Old St. Andrew's, Brisbane.

Vincent Sheldon (1895–1945)

Old St. Andrew's, Brisbane.

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

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Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.

Venues

Sedon Galleries [1] (26 November 1929 – 31 December 1929)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

Nixon, Job. (1891–1938)

90. Concarneau. 5 Gns (unframed)

91. Concarneau. 5 gns (unframed).

92. Falmouth. 4 gns (unframed)

93. Madona in the wall, Subiaco. 4gns (unframed).

Orlik, Emil. (1870–1932)

149. An old Arab. 2 gns (framed)

150. A Dutch Study. 3 gns (framed)

151. Felucca on the Nile. 1½ gns (framed)

152. Portrait Study. 5 gns (framed)

Geissler, Paul. (1881–)

153. Nuremberg Castle. 3 gns (framed)

154. Lane in Rottenberg. 3 gns (framed)

155. City Gateway, Rottenberg. 4 gns (framed)

Dale, H. Sheppard. (1852–1921)

156. Thomas House, Rye. 3 gns (unframed)

UNWICK, W.N.

157. A Sussex Landscape. 3 gns (unframed)

Upoka, Joseph.

158. The Standard Bearer. 3 gns (unframed)

Geiger, Willy. (1878–1971)

159. The Toreador. 6 gns (unframed)

Boyd, Penleigh. (1890–1923)

160. The big gum. 7 gns (framed) | 1 only for sale

161. Edge of the clearing. 7 gns (framed) | 1 only for sale

162. Edge of the bush. 7 gns (framed)

van RAALTE, Henri (1881–1929)

163. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

164. The cliff 4 gns (unframed)

165. Dawn on the Valley Road. 3 gns (unframed)

166. The sentinel (Torrens Gorge). 6 gns (unframed)

167. Silver evening. 8 gns (unframed)

168. Hillside stream. 6 gns (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

169. The end of day 3 gns (unframed)

170. The road. 3 gns (unframed)

171. Day's beginning. 3 gns (unframed)

172. Roses. 10 gns (unframed)

173. The Big Gums. 10 gns (unframed)

174. Perth (W.A.). 4 gns (unframed)

175. Autumn dawn. 4 gns (unframed)

176. Morning moon. 3 gns (unframed)

177. Moonlit fields [plate for]. 3 gns (unframed)

178. The Karri Tree glade. 6 gns (unframed)

179. Evening symphony. 3½ gns (unframed)

180. Hills of the south. 4 gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

181. The leaning tree 3 gns (unframed)

182. An Australian Summer Day. 8 gns (unframed)

183. The creek in flood. 3½ gns (unframed)

184. Morning*. 2½ gns (unframed)

185. Twisted Branches. 2 gns (unframed)

LINDSAY, Lionel (1874–1961)

186. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

187. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

188. San Lorenzo in the Forum, Rome 4 gns (unframed)

189. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

190. St Ferreol, Marseilles 5 gns (unframed)

191. Casa du Cordon. 5 gns (unframed)

192. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

193. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

194. Church in Seville. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

195. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

196. Old Antequera, Andalucia, Spain 5 gns. (unframed)

197. Convent of St Entemia. 6 gns (unframed)

198. Santa Dominica, Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

199. The compliment 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

200. The vaquero 2½ gns (unframed)

201. The water carrier. 1½ gns (unframed)

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

202. Gamecocks, Spain 10 gns (unframed) | 1 only for sale

203. Alcazar, Seville. 2½ gns (unframed)

204. The bucking brumby. 2 gns (unframed)

205. The Sailor's Return. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little Balcony, Ferry Lane, The Rocks | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

206. Little Balcony, Ferry Lane, The Rocks 2 gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: Old Burwood Hotel, Kent Street. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

207. Old Burwood Hotel, Kent Street. 3 gns (unframed) | 1 only for sale

208. Gloucester Street. 2 gns (unframed)

209. Pastoral. 2½ gns (unframed)

210. The water hole. 2½ gns (unframed) | 1 only for sale

211. A Pipe of Baccy. 2½ gns (unframed)

212. The Law Courts. 2 gns (unframed)

213. The Swing Bridge. 2 gns (unframed) | 1 only for sale

214. Under the Laurels. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

215. The drafting gate, Bendemeer 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

216. Evening ride 5 gns (unframed)

217. Byron. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The fountain | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

