The Madonna of the Bush.

Thomas Friedensen (1879–1931)

The Madonna of the Bush.

(by 1928)

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

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Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.

Venues

Sedon Galleries [1] (26 November 1929 – 31 December 1929)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

Nixon, Job. (1891–1938)

90. Concarneau. 5 Gns (unframed)

91. Concarneau. 5 gns (unframed).

92. Falmouth. 4 gns (unframed)

93. Madona in the wall, Subiaco. 4gns (unframed).

Orlik, Emil. (1870–1932)

149. An old Arab. 2 gns (framed)

150. A Dutch Study. 3 gns (framed)

151. Felucca on the Nile. 1½ gns (framed)

152. Portrait Study. 5 gns (framed)

Geissler, Paul. (1881–)

153. Nuremberg Castle. 3 gns (framed)

154. Lane in Rottenberg. 3 gns (framed)

155. City Gateway, Rottenberg. 4 gns (framed)

Dale, H. Sheppard. (1852–1921)

156. Thomas House, Rye. 3 gns (unframed)

UNWICK, W.N.

157. A Sussex Landscape. 3 gns (unframed)

Upoka, Joseph.

158. The Standard Bearer. 3 gns (unframed)

Geiger, Willy. (1878–1971)

159. The Toreador. 6 gns (unframed)

Boyd, Penleigh. (1890–1923)

160. The big gum. 7 gns (framed) | 1 only for sale

161. Edge of the clearing. 7 gns (framed) | 1 only for sale

162. Edge of the bush. 7 gns (framed)

van RAALTE, Henri (1881–1929)

163. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

164. The cliff 4 gns (unframed)

165. Dawn on the Valley Road. 3 gns (unframed)

166. The sentinel (Torrens Gorge). 6 gns (unframed)

167. Silver evening. 8 gns (unframed)

168. Hillside stream. 6 gns (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

169. The end of day 3 gns (unframed)

170. The road. 3 gns (unframed)

171. Day's beginning. 3 gns (unframed)

172. Roses. 10 gns (unframed)

173. The Big Gums. 10 gns (unframed)

174. Perth (W.A.). 4 gns (unframed)

175. Autumn dawn. 4 gns (unframed)

176. Morning moon. 3 gns (unframed)

177. Moonlit fields [plate for]. 3 gns (unframed)

178. The Karri Tree glade. 6 gns (unframed)

179. Evening symphony. 3½ gns (unframed)

180. Hills of the south. 4 gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

181. The leaning tree 3 gns (unframed)

182. An Australian Summer Day. 8 gns (unframed)

183. The creek in flood. 3½ gns (unframed)

184. Morning*. 2½ gns (unframed)

185. Twisted Branches. 2 gns (unframed)

LINDSAY, Lionel (1874–1961)

186. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

187. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

188. San Lorenzo in the Forum, Rome 4 gns (unframed)

189. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

190. St Ferreol, Marseilles 5 gns (unframed)

191. Casa du Cordon. 5 gns (unframed)

192. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

193. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

194. Church in Seville. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

195. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

196. Old Antequera, Andalucia, Spain 5 gns. (unframed)

197. Convent of St Entemia. 6 gns (unframed)

198. Santa Dominica, Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

199. The compliment 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

200. The vaquero 2½ gns (unframed)

201. The water carrier. 1½ gns (unframed)

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

202. Gamecocks, Spain 10 gns (unframed) | 1 only for sale

203. Alcazar, Seville. 2½ gns (unframed)

204. The bucking brumby. 2 gns (unframed)

205. The Sailor's Return. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little Balcony, Ferry Lane, The Rocks | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

206. Little Balcony, Ferry Lane, The Rocks 2 gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: Old Burwood Hotel, Kent Street. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

207. Old Burwood Hotel, Kent Street. 3 gns (unframed) | 1 only for sale

208. Gloucester Street. 2 gns (unframed)

209. Pastoral. 2½ gns (unframed)

210. The water hole. 2½ gns (unframed) | 1 only for sale

211. A Pipe of Baccy. 2½ gns (unframed)

212. The Law Courts. 2 gns (unframed)

213. The Swing Bridge. 2 gns (unframed) | 1 only for sale

214. Under the Laurels. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

215. The drafting gate, Bendemeer 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

216. Evening ride 5 gns (unframed)

217. Byron. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The fountain | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

