Farm corner.

Artist: b'Crisp, James.' | Title: b'Farm corner.' | Date: 1923 | Technique: b'etching, printed in warm black ink with plate-tone, from one plate'

James Crisp (1879–1962)

Farm corner.

(1923)

etching

EXHIBITION HISTORY 1 – 6 of 6 exhibitions

Catalogue of the Fifth Annual Exhibition of the Australian Painter-Etchers Society [1925].

Venues

Education Department Gallery (6 July 1925 – 25 July 1925)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Airy, Anna. (1882–1964)

The Reader. £3.03.0 (unframed) | etching

Forerunners of Fruit. £3.03.0 (unframed) | etching

King Pippin. etching

Anderson, Stanley. (1884–1966)

Bush House from The Strand. £3.13.6 (unframed) | etching

St. Mary's Woolnoth Church. £3.13.6 (unframed) | etching

Covent Garden Market. £3.13.6 (unframed) | etching

St. George's, Hanover Square. £3.13.6 (unframed) | etching

The chess players. £3.03.0 (unframed) | etching

Demolition in Regent Street. £3.13.6 (unframed) | etching

Reid, D.G. (1862–1933)

* 22. The barn. £2.11.6 (unframed) | etching

* 23. Twilight. £2.02.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

10. Trafalgar Square. £2.12.6 (unframed) | etching

11. Landlopers. £3.03.0 (unframed) | etching

12. The Chimera, Notre Dame (Paris). £3.13.6 (unframed) | etching

Bêjot, Eugène. (1867–1931)

13. Dunkerque. £7.07.0 (unframed) | etching

Bentley, Alfred. (1879–1923)

14. Puisdenome. £6.06.0 (unframed) | etching

15. Rouen. £6.06.0 (unframed) | etching

Brangwyn, Frank. (1867–1956)

16. Street St. Cirq. £8.08.0 (unframed) | etching

Burridge, Fred. (1869–1945)

17. The Mill in the Wirral. £3.03.0 (unframed) | etching

18. The west wind. £4.04.0 (unframed) | etching

19. Ghagford Bridge. £3.03.0 (unframed) | etching

20. Traeth Bach. £4.04.0 (unframed) | etching

Crisp, James. (1879–1962)

21. The intruder [1]. £2.02.0 (unframed) | drypoint

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

22. Farm corner. £1.11.6 (unframed) | etching

23. The conspirators. £2.02.0 (unframed) | drypoint

24. A glimpse. £1.01.0 (unframed) | etching

25. Pencil Drawing for Conspirator. £3.03.0 (unframed) | pencil

Duff, J.R.K. (1862–1938)

26. King of The Castle. £2.02.0 (unframed) | etching

27. Noisy Neighbours. £2.02.0 (unframed) | etching

28. In Winter. £3.03.0 (unframed) | etching

29. Down to the Shearing. £3.03.0 (unframed) | etching

30. Too Much Rain. £2.02.0 (unframed) | etching

Emanuel, Frank. (1865–1948)

31. Midsummer Night. £2.02.0 (unframed) | etching

32. Little Hell Street, Dieppe. £3.13.6 (unframed) | etching

33. T'Auld Brig o' Ayr. £3.13.6 (unframed) | etching

Farmer, Helen. (1888–1970)

34. Fishing boats, Hobart. £2.02.0 (unframed) | etching

35. The derelict. £2.02.0 (unframed) | etching

36. The cowbail. £2.02.0 (unframed) | etching

37. The paddock gate. £3.03.0 (unframed) | etching

38. River boats. £1.11.6 (unframed) | etching

39. A Cobbitty Farm. £2.02.0 (unframed) | etching

40. From Observatory Hill. £2.02.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

41. The Up Country Farmer. £2.02.0 (unframed) | etching

42. 'Snowy'. £2.12.6 (unframed) | etching

43. Grand Canal, Venice. £3.03.0 (unframed) | etching

44. Horses and barn. £2.02.0 (unframed) | etching

45. Fountains Abbey, Yorkshire. £3.03.0 (unframed) | aquatint

46. Pastoral in the Burragorang. £1.11.6 (unframed) | etching

47. An old English shepherd. £2.02.0 (unframed) | etching

48. Lacey's Creek, Burragorang Valley, N.S.W. £3.03.0 (unframed) | aquatint

49. St. Paul's Cathedral, London. etching

50. Fruit Market, Havre. £1.11.6 (unframed) | etching

51. Dickens' Character. £1.11.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

52. Riverview College, Lane Cove. £2.02.0 (unframed) | etching

53. Kuring-gai Chase. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

54. The picnic. £4.04.0 (unframed) | etching

55. Parliament Building, Sydney. £3.03.0 (unframed) | etching

56. Argyle Cut, Sydney. £3.03.0 (unframed) | etching

57. Manly Beach. £3.03.0 (unframed) | etching

58. Dawes Point, Sydney. £3.03.0 (unframed) | etching

59. Sydney Grammar School. £3.03.0 (unframed) | etching

60. Old church, Mulgoa. £3.03.0 (unframed) | etching

61. Chinaman's gardens, Rose Bay. £4.04.0 (unframed) | etching

62. Milson's Point, Sydney. £4.04.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

63. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. £4.04.0 (unframed) | etching

64. Solre le Chateau, Belgium. £3.03.0 (unframed) | etching

65. Wiseman's Ferry. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

66. The chalk pit on the Downs. £4.04.0 (unframed) | aquatint

67. Title unknown. etching

68. Crowland Abbey. £3.03.0 (unframed) | etching

69. Ploughing in Purbeck. £3.03.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

70. Reflections. £1.01.0 (unframed) | etching

71. Entrance to The Harbour. £1.11.6 (unframed) | etching

72. An Early Doorway. £2.02.0 (unframed) | etching

73. The National Gallery of N.S.W. £1.11.6 (unframed) | etching

74. The Pig Gallows. £1.11.6 (unframed) | etching

75. Bushrangers' Hill, Newport. £2.02.0 (unframed) | etching

76. The Bend of the Road. £3.03.0 (unframed) | etching

77. Sydney University. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980)

78. Desolation. £1.11.6 (unframed) | etching

79. The smithy. £2.02.0 (unframed) | etching

79a. Quiet afternoon, Port Adelaide. £4.04.0 (unframed) | etching

80. King William Street, Adelaide. £2.12.6 (unframed) | etching

Lee Hankey, William. (1869–1952)

