Vaucluse House.

Eirene Mort (1879–1977)

Vaucluse House.

(1921)

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

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Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Venues

Education Department Gallery (3 June 1922 – 24 June 1922)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Arms, John Taylor. (1887–1953)

1. A gable in theirs. American. | 12 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

1. A little deaf. New Zealand. | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923) and Dillon, Cyril. (1883–1974)

Artist: Boyd, Penleigh. | Title: Hauling the nets. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

1. Hauling the nets. Victoria | £2.02.0 (unframed) | drypoint

Crisp, James. (1879–1962)

1. The farmyard. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

1. The Chapel tower, Melbourne Grammar School. Victoria. | £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

1. St. Paul's Cathedral, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

1. St. James Church, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

1. Old timers, Berry's Bay. £3.03.0 (unframed) | etching

Gruner, Elioth. (1882–1939)

Artist: Gruner, Elioth. | Title: The wattles | Date: (1921) | Technique: drypoint, printed in black ink, from one plate

1. The wattles Kindly lent. | etching

Hope, Edith A. (1870–1942)

1. A Courtyard in France. Victoria. | £7.07.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

1. The Dochart, Perthshire. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

1. Rendezvous. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Micomicon | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

1. Micomicon £15.15.0 (unframed) | etching

Lindsay, Percy. (1870–1952)

1. Landscape. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

1. The little dutch mill £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

1. Ti-Tree. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

1. Jubbergate, York. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

1. Ti-Tree, N.S.W. £4.17.6 (unframed) | etching

Rose, Herbert. (1890–1937)

1. A corner of the Post Office. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

1. Brisbane Laneway. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

1. The Narrow Cave. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The waterhole | Date: 1922 | Technique: etching, printed in brown ink with plate-tone and wiped highlights, from one plate

1. The waterhole Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

1. Across the plains, Windsor (1st state). £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

1. Cool Water. South Australia | £6.06.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

2. Dawn. 15 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

2. Study of an old man's head. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

2. Morning. Victoria | £4.04.0 (unframed) | drypoint

Crisp, James. (1879–1962)

2. Breakfast. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

2. The Swimming Pool, Coombe Cottage. Victoria | £4.04.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

2. Australia House, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

2. Martin Place, Sydney. £4.04.0 (unframed) | etching

None

2. Church, Port Arthur, Tasmania. £2.02.0 (unframed) | etching

Hope, Edith A. (1870–1942)

2. Laon, The Aeroplane. Victoria | £3.13.6 (unframed) | etching

2. Ville D. Eu. Victoria. | £5.15.6 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

2. Magdalen Tower and Bridge, Oxford. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The shanty on the rise | Date: 1922 | Technique: etching, printed in brown ink, with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. The shanty on the rise £2.02.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

2. Blind Man's Wife. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

2. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

2. Tree Study. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

2. Heart of the Bruce. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

2. Reflections Cook's River, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

2. Sydney Harbour. Victoria. | £2.07.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

2. The sentinel. £2.02.0 (unframed) | drypoint

SHIRLOW, John (1869–1936)

2. East and West. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The west window | Date: 1922 | Technique: etching and drypoint, printed in warm black ink with plate-tone, from one plate

2. The west window Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

2. Cottage, Clarendon £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The far shore | Date: 1921 | Technique: drypoint, printed in brown ink, from one plate

2. The far shore South Australia. | £2.02.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

3. The butterfly. 18 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

3. Cornish interior. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

Artist: Boyd, Penleigh. | Title: Evening. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

3. Evening. £4.04.0 (unframed) | drypoint

Friedensen, Thomas. (1879–1931)

3. Barges, Chiswick Mall. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

3. Hunter Street, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

3. Lindisfarne, Hobart. £2.02.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

3. The Blue Mosque, Cairo. English. | £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

3. University, Medical School. £2.12.6 (unframed) | etching

LINDSAY, Norman (1879–1969)

3. Sortie. £6.06.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Old houses, Worcester | Date: c.1919 | Technique: drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

3. Old houses, Worcester £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

3. Deserted hut. £2.12.6 (unframed) | etching

MORT, Eirene (1879–1977)

3. Vaucluse House. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

3. Across Lake Macquarie, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

3. Glebe Island Bridge, Sydney. Victoria. | £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

3. The clock tower not for sale | etching

SHIRLOW, John (1869–1936)

3. Chinese at a doorway Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

3. The Giant. £1.01.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

3. Farmhouse, Hartley. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

3. Valley mists. South Australia | £4.04.0 (unframed) | etching

Arndt, Mina. (1885–1926)