218. The fountain 2½ gns (unframed) | I only for sale

219. Kookaburra. 1 gn (unframed) | woodcut

220. Pelican. (1 only). 4 gns (unframed) | 1 only for sale | woodcut

221. Heron. 1 gn (unframed) | woodcut

222. Witch. 1½ gns (unframed) | woodcut

223. Spangles. 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

224. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

225. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The black cat | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block; touched with brush and black ink | Copyright: Courtesy of the National Library of Australia

226. The black cat 3 gns (unframed) | 1 only for sale | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

227. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Dahlias | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

228. Dahlias 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

229. Fruit piece 1 gn (unframed) | woodcut

230. Bignonia. 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

231. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

232. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

233. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

234. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

235. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

236. In Morocco 3½ gns (framed)

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

237. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

238. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

239. The broken plough 3½ gns (framed)

Rose, Herbert. (1890–1937)

240. Piazza Umberto Desengano, Italy. 3½ gns (framed) | drypoint

241. Rue des Tamis, Tunis. 4½ gns (framed) | drypoint

242. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

243. Fondamenta Tasca, Venice. 3½ gns (framed)

244. The Sugar Mills. 8 gns (framed)

245. The Zattere, Venice. 3½ gns (framed) | drypoint

246. Old Village Cagnes. 3 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

253. The Ring 4 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

254. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

255. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

256. The man in black. 6 gns (unframed)

257. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

258. House on the hill. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: The poddy calf | Date: c.1925 | Technique: linocut, printed in black ink, from one block

259. The poddy calf 3 gns (unframed)

260. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

261. Ducks 1 gn (unframed)

Friedensen, Thomas. (1879–1931)

262. Interior, Ann Hathaways's Cottage. 3 gns (unframed)

263. Windsor Castle, Berkshire. 2 gns (unframed)

264. The archway, Riviera. 3 gns (unframed)

265. The Madonna of the Bush. 1½ gns (unframed)

266. Harnessing. 1½ gns (unframed)

267. Homestead in the North-West. 2 gns (unframed)

268. The bark hut. 2 gns (unframed)

269. Venice, No. 2. 2 gns (unframed)

270. Building the bridge, Sydney Harbour. 2½ gns (unframed)

271. Omar, the Tent Maker. 3 gns (unframed)

272. The Drovers. 3 gns (unframed)

273. The Mounain Road, Brush Creek. 3 gns (unframed)

274. The Grand Canal, Venice. 3 gns (unframed)

275. Fountains Abbey, Yorkshire. 3 gns (unframed)

276. The Bush, New South Wales. 4 gns (unframed)

277. Three Kookaburras. 2 gns (unframed)

278. The Wallondilly. 3 gns (unframed)

279. Venice. 4 gns (unframed) | (1 only).

280. Normanby. (1 only). 3 gns (unframed) | 1 only for sale

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

281. The bridge, Avoca 4 gns (unframed)

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

282. The lake, Avoca 4 gns (unframed)

283.

The blacksmith's shop

4 gns (unframed)

284. The Hawkesbury River at Wiseman's Ferry. 5 gns (unframed)

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

285. Brisbane water 4 gns (unframed)

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

286. Fishing boats, Kings Lynn 4 gns (unframed)

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

287. Berry's Bay 3 gns (unframed)

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

288. Magpies 3 gns (unframed)

289. Kookaburras. 3 gns (unframed)

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

290. A windy day 3 gns (unframed)

Artist: LONG, Sydney | Title: The roost | Date: 1927 | Technique: line-etching, printed in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

291. The roost 3 gns (unframed)

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

292. Young Kookaburras 3 gns (unframed)

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

293. The river from Blackfriars Bridge 4 gns (unframed)

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

294. The Thames from Waterloo Bridge 6 gns (unframed)

LINDSAY, Norman (1879–1969)

295. Moonlight Piper. 12 gns (unframed)

296. Thieves' Kitchen. [no price given] (unframed)

297. Leda. [no price given] (unframed)

298. Don Juan's garden. 8 gns (unframed)

299. The Innocents. 15 gns (unframed)

300. Femininity. 12 gns (framed)

301. Adventure 25 gns (framed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

302. Unknown seas 30 gns (framed)

303. She Arrives. 18 gns (framed)

304. Song of the faun 25 gns (framed)

305. Oblation. 18 gns (framed)

305a.The. Butterfly. 12 gns (framed)

306. Robin Hood. 7 gns (framed)

307. Enter the Duke. 15 gns (framed)

308. Acceptance. 6 gns (framed)

309. The Poet. 8 gns (framed)

310. Love on Earth. 18 gns (framed)

311. The bride. 12 gns (framed)

Dillon, Cyril. (1883–1974)

