The bride.
Catalogue of Etchings, Watercolour Drawings, Oil Paintings, Pen-and-Ink Drawings, Rare Prints, etc., etc
Venues
Angus & Robertson Fine Art Gallery. (1920 – 1921)
89 Castlereagh Street, Sydney, New South Wales, Australia
Works
van RAALTE, Henri (1881–1929)
Two Trees and a Farm. A delightful little bit. A huge gum in the foreground, at its side on old worn-out warrior bare of leaf, in the distance the "little farm".
The gap thro' the trees. Eucalypts in foreground, through the gap a river, in the distance tree-covered hills. A quiet, restful picture.
Evening. A pool in foreground, trees on a sloping bank in middle distance, mountains in distance, setting sun and clouds in background. A beautiful etching, finely handled.
Red Gums. Giant trees in foreground with tremendous boles and limbs; through a gap in the centre the view fades away into valleys and hills. A majestic work; the power and strength of Mother Nature as here depicted, fill one with awe.
LINDSAY, Norman (1879–1969)
Ashton, Julian. (1851–1942)
The curtsy. A quite charming little etching. Girl dancing, skirt outspread and held up by extended right arm. The suggestion of movement is very fine.
Study of a head. Bust, with a sweet, pensive, dreaming face, large eyes and a wealth of soft hair.
Ashton, Julian. (1851–1942) and Ashton, Julian. (1851–1942)
The ferry. River in foreground, old-fashioned punt against the further bank, on the same bank trees thick with foliage reflected in the river by mysterious shadows, through a gap in the trees high mountains appear in the distance, a cloudy sky.
Angus & Robertson. (1886–) and Ashton, Julian. (1851–1942)
The class room. 14 | etching | Julian Ashton, with pupils, working at their easels in the studio. An interesting plate.
Ashton, Julian. (1851–1942)
Gloucester Street, The Rocks, Sydney. A finely-worked plate, shewing a bit of OLD SYDNEY long since demolished. Besides being good etchings, this plate and the two named below have an historic interest. These two points make them well worth securing.
Old house, Trinity Lane. Another bit of Old Sydney now demolished.
van RAALTE, Henri (1881–1929)
1. Two Trees and a Farm. £2.02.0 | edition of 41
2. The gap thro' the trees. £3.03.0 | edition of 41
3. Evening. £3.03.0 | edition of 41
4. The swamp. £6.06.0 | edition of 30 | 18½ x 13 inches
5. Red Gums. £5.05.0 | edition of 35 | Illustrated
6. Ye Olde Narrogin Inn. £3.03.0 | edition of 35
7. The old boat, Fremantle Bridge. £5.05.0 | edition of 14
8. Vanity. £8.08.0 | edition of 20
9. A corner of old Delft. £4.04.0 | edition of 40
10. Tuarts of the South-West. £10.10.0 | 15 for sale
11. The shell. £8.08.0 | edition of 40
LINDSAY, Norman (1879–1969)
12. This shrine. £7.07.0 | edition of 40
13. Death of Pierrot. £15.15.0 | edition of 11 | 40 for sale
14. Lady and the parrot. £8.08.0 | edition of 40
15. Voice of evil. £4.04.0 | 40 for sale
16. The bride. £6.06.0 | 40 for sale
17. Promise. £7.07.0 | edition of 40
18. The terrace. £15.15.0 | edition of 40
19. Julia's monkey. £7.07.0 | edition of 50
20. The dream merchant £10.10.0 | edition of 50
21. Enigma. £10.10.0 | 40 for sale
22. The curtain £10.10.0 | edition of 40
LINDSAY, Lionel (1874–1961)
28. Portrait of Norman Lindsay. £4.04.0 | 30 for sale
29. Portrait of Henry Lawson. £4.04.0 | 50 for sale
Barker, David. (1888–1946)
30. The New Gate, Jerusalem. £1.11.6 | edition of 50
31. Church on the Hills of Lebanan. £1.11.6 | edition of 50
32. A Street in Jerusalem. £1.11.6 | edition of 50
33. A Street in Jerusalem, No. II. £2.02.0 | 50 for sale
34. Monastery, Aleppo. £2.02.0 | edition of 50
35. Church near x; Jerusalem. £2.02.0 | edition of 50
36. A tomb in Bethlehem. £2.02.0 | 50 for sale
37. A doorway in Judea. £1.11.6 | edition of 50
38. A Street in Bethlehem. £1.11.6 | 50 for sale
39. The clock tower, Jaffa. £1.11.6 | 50 for sale
Ashton, Julian. (1851–1942)
40. The curtsy. £1.11.6 | 14 for sale
41. Study of a head. £1.11.6 | edition of 14
Ashton, Julian. (1851–1942) and Ashton, Julian. (1851–1942)
42. The ferry. £2.02.0 | 15 for sale
Angus & Robertson. (1886–) and Ashton, Julian. (1851–1942)
43. The class room. £1.11.6 | 14 for sale
Ashton, Julian. (1851–1942)
44. Gloucester Street, The Rocks, Sydney. £3.03.0 | 14 for sale
45. Old house, Trinity Lane. £3.03.0 | 14 for sale
46. Cumberland Street, The Rocks, Sydney. £3.03.0 | edition of only 14 proofs | 14 for sale | Only 14 proofs were pulled from each plate. The edition being so limited these etchings will become rare. They have an added interest from the fact that Ashton was one of the pioneers of the art of etching in Australia
ROBERTSON, Bruce (1872–1943)
47. Rue de l'Cordonnerie, Dinan, France £6.06.0 | edition of 50 | 14 x 9 3/4 in. | A bold, striking picture. The narrow cobbled streets and rambling old leaning houses, with their quaint gables and shutters, are excellently depicted.
Martens, Conrad. (1801–1878)
Kettle, Charles Henty. (1820–1862)
Heaphy, Charles. (1820–1881)
Romney, George. (1734–1802)
Lely, Peter (1618–1680)
GILL, S.T. (1818–1880)
Representative Exhibition of Oils, Watercolours and Etchings by Leading Sydney Artists
Venues
Sedon Galleries [1] (16 March 1926 – 27 March 1926)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia
Works
URE SMITH, Sydney (1887–1949)
49. Hawkesbury River Farm. 5½ gns 5½ gns (Framed) 5½ gns (Unframed)
50. The willows. 4½ gns (Framed) | two copies for sale
51. Blacksmith's Shop.
52. Windsor, N.S.W. 5½ gns (framed)
53. Little schooner, Mosman.. 2½ gns (Framed) | one copy for sale
Gallop, Herbert. (1890–1958)