4. Orpeush with his lute. New Zealand | £4.04.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

4. The white gum. Kindly lent. | etching

Friedensen, Thomas. (1879–1931)

4. Old houses, Candebec, Normandy. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

4. St. Mary's Catheral, Sydney. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

4. From the Archbishop's Garden. Victoria. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

4. 'Ben Hall's', The Bushranger's Home. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

4. Unknown seas £15.15.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

4. The harbour, St.Ives £3.03.0 (unframed) | softground

Morgan, Squire. (1886–1974)

4. Deserted Hut (first state). £3.03.0 (unframed) | etching.

MORT, Eirene (1879–1977)

4. The team. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

4. Groote Church, Dordrecht, Holland. £1.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

4. McMahon's Point, Sydney. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

4. The Farmlets. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

4. Ploughing the hill, Berwick. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

4. Hawkesbury River Farm. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

4. The cowshed. South Australia. | £4.04.0 (unframed) | etching

Wheatley, John. (1892–1955)

4. A Point of View. English. | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

4. Willows in Winter. American. | 14 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

5. Caesar's Tower, Warwick Castle. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

5. The Old Slave Market, Capetown. £3.03.0 (unframed) | etching

Hope, Edith A. (1870–1942)

5. Coney le Chateau. Victoria | £6.06.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

5. The Great Red Gum. £4.04.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

5. Bargins. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

5. Staples Inn, Holborn £2.12.6 (unframed) | aquatint

Morgan, Squire. (1886–1974)

5. Deserted hut. not for sale | drypoint

MORT, Eirene (1879–1977)

5. Palm Court, Vaucluse. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

5. The wave, Coogee, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

5. Moonlight on the Scene. £5.05.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

5. The Hawkesbury River. £3.03.0 (unframed) | etching

Wheatley, John. (1892–1955)

5. The Old Engraver. English | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

5. Spring Morning. American | 18 US dollars (unframed) | etching

Bentley, Alfred. (1879–1923)

6. The Hills of Auvergue. English. | £7.07.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

6. An Alley in Antwerp. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Bridge Street, Sydney. | Date: 1922 | Technique: etching, printed in black ink, from one plate

6. Bridge Street, Sydney. £4.04.0 (unframed) | etching

Haines, Fred S. (1879–1960)

6. The Old Beech. American. | US$15 (unframed) | etching

Hope, Edith A. (1870–1942)

6. The Viaduct, Albi. Victoria | £7.07.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

6. The Law Courts. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

6. The Mill. £5.05.0 (unframed) | aquatint

Morgan, Squire. (1886–1974)

6. Landscape, Scone (first state). £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

6. Kookaburras. £2.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

6. The Little Bridge, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

6. Chinese Opera. Victoria | £5.05.0 (unframed) | coloured etching

URE SMITH, Sydney (1887–1949)

6. Bilgola, Newport. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

7. Shakespeare's Birthplace, Stratford-on-Avon. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

7. Murrundie Valley, N.S.W. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

7. Sant Salvi. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

7. Harmony. £1.11.6 (unframed) | etching

LONG, Sydney (1871–1955)

7. Epping Forest, Landscape. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

7. War Memorial, Double Bay. £2.02.0 (unframed) | etching

QUINLAN, Will J. (1877–1963)

7. Burling Slip, New York. American. | US$20 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

7. West Front, Westminster Abbey. £1.16.6 (unframed) | etching

Smith, D. Murray. (1865–1952)

7. Hammersmith. English. | £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

7. The Tower, Carcassonne, Night. Victoria | £1.01.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

7. The three barns. Kindly lent by Ernest Watt, Esq. | etching

Friedensen, Thomas. (1879–1931)

8. Porch, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

8. The old barn. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

8. Trees in the Wind. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Don Quixote | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

8. Don Quixote £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

8. Strand on the Green. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

8. Macquarie Light. £2.02.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

8. Prince's Set of three. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

8. Uncle William Creech. American | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

8. Timber Belts. £7.07.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

8. Chinaman's garden's, Rose Bay. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

8. St. Peter's, Rome. £8.08.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

9. Avenue, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

9. The lagoon. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

9. Cathedral, Laon. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Red Gums | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

9. Red Gums £1.11.6 (unframed) | mezzotint.

LONG, Sydney (1871–1955)

9. The river from Waterloo Bridge. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

9. Barbara Ann. American. | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

9. The Chaff Cutter. Victoria. | £4.04.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

9. Harbour from Rose Bay. £2.02.0 (unframed) | etching

WALCOT, William (1874–1943)

