Macquarie Fields.

Sydney Ure Smith (1887–1949)

Macquarie Fields.

EXHIBITION HISTORY 1 – 6 of 6 exhibitions

Society of Artists Annual Exhibition [1924].

Venues

Education Department Gallery (12 September 1924 – 4 October 1924)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Jester | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

3. The Jester 1 gn

Artist: LINDSAY, Lionel | Title: Zinnias | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

4. Zinnias 1 gn

5. The Witch. 1 gn

16. The Brown Hawk. 1 gn

Artist: LINDSAY, Lionel | Title: Heysen's birds | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

17. Heysen's birds 2 gns

Artist: LINDSAY, Lionel | Title: The Chinese basket | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

18. The Chinese basket 1 gn

40. A Pipe of Baccy. 2½ gns

41. Demolition of Girls' High School. 3 gns

42. The Great Fig Tree, Berry's Bay. 3 gns

43. A Pannikin of Flour. 2 gns

44. Boundary Rider. 4 gns

45. Beggars. 3 gns

46. Summer moon. 2½ gns

47. Stringy Bark. 2 gns

48. The water hole. 2½ gns

FEINT, Adrian (1894–1971)

50. Bookplate Kindly lent by the Australian Pioneer Club.

FULLWOOD, A.H. (1863–1930)

52. Kuring-gai Chase. 3 gns

53. Argyle. 3 gns

Artist: FULLWOOD, A.H. | Title: Nobby's, Port Macquarie, N.S.W. | Date: 1924 | Technique: etching, printed in black ink, from one plate

54. Nobby's, Port Macquarie, N.S.W. 3 gns.

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

55. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. 4 gns

56. Parliament Building, Sydney. 3 gns

FEINT, Adrian (1894–1971)

69. Bookplates. Not For Sale

Fell, Eleanor. (1885–1946)

70. Malaga. 3½ gns

URE SMITH, Sydney (1887–1949)

71. Sydney, from Bay Road. 3 gns

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

72. The picnic. 4 gns

URE SMITH, Sydney (1887–1949)

73. Rose's Mill, Mt Gilead. 5 gns

74. Macquarie Fields. 2 gns

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

75. Washing day 2 gns

76. A Reach of the Hawkesbury*. 3 gns

FULLWOOD, A.H. (1863–1930)

77. Argyle Cut, Sydney. 3 gns

FEINT, Adrian (1894–1971)

Artist: FEINT, Adrian | Title: Decoration. | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

80. Decoration. 1½ gns

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: Scarf dance. | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

81. Scarf dance. 1½ gns

FEINT, Adrian (1894–1971)

82. Milson's Point. 2 gns

Herbert, Harold. (1891–1945)

127. Fishing boats, Martigues. 3 gns

128. Cypresses, Ronda. 3 gns

TRAILL, Jessie (1881–1967)

269. Title unknown. 6½ gns

An Exhibition of Etchings and Drawings held under the auspices of the Society of Artists

Venues

Farmer's Exhibition Hall (17 November 1924 – 27 November 1924)
6th floor, Pitt Street, Sydney, New South Wales, Australia.

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The smithy window, Ambleside | Date: 1924 | Technique: drypoint and etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

23. The smithy window, Ambleside 3 gns

Artist: LINDSAY, Lionel | Title: The little outlaw. | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

24. The little outlaw. 2 gns

25. The Departure. 2 gns

26. The Never-Never. 3 gns

27. The Two Trees, Ambleside. 2½ gns

28. Tower of Gold, Seville. 3 gns

Artist: LINDSAY, Lionel | Title: The garden frog | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

29. The garden frog 1 gn

Artist: LINDSAY, Lionel | Title: Apple blossom | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

30. Apple blossom 1 gn

31. The Swan. 1 gn

Artist: LINDSAY, Lionel | Title: The roost | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

32. The roost 1 gn

33. Frosty Morning. 1 gn

Artist: LINDSAY, Lionel | Title: Morning tea | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

34. Morning tea 1 gn

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

43. Sundown. 2½ gns

GOODCHILD, John (1898–1980)

44. Sydney from Bradleys Head. 2½ gns

Artist: GOODCHILD, John | Title: The work of day | Date: 1924 | Technique: softground etching, printed in brown ink, from one plate

45. The work of day 2½ gns

PRESTON, Margaret (1875–1963)

46. Flight. 1 gn

47. Kookaburras. 1 gn

48. Bulletin Place. 1 gn

49. Wind. 1 gn

Britton, Fred. (1889–1931)

77. General Post Office, Adelaide.

Artist: Britton, Fred. | Title: Old Supreme Court, Adelaide. | Date: c.1925

78. Old Supreme Court, Adelaide.

79. Adelaide Railway Station.

Grey, F. Millward. (1899–1957)

