Hunter Street, Sydney.

A.H. Fullwood (1863–1930)

Hunter Street, Sydney.

(1923)

EXHIBITION HISTORY 1 – 5 of 5 exhibitions

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Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Venues

Education Department Gallery (3 June 1922 – 24 June 1922)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Arms, John Taylor. (1887–1953)

1. A gable in theirs. American. | 12 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

1. A little deaf. New Zealand. | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923) and Dillon, Cyril. (1883–1974)

Artist: Boyd, Penleigh. | Title: Hauling the nets. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

1. Hauling the nets. Victoria | £2.02.0 (unframed) | drypoint

Crisp, James. (1879–1962)

1. The farmyard. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

1. The Chapel tower, Melbourne Grammar School. Victoria. | £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

1. St. Paul's Cathedral, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

1. St. James Church, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

1. Old timers, Berry's Bay. £3.03.0 (unframed) | etching

Gruner, Elioth. (1882–1939)

Artist: Gruner, Elioth. | Title: The wattles | Date: (1921) | Technique: drypoint, printed in black ink, from one plate

1. The wattles Kindly lent. | etching

Hope, Edith A. (1870–1942)

1. A Courtyard in France. Victoria. | £7.07.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

1. The Dochart, Perthshire. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

1. Rendezvous. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Micomicon | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

1. Micomicon £15.15.0 (unframed) | etching

Lindsay, Percy. (1870–1952)

1. Landscape. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

1. The little dutch mill £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

1. Ti-Tree. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

1. Jubbergate, York. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

1. Ti-Tree, N.S.W. £4.17.6 (unframed) | etching

Rose, Herbert. (1890–1937)

1. A corner of the Post Office. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

1. Brisbane Laneway. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

1. The Narrow Cave. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The waterhole | Date: 1922 | Technique: etching, printed in brown ink with plate-tone and wiped highlights, from one plate

1. The waterhole Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

1. Across the plains, Windsor (1st state). £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

1. Cool Water. South Australia | £6.06.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

2. Dawn. 15 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

2. Study of an old man's head. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

2. Morning. Victoria | £4.04.0 (unframed) | drypoint

Crisp, James. (1879–1962)

2. Breakfast. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

2. The Swimming Pool, Coombe Cottage. Victoria | £4.04.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

2. Australia House, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

2. Martin Place, Sydney. £4.04.0 (unframed) | etching

None

2. Church, Port Arthur, Tasmania. £2.02.0 (unframed) | etching

Hope, Edith A. (1870–1942)

2. Laon, The Aeroplane. Victoria | £3.13.6 (unframed) | etching

2. Ville D. Eu. Victoria. | £5.15.6 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

2. Magdalen Tower and Bridge, Oxford. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The shanty on the rise | Date: 1922 | Technique: etching, printed in brown ink, with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. The shanty on the rise £2.02.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

2. Blind Man's Wife. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

2. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

2. Tree Study. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

2. Heart of the Bruce. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

2. Reflections Cook's River, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

2. Sydney Harbour. Victoria. | £2.07.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

2. The sentinel. £2.02.0 (unframed) | drypoint

SHIRLOW, John (1869–1936)

2. East and West. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The west window | Date: 1922 | Technique: etching and drypoint, printed in warm black ink with plate-tone, from one plate

2. The west window Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

2. Cottage, Clarendon £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The far shore | Date: 1921 | Technique: drypoint, printed in brown ink, from one plate

2. The far shore South Australia. | £2.02.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

3. The butterfly. 18 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

3. Cornish interior. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

Artist: Boyd, Penleigh. | Title: Evening. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

3. Evening. £4.04.0 (unframed) | drypoint

Friedensen, Thomas. (1879–1931)

3. Barges, Chiswick Mall. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

3. Hunter Street, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

3. Lindisfarne, Hobart. £2.02.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

3. The Blue Mosque, Cairo. English. | £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

3. University, Medical School. £2.12.6 (unframed) | etching

LINDSAY, Norman (1879–1969)

3. Sortie. £6.06.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Old houses, Worcester | Date: c.1919 | Technique: drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

3. Old houses, Worcester £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

3. Deserted hut. £2.12.6 (unframed) | etching

MORT, Eirene (1879–1977)

3. Vaucluse House. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

3. Across Lake Macquarie, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

3. Glebe Island Bridge, Sydney. Victoria. | £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

3. The clock tower not for sale | etching

SHIRLOW, John (1869–1936)

3. Chinese at a doorway Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

3. The Giant. £1.01.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

3. Farmhouse, Hartley. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

3. Valley mists. South Australia | £4.04.0 (unframed) | etching

Arndt, Mina. (1885–1926)

4. Orpeush with his lute. New Zealand | £4.04.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

4. The white gum. Kindly lent. | etching

Friedensen, Thomas. (1879–1931)