54. The farm sheds. 2 gns
55. Canberra 2 gns
56. The drinking pool. 2 gns
57. Swamp Ti Trees. 2 gns | Reproduced in Art in Australia.
58. White boat house. 2 gns
59. The deserted farm 2 gns
60. The old gateway. 2 gns.
61. Lakeside. 2 gns
62. Spreading Ti-tree. 1½ gns
63. Two Gums. 1 gn
64. Windswept Ti-tree. 1 gn
65. A Quiet Pool. 1 gn
LINDSAY, Norman (1879–1969)
66. Duke in Arcady. 16 gns (Framed)
67. Beethoven's 8th Symphony. 16 gns (Framed)
68. Mantilla. drypoint (two copies). 16 gns (Framed)
69. Lady and the parrot. 12 gns (Framed)
70. The fan 14 gns (Framed)
71. Unknown seas 26 gns (Framed)
72. She Arrives. 12 gns (Framed)
73. Bebut. 16 gns (Framed)
74. Song of the faun 25 gns (Framed)
75. The bride. 15 gns (Framed)
76. Oblation. 16 gns (Framed)
77. Micomicon 30 gns (Framed)
78. Femininity. 12 gns (Framed) | 2 copies
LINDSAY, Lionel (1874–1961)
79. Sydney from the Terrace, Abmiralty House. 2 gns (Framed)
80. Hero's Lover. 1½ gns (Framed)
81. Millar Street, Sydney. 8½ gns (Framed)
82. The Doric Porch. 4½ gns (Framed)
83. Ben Hall's. 3½ gns (Framed)
84. The Sailor's Return. 2½ gns (Framed)
FEINT, Adrian (1894–1971)
85. The Sonnet. 2 gns
86. Milson's Point. 2 gns
87. Decoration. 1½ gns
88. The south wind. 1½ gns
89. Basket willow. 1 gn
LONG, Sydney (1871–1955)
92. Nymphs and Fawns. 10 gns
93. Porte Marechale, Bruges 3 gns
94. Edge of the clearing. 6 gns
95. Moonrise pastoral 5 gns
96. The distant dome. 6 gns
97. Riverside. 4 gns
98. Between the showers 4 gns
99. Still Pool. 4 gns
100. The quiet corner. 3 gns
101. Landscape. 3 gns
Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.
Venues
Sedon Galleries [1] (26 November 1929 – 31 December 1929)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia
Works
Nixon, Job. (1891–1938)
90. Concarneau. 5 Gns (unframed)
91. Concarneau. 5 gns (unframed).
92. Falmouth. 4 gns (unframed)
93. Madona in the wall, Subiaco. 4gns (unframed).
Orlik, Emil. (1870–1932)
149. An old Arab. 2 gns (framed)
150. A Dutch Study. 3 gns (framed)
151. Felucca on the Nile. 1½ gns (framed)
152. Portrait Study. 5 gns (framed)
Geissler, Paul. (1881–)
153. Nuremberg Castle. 3 gns (framed)
154. Lane in Rottenberg. 3 gns (framed)
155. City Gateway, Rottenberg. 4 gns (framed)
Dale, H. Sheppard. (1852–1921)
156. Thomas House, Rye. 3 gns (unframed)
157. A Sussex Landscape. 3 gns (unframed)
158. The Standard Bearer. 3 gns (unframed)
Geiger, Willy. (1878–1971)
159. The Toreador. 6 gns (unframed)
Boyd, Penleigh. (1890–1923)
160. The big gum. 7 gns (framed) | 1 only for sale
161. Edge of the clearing. 7 gns (framed) | 1 only for sale
162. Edge of the bush. 7 gns (framed)
van RAALTE, Henri (1881–1929)
163. The Monarch, Kalgan River, W.A. 60 gns (unframed)
164. The cliff 4 gns (unframed)
165. Dawn on the Valley Road. 3 gns (unframed)
166. The sentinel (Torrens Gorge). 6 gns (unframed)
167. Silver evening. 8 gns (unframed)
168. Hillside stream. 6 gns (unframed)
169. The end of day 3 gns (unframed)
170. The road. 3 gns (unframed)
171. Day's beginning. 3 gns (unframed)
172. Roses. 10 gns (unframed)
173. The Big Gums. 10 gns (unframed)
174. Perth (W.A.). 4 gns (unframed)
175. Autumn dawn. 4 gns (unframed)
176. Morning moon. 3 gns (unframed)
177. Moonlit fields [plate for]. 3 gns (unframed)
178. The Karri Tree glade. 6 gns (unframed)
179. Evening symphony. 3½ gns (unframed)
180. Hills of the south. 4 gns (unframed)
181. The leaning tree 3 gns (unframed)
182. An Australian Summer Day. 8 gns (unframed)
183. The creek in flood. 3½ gns (unframed)
184. Morning*. 2½ gns (unframed)
185. Twisted Branches. 2 gns (unframed)
LINDSAY, Lionel (1874–1961)
186. Town Gate, Burgos. 5 gns (unframed)
187. An ancient gateway, Burgos 4 gns (unframed)
188. San Lorenzo in the Forum, Rome 4 gns (unframed)
189. A Door, Castle Nuovo, Naples. 5 gns (unframed)
190. St Ferreol, Marseilles 5 gns (unframed)
191. Casa du Cordon. 5 gns (unframed)
192. The Street of the Aquaduct, Segovia. 4 gns (unframed)
193. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)
194. Church in Seville. 5 gns (unframed)
195. Little market, San Gaetano, Naples 5 gns (unframed)
196. Old Antequera, Andalucia, Spain 5 gns. (unframed)
197. Convent of St Entemia. 6 gns (unframed)
198. Santa Dominica, Maggiore. 6 gns (unframed)
199. The compliment 3 gns (unframed)
200. The vaquero 2½ gns (unframed)
201. The water carrier. 1½ gns (unframed)
202. Gamecocks, Spain 10 gns (unframed) | 1 only for sale
203. Alcazar, Seville. 2½ gns (unframed)
204. The bucking brumby. 2 gns (unframed)
205. The Sailor's Return. 2 gns (unframed)
206. Little Balcony, Ferry Lane, The Rocks 2 gns (unframed) | 1 only for sale
207. Old Burwood Hotel, Kent Street. 3 gns (unframed) | 1 only for sale
208. Gloucester Street. 2 gns (unframed)
209. Pastoral. 2½ gns (unframed)
210. The water hole. 2½ gns (unframed) | 1 only for sale
211. A Pipe of Baccy. 2½ gns (unframed)
212. The Law Courts. 2 gns (unframed)
213. The Swing Bridge. 2 gns (unframed) | 1 only for sale
214. Under the Laurels. 2½ gns (unframed) | 1 only for sale
215. The drafting gate, Bendemeer 4 gns (unframed)
216. Evening ride 5 gns (unframed)
217. Byron. 2½ gns (unframed) | 1 only for sale
218. The fountain 2½ gns (unframed) | I only for sale
219. Kookaburra. 1 gn (unframed) | woodcut
220. Pelican. (1 only). 4 gns (unframed) | 1 only for sale | woodcut
221. Heron. 1 gn (unframed) | woodcut