218. The fountain 2½ gns (unframed) | I only for sale

219. Kookaburra. 1 gn (unframed) | woodcut

220. Pelican. (1 only). 4 gns (unframed) | 1 only for sale | woodcut

221. Heron. 1 gn (unframed) | woodcut

222. Witch. 1½ gns (unframed) | woodcut

223. Spangles. 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

224. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

225. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The black cat | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block; touched with brush and black ink | Copyright: Courtesy of the National Library of Australia

226. The black cat 3 gns (unframed) | 1 only for sale | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

227. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Dahlias | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

228. Dahlias 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

229. Fruit piece 1 gn (unframed) | woodcut

230. Bignonia. 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

231. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

232. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

233. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

234. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

235. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

236. In Morocco 3½ gns (framed)

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

237. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

238. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

239. The broken plough 3½ gns (framed)

Rose, Herbert. (1890–1937)

240. Piazza Umberto Desengano, Italy. 3½ gns (framed) | drypoint

241. Rue des Tamis, Tunis. 4½ gns (framed) | drypoint

242. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

243. Fondamenta Tasca, Venice. 3½ gns (framed)

244. The Sugar Mills. 8 gns (framed)

245. The Zattere, Venice. 3½ gns (framed) | drypoint

246. Old Village Cagnes. 3 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

253. The Ring 4 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

254. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

255. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

256. The man in black. 6 gns (unframed)

257. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

258. House on the hill. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: The poddy calf | Date: c.1925 | Technique: linocut, printed in black ink, from one block

259. The poddy calf 3 gns (unframed)

260. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

261. Ducks 1 gn (unframed)

Friedensen, Thomas. (1879–1931)

262. Interior, Ann Hathaways's Cottage. 3 gns (unframed)

263. Windsor Castle, Berkshire. 2 gns (unframed)

264. The archway, Riviera. 3 gns (unframed)

265. The Madonna of the Bush. 1½ gns (unframed)

266. Harnessing. 1½ gns (unframed)

267. Homestead in the North-West. 2 gns (unframed)

268. The bark hut. 2 gns (unframed)

269. Venice, No. 2. 2 gns (unframed)

270. Building the bridge, Sydney Harbour. 2½ gns (unframed)

271. Omar, the Tent Maker. 3 gns (unframed)

272. The Drovers. 3 gns (unframed)

273. The Mounain Road, Brush Creek. 3 gns (unframed)

274. The Grand Canal, Venice. 3 gns (unframed)

275. Fountains Abbey, Yorkshire. 3 gns (unframed)

276. The Bush, New South Wales. 4 gns (unframed)

277. Three Kookaburras. 2 gns (unframed)

278. The Wallondilly. 3 gns (unframed)

279. Venice. 4 gns (unframed) | (1 only).

280. Normanby. (1 only). 3 gns (unframed) | 1 only for sale

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

281. The bridge, Avoca 4 gns (unframed)

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

282. The lake, Avoca 4 gns (unframed)

283.

The blacksmith's shop

4 gns (unframed)

284. The Hawkesbury River at Wiseman's Ferry. 5 gns (unframed)

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

285. Brisbane water 4 gns (unframed)

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

286. Fishing boats, Kings Lynn 4 gns (unframed)

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

287. Berry's Bay 3 gns (unframed)

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

288. Magpies 3 gns (unframed)

289. Kookaburras. 3 gns (unframed)

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

290. A windy day 3 gns (unframed)

Artist: LONG, Sydney | Title: The roost | Date: 1927 | Technique: line-etching, printed in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

291. The roost 3 gns (unframed)

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

292. Young Kookaburras 3 gns (unframed)

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

293. The river from Blackfriars Bridge 4 gns (unframed)

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

294. The Thames from Waterloo Bridge 6 gns (unframed)

LINDSAY, Norman (1879–1969)

