Friar Street, Worcester

Sydney Long (1871–1955)

Friar Street, Worcester

(1919)

aquatint and line-etching

EXHIBITION HISTORY 1 – 4 of 4 exhibitions

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Third Annual Exhibition of Etchings by the Australian Painter Etchers Society

Venues

Education Department Gallery (3 July 1923 – 21 July 1923)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

SOPER, George (1870–1942)

The brick kiln. Lent | etching

FEINT, Adrian (1894–1971)

The Bathers. 2 gns (unframed) | etching

Lindeman, Grant. (1920–)

Head Wind, hayling. Elizabeth Bay Road, Elizabeth Bay, Sydney, New South Wales, Australia | 2 gns (unframed) | etching

Morgan, Squire. (1886–1974)

Ti-trees. 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

Rose, Herbert. (1890–1937)

The Sugar Mills. 17 Auburn Grove, Armadale, Melbourne, Victoria, Australia. | 5 gns (unframed) | etching

SHORT, Frank (1857–1945)

Slant of Light in Polperro Harbour. Lent by Justice Street. | etching

Crisp, James. (1879–1962)

1. Young Magpies. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns. (unframed) | etching

Boyd, Penleigh. (1890–1923)

1. The Stack. c/- P. Mc Shane, "Worthing", Carlos Street, Artarmon, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

Britton, Fred. (1889–1931)

1. Morning light. School of Fine Arts, University College, Tynte Street, North Adelaide, South Australia, Australia. | 3 gns (unframed) | etching

Campbell, Fred. (1851–1930)

1. The Swinging Basin. 1½ gns (unframed) | etching

Closay, E.T. de. (active by 1930s)

1. Clearing. 2 gns (unframed) | etching

Coffey, Alfred. (1869–1950)

Artist: Coffey, Alfred. | Title: Argyle cut, old Sydney. | Date: 1910 | Technique: etching, printed in warm black ink with plate-tone, from one plate

1. Argyle cut, old Sydney. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 5 gns (unframed) | etching

Dillon, Cyril. (1883–1974)

1. Melbourne Grammar School. 3 gns (unframed) | etching

Farmer, Helen. (1888–1970)

1. Old farm building. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

FEINT, Adrian (1894–1971)

1. Rendezvous. 2 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

1. Table Mountain, Capetown. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 1 gn (unframed) | etching

FULLWOOD, A.H. (1863–1930)

1. Rowe Street, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

1. York Minster. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Bulls on the bridge, Andalucia, Spain | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

1. Bulls on the bridge, Andalucia, Spain 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 3 gns. (unframed) | etching

LINDSAY, Norman (1879–1969)

1. Hyperborea. Springwood, Faulconbridge, New South Wales, Australia | 15 gns (unframed) | etching

Lloyd, Trevor. (1865–1937)

1. The Virtusoso. 3 gns (unframed) | etching

LONG, Sydney (1871–1955)

1. Fishing Boats. c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 2½ gns (unframed) | etching

McBey, James. (1883–1959)

1. Macduff. Lent by Justice Street. | etching

Morgan, Squire. (1886–1974)

1. Fagan's Farm (Souvenir, Henry Kendall). 158 Phillip Street, Sydney, New South Wales, Australia. | 2½ gns (unframed) | etching

MORT, Eirene (1879–1977)

1. The Harbour from Vaucluse. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

PERCY, W.S. (1872–1946)

1 First church, Christian Scientists' Melbourne. Theatre Royal, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

1. Willows, Hunter River. Dee Why, via Manly, New South Wales, Australia. | 1 gn (unframed) | etching

ST JOHN, Ellis (1874–1949)

1. The Spire. 208 Castlereagh Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

Shaw, Gayfield. (1885–1961)

1. The lake. Callaghan House, George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

SHIRLOW, John (1869–1936)

1. St. Matthews, Stawell. 'Beulah', Park Avenue, Glenhuntly, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Testing the new turbine, Red Cliffs pumps, August 1922. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone and wiped highlights, from one plate

1. Testing the new turbine, Red Cliffs pumps, August 1922. 43 Temple Court, Collins Street, Melbourne, Victoria, Australia. | 8 gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

1. The farm sheds. 24 Bond Street, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

van RAALTE, Henri (1881–1929)

1. Bracken banks. 221 Wellington Square, North Adelaide, South Australia, Australia. | 7 gns (unframed) | etching

Wallis, Raymond. (1900–1983)

1. The farmyard. Decoration Galleries, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

Artist: Warner, Alfred Edward. | Title: George Street | Date: 1922 | Technique: etching, printed in brown ink, from one plate

1. George Street 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Zorn, Anders. (1860–1920)

1. Dal River. Lent by Justice Street. | etching

Crisp, James. (1879–1962)

2. The three jackies. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

Barker, David. (1888–1946)

Artist: Barker, David. | Title: Street in Bethlehem. | Date: (1919) | Technique: etching, printed in black ink with plate-tone, from one plate

2. Street in Bethlehem. 2½ gns (unframed) | etching

Boyd, Penleigh. (1890–1923)

2. Edge of the clearing. c/- P. Mc Shane, "Worthing", Carlos Street, Artarmon, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

Britton, Fred. (1889–1931)

2. The Bridge. School of Fine Arts, University College, Tynte Street, North Adelaide, South Australia, Australia. | 2 gns (unframed) | etching

Campbell, Fred. (1851–1930)

2. The quarry. 1½ gns (unframed) | etching

Closay, E.T. de. (active by 1930s)

2. Approaching its End. 2 gns (unframed) | etching

Coffey, Alfred. (1869–1950)

Artist: Coffey, Alfred. | Title: Kirribilli Wharf, Neutral Bay, Sydney Harbour. | Date: 1914 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

2. Kirribilli Wharf, Neutral Bay, Sydney Harbour. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 5 gns. (unframed) | etching

Dillon, Cyril. (1883–1974)

2. Port Phillip Heads. 2½ gns (unframed) | etching

Farmer, Helen. (1888–1970)

2. End of the track. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

Friedensen, Thomas. (1879–1931)

2. Canal in Venice. 2½ gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

2. Old Dawes Point, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

2. Cobles at Staithes, Yorks. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

Lindeman, Grant. (1920–)

2. Head Wind, hayling. Elizabeth Bay Road, Elizabeth Bay, Sydney, New South Wales, Australia | 2 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

2. Don Juan's Last Duel. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 2½ gns (unframed) | etching

LINDSAY, Norman (1879–1969)

2. Death in the garden. Springwood, Faulconbridge, New South Wales, Australia | 10 gns (unframed) | etching

Lloyd, Trevor. (1865–1937)

2. The Outpost. 3 gns (unframed) | etching

MORT, Eirene (1879–1977)

2. The yard. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

PERCY, W.S. (1872–1946)

