View from Temple Court, Collins St. Melbourne.

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

Australian Painter-Etchers Society. Second [Melbourne] Exhibition [1923]

Venues

Decoration Art Gallery (15 October 1923 – 29 October 1923)
289 Collins St., Melbourne, Victoria, Australia

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Teamsters | Date: 1923 | Technique: aquatint and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

1. Teamsters "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Sussex Street trade | Date: 1923 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. Sussex Street trade "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £7.07.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The selector | Date: 1923 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

3. The selector "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

4. Ronda. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

5. Breakfast "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The house on the wall, Cordova | Date: 1923 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

6. The house on the wall, Cordova "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

7. The Great Fig Tree. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

8. The Old Fossicker. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

9. The Log. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.12.6 (unframed) | etching

10. The Doric Porch. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

11. The crossing "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £5.05.0 (unframed) | etching

12. The Burrow. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: On the balcony. | Date: 1922 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

13. On the balcony. £1.11.6 (unframed) | etching

FEINT, Adrian (1894–1971)

14. Rendezvous. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

15. Burdekin House. £3.03.0 (unframed) | etching

16. The farm sheds. £4.04.0 (unframed) | etching

17. The barn, Windsor. £3.03.0 (unframed) | etching

18. Harbour from Rose Bay. £2.02.0 (unframed) | etching

19. Windsor, N.S.W. £3.03.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

20. Edge of the clearing. £4.04.0 (unframed) | etching

21. The Stack. £4.04.0 (unframed) | etching

Artist: Boyd, Penleigh. | Title: The jetty. | Date: c.1921 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate

22. The jetty. £4.04.0 (unframed) | etching

SHIRLOW, John (1869–1936)

Artist: SHIRLOW, John | Title: Andante. | Date: 1923 | Technique: drypoint, printed in black ink, from one copper plate

23. Andante. £2.02.0 (unframed) | etching

24. From South Yarra. £2.12.6 (unframed) | etching

25. Chinese at a doorway £2.12.6 (unframed) | etching

26. Flinders Street. £2.12.6 (unframed) | etching

27. Yarraside. £3.03.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

28. Scherzo. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

29. Death in the garden. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

30. Trio. Springwood, New South Wales, Australia | £4.04.0 (unframed) | etching

31. Dryad. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

32. Julia. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

33. Festival. Springwood, New South Wales, Australia | £8.08.0 (unframed) | etching

34. Argument. Springwood, New South Wales, Australia | £7.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

35. The Sugar Mills. £7.07.0 (unframed) | etching

36. McMahon's Point, Sydney. £2.12.6 (unframed) | etching

37. Sydney Harbour from Cremorne. £2.07.6 (unframed) | etching

38. The Mosque, Cairo. £2.12.6 (unframed) | etching

Rose, Herbert. (1890–1937) and Rose, Herbert. (1890–1937)

39. Half Moon Bay. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

40. Berry's Bay, Sydney. £2.12.6 (unframed) | etching

41. The Post Office, Sydney. £2.12.6 (unframed) | etching

Ashton, Will. (1881–1963)

42. Rodney Lane, Ilfracombe, England. £2.02.0 (unframed) | etching

43. Old bridge, Ayr, Scotland. £3.03.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

44. St. James' Doorway, Sydney. £2.02.0 (unframed) | etching

45. The Milking Shed. £2.02.0 (unframed) | etching

46. Lane of William Street, Sydney. £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

47. Broken Hill silhouette, British Mine, Sunset. £5.05.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: Testing the new turbine, Red Cliffs pumps, August 1922. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone and wiped highlights, from one plate

48. Testing the new turbine, Red Cliffs pumps, August 1922. £8.08.0 (unframed) | etching

49. The Digger, Red Cliffs. £1.01.0 (unframed) | etching

50. End of the day, Red Cliffs. £2.02.0 (unframed) | etching

51. View from Temple Court, Collins St. Melbourne. £2.02.0 (unframed) | etching

52. Super Great Power House. £5.05.0 (unframed) | etching

53. The Great Live Line. £4.04.0 (unframed) | etching

54. The Dam, Small Pump, Red Cliffs. £3.03.0 (unframed) | 1st State | etching

ROBERTSON, Bruce (1872–1943)

55. Australian Bush Road. Dee Why, via Manly, New South Wales, Australia. | £4.04.0 (unframed) | etching

56. The farm bridge, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £3.03.0 (unframed) | etching

57. Old Argyle Cut, Sydney. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

58. Over the Range. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

59. Australian sunrise. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

60. Across Lake Macquarie, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £2.02.0 (unframed) | etching

61. St. Andrew's Castle, Fife. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

62. Groote Church, Dordrecht, Holland. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

63. Rialto Bridge, Venice. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

64. The wave, Coogee, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.01.0 (unframed) | etching

65. The Duck Farm, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

66. Oxford Falls Bridge, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

72. Circular Quay, Sydney. £3.03.0 (unframed) | etching

73. Old houses, Candebec, Normandy. £2.12.6 (unframed) | etching

74. A canal in Venice. £3.03.0 (unframed) | etching

75. Barges, Chiswick Mall. £3.03.0 (unframed) | etching

76. Up Country Team. £2.02.0 (unframed) | etching

77. Windsor Castle, Berkshire. £3.03.0 (unframed) | etching

78. Windmill, Walton, Essex. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The old parchment mills £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