295. Moonlight Piper. 12 gns (unframed)

296. Thieves' Kitchen. [no price given] (unframed)

297. Leda. [no price given] (unframed)

298. Don Juan's garden. 8 gns (unframed)

299. The Innocents. 15 gns (unframed)

300. Femininity. 12 gns (framed)

301. Adventure 25 gns (framed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

302. Unknown seas 30 gns (framed)

303. She Arrives. 18 gns (framed)

304. Song of the faun 25 gns (framed)

305. Oblation. 18 gns (framed)

305a.The. Butterfly. 12 gns (framed)

306. Robin Hood. 7 gns (framed)

307. Enter the Duke. 15 gns (framed)

308. Acceptance. 6 gns (framed)

309. The Poet. 8 gns (framed)

310. Love on Earth. 18 gns (framed)

311. The bride. 12 gns (framed)

Dillon, Cyril. (1883–1974)

312. Spires of St. Paul's, Melbourne. 3 gns (unframed)

313. Melbourne Grammar School. 3 gns (unframed)

314. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

315. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

316. Old houses, Cumberland Street, the Rocks. 2½ gns.(unframed)

317. Entrance, old Colonial Treasury. 4 gns (unframed)

318. 177 Kent Street, Sydney. 2 gns (unframed)

319. Cumberland Street Hostel. 2½ gns(unframed)

320. Argyle. 3 gns (unframed)

321. Ah Lum's Farm, Windsor. 5 gns (unframed)

322. Entrance to the Farm. 2 gns (unframed)

323. Packing Oranges. 3 gns (unframed)

324. Shade. 3 gns (unframed)

325. Hawkesbury River Farm. 5 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

326. Deserted courtyard, Hartley 5 gns (unframed)

327. Rose's Mill, Mt Gilead. 5 gns (unframed)

Cobb, Victor. (1876–1945)

328. Sunday morning, Collins Street. 3 gns (framed)

329. The Tower, Arts School, Universiy. 3½ gns (framed)

330. The two poplars. [no price given] (framed)

331. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

332. Gothic Window, old museum, Melbourne University [1]. [no price given] (framed)

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

333. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

334. Entrance, Trinity College. 2 gns (framed)

335. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

336. Fragment. 1 gn (framed)

Sheldon, Vincent. (1895–1945)

337. Old St. Andrew's, Brisbane. 2 gns (unframed)

338. Evening. 2 gns (unframed)

339. The old kiln. 2 gns (unframed)

Gallop, Herbert. (1890–1958)

340. Lakeshore. 4 gns (unframed)

341. Macquarie Shore. [no price given]

342. Shade Ti Trees. 3 gns (unframed)

343. The farm sheds. [no price given] (unframed)

344. Farmyard, Winter. 2½ gns (unframed)

345. Lacewood Pines. 2½ gns (unframed)

346. Pittwater shore. 2½ gns (unframed)

347. The white boathouse. 2½ gns (unframed)

348. The sheltered barn. 2 gns (unframed)

349. The drinking pool. 2 gns (unframed)

350. Windswept. 4 gns (unframed)

351. The old gateway. 2 gns (unframed)

GRIFFIN, Murray (1903–1992)

352. Enchanted wood 3 gns (framed)

353. Ann Mary. 3 gns (framed)

Thompson, Thelma. (1920–)

354. The Hermitage Bell. 2 gns (framed)

355. The Bridge of Sighs, Venice. 3 gns (framed)

356. York Minster. 3 gns (framed)

Flett, James. (1906–1986)

357. The Treasure Chest. 6 gns (framed)

358. Dead Man's Tree. 2½ gns (framed)

359. Berries. 3½ gns (framed)

Artist: Flett, James. | Title: Jerboas. | Date: (1932) | Technique: linocut, printed in colour, from mutliple blocks

360. Jerboas. 3 gns (framed)

361. The intruders. 3 gns (framed)

Artist: Flett, James. | Title: The artist. | Date: 1928 | Technique: linocut, printed in colour, from multiple blocks

362. The artist. 3½ gns (framed)

363. The Pirate. 3 gns (framed)

364. Victorian Days. 2½ gns (framed)

365. The Dominican. 2 gns (framed)

366. The old captain. 2 gns (framed)

367. Fawkner. 2 gns (framed)

368. Dampier. 2 gns (framed)

369. Peter, the Pumpkin Eater. 4 gns (framed)

Reynolds, Frederick George. (1880–1932)

