955)

192. Head of an old woman. £10.10.0 (unframed)

Ashton, Will. (1881–1963)

193. Rue Mouffard.

LONG, Sydney (1871–1955)

194. Waterloo Bridge in course of demolition

Ashton, Will. (1881–1963)

195. Rue Galande.

Walker, F. Sidney. (1888–1972)

196. Sketch for Sunlit Gums. £3.03.0 (unframed)

LONG, Sydney (1871–1955)

197. Study for. £10.10.0 (unframed)

Wilkinson, Leslie. (1882–1973)

198. Wells Cathedral, Chapter House Staircase.

199. St. Mark's Venice, North Transpept.

200. The Octagon, Ely Cathedral.

Rose, Herbert. (1890–1937)

201. St. Gervais, Paris. £8.08.0 (unframed)

LONG, Sydney (1871–1955)

202. Study for. £10.10.0 (unframed)

Proctor, Thea. (1879–1966)

203. Scarf. £12.12.0 (unframed)

204. The Dancer. £10.10.0 (unframed)

205. Portrait of a Young Man. £10.10.0 (unframed)

Rose, Herbert. (1890–1937)

206. A Street of Stairs, Villefranche. £8.08.0 (unframed)

Britton, Fred. (1889–1931)

207. Julian Ashton esq. £12.12.0 (unframed)

208. The Old Mint, Sydney. £8.08.0 (unframed)

Rose, Herbert. (1890–1937)

209. The Market, Venice. £12.12.0 (unframed)

210. Rio Toresela, Venice. £5.05.0 (unframed)

211. Old houses, Villefrance. £5.05.0 (unframed)

212. St. Cirq-La-Popie, France. £8.08.0 (unframed)

Reid, D.G. (1862–1933)

213. Old colonial homestead. £3.03.0 (unframed)

Farmer, Helen. (1888–1970)

214. Susan Island. £5.05.0 (unframed)

215. Sketch for Kurrajongs. £5.05.0 (unframed)

Eilbeck, Harrie. (1928–)

216. The Alchemist. £10.10.0 (unframed)

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

217. The cliff £6.06.0 (unframed)

Walker, Leslie James. (1894–1951)

218. Old sawmill, Parramatta. £5.05.0 (unframed)

219. The Hawkesbury at Richmond. £5.05.0 (unframed)

220. Reilly's Sheds, Burragorang. £5.05.0 (unframed)

UNKNOWN

221. Silenus. £7.07.0 (unframed)

PRESTON, Margaret (1875–1963)

222. Banksias. £1.01.0 (unframed)

Artist: PRESTON, Margaret | Title: Circular Quay | Date: 1925 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

223. Circular Quay £1.01.0 (unframed)

224. Nude. £1.01.0 (unframed)

Dattilo-Rubbo, Anthony. (1870–1955)

225. Old age. £15.15.0 (unframed)

FEINT, Adrian (1894–1971)

226. Circe. £2.12.6 (unframed)

Ashton, Will. (1881–1963)

227. Palaces, The Grand Canal.

FEINT, Adrian (1894–1971)

227. Milsons Point. £2.02.0 (unframed)

Ashton, Will. (1881–1963)

228. Landscape near Dee Why.

Baker, Normand H. (1908–1955)

230. Pen and Ink Study. £8.08.0 (unframed)

Reid, D.G. (1862–1933)

231. Dawn. £5.05.0 (unframed)

232. An ancient barn. £3.03.0 (unframed)

Painter-Etchers and Graphic Art Society of Australia, Exhibition, 1937.

Venues

Education Department Gallery (23 November 1937 – 17 December 1937)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Baker, Normand H. (1908–1955)

Pencil Study. 6 gns

Nude [drawing]. 5 gns | Drawing.

Self Portrait. 6 gns

Hirst, G.W.L. (1868–1965)

A harbour boat shed. 3 gns

Pratt, Douglas. (1900–1972)

Quiraing -.

Artist: Pratt, Douglas. | Title: Gums of the sunny south | Date: 1937 | Technique: etching, printed in black ink, from one plate

Gums of the sunny south 6 gns

Walker, F. Sidney. (1888–1972)

Bush track in Riverina. 1 gn

Brodziak, Phyllis Ruby. (1916–1967)

1. Foggy Night. 1 gns

2. Kalnes. 2 gns

Pratt, Douglas. (1900–1972)

10. Lyndhurst Gardens -.

11. Mt. Bimlow, Burragorang. 20 gns

12. St. Mary's, Sydney.

13. 'Laluma', Woollahra -.