9. Arc, St. Carlo. English. | £5.05.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

10. Studio Interior, Hammersmith. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

10. Echo Point, Katoomba. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

10. Cathedral, Albi. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

10. Bridge and Basket Willow. £3.03.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

10. Parchment Mill on the Wandle. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Good night in the gully where the white gums grow. | Date: 1922 | Technique: etching and aquatint, printed in brown ink, from one plate

10. Good night in the gully where the white gums grow. Victoria | £7.07.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

10. Sandhills, Bellevue Hill. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

10. Villa Quintilii. English | £8.08.0 (unframed) | etching

Burr, George Elbert. (1859–1939)

10. Arizona Clouds. American. | 36 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

11. The tramp. £2.12.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

11. Darling Harbour, Sydney. £3.03.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The terrace by the sea | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

11. The terrace by the sea £3.03.0 (unframed) | aquatint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

11. Beddington Corner £4.04.0 (unframed) | aquatint

PARTRIDGE, Roi (1888–1984)

11. Carmel, California. American. | 10 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The barn, Evening. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

11. The wooden temple. English. | £9.09.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

12. The Dick Whittington, Smithfield. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

12. Ye Old Fighting Locks, St Albans. £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

12. The Tinsmith's shop, King Street, Sydney £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

12. The passing storm £5.05.0 (unframed) | etching

Miller, Arthur (1893–1975)

12. A Crisp Morning. American. | 6 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

12. Camden, N.S.W. £3.03.0 (unframed) | etching

Whistler, James McNeill. (1834–1903)

12. The Music Room. English. | £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

13. cedar Court, Suffolk. £4.04.0 (unframed) | etching

HADEN, Francis Seymour (1818–1910)

13. A water meadow. English. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

13. The Gypsy dance £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

13. Pan £10.10.0 (unframed) | etching

Miller, Arthur (1893–1975)

13. Morning on a Calif. Hillside. American | US$6.00 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

14. Rue de Seine, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

14. Hunter Street. £2.12.6 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

14. On the Wandle £4.04.0 (unframed) | etching

PLOWMAN, George T.

14. Staples, Inn, London. American | US$10.00 (unframed) | etching

SHORT, Frank (1857–1945)

14. Shap Fell, Cumberland (Mezzotint after Peter De Wint). English. | £10.10.0 (unframed) | mezzotint

FULLWOOD, A.H. (1863–1930)

15. Street Latin Quarter, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

15. The Great Pear Tree, Windsor. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

15. Hawkesbury landscape £3.03.0 (unframed) | etching

PLOWMAN, George T.

15. Cloth Fair, Smithfield. American | 15 US dollars (unframed) | etching

ROBINS, W.P. (1882–1959)

15. Near Potter Heigham. English. | £4.04.0 (unframed) | etching

Lewis, Allen. (1873–1957)

16. The Workshop. American | US$20 (unframed) | etching

LINDSAY, Lionel (1874–1961)

16. The old Bark Hut. £2.12.6 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

16. Between the showers £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

16. Farm near Sandwich, Kent. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

17. William Dixson, Esq. kindly lent. Kindly lent | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

17. The belfry, Bruges £3.03.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

17. South Walsham. English. | £3.03.0 (unframed) | etching

Lewis, Allen. (1873–1957)

17. Gowanus Canal. Lewis, Allan [sic] | US$22 (unframed) | etching

18. Place de la Poissonerie, Chartres. Lewis, Allan [sic] | US$18 (unframed) | etching

18. Place de la Poissonerie, Chartres. US$18.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

18. The pumpkin patch, Windsor £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

18. A Cornish landscape £3.03.0 (unframed) | aquatint

Mura, Frank. (1861–)

18. In the Fields near Lancery. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

19. Bullfight in a Village. £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

19. Fantasy £6.06.0 (unframed) | aquatint

Pearson, Ralph M. (1883–1958)

19. Interpretation, 2nd State. American | 20 US dollars (unframed) | etching

UNWIN, Francis Sydney (1885–1925)

19. The Municipio, Florence. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

20. Rio dei Mendicanti, Venice. American | US$12. (unframed) | etching

LINDSAY, Lionel (1874–1961)

20. Bigola. £4.04.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

20. The Victorian Tower £5.05.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

20. The Groote Kirk. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

21. Sunny Corner, Villefranche. American | US$12.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Old carriage way, Cumberland Street | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

21. Old carriage way, Cumberland Street £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

21. Moonrise pastoral £5.00.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

21. Wheelwirghts, Falaise. English. | £4.04.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

22. The Moth. American | 25 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

22. The lake. softground

Hardie, Martin. (1875–1952)