370. Ti tree. 1 gn (framed)

371. In the Dandenongs. 6 gns (framed)

372. The bullock team. 2 gns (framed)

373. Giant Blue Gums. 2 gns (framed)

374. Edge of the clearing. 2 gns (framed)

375. A bush road. 7 gns (framed)

Hosking, W. John. (1930–)

376. Sunny hours. 3 gns (framed)

377. The Slow Motion Steeplechase. 1½ gns (framed)

378. Pals. 1½ gns (framed)

379. Ursa Major and Ursa Minor. 2 gns (framed)

380. The Shearers. 1½ gns (framed)

381. The caravan. 2 gns (framed)

382. Moonrise. 1½ gns (framed)

383. The Light, Fantastic Toe. 2½ gns (framed)

GOODCHILD, John (1898–1980)

384. The Northern Group. 2 gns (unframed)

Goodhart, J.C. (1873–1952)

385. Klondyke Propty. Mine. 3 gns (unframed)

386. Molle Street Bridge, Hobart. 2 gns (unframed)

387. A bit of old Hobart. 1 gn (unframed)

7th Xmas Exhibition of Etchings and Woodcuts by Leading English and Australian Artists

Venues

Sedon Galleries [2] (3 December 1931 – 24 December 1931)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia

Venue Not Identified. (3 December 1931 – 24 December 1931)

Works

Brangwyn, Frank. (1867–1956)

1. Roundabout, Bruges. 7 gns (framed)

WALCOT, William (1874–1943)

2. Back Door, Soloman's Palace. 9 gns (framed)

Zorn, Anders. (1860–1920)

3. My Models and My Boat. 25 gns (framed)

4. Against the current. 25 gns (framed)

Kasimir, Luigi. (1881–1962)

5. The old courtyard, Munich. 4 gns (framed)

6. The Tal, Munich. 3 gns (framed)

Tushingham, Sidney. (1884–1968)

7. Landscape. 12 gns (framed)

Bauer, Carl Joseph. (1897–1989)

8. Nude. 6 gns (framed)

Macbeth-Raeburn, Henry. (1860–1947)

9. Mrs Malcolm (after Raeburn). 6 gns

Ward, Leslie. (1895–1978)

10. The Agglestone, Studland Heath, Dorset. 3 gns

11. Old Poole Bridge. 3 gns

12. A Purbeck Farmstead. 3 gns

13. Moonrise in Pinelandd. 4 gns

14. London, from Cherry Gardens. 5 gns

15. Eastington Farm, Dorset. 3 gns

16. Storm and sunshine in the Cotswolds. 4 gns

17. A Dorset Shipyard. 5 gns

18. Whitgift Jetty, Yorkshire. 4 gns

19. Nocturne, Hammersmith. 3 gns

20. The Home of the Barges, Rochester Night. 5 gns

21. Benscombe Farm, Dorset. 3 gns

22. Doughty's Island. 3 gns

23. Nocturne, Westminster. 4 gns

24. An ancient house, Rochester. 3 gns

25. Near Bradle, Dorset. 4 gns

26. Blackmanstone Farm, Dorset. 5 gns

27. The Two Bowsprits, Poole. 4 gns

28. Under the Stern, Poole. 5 gns

29. House at Worth, Maltravers. 2 gns

30. Low Tide, Hammersmith. 3 gns

31. The condemned dwelling. 5 gns

32. Tugs on the Maas, Holland. 4 gns

33. Swanage Mill Pond. 4 gns

34. Thames Factories. 4 gns

Sharland, Edward W. (1884–1967)

35. London Bridge. 3 gns

36. Blackfriars Bridge. 3 gns

37. London Bridge. 3 gns | colour

38. Prince Henry's House, Fleet Street. 3 gns

39. The Old Mint at Bristol. 3 gns

40. Bit of Old London. 3 gns

van RAALTE, Henri (1881–1929)