81. The Drapery Market. £15.15.0 (unframed) | etching

Hardie, Martin. (1875–1952)

82. The Sleepy Ferry. £6.06.0 (unframed) | etching

83. Unloading the Barge. £5.05.0 (unframed) | etching

84. Evening in the fishing quarter. £5.05.0 (unframed) | etching

85. An Essex Boatyard. £5.05.0 (unframed) | etching

86. Sunset in Scotland. £5.05.0 (unframed) | etching

87. The Incoming Tide. £4.14.6 (unframed) | etching

LONG, Sydney (1871–1955)

88. Kookaburras. £2.02.0 (unframed) | etching

Artist: LONG, Sydney | Title: Lincoln | Date: 1925 | Technique: line-etching and drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

89. Lincoln £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

90. The river from Blackfriars Bridge £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

91. The old shot and powder works £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

92. Brisbane water £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

93.

The blacksmith's shop

£2.11.6 (unframed) | aquatint

Artist: LONG, Sydney | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

94. St. Albans £2.11.6 (unframed) | etching

Artist: LONG, Sydney | Title: The camp in the forest | Date: 1920 | Technique: softground-etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

95. The camp in the forest etching

96. Deserted. £2.11.6 (unframed) | etching

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

97. Fishing boats, Kings Lynn £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

98. The riverside £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Turkeys and pumpkins | Date: 1925 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

99. Turkeys and pumpkins £2.02.0 (unframed) | etching

100. The Harbour. £2.02.0 (unframed) | etching

Morgan, Squire. (1886–1974)

101. Fagan's Cottage, Gosford. £2.12.6 (unframed) | etching

102. The prospector. £2.12.6 (unframed) | etching

103. At Palm Beach. £3.03.0 (unframed) | etching

104. On the road to Tambourine, Queensland. £2.12.6 (unframed) | etching

Artist: Morgan, Squire. | Title: Summer heat | Date: (1923) | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

105. Summer heat £3.03.0 (unframed) | etching

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

106. The lagoon, Dee Why £3.03.0 (unframed) | etching

107. Landscape, Scone. £3.03.0 (unframed) | etching

108. Kangaroo Valley sketch. £1.11.6 (unframed) | etching

109. In Kangaroo Valley. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

110. Black Mountain, Canberra £1.11.6 (unframed) | etching

111. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

112. The King's School. £2.02.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

113. Admiralty Arch. £7.07.0 (unframed) | etching

114. 'Cherrac'. £5.05.0 (unframed) | etching

115. St. Stephen's, Walbrook. £3.03.0 (unframed) | etching

116. Market Place, Tours. £3.03.0 (unframed) | etching

117. Chinon Castle. £4.14.6 (unframed) | etching

118. Fair fields of France. £4.04.0 (unframed) | etching

119. Arthur. £3.13.6 (unframed) | etching

120. Holyrood Palace. £4.04.0 (unframed) | etching

121. My mother. £5.05.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

124. On the Lane Cove, Sydney Harbour. £3.03.0 (unframed) | etching

125. Rue de Mer Rouge, Algiers. £1.17.6 (unframed) | etching

126. Wreck of 'Collaroy', Collaroy Beach. £2.02.0 (unframed) | etching

127. Banksia, Collaroy. £1.17.6 (unframed) | etching

128. Trees of Balmoral. £1.01.0 (unframed) | etching

129. Australian sunrise. £3.10.0 (unframed) | etching

130. Belmont Lagoon, Lake Macquarie N.S.W.. £3.03.0 (unframed) | etching

131. Australian natives, Lake Macquarie, NSW. £1.17.6 (unframed) | etching

132. Government house from Gardens. £1.11.6 (unframed) | etching

ROBINS, W.P. (1882–1959)

133. The Moorland farm. etching

134. Islesworth. £4.04.0 (unframed) | etching

135. In Constable's Country. £4.04.0 (unframed) | etching

SHEPPERSON, Claude (1867–1921)

136. The beach. £15.15.0 (unframed) | etching

137. The Bather. £8.18.6 (unframed) | etching

SHIRLOW, John (1869–1936)

138. The Gate of the City. £5.05.0 (unframed) | etching

139. Doorway, Bank of Victoria, Melbourne. £3.03.0 (unframed) | etching

140. Bernard O'Dowd [2] £4.04.0 (unframed) | etching

SHORT, Frank (1857–1945)

141. April Day in Kent. £8.08.0 (unframed) | etching

142. Raft of Lusitania. £8.08.0 (unframed) | etching

Soper, Eileen. (1905–1990)

143. Feeding the chickens. £5.05.0 (unframed) | etching

144. Practice. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

145. Bridge Building. £10.10.0 (unframed) | etching

146. Bridge Building, The Opening Night of July 8th. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

148. The Froth. £15.15.0 (unframed) | etching

149. The Clyde. £15.15.0 (unframed) | etching

150. York Minster. £9.09.0 (unframed) | etching

151. Wooden Temple of Jupiter. £15.15.0 (unframed) | etching

152. Brooklyn Bridge. £14.14.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

153. The River Tweed. £2.02.0 (unframed) | etching

154. The bush track. £1.11.6 (unframed) | etching

155. Along the Murrumbidgee. £1.11.6 (unframed) | etching

156. Sydney. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

157. View from Temple Court, Collins St. Melbourne. £2.12.6 (unframed) | etching

Walker, F. Sidney. (1888–1972)

157. Newport Rocks. £1.01.0 (unframed) | etching

158. Morning. £1.01.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

159. Interior Wool Shed. £3.03.0 (unframed) | etching

160. Loading Wool. £3.03.0 (unframed) | etching

161. Sydney University. £2.02.0 (unframed) | etching

162. Boundary Riders. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

163. Sundown. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

164. The Camp. £2.12.6 (unframed) | etching

165. Politicians. £2.12.6 (unframed) | etching

166. Giddap. £3.03.0 (unframed) | etching

167. Prawners, Sydney Harbour. £3.03.0 (unframed) | etching

168. The Silo. £2.12.6 (unframed) | etching

Whydale, Herbert. (1892–1968)

169. Dry Point. £3.03.0 (unframed) | etching

Catalogue of the Christmas Exhibition of the Painter- Etchers' Society [1925].

