St. Albans

Sydney Long (1871–1955)

St. Albans

(1918)

line-etching and drypoint

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

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Catalogue of the Fifth Annual Exhibition of the Australian Painter-Etchers Society [1925].

Venues

Education Department Gallery (6 July 1925 – 25 July 1925)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Airy, Anna. (1882–1964)

The Reader. £3.03.0 (unframed) | etching

Forerunners of Fruit. £3.03.0 (unframed) | etching

King Pippin. etching

Anderson, Stanley. (1884–1966)

Bush House from The Strand. £3.13.6 (unframed) | etching

St. Mary's Woolnoth Church. £3.13.6 (unframed) | etching

Covent Garden Market. £3.13.6 (unframed) | etching

St. George's, Hanover Square. £3.13.6 (unframed) | etching

The chess players. £3.03.0 (unframed) | etching

Demolition in Regent Street. £3.13.6 (unframed) | etching

Reid, D.G. (1862–1933)

* 22. The barn. £2.11.6 (unframed) | etching

* 23. Twilight. £2.02.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

10. Trafalgar Square. £2.12.6 (unframed) | etching

11. Landlopers. £3.03.0 (unframed) | etching

12. The Chimera, Notre Dame (Paris). £3.13.6 (unframed) | etching

Bêjot, Eugène. (1867–1931)

13. Dunkerque. £7.07.0 (unframed) | etching

Bentley, Alfred. (1879–1923)

14. Puisdenome. £6.06.0 (unframed) | etching

15. Rouen. £6.06.0 (unframed) | etching

Brangwyn, Frank. (1867–1956)

16. Street St. Cirq. £8.08.0 (unframed) | etching

Burridge, Fred. (1869–1945)

17. The Mill in the Wirral. £3.03.0 (unframed) | etching

18. The west wind. £4.04.0 (unframed) | etching

19. Ghagford Bridge. £3.03.0 (unframed) | etching

20. Traeth Bach. £4.04.0 (unframed) | etching

Crisp, James. (1879–1962)

21. The intruder [1]. £2.02.0 (unframed) | drypoint

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

22. Farm corner. £1.11.6 (unframed) | etching

23. The conspirators. £2.02.0 (unframed) | drypoint

24. A glimpse. £1.01.0 (unframed) | etching

25. Pencil Drawing for Conspirator. £3.03.0 (unframed) | pencil

Duff, J.R.K. (1862–1938)

26. King of The Castle. £2.02.0 (unframed) | etching

27. Noisy Neighbours. £2.02.0 (unframed) | etching

28. In Winter. £3.03.0 (unframed) | etching

29. Down to the Shearing. £3.03.0 (unframed) | etching

30. Too Much Rain. £2.02.0 (unframed) | etching

Emanuel, Frank. (1865–1948)

31. Midsummer Night. £2.02.0 (unframed) | etching

32. Little Hell Street, Dieppe. £3.13.6 (unframed) | etching

33. T'Auld Brig o' Ayr. £3.13.6 (unframed) | etching

Farmer, Helen. (1888–1970)