Emanuel, Cedric. (1906–1995)

14. Hobart. 5 gns

PLATT, Austin (1912–2003)

15. Book Plate (kindly lent).

Russom, Reginald. (1877–1952)

16. Prospectors. 1½ gns

17. The Pack Horse. 1½ gns

18. Taking Out the Kinks. 1½ gns

Baker, Alan Douglas (1914–1987)

19. Pencil Study of Nude. 7 gns

20. Head Study. 6 gns

Farmer, Helen. (1888–1970)

21. The broken gate. 1½ gns

22. The River Oak. 2 gns

PLATT, Austin (1912–2003)

23. Olive. 1½ gns

24. Congregational Church, Burwood. 5 gns

Gallop, Herbert. (1890–1958)

25. The old cottage, Meadowbank. 7 gns

Ingleton, Geoffrey. (1908–1998)

26. Storm driven. 3 gns

Hirst, G.W.L. (1868–1965)

27. An old land mark. 3 gns

28. From A Window In Balmain. 3 gns

29. White Horse Point. 3 gns

30. Drifting to Her Moorings. 3 gns

31. Evening. 3 gns

32. Morning Mist. 5 gns

PLATT, Austin (1912–2003)

33. 'Hutchins', Hobart. 1½ gns

34. Royal Exchange, Sydney 2 gns

ROBERTSON, Bruce (1872–1943)

35. A bend of the Williams River. 1½ gns

35a. Trees, Balmoral. 1 gn

36. Sydney from Harbour. 1½ gns

37. Old Jamieson Street, Sydney. 1½ gns

38. Palm Beach, Pittwater. 1½ gns

39. Williams River, Glenoak. 1½ gns

Emanuel, Cedric. (1906–1995)

40. Balmain Waterfront. 12 gns

41. Kilmore. 7 gns

42. Hobart. 15 gns

Baker, Alan Douglas (1914–1987)

43. Joe Holloway. 13 gns

44. A Sulky child. 12 gns

Ingleton, Geoffrey. (1908–1998)

45. Sea ruffians - The mutiny of the Bounty on the morning of 28th April, 1789. The ship seized by Fletcher Christian and his associates from Captain Bligh. 3 gns

46. Sea rivalry - Flinders' Investigator meets Baudin's Le Geographe in Encounter Bay, 7th April, 1802. 3 gns

Emanuel, Cedric. (1906–1995)

47. Timber Mills, South Coast. 2 gns

Hirst, G.W.L. (1868–1965)

48. Northbridge Hills. 3 gns

Langker, Erik. (1898–1982)

49. A river monarch. 10 gns

50. The river bank, Windsor. 4 gns

51. Sunlight Thru the Trees. 6 gns

52. Spring. 3 gns

Crisp, James. (1879–1962)

53. Chums. 5 gns

54. The Wood heap, Megalong Valley. 3 gns

Dattilo-Rubbo, Anthony. (1870–1955)

55. Drawing (in chalk and charcoal). 8 gns

Crisp, James. (1879–1962)

56. St. Mark's. 1 gn

Walker, F. Sidney. (1888–1972)

56a. Billabong in Riverina. 1 gn

Gallop, Herbert. (1890–1958)

57. Springtime. 8 gns

Walker, F. Sidney. (1888–1972)

58. Morning at Collaroy. 2 gns

Reid, Stuart. (1935–)

59. Tumbledown Avenue, Windsor. 8 gns

Hosking, W. John. (1930–)

60. A Pattern of Shadows. 3 gns

O'SHEA, Molly (1890–)

61. Boats at Berry's Bay. 1½ gns

62. Daisies. 1 gn

Hosking, W. John. (1930–)

63. The old stable. 3 gns

64. On the North Coast. 3 gns

65. Fig Trees. 3 gns

66. Newcastle Headlands. 4 gns

Coglan, Elaine E. (1897–1989)

67. The Girl. 2 gns

68. Pencil Portrait. 2 gns

69. A Digger. 5 gns

RICHARDS, B.

69a. Sunshine and shadow. 2½ gns

69b. In An Old Garden, Ryde. 3 gns

Dwyer, Ella. (1887–1979)

70. Shady depths. 2 gns

71. Mornlight Sunlight. 1 gn

Watkins, J.S. (1866–1942)

72. Pencil Drawing. 25 gns

73. Head of an old man.

74. Study of head.

75. Semi Nude. 30 gns

Farleigh, John. (1900–1965)

76. Capture of the Irishman. 3½ gns

77. Black girl and the artist. 4 gns

78. Milk Thistle. 3½ gns

79. The Boy David. 3½ gns

Ingleton, Geoffrey. (1908–1998)

80. Zeehan, Shooting the Sun. 3 gns

81. Botany Bay 'Welcome' - The Endeavour coming to anchor 29th April, 1770. Capt. Cook had nothing but praise for the stauch little cat-built bark Endeavour. 3 gns

Chambers, Alfred. (1930–)

82. The Windswept Coast. 3 gns

83. The Early Moon. 2 gns

Thorpe, Lesbia. (1919–2009)

85. Head Study. 3 gns

86. Candles. 5 gns

87. The Invalid. 5 gns

COWDROY, Vic (1908–)

88. Portrait sandgrain. 7 gns

Parsons, Alice Mary. (1863–1939)

88. Swamp Oaks. 1½ gns

89. Rain Clouds. 1½ gns

Gallop, Herbert. (1890–1958)

90. Old Manildra. 2 gns

91. Pike's Farm, Manildra. 3 gns

92. Ti-trees. 10 gns

93. Along Victoria Road, Dundas. 6 gns

94. Mandadgery Creek. 3 gns

COWDROY, Vic (1908–)

95. King's Cross (Design for Mural). 6 gns

96. Study in Chalk. 2½ gns

97. A Study in Chalk. 2½ gns

Parsons, Alice Mary. (1863–1939)

98. Winter Trees in Parramatta Park. 1½ gns

99. Nocturne. 1 gn

Coglan, Elaine E. (1897–1989)

100. The model. 3 gns

Dwyer, Ella. (1887–1979)

101. Bookplates -.

Farleigh, John. (1900–1965)

102. The black girl and King Richard. 2½ gns

103. The Black girl. 4 gns

104. Hemlock. 4 gns

105. Birch Trees. 2½ gns

Ingleton, Geoffrey. (1908–1998)

106. Dawn and aweigh - The Supply leaving Botany Bay for Port Jackson, 25th January, 1788, with Captain Phillip aboard. 3 gns

107. Seekers - Dampier's Roebuck, in Shark Bay, 11th Aug., 1699. The first British Warship to arrive in Australian waters. 3 gns

Chambers, Alfred. (1930–)

108. The Edge of the Dunes. 2 gns

109. A Southerly Off the Coast. 5 gns

ROBERTSON, Bruce (1872–1943)

110. Merewether Lagoon, Newcastle. 2 gns

111. Rue de L'Cordelias, Dinan, France. 2 gns

112. The coming storm. 3 gns

113. Old Argyle Cut, Sydney. 2 gns

114. Rue de l'Cordonnerie, Dinan, France 10 gns

115. Waterloo Bridge, London. 2 gns

116. A Monarch of the Bush. 3 gns

117. Roadside trees 1½ gns

118. Arrival of the Australian Fleet. 4½ gns

McDonald, Sheila. (1902–1971)

119. Coral Trees in Winter. 3 gns

120. The lagoon, Lord Howe Island. 1½ gns

121. Bulletin Place, Sydney 1½ gns

122. Where the River Bends. 1½ gns

123. St. Paul's Cobbitty. 4 gns

124. Moonlight. 5 gns

125. Doorway, Old Government House, Parramatta. 2½ gns

126. Tumut Poplars. 5 gns

LINDSAY, Norman (1879–1969)

127. Title not known.

128. [No information provided].

129. Title not known.

Pratt, Douglas. (1900–1972)

130. Main Entrance, Sydney University.

131. The roadside pool.

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

132. The Sunlit Forge

133. Summer Shade -.

Artist: Pratt, Douglas. | Title: Gums on Monaro | Date: c.1932 | Technique: etching, printed in brown ink, from one plate

134. Gums on Monaro

LONG, Sydney (1871–1955)

135. Avoca landscape. 3 gns

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

136. The lake, Avoca 4 gns

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

137. On the Wandle 3 gns

138. Street, Alexandria. 5 gns

139. The river from Waterloo Bridge. 6 gns

140. Chalk and Wash Drawing. 8 gns

141. The little boat shed. 3 gns

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

142. Moonrise pastoral 5 gns

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

143. Circular Quay, Sydney 4 gns

Artist: LONG, Sydney | Title: The lagoon | Date: 1928 | Technique: aquatint and drypoint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

144. The lagoon 4 gns

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

145. The bridge, Avoca 4 gns

Morgan, Squire. (1886–1974)

146. Misty moonrise. 3 gns

147. The glade. 2 gns

148. Old Scots' Church. 3 gns

149. Old bullock dray. 3 gns

150. Roadside shanties. 3 gns

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

151. The lagoon, Dee Why 3 gns

152. Hawkesbury corn barn. 3 gns

153. Windswept Trees, Avoca. 1 gn

Walker, F. Sidney. (1888–1972)