2. Canterbury College Christchurch, N.Z. Theatre Royal, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

2. Old Argyle. Dee Why, via Manly, New South Wales, Australia. | 2½ gns. (unframed) | etching

Rose, Herbert. (1890–1937)

2. Sydney from Cremorne. 17 Auburn Grove, Armadale, Melbourne, Victoria, Australia. | 2½ gns (unframed) | etching

ST JOHN, Ellis (1874–1949)

2. A back lane off Williams Street. 208 Castlereagh Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Shaw, Gayfield. (1885–1961)

2. Tending the nets. Callaghan House, George Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

SHIRLOW, John (1869–1936)

2. G.P.O. Gateway, Melbourne. 'Beulah', Park Avenue, Glenhuntly, Melbourne, Victoria, Australia. | 3 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

2. The Digger, Red Cliffs. 43 Temple Court, Collins Street, Melbourne, Victoria, Australia. | 1½ gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

2. Farm house, Hartley. 24 Bond Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

van RAALTE, Henri (1881–1929)

2. Adelaide Cathedral. 221 Wellington Square, North Adelaide, South Australia, Australia. | 3 gns (unframed) | etching

Wallis, Raymond. (1900–1983)

2. The Milking Shed. Decoration Galleries, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

2. York Street. 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Crisp, James. (1879–1962)

3. The sultan. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns. (unframed) | etching

Barker, David. (1888–1946)

3. Brickworks, St. Leonards. 2 gns (unframed) | etching

Boyd, Penleigh. (1890–1923)

Artist: Boyd, Penleigh. | Title: The jetty. | Date: c.1921 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate

3. The jetty. c/- P. Mc Shane, "Worthing", Carlos Street, Artarmon, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

Britton, Fred. (1889–1931)

3. Gaston Mervale in the "The Lilac Domino". School of Fine Arts, University College, Tynte Street, North Adelaide, South Australia, Australia. | 2 gns (unframed) | etching

Cameron, D.Y. (1865–1945)

3. Strathearn. Lent by Justice Street. | etching

Campbell, Fred. (1851–1930)

3. East Coast, Port Phillip. 1½ gns (unframed) | etching

Coffey, Alfred. (1869–1950)

3. Chapel, St. John's College, Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 5 gns (unframed) | etching

Farmer, Helen. (1888–1970)

3. Glimpe of the Creek. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: On the balcony. | Date: 1922 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

3. On the balcony. 1½ gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

3. The Up Country Farmer. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 1 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

3. Sydney Observatory. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

3. Old bridge, Staithes, Yorks. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

Lindeman, Grant. (1920–)

3. Sketch. Elizabeth Bay Road, Elizabeth Bay, Sydney, New South Wales, Australia | 1½ gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

3. The Lolly Shop. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 2 gns (unframed) | etching

LINDSAY, Norman (1879–1969)

3. Scherzo. Springwood, Faulconbridge, New South Wales, Australia | 10 gns (unframed) | etching

Lloyd, Trevor. (1865–1937)

3. Fern Trees. 3 gns (unframed) | etching

LONG, Sydney (1871–1955)

3. The old wooden ship. c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

3. Sandgrain Pastoral. c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 2½ gns (unframed) | etching

Morgan, Squire. (1886–1974)

3. Miniature. 158 Phillip Street, Sydney, New South Wales, Australia | 1 gn (unframed) | etching

MORT, Eirene (1879–1977)

3. The trough, Berrima. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

PERCY, W.S. (1872–1946)

3. St. Peter's Adelaide. Theatre Royal, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

3. Oxford Falls Bridge, N.S.W. Dee Why, via Manly, New South Wales, Australia. | 1½ gns (unframed) | etching

Rose, Herbert. (1890–1937)

3. Glebe Island Bridge, Sydney. 17 Auburn Grove, Armadale, Melbourne, Victoria, Australia. | 2½ gns (unframed) | etching

ST JOHN, Ellis (1874–1949)

3. St. James' Doorway, Sydney. 208 Castlereagh Street, Sydney, New South Wales, Australia. | 2½ gns (unframed) | etching

Shaw, Gayfield. (1885–1961)

3. Reflections. Callaghan House, George Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

SHIRLOW, John (1869–1936)

3. Flinders Street. 'Beulah', Park Avenue, Glenhuntly, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

3. Stocking the Boilers, Red Cliffs. 43 Temple Court, Collins Street, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

3. The barn, Windsor. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

van RAALTE, Henri (1881–1929)

3. Mourners at dusk. 221 Wellington Square, North Adelaide, South Australia, Australia. | 3 gns (unframed) | etching

Wallis, Raymond. (1900–1983)

3. Lucerne Farm. Decoration Galleries, Melbourne, Victoria, Australia. | 2½ gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

3. Morning, Berry's Bay. 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

3. The wool team. 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Crisp, James. (1879–1962)

4. Country pasture. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

Barker, David. (1888–1946)

4. Mosque in Baghdad. 3 gns (unframed) | etching

Bone, Muirhead. (1876–1953)

4. Jews' Quarter, Leeds. Lent by Justice Street. | etching

Britton, Fred. (1889–1931)

4. The slips. School of Fine Arts, University College, Tynte Street, North Adelaide, South Australia, Australia. | 2 gns (unframed) | etching

Campbell, Fred. (1851–1930)

4. Flinders Street Railway Station. 1½ gns (unframed) | etching

Coffey, Alfred. (1869–1950)

4. Clyde Street, Miller's Point, Old Sydney. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 5 gns (unframed) | etching

Farmer, Helen. (1888–1970)

4. The lake, Avoca. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

FEINT, Adrian (1894–1971)

Artist: FEINT, Adrian | Title: Basket willow. | Date: (1922) | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

4. Basket willow. 1 gn (unframed) | etching

Friedensen, Thomas. (1879–1931)

4 The Aboriginal. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 1½ gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

4. St. Joseph's Mulgoa, N.S.W. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

4. Cobles at Staithes, Yorks. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

Lindeman, Grant. (1920–)

4. Fishing boats, Boulogne. Elizabeth Bay Road, Elizabeth Bay, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

4. Arab Palace. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 3 gns (unframed) | etching

LINDSAY, Norman (1879–1969)

4. Lands of afternoon. Springwood, Faulconbridge, New South Wales, Australia | 10 gns (unframed) | etching

Lloyd, Trevor. (1865–1937)

4. Tree Ferns. 4 gns (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The camp in the forest | Date: 1920 | Technique: softground-etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

4. The camp in the forest c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 5 gns (unframed) | etching

Morgan, Squire. (1886–1974)

4. The lake, Avoca. 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Careening | Date: 1923 | Technique: softground-etching, printed in black ink, from one plate

4. Careening "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

ROBERTSON, Bruce (1872–1943)

4. Over the Range. Dee Why, via Manly, New South Wales, Australia. | 2½ gns (unframed) | etching

Rose, Herbert. (1890–1937)