222. Witch. 1½ gns (unframed) | woodcut
223. Spangles. 1 gn (unframed) | woodcut
224. White goats 1½ gns (unframed) | woodcut
225. The Emperor 2 gns (unframed) | woodcut
226. The black cat 3 gns (unframed) | 1 only for sale | woodcut
227. The broken fence 1½ gns (unframed) | woodcut
228. Dahlias 1 gn (unframed) | woodcut
229. Fruit piece 1 gn (unframed) | woodcut
230. Bignonia. 1½ gns (unframed) | woodcut
Herbert, Harold. (1891–1945)
231. Cypresses, Ronda. 4 gns (framed)
Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)
232. Lime kiln cottage 3½ gns (framed)
Herbert, Harold. (1891–1945)
233. Fishing boats, Martigues. 4 gns (framed)
Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)
234. The hermitage, Martigue. 4 gns (framed)
Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)
235. Brixham trawlers 3½ gns (framed)
236. In Morocco 3½ gns (framed)
237. The old gum 3 gns (framed)
Herbert, Harold. (1891–1945)
238. The haystacks 3 gns (framed)
Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)
239. The broken plough 3½ gns (framed)
Rose, Herbert. (1890–1937)
240. Piazza Umberto Desengano, Italy. 3½ gns (framed) | drypoint
241. Rue des Tamis, Tunis. 4½ gns (framed) | drypoint
242. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint
243. Fondamenta Tasca, Venice. 3½ gns (framed)
244. The Sugar Mills. 8 gns (framed)
245. The Zattere, Venice. 3½ gns (framed) | drypoint
246. Old Village Cagnes. 3 gns (framed)
Waller, M. Napier. (1893–1972)
253. The Ring 4 gns (unframed)
254. Hit. 3 gns (unframed)
255. Guinea fowls 1 gn (unframed)
256. The man in black. 6 gns (unframed)
257. The black cloak. 4 gns (unframed)
258. House on the hill. 4 gns (unframed)
259. The poddy calf 3 gns (unframed)
260. The shepherd. 3 gns (unframed)
261. Ducks 1 gn (unframed)
Friedensen, Thomas. (1879–1931)
262. Interior, Ann Hathaways's Cottage. 3 gns (unframed)
263. Windsor Castle, Berkshire. 2 gns (unframed)
264. The archway, Riviera. 3 gns (unframed)
265. The Madonna of the Bush. 1½ gns (unframed)
266. Harnessing. 1½ gns (unframed)
267. Homestead in the North-West. 2 gns (unframed)
268. The bark hut. 2 gns (unframed)
269. Venice, No. 2. 2 gns (unframed)
270. Building the bridge, Sydney Harbour. 2½ gns (unframed)
271. Omar, the Tent Maker. 3 gns (unframed)
272. The Drovers. 3 gns (unframed)
273. The Mounain Road, Brush Creek. 3 gns (unframed)
274. The Grand Canal, Venice. 3 gns (unframed)
275. Fountains Abbey, Yorkshire. 3 gns (unframed)
276. The Bush, New South Wales. 4 gns (unframed)
277. Three Kookaburras. 2 gns (unframed)
278. The Wallondilly. 3 gns (unframed)
279. Venice. 4 gns (unframed) | (1 only).
280. Normanby. (1 only). 3 gns (unframed) | 1 only for sale
LONG, Sydney (1871–1955)
281. The bridge, Avoca 4 gns (unframed)
282. The lake, Avoca 4 gns (unframed)
283. The blacksmith's shop
284. The Hawkesbury River at Wiseman's Ferry. 5 gns (unframed)
285. Brisbane water 4 gns (unframed)
286. Fishing boats, Kings Lynn 4 gns (unframed)
287. Berry's Bay 3 gns (unframed)
288. Magpies 3 gns (unframed)
289. Kookaburras. 3 gns (unframed)
290. A windy day 3 gns (unframed)
291. The roost 3 gns (unframed)
292. Young Kookaburras 3 gns (unframed)
293. The river from Blackfriars Bridge 4 gns (unframed)
294. The Thames from Waterloo Bridge 6 gns (unframed)
LINDSAY, Norman (1879–1969)
295. Moonlight Piper. 12 gns (unframed)
296. Thieves' Kitchen. [no price given] (unframed)
297. Leda. [no price given] (unframed)
298. Don Juan's garden. 8 gns (unframed)
299. The Innocents. 15 gns (unframed)
300. Femininity. 12 gns (framed)
301. Adventure 25 gns (framed)
302. Unknown seas 30 gns (framed)
303. She Arrives. 18 gns (framed)
304. Song of the faun 25 gns (framed)
305. Oblation. 18 gns (framed)
305a.The. Butterfly. 12 gns (framed)
306. Robin Hood. 7 gns (framed)
307. Enter the Duke. 15 gns (framed)
308. Acceptance. 6 gns (framed)
309. The Poet. 8 gns (framed)
310. Love on Earth. 18 gns (framed)
311. The bride. 12 gns (framed)
Dillon, Cyril. (1883–1974)
312. Spires of St. Paul's, Melbourne. 3 gns (unframed)
313. Melbourne Grammar School. 3 gns (unframed)
314. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)
315. 'Queen's', Melbourne University. 3 gns (unframed)
URE SMITH, Sydney (1887–1949)
316. Old houses, Cumberland Street, the Rocks. 2½ gns.(unframed)
317. Entrance, old Colonial Treasury. 4 gns (unframed)
318. 177 Kent Street, Sydney. 2 gns (unframed)
319. Cumberland Street Hostel. 2½ gns(unframed)
320. Argyle. 3 gns (unframed)
321. Ah Lum's Farm, Windsor. 5 gns (unframed)
322. Entrance to the Farm. 2 gns (unframed)
323. Packing Oranges. 3 gns (unframed)
324. Shade. 3 gns (unframed)
325. Hawkesbury River Farm. 5 gns (unframed)
326. Deserted courtyard, Hartley 5 gns (unframed)
327. Rose's Mill, Mt Gilead. 5 gns (unframed)
Cobb, Victor. (1876–1945)
328. Sunday morning, Collins Street. 3 gns (framed)
329. The Tower, Arts School, Universiy. 3½ gns (framed)
330. The two poplars. [no price given] (framed)
331. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)
332. Gothic Window, old museum, Melbourne University [1]. [no price given] (framed)
333. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)
334. Entrance, Trinity College. 2 gns (framed)
335. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)
336. Fragment. 1 gn (framed)
Sheldon, Vincent. (1895–1945)
337. Old St. Andrew's, Brisbane. 2 gns (unframed)
338. Evening. 2 gns (unframed)