54. The Monarch, Kalgan River, W.A. 60 gns (unframed)

55. The cliff 5½ gns (unframed) | aquatint

56. Hillside stream. 8½ gns (unframed) | aquatint

57. The end of day 1½ gns (unframed) | aquatint

58. The road. 5 gns (unframed)

59. Day's beginning. 4½ gns (unframed) | aquatint

60. Perth (W.A.). 5½ gns (unframed) | aquatint

61. Morning moon. 4½ gns (unframed)

61. Evening symphony. 5 gns (unframed)

62. Moonlit fields [plate for]. 5 gns (unframed)

63. The Karri Tree glade. 9 gns (unframed)

65. Hills of the south. 5½ gns (unframed)

66. The leaning tree 5 gns (unframed)

67. An Australian Summer Day. 10 gns (unframed)

68. The creek in flood. 4½ gns (unframed)

69. Morning. 4 gns (unframed)

70. Twisted Branches. 2½ gns (unframed)

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

71. The Bassra guard 5 gns (unframed)

72. The Casa del Fores, Granada. 4 (unframed)

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

73. The barber of Bou-Saada, Algeria 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The Tunis Gate, Kairouan | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

74. The Tunis Gate, Kairouan 6 gns (unframed)

75. Town Gate, Burgos. 5 gns (unframed)

76. An ancient gateway, Burgos 4 gns (unframed)

77. San Lorenzo in the Forum, Rome 4 gns (unframed)

78. A Door, Castle Nuovo, Naples. 5 gns (unframed)

79. St Ferreol, Marseilles 5 gns (unframed)

80. The Street of the Aquaduct, Segovia. 4 gns (unframed)

81. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed).

82. Little market, San Gaetano, Naples 5 gns (unframed).

83. Old Antequera, Andalucia, Spain 5 gns (unframed)

84. Santa Dominica, Maggiore. 6 gns (unframed)

85. The vaquero 2½ gns (unframed)

86. The water carrier. 1½ gns (unframed)

87. The bucking brumby. 2 gns (unframed)

88. The Sailor's Return. 2 gns (unframed)

89. A Pipe of Baccy. 2½ gns (unframed)

90. The Law Courts. 2 gns (unframed)

91. Evening ride 5 gns (unframed)

92. White goats 1½ gns (unframed) | woodcut

93. The Emperor 2 gns (unframed) | woodcut

94. The broken fence 1½ gns (unframed) | woodcut

95. Fruit piece 1 gn (unframed) | woodcut

Herbert, Harold. (1891–1945)

96. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

97. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

98. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

99. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

100. Brixham trawlers 3½ gns (framed)

101. In Morocco 3½ gns (framed)

102. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

103. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

104. The broken plough 3½ gns (framed)

Hosking, W. John. (1930–)

105. Steeplejacks. 4 gns (framed)

Rose, Herbert. (1890–1937)

106 Piazza Umberto Desengano, Italy. 31/2 gns (framed) | drypoint

107. Rue des Tamis, Tunis. 41/2 gns (framed) | drypoint

108. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

109. Fondamenta Tasca, Venice. 31/2 gns (framed)

110. The Zattere, Venice. 31/2 gns (framed) | drypoint

112. Cagnes, France. 31/2 gns (framed)

113. Sydney Harbour from Cremorne. 4 gns (framed)

Wheeler, Charles. (1881–1977)

114. St. Clement Dane's Church. 4 gns (framed)

Friedensen, Thomas. (1879–1931)

114. The home paddock. 3 gns (unframed)

Wheeler, Charles. (1881–1977)

115. Queen Victoria Memorial. 4 gns (framed)

116. Montmartre. 4 gns (framed)

117. La Tour De L'Horloge, Dinan. 4 gns (framed)

118. Milking Time. 4 gns (framed)

119. Aqueduct, Segoria. 4 gns (framed)

Waller, M. Napier. (1893–1972)

120. The Ring 5 gns (unframed)

121. Hit. 3 gns (unframed)

122. Guinea fowls 1 gn (unframed)

123. The man in black. 6 gns (unframed)

124. The black cloak. 4 gns (unframed)

125. House on the hill. 4 gns (unframed)

126. The shepherd. 3 gns (unframed)

127. Ducks 1 gn (unframed)

128. Head. 1 gn (unframed)

130. Fish Lane, Chester. 3 gns (unframed)

Waller, Christian. (1894–1954)

Artist: Waller, Christian. | Title: The Sorceress. | Date: c.1922 | Technique: linocut, printed in black ink, from one block

131. The Sorceress. 1½ gns (unframed)

Artist: Waller, Christian. | Title: Morgan Le Fay. | Date: c.1927 | Technique: linocut, printed in colour, from multiple blocks; hand-coloured with gold paint

132. Morgan Le Fay. 3 gns (unframed)

LONG, Sydney (1871–1955)

133. A Sandgrain Pastoral. 3 gns (unframed)

134. Landscape, Narrabeen. 3 gns (unframed)

136.