22. Norfolk Bridge. English. | £3.03.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

23. Cockfight. American | 15 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

23. Pastoral. £7.07.0 (unframed) | softground

Hardie, Martin. (1875–1952)

23. Grey Day, New haven 2 2 0 1924 Sydney 1-13 December. English. | £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

24. The Spirit of the plains £4.04.0 (unframed) | aquatint

LUMSDEN, E.S. (1883–1948)

24. Jodhpur, Sunset. English | £4.04.0 (unframed) | etching

Winkler, John W. (1890–1979)

24. Small Delicatessen Booth Not ). American | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

25. The home of the rooks £4.04.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

25. The Hill Farmland. English. | £5.05.0 (unframed) | etching

Winkler, John W. (1890–1979)

25. Giner Shop for ). American | not for sale | etching

OSBORNE, Malcolm (1880–1963)

26. Le Puy. English. | £6.06.0 (unframed) | etching

Winkler, John W. (1890–1979)

26. Sacramento Street, San Frisco. Sale ). American | not for sale | etching

Barton, Loren R. (1893–)

27. Chinatown market. American | 18 US dollars (unframed) | etching

Benson, Frank. (1862–1951)

27. Black ducks. £21.00.0 (unframed) | etching

SOPER, George (1870–1942)

28. Lifting Potatoes. English. | £4.04.0 (unframed) | etching

Squirrell, Leonard R. (1893–1979)

29. Mill on the Wharfe. English. | £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

98. Studland Bay. £3.03.0 (unframed) | out of print

Sydney Harbour Bridge Celebrations ... Etching Exhibition by the Australian Painter-Etchers Society

Venues

Education Department Gallery (21 March 1932 – 3 April 1932)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Dillon, Cyril. (1883–1974)

2. The Wetherby Tower, Melbourne Grammar School. £3.03.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

3. Monarch of the Bush. £3.03.0 (unframed) | etching

4. Australian Bush Track. £2.10.0 (unframed) | etching

5. On the Myall Lakes. £1.11.6 (unframed) | etching

6. 'Morning Calm', Lake Macquarie. £1.11.6 (unframed) | etching

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

7. Roadside trees £1.05.0 (unframed) | etching

8. Australian Natives. £2.02.0 (unframed) | etching

9 'Top of the Hill'. £1.01.0 (unframed) | etching

10. 'White Saplings'. £1.01.0 (unframed) | etching

11. 'On the Lane Cove'. £2.17.6 (unframed) | etching

TRAILL, Jessie (1881–1967)

12. Broken Hill silhouette, British Mine, Sunset. £5.05.0 (unframed) | aquatint

Artist: TRAILL, Jessie | Title: Friendly trees | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

13. Friendly trees £5.05.0 (unframed) | etching

14. Autrefois. £2.02.0 (unframed) | etching

15. Building the Harbour Bridge VII, June 1931. £3.03.0 (unframed) | etching

Nuttall, Charles. (1872–1934)

16. 'Old Rome'. £4.04.0 (unframed) | etching

17. A Fisherman of Volendam. £2.02.0 (unframed) | etching

18. 'De Profundis'. £4.04.0 (unframed) | etching

19. Battle Royal. £3.03.0 (unframed) | etching

20. Burning off. £3.03.0 (unframed) | etching

Crisp, James. (1879–1962)

21. Cattai Creek. £1.11.6 (unframed) | etching

22. A Favorite Spot. £2.02.0 (unframed) | drypoint

23. Australian Golf Club, Kensington. £1.11.6 (unframed) | etching

25. Fishing boats, San Francisco Bay. £1.11.6 (unframed) | etching

26. The intruder [1]. £1.11.6 (unframed) | drypoint

Hilder, Bim. (1909–1990)

27. The Bridge. £1.01.0 (unframed) | aquatint

28. The Travelling Show. £1.01.0 (unframed) | etching

29. The fig tree grove. £1.01.0 (unframed) | aquatint

30. Nocturne mezzotint. £1.01.0 (unframed) | mezzotint

Pratt, Douglas. (1900–1972)

31. The Horse Paddock. £3.03.0 (unframed) | etching

32. Still Waters. £3.03.0 (unframed) | etching

Artist: Pratt, Douglas. | Title: Gums on Monaro | Date: c.1932 | Technique: etching, printed in brown ink, from one plate

33. Gums on Monaro £3.03.0 (unframed)

34. Sydney harbour, Feb. £2.02.0 (unframed)

Friend, Donald. (1915–1989)

34. The Bridge. 1 gn (unframed)

Pratt, Douglas. (1900–1972)