339. The old kiln. 2 gns (unframed)
Gallop, Herbert. (1890–1958)
340. Lakeshore. 4 gns (unframed)
341. Macquarie Shore. [no price given]
342. Shade Ti Trees. 3 gns (unframed)
343. The farm sheds. [no price given] (unframed)
344. Farmyard, Winter. 2½ gns (unframed)
345. Lacewood Pines. 2½ gns (unframed)
346. Pittwater shore. 2½ gns (unframed)
347. The white boathouse. 2½ gns (unframed)
348. The sheltered barn. 2 gns (unframed)
349. The drinking pool. 2 gns (unframed)
350. Windswept. 4 gns (unframed)
351. The old gateway. 2 gns (unframed)
GRIFFIN, Murray (1903–1992)
352. Enchanted wood 3 gns (framed)
353. Ann Mary. 3 gns (framed)
Thompson, Thelma. (1920–)
354. The Hermitage Bell. 2 gns (framed)
355. The Bridge of Sighs, Venice. 3 gns (framed)
356. York Minster. 3 gns (framed)
Flett, James. (1906–1986)
357. The Treasure Chest. 6 gns (framed)
358. Dead Man's Tree. 2½ gns (framed)
359. Berries. 3½ gns (framed)
360. Jerboas. 3 gns (framed)
361. The intruders. 3 gns (framed)
362. The artist. 3½ gns (framed)
363. The Pirate. 3 gns (framed)
364. Victorian Days. 2½ gns (framed)
365. The Dominican. 2 gns (framed)
366. The old captain. 2 gns (framed)
367. Fawkner. 2 gns (framed)
368. Dampier. 2 gns (framed)
369. Peter, the Pumpkin Eater. 4 gns (framed)
Reynolds, Frederick George. (1880–1932)
370. Ti tree. 1 gn (framed)
371. In the Dandenongs. 6 gns (framed)
372. The bullock team. 2 gns (framed)
373. Giant Blue Gums. 2 gns (framed)
374. Edge of the clearing. 2 gns (framed)
375. A bush road. 7 gns (framed)
Hosking, W. John. (1930–)
376. Sunny hours. 3 gns (framed)
377. The Slow Motion Steeplechase. 1½ gns (framed)
378. Pals. 1½ gns (framed)
379. Ursa Major and Ursa Minor. 2 gns (framed)
380. The Shearers. 1½ gns (framed)
381. The caravan. 2 gns (framed)
382. Moonrise. 1½ gns (framed)
383. The Light, Fantastic Toe. 2½ gns (framed)
GOODCHILD, John (1898–1980)
384. The Northern Group. 2 gns (unframed)
Goodhart, J.C. (1873–1952)
385. Klondyke Propty. Mine. 3 gns (unframed)
386. Molle Street Bridge, Hobart. 2 gns (unframed)
387. A bit of old Hobart. 1 gn (unframed)
7th Xmas Exhibition of Etchings and Woodcuts by Leading English and Australian Artists
Venues
Sedon Galleries [2] (3 December 1931 – 24 December 1931)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia
Venue Not Identified. (3 December 1931 – 24 December 1931)
Works
Brangwyn, Frank. (1867–1956)
1. Roundabout, Bruges. 7 gns (framed)
WALCOT, William (1874–1943)
2. Back Door, Soloman's Palace. 9 gns (framed)
Zorn, Anders. (1860–1920)
3. My Models and My Boat. 25 gns (framed)
4. Against the current. 25 gns (framed)
Kasimir, Luigi. (1881–1962)
5. The old courtyard, Munich. 4 gns (framed)
6. The Tal, Munich. 3 gns (framed)
Tushingham, Sidney. (1884–1968)
7. Landscape. 12 gns (framed)
Bauer, Carl Joseph. (1897–1989)
8. Nude. 6 gns (framed)
Macbeth-Raeburn, Henry. (1860–1947)
9. Mrs Malcolm (after Raeburn). 6 gns
Ward, Leslie. (1895–1978)
10. The Agglestone, Studland Heath, Dorset. 3 gns
11. Old Poole Bridge. 3 gns
12. A Purbeck Farmstead. 3 gns
13. Moonrise in Pinelandd. 4 gns
14. London, from Cherry Gardens. 5 gns
15. Eastington Farm, Dorset. 3 gns
16. Storm and sunshine in the Cotswolds. 4 gns
17. A Dorset Shipyard. 5 gns
18. Whitgift Jetty, Yorkshire. 4 gns
19. Nocturne, Hammersmith. 3 gns
20. The Home of the Barges, Rochester Night. 5 gns
21. Benscombe Farm, Dorset. 3 gns
22. Doughty's Island. 3 gns
23. Nocturne, Westminster. 4 gns
24. An ancient house, Rochester. 3 gns
25. Near Bradle, Dorset. 4 gns
26. Blackmanstone Farm, Dorset. 5 gns
27. The Two Bowsprits, Poole. 4 gns
28. Under the Stern, Poole. 5 gns
29. House at Worth, Maltravers. 2 gns
30. Low Tide, Hammersmith. 3 gns
31. The condemned dwelling. 5 gns
32. Tugs on the Maas, Holland. 4 gns
33. Swanage Mill Pond. 4 gns
34. Thames Factories. 4 gns
Sharland, Edward W. (1884–1967)
35. London Bridge. 3 gns
36. Blackfriars Bridge. 3 gns
37. London Bridge. 3 gns | colour
38. Prince Henry's House, Fleet Street. 3 gns
39. The Old Mint at Bristol. 3 gns
40. Bit of Old London. 3 gns
van RAALTE, Henri (1881–1929)
54. The Monarch, Kalgan River, W.A. 60 gns (unframed)
55. The cliff 5½ gns (unframed) | aquatint
56. Hillside stream. 8½ gns (unframed) | aquatint
57. The end of day 1½ gns (unframed) | aquatint
58. The road. 5 gns (unframed)
59. Day's beginning. 4½ gns (unframed) | aquatint
60. Perth (W.A.). 5½ gns (unframed) | aquatint
61. Morning moon. 4½ gns (unframed)
61. Evening symphony. 5 gns (unframed)
62. Moonlit fields [plate for]. 5 gns (unframed)
63. The Karri Tree glade. 9 gns (unframed)
65. Hills of the south. 5½ gns (unframed)
66. The leaning tree 5 gns (unframed)
67. An Australian Summer Day. 10 gns (unframed)
68. The creek in flood. 4½ gns (unframed)
69. Morning. 4 gns (unframed)
70. Twisted Branches. 2½ gns (unframed)
LINDSAY, Lionel (1874–1961)
71. The Bassra guard 5 gns (unframed)
72. The Casa del Fores, Granada. 4 (unframed)
73. The barber of Bou-Saada, Algeria 4 gns (unframed)
74. The Tunis Gate, Kairouan 6 gns (unframed)
75. Town Gate, Burgos. 5 gns (unframed)
76. An ancient gateway, Burgos 4 gns (unframed)
77. San Lorenzo in the Forum, Rome 4 gns (unframed)
78. A Door, Castle Nuovo, Naples. 5 gns (unframed)
79. St Ferreol, Marseilles 5 gns (unframed)
80. The Street of the Aquaduct, Segovia. 4 gns (unframed)
81. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed).