The blacksmith's shop

4 gns (unframed)

138. Boatshed, Narrabeen. 4 gns (unframed)

Friedensen, Thomas. (1879–1931)

139. A Moorish gateway. 1½ gn (unframed)

140. Canal in Venice. 3 gns (unframed)

141. Clearing, Morning. 3 gns (unframed)

142. The flooded creek. 4 gns (unframed)

143. A mountain selection. 2 gns (unframed)

145. Home in the Bush. 1½ gns (unframed)

146. Homestead on the Federal Highway. 2 gns (unframed)

147. The Madonna of the Bush. 2 gns (unframed)

148. Omar, the Tent Maker. 3 gns (unframed)

149. The Grand Canal, Venice. 3 gns (unframed)

LINDSAY, Norman (1879–1969)

150. Enter the Magicians. 15 gns (unframed)

151. Julia Fisk and Mr Brish. 7 gns (unframed)

152. Leda. 10 gns (unframed)

153. Thieves' Kitchen. 10 gns (unframed)

154. C Sharp Minor Quartette. 15 gns (unframed)

155. Night's Frolics. 8 gns (unframed)

156. Don Juan's garden. 8 gns (unframed)

157. Femininity. 12 gns (unframed)

158. Unknown seas 35 gns (unframed)

159. Oblation. 18 gns (unframed)

160. The butterfly. 12 gns (unframed)

161. The Poet. 8 gns (unframed)

162. Love on Earth. 18 gns (unframed)

163. The bride. 12 gns (unframed)

Zelman, Victor. (1877–1960)

164. Reflections, Thornton. 2 gns (framed)

165. Shepherd's Flat. 2 gns (framed)

166. The wood carter. 2 gns (framed)

167. The Burnley Ferry. 2 gns (framed)

168. Pastoral. 2 gns (framed)

Dillon, Cyril. (1883–1974)

169. Spires of St. Paul's, Melbourne. 3 gns (unframed)

170. Melbourne Grammar School. 3 gns (unframed)

171. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

172. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

173. Old Homes, Cumberland Street. 2½ gns (unframed)

174. Entrance, old Colonial Treasury. 4 gns (unframed)

175. Cumberland Street Hostel. 2½ gns (unframed)

176. Argyle. 3 gns (unframed)

177. Entrance to the Farm. 2 gns (unframed)

178. Packing Oranges. 3 gns (unframed).

179. Shade. 3 gns (unframed)

180. Deserted courtyard, Hartley 5 gns (unframed)

181. Rose's Mill, Mt Gilead. 5 gns (unframed)

GOODCHILD, John (1898–1980)

182. Westminster Abbey, London. 3 gns (unframed)

GOODCHILD, John (1898–1980) and SHIRLOW, John (1869–1936)

183. Sydney from Milsons Point. 4 gns (unframed)

GOODCHILD, John (1898–1980)

184. Night, Venice. 1 gn (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

185. Banks of Arno 2 gns (unframed)

186. Gums in sunlight. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

187. Piccadilly Circus (under Reconstruction) 3½ gns (unframed)

188. Castlereagh Street. 2 gns (unframed)

189. Trafalgar Square, London. 3½ gns (unframed)

190. Australian Summer Landscape. 4 gns (unframed)

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

191. The port, London 2½ gns (unframed)

192. Tivoli, Italy. 2½ gns (unframed)

193. The Estuary. 3 gns (unframed)

194. Gateway, Lincoln. 2 gns (unframed)

195. Evening anchorage. 2½ gns (unframed)

196. Home berths. 3 gns (unframed)

197. King Street, Sydney. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

198. Landscape harmony 2 gns (unframed)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

199. Brandon Bridge 5 gns (unframed)

Artist: GOODCHILD, John | Title: Light through trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