35. Summer Shade. £2.02.0 (unframed)

Friend, Donald. (1915–1989)

35. St. Mark's. 1 gn (unframed)

Pratt, Douglas. (1900–1972)

36. Booloominbah. not for sale

Friend, Donald. (1915–1989)

36. Old steps, Hunter's Hill. 2 gns (unframed)

Pratt, Douglas. (1900–1972)

37. Argyle Cut. £1.11.6 (unframed)

38. Rustling in the Breeze. £1.01.0 (unframed)

39. The King's School. £2.02.0 (unframed)

40. Armidale School. £1.11.0 (unframed)

Morgan, Squire. (1886–1974)

41. Landscape near Scone. £3.03.0 (unframed)

42. Willows. £3.03.0 (unframed)

43. Misty moonrise. £2.02.0 (unframed) | aquatint

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

44. The lagoon, Dee Why £5.05.0 (unframed) | only proof | aquatint

45. Kendall's residence, Fagan's Farm. £3.03.0 (unframed) | 2 other proofs | aquatint

46. Roadside shanties. £3.03.0 (unframed)

47. Scots Church. £3.03.0 (unframed)

Artist: Morgan, Squire. | Title: The bush mother. | Date: c.1932 | Technique: etching and aquatint, printed in black ink, from one plate

48. The bush mother. £1.01.0 (unframed)

49. The Rou of Koala Park. £1.01.0 (unframed)

50. Kookaburras. £1.11.6 (unframed)

51. Three Shafted Dray. £3.03.0 (unframed)

52. A Windsor Farm. £1.01.0 (unframed)

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Officers quarters, Kent Street | Date: 1912 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

65. Officers quarters, Kent Street £2.02.0 (unframed)

Artist: LINDSAY, Lionel | Title: Sunday morning, the Rocks | Date: 1918 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

66. Sunday morning, the Rocks £2.02.0 (unframed)

67. Dawes Battery. £3.03.0 (unframed)

68. The Rocks from Princes St. £2.02.0 (unframed)

69. Dawes Point. £3.03.0 (unframed)

70. Old Millers Point. £3.03.0 (unframed)

71. The Lolly Shop. £2.02.0 (unframed)

72. Milsons Point.

Artist: LINDSAY, Lionel | Title: Old Essex Street, Sydney | Date: 1931 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

73. Old Essex Street, Sydney £3.03.0 (unframed)

74. Gossip, The Rocks. £2.02.0 (unframed)

75. Argyle. £2.02.0 (unframed)

76. Fort Dawes. £4.04.0 (unframed)

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Argyle Cut in 1926. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

77. Argyle Cut in 1926. £3.03.0 (unframed)

Artist: URE SMITH, Sydney | Title: Gore Bay. | Date: 1918 | Technique: etching and aquatint, printed in warm black ink, from one plate

78. Gore Bay. £3.03.0 (unframed)

79. Ashmore House, Kent Street. £2.02.0 (unframed)

80. Upper Fort Street. £1.11.6 (unframed)

81. Scots' Church. £1.11.6 (unframed)

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

82. Washing day £2.02.0 (unframed)

83. Old cottage, Princes Street, The Rocks. £3.03.0 (unframed)

84. 177 Kent Street, Sydney. £1.11.6 (unframed)

85. Old houses, The Rocks. £2.02.0 (unframed)

86. Shell Cove, Sydney. £3.03.0 (unframed)

87. Cumberland House, the Rocks. £2.02.0 (unframed)

88. Laneway to Playfair Street the Rocks. £2.02.0 (unframed)

Godson, John Barclay. (1882–1957)

89. Hilda. £5.05.0 (unframed)

90. In Festive Mood. £3.03.0 (unframed)

91. After the ballet. £3.03.0 (unframed)

92. A South Coast Farm. £3.03.0 (unframed)

93. Sydney University. £4.04.0 (unframed)

94. Etched Bookplates -.

95. Entrance to Gaol, Berrima, N.S.W. £3.03.0 (unframed)

ROBERTSON, Bruce (1872–1943)

95. Morning Calm, Lake Macquarie. 1½ gns (unframed)

None

96. Central Tower, Sydney University. £5.05.0 (unframed)

ROBERTSON, Bruce (1872–1943)

96. Evening, Upper Myall River. 11/4 gns (unframed)

Godson, John Barclay. (1882–1957)

97. Wild Flowers. £1.12.6 (unframed)

ROBERTSON, Bruce (1872–1943)

97. An Australian River. 11/4 gns (unframed)

Godson, John Barclay. (1882–1957)