85. Portrait. 6 gns

Godson, John Barclay. (1882–1957)

93. Minnamurra Reflections. 3 gns

94. Title unknown. 2 gns

van RAALTE, Henri (1881–1929)

100. The gust.

Artist: van RAALTE, Henri | Title: An idyll. | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

101. An idyll.

102. Wayside Gums.

103. Evening glow.

104. Calm Morning.

MacDONALD, J.S. (1878–1952)

132. Portrait.

133. Portrait.

134. Portrait.

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

138. Washing day 2 gns

139. Macquarie Fields. 2 gns

140. A Reach of the Hawkesbury*. 3 gns

141. The country road. 3 gns

Catalogue of the Christmas Exhibition of the Painter- Etchers' Society [1925].

Venues

Farmer & Company (30 November 1925 – 12 December 1925)

Works

Airy, Anna. (1882–1964)

1. The Reader. £3.03.0 (unmounted, unframed)

2. King Pippin. £3.03.0 (unmounted, unframed)

Anderson, Stanley. (1884–1966)

3. Bush House From The Strand. £3.13.6 (unmounted, unframed)

4. St. George's, Hanover Square. £3.13.6 (unmounted, unframed)

5. Covent Garden Market. £3.13.6 (unmounted, unframed)

6. Landlopers. £3.03.0 (unmounted, unframed)

Ashton, Will. (1881–1963)

7. Rodney Lane, Ilfracombe, England. £2.02.0 (unmounted, unframed)

8. Old bridge, Ayr, Scotland. £3.03.0 (unmounted, unframed)

9. "Eglise St. Nicholas Du Chardonnet", Paris. £3.03.0 (unmounted, unframed)

10. Le Pont de Bois, Paris. £3.03.0 (unmounted, unframed)

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

11. Ponte Vecchio, Florence £3.03.0 (unmounted, unframed)

Burridge, Fred. (1869–1945)

12. The west wind. £4.04.0 (unmounted, unframed)

13. Lancaster. £5.05.0 (unmounted, unframed)

14. Ghagford Bridge. £3.03.0 (unmounted, unframed)

15. The Mill in the Wirral. £3.03.0 (unmounted, unframed)

Crisp, James. (1879–1962)

17. The old mill, Auckland, N.Z. £1.11.6 (unmounted, unframed)

18. The intruder [1]. £2.02.0 (unmounted, unframed)

19. A glimpse. £1.11.6 (unmounted, unframed)

20. The Story. £1.11.6 (unmounted, unframed)

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

21. Farm corner. £1.11.6 (unmounted, unframed)

22. Feathered Friends. 1.11.6 (unmounted, unframed) | All prices are for unmounted and unframed prints, duplicate prints are available in each instance.

Duff, J.R.K. (1862–1938)

23. Down to the Shearing. £3.03.0 (unmounted, unframed)

24. In Winter. £3.03.0 (unmounted, unframed)

25. Noisy Neighbours. £2.02.0 (unmounted, unframed)

26. King of The Castle. £2.02.0 (unmounted, unframed)

27. Too Much Rain. £2.02.0 (unmounted, unframed)

Emanuel, Frank. (1865–1948)

28. Little Hell Street, Dieppe. £3.13.6 (unmounted, unframed)

29. T'Auld Brig o' Ayr. £3.13.6 (unmounted, unframed)

Farmer, Helen. (1888–1970)

30. A river boat. £1.11.6 (unmounted, unframed)

31. In Mosman Bay. £2.02.0 (unmounted, unframed)

32. Cottage on The Hill. £1.01.0 (unmounted, unframed)

33. Deserted Tenement. £1.11.6 (unmounted, unframed)

34. A Timber Mill. £1.11.6 (unmounted, unframed)

35. The cowbail. £2.02.0 (unmounted, unframed)

36. The paddock gate. £3.03.0 (unmounted, unframed)

Friedensen, Thomas. (1879–1931)

37. Sydney Harbor from Athol Gardens. £3.03.0 (unmounted, unframed)

38. An old street in York. £2.02.0 (unmounted, unframed)

39. Molly. £1.11.6 (unmounted, unframed)

Artist: Friedensen, Thomas. | Title: Old Jimmy. | Date: 1925 | Technique: drypoint, printed in black ink, from one plate

40. Old Jimmy. £2.02.0 (unmounted, unframed)

41. Up-Country Farmer. £2.02.0 (unmounted, unframed)

42. An old English shepherd. £2.02.0 (unmounted, unframed)

43. Porch, Harfleur Church. £1.11.6 (unmounted, unframed)

44. Avenue, Harfleur, Normandy. £1.01.0 (unmounted, unframed)

45. Mediaeval Houses, Rouen (Drawing). £7.07.0 (unmounted, unframed)

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The country postman. | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