82. Little market, San Gaetano, Naples 5 gns (unframed).
83. Old Antequera, Andalucia, Spain 5 gns (unframed)
84. Santa Dominica, Maggiore. 6 gns (unframed)
85. The vaquero 2½ gns (unframed)
86. The water carrier. 1½ gns (unframed)
87. The bucking brumby. 2 gns (unframed)
88. The Sailor's Return. 2 gns (unframed)
89. A Pipe of Baccy. 2½ gns (unframed)
90. The Law Courts. 2 gns (unframed)
91. Evening ride 5 gns (unframed)
92. White goats 1½ gns (unframed) | woodcut
93. The Emperor 2 gns (unframed) | woodcut
94. The broken fence 1½ gns (unframed) | woodcut
95. Fruit piece 1 gn (unframed) | woodcut
Herbert, Harold. (1891–1945)
96. Cypresses, Ronda. 4 gns (framed)
Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)
97. Lime kiln cottage 3½ gns (framed)
Herbert, Harold. (1891–1945)
98. Fishing boats, Martigues. 4 gns (framed)
Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)
99. The hermitage, Martigue. 4 gns (framed)
Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)
100. Brixham trawlers 3½ gns (framed)
101. In Morocco 3½ gns (framed)
102. The old gum 3 gns (framed)
Herbert, Harold. (1891–1945)
103. The haystacks 3 gns (framed)
Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)
104. The broken plough 3½ gns (framed)
Hosking, W. John. (1930–)
105. Steeplejacks. 4 gns (framed)
Rose, Herbert. (1890–1937)
106 Piazza Umberto Desengano, Italy. 31/2 gns (framed) | drypoint
107. Rue des Tamis, Tunis. 41/2 gns (framed) | drypoint
108. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint
109. Fondamenta Tasca, Venice. 31/2 gns (framed)
110. The Zattere, Venice. 31/2 gns (framed) | drypoint
112. Cagnes, France. 31/2 gns (framed)
113. Sydney Harbour from Cremorne. 4 gns (framed)
Wheeler, Charles. (1881–1977)
114. St. Clement Dane's Church. 4 gns (framed)
Friedensen, Thomas. (1879–1931)
114. The home paddock. 3 gns (unframed)
Wheeler, Charles. (1881–1977)
115. Queen Victoria Memorial. 4 gns (framed)
116. Montmartre. 4 gns (framed)
117. La Tour De L'Horloge, Dinan. 4 gns (framed)
118. Milking Time. 4 gns (framed)
119. Aqueduct, Segoria. 4 gns (framed)
Waller, M. Napier. (1893–1972)
120. The Ring 5 gns (unframed)
121. Hit. 3 gns (unframed)
122. Guinea fowls 1 gn (unframed)
123. The man in black. 6 gns (unframed)
124. The black cloak. 4 gns (unframed)
125. House on the hill. 4 gns (unframed)
126. The shepherd. 3 gns (unframed)
127. Ducks 1 gn (unframed)
128. Head. 1 gn (unframed)
130. Fish Lane, Chester. 3 gns (unframed)
Waller, Christian. (1894–1954)
131. The Sorceress. 1½ gns (unframed)
132. Morgan Le Fay. 3 gns (unframed)
LONG, Sydney (1871–1955)
133. A Sandgrain Pastoral. 3 gns (unframed)
134. Landscape, Narrabeen. 3 gns (unframed)
136. The blacksmith's shop
138. Boatshed, Narrabeen. 4 gns (unframed)
Friedensen, Thomas. (1879–1931)
139. A Moorish gateway. 1½ gn (unframed)
140. Canal in Venice. 3 gns (unframed)
141. Clearing, Morning. 3 gns (unframed)
142. The flooded creek. 4 gns (unframed)
143. A mountain selection. 2 gns (unframed)
145. Home in the Bush. 1½ gns (unframed)
146. Homestead on the Federal Highway. 2 gns (unframed)
147. The Madonna of the Bush. 2 gns (unframed)
148. Omar, the Tent Maker. 3 gns (unframed)
149. The Grand Canal, Venice. 3 gns (unframed)
LINDSAY, Norman (1879–1969)
150. Enter the Magicians. 15 gns (unframed)
151. Julia Fisk and Mr Brish. 7 gns (unframed)
152. Leda. 10 gns (unframed)
153. Thieves' Kitchen. 10 gns (unframed)
154. C Sharp Minor Quartette. 15 gns (unframed)
155. Night's Frolics. 8 gns (unframed)
156. Don Juan's garden. 8 gns (unframed)
157. Femininity. 12 gns (unframed)
158. Unknown seas 35 gns (unframed)
159. Oblation. 18 gns (unframed)
160. The butterfly. 12 gns (unframed)
161. The Poet. 8 gns (unframed)
162. Love on Earth. 18 gns (unframed)
163. The bride. 12 gns (unframed)
Zelman, Victor. (1877–1960)
164. Reflections, Thornton. 2 gns (framed)
165. Shepherd's Flat. 2 gns (framed)
166. The wood carter. 2 gns (framed)
167. The Burnley Ferry. 2 gns (framed)
168. Pastoral. 2 gns (framed)
Dillon, Cyril. (1883–1974)
169. Spires of St. Paul's, Melbourne. 3 gns (unframed)
170. Melbourne Grammar School. 3 gns (unframed)
171. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)
172. 'Queen's', Melbourne University. 3 gns (unframed)
URE SMITH, Sydney (1887–1949)
173. Old Homes, Cumberland Street. 2½ gns (unframed)
174. Entrance, old Colonial Treasury. 4 gns (unframed)
175. Cumberland Street Hostel. 2½ gns (unframed)
176. Argyle. 3 gns (unframed)
177. Entrance to the Farm. 2 gns (unframed)
178. Packing Oranges. 3 gns (unframed).
179. Shade. 3 gns (unframed)
180. Deserted courtyard, Hartley 5 gns (unframed)
181. Rose's Mill, Mt Gilead. 5 gns (unframed)
GOODCHILD, John (1898–1980)
182. Westminster Abbey, London. 3 gns (unframed)
GOODCHILD, John (1898–1980) and SHIRLOW, John (1869–1936)
183. Sydney from Milsons Point. 4 gns (unframed)
GOODCHILD, John (1898–1980)
184. Night, Venice. 1 gn (unframed)
185. Banks of Arno 2 gns (unframed)
186. Gums in sunlight. 3 gns (unframed)
187. Piccadilly Circus (under Reconstruction) 3½ gns (unframed)
188. Castlereagh Street. 2 gns (unframed)
189. Trafalgar Square, London. 3½ gns (unframed)
190. Australian Summer Landscape. 4 gns (unframed)
191. The port, London 2½ gns (unframed)
192. Tivoli, Italy. 2½ gns (unframed)
193. The Estuary. 3 gns (unframed)
194. Gateway, Lincoln. 2 gns (unframed)
195. Evening anchorage. 2½ gns (unframed)
196. Home berths. 3 gns (unframed)
197. King Street, Sydney. 3 gns (unframed)
198. Landscape harmony 2 gns (unframed)
199. Brandon Bridge 5 gns (unframed)
200. Light through trees 2 gns (unframed)
201. Solitude. 3 gns (unframed)
Cobb, Victor. (1876–1945)
202. The two stacks. 3 gns (framed)
203. Sunday morning, Collins Street. 3 gns (framed)
204. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)
205. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)
206. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)