312. Spires of St. Paul's, Melbourne. 3 gns (unframed)

313. Melbourne Grammar School. 3 gns (unframed)

314. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

315. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

316. Old houses, Cumberland Street, the Rocks. 2½ gns.(unframed)

317. Entrance, old Colonial Treasury. 4 gns (unframed)

318. 177 Kent Street, Sydney. 2 gns (unframed)

319. Cumberland Street Hostel. 2½ gns(unframed)

320. Argyle. 3 gns (unframed)

321. Ah Lum's Farm, Windsor. 5 gns (unframed)

322. Entrance to the Farm. 2 gns (unframed)

323. Packing Oranges. 3 gns (unframed)

324. Shade. 3 gns (unframed)

325. Hawkesbury River Farm. 5 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

326. Deserted courtyard, Hartley 5 gns (unframed)

327. Rose's Mill, Mt Gilead. 5 gns (unframed)

Cobb, Victor. (1876–1945)

328. Sunday morning, Collins Street. 3 gns (framed)

329. The Tower, Arts School, Universiy. 3½ gns (framed)

330. The two poplars. [no price given] (framed)

331. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

332. Gothic Window, old museum, Melbourne University [1]. [no price given] (framed)

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

333. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

334. Entrance, Trinity College. 2 gns (framed)

335. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

336. Fragment. 1 gn (framed)

Sheldon, Vincent. (1895–1945)

337. Old St. Andrew's, Brisbane. 2 gns (unframed)

338. Evening. 2 gns (unframed)

339. The old kiln. 2 gns (unframed)

Gallop, Herbert. (1890–1958)

340. Lakeshore. 4 gns (unframed)

341. Macquarie Shore. [no price given]

342. Shade Ti Trees. 3 gns (unframed)

343. The farm sheds. [no price given] (unframed)

344. Farmyard, Winter. 2½ gns (unframed)

345. Lacewood Pines. 2½ gns (unframed)

346. Pittwater shore. 2½ gns (unframed)

347. The white boathouse. 2½ gns (unframed)

348. The sheltered barn. 2 gns (unframed)

349. The drinking pool. 2 gns (unframed)

350. Windswept. 4 gns (unframed)

351. The old gateway. 2 gns (unframed)

GRIFFIN, Murray (1903–1992)

352. Enchanted wood 3 gns (framed)

353. Ann Mary. 3 gns (framed)

Thompson, Thelma. (1920–)

354. The Hermitage Bell. 2 gns (framed)

355. The Bridge of Sighs, Venice. 3 gns (framed)

356. York Minster. 3 gns (framed)

Flett, James. (1906–1986)

357. The Treasure Chest. 6 gns (framed)

358. Dead Man's Tree. 2½ gns (framed)

359. Berries. 3½ gns (framed)

Artist: Flett, James. | Title: Jerboas. | Date: (1932) | Technique: linocut, printed in colour, from mutliple blocks

360. Jerboas. 3 gns (framed)

361. The intruders. 3 gns (framed)

Artist: Flett, James. | Title: The artist. | Date: 1928 | Technique: linocut, printed in colour, from multiple blocks

362. The artist. 3½ gns (framed)

363. The Pirate. 3 gns (framed)

364. Victorian Days. 2½ gns (framed)

365. The Dominican. 2 gns (framed)

366. The old captain. 2 gns (framed)

367. Fawkner. 2 gns (framed)

368. Dampier. 2 gns (framed)

369. Peter, the Pumpkin Eater. 4 gns (framed)

Reynolds, Frederick George. (1880–1932)

370. Ti tree. 1 gn (framed)

371. In the Dandenongs. 6 gns (framed)

372. The bullock team. 2 gns (framed)

373. Giant Blue Gums. 2 gns (framed)

374. Edge of the clearing. 2 gns (framed)

375. A bush road. 7 gns (framed)

Hosking, W. John. (1930–)

376. Sunny hours. 3 gns (framed)

377. The Slow Motion Steeplechase. 1½ gns (framed)

378. Pals. 1½ gns (framed)

379. Ursa Major and Ursa Minor. 2 gns (framed)

380. The Shearers. 1½ gns (framed)

381. The caravan. 2 gns (framed)

382. Moonrise. 1½ gns (framed)

383. The Light, Fantastic Toe. 2½ gns (framed)

GOODCHILD, John (1898–1980)

384. The Northern Group. 2 gns (unframed)

Goodhart, J.C. (1873–1952)

385. Klondyke Propty. Mine. 3 gns (unframed)

386. Molle Street Bridge, Hobart. 2 gns (unframed)

387. A bit of old Hobart. 1 gn (unframed)

194 Pictures at the Annual Exhibition by the Painter Etchers' and Graphic Art Society of Australia

Venues

David Jones' Galleries [George st] (28 October 1936 – 13 November 1936)
George St., Sydney, New South Wales, Australia

Works

Poynter, Ambrose. (1796–1886)

Fontainebleau, by Ambrose Poynter.