34. Fishing boats, Hobart. £2.02.0 (unframed) | etching

35. The derelict. £2.02.0 (unframed) | etching

36. The cowbail. £2.02.0 (unframed) | etching

37. The paddock gate. £3.03.0 (unframed) | etching

38. River boats. £1.11.6 (unframed) | etching

39. A Cobbitty Farm. £2.02.0 (unframed) | etching

40. From Observatory Hill. £2.02.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

41. The Up Country Farmer. £2.02.0 (unframed) | etching

42. 'Snowy'. £2.12.6 (unframed) | etching

43. Grand Canal, Venice. £3.03.0 (unframed) | etching

44. Horses and barn. £2.02.0 (unframed) | etching

45. Fountains Abbey, Yorkshire. £3.03.0 (unframed) | aquatint

46. Pastoral in the Burragorang. £1.11.6 (unframed) | etching

47. An old English shepherd. £2.02.0 (unframed) | etching

48. Lacey's Creek, Burragorang Valley, N.S.W. £3.03.0 (unframed) | aquatint

49. St. Paul's Cathedral, London. etching

50. Fruit Market, Havre. £1.11.6 (unframed) | etching

51. Dickens' Character. £1.11.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

52. Riverview College, Lane Cove. £2.02.0 (unframed) | etching

53. Kuring-gai Chase. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

54. The picnic. £4.04.0 (unframed) | etching

55. Parliament Building, Sydney. £3.03.0 (unframed) | etching

56. Argyle Cut, Sydney. £3.03.0 (unframed) | etching

57. Manly Beach. £3.03.0 (unframed) | etching

58. Dawes Point, Sydney. £3.03.0 (unframed) | etching

59. Sydney Grammar School. £3.03.0 (unframed) | etching

60. Old church, Mulgoa. £3.03.0 (unframed) | etching

61. Chinaman's gardens, Rose Bay. £4.04.0 (unframed) | etching

62. Milson's Point, Sydney. £4.04.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

63. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. £4.04.0 (unframed) | etching

64. Solre le Chateau, Belgium. £3.03.0 (unframed) | etching

65. Wiseman's Ferry. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

66. The chalk pit on the Downs. £4.04.0 (unframed) | aquatint

67. Title unknown. etching

68. Crowland Abbey. £3.03.0 (unframed) | etching

69. Ploughing in Purbeck. £3.03.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

70. Reflections. £1.01.0 (unframed) | etching

71. Entrance to The Harbour. £1.11.6 (unframed) | etching

72. An Early Doorway. £2.02.0 (unframed) | etching

73. The National Gallery of N.S.W. £1.11.6 (unframed) | etching

74. The Pig Gallows. £1.11.6 (unframed) | etching

75. Bushrangers' Hill, Newport. £2.02.0 (unframed) | etching

76. The Bend of the Road. £3.03.0 (unframed) | etching

77. Sydney University. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980)

78. Desolation. £1.11.6 (unframed) | etching

79. The smithy. £2.02.0 (unframed) | etching

79a. Quiet afternoon, Port Adelaide. £4.04.0 (unframed) | etching

80. King William Street, Adelaide. £2.12.6 (unframed) | etching

Lee Hankey, William. (1869–1952)

81. The Drapery Market. £15.15.0 (unframed) | etching

Hardie, Martin. (1875–1952)

82. The Sleepy Ferry. £6.06.0 (unframed) | etching

83. Unloading the Barge. £5.05.0 (unframed) | etching

84. Evening in the fishing quarter. £5.05.0 (unframed) | etching

85. An Essex Boatyard. £5.05.0 (unframed) | etching

86. Sunset in Scotland. £5.05.0 (unframed) | etching

87. The Incoming Tide. £4.14.6 (unframed) | etching

LONG, Sydney (1871–1955)

88. Kookaburras. £2.02.0 (unframed) | etching

Artist: LONG, Sydney | Title: Lincoln | Date: 1925 | Technique: line-etching and drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

89. Lincoln £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

90. The river from Blackfriars Bridge £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

91. The old shot and powder works £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

92. Brisbane water £3.03.0 (unframed) | etching

93.

The blacksmith's shop

£2.11.6 (unframed) | aquatint

Artist: LONG, Sydney | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

94. St. Albans £2.11.6 (unframed) | etching

Artist: LONG, Sydney | Title: The camp in the forest | Date: 1920 | Technique: softground-etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

95. The camp in the forest etching

96. Deserted. £2.11.6 (unframed) | etching

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

97. Fishing boats, Kings Lynn £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

98. The riverside £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Turkeys and pumpkins | Date: 1925 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

99. Turkeys and pumpkins £2.02.0 (unframed) | etching

100. The Harbour. £2.02.0 (unframed) | etching

Morgan, Squire. (1886–1974)

101. Fagan's Cottage, Gosford. £2.12.6 (unframed) | etching

102. The prospector. £2.12.6 (unframed) | etching

103. At Palm Beach. £3.03.0 (unframed) | etching

104. On the road to Tambourine, Queensland. £2.12.6 (unframed) | etching

Artist: Morgan, Squire. | Title: Summer heat | Date: (1923) | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