98. Old court house, Berrima. £3.03.0 (unframed)

ROBERTSON, Bruce (1872–1943)

98. A Blue Mountain Crossing. 1½ gns (unframed)

Godson, John Barclay. (1882–1957)

99. Old timers, Berry's Bay. £3.03.0 (unframed)

ROBERTSON, Bruce (1872–1943)

99. Near Kendall, N.S.W. 2 gns (unframed)

Godson, John Barclay. (1882–1957)

100. Vaucluse House. £2.12.6 (unframed)

Emanuel, Cedric. (1906–1995)

101. A sunny morning. £2.02.0 (unframed)

102. Johnson's boat shed, Rosebay, Sydney. £1.11.6 (unframed)

103. Sunlight and Shade. £1.11.6 (unframed)

104. Old stable, Windsor, NSW. £1.11.6 (unframed)

105. A sunny morning. £1.11.6 (unframed)

106. The Nepean. £0.10.6 (unframed) | woodcut

Owen, Gladys. (1889–1960)

Artist: Owen, Gladys. | Title: Old houses, Darling Point | Date: 1930 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

107. Old houses, Darling Point £1.01.0 (unframed)

108. The Bridge workshops. £2.02.0 (unframed)

Artist: Owen, Gladys. | Title: The Sydney Bridge. | Date: 1932 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

109. The Sydney Bridge. £2.02.0 (unframed)

110. Rose Bay Convent. £1.01.0 (unframed)

FEINT, Adrian (1894–1971)

Artist: FEINT, Adrian | Title: Old Milson's Point, Sydney 1927. | Date: 1927 | Technique: linocut, printed in black ink, from one block | Copyright: Courtesy the Estate of Adrian Feint

111. Old Milson's Point, Sydney 1927. £1.01.0 (unframed)

Coffey, Alfred. (1869–1950)

Artist: Coffey, Alfred. | Title: Argyle cut, old Sydney. | Date: 1910 | Technique: etching, printed in warm black ink with plate-tone, from one plate

112. Argyle cut, old Sydney. £4.04.0 (unframed)

113. Steps, Gloucester Street. £4.04.0 (unframed)

114. Clyde Street, Miller's Point, Old Sydney. £4.04.0 (unframed)

Artist: Coffey, Alfred. | Title: Kirribilli Wharf, Neutral Bay, Sydney Harbour. | Date: 1914 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

115. Kirribilli Wharf, Neutral Bay, Sydney Harbour. £4.04.0 (unframed)

116. The mouth of the creek. £2.12.6 (unframed)

117. Half Wooden House, Gas Lane, Old Sydney. £1.17.6 (unframed)

Whitford, Dora. (1898–1969)

118. The bride. £1.01.0 (unframed)

119. On the slopes of Mt. Remarkable. £1.07.6 (unframed)

120. Moonlight tho' the Saplings. £1.01.0 (unframed)

121. A Melrose Giant. £1.01.0 (unframed)

Dwyer, Ella. (1887–1979)

122. Old houses, Campbell Street. £1.11.6 (unframed)

123. Boat Sheads, McMahon's Point. £1.11.6 (unframed)

124. The Tower, Sydney University. £1.11.6 (unframed)

125. Old Home of 'Commodore' Blue, Berry's Bay. £1.11.6 (unframed)

126. St. Thomas' Church, North Sydney. £1.01.0 (unframed)

127. Walker Street Church, North Sydney (demolished 1931) sandgrain. £1.01.0 (unframed)

128. Misty morning sandgrain. £2.02.0 (unframed)

129. Old mill buildings, Hobart. £2.02.0 (unframed)

MORT, Eirene (1879–1977)

130. Vaucluse House. £1.11.6 (unframed)

131. The stables, Vaucluse. £1.11.6 (unframed)

132. The Palm court. £1.11.6 (unframed)

133. Stone Tubs. £1.11.6 (unframed)

Artist: MORT, Eirene | Title: Elizabeth Farm, Parramatta | Date: 1920 | Technique: etching, printed in black ink, from one plate

134. Elizabeth Farm, Parramatta £1.11.6 (unframed)

135. Hartley Court House. £2.02.0 (unframed)

136. Government House, Windsor, N.S.W. £2.02.0 (unframed)

137. St. Luke's Liverpool, N.S.W. £1.11.6 (unframed)

Herbert, Harold. (1891–1945)

138. Cypresses, Ronda. £4.04.0 (unframed)

139. Fishing boats, Martigues. £4.04.0 (unframed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

140. The hermitage, Martigue. £4.04.0 (unframed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

141. Lime kiln cottage £3.13.6 (unframed)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

142. Brixham trawlers £3.13.6 (unframed)

PRESTON, Margaret (1875–1963)

Artist: PRESTON, Margaret | Title: Circular Quay | Date: 1925 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

143. Circular Quay 2 gns (unframed)

Reid, D.G. (1862–1933)

143. Old church, Illawarra. £2.02.0 (unframed)

PRESTON, Margaret (1875–1963)

144. The Bridge from a Ferryboat. 1 gn (unframed)

Reid, D.G. (1862–1933)

144. The Week-end Den. £1.01.0 (unframed)

PRESTON, Margaret (1875–1963)

145. The Bridge from North Shore. 1 gn (unframed)

Reid, D.G. (1862–1933)

145. Moonrise. £1.11.6 (unframed)

PRESTON, Margaret (1875–1963)

146. Spit Bridge 2 gns Included in Gallery Two, which was not organised by the Australian Painter-Etchers' Society.

Reid, D.G. (1862–1933)

146. The Ruined Coach-House. £1.11.6 (unframed)

Curtis, Robert Emerson. (1898–1996)

149. Traffic Lanes. £1.05.0 (unframed)

150. Romance. £1.05.0 (unframed)

151. The Unveiling. £1.05.0 (unframed)

152. Old Sun - New Shadows. £1.05.0 (unframed)

Byrne, Harold. (1899–1966)

153. St. James' (Nocturne). £2.02.0 (unframed)

Thompson, Thelma. (1920–)

154. A Street in Toledo. £2.02.0 (unframed)

Swan, William J. (1930–)

155. Old shed, Canberra. £1.01.0 (unframed)

156. Old cottage, Duntroon. £2.02.0 (unframed)

Freeman, Dorothy. (1930–)

157. Joining the Arch, August.

McDonald, Elizabeth. (1910–2007)

158. Bowsprit 'Helen B. Stirling'. £1.11.6 (unframed)

GOODCHILD, John (1898–1980)

159. Sydney Harbour Bridge. £5.05.0 (unframed)

Marsden, May. (1876–1968)

160. Sydney Harbour Bridge. £3.03.0 (unframed)

Farmer, Helen. (1888–1970)

161. A river boat. £1.11.6 (unframed)

162. The deserted tenement. £1.11.6 (unframed)

163. An old home, Manly Vale. £2.12.6 (unframed)

164. Susan Island, Clarence River. £3.03.0 (unframed)

165. From Bradley's Head. £1.11.6 (unframed)

166. Kurrajong. £2.12.6 (unframed)

Warner, Alfred Edward. (1879–1968)

167. The billabong. £2.12.6 (unframed)

168. The overflow waggon. £2.12.6 (unframed)

169. Macquarie Street. £3.03.0 (unframed)

170. Mountain Pool, Queensland. £2.02.0 (unframed)

171. No.3 Camp. £1.01.0 (unframed)

172. Wool. £2.12.6 (unframed)

O'SHEA, Molly (1890–)

173. St. Mathew's, Windsor. £1.01.0 (unframed)

174. Boatsheds, Narrabeen. £1.01.0 (unframed)

175. The Bridge from Observatary Hill. £2.02.0 (unframed)

176. The Bridge Sept. £1.11.6 (unframed)

176a. St. Mary's Cathedral. £1.01.0 (unframed)

Shaw, Gayfield. (1885–1961)

177. King's School Bookplate. etching

178. Falling Leaves, Bathurst. £3.03.0 (unframed)

ST JOHN, Ellis (1874–1949)

179. Argyle. £2.02.0 (unframed)

180. The Bridge from Port Macquarie. £2.02.0 (unframed)

181. Dawes Point. £2.02.0 (unframed)

182. Milsons Point. £2.02.0 (unframed)

183. The Old Shed. £2.02.0 (unframed)

Gallop, Herbert. (1890–1958)

184. Cattai Creek, Windsor. £2.02.0 (unframed)

185. Lake Shore. £4.04.0 (unframed)

186. Wharfside. £3.03.0 (unframed)

187. Old cottage, Ryde. £2.02.0 (unframed)

188. Wind-swept. £2.02.0 (unframed)

189. The drinking pool. £1.11.6 (unframed)

190. The white boathouse. £1.11.6 (unframed)

191. Macquarie Shore. £2.02.0 (unframed)

192. Evening. £2.12.6 (unframed)

193. Boat-house, Pittwater. £2.02.0 (unframed)

194. Kangaroo Valley. £1.11.6 (unframed)

195. The Lake. £2.02.0 (unframed)

Goodhart, J.C. (1873–1952)