80. St. Paul's from the river £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

81. Friar Street, Worcester £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Beddington Corner £4.04.0 (unframed) | etching

83. Camp in the forest. £5.05.0 (unframed) | etching

84. Badnage Landscape. £4.04.0 (unframed) | etching

85. Soft Ground Pastorale. £7.07.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

86. Between the showers £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

87. The Thames from Waterloo Bridge £6.06.0 (unframed) | etching

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

88. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Wallis, Raymond. (1900–1983)

89. The Milking Shed. £2.02.0 (unframed) | etching

90. White gums. £1.11.6 (unframed) | etching

91. Lucerne Farm. £2.12.6 (unframed) | etching

92. The farmyard. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

93. The Rocks, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

94. Clyde Street, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

95. Windmill Hill, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

96. Christmas Eve, St Albans, England. 1 Bond Street, Sydney, New South Wales, Australia. | £10.10.0 (unframed) | etching

97. St. Joseph's Mulgoa, N.S.W. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

98. Sydney Observatory. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

99. Hyde Park, London. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

100. Chelsea Old Church, London. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

101. The haunted mill. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

102. Peterborough Cathedral. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

Ward, J. (1920–)

103. The Gamblers. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

104. The Drover. £3.03.0 (unframed) | etching

105. The bullocky. £3.03.0 (unframed) | etching

106. Macquarie Street. £3.03.0 (unframed) | etching

107. The Drover's Cook. £3.03.0 (unframed) | etching

108. The wool dray. £3.03.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. Melbourne Grammar School. £4.04.0 (unframed) | etching

110. The Swimming Pool, Coombe Cottage. £3.03.0 (unframed) | etching

111. From the Roof Garden, Coombe Cottage. £2.02.0 (unframed) | etching

112. Mosman. £2.02.0 (unframed) | etching

113. Port Phillip Heads. £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

114. Circular Quay. £2.02.0 (unframed) | etching

115. The White Way. £1.11.6 (unframed) | etching

116. The lake. £3.03.0 (unframed) | etching

Crisp, James. (1879–1962)

117. Young Magpies. £2.02.0 (unframed) | etching

118. Magpies. £2.02.0 (unframed) | etching

119. The quintette. £2.02.0 (unframed) | etching

Farmer, Helen. (1888–1970)

120. Cobbitty gums. £2.02.0 (unframed) | etching

121. End of the track. £1.01.0 (unframed) | etching

122. Dee Bridge, Chester. £2.02.0 (unframed) | etching

Lindsay, Daryl. (1889–1976)

123. Converter shed. £2.02.0 (unframed) | etching

124. Deserted House, Creswick. £2.02.0 (unframed) | etching

Campbell, Fred. (1851–1930)

125. The quarry. £1.11.6 (unframed) | etching

126. A sunlit sea. £1.11.6 (unframed) | etching

127. Reflections. £1.11.6 (unframed) | etching

128. Flinders Street Railway Station. £1.11.6 (unframed) | etching

129. East Coast, Port Phillip. £1.11.6 (unframed) | etching

130. In the Southern pastures. £1.11.6 (unframed) | etching

131. The beach walk. £1.11.6 (unframed) | etching

132. A fair wind. £1.11.6 (unframed) | etching

Morgan, Squire. (1886–1974)

133. The lake, Avoca. £3.03.0 (unframed) | etching

134. Morning sunlight. £3.03.0 (unframed) | etching

135. The sliprails. £3.03.0 (unframed) | etching

136. Ti-trees. £3.03.0 (unframed) | etching

137. Old bullock dray. £3.03.0 (unframed) | etching

138. The glade. £1.11.6 (unframed) | etching

139. Sketch, Avoca. £1.01.0 (unframed) | etching

PERCY, W.S. (1872–1946)

140. Garden Island. £1.11.6 (unframed) | etching

141. Old bark hut. £1.11.6 (unframed) | etching

Britton, Fred. (1889–1931)

142. The Bridge. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

144. Bracken banks. £7.07.0 (unframed) | etching

Britton, Fred. (1889–1931)

145. Morning light. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

145. Adelaide Cathedral. £3.03.0 (unframed) | etching

147. Wayside Gums. £4.04.0 (unframed) | etching

148. Town Hall, Perth. £3.03.0 (unframed) | etching

149. Barracks, Perth. £3.03.0 (unframed) | etching

150. Water's Edge Price on Frame. Price on frame. | etching

151. The Giant. £10.10.0 (unframed) | etching

Coffey, Alfred. (1869–1950)

152. Chapel, St. John's College, Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £5.05.0 (unframed) | etching

153. Glenyarrah (Gladswood), Double Bay. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £1.11.6 (unframed) | etching

Finley, Fred. (1894–1968)

154. The prisoners. £2.02.0 (unframed) | etching

155. Rag Pickers of the Pont Neuf. £2.02.0 (unframed) | etching

156. Mountebanks, St. Owen, Paris. £2.02.0 (unframed) | etching

157. The porcelain mender, Paris. £1.11.6 (unframed) | etching

Catalogue of the Fourth Annual Exhibition of the Australian Painter-Etchers' Society [1924].

Venues

Farmers Smoke Room (1 December 1924 – 13 December 1924)
Oak Luncheon Hall, Farmers, Pitt, Market & George Sts., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

The gander. £1.01.0 (unframed) | etching

Farmer, Helen. (1888–1970)

Chinamen's gardens, Mavey Vale. £2.02.0 (unframed) | etching

Tree Study. £1.11.6 (unframed) | etching

Loading a drogher. £2.02.0 (unframed) | etching

An old home, Manly Vale. £2.12.6 (unframed) | etching

Cole, Herbert. (1867–1930)

1. Diana and Endymion pen and ink. £6.06.0 (unframed) | etching

2. Michael Angelo pen and ink 8 8 0 Two Pages Sketches, Poems by Zora Cross (By permission of Angus. etching

3. Page of Pen and Ink Drawings. £10.10.0 (unframed) | etching

4. Page of Pen and Ink Drawings. £10.10.0 (unframed) | etching

Crisp, James. (1879–1962)

10. The porch, Saint Michael's, Rose Bay. £2.02.0 (unframed) | etching

MORT, Eirene (1879–1977)

11. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

12. Black Mountain, Canberra £1.11.6 (unframed) | etching

13. King's School, Parramatta. £2.02.0 (unframed) | etching

SHIRLOW, John (1869–1936)

14. The Great Dome, Melbourne Public Library £2.02.0 (unframed) | etching

15. Gate of the City. £2.12.6 (unframed) | etching

16. Doorway, Bank of Victoria, Melbourne. £2.02.0 (unframed) | etching

17. Bernard O'Dowd [2] £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

18. Falling Leaves, Bathurst. etching

19. The bent tree, Tuggerah Lake. etching

20. The open lake. etching

21. Archway, Bathurst etching

Walker, F. Sidney. (1888–1972)

22. Barges, Hobart. £1.11.6 (unframed) | etching

23. Evening. £1.01.0 (unframed) | etching

24. North Head. £1.01.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

25. Sydney University. £3.03.0 (unframed) | etching

26. Cobles at Staithes, Yorks. £3.03.0 (unframed) | etching

27. The Bend of the Road. £3.03.0 (unframed) | etching

28. Church Point, Pittwater. £2.02.0 (unframed) | etching

29. Landscape. £2.02.0 (unframed) | etching

30. Bushranger's Hill, Pittwater. £2.02.0 (unframed) | etching

31. Bushranger's Hill, Pittwater original sketch. £6.06.0 (unframed) | etching

32. The Bend of the Road original sketch. £9.09.0 (unframed) | etching

WALCOT, William (1874–1943)

33. Piccadilly Circus. £5.05.0 (unframed) | etching

34. Whitehall. £5.05.0 (unframed) | etching

35. The Bank of England. £5.05.0 (unframed) | etching

36. The Horse Guards. £5.05.0 (unframed) | etching

37. Newcastle-on-Tyne. £6.06.0 (unframed) | etching

38. Trafalgar Square. £5.05.0 (unframed) | etching

Brangwyn, Frank. (1867–1956)

39. Barge Builders. £12.12.0 (unframed) | etching

40. Barnard Castle. £12.12.0 (unframed) | etching

Gabain, Ethel. (1853–1950)

41. Reveuse original. £3.03.0 (unframed) | etching

42. The Emerald Ring original. £3.03.0 (unframed) | etching

43. Munition Worker. £3.03.0 (unframed) | etching

44. Si les bijoux estaient indiscrets! original. £3.03.0 (unframed) | etching

45. Une dame qui se chausse original. £4.04.0 (unframed) | etching

46. Colombine a sa toilette original. £5.05.0 (unframed) | etching

47. The Patch. £5.05.0 (unframed) | etching

Hall, Oliver. (1869–1957)

48. Showery Weather. £3.03.0 (unframed) | etching

49. Old timber bridge, Yarmouth. £3.03.0 (unframed) | etching

Menpes, Mortimer. (1855–1938)

50. Portrait of Whistler. £3.03.0 (unframed) | etching

51. A Distant View London. £3.03.0 (unframed) | etching

52. Westminster. £3.03.0 (unframed) | etching

Bentley, Alfred. (1879–1923)