105. Summer heat £3.03.0 (unframed) | etching

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

106. The lagoon, Dee Why £3.03.0 (unframed) | etching

107. Landscape, Scone. £3.03.0 (unframed) | etching

108. Kangaroo Valley sketch. £1.11.6 (unframed) | etching

109. In Kangaroo Valley. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

110. Black Mountain, Canberra £1.11.6 (unframed) | etching

111. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

112. The King's School. £2.02.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

113. Admiralty Arch. £7.07.0 (unframed) | etching

114. 'Cherrac'. £5.05.0 (unframed) | etching

115. St. Stephen's, Walbrook. £3.03.0 (unframed) | etching

116. Market Place, Tours. £3.03.0 (unframed) | etching

117. Chinon Castle. £4.14.6 (unframed) | etching

118. Fair fields of France. £4.04.0 (unframed) | etching

119. Arthur. £3.13.6 (unframed) | etching

120. Holyrood Palace. £4.04.0 (unframed) | etching

121. My mother. £5.05.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

124. On the Lane Cove, Sydney Harbour. £3.03.0 (unframed) | etching

125. Rue de Mer Rouge, Algiers. £1.17.6 (unframed) | etching

126. Wreck of 'Collaroy', Collaroy Beach. £2.02.0 (unframed) | etching

127. Banksia, Collaroy. £1.17.6 (unframed) | etching

128. Trees of Balmoral. £1.01.0 (unframed) | etching

129. Australian sunrise. £3.10.0 (unframed) | etching

130. Belmont Lagoon, Lake Macquarie N.S.W.. £3.03.0 (unframed) | etching

131. Australian natives, Lake Macquarie, NSW. £1.17.6 (unframed) | etching

132. Government house from Gardens. £1.11.6 (unframed) | etching

ROBINS, W.P. (1882–1959)

133. The Moorland farm. etching

134. Islesworth. £4.04.0 (unframed) | etching

135. In Constable's Country. £4.04.0 (unframed) | etching

SHEPPERSON, Claude (1867–1921)

136. The beach. £15.15.0 (unframed) | etching

137. The Bather. £8.18.6 (unframed) | etching

SHIRLOW, John (1869–1936)

138. The Gate of the City. £5.05.0 (unframed) | etching

139. Doorway, Bank of Victoria, Melbourne. £3.03.0 (unframed) | etching

140. Bernard O'Dowd [2] £4.04.0 (unframed) | etching

SHORT, Frank (1857–1945)

141. April Day in Kent. £8.08.0 (unframed) | etching

142. Raft of Lusitania. £8.08.0 (unframed) | etching

Soper, Eileen. (1905–1990)

143. Feeding the chickens. £5.05.0 (unframed) | etching

144. Practice. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

145. Bridge Building. £10.10.0 (unframed) | etching

146. Bridge Building, The Opening Night of July 8th. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

148. The Froth. £15.15.0 (unframed) | etching

149. The Clyde. £15.15.0 (unframed) | etching

150. York Minster. £9.09.0 (unframed) | etching

151. Wooden Temple of Jupiter. £15.15.0 (unframed) | etching

152. Brooklyn Bridge. £14.14.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

153. The River Tweed. £2.02.0 (unframed) | etching

154. The bush track. £1.11.6 (unframed) | etching

155. Along the Murrumbidgee. £1.11.6 (unframed) | etching

156. Sydney. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

157. View from Temple Court, Collins St. Melbourne. £2.12.6 (unframed) | etching

Walker, F. Sidney. (1888–1972)

157. Newport Rocks. £1.01.0 (unframed) | etching

158. Morning. £1.01.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

159. Interior Wool Shed. £3.03.0 (unframed) | etching

160. Loading Wool. £3.03.0 (unframed) | etching

161. Sydney University. £2.02.0 (unframed) | etching

162. Boundary Riders. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

163. Sundown. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

164. The Camp. £2.12.6 (unframed) | etching

165. Politicians. £2.12.6 (unframed) | etching

166. Giddap. £3.03.0 (unframed) | etching

167. Prawners, Sydney Harbour. £3.03.0 (unframed) | etching

168. The Silo. £2.12.6 (unframed) | etching

Whydale, Herbert. (1892–1968)