Carentan, by Ambrose Poynter.

Bayeux, by Ambrose Poynter.

Sketches in Italy, by Ambrose Poynter.

Poynter, Edward James. (1836–1919)

Self Portrait.

Study: Head of St. Stephen.

Study of drapery.

Hardie, Martin. (1875–1952)

Etching, by Martin Hardie. not for sale | Lent by Mr H.R. Gallop.

ROBINS, W.P. (1882–1959)

10. Etching. not for sale | Lent by Mr H.R. Gallop.

OSBORNE, Malcolm (1880–1963)

11. Etching, by Malcolm Osborne. not for sale | Lent by Mr H.R. Gallop.

WALCOT, William (1874–1943)

12. Etching. not for sale | Lent by Mr H.R. Gallop.

Lee Hankey, William. (1869–1952)

13. Etching, by Le Hankey [sic]. not for sale | Lent by Mr H.R. Gallop

Squirrell, Leonard R. (1893–1979)

14. Aquatint Lent by Mr H.R Gallop. Not For Sale

Abbott, Harold. (1906–1986)

15. Nude Study. 3 gns. | Drawing.

16. Nude Study. 3 gns | Drawing.

17. Nude Study. 3 gns. | Drawing.

Baird, John. (1902–)

18. Barbary Sheep carbon. 2 gns

19. Cats carbon. 2 gns

20. Negro's Head carbon. 2 gns

Baker, Normand H. (1908–1955)

21. Pencil Study pencil. 15 gns

22. The model. [pencil]. 5 gns

23. Girl Ironing pencil. 3 gns

Brodziak, Phyllis Ruby. (1916–1967)

24. Iceland: 'The Midnight Sun'. 3 gns

25. The old mill, Kew. 3 gns

26. The Dutch Gateway. 3 gns

28. Stratford-on-Avon. 1½ gns

28. Windsor. 1½ gns

29. Head Study pencil. 3 gns

Bustard, William. (1894–1973)

30. In a Convent Garden. 1 gn

31. The old gothic church. 1 gn

32. Flood Level Gums. 1 gn

Byrne, Harold. (1899–1966)

33. Nude [chalk drawing]. 7 gns | chalk drawing

34. The Chapel, Convent of the Sacred Heart, Rose Bay. 3 gns

35. Old King's School. 1 gn

36. Winter, Franklin Square, etching and Hobart. 3 gns

37. Book Plates Sale) for (Not.

Chambers, Alfred. (1930–)

38. 'To the Hamlet' Pencil. 3 gns

39. Sketch at Ryde Pencil. 2 gns

Cobb, Victor. (1876–1945)

40. Wong Huey's Selection, Bendigo pencil. 12 gns

41. Passing of the flood waters [pencil]. 14 gns | pencil

42. The Trees, Collins Street, East Melbourne. 3 gns

43. The porchway, Old Church, Port Arthur, Tasmania. 1½ gns

44. Victoria's First Government House (First occupied by Governor La Trobe). 1½ gns

45. The Supreme Courts, Melbourne. 2 gns

46. Approach to the old stables of Cobb and Co., Melbourne. 3 gns

47. Entrance to Old Scotch College, Melbourne. 2 gns

48. Lombardy Poplar. 1½ gns

Coglan, Elaine E. (1897–1989)

49. Head Study crayon. 3 gns

50. Sepia Portrait sepia crayon. 2 gns

51. The meeting [crayon]. 2 gns

Crisp, James. (1879–1962)

52. 'Waiting' charcoal drawing. 7 gns

53. By the roadside [charcoal drawing]. 8 gns | charcoal drawing.

54. An old Moreton Bay Fig tree. 1½ gns

55. Late for dinner. 1 gn.

56. The old wharf, Huskisson, N.S.W. 1 gns

COWDROY, Vic (1908–)