4. Berry's Bay. 17 Auburn Grove, Armadale, Melbourne, Victoria, Australia. | 2½ gns (unframed) | etching

ST JOHN, Ellis (1874–1949)

4. Argyle. 208 Castlereagh Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Shaw, Gayfield. (1885–1961)

4. The White Way. Callaghan House, George Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

SHIRLOW, John (1869–1936)

4. Twilight, River Yarra. 'Beulah', Park Avenue, Glenhuntly, Melbourne, Victoria, Australia. | 3 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

4. The Dam, Small Pump, Red Cliffs. 43 Temple Court, Collins Street, Melbourne, Victoria, Australia. | 3½ gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Bank of New South Wales, Windsor | Date: 1920 | Technique: etching, printed in black ink, from one plate

4. Bank of New South Wales, Windsor 24 Bond Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

van RAALTE, Henri (1881–1929)

4. Wayside Gums. 221 Wellington Square, North Adelaide, South Australia, Australia. | 4 gns (unframed) | etching

Wallis, Raymond. (1900–1983)

4. White gum. Decoration Galleries, Melbourne, Victoria, Australia. | 1½ gns (unframed) | etching

Crisp, James. (1879–1962)

5. Late for dinner. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

Britton, Fred. (1889–1931)

5. Norman McDougall Bookplate. School of Fine Arts, University College, Tynte Street, North Adelaide, South Australia, Australia. | not for sale | etching

Campbell, Fred. (1851–1930)

5. The Bush Road. 1½ gns (unframed) | etching

Coffey, Alfred. (1869–1950)

5. Steps, Gloucester Street. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 5 gns (unframed) | etching

Farmer, Helen. (1888–1970)

5. Cobbitty gums. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

5. The Orient Boat. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 2 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

5. Corner of Liverpool Street. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

5. The Old Boathouse. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

Lindeman, Grant. (1920–)

5. Fish Markets, Boulogne. Elizabeth Bay Road, Elizabeth Bay, Sydney, New South Wales, Australia | 1½ gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Hulks, Berry's Bay | Date: 1920 | Technique: etching, aquatint and foul biting, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

5 Hulks, Berry's Bay 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 3 gns (unframed) | etching

Lloyd, Trevor. (1865–1937)

5. The Nikau Palm 3 gns 6 The Day of Rest. 3 gns (unframed) | etching

LONG, Sydney (1871–1955)

5. Strand on the Green. c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

Morgan, Squire. (1886–1974)

5. Morning sunlight. 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

MORT, Eirene (1879–1977)

5. The magpie. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

5. St. Andrew's Castle, Fife. Dee Why, via Manly, New South Wales, Australia. | 1½ gns (unframed) | etching

ST JOHN, Ellis (1874–1949)

5. The porch, St. James. 208 Castlereagh Street, Sydney, New South Wales, Australia. | 2½ gns (unframed) | etching

Shaw, Gayfield. (1885–1961)

5. Hillside dairy. Callaghan House, George Street, Sydney, New South Wales, Australia. | not for sale | etching

SHIRLOW, John (1869–1936)

5. Yarraside. 'Beulah', Park Avenue, Glenhuntly, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

5. Broken Hill silhouette, British Mine, Sunset. 43 Temple Court, Collins Street, Melbourne, Victoria, Australia. | 5 gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

5. Across the plains, Windsor. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

van RAALTE, Henri (1881–1929)

5. Town Hall, Perth. 221 Wellington Square, North Adelaide, South Australia, Australia. | 5 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

Artist: Warner, Alfred Edward. | Title: Pengilley's wool wagon | Date: 1922 | Technique: etching, printed in black ink with plate-tone, from one plate

5. Pengilley's wool wagon 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Crisp, James. (1879–1962)

6. Corner Old Stables, Vaucluse House. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns. (unframed) | etching

Britton, Fred. (1889–1931)

6. Louise Brown Bookplate. School of Fine Arts, University College, Tynte Street, North Adelaide, South Australia, Australia. | not for sale | etching

Campbell, Fred. (1851–1930)

6. Reflection. 1½ gns (unframed) | etching

Coffey, Alfred. (1869–1950)

6. Wooden Bridge, Pyrmont. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Farmer, Helen. (1888–1970)

6. Beauty Point. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Friedensen, Thomas. (1879–1931) and FULLWOOD, A.H. (1863–1930)

6. The Spit, Middle Harbour. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 2 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

6 Clyde Street, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

6. Boatshed, Cremorne Point. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

HADEN, Francis Seymour (1818–1910)

6. The Breaking up of the 'Agamemnon'. Lent by Justice Street. Lent by Justice Street. | etching

LINDSAY, Lionel (1874–1961)

6. Refreshments. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 1½ gns (unframed) | etching

LONG, Sydney (1871–1955)

6. Badnage Landscape. c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 4 gns (unframed) | etching

Morgan, Squire. (1886–1974)

6. The glade. 158 Phillip Street, Sydney, New South Wales, Australia | 1½ gns (unframed) | etching

MORT, Eirene (1879–1977)

6. A Hartley barn. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

6. Australian Bush Road. Dee Why, via Manly, New South Wales, Australia. | 5 gns (unframed) | etching

ST JOHN, Ellis (1874–1949)

6. Old houses, Miller's Point. 208 Castlereagh Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Shaw, Gayfield. (1885–1961)

6. The Mill Hut, Menangle. Callaghan House, George Street, Sydney, New South Wales, Australia. | not for sale | etching

SHIRLOW, John (1869–1936)

6. Kong Mong's doorway 'Beulah', Park Avenue, Glenhuntly, Melbourne, Victoria, Australia. | 2 gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

6. Hawkesbury River, Windsor. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

van RAALTE, Henri (1881–1929)

6. Barracks, Perth. 221 Wellington Square, North Adelaide, South Australia, Australia. | 3 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

Artist: Warner, Alfred Edward. | Title: Drovers cook making camp | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate

6. Drovers cook making camp 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Crisp, James. (1879–1962)

7. The quintette. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns. (unframed) | etching

Coffey, Alfred. (1869–1950)

7. The mouth of the creek. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Farmer, Helen. (1888–1970)

7. East Gate, Warwick. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

7. The Sydney Herald Building. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

7. Windmill Hill, 1890. 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957) and GOODCHILD, John (1898–1980)

7. St. Mary's Cathedral. 24 Bond Street, Sydney, New South Wales, Australia. | not for sale | etching

Lindeman, Grant. (1920–)

7. St. Bartholomew the Great. Elizabeth Bay Road, Elizabeth Bay, Sydney, New South Wales, Australia | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

7. Autumn landscape c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

Morgan, Squire. (1886–1974)

7. Old bullock dray. 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns. (unframed) | etching

MORT, Eirene (1879–1977)