46. The country postman. £3.03.0 (unmounted, unframed)

47. Rowe Street, Sydney. £3.03.0 (unmounted, unframed)

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

48. Sydney Harbour. £4.04.0 (unmounted, unframed)

49. Conservatorium of Music, Sydney. £3.03.0 (unmounted, unframed)

50. St. Joseph's College, Sydney. £3.03.0 (unmounted, unframed)

51. Wiseman's Ferry. £4.04.0 (unmounted, unframed)

52. Bowling Green, Ludlow - England's Oldest. £3.03.0 (unmounted, unframed)

53. Oxford. £3.03.0 (unmounted, unframed)

54. Old Sydney, 1890, Corner of Liverpool Street and Victoria Place. £2.02.0 (unmounted, unframed)

Artist: FULLWOOD, A.H. | Title: Macquarie Place, Sydney. | Date: c.1923 | Technique: etching, printed in blue/black ink with plate-tone, from one plate

55. Macquarie Place, Sydney. £4.04.0 (unmounted, unframed)

56. The old barn. £3.03.0 (unmounted, unframed)

Gaskell, Percival. (1868–1934)

57. Crowland Abbey. £3.03.0 (unmounted, unframed)

GOODCHILD, John (1898–1980)

58. The Bridge. £2.02.0 (unmounted, unframed)

59. Ships at rest. £2.02.0 (unmounted, unframed) | aquatint

60. After work. £2.02.0 (unmounted, unframed) | aquatint

61. Low Banks. £1.01.0 (unmounted, unframed)

62. Bush Light. £1.01.0 (unmounted, unframed)

63. Sydney, from Bradley's Head. £2.02.0 (unmounted, unframed) | softground

64. The smithy. £2.02.0 (unmounted, unframed)

65. Quiet afternoon, Port Adelaide. £4.04.0 (unmounted, unframed)

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

66. Sundown. £2.02.0 (unmounted, unframed) | softground

GOODCHILD, John (1898–1980)

67. Desolation. £1.11.6 (unmounted, unframed)

68. Wentworth House, Vaucluse, N.S.W. £2.02.0 (unmounted, unframed)

Hardie, Martin. (1875–1952)

69. The Sleepy Ferry. £6.06.0 (unmounted, unframed)

70. An Essex Boatyard. £4.04.0 (unmounted, unframed)

71. Sunset in Scotland. £4.04.0 (unmounted, unframed)

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

72. St. Paul's from the river £2.11.6 (unmounted, unframed)

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

73. Porte Marechale, Bruges £2.11.6 (unmounted, unframed)

74. The Lake [softground]. £10.00.0 (unmounted, unframed) | Two proofs only - Plate Destroyed | softground etching

75. Landscape, Bucks. £4.04.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

76. Autumn landscape £3.03.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

77. Between the showers £4.04.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

78. A Cornish landscape £3.03.0 (unmounted, unframed) | softground & aquatint

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The little dutch mill £3.03.0 (unmounted, unframed) | drypoint

80. Kookaburras. £2.02.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

81. The passing storm £5.05.0 (unmounted, unframed) | aquatint

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Pastoral sandgrain £3.03.0 (unmounted, unframed)

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

83. The harbour, St.Ives £3.03.0 (unmounted, unframed) | softground

Morgan, Squire. (1886–1974)

84. Sketch, Avoca. £1.01.0 (unmounted, unframed)

85. Miniature. £1.01.0 (unmounted, unframed)

86. The glade. £1.11.6 (unmounted, unframed)

87. The lakeside. £2.12.6 (unmounted, unframed)

88. Fagan's Farm. £2.02.0 (unmounted, unframed)

89. At Palm Beach. £3.03.0 (unmounted, unframed)

Artist: Morgan, Squire. | Title: Ti trees | Date: 1922 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

90. Ti trees £3.03.0 (unmounted, unframed)

91. Summer Shade. £3.03.0 (unmounted, unframed)

92. On the road to Tambourine, Queensland. £2.12.6 (unmounted, unframed)

93. The roadside shanty. £3.03.0 (unmounted, unframed)

OSBORNE, Malcolm (1880–1963)

94. My mother. £5.05.0 (unmounted, unframed)

95. Arthur. £3.03.0 (unmounted, unframed)

96. Tourks Market Place. £3.03.0 (unmounted, unframed)

97. Cherrac. £5.05.0 (unmounted, unframed)

RICHARDSON, Linley, H. (1878–1947)

98. Portrait of a little boy.

van RAALTE, Henri (1881–1929)

99. After the Bath.

RICHARDSON, Linley, H. (1878–1947)