4. Old houses, Candebec, Normandy. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

4. St. Mary's Catheral, Sydney. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

4. From the Archbishop's Garden. Victoria. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

4. 'Ben Hall's', The Bushranger's Home. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

4. Unknown seas £15.15.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

4. The harbour, St.Ives £3.03.0 (unframed) | softground

Morgan, Squire. (1886–1974)

4. Deserted Hut (first state). £3.03.0 (unframed) | etching.

MORT, Eirene (1879–1977)

4. The team. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

4. Groote Church, Dordrecht, Holland. £1.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

4. McMahon's Point, Sydney. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

4. The Farmlets. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

4. Ploughing the hill, Berwick. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

4. Hawkesbury River Farm. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

4. The cowshed. South Australia. | £4.04.0 (unframed) | etching

Wheatley, John. (1892–1955)

4. A Point of View. English. | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

4. Willows in Winter. American. | 14 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

5. Caesar's Tower, Warwick Castle. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

5. The Old Slave Market, Capetown. £3.03.0 (unframed) | etching

Hope, Edith A. (1870–1942)

5. Coney le Chateau. Victoria | £6.06.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

5. The Great Red Gum. £4.04.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

5. Bargins. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

5. Staples Inn, Holborn £2.12.6 (unframed) | aquatint

Morgan, Squire. (1886–1974)

5. Deserted hut. not for sale | drypoint

MORT, Eirene (1879–1977)

5. Palm Court, Vaucluse. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

5. The wave, Coogee, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

5. Moonlight on the Scene. £5.05.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

5. The Hawkesbury River. £3.03.0 (unframed) | etching

Wheatley, John. (1892–1955)

5. The Old Engraver. English | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

5. Spring Morning. American | 18 US dollars (unframed) | etching

Bentley, Alfred. (1879–1923)

6. The Hills of Auvergue. English. | £7.07.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

6. An Alley in Antwerp. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Bridge Street, Sydney. | Date: 1922 | Technique: etching, printed in black ink, from one plate

6. Bridge Street, Sydney. £4.04.0 (unframed) | etching

Haines, Fred S. (1879–1960)

6. The Old Beech. American. | US$15 (unframed) | etching

Hope, Edith A. (1870–1942)

6. The Viaduct, Albi. Victoria | £7.07.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

6. The Law Courts. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

6. The Mill. £5.05.0 (unframed) | aquatint

Morgan, Squire. (1886–1974)

6. Landscape, Scone (first state). £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

6. Kookaburras. £2.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

6. The Little Bridge, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

6. Chinese Opera. Victoria | £5.05.0 (unframed) | coloured etching

URE SMITH, Sydney (1887–1949)

6. Bilgola, Newport. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

7. Shakespeare's Birthplace, Stratford-on-Avon. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

7. Murrundie Valley, N.S.W. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

7. Sant Salvi. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

7. Harmony. £1.11.6 (unframed) | etching

LONG, Sydney (1871–1955)

7. Epping Forest, Landscape. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

7. War Memorial, Double Bay. £2.02.0 (unframed) | etching

QUINLAN, Will J. (1877–1963)

7. Burling Slip, New York. American. | US$20 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

7. West Front, Westminster Abbey. £1.16.6 (unframed) | etching

Smith, D. Murray. (1865–1952)

7. Hammersmith. English. | £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

7. The Tower, Carcassonne, Night. Victoria | £1.01.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

7. The three barns. Kindly lent by Ernest Watt, Esq. | etching

Friedensen, Thomas. (1879–1931)

8. Porch, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

8. The old barn. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

8. Trees in the Wind. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Don Quixote | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

8. Don Quixote £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

8. Strand on the Green. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

8. Macquarie Light. £2.02.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

8. Prince's Set of three. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

8. Uncle William Creech. American | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

8. Timber Belts. £7.07.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

8. Chinaman's garden's, Rose Bay. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

8. St. Peter's, Rome. £8.08.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

9. Avenue, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

9. The lagoon. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

9. Cathedral, Laon. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Red Gums | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

9. Red Gums £1.11.6 (unframed) | mezzotint.

LONG, Sydney (1871–1955)

9. The river from Waterloo Bridge. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

9. Barbara Ann. American. | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

9. The Chaff Cutter. Victoria. | £4.04.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

9. Harbour from Rose Bay. £2.02.0 (unframed) | etching

WALCOT, William (1874–1943)

9. Arc, St. Carlo. English. | £5.05.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

10. Studio Interior, Hammersmith. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

10. Echo Point, Katoomba. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

10. Cathedral, Albi. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

10. Bridge and Basket Willow. £3.03.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

10. Parchment Mill on the Wandle. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Good night in the gully where the white gums grow. | Date: 1922 | Technique: etching and aquatint, printed in brown ink, from one plate