7. Macquarie's Bath House. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

7. Farm bridge, Hunter River. Dee Why, via Manly, New South Wales, Australia. | 3 gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

7. Ashmore House, Kent Street. 24 Bond Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

van RAALTE, Henri (1881–1929)

7. The gust. 221 Wellington Square, North Adelaide, South Australia, Australia. | 10 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

7. Argyle. 313 George Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Crisp, James. (1879–1962)

8. Magpies. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

8. Half Wooden House, Gas Lane, Old Sydney. Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Farmer, Helen. (1888–1970)

8. A Shady Spot. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

8. Royal, Windsor. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

8. The Rocks. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

8. A Minnamurra Crossing. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Lalanne, Maxime. (1827–1886)

8 Vue Prise du Pont St. Michel lent by Justice Street. Lent by Justice Street. | etching

LINDSAY, Lionel (1874–1961)

8. Gossip, Sussex Street. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 2 gns (unframed) | etching

LONG, Sydney (1871–1955)

8. Old houses, Chissington. c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

Morgan, Squire. (1886–1974)

8 Deserted hut. 158 Phillip Street, Sydney, New South Wales, Australia | not for sale | etching

MORT, Eirene (1879–1977)

8. The sentinel. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

8. Duck Farm, Hunter River. Dee Why, via Manly, New South Wales, Australia. | 1½ gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

8. Harbour from Rose Bay. 24 Bond Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

Artist: Warner, Alfred Edward. | Title: The District Court | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate

8. The District Court Kindly lent by Mr H. Chorley. | etching

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

9. The teamster. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns. (unframed) | etching

Coffey, Alfred. (1869–1950)

9. Doorway, Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Farmer, Helen. (1888–1970)

9. Dee Bridge, Chester. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

9. Circular Quay, Sydney. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

9. Dawes Point. 1 Bond Street, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

9. Scows at Rest. 24 Bond Street, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Mardi Gras, Serville, Spain | Date: 1919 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

9. Mardi Gras, Serville, Spain 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

9. St. Paul's from the river c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 2½ gns (unframed) | etching

Morgan, Squire. (1886–1974)

9. Sketch, Avoca. 158 Phillip Street, Sydney, New South Wales, Australia | 1 gn (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Pont de Sucre, Bruges | Date: 1912 | Technique: etching, printed in black ink, from one plate

9. Pont de Sucre, Bruges "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

9. Australian sunrise. Dee Why, via Manly, New South Wales, Australia. | 3 gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

9. Early morning, the river, Windsor. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

9. Timber. 313 George Street, Sydney, New South Wales, Australia. | 2½ gns (unframed) | etching

Crisp, James. (1879–1962)

10. The teamster [pencil]. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 4 gns (unframed) | pencil sketch.

None

10. Buttress and Pinnacle, St. John's College Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Farmer, Helen. (1888–1970)

10. Government House Gates. 26 Cremorne Road, Cremorne, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

10. Windmill, Walton, Essex. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | 3 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

10. First Treasury Building, Australia, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

Godson, John Barclay. (1882–1957)

10. Botanic Steps, Sydney. 24 Bond Street, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

10. Gamecocks, Spain 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

10. Friar Street, Worcester c/o Squire Morgan, 158 Phillip Street, Sydney, New South Wales, Australia | 2½ gns (unframed) | etching

Morgan, Squire. (1886–1974)

10. The lakeside. 158 Phillip Street, Sydney, New South Wales, Australia | 2½ gns (unframed) | etching

MORT, Eirene (1879–1977)

10. College gate, York. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

10. Rialto Bridge, Venice. Dee Why, via Manly, New South Wales, Australia. | 1½ gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

10. Little doorway, Bathurst. 24 Bond Street, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

Warner, Alfred Edward. (1879–1968)

10. The team. 313 George Street, Sydney, New South Wales, Australia. | 2½ gns (unframed) | etching

WEBSTER, Herman (1878–1970)

10. Sur le Quai Montebello lent by Justice Street. Lent by Justice Street. | etching

Crisp, James. (1879–1962)

11. Cow and Calf, Pencil Sketch. 'K'Burra', Vaucluse Road, Vaucluse, Sydney, New South Wales, Australia. | 3 gns (unframed) | pencil sketch

Brockhurst, Gerald. (1890–1978)

11. Fabian lent by Justice Street. Lent by Justice Street. | etching

Coffey, Alfred. (1869–1950)

11. Glenyarrah (Gladswood), Double Bay. Trelawny Street, Woollahra, Sydney, New South Wales, Australia.Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 1½ gns. (unframed) | etching

Friedensen, Thomas. (1879–1931)

11. The Aboriginal. Coronation Avenue, Eastwood, Sydney, New South Wales, Australia | not for sale | etching

FULLWOOD, A.H. (1863–1930)

11. Fort Street School, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

11. The fossicker. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 3 gns (unframed) | etching

Morgan, Squire. (1886–1974)

11. Sliprails. 158 Phillip Street, Sydney, New South Wales, Australia | 2½ gns (unframed) | etching

MORT, Eirene (1879–1977)

11. A bush home. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

ROBERTSON, Bruce (1872–1943)

11. Waterloo Bridge. Dee Why, via Manly, New South Wales, Australia. | 2½ gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

11. Cottage, Clarendon 24 Bond Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

11. Lake Tarawera, N.Z. 313 George Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

Coffey, Alfred. (1869–1950)

12. Across the lagoon. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | 1½ gns. (unframed) | etching

FULLWOOD, A.H. (1863–1930)

12. Mr. Mitchell's House, Darlinghurst. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Muleteers, Spain | Date: 1921 | Technique: etching printed green-black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

12. Muleteers, Spain 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 2 gns (unframed) | etching

LUMSDEN, E.S. (1883–1948)

12. Benares No.2 lent by Justice Street. Lent by Justice Street. | etching

MORT, Eirene (1879–1977)

12. Uplands. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

12. The wave, Coogee, N.S.W. Dee Why, via Manly, New South Wales, Australia. | 1½ gns (unframed) | etching

URE SMITH, Sydney (1887–1949)

12. The barn, Winnstay. 24 Bond Street, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

Warner, Alfred Edward. (1879–1968)

12. The old coach road. 313 George Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

13. Burdekin House, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Old Government House, Windsor, N.S.W. | Date: 1918 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

13. Old Government House, Windsor, N.S.W. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 4 gns (unframed) | etching

MORT, Eirene (1879–1977)

13. The sawmill. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

REMBRANDT van Rijn (1606–1669)

13. No title Kindly lent by Mrs Norman Lindsay. Kindly lent by Mrs Norman Lindsay. | etching

ROBERTSON, Bruce (1872–1943)

13. Merewether Lagoon (out print). Dee Why, via Manly, New South Wales, Australia. | 8 gns (unframed) | out of print | etching

URE SMITH, Sydney (1887–1949)