100. A sunny morning.

101. Off to the Seaside.

102. Once Upon a Time.

ROBERTSON, Bruce (1872–1943)

103. Australian sunrise. £3.03.0 (unmounted, unframed)

104. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unmounted, unframed)

105. Australian Natives. £1.11.6 (unmounted, unframed)

106. Australian sunrise. £2.10.0 (unmounted, unframed)

107. On the Lane Cove, Sydney Harbour. £2.17.6 (unmounted, unframed)

108. Reflections Cook's River, N.S.W. £1.16.6 (unmounted, unframed)

109. The wave, Coogee, N.S.W. £1.01.0 (unmounted, unframed)

110. Fairy Bower, Manly, N.S.W. £1.11.6 (unmounted, unframed)

111. Old Bronte, Sydney, N.S.W. £1.05.0 (unmounted, unframed)

ROBINS, W.P. (1882–1959)

112. Monkton. £7.07.0 (unmounted, unframed)

SHIRLOW, John (1869–1936)

113. The Bank Door (Commercial Bank, Melb.). £3.03.0 (unmounted, unframed)

114. Nightfall. £2.02.0 (unmounted, unframed)

Artist: SHIRLOW, John | Title: A bye-way, Flinders Lane. | Date: 1896 | Technique: etching, printed in black ink with plate-tone, from one copper plate

115. A bye-way, Flinders Lane. £2.02.0 (unmounted, unframed)

116. Morning, Central Station, Melbourne. £3.03.0 (unmounted, unframed)

117. Flinders Street. £2.02.0 (unmounted, unframed)

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

118. Ambleside farmyard £3.03.0 (unmounted, unframed)

119. The country road. £3.03.0 (unmounted, unframed)

120. Rose's Mill, Mt Gilead. £5.05.0 (unmounted, unframed)

121. The Old Treasury. £4.04.0 (unmounted, unframed)

122. Macquarie Fields. £2.02.0 (unmounted, unframed)

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

123. Washing day £2.02.0 (unmounted, unframed)

124. Farmyard, Clarendon. £2.02.0 (unmounted, unframed)

125. Ah Lum's Farm, Windsor. £5.05.0 (unmounted, unframed)

TRAILL, Jessie (1881–1967)

126. Big Building, Yallourn. £6.06.0 (unmounted, unframed)

127. Super Great Power House. £5.05.0 (unmounted, unframed)

Walker, F. Sidney. (1888–1972)

128. Dawes Point, (From McMahons Pt.). £1.11.6 (unmounted, unframed)

129. Milsons Point, September. £1.11.6 (unmounted, unframed)

130. Princes Bridge. £1.11.6 (unmounted, unframed)

131. Midsummer Noon. £1.11.6 (unmounted, unframed)

132. MacTaggart's Farm. £1.07.0 (unmounted, unframed)

133. At the top of the Ridge. £1.01.0 (unmounted, unframed)

134. The Headland, Newport. £1.01.0 (unmounted, unframed)

Warner, Alfred Edward. (1879–1968)

135. Bobadah. £3.03.0 (unmounted, unframed)

136. Martin's Farm. £2.02.0 (unmounted, unframed)

137. Main Entrance, St. Mary's Cathedral. £1.11.6 (unmounted, unframed)

138. On the road. £3.03.0 (unmounted, unframed)

139. Cultivation paddocks. £2.12.6 (unmounted, unframed)

140. The distant road. £2.12.6 (unmounted, unframed)

141. In Camp. £2.12.6 (unmounted, unframed)

Artist: Warner, Alfred Edward. | Title: Prawners | Date: 1935 | Technique: etching, printed in black ink with plate-tone, from one plate

142. Prawners £2.12.6 (unmounted, unframed)

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

143. Sundown. £3.03.0 (unmounted, unframed)

Catalogue of the Sixth Annual Exhibition of the Australian Painter-Etchers' Society [1926].

Venues

Education Department Gallery (1 June 1926 – 1 July 1926)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Playmates. £1.11.6 (unframed) | drypoint

A Tit Bit. £1.11.6 (unframed) | etching

The old mill, Auckland, N.Z. £1.11.6 (unframed) | etching

The straggliers. £1.01.0 (unframed) | etching

A Favorite Spot. £2.02.0 (unframed) | etching

Feathered Friends. £1.11.6 (unframed) | etching

The Story. £1.11.6 (unframed) | etching

The intruder [2]. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

Old and new bridges, from Emu Plains. £4.04.0 (unframed) | etching

10. The Gap, Sydney Heads. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

11. Stanwell Park. £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

12. St. Joseph's College, Sydney. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

13. Wiseman's Ferry. £4.04.0 (unframed) | etching

14. The old barn. £3.03.0 (unframed) | out of print | etching

Farmer, Helen. (1888–1970)

15. A Wharf at Foster. £2.02.0 (unframed) | etching

Artist: Farmer, Helen. | Title: Sunlit. | Date: 1926 | Technique: etching, printed in black ink with plate-tone, from one plate

16. Sunlit. £1.11.6 (unframed) | etching

17. Mid-day Shade*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

18. Boat sheds. £2.02.0 (unframed) | etching

19. A bend of the River. £2.02.0 (unframed) | etching

Lindeman, Grant. (1920–)

19. Elizabeth Bay Road, Elizabeth Bay. etching

Farmer, Helen. (1888–1970)

20. St. Phillips, Sydney. £1.11.6 (unframed) | etching

21. Deserted Tenement. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

22. Book Plate. etching

Warner, Alfred Edward. (1879–1968)

23. N.S.W. Border Farm. £3.13.6 (unframed) | etching

24. Clancy's Clearing. £3.13.6 (unframed) | etching

25. Circular Quay. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

26. Tinderie Sheds*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

27. The overflow waggon. £2.12.6 (unframed) | etching

28. Travelling Sheep. £1.11.6 (unframed) | etching

29. Moving Out. £1.11.6 (unframed) | etching

30. On the road to Condobolin. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

31. The Mountain Road, Brush Creek, N.S.W. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

32. Sydney University*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

33. The road to Fairy Bower, Manly. £2.12.6 (unframed) | etching

34. The Old Blacksmith. £2.02.0 (unframed) | etching

35. A Belgian windmill. £2.02.0 (unframed) | etching

36. The Drover. £1.11.6 (unframed) | etching

37. Covent Garden Theatre, London. £2.02.0 (unframed) | etching

38. Bridge of Sighs, Venice. £2.12.6 (unframed) | etching

39. Old street, York. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

40. Circular Quay, Sydney £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

41. The lake, Avoca £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

42. The Bridge. £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Palm Beach | Date: 1926 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. Palm Beach £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

44. Berry's Bay £3.03.0 (unframed) | etching

45. Old Sydney. £2.02.0 (unframed) | drypoint

Artist: LONG, Sydney | Title: Station Square [1] | Date: 1927 | Technique: line-etching, drypoint printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

46. Station Square [1] £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

47. Old Sydney. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

48. The Lake. £10.10.0 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Beddington Corner £4.04.0 (unframed) | aquatint

Artist: LONG, Sydney | Title: Bennett's End. Bucks | Date: 1927 | Technique: etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. Bennett's End. Bucks £3.03.0 (unframed) | etching

51. Autumn. etching

52. Pastoral. etching

53. Chiddingstone*. £3.03.0 (unframed) | aquatint | Print available for members of the print collectors club.

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

54. The blacksmith's shop, Ambleside £5.05.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

55. Ambleside farmyard £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

56. Offices of the 'Sydney Morning Herald'. £5.05.0 (unframed) | etching

57. The Old Treasury. £4.04.0 (unframed) | etching

58. A Reach of the Hawkesbury*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

59. Washing day £2.02.0 (unframed) | etching

60. Sydney from Bay Road. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

61. Macquarie Fields. £2.02.0 (unframed) | etching

62. The country road. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

63. Rose's Mill, Mt Gilead. £5.05.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

64. The ocean's fringe, Narrabeen, N.S.W. £2.02.0 (unframed) | etching

65. On the North Coast, N.S.W. £1.11.6 (unframed) | etching

66. Pulbah Island, Lake Macquarie, N.S.W. £2.02.0 (unframed) | etching

67. Australian Backwater. £1.11.6 (unframed) | etching

68. Venetian courtyard. £1.01.0 (unframed) | etching

69. Australian sunrise. £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

70. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unframed) | etching | *Print available for members of the print collectors club.

71. Old Bronte, Sydney, N.S.W. £1.05.0 (unframed) | etching

Ashton, Will. (1881–1963)

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

72. Ponte Vecchio, Florence £3.03.0 (unframed) | etching

73. Pont St. Marie, Paris. £3.03.0 (unframed) | etching

74. The Canal Brescon Martigues, France. £3.03.0 (unframed) | etching

Scott, Eric. (1892–1978)

75. Fleury Meudon. £1.01.0 (unframed) | etching

76. St. Cloud. £1.01.0 (unframed) | etching

77. Willows. £1.01.0 (unframed) | etching

78. Pont National. £1.01.0 (unframed) | etching

79. St. Severin, Paris. £1.01.0 (unframed) | etching

80. St. Nicholas de Chardonnet. £2.02.0 (unframed) | etching

81. Le Pont Marie. £2.02.0 (unframed) | etching

82. Somme a Amiens. £2.02.0 (unframed) | etching

83. Vieux Chartres. £2.02.0 (unframed) | etching

84. St. Maclou, Rouen. £1.11.6 (unframed) | etching

85. Cour du Dragon, Paris. £1.11.6 (unframed) | etching

86. Shrine at Veuce, France. £2.02.0 (unframed) | etching

SHIRLOW, John (1869–1936)