57. Torso pastel. 2½ gns

58. Nude pastel. 2½ gns

Davies, L. Roy. (1897–1979)

59. The little tent. 4 gns | wash [drawing]

60. The Jetty [wash drawing]. 4 gns | wash

61. Up stream. 1 gn

62. Improved land. 1 gn

63. Fisherman. 1 gn

Dillon, Cyril. (1883–1974)

64. Spires of St. Paul's, Melbourne. 3 gns

65. Serenity. 3 gns

Dwyer, Ella. (1887–1979)

66. 'Four o'Clock' sandgrain. 2 gns

67. Flamingoes, Taronga Park. 2 gns | sandgrain

68. Ruins of Old Woolpack Inn, Gretna, Tasmania. 1½ gns

Emanuel, Cedric. (1906–1995)

69. 'Capel's' pen and wash. 7 gns

70. 'Halvorsen's'. 2 gns

71. Richmond Landscape pen drawing. 6 gns

72. Blue's Point [pen and wash]. 5 gns | pen and wash

73. A sunny corner. 1½ gns

74. Capel's boatshed, Ruschutter's Bay. 3 gns | one print only for sale | etching

75. A Rushcutter's Bay boatshed [pencil]. 5 gns | pencil

Gallop, Herbert. (1890–1958)

76. The country road [sepia]. 3 gns | sepia

77. The beach [sepia]. 4 gns

78. The old barns, Ryde (Cox's Farm sepia. 4 gns

Garling, Lilias. (1909–)

79. In Old Trujillo (Spain) sepia. 3½ gns

80. A corner of Clovelly [sepia]. 3 gns | sepia

GOODCHILD, John (1898–1980)

81. Self Portrait. 2 gns

82. Sunshine and Shower. 1 gn | etching

83. Friends' School, Hobart. 2 gns | etching

84. Stepping Stones. 2 gns

Hirst, G.W.L. (1868–1965)

85. Centennial Park Glade pencil. 3 gns

86. South Coast [pencil]. 3 gns

87. Illawarra pencil. 3 gns

88. Coast Range pencil. 3 gns

89. Ramparts of North head pencil. 3 gns

90. Calm pencil. 3 gns

91. Rising Fog pencil. 5 gns

Hunter, William. (1899–1963)

92. White horses. 3 gns

93. Emerald. 3 gns

94. Homeward. 2½ gns

95. Three Trees. 2½ gns

96. Port Melbourne. 1½ gns

97. 'Taking Off'. 3 gns

98. Lerderderg Creek. 3 gns

99. Misty moon. 2½ gns

100. Sea wings. 1½ gns

101. Steve. 3 gns | line etching

Ingleton, Geoffrey. (1908–1998)

102. Waiting the ebb - The Heemskerck at Batavia, 16th Aug., 1642 (Tasman's Voyage). 2½ gns

103. Plaintive avocets - (For the Ornithologist.) A scene at Corner Inlet - a beautiful study of these fascinating waders. 1½ gns

104. Sunda pirates. 2 gns

105. Raked fore and aft. 2 gns

Johnson, George. (1926–2021)

106. Thora sepia. 15 gns

107. Figure Studies [sepia]. 7 gns

LONG, Sydney (1871–1955)

108. Station Square [2]. 4 gns

Artist: LONG, Sydney | Title: The lagoon | Date: 1928 | Technique: aquatint and drypoint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

108. The lagoon 5 gns

110. Landscape, Avoca. 3 gns

111. Central Tower, University. 3 gns

112. Old Sydney. 3 gns

113. The Village. 3 gns

Artist: LONG, Sydney | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

114. St. Albans 3 gns

Longstaff, John. (1862–1941)

115. Arthur McCarthy [charcoal]. Not For Sale | charcoal

McDonald, Sheila. (1902–1971)

116. Old pine tree. 2½ gns | only print

117. Old Barracks, King Street. 3 gns | pen and wash

118. Dunheved, St. Mary's (Residence and Observatory of Admiral King) pencil. 2 gns

Mahoney, Will. (1905–1989)

119. Nude. 3½ gns | drawing

120. Spring Day wash. 3½ gns

121. Portrait pencil. Not For Sale

Morgan, Squire. (1886–1974)

122. Hawkesbury corn barn. 2 gns

123. Scots Church. 3 gns

124. Morning sunlight. Not For Sale

OGILVIE, Helen (1902–1993)