13. Windsor, N.S.W. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

14. Old King's School, Parramatta. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

14. Breakfast 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 2 gns (unframed) | etching

MORT, Eirene (1879–1977)

14. Sliprails. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

REMBRANDT van Rijn (1606–1669)

14. No title Kindly lent by Mrs Norman Lindsay. Kindly lent by Mrs Norman Lindsay. | etching

ROBERTSON, Bruce (1872–1943)

14. Rue de L'Horlogue, Dinan, France. Dee Why, via Manly, New South Wales, Australia. | 5 gns (unframed) | out of print | etching

URE SMITH, Sydney (1887–1949)

14. Harbour from Curraghbeana Point. 24 Bond Street, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

15. Gabo Island, N.S.W. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

15. House on the Wall. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 4 gns (unframed) | etching

MORT, Eirene (1879–1977)

15. Pasture. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1 gn (unframed) | etching

ROBERTSON, Bruce (1872–1943)

15. Coming storm, Pittenweem. Dee Why, via Manly, New South Wales, Australia. | 10 gns (unframed) | out of print | etching

URE SMITH, Sydney (1887–1949)

15. Cumberland House, the Rocks. 24 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

16. Hyde Park, London. 1 Bond Street, Sydney, New South Wales, Australia. | 4 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

16. Ebeneezer Vickery's, off Pitt Street, Sydney. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 3 gns (unframed) | etching

MORT, Eirene (1879–1977)

16. Court House and Cells, Hartley. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

16. St. Andrew's from Sea, Fife. Dee Why, via Manly, New South Wales, Australia. | 5 gns (unframed) | out of print | etching

FULLWOOD, A.H. (1863–1930)

17. The haunted mill. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

17. Cordova. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | not for sale | etching

MORT, Eirene (1879–1977)

17. The stables, Vaucluse. "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

17. Across the bay, Coogee, Sydney, NSW. Dee Why, via Manly, New South Wales, Australia. | 5 gns (unframed) | out of print | etching

FULLWOOD, A.H. (1863–1930)

18. Moonrise at Heidelberg, Victoria. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns. (unframed) | etching

LINDSAY, Lionel (1874–1961)

18. Sacred Grove. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 3 gns (unframed) | etching

Artist: LINDSAY, Lionel | Title: Elizabeth Farm, Parramatta | Date: 1914 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

18. Elizabeth Farm, Parramatta "Wele", Lower Village Road, Vaucluse, Sydney, New South Wales, Australia. | 1½ gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

18. Rue de l'Cordonnerie, Dinan, France Dee Why, via Manly, New South Wales, Australia. | 10 gns (unframed) | out of print | etching

FULLWOOD, A.H. (1863–1930)

19. Old Chelsea Church, London. 1 Bond Street, Sydney, New South Wales, Australia. | 3 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

19. The Nook, Berry's Bay. 'Meryon', Burns Road, Wahroonga, New South Wales, Australia | 2 gns (unframed) | etching

Palmer, Samuel. (1805–1881)

19. Sunrise. Lent by Lionel Lindsay. | etching

ROBERTSON, Bruce (1872–1943)

19. Arrival of Australian Fleet. Dee Why, via Manly, New South Wales, Australia. | 10 gns (unframed) | out of print | etching

FULLWOOD, A.H. (1863–1930)

20. Peterborough Cathedral. 1 Bond Street, Sydney, New South Wales, Australia.1 Bond Street, Sydney, New South Wales, Australia. | 6 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

20. Old gum tree, Patterson River N.S.W. Dee Why, via Manly, New South Wales, Australia. | 10 gns (unframed) | out of print | etching

FULLWOOD, A.H. (1863–1930)

21. The chalk hole, Rochester. 1 Bond Street, Sydney, New South Wales, Australia. | 10 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

21. Nobby's Newcastle, N.S.W. Dee Why, via Manly, New South Wales, Australia. | 5 gns. (unframed) | etching

Green, Valentine. (1739–1813)

22. Portrait, Sir Joshua Reynolds, lent by Lionel Lindsay. Lent by Lionel Lindsay. | etching

ROBERTSON, Bruce (1872–1943)

22. Through Australian Bush. Dee Why, via Manly, New South Wales, Australia. | 5 gns (unframed) | etching

Piranesi, Giovanni Battista (1720–1778)

23. No title Lent by Lionel Lindsay. Lent by Lionel Lindsay. | etching

ROBERTSON, Bruce (1872–1943)

23. Hunter River at West Maitland, NSW. Dee Why, via Manly, New South Wales, Australia. | 1½ gns (unframed) | etching

24. Group of Gums, 'Deewhy', NSW. Dee Why, via Manly, New South Wales, Australia. | 5 gns (unframed) | etching

SHORT, Frank (1857–1945)

24. Summer haze. Lent by Gayfield Shaw. | etching

Eilen, E.L. (1923–)

25. The Bathers. Lent by Gayfield Shaw. | etching

WALCOT, William (1874–1943)

26. The Marsey lent by Gayfield Shaw. Lent by Gayfield Shaw. | etching

27. Ludgate Hill. Lent by Gayfield Shaw. | etching

LUMSDEN, E.S. (1883–1948)

28. The Fruit Shop. Lent by Gayfield Shaw. | etching

SOPER, George (1870–1942)

30. The barn. Lent by Gayfield Shaw. | etching

Baumer, Lewis. (1870–1963)

31. Resting. Lent by Gayfield Shaw. | etching

NAILER, C.

32. The dance. Lent by Gayfield Shaw. | etching

Australian Painter-Etchers Society. Second [Melbourne] Exhibition [1923]

Venues

Decoration Art Gallery (15 October 1923 – 29 October 1923)
289 Collins St., Melbourne, Victoria, Australia

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Teamsters | Date: 1923 | Technique: aquatint and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

1. Teamsters "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Sussex Street trade | Date: 1923 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. Sussex Street trade "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £7.07.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The selector | Date: 1923 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

3. The selector "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

4. Ronda. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

5. Breakfast "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The house on the wall, Cordova | Date: 1923 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

6. The house on the wall, Cordova "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

7. The Great Fig Tree. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

8. The Old Fossicker. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

9. The Log. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.12.6 (unframed) | etching

10. The Doric Porch. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

11. The crossing "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £5.05.0 (unframed) | etching

12. The Burrow. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

13. On the balcony. £1.11.6 (unframed) | etching

FEINT, Adrian (1894–1971)

14. Rendezvous. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

15. Burdekin House. £3.03.0 (unframed) | etching

16. The farm sheds. £4.04.0 (unframed) | etching

17. The barn, Windsor. £3.03.0 (unframed) | etching

18. Harbour from Rose Bay. £2.02.0 (unframed) | etching

19. Windsor, N.S.W. £3.03.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

20. Edge of the clearing. £4.04.0 (unframed) | etching

21. The Stack. £4.04.0 (unframed) | etching

22. The jetty. £4.04.0 (unframed) | etching

SHIRLOW, John (1869–1936)