207. Trinity College. 2 gns (framed)
208. Doorway, old Scotch College. 2 gns (framed).
209. Scotch College, Hawthorn. 2½ gns (framed)
210. St. John's Church, Toorak. 2½ gns (framed)
211. Princes Bridge, from the West. 3 gns (framed)
212. Scots Church, Collins St. 2½ gns (framed)
213. The archway, Scotch College. 3 gns (framed)
214. The Tower, Melbourne Grammar School. 3 gns (framed)
215. Norman Archway, City Courts. 2½ gns (framed)
216. War Memorial by Lambert, Geelong Grammar. 3 gns (framed)
217. Ye Olde Mitre Tavern. 2½ gns (framed)
218. Coombe Cottage, Coldstream. 4 gns (framed)
219. Pergola and Bath, Coombe Cottage. 4 gns (framed)
220. Queen's Bridge. 1½ gns (framed)
221. Old St. James' Cathedral. 3½ gns (framed)
222. Evening light, Darebin Creek. 3½ gns (framed)
223. Haunt of the Kingfisher, Alexandra. 3 gns (framed)
224. A glimpse Melbourne. 2½ gns (framed)
SHIRLOW, John (1869–1936)
225. Twilight. 4 gns (framed) | aquatint
226. The smithy, Ross, Tasmania. 2 gns (framed)
227. The city. 3 gns (framed)
228. Sunset. 4 gns (framed)
229. Top of Bourke Street. 3 gns (framed)
230. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)
231. Corio Bay, Geelong. 3 gns (framed)
232. Yarraside. (2nd State). 3 gns (framed)
Hosking, W. John. (1930–)
233. The Shearers. 2 gns (unframed)
234. Sleep. 21/2 (unframed)
235. The preacher in the pulpit. 21/2 gns (unframed)
LONG, Sydney (1871–1955)
235. Boyd's Boatshed, Narrabeen. 4 gns (unframed)
Hosking, W. John. (1930–)
236 The dragon plane. 2 gns (unframed)
237. The fairy ring. 31/2 gns (unframed)
238. The butterfly dance. 5 gns (unframed)
239. The caravan. 2 gns (unframed)
240 Steeplejacks. 2 gns (unframed)
241. Refreshment. 2 gns (framed)
242. Ursa Major and Ursa Minor. 2 gns (framed)
243. Hush! the Mantos Prays. 3 gns (framed)
244. Pals. 2 gns (framed)
245. The Light, Fantastic Toe. 3 gns (framed)
246. The Slow Motion Steeplechase. 4 gns (framed)
247. Sunny hours. 3½ gns (framed)
Taylor, Stephanie. (1899–1974)
248. The gum. 2 gns (framed)
McCulloch, Alan. (1907–1992)
249. The coming storm. 3 gns (framed)
250. The Windmill. 2 gns (framed)
Pestell, William. (1930–)
251. Scots' Church Spire. 3 gns (framed)
Williams, C.W. (1930–)
252. Princes Bridge. 4 gns (framed)
253. Scots' Church, Collins Street. 4 gns (framed)
254. Flinders Street Station. 4 gns (framed)
255. Collins Street, from Treasury. 3 gns (framed)
256. Harbour Mists, Sydney. 5 gns (framed)
257. St. Patrick's Cathedral. 5 gns (framed)
258. Morning mists. 4 gns (framed)
259. Parliament House, Melbourne. 7 gns (framed).
260. The T. and G. Building. 6 gns (framed)
261. Sydney Bridge and North Pylon. 5 gns (framed)
262. Old Sydney and 'Our' Bridge. 6 gns (framed)
Eighth Xmas Exhibition of Etchings and Woodcuts by Master Etchers. 8th Xmas Exhibition of Etchings and Woodcuts by Master Etchers.
Venues
Sedon Galleries [2] (6 December 1932 – 24 December 1932)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia
Works
Brangwyn, Frank. (1867–1956)
1. Roundabout, Bruges. 7 gns (framed)
WALCOT, William (1874–1943)
2. Back Door, Soloman's Palace. 9 gns (framed)
STRANG, William (1859–1921)
3. A Matter of Business. 10 gns
Macbeth-Raeburn, Henry. (1860–1947)
4. Mrs Malcolm (after Raeburn). 6 gns
Ward, Leslie. (1895–1978)
5. Swanage Mill Pond. 4 gns (unframed)
6. Cement works. 5 gns (unframed)
Wyllie, William Lionel (1851–1931)
7. The Fishing Fleet. 5 gns (framed)
Slater, Eric. (1896–)
9. Autumn. 5 gns (unframed).
10. Pyrethrums. 6 gns (unframed).
11. Japanese Bush Lanterns. 8 gns (unframed).
12. The headland by moonlight. 4 gns (unframed).
13. Corfe Castle, Dorset. 4 gns (unframed).
14. Rough Sea. 4 gns (unframed).
15. Sussex Mill. 5 gns (unframed).
Brouet, L. (1932–)
17. Three Caravans. 10 gns (unframed)
Hartrick, A.S. (1864–1950)
18. The Wassailers. 8 gns (unframed)
19. The evening hymn. 10 gns (unframed)
20. The Bellringers. 10 gns (unframed)
21. The cartbread, St Peter's Dunstable. 10 gns (unframed)
22. Needpath Castle. 8 gns (unframed)
23. Norwich. 5 gns (unframed)
Blatherwith, Lily. (1859–1934)
25. The Poppy. 5 gns (unframed)
26. February Fairmaids. 5 gns (unframed)
27. Poppies. 6 gns (unframed)
28. Shirley Poppies. 10 gns (unframed)
30. The Frog and the Water Lilies. 10 gns (unframed)
HANFSTANGEL (by 1932)
31. Head after Holbein. 5 gns (unframed)
32. Head after Holbein. 5 gns (unframed)
Christensen, Arent. (1898–1982)
33. A Roman Watermill. 6 gns (unframed)
Emanuel, Frank. (1865–1948)
34. Normanby. 5 gns
HARVEY, F. (by 1932)
35. The Players. 12 gns
Hammer, Nicolas. (1932–)
36. Bromley. 3 gns (unframed)
37. Fountain of Love. 10 gns (unframed) | mezzotint
38. The Laughing Cavalier. 5 gns (unframed) | mezzotint
39. La Confidence. 7 gns (unframed) | mezzotint
40. The Dancers of Gondolf Castle (after Corot). 7 gns (unframed) | Mezzotint
Zipperer, Ernest. (1888–1992)