169. Dry Point. £3.03.0 (unframed) | etching

194 Pictures at the Annual Exhibition by the Painter Etchers' and Graphic Art Society of Australia

Venues

David Jones' Galleries [George st] (28 October 1936 – 13 November 1936)
George St., Sydney, New South Wales, Australia

Works

Poynter, Ambrose. (1796–1886)

Fontainebleau, by Ambrose Poynter.

Carentan, by Ambrose Poynter.

Bayeux, by Ambrose Poynter.

Sketches in Italy, by Ambrose Poynter.

Poynter, Edward James. (1836–1919)

Self Portrait.

Study: Head of St. Stephen.

Study of drapery.

Hardie, Martin. (1875–1952)

Etching, by Martin Hardie. not for sale | Lent by Mr H.R. Gallop.

ROBINS, W.P. (1882–1959)

10. Etching. not for sale | Lent by Mr H.R. Gallop.

OSBORNE, Malcolm (1880–1963)

11. Etching, by Malcolm Osborne. not for sale | Lent by Mr H.R. Gallop.

WALCOT, William (1874–1943)

12. Etching. not for sale | Lent by Mr H.R. Gallop.

Lee Hankey, William. (1869–1952)

13. Etching, by Le Hankey [sic]. not for sale | Lent by Mr H.R. Gallop

Squirrell, Leonard R. (1893–1979)

14. Aquatint Lent by Mr H.R Gallop. Not For Sale

Abbott, Harold. (1906–1986)

15. Nude Study. 3 gns. | Drawing.

16. Nude Study. 3 gns | Drawing.

17. Nude Study. 3 gns. | Drawing.

Baird, John. (1902–)

18. Barbary Sheep carbon. 2 gns

19. Cats carbon. 2 gns

20. Negro's Head carbon. 2 gns

Baker, Normand H. (1908–1955)

21. Pencil Study pencil. 15 gns

22. The model. [pencil]. 5 gns

23. Girl Ironing pencil. 3 gns

Brodziak, Phyllis Ruby. (1916–1967)

24. Iceland: 'The Midnight Sun'. 3 gns

25. The old mill, Kew. 3 gns

26. The Dutch Gateway. 3 gns

28. Stratford-on-Avon. 1½ gns

28. Windsor. 1½ gns

29. Head Study pencil. 3 gns

Bustard, William. (1894–1973)

30. In a Convent Garden. 1 gn

31. The old gothic church. 1 gn

32. Flood Level Gums. 1 gn

Byrne, Harold. (1899–1966)

33. Nude [chalk drawing]. 7 gns | chalk drawing

34. The Chapel, Convent of the Sacred Heart, Rose Bay. 3 gns

35. Old King's School. 1 gn

36. Winter, Franklin Square, etching and Hobart. 3 gns

37. Book Plates Sale) for (Not.

Chambers, Alfred. (1930–)

38. 'To the Hamlet' Pencil. 3 gns

39. Sketch at Ryde Pencil. 2 gns

Cobb, Victor. (1876–1945)

40. Wong Huey's Selection, Bendigo pencil. 12 gns

41. Passing of the flood waters [pencil]. 14 gns | pencil

42. The Trees, Collins Street, East Melbourne. 3 gns

43. The porchway, Old Church, Port Arthur, Tasmania. 1½ gns

44. Victoria's First Government House (First occupied by Governor La Trobe). 1½ gns

45. The Supreme Courts, Melbourne. 2 gns

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

46. Approach to the old stables of Cobb and Co., Melbourne. 3 gns

47. Entrance to Old Scotch College, Melbourne. 2 gns

48. Lombardy Poplar. 1½ gns

Coglan, Elaine E. (1897–1989)

49. Head Study crayon. 3 gns

50. Sepia Portrait sepia crayon. 2 gns

51. The meeting [crayon]. 2 gns

Crisp, James. (1879–1962)

52. 'Waiting' charcoal drawing. 7 gns

53. By the roadside [charcoal drawing]. 8 gns | charcoal drawing.

54. An old Moreton Bay Fig tree. 1½ gns

55. Late for dinner. 1 gn.

56. The old wharf, Huskisson, N.S.W. 1 gns

COWDROY, Vic (1908–)

57. Torso pastel. 2½ gns

58. Nude pastel. 2½ gns

Davies, L. Roy. (1897–1979)

59. The little tent. 4 gns | wash [drawing]

60. The Jetty [wash drawing]. 4 gns | wash

61. Up stream. 1 gn

62. Improved land. 1 gn

63. Fisherman. 1 gn

Dillon, Cyril. (1883–1974)

64. Spires of St. Paul's, Melbourne. 3 gns

65. Serenity. 3 gns

Dwyer, Ella. (1887–1979)

66. 'Four o'Clock' sandgrain. 2 gns

67. Flamingoes, Taronga Park. 2 gns | sandgrain

68. Ruins of Old Woolpack Inn, Gretna, Tasmania. 1½ gns

Emanuel, Cedric. (1906–1995)

69. 'Capel's' pen and wash. 7 gns

70. 'Halvorsen's'. 2 gns

71. Richmond Landscape pen drawing. 6 gns

72. Blue's Point [pen and wash]. 5 gns | pen and wash

73. A sunny corner. 1½ gns

74. Capel's boatshed, Ruschutter's Bay. 3 gns | one print only for sale | etching

75. A Rushcutter's Bay boatshed [pencil]. 5 gns | pencil

Gallop, Herbert. (1890–1958)

76. The country road [sepia]. 3 gns | sepia

77. The beach [sepia]. 4 gns

78. The old barns, Ryde (Cox's Farm sepia. 4 gns

Garling, Lilias. (1909–)

79. In Old Trujillo (Spain) sepia. 3½ gns

80. A corner of Clovelly [sepia]. 3 gns | sepia

GOODCHILD, John (1898–1980)

81. Self Portrait. 2 gns

82. Sunshine and Shower. 1 gn | etching

83. Friends' School, Hobart. 2 gns | etching

84. Stepping Stones. 2 gns

Hirst, G.W.L. (1868–1965)

85. Centennial Park Glade pencil. 3 gns

86. South Coast [pencil]. 3 gns

87. Illawarra pencil. 3 gns

88. Coast Range pencil. 3 gns

89. Ramparts of North head pencil. 3 gns

90. Calm pencil. 3 gns

91. Rising Fog pencil. 5 gns

Hunter, William. (1899–1963)

92. White horses. 3 gns

93. Emerald. 3 gns

94. Homeward. 2½ gns

95. Three Trees. 2½ gns

96. Port Melbourne. 1½ gns

97. 'Taking Off'. 3 gns

98. Lerderderg Creek. 3 gns

99. Misty moon. 2½ gns

100. Sea wings. 1½ gns

101. Steve. 3 gns | line etching

Ingleton, Geoffrey. (1908–1998)

102. Waiting the ebb - The Heemskerck at Batavia, 16th Aug., 1642 (Tasman's Voyage). 2½ gns

103. Plaintive avocets - (For the Ornithologist.) A scene at Corner Inlet - a beautiful study of these fascinating waders. 1½ gns

104. Sunda pirates. 2 gns

105. Raked fore and aft. 2 gns

Johnson, George. (1926–2021)

106. Thora sepia. 15 gns

107. Figure Studies [sepia]. 7 gns

LONG, Sydney (1871–1955)

108. Station Square [2]. 4 gns

Artist: LONG, Sydney | Title: The lagoon | Date: 1928 | Technique: aquatint and drypoint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

108. The lagoon 5 gns

110. Landscape, Avoca. 3 gns

111. Central Tower, University. 3 gns

112. Old Sydney. 3 gns

113. The Village. 3 gns

114. St. Albans 3 gns

Longstaff, John. (1862–1941)

115. Arthur McCarthy [charcoal]. Not For Sale | charcoal

McDonald, Sheila. (1902–1971)

116. Old pine tree. 2½ gns | only print

117. Old Barracks, King Street. 3 gns | pen and wash

118. Dunheved, St. Mary's (Residence and Observatory of Admiral King) pencil. 2 gns

Mahoney, Will. (1905–1989)

119. Nude. 3½ gns | drawing

120. Spring Day wash. 3½ gns

121. Portrait pencil. Not For Sale

Morgan, Squire. (1886–1974)

122. Hawkesbury corn barn. 2 gns

123. Scots Church. 3 gns

124. Morning sunlight. Not For Sale

OGILVIE, Helen (1902–1993)

Artist: OGILVIE, Helen | Title: The crab. | Date: 1936 | Technique: wood-engraving, printed in black ink, from one block

125. The crab. ½ gn

126. Things of the. ½ gn

NELSON, Gwen (1897–1973)

127. Moreton Bay Fig. 4 gns | wash

128. 'Paradise' in Berkshire'. 5 gns | wash

Parsons, Alice Mary. (1863–1939)

129. The watercourse. 1½ gns

130. Rain Clouds. 1½ gns

131. By-way in Bowral District sepia wash. 1½ gns

PLATT, Austin (1912–2003)

132. Prince's Bridge, Melbourne. 3 gns

133. St. Aloysius College from Harbour Bridge. 1½ gns

134. Scotch College, Adelaide 1½ gns

135. Guildford Chapel. 1½ gns

Pratt, Douglas. (1900–1972)

136. A Monaro Monarch pencil. 16 gns

137. Homestead Trees [pencil]. 12 gns | pencil

138. Lennox Bridge, Lapstone (First Bridge on Australian Mainland). [pencil]. 8gns | pencil

139. A Quirindi glade pencil. 8 gns

140. Morning lights, Rose Bay. 7 gns | pencil

141. Near the Queensland Border. 2½ gns

142. Reflections and shadows. 1½ gns

143. Victims of the Southerlies. 2½ gns

Ragless, Max. (1901–1981)

144. Gums of Nockamka. 10 gns

145. Shearer's Hut, Pewsey Vale. 3 gns

146. Port Lincoln. 2 gns

147. The church at Pewsey Vale. 1½ gns

148. Bridgewater Mill. 1 gn

Rees, Lloyd. (1895–1988)

149. Hills behind Kiama pen. 25 gns

150. Ever-winding River pencil. 8 gns

151. Dusk at Hunter's Hill pencil. Not For Sale

152. Dawn on Lane Cover River [pencil]. 8 gns

153. Church on the Hill pencil. 8 gns

154. Road Across the Hills, Shellharbour pen. 20 gns

Reid, Stuart. (1935–)

155. New Shoes for Dobbin sepia wash. 30 gns

156. Horse resting [sepia wash]. 8 gns | sepia wash

157. The beach, Longreef [sepia wash]. 8 gns

RICHARDS, B.

158. A glimpse of Old Sydney. 4 gns. | pencil

159. Nasturtiums pencil. 1½ gns

Robinson, Charles H. (1893–1968)

160. Macquarie Street, Hobart. 1½ gns

161. Evening Rise. 1½ gns

162. River craft, Hobart. 1 gns

163. Noon. 1 gns

164. Milking Time. 1 gns

165. Collegiate School, Hobart. 2 gns

Sheldon, Vincent. (1895–1945)

166. Old St. Andrew's, Brisbane. 2 gns

167. Excavations. 2 gns

168. The Doorway. 2 gns

169. The Last Furrow. 1½ gns

170. Butterflies. 1½ gns

Townshend, G.K. (1888–1969)

171. The Bay. 4 gns | wash

TRAILL, Jessie (1881–1967)

172. Rhyll Landmark (on Philip Island Rhyll). 3 gns

173. Viaduct, Norlaix chalk. 3 gns

174. Old Well, Brittany chalk. 2 gns

175. On Churchill Island chalk. 2 gns

THORNHILL, Dorothy (1910–1987)