Artist: SHIRLOW, John | Title: Andante. | Date: 1923 | Technique: drypoint, printed in black ink, from one copper plate

23. Andante. £2.02.0 (unframed) | etching

24. From South Yarra. £2.12.6 (unframed) | etching

25. Chinese at a doorway £2.12.6 (unframed) | etching

26. Flinders Street. £2.12.6 (unframed) | etching

27. Yarraside. £3.03.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

28. Scherzo. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

29. Death in the garden. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

30. Trio. Springwood, New South Wales, Australia | £4.04.0 (unframed) | etching

31. Dryad. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

32. Julia. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

33. Festival. Springwood, New South Wales, Australia | £8.08.0 (unframed) | etching

34. Argument. Springwood, New South Wales, Australia | £7.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

35. The Sugar Mills. £7.07.0 (unframed) | etching

36. McMahon's Point, Sydney. £2.12.6 (unframed) | etching

37. Sydney Harbour from Cremorne. £2.07.6 (unframed) | etching

38. The Mosque, Cairo. £2.12.6 (unframed) | etching

Rose, Herbert. (1890–1937) and Rose, Herbert. (1890–1937)

39. Half Moon Bay. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

40. Berry's Bay, Sydney. £2.12.6 (unframed) | etching

41. The Post Office, Sydney. £2.12.6 (unframed) | etching

Ashton, Will. (1881–1963)

42. Rodney Lane, Ilfracombe, England. £2.02.0 (unframed) | etching

43. Old bridge, Ayr, Scotland. £3.03.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

44. St. James' Doorway, Sydney. £2.02.0 (unframed) | etching

45. The Milking Shed. £2.02.0 (unframed) | etching

46. Lane of William Street, Sydney. £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

47. Broken Hill silhouette, British Mine, Sunset. £5.05.0 (unframed) | etching

48. Testing the new turbine, Red Cliffs pumps, August 1922. £8.08.0 (unframed) | etching

49. The Digger, Red Cliffs. £1.01.0 (unframed) | etching

50. End of the day, Red Cliffs. £2.02.0 (unframed) | etching

51. View from Temple Court, Collins St. Melbourne. £2.02.0 (unframed) | etching

52. Super Great Power House. £5.05.0 (unframed) | etching

53. The Great Live Line. £4.04.0 (unframed) | etching

54. The Dam, Small Pump, Red Cliffs. £3.03.0 (unframed) | 1st State | etching

ROBERTSON, Bruce (1872–1943)

55. Australian Bush Road. Dee Why, via Manly, New South Wales, Australia. | £4.04.0 (unframed) | etching

56. The farm bridge, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £3.03.0 (unframed) | etching

57. Old Argyle Cut, Sydney. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

58. Over the Range. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

59. Australian sunrise. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

60. Across Lake Macquarie, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £2.02.0 (unframed) | etching

61. St. Andrew's Castle, Fife. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

62. Groote Church, Dordrecht, Holland. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

63. Rialto Bridge, Venice. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

64. The wave, Coogee, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.01.0 (unframed) | etching

65. The Duck Farm, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

66. Oxford Falls Bridge, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

72. Circular Quay, Sydney. £3.03.0 (unframed) | etching

73. Old houses, Candebec, Normandy. £2.12.6 (unframed) | etching

74. A canal in Venice. £3.03.0 (unframed) | etching

75. Barges, Chiswick Mall. £3.03.0 (unframed) | etching

76. Up Country Team. £2.02.0 (unframed) | etching

77. Windsor Castle, Berkshire. £3.03.0 (unframed) | etching

78. Windmill, Walton, Essex. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The old parchment mills £4.04.0 (unframed) | etching

80. St. Paul's from the river £2.12.6 (unframed) | etching

81. Friar Street, Worcester £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Beddington Corner £4.04.0 (unframed) | etching

83. Camp in the forest. £5.05.0 (unframed) | etching

84. Badnage Landscape. £4.04.0 (unframed) | etching

85. Soft Ground Pastorale. £7.07.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

86. Between the showers £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

87. The Thames from Waterloo Bridge £6.06.0 (unframed) | etching

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

88. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Wallis, Raymond. (1900–1983)

89. The Milking Shed. £2.02.0 (unframed) | etching

90. White gums. £1.11.6 (unframed) | etching

91. Lucerne Farm. £2.12.6 (unframed) | etching

92. The farmyard. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

93. The Rocks, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

94. Clyde Street, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

95. Windmill Hill, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

96. Christmas Eve, St Albans, England. 1 Bond Street, Sydney, New South Wales, Australia. | £10.10.0 (unframed) | etching

97. St. Joseph's Mulgoa, N.S.W. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

98. Sydney Observatory. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

99. Hyde Park, London. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

100. Chelsea Old Church, London. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

101. The haunted mill. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

102. Peterborough Cathedral. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

Ward, J. (1920–)

103. The Gamblers. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

104. The Drover. £3.03.0 (unframed) | etching

105. The bullocky. £3.03.0 (unframed) | etching

106. Macquarie Street. £3.03.0 (unframed) | etching

107. The Drover's Cook. £3.03.0 (unframed) | etching

108. The wool dray. £3.03.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. Melbourne Grammar School. £4.04.0 (unframed) | etching

110. The Swimming Pool, Coombe Cottage. £3.03.0 (unframed) | etching

111. From the Roof Garden, Coombe Cottage. £2.02.0 (unframed) | etching

112. Mosman. £2.02.0 (unframed) | etching

113. Port Phillip Heads. £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

114. Circular Quay. £2.02.0 (unframed) | etching

115. The White Way. £1.11.6 (unframed) | etching

116. The lake. £3.03.0 (unframed) | etching

Crisp, James. (1879–1962)

117. Young Magpies. £2.02.0 (unframed) | etching

118. Magpies. £2.02.0 (unframed) | etching

119. The quintette. £2.02.0 (unframed) | etching

Farmer, Helen. (1888–1970)

120. Cobbitty gums. £2.02.0 (unframed) | etching

121. End of the track. £1.01.0 (unframed) | etching

122. Dee Bridge, Chester. £2.02.0 (unframed) | etching

Lindsay, Daryl. (1889–1976)

123. Converter shed. £2.02.0 (unframed) | etching

124. Deserted House, Creswick. £2.02.0 (unframed) | etching

Campbell, Fred. (1851–1930)

125. The quarry. £1.11.6 (unframed) | etching

126. A sunlit sea. £1.11.6 (unframed) | etching

127. Reflections. £1.11.6 (unframed) | etching

128. Flinders Street Railway Station. £1.11.6 (unframed) | etching

129. East Coast, Port Phillip. £1.11.6 (unframed) | etching

130. In the Southern pastures. £1.11.6 (unframed) | etching

131. The beach walk. £1.11.6 (unframed) | etching

132. A fair wind. £1.11.6 (unframed) | etching

Morgan, Squire. (1886–1974)