Artist: OGILVIE, Helen | Title: The crab. | Date: 1936 | Technique: wood-engraving, printed in black ink, from one block

125. The crab. ½ gn

126. Things of the. ½ gn

NELSON, Gwen (1897–1973)

127. Moreton Bay Fig. 4 gns | wash

128. 'Paradise' in Berkshire'. 5 gns | wash

Parsons, Alice Mary. (1863–1939)

129. The watercourse. 1½ gns

130. Rain Clouds. 1½ gns

131. By-way in Bowral District sepia wash. 1½ gns

PLATT, Austin (1912–2003)

132. Prince's Bridge, Melbourne. 3 gns

133. St. Aloysius College from Harbour Bridge. 1½ gns

134. Scotch College, Adelaide 1½ gns

135. Guildford Chapel. 1½ gns

Pratt, Douglas. (1900–1972)

136. A Monaro Monarch pencil. 16 gns

137. Homestead Trees [pencil]. 12 gns | pencil

138. Lennox Bridge, Lapstone (First Bridge on Australian Mainland). [pencil]. 8gns | pencil

139. A Quirindi glade pencil. 8 gns

140. Morning lights, Rose Bay. 7 gns | pencil

141. Near the Queensland Border. 2½ gns

142. Reflections and shadows. 1½ gns

143. Victims of the Southerlies. 2½ gns

Ragless, Max. (1901–1981)

144. Gums of Nockamka. 10 gns

145. Shearer's Hut, Pewsey Vale. 3 gns

146. Port Lincoln. 2 gns

147. The church at Pewsey Vale. 1½ gns

148. Bridgewater Mill. 1 gn

Rees, Lloyd. (1895–1988)

149. Hills behind Kiama pen. 25 gns

150. Ever-winding River pencil. 8 gns

151. Dusk at Hunter's Hill pencil. Not For Sale

152. Dawn on Lane Cover River [pencil]. 8 gns

153. Church on the Hill pencil. 8 gns

154. Road Across the Hills, Shellharbour pen. 20 gns

Reid, Stuart. (1935–)

155. New Shoes for Dobbin sepia wash. 30 gns

156. Horse resting [sepia wash]. 8 gns | sepia wash

157. The beach, Longreef [sepia wash]. 8 gns

RICHARDS, B.

158. A glimpse of Old Sydney. 4 gns. | pencil

159. Nasturtiums pencil. 1½ gns

Robinson, Charles H. (1893–1968)

160. Macquarie Street, Hobart. 1½ gns

161. Evening Rise. 1½ gns

162. River craft, Hobart. 1 gns

163. Noon. 1 gns

164. Milking Time. 1 gns

165. Collegiate School, Hobart. 2 gns

Sheldon, Vincent. (1895–1945)

166. Old St. Andrew's, Brisbane. 2 gns

167. Excavations. 2 gns

168. The Doorway. 2 gns

169. The Last Furrow. 1½ gns

170. Butterflies. 1½ gns

Townshend, G.K. (1888–1969)

171. The Bay. 4 gns | wash

TRAILL, Jessie (1881–1967)

172. Rhyll Landmark (on Philip Island Rhyll). 3 gns

173. Viaduct, Norlaix chalk. 3 gns

174. Old Well, Brittany chalk. 2 gns

175. On Churchill Island chalk. 2 gns

THORNHILL, Dorothy (1910–1987)

176. Boatshed, Berry's Bay chalk. 3 gns

Thorpe, Lesbia. (1919–2009)

177. Winter crayon. 7 gns

178. Impression crayon. 4 gns

Walker, F. Sidney. (1888–1972)

179. Morning at Collaroy. 2 gns | sandgrain

180. Billabong in Riverina. 1 gn

181. University, Sydney. 1 gn

182. Afterglow. 1 gn

183. Road to Tilba Tilba. 1 gn. | sandgrain

184. Midsummer Morn. 1½ gns

Watkins, J.S. (1866–1942)

185. Drawing chalk. 15 gns

186. The Little Jade God. 15 gns | chalk

WEBSTER, Alfred C.R. (1936)

187. Old Hulks pen and wash. 2 gns

188. Zoo Study pen and wash. 1 gn

189. Bush, Culvert pen and wash. 3 gns

190. Collitt's Inn pencil and wash. 3 gns

Whitney, William Montague. (1880–1946)

191. The Veteran charcoal. 3 gns

192. Moonlight charcoal. 3 gns

193. Winter landscape. 2 gns

194. Old shed, Emu Plains pencil. 3 gns