Venues

Farmer & Company (30 November 1925 – 12 December 1925)

Works

Airy, Anna. (1882–1964)

1. The Reader. £3.03.0 (unmounted, unframed)

2. King Pippin. £3.03.0 (unmounted, unframed)

Anderson, Stanley. (1884–1966)

3. Bush House From The Strand. £3.13.6 (unmounted, unframed)

4. St. George's, Hanover Square. £3.13.6 (unmounted, unframed)

5. Covent Garden Market. £3.13.6 (unmounted, unframed)

6. Landlopers. £3.03.0 (unmounted, unframed)

Ashton, Will. (1881–1963)

7. Rodney Lane, Ilfracombe, England. £2.02.0 (unmounted, unframed)

8. Old bridge, Ayr, Scotland. £3.03.0 (unmounted, unframed)

9. "Eglise St. Nicholas Du Chardonnet", Paris. £3.03.0 (unmounted, unframed)

10. Le Pont de Bois, Paris. £3.03.0 (unmounted, unframed)

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

11. Ponte Vecchio, Florence £3.03.0 (unmounted, unframed)

Burridge, Fred. (1869–1945)

12. The west wind. £4.04.0 (unmounted, unframed)

13. Lancaster. £5.05.0 (unmounted, unframed)

14. Ghagford Bridge. £3.03.0 (unmounted, unframed)

15. The Mill in the Wirral. £3.03.0 (unmounted, unframed)

Crisp, James. (1879–1962)

17. The old mill, Auckland, N.Z. £1.11.6 (unmounted, unframed)

18. The intruder [1]. £2.02.0 (unmounted, unframed)

19. A glimpse. £1.11.6 (unmounted, unframed)

20. The Story. £1.11.6 (unmounted, unframed)

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

21. Farm corner. £1.11.6 (unmounted, unframed)

22. Feathered Friends. 1.11.6 (unmounted, unframed) | All prices are for unmounted and unframed prints, duplicate prints are available in each instance.

Duff, J.R.K. (1862–1938)

23. Down to the Shearing. £3.03.0 (unmounted, unframed)

24. In Winter. £3.03.0 (unmounted, unframed)

25. Noisy Neighbours. £2.02.0 (unmounted, unframed)

26. King of The Castle. £2.02.0 (unmounted, unframed)

27. Too Much Rain. £2.02.0 (unmounted, unframed)

Emanuel, Frank. (1865–1948)

28. Little Hell Street, Dieppe. £3.13.6 (unmounted, unframed)

29. T'Auld Brig o' Ayr. £3.13.6 (unmounted, unframed)

Farmer, Helen. (1888–1970)

30. A river boat. £1.11.6 (unmounted, unframed)

31. In Mosman Bay. £2.02.0 (unmounted, unframed)

32. Cottage on The Hill. £1.01.0 (unmounted, unframed)

33. Deserted Tenement. £1.11.6 (unmounted, unframed)

34. A Timber Mill. £1.11.6 (unmounted, unframed)

35. The cowbail. £2.02.0 (unmounted, unframed)

36. The paddock gate. £3.03.0 (unmounted, unframed)

Friedensen, Thomas. (1879–1931)

37. Sydney Harbor from Athol Gardens. £3.03.0 (unmounted, unframed)

38. An old street in York. £2.02.0 (unmounted, unframed)

39. Molly. £1.11.6 (unmounted, unframed)

Artist: Friedensen, Thomas. | Title: Old Jimmy. | Date: 1925 | Technique: drypoint, printed in black ink, from one plate

40. Old Jimmy. £2.02.0 (unmounted, unframed)

41. Up-Country Farmer. £2.02.0 (unmounted, unframed)

42. An old English shepherd. £2.02.0 (unmounted, unframed)

43. Porch, Harfleur Church. £1.11.6 (unmounted, unframed)

44. Avenue, Harfleur, Normandy. £1.01.0 (unmounted, unframed)

45. Mediaeval Houses, Rouen (Drawing). £7.07.0 (unmounted, unframed)

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The country postman. | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

46. The country postman. £3.03.0 (unmounted, unframed)

47. Rowe Street, Sydney. £3.03.0 (unmounted, unframed)

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

48. Sydney Harbour. £4.04.0 (unmounted, unframed)

49. Conservatorium of Music, Sydney. £3.03.0 (unmounted, unframed)

50. St. Joseph's College, Sydney. £3.03.0 (unmounted, unframed)

51. Wiseman's Ferry. £4.04.0 (unmounted, unframed)

52. Bowling Green, Ludlow - England's Oldest. £3.03.0 (unmounted, unframed)

53. Oxford. £3.03.0 (unmounted, unframed)

54. Old Sydney, 1890, Corner of Liverpool Street and Victoria Place. £2.02.0 (unmounted, unframed)

Artist: FULLWOOD, A.H. | Title: Macquarie Place, Sydney. | Date: c.1923 | Technique: etching, printed in blue/black ink with plate-tone, from one plate

55. Macquarie Place, Sydney. £4.04.0 (unmounted, unframed)

56. The old barn. £3.03.0 (unmounted, unframed)

Gaskell, Percival. (1868–1934)

57. Crowland Abbey. £3.03.0 (unmounted, unframed)

GOODCHILD, John (1898–1980)