133. The lake, Avoca. £3.03.0 (unframed) | etching

134. Morning sunlight. £3.03.0 (unframed) | etching

135. The sliprails. £3.03.0 (unframed) | etching

136. Ti-trees. £3.03.0 (unframed) | etching

137. Old bullock dray. £3.03.0 (unframed) | etching

138. The glade. £1.11.6 (unframed) | etching

139. Sketch, Avoca. £1.01.0 (unframed) | etching

PERCY, W.S. (1872–1946)

140. Garden Island. £1.11.6 (unframed) | etching

141. Old bark hut. £1.11.6 (unframed) | etching

Britton, Fred. (1889–1931)

142. The Bridge. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

144. Bracken banks. £7.07.0 (unframed) | etching

Britton, Fred. (1889–1931)

145. Morning light. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

145. Adelaide Cathedral. £3.03.0 (unframed) | etching

147. Wayside Gums. £4.04.0 (unframed) | etching

148. Town Hall, Perth. £3.03.0 (unframed) | etching

149. Barracks, Perth. £3.03.0 (unframed) | etching

150. Water's Edge Price on Frame. Price on frame. | etching

151. The Giant. £10.10.0 (unframed) | etching

Coffey, Alfred. (1869–1950)

152. Chapel, St. John's College, Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £5.05.0 (unframed) | etching

153. Glenyarrah (Gladswood), Double Bay. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £1.11.6 (unframed) | etching

Finley, Fred. (1894–1968)

154. The prisoners. £2.02.0 (unframed) | etching

155. Rag Pickers of the Pont Neuf. £2.02.0 (unframed) | etching

156. Mountebanks, St. Owen, Paris. £2.02.0 (unframed) | etching

157. The porcelain mender, Paris. £1.11.6 (unframed) | etching

Seventh Annual Exhibition of the Australian Painter-Etchers' Society

Venues

Education Department Gallery (30 May 1927 – 18 June 1927)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Gallop, Herbert. (1890–1958)

Shade Ti Trees. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Pittwater shore. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Winter (Wentworth Stable). £2.12.6 (unframed) | etching

Ti trees. £2.02.0 (unframed) | etching

The sliprails. £2.12.6 (unframed) | etching | Print available for members of the Print Collectors Club.

The Sunlit Farmyard. £2.12.6 (unframed) | etching

The Dairy Farm. £2.12.6 (unframed) | drypoint | Print available for members of the Print Collectors Club.

Walker, F. Sidney. (1888–1972)

Phillip Street, Sydney. £2.12.6 (unframed) | etching

The Bridge Cranes, Dawes Pt. £1.11.6 (unframed) | etching

10. The Mill, Mt. Gilead, N.S.W. £1.11.6 (unframed) | etching

11. Low Tide at Newport. £1.11.6 (unframed) | etching

12. The river boat. £1.11.6 (unframed) | etching

13. The Top of the Ridge. £1.01.0 (unframed) | etching

14. Evening. £1.11.6 (unframed) | only 4 copies for sale | etching

15. Skyline Sketch. £1.01.0 (unframed) | etching

Ashton, Will. (1881–1963)

16. The old bridge, Sospel, France. £3.03.0 (unframed) | etching

17. Le Pont Neuf, Paris. £3.03.0 (unframed) | etching

18. Le Pont de Bois, Paris. £3.03.0 (unframed) | etching

19. The church at Damme, Belgium. £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Le portail, St. Maclou [the portal, St. Maclou] | Date: 1927 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate; charcoal additions

20. Le portail, St. Maclou [the portal, St. Maclou] £5.05.0 (unframed) | etching

21. Building the Harbour Bridge I. beginnings. £5.05.0 (unframed) | etching

22. Between showers, Carcassonne. £4.04.0 (unframed) | etching

23. Reflections of the past, Toulouse. £2.02.0 (unframed) | etching

24. Autrefois. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

25. Fantasy £12.12.0 (unframed) | etching

26.

The blacksmith's shop

£4.04.0 (unframed) | etching

27. Rose Bay. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

28. A windy day £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

29. Berowra Creek. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

30. Friar Street, Worcester £3.03.0 (unframed) | Print available for members of the Print Collectors Club. | etching

Artist: LONG, Sydney | Title: Iffley Mill, Oxford | Date: c.1919 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

31. Iffley Mill, Oxford £3.03.0 (unframed) | Print available for members of the Print Collectors Club. | etching

Artist: LONG, Sydney | Title: Dunster | Date: 1927 | Technique: line-etching, aquatint, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

32. Dunster £4.04.0 (unframed) | etching

Morgan, Squire. (1886–1974)

39. Scots Church and Manse. £2.02.0 (unframed) | etching

40. The roadside shanty. £1.11.6 (unframed) | etching

41. Swamp Ti Trees, Avoca. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

42. Kookaburras. £1.11.6 (unframed) | etching

43. Winswept Trees, Avoca. £1.01.0 (unframed) | etching

Walker, Leslie James. (1894–1951)

44. Morning. £1.01.0 (unframed) | etching

Farmer, Helen. (1888–1970)

45. The Old Farmhouse, Mittagong. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

46. Kurrajong. £2.12.6 (unframed) | Print available for members of the Print Collectors Club. | etching

47. The road to Forster. £1.11.6 (unframed) | etching

48. An old corner, Mittagong. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

49. Deep Creek, Narrabeen Lake. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

50. A Landscape, Forster. £1.01.0 (unframed) | etching

51. A glimpse of the Harbour. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Percival, C.H. (1891–1940)

52. The Last Tram (from the original Bulletin drawing). £3.03.0 (unframed) | etching

53. Camels Drinking, Egypt. £1.11.6 (unframed) | etching

54. Quiet Creek. £2.02.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

55. Archway near Stratford, England. £2.02.0 (unframed) | etching

56. The Old Shed. £2.02.0 (unframed) | etching

57. P.L.C. Pymble. £1.15.6 (unframed) | etching

Reid, D.G. (1862–1933)

68. 'Morning', Broughton Mill Creek. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

69. Cottage and Girl. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

70. St. Stephen's, Newtown. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

71. In Leafy Bower. £2.02.0 (unframed) | etching

72. The Ironbark Tree. £2.02.0 (unframed) | etching

73. The Pig Farm. £2.02.0 (unframed) | etching

Crisp, James. (1879–1962)

74. Peck's Farm, Kurrajong Heights. £2.02.0 (unframed) | etching

75. The Pack Horse. £1.11.6 (unframed) | etching

76. The Strength of the Free. £1.01.0 (unframed) | etching

77. Pelican Pond (2nd state). £1.01.0 (unframed) | etching

Coulter, Reg W. (1904–)

78. The King is indisposed. £5.05.0 (unframed) | etching

79. Treasure Haven. £3.03.0 (unframed) | etching

80. East is West. £3.03.0 (unframed) | etching

81. Decoration. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

82. The Bush, New South Wales. £4.04.0 (unframed) | etching

83. Fording the Creek, N.S.W. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

84. Pastoral, North West. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

85. Street in Cairo, Egypt. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

86. Venice. £2.12.6 (unframed) | etching

87. Ann Hathaway's Cottage. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Artist: Friedensen, Thomas. | Title: Young Australia. | Date: 1926 | Technique: drypoint printed in brown ink with plate-tone

88. Young Australia. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

89. Archway, Riviera. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

90. A pipe of 'baccy'. £2.12.6 (unframed) | etching

91. Kookaburras. £2.02.0 (unframed) | etching

92. Kangaroos. £2.02.0 (unframed) | etching

93. Harnessing. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

94. Hobson's Bay. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

95. Melbourne from South Yarra. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Warner, Alfred Edward. (1879–1968)

96. Argyle. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

97. Near Nymagee. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Scott, Eric. (1892–1978)

98. Notre Dame (facade). £3.03.0 (unframed) | etching

99. Notre Dame (abside). £2.02.0 (unframed) | etching

100. La Chappelle. £4.04.0 (unframed) | etching

101. Winter sun (midi). £3.03.0 (unframed) | etching

102. Moret-sur-Loing. £3.03.0 (unframed) | etching

103. Portre de Guillaume (Chartres). £4.04.0 (unframed) | etching

104. Beauvais. £3.03.0 (unframed) | etching

105. Notre Dame. £1.01.0 (unframed) | etching

106. Les Tours de Chartres. £1.01.0 (unframed) | etching

McDonald, Sheila. (1902–1971)

107. Nocturne. £1.01.0 (unframed) | etching

108. Windmill, Mt. Gilead. £1.01.0 (unframed) | etching

109. Old cottage, St. Mary's. £1.01.0 (unframed) | etching

Allcot, John (1888–1973)

110. H.M.S. Roebuck. £1.11.6 (unframed) | etching

111. H.M.S. Sirius. £1.11.6 (unframed) | etching

Dwyer, Ella. (1887–1979)

112. Cellars, Port Arthur, Tas. £1.01.0 (unframed) | etching

Goode-Smith, W.M. (1875–1903)

113. Bridge Construction, Dawes Pt. £1.01.0 (unframed) | etching

Nock, Lucy. (1866–1975)

114. The Old Lodge, Wentworth House. £1.01.0 (unframed) | etching

Burridge, Fred. (1869–1945)

115. Evening. £5.05.0 (unframed) | etching

116. Lancaster. £5.05.0 (unframed) | etching

117. (Final Print). £10.10.0 (unframed) | final print for sale | etching

OSBORNE, Malcolm (1880–1963)

118. Donjon, Loches. £5.05.0 (unframed) | etching

119. Nathaniel Sparkes. £6.06.0 (unframed) | etching

120. Dordrecht. £6.06.0 (unframed) | etching

121. Mt. St. Michel. £5.05.0 (unframed) | etching

122. Sir Edward Clarke. £7.07.0 (unframed) | etching

123. Sunlit land. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

124. High tide. £7.07.0 (unframed) | etching

125. The Black Island. £7.07.0 (unframed) | etching

126. The Mad King's Castle. £5.05.0 (unframed) | etching

127. The Gathering Storm, Lake Garda. £4.04.0 (unframed) | etching

128. Torcello. £3.03.0 (unframed) | etching

129. Hindhead. £4.04.0 (unframed) | etching

Hardie, Martin. (1875–1952)

130. St. Barnabas', Venice. £5.05.0 (unframed) | etching

131. Canal, Chioggia. £5.05.0 (unframed) | etching

A collected list of etchings: Sydney Long.

Venues

Venue Not Identified. None

Works

LONG, Sydney (1871–1955)

Strand on the Green, - No.1. edition of 30

Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Old houses, Chiddingstone edition of 50

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Pan edition of 30

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Hawkesbury landscape edition of 50

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The Victorian Tower edition of 10

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The home of the rooks edition of 50

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Pastoral sandgrain edition of 30

Camp in the forest. edition of 60 | Print Collector's Club Plate.

Radnage landcape. edition of 40

Market Place, Bruges, Belgium. edition of 30

Artist: LONG, Sydney | Title: The wooden ship | Date: 1922 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The wooden ship edition of 30

Autumn landscape edition of 30

St. Paul's from the river edition of 30

Friar Street, Worcester edition of 30

Fishing Boats, Whitby. edition of 30

Fantasy edition of 30

Artist: LONG, Sydney | Title: Kookaburra and young | Date: c.1919 | Technique: drypoint, printed in black ink with light plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Kookaburra and young edition of 30

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Magpies edition of 30

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The deserted selection. edition of 30

Strand on the Green, - No.3. edition of 30

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The riverside edition of 30

The watercress bed. edition of 30

Kookaburras. edition of 30

Houses of Parliament, from the River. edition of 30

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Fishing boats, Lisbon edition of 30

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Fishing boats, Kings Lynn edition of 30

The River, from Blackfriars Bridge -. edition of 30

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The old shot and powder works edition of 30

Artist: LONG, Sydney | Title: Lincoln | Date: 1925 | Technique: line-etching and drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Lincoln edition of 40

Kookaburras, No.3. edition of 60

The blacksmith's shop

edition of 40

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Brisbane water edition of 30

Artist: LONG, Sydney | Title: Turkeys and pumpkins | Date: 1925 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Turkeys and pumpkins edition of 30

Artist: LONG, Sydney | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

St. Albans edition of 30

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The passing storm edition of 50 | aquatint

Porte Marechale, Bruges edition of 50

The Mill. edition of 60

Between the showers edition of 50

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Staples Inn, Holborn edition of 30

Beddington Corner edition of 30

The Parchment Mills. edition of 30

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

On the Wandle edition of 30

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The Spirit of the plains edition of 50

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The belfry, Bruges edition of 50

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The harbour, St.Ives edition of 50

Artist: LONG, Sydney | Title: Landscape, Epping Forest | Date: c.1919 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Landscape, Epping Forest edition of 50

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Moonrise pastoral edition of 60

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The little dutch mill edition of 30

The Thames from Waterloo Bridge edition of 30

Pastoral. edition of 50

Artist: LONG, Sydney | Title: Drying sails | Date: c.1919 | Technique: line-etching and drypoint, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Drying sails edition of 30

Artist: LONG, Sydney | Title: Becalmed | Date: c.1919 | Technique: line-etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Becalmed edition of 30

Artist: LONG, Sydney | Title: Old houses, Worcester | Date: c.1919 | Technique: drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Old houses, Worcester edition of 30

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

A Cornish landscape edition of 30 | Soft Ground