41. Bremen. 4 gns
42. Geese. 5 gns (unframed) | woodcut
43. The canal. 5 gns (unframed).
44. Winter. 4 gns (unframed) | woodcut
van RAALTE, Henri (1881–1929)
57. The Monarch, Kalgan River, W.A. 60 gns (unframed)
58. The cliff 5½ (unframed) | aquatint
59. The end of day 4½ gns (unframed) | aquatint
60. The road. 5 gns (unframed)
61. Day's beginning. 4½ gns (unframed) | aquatint
62. Perth (W.A.). 5½ gns (unframed) | aquatint
63. Moonlit fields [plate for]. 5 gns (unframed)
64. The Karri Tree glade. 9 gns (unframed)
65. Hills of the south. 5½ gns (unframed)
66. The leaning tree 5 gns (unframed)
67. An Australian Summer Day. 10 gns (unframed)
68. Morning. 4 gns (unframed)
LINDSAY, Lionel (1874–1961)
69. The Bassra guard 5 gns (unframed)
70. The Casa del Fores, Granada. 4 gns (unframed)
71. The barber of Bou-Saada, Algeria 4 gns (unframed)
72. The Tunis Gate, Kairouan 6 gns (unframed)
73. Town Gate, Burgos. 5 gns (unframed)
74. An ancient gateway, Burgos 4 gns (unframed)
75. San Lorenzo in the Forum, Rome 4 gns (unframed)
76. A Door, Castle Nuovo, Naples. 5 gns (unframed)
77. St Ferreol, Marseilles 5 gns (unframed)
78. The Street of the Aquaduct, Segovia. 4 gns (unframed)
79. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)
80. Little market, San Gaetano, Naples 5 gns (unframed)
81. Old Antequera, Andalucia, Spain 5 gns (unframed)
82. Santa Dominica Maggiore. 6 gns (unframed)
83. The vaquero 2½ gns (unframed)
84. Street Balcony, Guadelupe. 3 gns (unframed)
85. San Idilfonso. 4 gns (unframed)
86. Dawes Point. 2 gns (unframed)
87. White goats 1½ gns (unframed) | woodcut
88. The Emperor 2 gns (unframed) | woodcut
89. The broken fence 1½ gns (unframed) | woodcut
90. Fruit piece 1 gn (unframed) | woodcut
91. Hornbill 2 gns (unframed) | woodcut
92. Polar Bear 2 gns (unframed) | woodcut
93. Currassow and Oleander. 1½ gns (unframed) | woodcut
94. The clipped wing 2 gns (unframed) | woodcut
95. The crab 2 gns (unframed) | woodcut
96. Camelias. 1 gn (unframed) | woodcut
97. Owls 1½ gns (unframed) | woodcut
Herbert, Harold. (1891–1945)
98. Cypresses, Ronda. 4 gns (framed)
Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)
99. Lime kiln cottage 3½ gns (framed)
Herbert, Harold. (1891–1945)
100. Fishing boats, Martigues. 4 gns (framed)
Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)
101. The hermitage, Martigue. 4 gns (framed)
Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)
102. Brixham trawlers 3½ gns (framed)
103. In Morocco 3½ gns (framed)
Herbert, Harold. (1891–1945)
104. The haystacks 3 gns (framed)
Rose, Herbert. (1890–1937)
105. St. Marks, Venice. 4 gns (framed)
106. Piazza Umberto Desengano, Italy. 3½ gns (framed)
107. Rue des Tamis, Tunis. 4½ gns (framed)
108. Place St. Pierre, Chartres, France. 3 gns (framed)
109. Fondamenta Tasca, Venice. 3½ gns (framed)
110. The Zattere, Venice. 3½ gns (framed) | drypont
112. Cagnes, France. 3½ gns (framed)
113. Sydney Harbour from Cremorne. 4 gns (framed)
114. Old gateway, Sisteron, France. 41/2
115. The old bridge, Besalu, Spain. 4 gns
GOODCHILD, John (1898–1980)
122. Westminster Abbey, London. 3 gns (unframed)
123. Sydney, from Milson's Point. 4 gns (unframed)
124. Night, Venice. 1 gn (unframed)
125. Banks of Arno 2 gns (unframed)
126. Piccadilly Circus (under Reconstruction) 3½ gns (unframed)
127. Trafalgar Square, London. 3½ gns (unframed)
128. Australian Summer Landscape. 4 gns (unframed)
129. The port, London 2½ gns (unframed)
130. Tivoli, Italy. 2½ gns (unframed)
131. Evening anchorage. 2½ gns (unframed)
132. King Street, Sydney. 3 gns (unframed)
LONG, Sydney (1871–1955)
133. A Sandgrain Pastoral. 3 gns (unframed)
GOODCHILD, John (1898–1980)
133. Brandon Bridge 5 gns (unframed)
134. Solitude. 3 gns (unframed)
135. Landscape, Otway Ranges. 5 gns (unframed)
136. Barwon Heads. 4 gns (unframed)
137. Otway Ranges. 4 gns (unframed)
LONG, Sydney (1871–1955)
138. Boatshed, Narrabeen. 1 gn (unframed)
GOODCHILD, John (1898–1980)
138. Yarra Mouth 3 gns (unframed)
139. Ti-tree and Morning Light. 3 gns (unframed)
140. Afternoon light 2 gns (unframed)
141. Riverside trees 3 gns (unframed)
142. Morning glow. 3 gns (unframed)
143. Summer glow. 5 gns (unframed)
144. The barn. 10 gns (unframed)
145. Winter Glow. 2½ gns (unframed)
146. Hick's Lane, Melbourne. 1½ gns (unframed)
147. Swanston Street, Melbourne. 3½ gns (unframed)
148. Italian markets, Rome. 15 gns (unframed)
149. The Grand Canal, Venice. 25 gns (unframed)
150. Ponte Vecchio, Florence. 12 gns (unframed)
LINDSAY, Norman (1879–1969)
151. Enter the Magicians. 15 gns (unframed)
152. Julia Fisk and Mr Brish. 7 gns (unframed)
153. Leda. 10 gns (unframed)
154. Thieves' Kitchen. 10 gns (unframed)
155. C Sharp Minor Quartette. 15 gns (unframed)
156. Night's Frolics. 8 gns (unframed)
157. Don Juan's garden. 8 gns (unframed)
158. Unknown seas 35 gns (unframed)
159. Oblation. 18 gns (unframed)
160. The butterfly. 10 gns (unframed)
161. The Poet. 8 gns (unframed)
162. Love on Earth. 18 gns (unframed)
163. The bride. 10 gns (unframed)
Sherwood, Maud. (1880–1956)
164. Camelias. 4 gns (unframed)
165. The Market. 3 gns (unframed)
166. Spanish shepherd. 1 gn (unframed)
167. Anemonies. 4 gns (unframed)
168. Spanish Market. 4 gns (unframed)
169. Venetian fishing boats. 2½ gns (unframed)
170. Capri. 3 gns (unframed)
171. The Discussion. 2 gns (unframed)
172. Place St Nicolas, Sospel. 2 gns (unframed)
173. After the Service. 1 gn (unframed)
174. The Dancer. 1½ gns (unframed)
175. The Bridge. 1 gn (unframed)
SHIRLOW, John (1869–1936)
176. Twilight. 4 gns (framed) | aquatint
177. The smithy, Ross, Tasmania. 2 gns (framed)
178. The city. 3 gns (framed)
179. Sunset. 4 gns (framed)
180. Top of Bourke Street. 3 gns (framed)
181. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)