196. Klondyke Propty. Mine. £3.03.0 (unframed)

197. The Poppet Head. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

198. Journey's End. £2.02.0 (unframed)

199. Morning. £2.02.0 (unframed)

200. Wind-swept. £1.11.6 (unframed)

201. Northern Group (Broken Hill Mines). £2.02.0 (unframed)

202. Central Power Station (Broken Hill). £3.03.0 (unframed)

Walker, F. Sidney. (1888–1972)

203. The Bridge, South Abutment, May 1929. £1.11.6 (unframed)

204. Down in Riverina. £1.11.6 (unframed)

205. Evening Narooma. £1.11.6 (unframed)

206. Morning light, Sydney Harbour. £1.11.6 (unframed)

207. Top of the Ridge. £1.01.0 (unframed)

208. Evening. £1.10.0 (unframed)

209. Lagoon at Merrigoen. £1.11.6 (unframed) | sandgrain

210. Murrumbidge at Wagga. £2.02.0 (unframed)

211. The Wind-jammer. £1.11.6 (unframed)

McDonald, Sheila. (1902–1971)

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

213. Bulletin Place, Sydney £1.11.6 (unframed)

214. The Rocks, Sydney sandgrain. £1.11.6 (unframed)

215. The lagoon, Lord Howe Island. £1.11.6 (unframed)

216. St. Anne's, Ryde. £1.11.6 (unframed)

Artist: McDonald, Sheila. | Title: Old shops, New South Head Road, Darling Point | Date: c.1932 | Technique: etching, aquatint, printed in brown ink with plate-tone

217. Old shops, New South Head Road, Darling Point £1.01.0 (unframed)

218. Chinamen's huts, Rose Bay. £1.01.0 (unframed)

219. Doorway, Commissariat Stores, Sydney. £1.01.0 (unframed)

A collected list of etchings: Eirene Mort.

Venues

Venue Not Identified. None

Works

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Pont de Sucre, Bruges | Date: 1912 | Technique: etching, printed in black ink, from one plate

Pont de Sucre, Bruges edition of 50

Quai Vert, Bruges. edition of 50

Cul de Sac, Brussels. edition of 50

Abbaye de S. Bavon, Ghent. edition of 50

The timber scow. edition of 50

St. Mary's Abbey, York. edition of 50

College gate, York. edition of 50

Artist: MORT, Eirene | Title: Adjutants | Date: 1913 | Technique: aquatint, printed in black ink, from one plate

Adjutants edition of 50

A bush home. edition of 50

The Mill, Dudzeele. edition of 50

Uplands. edition of 50

A mountain path. edition of 50

The Three Sisters, Katoomba. edition of 50

The stockade, Vaucluse. edition of 50

St. John the Baptist's, Canberra. edition of 50

The duck pond. edition of 50

Coledale Pier. edition of 50

The bridge. edition of 50

Govt. House Windsor. edition of 50

Bookplate, N.K. Weston. edition of 50

Bookplate, E.B. MacLeod. edition of 50

St. Paul's Cobbitty. edition of 50

The sawmill. edition of 50

The slip rails. edition of 50

Pasture. edition of 50

The sentinel. edition of 50

The Armoury, Port Arthur. edition of 50

The forge, Cobbitty. edition of 50

Elizabeth Farm, Parramatta edition of 50

Court House and Cells, Hartley. edition of 50

The pottery. edition of 50

Camden. edition of 50

The stables, Vaucluse. edition of 50

The hospital, Port Arthur. edition of 50

Eaglehawk Neck, Tasmania. edition of 50

Jubbergate, York. edition of 50

Heart of the Bruce. edition of 50

Vaucluse House. edition of 50

The team. edition of 50

Palm Court, Vaucluse. edition of 50

Peter, Jock and John. edition of 50

War Memorial, Double Bay. edition of 50

Macquarie Light. edition of 50

Artist: MORT, Eirene | Title: Sydney Harbour from Vaucluse | Date: 1923 | Technique: etching, printed in black ink, from one plate

Sydney Harbour from Vaucluse edition of 50

The yard. edition of 50

The trough, Berrima. edition of 50

Artist: MORT, Eirene | Title: Careening | Date: 1923 | Technique: softground-etching, printed in black ink, from one plate

Careening edition of 50

The magpie. edition of 50

A Hartley barn. edition of 50

Macquarie's Bath House. edition of 50

The King's School. edition of 50

Officers' Mess, Duntroon R.M.C. edition of 50

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

Black Mountain, Canberra edition of 50