176. Boatshed, Berry's Bay chalk. 3 gns

Thorpe, Lesbia. (1919–2009)

177. Winter crayon. 7 gns

178. Impression crayon. 4 gns

Walker, F. Sidney. (1888–1972)

179. Morning at Collaroy. 2 gns | sandgrain

180. Billabong in Riverina. 1 gn

181. University, Sydney. 1 gn

182. Afterglow. 1 gn

183. Road to Tilba Tilba. 1 gn. | sandgrain

184. Midsummer Morn. 1½ gns

Watkins, J.S. (1866–1942)

185. Drawing chalk. 15 gns

186. The Little Jade God. 15 gns | chalk

WEBSTER, Alfred C.R. (1936)

187. Old Hulks pen and wash. 2 gns

188. Zoo Study pen and wash. 1 gn

189. Bush, Culvert pen and wash. 3 gns

190. Collitt's Inn pencil and wash. 3 gns

Whitney, William Montague. (1880–1946)

191. The Veteran charcoal. 3 gns

192. Moonlight charcoal. 3 gns

193. Winter landscape. 2 gns

194. Old shed, Emu Plains pencil. 3 gns

A collected list of etchings: Sydney Long.

Venues

Venue Not Identified. None

Works

LONG, Sydney (1871–1955)

Strand on the Green, - No.1. edition of 30

Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Old houses, Chiddingstone edition of 50

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Pan edition of 30

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Hawkesbury landscape edition of 50

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The Victorian Tower edition of 10

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The home of the rooks edition of 50

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Pastoral sandgrain edition of 30

Camp in the forest. edition of 60 | Print Collector's Club Plate.

Radnage landcape. edition of 40

Market Place, Bruges, Belgium. edition of 30

Artist: LONG, Sydney | Title: The wooden ship | Date: 1922 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The wooden ship edition of 30

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Autumn landscape edition of 30

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

St. Paul's from the river edition of 30

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Friar Street, Worcester edition of 30

Fishing Boats, Whitby. edition of 30

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Fantasy edition of 30

Artist: LONG, Sydney | Title: Kookaburra and young | Date: c.1919 | Technique: drypoint, printed in black ink with light plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Kookaburra and young edition of 30

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Magpies edition of 30

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The deserted selection. edition of 30

Strand on the Green, - No.3. edition of 30

The riverside edition of 30

The watercress bed. edition of 30

Kookaburras. edition of 30

Houses of Parliament, from the River. edition of 30

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Fishing boats, Lisbon edition of 30

Fishing boats, Kings Lynn edition of 30

The River, from Blackfriars Bridge -. edition of 30

The old shot and powder works edition of 30

Lincoln edition of 40

Kookaburras, No.3. edition of 60

The blacksmith's shop

edition of 40

Brisbane water edition of 30

Turkeys and pumpkins edition of 30

St. Albans edition of 30

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The passing storm edition of 50 | aquatint

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Porte Marechale, Bruges edition of 50

The Mill. edition of 60

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Between the showers edition of 50

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Staples Inn, Holborn edition of 30

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Beddington Corner edition of 30

The Parchment Mills. edition of 30

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

On the Wandle edition of 30

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The Spirit of the plains edition of 50

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The belfry, Bruges edition of 50

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The harbour, St.Ives edition of 50

Artist: LONG, Sydney | Title: Landscape, Epping Forest | Date: c.1919 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Landscape, Epping Forest edition of 50

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Moonrise pastoral edition of 60

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The little dutch mill edition of 30

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The Thames from Waterloo Bridge edition of 30

Pastoral. edition of 50

Artist: LONG, Sydney | Title: Drying sails | Date: c.1919 | Technique: line-etching and drypoint, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Drying sails edition of 30

Artist: LONG, Sydney | Title: Becalmed | Date: c.1919 | Technique: line-etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Becalmed edition of 30

Artist: LONG, Sydney | Title: Old houses, Worcester | Date: c.1919 | Technique: drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Old houses, Worcester edition of 30

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

A Cornish landscape edition of 30 | Soft Ground