182. Corio Bay, Geelong. 3 gns (framed)
183. Yarraside. (2nd State). 3 gns (framed)
184. Swanston Street and Station. 6 gns (framed)
185. Princes Bridge. 5 gns (framed)
Waller, M. Napier. (1893–1972)
187. The Ring 5 gns (unframed)
188. Hit. 3 gns (unframed)
189. Guinea fowls 1 gn (unframed)
190. The man in black. 6 gns (unframed)
191. The black cloak. 4 gns (unframed)
192. House on the hill. 4 gns (unframed)
193. The shepherd. 3 gns (unframed)
194. Ducks 1 gn (unframed)
195. Head. 1 gn (unframed)
197. Fish Lane, Chester. 3 gns (unframed)
198. Bantams. 8 gns (unframed)
199. The labyrinth. 3 gns (unframed)
Waller, Christian. (1894–1954)
200. The Sorceress. 1½ gns (unframed)
201. Morgan Le Fay. 3 gns (unframed)
202. The Great Breath. (book). 4 gns (unframed)
Wheeler, Charles. (1881–1977)
203. St. Clement Dane's Church. 4 gns (framed)
204. Queen Victoria Memorial. 4 gns (framed)
205. Montmartre. 4 gns (framed)
206. La Tour De L'Horloge, Dinan. 4 gns (framed)
207. Aqueduct, Segovia. 4 gns (framed)
Friedensen, Thomas. (1879–1931)
208. A Moorish gateway. 1½ gns (unframed)
209. Canal in Venice. 3 gns (unframed)
210. Clearing, Morning. 3 gns (unframed)
211. The flooded creek. 4 gns (unframed)
212. The Madonna of the Bush. 2 gns (unframed)
213. Omar, the Tent Maker. 3 gns (unframed)
214. The Grand Canal, Venice. 3 gns (unframed)
Campbell, Fred. (1851–1930)
215. Healesville. 4 gns
LONG, Sydney (1871–1955)
216. Landscape, Narrabeen. 3 gns (unframed)
217. Boyd's Boatshed, Narrabeen. 4 gns (unframed)
218. The blacksmith's shop
219. Badnage Landscape. 4 gn (unframed)
Britton, Fred. (1889–1931)
220. The slips. 5 gns (unframed)
221. A relic of the forties. 6 gns (unframed)
222. Morning light. 5 gns (unframed)
Goodchild, Doreen. (1900–1998)
223. The Hoers. 5 gns (unframed)
Fasken, Myrtle. (1889–1972)
224 Shearing Woodcuts, 1 guinea each. set of seven. 1 gn each (unframed)
Goodchild, Doreen. (1900–1998)
224. The Hoers. 6 gns
Dillon, Cyril. (1883–1974)
227. Spires of St. Paul's, Melbourne. 3 gns (unframed)
227. Spires of St. Paul's, Melbourne. 3 gns (unframed)
228. Melbourne Grammar School. 3 gns (unframed)
228. Melbourne Grammar School. 3 gns (unframed)
229. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)
229. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)
230. 'Queens' Melbourne University. 3 gns (unframed)
230. 'Queen's', Melbourne University. 3 gns (unframed)
231. Serenity. 3½ gns (unframed)
231. Serenity. 3½ gns (unframed)
URE SMITH, Sydney (1887–1949)
232. Old houses, Cumberland Street, the Rocks. 2½ gns (unframed)
233. Entrance, old Colonial Treasury. 4 gns (unframed)
234. Cumberland Street Hostel. 2½ gns (unframed)
235. Argyle. 3 gns (unframed)
236. Entrance to the Farm. 2 gns (unframed)
237. Packing Oranges. 3 gns (unframed)
238. Shade. 3 gns (unframed)
239. Deserted courtyard, Hartley 5 gns (unframed)
240. Rose's Mill, Mt Gilead. 5 gns (unframed)
241. Bellevue Hills. 4 gns (unframed)
Cobb, Victor. (1876–1945)
242. Scotch College, Hawthorn. 2½ gns (framed)
243. St. John's Church, Toorak. 2½ gns (framed)
244. Princes Bridge, from the West. 3 gns (framed)
245. The archway, Scotch College. 3 gns (framed)
246. The Tower, Melbourne Grammar School. 3 gns (framed)
247. Norman Archway, City Courts. 2½ gns (framed)
248. War Memorial by Lambert, Geelong Grammar. 3 gns (framed)
GRIFFIN, Murray (1903–1992)
249. Portrait. 1 gn (unframed)
250. Regent bower birds [1]. 2 gns (unframed)
251. Magpies [1]. 2 gns (unframed)
252. Comrades. 1 gn (unframed)
253. On the road. 1 gn (unframed)
Montgomery, Anne. (1908–1991)
254. Shadow and sunlight 2 gns (framed)
255. Ti-tree Pattern. 2 gns (framed)
256. The challenge. 1 gn (framed)
257. Spanish Doorway (Phelia Grimwade House). 2 gns (framed)
Zelman, Victor. (1877–1960)
258. Reflections, Thornton. 2 gns (framed)
259. Shepherd's Flat. 2 gns (framed)
260. The wood carter. 2 gns (framed)
261. The Burnley Ferry. 2 gns (framed)
262. Pastoral. 2 gns (framed)
263. Sailors' Mission Church. 2 gns (framed)
Taylor, Stephanie. (1899–1974)
264. The gum. 2 gns (framed)
265. Glimpse of the Bush. 1 gn (framed)
Hosking, W. John. (1930–)
266. The Shearers. 2 gns (framed)
267. Sleep. 2½ gns (framed)
268. The preacher in the pulpit. 2½ gns (framed)
269. The dragon plane. 2 gns (framed)
270. The fairy ring. 3½ gns (framed)
271. The butterfly dance. 5 gns (framed)
272. The caravan. 2 gns (framed)
273. Steeplejacks. 2 gns (framed)
274. Refreshment. 2 gns (framed)
275. Ursa Major and Ursa Minor. 2 gns (framed)
276. Hush! the Mantus Prays. 3 gns (framed)
277. Pals. 2 gns (framed)
278. The Light, Fantastic Toe. 3 gns (framed)
279. The Slow Motion Steeplechase. 4 gns (framed)
280. Sunny hours. 3½ gns (framed)
Thompson, Thelma. (1920–)
281. The Hermitage Bell. 2 gns (framed)
Williams, C.W. (1930–)
281. Princes Bridge. 4 gns
Thompson, Thelma. (1920–)
282. The Bridge of Sighs, Venice. 3 gns (framed)
283. Yorkminster. 3 gns (framed)
Williams, C.W. (1930–)
285. Scots' Church, Collins Street. 4 gns
286. Flinders Street Station. 4 gns
287. St. Patrick's Cathedral. 5 gns
288. Parliament House, Melbourne. 7 gns.
289. The T. and G. Building. 6 gns
290. Old Sydney and 'Our' Bridge. 6 gns
291. Gums. 4 gns
Dyson, Will. (1880–1938)
292. Mornin' White Trash!. 4 gns
Works
LINDSAY, Norman (1879–1969)
248. Debut. 7 gns
249. Illustration from Isle of San. 5 gns
250. Julia's monkey. 12 gns
251. Virginity 25 gns
252. The ring. 5 gns
253. The terrace. 16 gns
254. This shrine. 7 gns
255. The bride. 11 gns
256. Beauty's glass. 6 gns
257. Death of Pierrot. 15 gns
Anderson, Alexander. (1910–)
260. For Friendship and Honour. 4 gns
261. Canada. 5 gns
262. Hommage a la France. 5 gns
263. For the Wounded. 4 gns
264. Britannia. 4 gns