58. The Bridge. £2.02.0 (unmounted, unframed)

59. Ships at rest. £2.02.0 (unmounted, unframed) | aquatint

60. After work. £2.02.0 (unmounted, unframed) | aquatint

61. Low Banks. £1.01.0 (unmounted, unframed)

62. Bush Light. £1.01.0 (unmounted, unframed)

63. Sydney, from Bradley's Head. £2.02.0 (unmounted, unframed) | softground

64. The smithy. £2.02.0 (unmounted, unframed)

65. Quiet afternoon, Port Adelaide. £4.04.0 (unmounted, unframed)

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

66. Sundown. £2.02.0 (unmounted, unframed) | softground

GOODCHILD, John (1898–1980)

67. Desolation. £1.11.6 (unmounted, unframed)

68. Wentworth House, Vaucluse, N.S.W. £2.02.0 (unmounted, unframed)

Hardie, Martin. (1875–1952)

69. The Sleepy Ferry. £6.06.0 (unmounted, unframed)

70. An Essex Boatyard. £4.04.0 (unmounted, unframed)

71. Sunset in Scotland. £4.04.0 (unmounted, unframed)

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

72. St. Paul's from the river £2.11.6 (unmounted, unframed)

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

73. Porte Marechale, Bruges £2.11.6 (unmounted, unframed)

74. The Lake [softground]. £10.00.0 (unmounted, unframed) | Two proofs only - Plate Destroyed | softground etching

75. Landscape, Bucks. £4.04.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

76. Autumn landscape £3.03.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

77. Between the showers £4.04.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

78. A Cornish landscape £3.03.0 (unmounted, unframed) | softground & aquatint

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The little dutch mill £3.03.0 (unmounted, unframed) | drypoint

80. Kookaburras. £2.02.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

81. The passing storm £5.05.0 (unmounted, unframed) | aquatint

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Pastoral sandgrain £3.03.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

83. The harbour, St.Ives £3.03.0 (unmounted, unframed) | softground

Morgan, Squire. (1886–1974)

84. Sketch, Avoca. £1.01.0 (unmounted, unframed)

85. Miniature. £1.01.0 (unmounted, unframed)

86. The glade. £1.11.6 (unmounted, unframed)

87. The lakeside. £2.12.6 (unmounted, unframed)

88. Fagan's Farm. £2.02.0 (unmounted, unframed)

89. At Palm Beach. £3.03.0 (unmounted, unframed)

Artist: Morgan, Squire. | Title: Ti trees | Date: 1922 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

90. Ti trees £3.03.0 (unmounted, unframed)

91. Summer Shade. £3.03.0 (unmounted, unframed)

92. On the road to Tambourine, Queensland. £2.12.6 (unmounted, unframed)

93. The roadside shanty. £3.03.0 (unmounted, unframed)

OSBORNE, Malcolm (1880–1963)

94. My mother. £5.05.0 (unmounted, unframed)

95. Arthur. £3.03.0 (unmounted, unframed)

96. Tourks Market Place. £3.03.0 (unmounted, unframed)

97. Cherrac. £5.05.0 (unmounted, unframed)

RICHARDSON, Linley, H. (1878–1947)

98. Portrait of a little boy.

van RAALTE, Henri (1881–1929)

99. After the Bath.

RICHARDSON, Linley, H. (1878–1947)

100. A sunny morning.

101. Off to the Seaside.

102. Once Upon a Time.

ROBERTSON, Bruce (1872–1943)

103. Australian sunrise. £3.03.0 (unmounted, unframed)

104. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unmounted, unframed)

105. Australian Natives. £1.11.6 (unmounted, unframed)

106. Australian sunrise. £2.10.0 (unmounted, unframed)

107. On the Lane Cove, Sydney Harbour. £2.17.6 (unmounted, unframed)

108. Reflections Cook's River, N.S.W. £1.16.6 (unmounted, unframed)

109. The wave, Coogee, N.S.W. £1.01.0 (unmounted, unframed)

110. Fairy Bower, Manly, N.S.W. £1.11.6 (unmounted, unframed)

111. Old Bronte, Sydney, N.S.W. £1.05.0 (unmounted, unframed)

ROBINS, W.P. (1882–1959)

112. Monkton. £7.07.0 (unmounted, unframed)

SHIRLOW, John (1869–1936)

113. The Bank Door (Commercial Bank, Melb.). £3.03.0 (unmounted, unframed)

114. Nightfall. £2.02.0 (unmounted, unframed)

Artist: SHIRLOW, John | Title: A bye-way, Flinders Lane. | Date: 1896 | Technique: etching, printed in black ink with plate-tone, from one copper plate

115. A bye-way, Flinders Lane. £2.02.0 (unmounted, unframed)

116. Morning, Central Station, Melbourne. £3.03.0 (unmounted, unframed)

117. Flinders Street. £2.02.0 (unmounted, unframed)

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

118. Ambleside farmyard £3.03.0 (unmounted, unframed)

119. The country road. £3.03.0 (unmounted, unframed)

120. Rose's Mill, Mt Gilead. £5.05.0 (unmounted, unframed)

121. The Old Treasury. £4.04.0 (unmounted, unframed)

122. Macquarie Fields. £2.02.0 (unmounted, unframed)

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

123. Washing day £2.02.0 (unmounted, unframed)

124. Farmyard, Clarendon. £2.02.0 (unmounted, unframed)

125. Ah Lum's Farm, Windsor. £5.05.0 (unmounted, unframed)

TRAILL, Jessie (1881–1967)

126. Big Building, Yallourn. £6.06.0 (unmounted, unframed)

127. Super Great Power House. £5.05.0 (unmounted, unframed)

Walker, F. Sidney. (1888–1972)

128. Dawes Point, (From McMahons Pt.). £1.11.6 (unmounted, unframed)

129. Milsons Point, September. £1.11.6 (unmounted, unframed)

130. Princes Bridge. £1.11.6 (unmounted, unframed)

131. Midsummer Noon. £1.11.6 (unmounted, unframed)

132. MacTaggart's Farm. £1.07.0 (unmounted, unframed)

133. At the top of the Ridge. £1.01.0 (unmounted, unframed)

134. The Headland, Newport. £1.01.0 (unmounted, unframed)

Warner, Alfred Edward. (1879–1968)

135. Bobadah. £3.03.0 (unmounted, unframed)

136. Martin's Farm. £2.02.0 (unmounted, unframed)

137. Main Entrance, St. Mary's Cathedral. £1.11.6 (unmounted, unframed)

138. On the road. £3.03.0 (unmounted, unframed)

139. Cultivation paddocks. £2.12.6 (unmounted, unframed)

140. The distant road. £2.12.6 (unmounted, unframed)

141. In Camp. £2.12.6 (unmounted, unframed)

Artist: Warner, Alfred Edward. | Title: Prawners | Date: 1935 | Technique: etching, printed in black ink with plate-tone, from one plate

142. Prawners £2.12.6 (unmounted, unframed)

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

143. Sundown. £3.03.0 (unmounted, unframed)

Exhibition of Etchings by the Australian Painter-Etchers' Society

Venues

New Gallery [Melbourne]. (11 December 1928 – 24 December 1928)
107 Elizabeth St., (Robertson's Building), Melbourne, Victoria, Australia

Works

Crisp, James. (1879–1962)

Cattai Creek. £1.11.6 (unframed) | etching

The old wharf, Huskisson, N.S.W. £1.01.0 (unframed) | etching

A bit of Eden, South Coast. £1.11.6 (unframed) | etching

St. Michael's Church, Rose Bay. £1.11.6 (unframed) | etching

The Lakes Entrance, Victoria. £1.11.6 (unframed) | etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

The gander. £1.01.0 (unframed) | etching

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Farm corner. £1.11.6 (unframed) | etching

A glimpse. £1.01.0 (unframed) | etching

Young Kookaburras. £1.01.0 (unframed) | etching

10. Hauling timber, Jamberoo to Nowra. £1.11.6 (unframed) | etching

Dwyer, Ella. (1887–1979)

11. Old mill buildings, Hobart. £2.02.0 (unframed) | etching

12. St. Thomas' Church, North Sydney. £1.01.0 (unframed) | etching

13. On an Old Highway, Tasmania. £1.01.0 (unframed) | etching

14. The wind bloweth. £1.01.0 (unframed) | etching

Farmer, Helen. (1888–1970)

15. Susan Island. £2.12.6 (unframed) | etching

16. On the Banks of the Clarence. £2.02.0 (unframed) | etching

17. The end of the village. £1.01.0 (unframed) | etching

18. The road to Forster. £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

19. Venice. £3.03.0 (unframed) | etching

Artist: Friedensen, Thomas. | Title: Caudebec, Normandy. | Date: 1929 | Technique: etching and aquatint, printed in black ink, from one plate

20. Caudebec, Normandy. £3.03.0 (unframed) | etching

21. The Wollondilly, N.S.W. £3.03.0 (unframed) | etching

22. The Mountain Road, Brush Creek, N.S.W. £3.03.0 (unframed) | etching

23. Building the bridge, Sydney Harbour. £3.03.0 (unframed) | etching

24. A pipe of 'baccy'. £2.12.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

25. Xmas Eve. £10.10.0 (unframed) | etching | Collection, Sydney National Gallery.

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

26. His ain fireside. £4.04.0 (unframed) | etching

27. Carlyle's House, Chelsea. £4.04.0 (unframed) | etching

28. The Storm. £3.03.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

29. Lakeshore. £4.04.0 (unframed) | etching

30. Windswept. £3.03.0 (unframed) | etching

31. Dairy Farm. £2.02.0 (unframed) | etching

32. The farmyard. £2.02.0 (unframed) | etching

33. Spreading Ti-Tree. £1.12.6 (unframed) | etching

Glover, Allan. (1900–1984)

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

34. Sunlight and ships £3.03.0 (unframed) | etching | ollection:Melbourne Art Gallery.

35. The Scarred Veteran. £3.03.0 (unframed) | etching

36. Hilltop. £2.12.6 (unframed) | etching | Collections, Adelaide and Melbourne Art Galleries.

37. The Thatched Stable. £1.11.6 (unframed) | etching

38. The two gums. £1.01.0 (unframed) | etching

39. Stormy sunset £1.01.0 (unframed) | etching

40. At Oaklands. £1.01.0 (unframed) | etching

GOODCHILD, John (1898–1980)

41. Solitude. £2.02.0 (unframed) | etching

42. 'Finance' (Collins St., Melbourne). £1.01.0 (unframed) | etching

43. German Charley's shanty. £1.11.6 (unframed) | etching

Goodhart, J.C. (1873–1952)

44. Molle Street Bridge, Hobart. £2.02.0 (unframed) | etching | Collection, Adelaide Art Gallery.

45. The old Ross tannery. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

46. 'De Bavay's', Broken Hill. £2.02.0 (unframed) | etching

47. 'Conquest' (Broken Hill Mines). £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

48. The Hawkesbury River Landscape. £6.06.0 (unframed) | etching

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49.

The blacksmith's shop

£4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. The old shot and powder works £4.04.0 (unframed) | etching

51. Christchurch. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Iffley Mill, Oxford | Date: c.1919 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Iffley Mill, Oxford £3.03.0 (unframed) | etching

53. The Parchment Mills. £4.04.0 (unframed) | etching

McDonald, Sheila. (1902–1971)

54. The Rocks, Sydney. £1.11.6 (unframed) | etching

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

55. Bulletin Place, Sydney £1.11.6 (unframed) | etching

56. St. Mark's, Darling Point. £1.11.6 (unframed) | etching

Paul, Dorothy Ellsmore. (1900–1974)

57. Nude. £1.11.6 (unframed) | etching

58. The Joseph's Coat. £2.02.0 (unframed) | etching

59. Nocturne. £3.03.0 (unframed) | etching

Paul, Mick. (1888–1945)

60. Lachlan Macquarie. £2.02.0 (unframed) | etching

Reid, D.G. (1862–1933)

68. A Fisherman's Haven. £2.02.0 (unframed) | etching

69. The Windmill. £1.10.6 (unframed) | etching

70. The Gothic Spire. £2.02.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

71. Australian sunrise. £3.03.0 (unframed) | etching

72. Riverside Trees. £2.10.0 (unframed) | etching

73. On the Lane Cove, Sydney Harbour. £2.17.6 (unframed) | etching

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

74. Roadside trees £2.02.0 (unframed) | etching

76. 'Evening', Narrabeen Lakes. £1.11.6 (unframed) | etching

77. 'Margarets', Lake Macquarie. £1.01.0 (unframed) | etching

78. 'The Vista'. £1.11.6 (unframed) | etching

79. River Oaks. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

80. In the Old Village, Cagnes, France. £2.12.6 (unframed) | etching

Artist: Rose, Herbert. | Title: Le Puy, France | Date: c.1927 | Technique: etching, printed in black ink, from one plate

81. Le Puy, France £3.03.0 (unframed) | etching

82. The Zattere, Venice. £3.03.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

83. Women's College, Sydney University. £3.03.0 (unframed) | etching

84. St. Andrew's College, Sydney University. £3.03.0 (unframed) | etching

85. Readitt's Bend. £3.03.0 (unframed) | etching

86. The willows. £2.02.0 (unframed) | etching

87. The Mill Pastoral. £2.02.0 (unframed) | etching

88. Water carters. £2.02.0 (unframed) | etching

89. The beach. £1.11.6 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Mirage | Date: 1928 | Technique: aquatint and etching, printed in brown ink with plate-tone, from one plate

95. Mirage £3.03.0 (unframed) | etching

96. The Organ Pipes at Dawn, Wilpena Mts S.A. £5.05.0 (unframed) | coloured etching

97. Melbourne. £3.03.0 (unframed) | aquatint

98. End of the day, Red Cliffs. £2.02.0 (unframed) | aquatint

99. Edge. £3.03.0 (unframed) | etching

100. Mt Warning, N.S.W. £4.04.0 (unframed) | aquatint

101. Ti-Tree. £1.01.0 (unframed) | etching

102. Between showers, Carcassonne. £4.04.0 (unframed) | aquatint

Walker, F. Sidney. (1888–1972)

103. Evening, Narooma. £1.11.6 (unframed) | etching

104. Sunlit gums. £1.11.6 (unframed) | etching

105. The Drying Creek. £1.11.6 (unframed) | etching

106. The Mill. £1.11.6 (unframed) | etching

107. Lagoon. £1.01.0 (unframed) | etching

108. Quiet Water. £1.01.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. The Spires of St. Paul's, Melbourne. £3.03.0 (unframed) | etching

110. Melbounre Grammar School. £3.03.0 (unframed) | etching

111. 'Queens', Melbourne University. £3.03.0 (unframed) | etching

112. Bookplate, 'Melba'. not for sale | etching

Catalogue of an Exhibition of recent paintings and etchings by members of the Australian Painter-Etchers' Society

Venues

Blaxland Galleries. [1]. (18 November 1929 – 30 November 1929)
8th & 9th floor, George St., Sydney, New South Wales, Australia.

Works

Crisp, James. (1879–1962)

Playmates. 1½ gns (unframed) | drypoint

Barker, David. (1888–1946)

1. Martin Place. Kindly lent by F. larkins, Esq. | drypoint

2. Circular Quay. 3 gns (unframed) | drypoint

Artist: Barker, David. | Title: Bridge Street. | Date: (1930) | Technique: drypoint, printed in black ink, from one plate

3. Bridge Street. 3 gns (unframed) | drypoint

4. The Mill, Sussex. 2 gns (unframed) | etching

Coffey, Alfred. (1869–1950)

5. Stone Tower, Fort Macquarie. 1½ gns (unframed) | etching

6. Carthona, Double Bay. 1½ gns (unframed) | etching

7. Old bridge, William St., Double Bay. 1½ gns (unframed) | etching

8. Double Bay Beach. 1½ gns (unframed) | etching

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

10. Farm corner. 1½ gns. (unframed) | etching

11. A bit of the Barron River, N.Q. 2 gns (unframed) | drypoint

12. A Favourite spot. [drawing for]. 5 gns (framed) | colour drawing

13. Mt. Cootha, Brisbane. 1½ gns (unframed) | etching

14. The conference. 1½ gns (unframed) | etching

15. Brisbane, Queensland. 1 gn (unframed) | etching

16. Cocoanut Palms, Magnetic Island, North Queensland. 3 gns (unframed) | etching

17. The Old Mine, Harden. 1½ gns (unframed) | etching

18. Nearing home. 1½ gns (unframed) | etching

19. Hauling timber, Jamberoo to Nowra. 1½ gns (unframed) | etching

20. Cattai Creek. 1½ gns (unframed) | etching

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

21. The teamster. 2 gns. (unframed) | etching

22. Kuranda Railway Station, N.Q. [pencil]. 3 gns (framed) | pencil

Dwyer, Ella. (1887–1979)

23. Misty morning sandgrain. 2 gns. (unframed) | sandgrain

24. Old Home of 'Commodore' Blue, Berry's Bay. 2 gns (unframed) | etching

25. Old houses, Campbell Street. 1½ gns (unframed) | etching

26. On an Old Highway, Tasmania. 1 gns (unframed) | etching

Farmer, Helen. (1888–1970)

27. Nelligen. 1½ gns (unframed) | etching

28. Church Point, Pittwater. 2½ gns (unframed) | etching

29. Huskisson. 1 gn (unframed) | etching

30. Riddles Wharf, Pittwater. 2 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

31. His ain fireside. 4 gns (unframed) | etching

32. Conservatorium of Music, Sydney. 2 gns (unframed) | etching

33. Clock Tower, Central Station, Sydney. 3 gns (unframed) | etching

34. Fort Street School, Sydney. 2 gns (unframed) | etching

35. Cowan, N.S.W. 2 gns. (unframed) | etching

36. Dickens' Old Curiosity Shop, London. 3 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

37. The Drovers. 3 gns (unframed) | etching

38. The bush philosopher. 2½ gns (unframed) | etching

39. The Mountain Road, Brush Creek, N.S.W. 3 gns (unframed) | etching

40. Venice. 3 gns (unframed) | etching

Artist: Friedensen, Thomas. | Title: Caudebec, Normandy. | Date: 1929 | Technique: etching and aquatint, printed in black ink, from one plate

41. Caudebec, Normandy. 3 gns (unframed) | etching

42. Omar, the Tent Maker. 3 gns (unframed) | etching

Artist: Friedensen, Thomas. | Title: The bush madonna. | Date: 1930 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

43. The bush madonna. 1 gn (unframed) | etching

44. The bark hut. 2 gns (unframed) | etching

45. The Digger. 1½ gns (unframed) | etching

46. Old drover. 1 gn (unframed) | etching

47. The Conservation of Music, Sydney. 2 gns (unframed) | etching

48. Three Kookaburras. 2 gns (unframed) | etching

Gallop, Herbert. (1890–1958)

49. The picnic, Cattai Creek. 2 gns (unframed) | etching

50. Kangaroo Valley. 1 gn (unframed) | etching

51. Shore Pines. 2 gns (unframed) | etching

52. The farm on the Fish River. 1½ gns (unframed) | etching

53. North Ryde Farms. 1½ gns (unframed) | etching

54. Over the Hill. 1 gn (unframed) | etching

55. The southerly blows. 3 gns (unframed) | etching

56. Boatsheds, Pittwater. 2 gns (unframed) | etching

57. Wharfside, Pittwater. 5 gns (unframed) | etching

58. From the Hills. 2 gns (unframed) | etching

Glover, Allan. (1900–1984)

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

59. The Barn, Magill 2½ gns (unframed) | etching

60. Summertime. 2½ gns (unframed) | etching

61. The Sheltered Glade. 1½ gns (unframed) | etching

62. The Dry Creek. 2½ gns (unframed) | etching

Artist: Glover, Allan. | Title: Dawn | Date: 1929 | Technique: aquatint, printed in warm black ink, from one plate

63. Dawn 1 gn (unframed) | mezzotint

64. At Oaklands. 1 gn (unframed) | etching

65. The two gums. 1 gn (unframed) | etching

66. In the Power House. 2 gns (unframed) | aquatint

Artist: Glover, Allan. | Title: Parker's cottage, Moonta Mines | Date: 1929 | Technique: etching, printed in brown ink, from one plate

67. Parker's cottage, Moonta Mines 2 gns (unframed) | etching

Artist: Glover, Allan. | Title: Towards Treuer's and Karkarilla Moonta Mines | Date: 1927 | Technique: etching and aquatint, printed in brown ink with plat-tone, from one plate

68. Towards Treuer's and Karkarilla Moonta Mines 1½ gns (unframed) | etching

Godson, John Barclay. (1882–1957)

69. A Peep of the Homeland. 3 gns (unframed) | etching

70. A Yorkshire Village. 3 gns (unframed) | etching

71. Old court house, Berrima. 3 gns (unframed) | etching

72. Botanic Steps. 1 gn (unframed) | etching

73. Entrance to the Old Town. 3 gns (unframed) | etching

74. A Yorkshire Stream. 1½ gns (unframed) | etching

75. Jetty, Etaples. 2 gns (unframed) | etching

76. The Shambles, York. 3 gns (unframed) | etching

Goodhart, J.C. (1873–1952)

89. The Poppet Head. 3 gns (unframed) | etching

GOODCHILD, John (1898–1980)

90. A bush shipyard. 3 gns (unframed) | etching

91. Prosperity. 3 gns (unframed) | etching

92. Desert Gums. 2 gns (unframed) | softground etching

Hilder, Bim. (1909–1990)

93. Windy Day. 1 gn (unframed) | aquatint

94. The sentinel. 1 gn (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

95. Hawkesbury landscape 6 gns (unframed) | aquatint

96. The lake. 4 gns (unframed) | aquatint

97. Landscape, Newport. 4 gns (unframed) | line etching

98. Boyd's Boatshed, Narrabeen. 4 gns (unframed) | line etching

99. Narrabeen Landscape. 3 gns. (unframed) | line etching

Artist: LONG, Sydney | Title: Tascot | Date: 1928, after | Technique: line-etching, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

100. Tascot 3 gns (unframed) | line etching

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

101. Windmill Street, Old Sydney [1] 3 gns (unframed) | line etching

102. Feeding time. 3 gns (unframed) | line etching

103. Demolition, Waterloo Bridge, London. 4 gns (unframed) | line etching

Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

104. Old houses, Chiddingstone 3 gns (unframed) | line etching

105. Old mill, Petertary. 3 gns (unframed) | line etching

Marsden, May. (1876–1968)

106. The moorings, Berry's Bay. 2 gns (unframed) | etching

107. Coaling Cranes, Ball's Head. 2 gns (unframed) | etching

108. Prymont Bridge. 3 gns (unframed) | etching

109. The Mopoke. 1 gn (unframed) | etching

110. Blue Mountains, Leura. 2 gns (unframed) | etching

111. The boat pool, Newcastle, N.S.W. 2½ gns (unframed) | etching

112. The Harbour, Newcastle, N.S.W. 3½ gns (unframed) | etching

113. On the Golf Links, Mossvale. 1 gn (unframed) | etching

Morgan, Squire. (1886–1974)

114. Afternoon light. 2 gns (unframed) | etching

115. Roadside shanties. 3 gns (unframed) | etching

116. Scots Church. 3 gns (unframed) | etching

117. Avoca Lagoon. 3 gns (unframed) | etching

Artist: Morgan, Squire. | Title: Approaching Canberra | Date: c.1927 | Technique: etching

118. Approaching Canberra 1 gn (unframed) | etching

119. Mt. Ainsley, Canberra. 1 gn (unframed) | etching

120. Pioneer's Home. 1 gn (unframed) | etching

MORT, Eirene (1879–1977)

121. The Old School House Canberra. 1½ gns (unframed) | etching

122. Kaye's Barn (Klensendorlffe's), Canberra. 1½ gns (unframed) | etching

123. Bookplate. etching

124. Experiment Cottage, Parramatta. 1 gn (unframed) | etching

125. St. John's, Parramatta. 2 gns (unframed) | etching

126. Holy Thorn, Glastonbury. 1½ gns (unframed) | etching

127. Stonetubs, Vaucluse. 1½ gns (unframed) | etching

128. Horsley II. 2 gns (unframed) | etching

Parkes, Adrienne. (1910–1943)

129. Spanish Dancer. 1½ gns (unframed) | etching

130. Ballet Dancer. 1½ gns (unframed) | etching

131. The old model. 3 gns (unframed) | etching

Paul, Dorothy Ellsmore. (1900–1974)

132. Joseph's Coat. 1 2 gns (unframed) | etching

133. Joseph's Coat. 2 gns (unframed) | drypoint

Pratt, Douglas. (1900–1972)

134. Boats, Double Bay. 2 gns (unframed) | etching

135. Dredging, Cook's River. 2 gns (unframed) | etching

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

136. The Sunlit Forge 1½ gns (unframed) | etching

137. The Track to the Sheds. 2 gns (unframed) | etching

138. Botany Bay. 2 gns (unframed) | etching

139. Lakeside. 1 gns (unframed) | etching

140. Pyrmont Bridge. 1 gns (unframed) | etching

141. Early Home, Tempe. 1½ gns (unframed) | etching

142. Far From the Madding Crowd. 2 gns (unframed) | etching

143. Boats, Double Bay pencil study. 2 gns (framed) | pencil study

144. The Track to the Sheds [pencil study]. 2 gns (framed) | pencil study

145. Sketch, Fairy Meadow pencil study. 2 gns (framed) | pencil study

Reid, D.G. (1862–1933)

146. The Sunken Road. 3 gns (unframed) | etching

147. A Fisherman's Fortune. 3 gns (unframed) | etching

148. Ancestral Trees. 3 gns (unframed) | etching

149. The Fruit Boat. 2 gns (unframed) | etching

150. Bridge on the Orange Road. 2 gns (unframed) | etching

151. In the Afterglow. 2 gns (unframed) | etching

152. The Grove. 2 gns (unframed) | etching

153. The Doll's House. 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

154. Rue de l'Petit Fort Dinan, Brittany. 2 gns (unframed) | etching

155. The river bank morning. 1½ gns (unframed) | etching

156. The timber ship, Swansea, Lake Macquarie. 1½ gns (unframed) | etching

157. The river bend. 1½ gns. (unframed) | etching

158. Top of the Hill. £1 5 0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

159. The Harbour Bridge. 2 gns (unframed) | etching

160. The Old Shed. 2 gns (unframed) | etching

SHIRLOW, John (1869–1936)

161. The casualty list. 5 gns (unframed) | etching

162. State Parliament House, Melbourne. 2 gns (unframed) | etching

Artist: SHIRLOW, John | Title: Kelly's Stairs. | Date: c.1929 | Technique: etching, printed in black ink, from one copper plate

163. Kelly's Stairs. 2 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

164. Malelucas. 4 gns (unframed) | etching

165. First Night, Turret Theatre. 5 gns (unframed) | colour aquatint

166. St. Etienne, Toulouse. 5 gns (unframed) | colour etching

167. Drawing of Bridge, the Creeper Crane. 10 gns (framed) | chalk

Warner, Alfred Edward. (1879–1968)

168. Old House, Rocks District. 1 gn (unframed) | etching

169. Tweed River Flats. 2 gns (unframed) | etching

Walker, F. Sidney. (1888–1972)

170. The Bridge, South Abutment, May 1929. 1½ gns (unframed) | etching

171. The Nepean, Penrith. 2 gns (unframed) | etching

172. Pastoral. 2 gns (unframed) | etching

173. Down in Riverina. 1½ gns (unframed) | etching

174. Harbour Entrance. 1½ gns (unframed) | etching

175. The Home Paddock. 1½ gns (unframed) | etching

176. The timbered ridge. 1 gn. (unframed) | etching

177. Lagoon. 1 gn (unframed) | etching

178. Quiet Water. 1 gn (unframed) | etching

179. The road to Tilba Tilba. 1 gn (unframed) | etching

180. Even Tide. 1 gn (unframed) | etching

181. The creek. 2 gns (unframed) | pencil

Wood, A.J. (1929–)

182. The Pelican. 1 gn (unframed) | drypoint

183. 'Morrie'. 2 gns (unframed) | etching

184. Sheela. 1 gn (unframed) | etching

185. Portrait softground. 1 gn (unframed) | softground

The Manly Daily Art Exhibition

Works

ST JOHN, Ellis (1874–1949)

198. Manly Lagoon 2 gns

200. The Harbour Beach, Manly. 2 gns

203. Wood Street Steps, Manly. 1 gn

Crisp, James. (1879–1962)

210. The quintette. 2 gns.

ST JOHN, Ellis (1874–1949)

217. The Milking Shed. 2 gns

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

218. Farm corner. 1½ gns.

ST JOHN, Ellis (1874–1949)

219. Fort Denison. 2 gns

230. St. Mary's Doorway. 2 gns

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

242. The teamster. 2 gns.

246. Magpies. 2 gns

ST JOHN, Ellis (1874–1949)

340. Argyle. 1 gn

A collected list of etchings: James Crisp.

Venues

Venue Not Identified. None

Works

Crisp, James. (1879–1962)

The farmyard. edition of 50 | out of print

Young Magpies. edition of 50

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

The teamster. edition of 50

The three jackies. edition of 50

The sultan. edition of 50

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Farm corner. edition of 50

Country pasture. edition of 50

Late for dinner. edition of 50

Corner Old Stables, Vaucluse House. edition of 50

The quintette. edition of 50

Magpies. edition of 50

A glimpse. edition of 25

The porch, Saint Michael's, Rose Bay. edition of 35

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

The gander. edition of 35

The intruder [1]. edition of 35

The conspirators. edition of 35