87. The Bank Door (Commercial Bank, Melb.). £3.13.6 (unframed) | etching

88. Princes Bridge, Melbourne. £3.13.6 (unframed) | etching

Reid, D.G. (1862–1933)

89. The old church at Dapto. £4.04.0 (unframed) | etching

90. A Country Road. £3.03.0 (unframed) | etching

91. The farm yard. £3.03.0 (unframed) | etching

92. At the Slip Rails -. etching

TRAILL, Jessie (1881–1967)

93. Meccano House, Yallourn. £5.05.0 (unframed) | etching

94. Work at Night, Yallourn. £2.02.0 (unframed) | etching

95. Harkaway Sunset. £2.02.0 (unframed) | etching

96. Trimming the Boiler. £1.01.0 (unframed) | etching

97. Into the Abyss, Brown Coal Mine. £1.01.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

98. The farmyard. £1.11.6 (unframed) | etching

99. Spreading Ti Trees. £1.11.6 (unframed) | etching

100. Quiet Pool. £1.01.0 (unframed) | etching

101. The drinking pool. £2.02.0 (unframed) | etching

102. The sawmill, Bateman's Bay. £1.01.0 (unframed) | etching

103. The old stable. £1.11.6 (unframed) | etching

104. The three gums. £1.11.6 (unframed) | etching

105. Swamp Ti Trees. £2.02.0 (unframed) | etching

106. Changing pastures. £1.11.6 (unframed) | etching

107. The lakeside. £4.04.0 (unframed) | etching

108. Swamp pastures. £2.02.0 (unframed) | etching

109. Farmsheds. £2.02.0 (unframed) | etching

110. White boatsheds. £2.02.0 (unframed) | etching

111. The old gateway. £2.02.0 (unframed) | etching

112. The deserted farm £1.11.6 (unframed) | etching

113. Into the shade. £1.11.6 (unframed) | etching

114. Canberra from Residency. £1.11.6 (unframed) | etching

115. Timbergetters. £1.11.6 (unframed) | etching

116. Sleepgetters. £1.01.0 (unframed) | etching

117. The lakeside. £2.02.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

118. Fort Denison £1.11.6 (unframed) | etching

119. Prince's Bridge. £1.11.6 (unframed) | etching

120. Milson's Point. £1.11.6 (unframed) | etching

121. Dawes Point. £1.11.6 (unframed) | etching

122. Midsummer Noon. £1.11.6 (unframed) | etching

123. McTaggart's Farm. £1.11.6 (unframed) | etching

124. The Home Pasture. £1.01.0 (unframed) | etching

Britton, Fred. (1889–1931)

125. On the Murray. £2.02.0 (unframed) | etching

126. The sunlit homestead. £3.03.0 (unframed) | etching

127. Old cottages at Goolwa. £2.02.0 (unframed) | etching

128. Cottage at Aldgate. £2.02.0 (unframed) | etching

129. A relic of the forties. £3.03.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

130. The Quay, Duquesne. £5.05.0 (unframed) | etching

131. The ford, Salonica. £5.05.0 (unframed) | etching

132. Arnold Mason. £5.05.0 (unframed) | etching

133. Pickford Farm. £3.13.6 (unframed) | etching

134. The Old Quarry. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

135. San Giovanni di Bellagio. £4.04.0 (unframed) | etching

136. The Ravaged Hillside. £4.04.0 (unframed) | etching

137. The Lonely Tower. £4.04.0 (unframed) | etching

138. Sunset, Ardgour. £4.04.0 (unframed) | etching

139. Stormy Water, Lake Linnbe. £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

140. Marshland. £5.05.0 (unframed) | etching

141. Haymaking on the Waveney. £5.05.0 (unframed) | etching

142. Old cottage, Shoreham. £5.05.5 (unframed) | etching

SHORT, Frank (1857–1945)

143. A Yorkshire Dell. £12.12.0 (unframed) | etching

144. The Raft on the Rhine. £12.12.0 (unframed) | etching

145. Hobb's Hawth. £8.08.0 (unframed) | etching

146. Twixt Dawn and Day. £6.06.0 (unframed) | etching

Hardie, Martin. (1875–1952)

147. A Street in Chioggia. £4.04.0 (unframed) | etching

148. The East Coast. £4.04.0 (unframed) | etching

149. The picnic. £3.03.0 (unframed) | etching

Burridge, Fred. (1869–1945)

150. Promise of a Hot Day. £5.05.0 (unframed) | etching

151. Traeth Bach. £4.04.0 (unframed) | etching

152. Evening. £4.04.0 (unframed) | etching

153. A March of Waters. £3.13.6 (unframed) | etching

154. Thunder weather. £3.03.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

155. Gracechurch Street, London. £3.03.0 (unframed) | etching

156. Land Lopers. £3.03.0 (unframed) | etching

158. The Hop Exchange after the Fire. £3.03.0 (unframed) | etching

Airy, Anna. (1882–1964)

159. Apple Blossom. £6.06.0 (unframed) | etching

160. Orchids. £4.04.0 (unframed) | etching

An Exhibition of Etchings and Drawings

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The smithy window, Ambleside | Date: 1924 | Technique: drypoint and etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

23. The smithy window, Ambleside 3 gns

Artist: LINDSAY, Lionel | Title: The little outlaw. | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

24. The little outlaw. 2 gns

25. The Departure. 2 gns

26. The Never-Never. 3 gns

27. The Two Trees, Ambleside. 2½ gns

28. The Tower of Gold Seville. 3 gns

Artist: LINDSAY, Lionel | Title: The garden frog | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

29. The garden frog 1 gn

Artist: LINDSAY, Lionel | Title: Apple blossom | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

30. Apple blossom 1 gn

31. The Swan. 1 gn

Artist: LINDSAY, Lionel | Title: The roost | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

32. The roost 1 gn

33. Frosty Morning. 1 gn

Artist: LINDSAY, Lionel | Title: Morning tea | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

34. Morning tea 1 gn

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

43. Sundown. 2½ gns

GOODCHILD, John (1898–1980)

44. Sydney from Bradleys Head. 2½ gns

Artist: GOODCHILD, John | Title: The work of day | Date: 1924 | Technique: softground etching, printed in brown ink, from one plate

45. The work of day 2½ gns

FULLWOOD, A.H. (1863–1930)

52. Kuring-gai Chase. 3 gns

53. Argyle Cut, Sydney. 3 gns

Artist: FULLWOOD, A.H. | Title: Nobby's, Port Macquarie, N.S.W. | Date: 1924 | Technique: etching, printed in black ink, from one plate

54. Nobby's, Port Macquarie, N.S.W. 3 gns.

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

55. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. 4 gns

56. Parliament Building, Sydney. 3 gns

McGrath, Raymond. (1903–1977)

60. 'Come hither, Child, to me'. 1 gn

61. 'Never more, Sailor'. 1 gn

62. 'Is there anybody there?'. 1 gn

63. 'In dreams and dark Chateau'. 1 gn

Britton, Fred. (1889–1931)

77. General Post Office, Adelaide.

Artist: Britton, Fred. | Title: Old Supreme Court, Adelaide. | Date: c.1925

78. Old Supreme Court, Adelaide.

79. Adelaide Railway Station.

FEINT, Adrian (1894–1971)

Artist: FEINT, Adrian | Title: Decoration. | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

80. Decoration. 1½ gns

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: Scarf dance. | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

81. Scarf dance. 1½ gns

FEINT, Adrian (1894–1971)

82. Milson's Point. 2 gns

Grey, F. Millward. (1899–1957)

85. Portrait. 6 gns

Godson, John Barclay. (1882–1957)

93. Minnamurra Reflections. 3 gns

94. Etching. 2 gns

van RAALTE, Henri (1881–1929)

99. Gulley stones. 8 gns

100. The gust. 10 gns

Artist: van RAALTE, Henri | Title: An idyll. | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

101. An idyll. 8 gns

102. Wayside Gums. 4 gns

103. Evening glow. 5 gns

104. Calm Morning. 4 gns

Herbert, Harold. (1891–1945)

127. Fishing boats, Martigues. 3 gns

128. Cypresses, Ronda. 3 gns

MacDONALD, J.S. (1878–1952)

132. Portrait.

133. Portrait.

134. Portrait.

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

138. Washing day 2 gns

139. Macquarie Fields. 2 gns

140. A Reach of the Hawkesbury*. 3 gns

141. The country road. 3 gns

Unknown

Venues

Venue Not Identified. None

Works

URE SMITH, Sydney (1887–1949)

Freezing works, Parramatta River. edition of 50 | out of print

Wind-swept. edition of 10 | out of print

Stables of the Currency Lass, Parramatta. edition of 25 | out of print

Old Houses, 26 Princes Street. edition of 25 | out of print

Elizabeth Bay from Potts Point. edition of 25, out of print

Parbury's Bond, Miller's Point. edition of 25 | out of print

The old shop. edition of 25 | out of print

Top of King Street. edition of 25 | out of print

Laneway to Playfair Street the Rocks. edition of 25 | out of print

Old houses, Cumberland Street. edition of 35 | out of print

Darling Harbour, from Balmain. edition of 25

Pyrmont from Balmain. edition of 25

Pyrmont Bridge, Sydney. edition of 25 | out of print

Towers of St. Andrews. edition of 25 | out of print

Council Yard, McMahon's Point. edition of 25

Launching of H.M.A.S. 'Brisbane', Cockatoo Island 30 September 1915. edition of 50

The Little Ketch, Mosman. edition of 50

Artist: URE SMITH, Sydney | Title: The old mill, Mt Gilead | Date: 1915, December | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

The old mill, Mt Gilead edition of 25 | out of print

Title Page Plate for sets -.

Circular Quay. edition of 25 | out of print

Old cottage, Elizabeth Street, Sydney. edition of 25 | out of print

Musgrave Street. edition of 30 | out of print

The old tree. edition of 25

Entrance, old Colonial Treasury. edition of 30, out of print

Argyle. edition of 30, out of print

Old convict barracks. edition of 50 | out of print

Old house, The Rocks. edition of 25 | out of print

No.15 Jamieson Street, Sydney. edition of 50 | out of print

Post Office from Wynyard Street. edition of 50

The Little Doorway, Bathurst. edition of 50

Lennox Bridge, Parramatta. edition of 30 | out of print

Dawes' Battery. edition of 50 | out of print

Ashmore House, Kent Street. edition of 50

Entrance, old Colonial Residence, Windsor. edition of 50

Windsor, N.S.W. edition of 50 | out of print

Shell Cove. edition of 30 | out of print

Ships, Berry's Bay. edition of 30 | out of print

The waterfront. edition of 50 | out of print

The church on the hill. edition of 50 | out of print

The cooperage. edition of 30 | out of print

Boatsheds, Mosman. edition of 50

Harbour, from Curraghbeana Point. edition of 30

The Building of H.M.A.S. "Adelaide". edition of 35

The Building of H.M.A.S. "Adelaide" (Stern View). edition of 35

The Building of H.M.A.S. "Adelaide" (The Bows). edition of 35

Artist: URE SMITH, Sydney | Title: Gore Bay. | Date: 1918 | Technique: etching and aquatint, printed in warm black ink, from one plate

Gore Bay. edition of 50 | out of print

The Mill, Mt. Gilead, N.S.W. edition of 50 | out of print

Old Government House, Windsor. edition of 50 | out of print

Old cottage, Cobbitty. edition of 50 | out of print

Landscape, Windsor. edition of 30

Old Treasury, Lang Street. edition of 30

Stables, Dawes' Battery. edition of 12 | out of print

Artist: URE SMITH, Sydney | Title: The observatory | Date: 1919 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

The observatory edition of 25

The farmyard. edition of 30

The barn, Winnstay. edition of 30

Cottage, Hartley, N.S.W. edition of 30 | out of print

Brickworks, St. Leonards. edition of 40

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

Deserted courtyard, Hartley edition of 40 | out of print

Bank of N.S.W., Windsor. edition of 30 | out of print

The river, Windsor. edition of 40 | out of print

The barn. edition of 50 | out of print

Across the plains, Windsor. edition of 10

Farmhouse, Hartley. edition of 50

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

Cottage, Clarendon edition of 50 | out of print

Camden, NSW. edition of 30

Hawkesbury River Farm. edition of 30 | out of print

Headland, from Bilgola. edition of 50 | out of print

The three barns. edition of 40 | out of print

The Hawkesbury, Windsor. edition of 30

Harbour, from Rose Bay. edition of 50

The barn, Evening. edition of 30

Chinaman's garden's, Rose Bay. edition of 10

Sandhills, Bellevue Hill. edition of 10

Sandhills, Bellevue Hill. edition of 20

Cumberland House, The Rocks. edition of 50 | out of print

Windsor barn. edition of 30

Windsor. edition of 30 | out of print

The willows. edition of 30 | out of print

Early morning, the river, Windsor. edition of 30, out of print

Old road to Picton. edition of 30

Farmyard, Clarendon. edition of 50

Farm sheds, Windsor. edition of 50 | out of print

Picton farm. edition of 30 | out of print

The sequestered farm. edition of 50

Burdekin House. edition of 50 | out of print

Rose's Mill, Mt Gilead. edition of 50

Ah Lum's Farm, Windsor. edition of 50

The sunlit barn. edition of 50

The country road. edition of 30

Macquarie Fields. edition of 30

Sydney from Bay Road. edition of 30

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

Washing day edition of 50

A Reach of the Hawkesbury*. edition of 30

The Old Treasury. edition of 50

Offices of the 'Sydney Morning Herald'. edition of 30

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

The blacksmith's shop, Ambleside edition of 30