154. The University, Sydney. 1 gn

155. Sydney. 1½ gns

156. The River, Tweed. 1½ gns

157. Newport. 2 gns

158. The timbered ridge. 3 gns.

159. Woodford. 3 gns

Hirst, G.W.L. (1868–1965)

160. Eventide. 4 gns

161. On the Parramatta River. 3 gns

162. St. Mary's Basilica, Sydney. 5 gns

163. The Convent, Rose Bay. 4 gns

164. Ball's Head. 3 gns

165. The Coal Mine. 3 gns

O'SHEA, Molly (1890–)

166. Reconstructing the Argyle. 1½ gns

Ingleton, Geoffrey. (1908–1998)

167. Safely moored in Sydney Cove. 3 gns

168. Waiting the ebb - The Heemskerck at Batavia, 16th Aug., 1642 (Tasman's Voyage). 3 gns

169. Raked fore and aft. 3 gns

Peterson, Stuart. (1900–1976)

170. Cleaning Kumaras. 20 gns

171. Hauling the canoe log. 20 gns

172. Taranaki, The Mountain god. 15 gns

173. Papaka and Pupu. 30 gns

174. The Whanganui Taniwha. 10 gns

Crisp, James. (1879–1962)

175. Fishing boats, San Francisco Bay. 1½ gns

176. Cocoanut Palms, Magnetic Island, North Queensland. 2 gns

177. Porch, St. Michael's Rose Bay. 2 gns

178. The old mill, Auckland, N.Z. 1½ gns

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

179. The gander. 1 gn.

Brodziak, Phyllis Ruby. (1916–1967)

180. The Stabbur, Norway. 3 gns

181. Iceland: 'The Midnight Sun'. 3 gns

O'SHEA, Molly (1890–)

182. Lennox Bridge, Parramatta. 1½ gns

Russom, Reginald. (1877–1952)

183. Cobb and Co. 2 gns

184. The Mail Goes Through. 2 gns

Emanuel, Cedric. (1906–1995)

185. A Rushcutter's Bay boatshed. 5 gns

186. Boatsheds, Mosman. 2 gns

187. Capel's boatshed, Ruschutter's Bay. 3 gns

188. Farm, Richmond. 2 gns

189. Old stable, Windsor, NSW. 1½ gns

190. Halvorsens. 5 gns

191. Idle Jinkers. 4 gns

Baker, Normand H. (1908–1955)

192. Bruce. 5 gns

193. Alan. 12 gns

Dwyer, Ella. (1887–1979)

194. Four O'Clocks sandgrain. 2 gns

195. Old Homes, Campbell Street. 1½ gns

196. Misty morning sandgrain. 2 gns | sandgrain

197. Gathering Storms, Mount Cook, N.Z. 1½ gns

198. Flamingoes, Taronga Park. 2 gns

199. Tree Fern at Sunset. 1½ gns

199a. Moonbeams. 1½ gns

ST JOHN, Ellis (1874–1949)

200. Roadmaker's Camp, N.S.W. 2 gns

201. Milson's Point, rom Old Railway yard. 2 gns

202. Sydney Harbour Bridge. 2 gns

203. The Thames from Chelsea Bridge. 2 gns

204. St. James' Doorway, Sydney. 2 gns

205. Milson's Point, Sydney. 1½ gns

206. Dawes Point, Sydney. 1½ gns

Russom, Reginald. (1877–1952)

207. Henry Lawson. 75 gns

OSBORNE, Malcolm (1880–1963)

208. Chinon Castle. 6 gns

209. Dordrecht. 8 gns

210. City Walls, Avignon. 6 gns

211. His Honor, Judge Parry. 8 gns

Fletcher, Hanslip. (1874–1955)

212. St. George's Chapel, Windsor. 15 gns

Gaskell, Percival. (1868–1934)

213. High tide. 8 gns

214. The Lake. 4 gns

215. The Black Island. 8 gns

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

216. Nude Study. 7 gns

Airy, Anna. (1882–1964)

217. Portrait of a boy. 5 gns

Hardie, Martin. (1875–1952)

218. The farm on the hilltop. 3 gns

219. The Market Place. 5 gns

220. Sunset at Slaughter. 3 gns

SHORT, Frank (1857–1945)

221. In Port Volundam. 7 gns

222. April Day in Kent. 8 gns | etching

Duff, J.R.K. (1862–1938)

223. False Fire. 3 gns