10. Good night in the gully where the white gums grow. Victoria | £7.07.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

10. Sandhills, Bellevue Hill. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

10. Villa Quintilii. English | £8.08.0 (unframed) | etching

Burr, George Elbert. (1859–1939)

10. Arizona Clouds. American. | 36 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

11. The tramp. £2.12.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

11. Darling Harbour, Sydney. £3.03.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The terrace by the sea | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

11. The terrace by the sea £3.03.0 (unframed) | aquatint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

11. Beddington Corner £4.04.0 (unframed) | aquatint

PARTRIDGE, Roi (1888–1984)

11. Carmel, California. American. | 10 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The barn, Evening. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

11. The wooden temple. English. | £9.09.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

12. The Dick Whittington, Smithfield. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

12. Ye Old Fighting Locks, St Albans. £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

12. The Tinsmith's shop, King Street, Sydney £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

12. The passing storm £5.05.0 (unframed) | etching

Miller, Arthur (1893–1975)

12. A Crisp Morning. American. | 6 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

12. Camden, N.S.W. £3.03.0 (unframed) | etching

Whistler, James McNeill. (1834–1903)

12. The Music Room. English. | £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

13. cedar Court, Suffolk. £4.04.0 (unframed) | etching

HADEN, Francis Seymour (1818–1910)

13. A water meadow. English. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

13. The Gypsy dance £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

13. Pan £10.10.0 (unframed) | etching

Miller, Arthur (1893–1975)

13. Morning on a Calif. Hillside. American | US$6.00 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

14. Rue de Seine, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

14. Hunter Street. £2.12.6 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

14. On the Wandle £4.04.0 (unframed) | etching

PLOWMAN, George T.

14. Staples, Inn, London. American | US$10.00 (unframed) | etching

SHORT, Frank (1857–1945)

14. Shap Fell, Cumberland (Mezzotint after Peter De Wint). English. | £10.10.0 (unframed) | mezzotint

FULLWOOD, A.H. (1863–1930)

15. Street Latin Quarter, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

15. The Great Pear Tree, Windsor. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

15. Hawkesbury landscape £3.03.0 (unframed) | etching

PLOWMAN, George T.

15. Cloth Fair, Smithfield. American | 15 US dollars (unframed) | etching

ROBINS, W.P. (1882–1959)

15. Near Potter Heigham. English. | £4.04.0 (unframed) | etching

Lewis, Allen. (1873–1957)

16. The Workshop. American | US$20 (unframed) | etching

LINDSAY, Lionel (1874–1961)

16. The old Bark Hut. £2.12.6 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

16. Between the showers £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

16. Farm near Sandwich, Kent. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

17. William Dixson, Esq. kindly lent. Kindly lent | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

17. The belfry, Bruges £3.03.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

17. South Walsham. English. | £3.03.0 (unframed) | etching

Lewis, Allen. (1873–1957)

17. Gowanus Canal. Lewis, Allan [sic] | US$22 (unframed) | etching

18. Place de la Poissonerie, Chartres. Lewis, Allan [sic] | US$18 (unframed) | etching

18. Place de la Poissonerie, Chartres. US$18.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

18. The pumpkin patch, Windsor £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

18. A Cornish landscape £3.03.0 (unframed) | aquatint

Mura, Frank. (1861–)

18. In the Fields near Lancery. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

19. Bullfight in a Village. £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

19. Fantasy £6.06.0 (unframed) | aquatint

Pearson, Ralph M. (1883–1958)

19. Interpretation, 2nd State. American | 20 US dollars (unframed) | etching

UNWIN, Francis Sydney (1885–1925)

19. The Municipio, Florence. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

20. Rio dei Mendicanti, Venice. American | US$12. (unframed) | etching

LINDSAY, Lionel (1874–1961)

20. Bigola. £4.04.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

20. The Victorian Tower £5.05.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

20. The Groote Kirk. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

21. Sunny Corner, Villefranche. American | US$12.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Old carriage way, Cumberland Street | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

21. Old carriage way, Cumberland Street £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

21. Moonrise pastoral £5.00.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

21. Wheelwirghts, Falaise. English. | £4.04.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

22. The Moth. American | 25 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

22. The lake. softground

Hardie, Martin. (1875–1952)

22. Norfolk Bridge. English. | £3.03.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

23. Cockfight. American | 15 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

23. Pastoral. £7.07.0 (unframed) | softground

Hardie, Martin. (1875–1952)

23. Grey Day, New haven 2 2 0 1924 Sydney 1-13 December. English. | £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

24. The Spirit of the plains £4.04.0 (unframed) | aquatint

LUMSDEN, E.S. (1883–1948)

24. Jodhpur, Sunset. English | £4.04.0 (unframed) | etching

Winkler, John W. (1890–1979)

24. Small Delicatessen Booth Not ). American | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

25. The home of the rooks £4.04.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

25. The Hill Farmland. English. | £5.05.0 (unframed) | etching

Winkler, John W. (1890–1979)

25. Giner Shop for ). American | not for sale | etching

OSBORNE, Malcolm (1880–1963)

26. Le Puy. English. | £6.06.0 (unframed) | etching

Winkler, John W. (1890–1979)

26. Sacramento Street, San Frisco. Sale ). American | not for sale | etching

Barton, Loren R. (1893–)

27. Chinatown market. American | 18 US dollars (unframed) | etching

Benson, Frank. (1862–1951)

27. Black ducks. £21.00.0 (unframed) | etching

SOPER, George (1870–1942)

28. Lifting Potatoes. English. | £4.04.0 (unframed) | etching

Squirrell, Leonard R. (1893–1979)

29. Mill on the Wharfe. English. | £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

98. Studland Bay. £3.03.0 (unframed) | out of print

Catalogue [of the] Xmas Exhibition of the Australian Painter-Etchers' Society

Venues

Attic Gallery (3 December 1927 – 31 December 1927)
8th floor, Callaghan House, 393 (361?) George St., Sydney, New South Wales, Australia

Works

Barling, Mabel. (1914–)

A big cat. £1.01.0 (unframed) | etching

Check to the King. £1.01.0 (unframed) | etching

Britton, Fred. (1889–1931)

Construction, Sydney Harbor Bridge. £3.03.0 (unframed) | etching

Hyde Park Barracks and Corner District Court. £3.03.0 (unframed) | etching

Corner of Old Mint, Sydney. £3.03.0 (unframed) | etching

Demolition of Old Mint, Sydney. £2.12.6 (unframed) | etching

St. Mary's Cathedral. £3.13.6 (unframed) | etching

Sunlight. £2.12.6 (unframed) | etching

Crisp, James. (1879–1962)

A bit of Eden, South Coast. £1.11.6 (unframed) | etching

10. The quintette. £2.02.0 (unframed) | etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

11. The gander. £1.01.0 (unframed) | etching

12. The old mill, Auckland, N.Z. £1.11.6 (unframed) | etching

13. Peck's Farm, Kurrajong Heights. £2.02.0 (unframed) | etching

14. The porch, Saint Michael's, Rose Bay. £2.02.0 (unframed) | etching

Dwyer, Ella. (1887–1979)

Artist: Dwyer, Ella. | Title: A summer afternoon. | Date: c.1930 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

15. A summer afternoon. £1.11.6 (unframed) | etching

16. The Secret Passage, Elizabeth Bay House. £1.01.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

17. Excavations, Wynyard Sq. for City Railway, Sydney. £4.04.0 (unframed) | etching

18. Hunter Street, Sydney. £4.04.0 (unframed) | etching

19. 'The Whalers' Arms', Rocks, Sydney. £4.04.0 (unframed) | etching

Farmer, Helen. (1888–1970)

20. A Wharf at Forster. £2.02.0 (unframed) | etching

21. Deep Creek, Narrabeen Lake. £2.02.0 (unframed) | etching

22. The road to Forster. £2.02.0 (unframed) | etching

Artist: Farmer, Helen. | Title: Sunlit. | Date: 1926 | Technique: etching, printed in black ink with plate-tone, from one plate

23. Sunlit. £1.11.6 (unframed) | etching

24. Kurrajong. £2.12.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

25. Fording the Creek, New South Wales. £3.03.0 (unframed) | etching

26. A sunlit canal, Venice. £5.05.0 (unframed) | etching

27. The Bush, New South Wales. £4.04.0 (unframed) | etching

28. A pipe of 'baccy'. £2.12.6 (unframed) | etching

29. Kookaburras. £2.12.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

30. Windswept. £2.12.6 (unframed) | etching

31. The old stable. £2.02.0 (unframed) | etching

32. The valley. £2.02.0 (unframed) | etching

33. The river crossing. £1.01.0 (unframed) | etching

34. Sunlit farmyard. £2.02.0 (unframed) | etching

Glover, Allan. (1900–1984)

35. The burnt-out gum. £2.12.6 (unframed) | etching

36. The sandy track. £1.11.6 (unframed) | etching

37. At the Foothills. £2.02.0 (unframed) | etching

Artist: Glover, Allan. | Title: The riverside mill | Date: 1927 | Technique: etching, printed in brown ink, from one plate

38. The riverside mill £1.11.6 (unframed) | etching

39. The Shipyard. £2.12.6 (unframed) | etching

40. Sunlit gums. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

41. King Street, Sydney. £2.12.6 (unframed) | etching

42. Argyle. £2.02.0 (unframed) | etching

43. The Estuary. £2.12.6 (unframed) | etching

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

44. Brandon Bridge £2.02.0 (unframed) | lithograph

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

45. Landscape harmony £2.02.0 (unframed) | lithograph

Artist: GOODCHILD, John | Title: Light through trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

46. Light through trees £2.02.0 (unframed) | lithograph

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

47. Brisbane water £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The roost | Date: 1927 | Technique: line-etching, printed in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

48. The roost £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. A windy day £3.03.0 (unframed) | etching

50. The Harbor from McMahon's Point. £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

51. Berry's Bay £3.03.0 (unframed) | etching

52. Harbor View. £3.03.0 (unframed) | etching

Morgan, Squire. (1886–1974)

53. Windswept Trees, Avoca. £1.01.0 (unframed) | etching

54. Kookaburras. £1.11.6 (unframed) | etching

55. Kendall's residence, Fagan's Farm. £2.02.0 (unframed) | etching

56. The path to the beach. £1.01.0 (unframed) | etching

57. The roadside smithy. £1.11.6 (unframed) | etching

58. Sketch at Dee Why. £1.11.6 (unframed) | etching

McDonald, Sheila. (1902–1971)

Artist: McDonald, Sheila. | Title: Old Government House, Windsor | Date: c.1936 | Technique: etching, aquatint printed in brown

59. Old Government House, Windsor £1.11.6 (unframed) | etching

60. St. Mark's Church, Darling Point. £1.11.6 (unframed) | etching

Percival, C.H. (1891–1940)

67. The Workers. £2.02.0 (unframed) | etching

68. The Old-Timer. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

69. Roses. £5.05.0 (unframed) | etching

70. Summer light on the Hills. £2.12.6 (unframed) | etching

71. Evening symphony. £3.13.6 (unframed) | etching

Rose, Herbert. (1890–1937)

72. Piazza Umberto Desengano, Italy. £3.03.0 (unframed) | etching

73. Rue des Tamis, Tunis. £4.04.0 (unframed) | etching

74. Foundamenta Tasca, Venice. £3.03.0 (unframed) | etching

75. Place St. Pierre, Chartres, France. £2.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

76. The Vista. £1.11.6 (unframed) | etching

77. Margarets, Lake Macquarie. £1.05.0 (unframed) | etching

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

78. Roadside trees £1.05.0 (unframed) | etching

79. Australian Pastoral. £1.05.0 (unframed) | etching

80. Venetian courtyard. £1.01.0 (unframed) | etching

81. Evening, Narrabeen. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

82. Collins Street. £4.04.0 (unframed) | etching

83. The Kiosk, Prince's Bridge. £3.03.0 (unframed) | etching

84. Evensong, St. Paul's Cathedral. £4.04.0 (unframed) | etching

85. Collins Street West. £3.03.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

86. The Towers of St. Andrews, Sydney Univ. £3.03.0 (unframed) | etching

87. Pathological Dept., R.P.A. Hospital. £3.03.0 (unframed) | etching

88. Women's College, Sydney University. £3.03.0 (unframed) | etching

89. The Willow Pool, Inverell. £3.03.0 (unframed) | etching

90. Noonday shade. £3.03.0 (unframed) | etching

91. The Viaduct. £1.01.0 (unframed) | etching

THURLOW, Ernest (1920s )

92. Giants of the Bush. £3.03.0 (unframed) | etching

93. Reflections. £1.01.0 (unframed) | etching

Walker, Leslie James. (1894–1951)

94. Laneway, Parramatta. £1.11.6 (unframed) | etching

95. Lennox Bridge. £1.01.0 (unframed) | etching

Whitney, William Montague. (1880–1946)

96. The Old Ferry, Port Adelaide. £1.11.6 (unframed) | etching

97. In For Repairs. £1.11.6 (unframed) | etching

98. The 'Trewyn', Port Adelaide. £2.02.0 (unframed) | etching

99. Old stables, Angaston. £1.11.6 (unframed) | etching

100. The last of the old farm. £1.11.6 (unframed) | etching

101. On the Murray. £2.02.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

102. Unloading. £2.02.0 (unframed) | etching

103. A bush track in Riverina. £1.11.6 (unframed) | etching

104. Ferries. £1.01.0 (unframed) | etching

105. Haystacks. £1.01.0 (unframed) | etching

106. The Mill, Mt. Gilead, N.S.W. £1.11.6 (unframed) | etching

107. Evening at Narooma. £1.11.6 (unframed) | etching

Reid, D.G. (1862–1933)

108. 'St. Stephen's', in the old Camperdown Cemetery. £3.03.0 (unframed) | etching

109. 'Morning', Broughton Mill Creek. £3.03.0 (unframed) | etching

110. The Pig Farm. £2.12.6 (unframed) | etching

111. The Slab Cottage. £2.12.6 (unframed) | etching

112. Source of the Minnamurra. £2.02.0 (unframed) | etching

113. In Leafy Bower. £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

114. Autrefois. £3.03.0 (unframed) | etching

115. Between showers, Carcassonne. £4.04.0 (unframed) | etching

116. Edge of the wood. £4.04.0 (unframed) | etching

117. Reflections of the past, Toulouse. £2.12.6 (unframed) | etching

118. Ti-Tree. £1.01.0 (unframed) | etching

119. Honeysuckles. £1.01.0 (unframed) | etching

Exhibition of Etchings

Venues

Millions Club (21 June 1929 – 1929)
Sydney, New South Wales, Australia

Works

Ashton, Will. (1881–1963)

1. St. Picolo, Venice. £3.03.0 (unframed) | etching

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

2. Ponte Vecchio, Florence £2.12.6 (unframed) | etching

3. Le Pont de Bois, Paris. £3.03.0 (unframed) | etching

Britton, Fred. (1889–1931)

4. Burdekin House, Sydney. £2.02.0 (unframed) | etching

5. Old commissariat stores, Sydney. £2.02.0 (unframed) | etching

6. Nocturne. £2.02.0 (unframed) | etching

Coffey, Alfred. (1869–1950)

7. The wooden bridge to Pyrmont, old Sydney. £3.03.0 | etching

8. Steps, Gloucester Street. £4.04.0 | etching

9. Clyde Street, Miller's Point, Old Sydney. £4.04.0 | etching

Crisp, James. (1879–1962) and Whitford, Dora. (1898–1969)

10. The sentinel. £1.11.6 (unframed) | etching

Crisp, James. (1879–1962)

11. Magpies. £2.02.0 (unframed) | etching

12. The old wharf, Huskisson, N.S.W. £1.01.0 (unframed) | etching

Dwyer, Ella. (1887–1979)

13. Old houses, Campbell Street. £1.11.6 (unframed) | etching

14. Boat sheds, McMahon's Point. £1.11.6 (unframed) | etching

15. Sunset, Hawkesbury River. £1.01.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

16. The Bush, New South Wales. £4.04.0 (unframed) | etching

17. Lacey's Creek, Burragorang Valley, N.S.W. £5.05.0 (unframed) | etching

18. The Old Swaggie. £1.11.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

19. Sydney Grammar School. £3.03.0 | etching

20. The Gap, Sydney Heads. £2.02.0 | etching

21. Hunter Street, Sydney. £3.03.0 | etching

Gallop, Herbert. (1890–1958)

22. Lakeside. £5.05.0 (unframed) | etching

23. Wind-swept. £3.03.0 (unframed) | etching

24. no entry -.

Glover, Allan. (1900–1984)

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

25. Sunlight and ships £3.03.0 | etching

26. Hilltop. [no price] | etching

27. The Thatched Stable. £1.11.6 | etching

Godson, John Barclay. (1882–1957)

28. Sydney University. £3.03.0 (unframed) | etching

29. The old barn. £3.03.0 (unframed) | etching

30. Vaucluse House. £2.12.6 (unframed) | etching

GOODCHILD, John (1898–1980)

31. The Day Shift, Propty. Mine, Broken Hill. £3.03.0 (unframed) | etching

32. De Bavay's, Broken Hill. £2.02.0 (unframed) | etching

Goodhart, J.C. (1873–1952)

33. The Poppet Head. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

34. The Hawkesbury River at Wiseman's Ferry. £6.06.0 (unframed) | etching

35.

The blacksmith's shop

£4.04.0 (unframed) | etching

36. The passing storm £5.05.0 (unframed) | etching

Marsden, May. (1876–1968)

37. Pyrmont Bridge. £3.03.0 (unframed) | etching

38. Coaling Cranes, Ball's Head. £2.02.0 (unframed) | etching

McDonald, Sheila. (1902–1971)

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

39. Bulletin Place, Sydney £1.11.6 (unframed) | etching

40. The Rocks, Sydney. £1.11.6 (unframed) | etching

41. The lagoon, Lord Howe Island. £1.11.6 (unframed) | etching

Morgan, Squire. (1886–1974)

42. Scot's Church. £3.03.0 (unframed) | etching

43. Kendall's residence, Fagan's Farm. £3.03.0 (unframed) | etching

44. Willows. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

45. Officers' Mess, Duntroon R.M.C. £2.12.6 | etching

46. The barn. £2.02.0 (unframed) | etching

47. Magpie. £2.02.0 | etching

Pratt, Douglas. (1900–1972)

48. The Bridge. £2.02.0 | etching

49. Far from the Madding sic Crowd. £2.02.0 | etching

50. Winter sunshine. £2.12.6 | etching

Reid, D.G. (1862–1933)

51. The fisherman's haven, Broken Bay. £3.03.0 | etching

52. The Windmill Pump. £2.02.0 | etching

53. Eventide. £2.02.0 | etching

ROBERTSON, Bruce (1872–1943)

54. Riverside Trees. £2.17.6 | etching

55. Australian sunrise. £3.10.0 | etching

56. On the Lane Cove, Sydney Harbour. £3.03.0 | etching

ST JOHN, Ellis (1874–1949)

57. Roadmaker's Camp, N.S.W. £2.02.0 (unframed) | etching

58. Archway, Eversham, England. £2.02.0 (unframed) | etching

59. The Bridge from Fort Macquarie. £2.02.0 (unframed) | etching

SHIRLOW, John (1869–1936)

60. The Bank Door (Commercial Bank, Melb.). £4.04.0 (unframed) | etching

61. Evening, Collins Street, Melbourne. £3.10.6 (unframed) | etching

URE SMITH, Sydney (1887–1949)

62. The farm sheds. £4.04.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: St Pauls, Cobitty | Date: 1928 | Technique: etching, printed in black ink, from one plate

63. St Pauls, Cobitty £3.03.0 (unframed) | etching

64. The country road. £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

65. Between showers, Carcassonne. £4.04.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

66. Hole in the trees £5.05.0 (unframed) | etching

67. The Organ Pipes at Dawn, Wilpena Mts S.A. £5.05.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

68. Evening, Narooma. £1.11.6 (unframed) | etching

69. Skyline Sketch, Sydney. £1.01.0 (unframed) | etching

70. Harbour Entrance, Sydney. £1.11.6 (unframed) | etching

Wood, A.J. (1929–)

71. 'Sheila'. £2.02.0 | etching

72. 'Sheila'. £1.01.0 | etching

The A.H. Fullwood Memorial Exhibition

Venues

National Art Gallery Of New South Wales (14 March 1936 – 30 March 1936)
Art Gallery Rd., The Domain, Sydney, New South Wales, Australia

Works

FULLWOOD, A.H. (1863–1930)

98. Dover Castle. 2½ gns

99. Martin Place, Sydney. 3 gns

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

100. His ain fireside. 2½gns

101. Sydney Grammar School. 3 gns

102. Peterborough Cathedral. 3 gns

103. Queen's Square, Sydney. 2 gns

104. Crowhurst House, Surrey. 2 gns

105. St. Mary's Catheral, Sydney. 3 gns

106. Conservatorium of Music, Sydney. 2 gns

107. Fleet Street, London. 2½ gns

108. St. Albans. 4 gns

109. A View in Greenwich Park. 3 gns

110. Cumberland Street, Sydney. 3 gns

111. Diana's Pool, Bushey Park. 3 gns

112. King Edward VII's Visit to Eton. 3 gns

113. Dr Jamieson's House, Sydney. 2 gns.

114. Clyde Street, Sydney. 2 gns

115. Happy Hampstead. 3 gns

116. The Green Man, Putney. 2 gns

117. The Poet's House (Keats) Hampstead Heath. 3 gns

118. Jack Straw's Castle, Hampstead Heath. 3 gns

119. Crowhurst House, Surrey. 2 gns

120. Windmill Street, Sydney. 2 gns

121. Richmond on Thames (The way to the boats). 3 gns

Artist: FULLWOOD, A.H. | Title: The old mill. | Date: 1907 | Technique: lithograph, printed in black ink, from one stone

122. The old mill. 2 gns

123. Richmond on Thames (The way to the boats). 3 gns

124. Old McMahon's Point. Sydney. 3 gns

Artist: FULLWOOD, A.H. | Title: Rochester Bridge. | Date: 1907 | Technique: lithograph, printed in black ink, from one stone

125. Rochester Bridge. 2 gns

126. Bull and Bush, Hamstead Heath. 3 gns

127. Xmas Eve. 5 gns

128. Old Milson's Point. 3 gns

129. The Pool. 2½ gns

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

130. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. 3 gns

Artist: FULLWOOD, A.H. | Title: Twickenham Ferry. | Date: 1907 | Technique: lithograph, printed in black ink, from one stone

131. Twickenham Ferry. 2 gns

132. Town Hall, Melbourne. 2 gns

Artist: FULLWOOD, A.H. | Title: Westminster school. | Date: 1902 | Technique: etching, printed in black ink, from one plate

133. Westminster school. 3 gns

134. Houses of Parliament London. 2 gns

135. Cape Rouel, Tasmania. 2 gns

136. Waterloo Bridge. 2½ gns

137. The Medway Valley. 2 gns

138. Equitable Building, Melbourne. 2 gns

139. Town Hall, Peterborough. 4 gns

140. St. Joseph's College, Sydney. 3 gns

141. An old inn. 2 gns

142. Crowhurst House, Surrey. 3 gns

143. The Bell Inn at Stilton. 2 gns

144. The Old England of Heidelburg. 2 gns

145. Queen's Square, Sydney (No.2). 3 gns

146. The church at Mulgoa. 2 gns

147. Rowe Street, Sydney. 2 gns

148. Deans Passage, St Albans. 3 gns

149. King's School, Parramatta. 2 gns

150. Old mill, Tasmania. 2 gns

151. The Firs, Hampstead Heath. 3 gns

152. Home, Sweet Home. 2 gns

153. The Rocks, Sydney. 3 gns

154. Old Mosman. 3 gns

155. Scott's Church. 2 gns

156. Hunter Street, Sydney. 3 gns

157. Ye Old Shop. 2 gns

158. Gates, Government House, Melbourne. 2 gns

159. Hunter Street, Sydney. 3 gns

160. Old church, Chelsea. 2 gns

161. Coaling, Mosman Bay. 2 gns

162. Windsor Castle. 3 gns

163. The Bank of Victoria, Melbourne. 2 gns

A collected list of etchings: A Henry Fullwod.

Venues

Venue Not Identified. None

Works

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The 'Black Horse' Richmond NSW. | Date: 1894 | Technique: etching, printed in sepia ink, from one plate

The 'Black Horse' Richmond NSW. edition of 50 | out of print

King's School, Parramatta. (1st plate). edition of 50 | out of print

Cumberland Street, Sydney. edition of 50

Dr Jamieson's House, Sydney. edition of 50

Australian pioneers. edition of 50

Circular Quay, Sydney. edition of 50

Dawes Point, Sydney. edition of 50

Liverpool Street House. edition of 50

Old Tasmanian Windmill. edition of 50

King's School, Parramatta. (2nd plate).

etched from a former plate, lost or mislaid). edition of 50

St. James's Church, Sydney. edition of 50

Coaling, Mosman Bay. edition of 50

Old bridge, Mosman Bay. edition of 50

The Yarra at Heidelberg, Victoria. edition of 50

Orphan's Rock, Katoomba. edition of 50

The 'Mitre,' Hampton Court. edition of 50

Moonrise at Heidelberg, Victoria. edition of 50

Moonbi Ranges, N.S.W. edition of 50

St. James' Square, Sydney. edition of 50

Cape Rouel, Tasmania. edition of 50

Savage Club, N.S.W. edition of 50

Riverview College, Lane Cove. edition of 50

Rowe Street, Sydney. edition of 50

Burdekin House, Sydney. edition of 50

Martin Place, Sydney. edition of 50

Hunter Street, Sydney. edition of 50

St. Mary's Cathedral. (Interior). edition of 50

Edwards Beach, 1890. edition of 50

Old Dawes Point, Sydney. edition of 50

Sydney Observatory. edition of 50

Gabo Island, N.S.W. edition of 50

Harbour View Hotel (old and new), Sydney. edition of 50

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

The picnic. edition of 50

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

Sydney Harbour. edition of 50

Scots Church, Sydney. edition of 50

The Rocks, Sydney. edition of 50

Old England Hotel, Heidelberg, Victoria. edition of 50

Bank of Victoria, Melbourne. edition of 50

Gates, Government House, Melbourne. edition of 50

Wool Exchange, Melbourne. edition of 50

Equitable Building, Melbourne. edition of 50

Bank of New South Wales, Melbourne. edition of 50

Town Hall, Melbourne. edition of 50

Manly Beach. edition of 50

Mr. Mitchell's House, Darlinghurst. edition of 50

Edwards Beach, 1924. edition of 50

Clyde Street, Sydney. edition of 50

Parliament Building, Sydney. edition of 50

Artist: FULLWOOD, A.H. | Title: Nobby's, Port Macquarie, N.S.W. | Date: 1924 | Technique: etching, printed in black ink, from one plate

Nobby's, Port Macquarie, N.S.W. edition of 50

Artist: FULLWOOD, A.H. | Title: Cronulla Beach. | Date: 1924 | Technique: etching, printed in black ink, from one plate

Cronulla Beach. edition of 50

The launch. edition of 50

Kuring-gai Chase. edition of 50

Jerusalem Bay, Ku-Ring-Gai Chase, NSW. edition of 50

Cowan, N.S.W. edition of 50

Solre le Chateau, Belgium. edition of 50

Old houses, Cumberland Street, Sydney. edition of 50

Fort Street School, Sydney. edition of 50

Argyle Cut, Sydney. edition of 50

St. Joseph's Mulgoa, N.S.W. edition of 50

Old Treasury, Church Hill, Sydney (2 plates). edition of 50

Windmill Hill, Old Sydney Sand Modeller, Manly. edition of 50

Wiseman's Ferry. edition of 50

Milson's Point, Sydney. edition of 50

Chinaman's gardens, Rose Bay. edition of 50

Sydney Grammar School. edition of 50