53. A Sussex Landscape. £3.03.0 (unframed) | etching

Cameron, D.Y. (1865–1945)

54. Bookplate. £4.04.0 (unframed) | etching

Blampied, Edmund. (1886–1966)

55. Original. £3.13.6 (unframed) | etching

56. Original. £3.13.6 (unframed) | etching

Hampton, Herbert G. (1889–1943)

57. Midnight. £2.02.0 (unframed) | etching

OFFLER, Edmund

58. Yvonne. £1.01.0 (unframed) | drypoint

MIGNOT, Victor (1872–)

59. Dordrecht. £4.04.0 (unframed) | etching

Boon, Jan. (1882–)

60. Head of old woman. £1.01.0 (unframed) | etching

61. Lucien Simon. £3.03.0 (unframed) | pencil study

Simon, Lucien. (1861–1945)

61. A Head. Lucien Simon | £3.03.0 (unframed) | pencil study

LONG, Sydney (1871–1955)

62. The River Side. £4.04.0 (unframed) | etching

63. Mother and Young. £2.12.6 (unframed) | etching

64. Kookaburras. £3.03.0 (unframed) | etching

65. Stand on the Green. £3.13.6 (unframed) | etching

66. Deserted. £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

67. Fishing boats, Lisbon £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

68. Magpies £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

69. Fishing boats, Lisbon £3.03.0 (unframed) | etching

70. The Pool. £4.04.0 (unframed) | etching

71. Houes of Parliament, London. £2.02.0 (unframed) | etching

Green, Reginald. (1884–1971)

72. Shakespeare's School, Stratford-on-Avon. £3.03.0 (unframed) | etching

73. The Star Inn. £3.03.0 (unframed) | etching

74. John Knox's House, Edinburgh. £2.02.0 (unframed) | etching

75. The Cross, Chichester. £2.02.0 (unframed) | etching

76. Merton College, Oxford. £2.02.0 (unframed) | etching

77. St. John's College, Cambridge. £2.02.0 (unframed) | etching

78. Windsor Castle. £2.02.0 (unframed) | etching

RICHARDS, Fred (1887–1932)

79. Vire. £2.02.0 (unframed) | etching

Dawson, Nelson. (1859–1941)

80. Coming into Harbour. £3.00.0 (unframed) | etching

STRANG, William (1859–1921)

81. Death Defeated. £2.02.0 (unframed) | etching

82. The Nymph. £3.03.0 (unframed) | etching

Munz, F.

83. Group of Trees. £2.02.0 (unframed) | etching

Lindeman, Grant. (1920–)

84. The Tuck Shop, S.G.S. £1.01.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

Artist: Friedensen, Thomas. | Title: The man from Burrywang. | Date: 1925 | Technique: etching and drypoint, printed in black ink, from one plate

85. The man from Burrywang. £1.11.6 (unframed) | etching

86. The Bridge of Sighs. £2.12.6 (unframed) | etching

87. The heart of the city. £2.12.6 (unframed) | etching

88. Breaking up in 'Australia'. £3.03.0 (unframed) | etching

89. A sunlit canal, Venice. £3.03.0 (unframed) | etching

90. A waterway in Venice. £2.02.0 (unframed) | etching

91. Interior Anne Hathaway's Cottage drawing. £5.05.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

92. Nocturne. £2.02.0 (unframed) | etching

93. Old Cremorne wharf. £2.02.0 (unframed) | etching

94. Old House, rear Vickery's Chambers. £2.02.0 (unframed) | etching

95. Milson's Point from Old Railway Yards. £2.02.0 (unframed) | etching

96. Dismantling H.M.A.S. 'Australia'. £3.03.0 (unframed) | etching

97. The old Barracks, Queen's Square. £2.02.0 (unframed) | etching

Morgan, Squire. (1886–1974)

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

99. The lagoon, Dee Why £2.12.6 (unframed) | etching

100. The Burragorang Valley. £3.03.0 (unframed) | etching

101. Scone Farm. £3.03.0 (unframed) | etching

102. Kangaroo Valley sketch. £1.11.6 (unframed) | etching

103. Sketch Dee Why. £1.11.6 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

104. Bundagobilly Creek. £3.03.0 (unframed) | etching

105. Interior Woolshed. £3.03.0 (unframed) | etching

106. Loading Wool. £3.03.0 (unframed) | etching

107. The Wagon Loaded. £2.12.6 (unframed) | etching

108. Macquarie Street. £2.02.0 (unframed) | etching

109. Wool Team Leaving. £1.11.6 (unframed) | etching

110. Bullock team coming in. £1.11.6 (unframed) | etching

111. Jinderie Sheds. £1.11.6 (unframed) | etching

112. St. James'. £1.01.0 (unframed) | etching

Nelson, Harold. (active by 1924)

114. Minerva. £2.02.0 (unframed) | etching

115. The Studio Window. £3.03.0 (unframed) | etching

WEBB, Harry George (1882–1914)

116. The Jester. £1.01.0 (unframed) | etching

Whydale, Herbert. (1892–1968)

117. The Hayrick. £3.03.0 (unframed) | etching

Fell, Eleanor. (1885–1946)

118. Lambeth Bridge. etching

119. Malaga. £3.13.6 (unframed) | etching

TRAILL, Jessie (1881–1967)

120. Bridge Building. £5.05.0 (unframed) | etching

121. Bridge Building. £10.10.0 (unframed) | etching

122. Bridge Building (No.3), the Opening Night. £3.03.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: The big building, Yallourn, May 1924. | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

123. The big building, Yallourn, May 1924. £6.16.6 (unframed) | etching

124. Super Great Power House. £5.15.6 (unframed) | etching

125. View from Temple Court, Collins St. Melbourne. £2.12.6 (unframed) | etching

Arndt, Mina. (1885–1926)

126. Study of old man. £4.04.0 (unframed) | etching

127. Ben. £3.03.0 (unframed) | etching

128. Street in Corfe. £2.02.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

129. Mrs Heberden. £5.05.0 (unframed) | etching

130. The Old Quarry. £4.04.0 (unframed) | etching

131. A sunlit land. £4.04.0 (unframed) | etching

132. Stirling Bridge. £4.04.0 (unframed) | etching

133. Arnold Mason. £5.05.0 (unframed) | etching

134. Jukhers of the Plain. £4.04.0 (unframed) | etching

135. Dieppe. £4.04.0 (unframed) | etching

137. Noon, Wareham. £3.03.0 (unframed) | etching

138. Le Puy. £4.04.0 (unframed) | etching

139. Nathaniel Sparks - Portrait. £5.05.0 (unframed) | etching

139A. Dieppe. etching

139B. Mrs. Heberden - Portrait. etching

Gaskell, Percival. (1868–1934)

140. Ferpecle mezzotint. £6.06.0 (unframed) | etching

141. Summer Morning, River Wharf. £5.05.0 (unframed) | mezzotint

142. Derwent Water, evening. £5.05.0 (unframed) | etching

143. The chalk pit on the Downs. £3.03.0 (unframed) | etching

144. The Enchanted Castle. £4.04.0 (unframed) | etching

145. San Vigilio, Lago di Garda. £3.03.0 (unframed) | etching

146. Ploughing in Purbeck. £3.03.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

146. Loches Castle. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

147. Crowland Abbey Ditching. £3.03.0 (unframed) | etching

Burridge, Fred. (1869–1945)

148. The Mountain Smithy. £4.04.0 (unframed) | etching

149. The Little White Town. £3.03.0 (unframed) | etching

150. Lancaster. £4.04.0 (unframed) | etching

151. Thunder weather. £3.03.0 (unframed) | etching

152. The Upland Farm. £4.04.0 (unframed) | etching

153. A March of Waters. £3.12.6 (unframed) | etching

154. Patriarchs. £3.03.0 (unframed) | etching

155. Harlech. £4.04.0 (unframed) | etching

156. The Promise of a Hot Day. £5.05.0 (unframed) | etching

157. A Spring Afternoon. £2.10.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

158. Piccadilly Circus. £3.03.0 (unframed) | etching

159. By-products. £3.03.0 (unframed) | etching

160. Hop Exchange, London, after the Fire. £3.03.0 (unframed) | etching

161. Westminster School. £3.03.0 (unframed) | etching

162. Covent Garden. £3.03.0 (unframed) | etching

163. Wreckage. £3.03.0 (unframed) | etching

164. St. Margaret's and Big Ben. £3.03.0 (unframed) | etching

165. Gracechurch Street, London. £4.04.0 (unframed) | etching

Duff, J.R.K. (1862–1938)

166. Rain. £3.03.0 (unframed) | etching

167. The man with the beet. £3.03.0 (unframed) | etching

168. The Marsh. £3.03.0 (unframed) | etching

169. January Lambs. £3.03.0 (unframed) | etching

170. At play. £1.11.6 (unframed) | etching

171. False Fire. £1.11.6 (unframed) | etching

172. Milking. £1.11.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

173. St. Mary's Catheral, Sydney. £4.04.0 (unframed) | etching

174. The launch. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Cronulla Beach. | Date: 1924 | Technique: etching, printed in black ink, from one plate

175. Cronulla Beach. £3.03.0 (unframed) | etching

176. Chelsea Pensioners. £10.10.0 (unframed) | etching

177. Windsor Castle. £12.12.0 (unframed) | etching

178. Dr Jamieson's House. [pencil]. £8.08.0 (unframed) | etching

178. Dr Jamieson's House. [pencil]. £0.08.0 (unframed) | etching

179. Old Mosman [pencil]. £8.08.0 (unframed) | pencil

179. Old Mosman [pencil]. £0.08.0 (unframed) | pencil

Flanagan, John Richard. (1895–1964)

180. Title unknown. £6.06.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

181. Into the shade. £2.02.0 (unframed) | etching

182. The spreading Ti-Tree. £2.02.0 (unframed) | etching

183. The lake side. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

184. The heart of Sydney. £4.04.0 (unframed) | etching

185. Wentworth House, Vaucluse, N.S.W. £2.02.0 (unframed) | etching

186. The mooring. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

187. Sundown. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

188. Sydney from Bradleys Head. £2.02.0 (unframed) | etching

Artist: GOODCHILD, John | Title: The work of day | Date: 1924 | Technique: softground etching, printed in brown ink, from one plate

189. The work of day £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980) and SHIRLOW, John (1869–1936)

190. Sydney from Milsons Point. £4.04.0 (unframed) | etching

GOODCHILD, John (1898–1980)

191. Title unknown. £3.03.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

205. Cement Works, Rochester. £3.03.0 (unframed) | etching

206. Isleworth. £3.03.0 (unframed) | etching

207. Interior of Barn at Rabley Heath. £3.03.0 (unframed) | etching

208. The path of a gale. £5.05.0 (unframed) | etching

Emanuel, Frank. (1865–1948)

209. Little Hell Street, Dieppe. £3.13.6 (unframed) | etching

210. Rue Eau de Robec, Rouen. £3.03.0 (unframed) | etching

211. Rembrandt at the Press. £2.10.0 (unframed) | etching

Airy, Anna. (1882–1964)

212. Goldfinches fighting. £4.04.0 (unframed) | etching

213. Cast of Dice. £4.04.0 (unframed) | etching

214. Apple Blossom. £4.04.0 (unframed) | etching

Fletcher, Hanslip. (1874–1955)

215. Exeter Cathedral drawing. £15.15.0 (unframed) | etching

Kinney, Troy. (1871–1938)

216. Serenade. £8.08.0 (unframed) | etching

Warlow, H. Gordon. (1885–1942)

217. Place de Eglise. £2.02.0 (unframed) | etching

Austen, Winifred. (1876–1964)

218. Curlew. £4.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

219. On the Lane Cove, Sydney Harbour. £3.03.0 (unframed) | etching

220. Rue de Mer Rouge, Algiers. £1.17.6 (unframed) | etching

221. Trees of Balmoral. £1.01.0 (unframed) | etching

222. Wreck of 'Collaroy', Collaroy Beach. £2.02.0 (unframed) | etching

223. Banksia, Collaroy. £1.17.6 (unframed) | etching

Catalogue of the Fifth Annual Exhibition of the Australian Painter-Etchers Society [1925].

Venues

Education Department Gallery (6 July 1925 – 25 July 1925)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Airy, Anna. (1882–1964)

The Reader. £3.03.0 (unframed) | etching

Forerunners of Fruit. £3.03.0 (unframed) | etching

King Pippin. etching

Anderson, Stanley. (1884–1966)

Bush House from The Strand. £3.13.6 (unframed) | etching

St. Mary's Woolnoth Church. £3.13.6 (unframed) | etching

Covent Garden Market. £3.13.6 (unframed) | etching

St. George's, Hanover Square. £3.13.6 (unframed) | etching

The chess players. £3.03.0 (unframed) | etching

Demolition in Regent Street. £3.13.6 (unframed) | etching

Reid, D.G. (1862–1933)

* 22. The barn. £2.11.6 (unframed) | etching

* 23. Twilight. £2.02.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

10. Trafalgar Square. £2.12.6 (unframed) | etching

11. Landlopers. £3.03.0 (unframed) | etching

12. The Chimera, Notre Dame (Paris). £3.13.6 (unframed) | etching

Bêjot, Eugène. (1867–1931)

13. Dunkerque. £7.07.0 (unframed) | etching

Bentley, Alfred. (1879–1923)

14. Puisdenome. £6.06.0 (unframed) | etching

15. Rouen. £6.06.0 (unframed) | etching

Brangwyn, Frank. (1867–1956)

16. Street St. Cirq. £8.08.0 (unframed) | etching

Burridge, Fred. (1869–1945)

17. The Mill in the Wirral. £3.03.0 (unframed) | etching

18. The west wind. £4.04.0 (unframed) | etching

19. Ghagford Bridge. £3.03.0 (unframed) | etching

20. Traeth Bach. £4.04.0 (unframed) | etching

Crisp, James. (1879–1962)

21. The intruder [1]. £2.02.0 (unframed) | drypoint

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

22. Farm corner. £1.11.6 (unframed) | etching

23. The conspirators. £2.02.0 (unframed) | drypoint

24. A glimpse. £1.01.0 (unframed) | etching

25. Pencil Drawing for Conspirator. £3.03.0 (unframed) | pencil

Duff, J.R.K. (1862–1938)

26. King of The Castle. £2.02.0 (unframed) | etching

27. Noisy Neighbours. £2.02.0 (unframed) | etching

28. In Winter. £3.03.0 (unframed) | etching

29. Down to the Shearing. £3.03.0 (unframed) | etching

30. Too Much Rain. £2.02.0 (unframed) | etching

Emanuel, Frank. (1865–1948)

31. Midsummer Night. £2.02.0 (unframed) | etching

32. Little Hell Street, Dieppe. £3.13.6 (unframed) | etching

33. T'Auld Brig o' Ayr. £3.13.6 (unframed) | etching

Farmer, Helen. (1888–1970)

34. Fishing boats, Hobart. £2.02.0 (unframed) | etching

35. The derelict. £2.02.0 (unframed) | etching

36. The cowbail. £2.02.0 (unframed) | etching

37. The paddock gate. £3.03.0 (unframed) | etching

38. River boats. £1.11.6 (unframed) | etching

39. A Cobbitty Farm. £2.02.0 (unframed) | etching

40. From Observatory Hill. £2.02.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

41. The Up Country Farmer. £2.02.0 (unframed) | etching

42. 'Snowy'. £2.12.6 (unframed) | etching

43. Grand Canal, Venice. £3.03.0 (unframed) | etching

44. Horses and barn. £2.02.0 (unframed) | etching

45. Fountains Abbey, Yorkshire. £3.03.0 (unframed) | aquatint

46. Pastoral in the Burragorang. £1.11.6 (unframed) | etching

47. An old English shepherd. £2.02.0 (unframed) | etching

48. Lacey's Creek, Burragorang Valley, N.S.W. £3.03.0 (unframed) | aquatint

49. St. Paul's Cathedral, London. etching

50. Fruit Market, Havre. £1.11.6 (unframed) | etching

51. Dickens' Character. £1.11.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

52. Riverview College, Lane Cove. £2.02.0 (unframed) | etching

53. Kuring-gai Chase. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

54. The picnic. £4.04.0 (unframed) | etching

55. Parliament Building, Sydney. £3.03.0 (unframed) | etching

56. Argyle Cut, Sydney. £3.03.0 (unframed) | etching

57. Manly Beach. £3.03.0 (unframed) | etching

58. Dawes Point, Sydney. £3.03.0 (unframed) | etching

59. Sydney Grammar School. £3.03.0 (unframed) | etching

60. Old church, Mulgoa. £3.03.0 (unframed) | etching

61. Chinaman's gardens, Rose Bay. £4.04.0 (unframed) | etching

62. Milson's Point, Sydney. £4.04.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

63. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. £4.04.0 (unframed) | etching

64. Solre le Chateau, Belgium. £3.03.0 (unframed) | etching

65. Wiseman's Ferry. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

66. The chalk pit on the Downs. £4.04.0 (unframed) | aquatint

67. Title unknown. etching

68. Crowland Abbey. £3.03.0 (unframed) | etching

69. Ploughing in Purbeck. £3.03.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

70. Reflections. £1.01.0 (unframed) | etching

71. Entrance to The Harbour. £1.11.6 (unframed) | etching

72. An Early Doorway. £2.02.0 (unframed) | etching

73. The National Gallery of N.S.W. £1.11.6 (unframed) | etching

74. The Pig Gallows. £1.11.6 (unframed) | etching

75. Bushrangers' Hill, Newport. £2.02.0 (unframed) | etching

76. The Bend of the Road. £3.03.0 (unframed) | etching

77. Sydney University. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980)

78. Desolation. £1.11.6 (unframed) | etching

79. The smithy. £2.02.0 (unframed) | etching

79a. Quiet afternoon, Port Adelaide. £4.04.0 (unframed) | etching

80. King William Street, Adelaide. £2.12.6 (unframed) | etching

Lee Hankey, William. (1869–1952)

81. The Drapery Market. £15.15.0 (unframed) | etching

Hardie, Martin. (1875–1952)

82. The Sleepy Ferry. £6.06.0 (unframed) | etching

83. Unloading the Barge. £5.05.0 (unframed) | etching

84. Evening in the fishing quarter. £5.05.0 (unframed) | etching

85. An Essex Boatyard. £5.05.0 (unframed) | etching

86. Sunset in Scotland. £5.05.0 (unframed) | etching

87. The Incoming Tide. £4.14.6 (unframed) | etching

LONG, Sydney (1871–1955)

88. Kookaburras. £2.02.0 (unframed) | etching

Artist: LONG, Sydney | Title: Lincoln | Date: 1925 | Technique: line-etching and drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

89. Lincoln £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

90. The river from Blackfriars Bridge £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

91. The old shot and powder works £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

92. Brisbane water £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

93.

The blacksmith's shop

£2.11.6 (unframed) | aquatint

Artist: LONG, Sydney | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

94. St. Albans £2.11.6 (unframed) | etching

Artist: LONG, Sydney | Title: The camp in the forest | Date: 1920 | Technique: softground-etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

95. The camp in the forest etching

96. Deserted. £2.11.6 (unframed) | etching

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

97. Fishing boats, Kings Lynn £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

98. The riverside £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Turkeys and pumpkins | Date: 1925 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

99. Turkeys and pumpkins £2.02.0 (unframed) | etching

100. The Harbour. £2.02.0 (unframed) | etching

Morgan, Squire. (1886–1974)

101. Fagan's Cottage, Gosford. £2.12.6 (unframed) | etching

102. The prospector. £2.12.6 (unframed) | etching

103. At Palm Beach. £3.03.0 (unframed) | etching

104. On the road to Tambourine, Queensland. £2.12.6 (unframed) | etching

Artist: Morgan, Squire. | Title: Summer heat | Date: (1923) | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

105. Summer heat £3.03.0 (unframed) | etching

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

106. The lagoon, Dee Why £3.03.0 (unframed) | etching

107. Landscape, Scone. £3.03.0 (unframed) | etching

108. Kangaroo Valley sketch. £1.11.6 (unframed) | etching

109. In Kangaroo Valley. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

110. Black Mountain, Canberra £1.11.6 (unframed) | etching

111. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

112. The King's School. £2.02.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

113. Admiralty Arch. £7.07.0 (unframed) | etching

114. 'Cherrac'. £5.05.0 (unframed) | etching

115. St. Stephen's, Walbrook. £3.03.0 (unframed) | etching

116. Market Place, Tours. £3.03.0 (unframed) | etching

117. Chinon Castle. £4.14.6 (unframed) | etching

118. Fair fields of France. £4.04.0 (unframed) | etching

119. Arthur. £3.13.6 (unframed) | etching

120. Holyrood Palace. £4.04.0 (unframed) | etching

121. My mother. £5.05.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

124. On the Lane Cove, Sydney Harbour. £3.03.0 (unframed) | etching

125. Rue de Mer Rouge, Algiers. £1.17.6 (unframed) | etching

126. Wreck of 'Collaroy', Collaroy Beach. £2.02.0 (unframed) | etching

127. Banksia, Collaroy. £1.17.6 (unframed) | etching

128. Trees of Balmoral. £1.01.0 (unframed) | etching

129. Australian sunrise. £3.10.0 (unframed) | etching

130. Belmont Lagoon, Lake Macquarie N.S.W.. £3.03.0 (unframed) | etching

131. Australian natives, Lake Macquarie, NSW. £1.17.6 (unframed) | etching

132. Government house from Gardens. £1.11.6 (unframed) | etching

ROBINS, W.P. (1882–1959)

133. The Moorland farm. etching

134. Islesworth. £4.04.0 (unframed) | etching

135. In Constable's Country. £4.04.0 (unframed) | etching

SHEPPERSON, Claude (1867–1921)

136. The beach. £15.15.0 (unframed) | etching

137. The Bather. £8.18.6 (unframed) | etching

SHIRLOW, John (1869–1936)

138. The Gate of the City. £5.05.0 (unframed) | etching

139. Doorway, Bank of Victoria, Melbourne. £3.03.0 (unframed) | etching

140. Bernard O'Dowd [2] £4.04.0 (unframed) | etching

SHORT, Frank (1857–1945)

141. April Day in Kent. £8.08.0 (unframed) | etching

142. Raft of Lusitania. £8.08.0 (unframed) | etching

Soper, Eileen. (1905–1990)

143. Feeding the chickens. £5.05.0 (unframed) | etching

144. Practice. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

145. Bridge Building. £10.10.0 (unframed) | etching

146. Bridge Building, The Opening Night of July 8th. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

148. The Froth. £15.15.0 (unframed) | etching

149. The Clyde. £15.15.0 (unframed) | etching

150. York Minster. £9.09.0 (unframed) | etching

151. Wooden Temple of Jupiter. £15.15.0 (unframed) | etching

152. Brooklyn Bridge. £14.14.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

153. The River Tweed. £2.02.0 (unframed) | etching

154. The bush track. £1.11.6 (unframed) | etching

155. Along the Murrumbidgee. £1.11.6 (unframed) | etching

156. Sydney. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

157. View from Temple Court, Collins St. Melbourne. £2.12.6 (unframed) | etching

Walker, F. Sidney. (1888–1972)

157. Newport Rocks. £1.01.0 (unframed) | etching

158. Morning. £1.01.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

159. Interior Wool Shed. £3.03.0 (unframed) | etching

160. Loading Wool. £3.03.0 (unframed) | etching

161. Sydney University. £2.02.0 (unframed) | etching

162. Boundary Riders. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

163. Sundown. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

164. The Camp. £2.12.6 (unframed) | etching

165. Politicians. £2.12.6 (unframed) | etching

166. Giddap. £3.03.0 (unframed) | etching

167. Prawners, Sydney Harbour. £3.03.0 (unframed) | etching

168. The Silo. £2.12.6 (unframed) | etching

Whydale, Herbert. (1892–1968)

169. Dry Point. £3.03.0 (unframed) | etching