200. Light through trees 2 gns (unframed)

201. Solitude. 3 gns (unframed)

Cobb, Victor. (1876–1945)

202. The two stacks. 3 gns (framed)

203. Sunday morning, Collins Street. 3 gns (framed)

204. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

205. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

206. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

207. Trinity College. 2 gns (framed)

208. Doorway, old Scotch College. 2 gns (framed).

209. Scotch College, Hawthorn. 2½ gns (framed)

210. St. John's Church, Toorak. 2½ gns (framed)

211. Princes Bridge, from the West. 3 gns (framed)

212. Scots Church, Collins St. 2½ gns (framed)

213. The archway, Scotch College. 3 gns (framed)

214. The Tower, Melbourne Grammar School. 3 gns (framed)

215. Norman Archway, City Courts. 2½ gns (framed)

216. War Memorial by Lambert, Geelong Grammar. 3 gns (framed)

217. Ye Olde Mitre Tavern. 2½ gns (framed)

218. Coombe Cottage, Coldstream. 4 gns (framed)

219. Pergola and Bath, Coombe Cottage. 4 gns (framed)

220. Queen's Bridge. 1½ gns (framed)

221. Old St. James' Cathedral. 3½ gns (framed)

222. Evening light, Darebin Creek. 3½ gns (framed)

223. Haunt of the Kingfisher, Alexandra. 3 gns (framed)

224. A glimpse Melbourne. 2½ gns (framed)

SHIRLOW, John (1869–1936)

225. Twilight. 4 gns (framed) | aquatint

226. The smithy, Ross, Tasmania. 2 gns (framed)

227. The city. 3 gns (framed)

228. Sunset. 4 gns (framed)

229. Top of Bourke Street. 3 gns (framed)

230. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)

231. Corio Bay, Geelong. 3 gns (framed)

232. Yarraside. (2nd State). 3 gns (framed)

Hosking, W. John. (1930–)

233. The Shearers. 2 gns (unframed)

234. Sleep. 21/2 (unframed)

235. The preacher in the pulpit. 21/2 gns (unframed)

LONG, Sydney (1871–1955)

235. Boyd's Boatshed, Narrabeen. 4 gns (unframed)

Hosking, W. John. (1930–)

236 The dragon plane. 2 gns (unframed)

237. The fairy ring. 31/2 gns (unframed)

238. The butterfly dance. 5 gns (unframed)

239. The caravan. 2 gns (unframed)

240 Steeplejacks. 2 gns (unframed)

241. Refreshment. 2 gns (framed)

242. Ursa Major and Ursa Minor. 2 gns (framed)

243. Hush! the Mantos Prays. 3 gns (framed)

244. Pals. 2 gns (framed)

245. The Light, Fantastic Toe. 3 gns (framed)

246. The Slow Motion Steeplechase. 4 gns (framed)

247. Sunny hours. 3½ gns (framed)

Taylor, Stephanie. (1899–1974)

248. The gum. 2 gns (framed)

McCulloch, Alan. (1907–1992)

249. The coming storm. 3 gns (framed)

250. The Windmill. 2 gns (framed)

Pestell, William. (1930–)

251. Scots' Church Spire. 3 gns (framed)

Williams, C.W. (1930–)

252. Princes Bridge. 4 gns (framed)

253. Scots' Church, Collins Street. 4 gns (framed)

254. Flinders Street Station. 4 gns (framed)

255. Collins Street, from Treasury. 3 gns (framed)

256. Harbour Mists, Sydney. 5 gns (framed)

257. St. Patrick's Cathedral. 5 gns (framed)

258. Morning mists. 4 gns (framed)

259. Parliament House, Melbourne. 7 gns (framed).

260. The T. and G. Building. 6 gns (framed)

261. Sydney Bridge and North Pylon. 5 gns (framed)

262. Old Sydney and 'Our' Bridge. 6 gns (framed)

Eighth Xmas Exhibition of Etchings and Woodcuts by Master Etchers. 8th Xmas Exhibition of Etchings and Woodcuts by Master Etchers.

Venues

Sedon Galleries [2] (6 December 1932 – 24 December 1932)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia