Dahlias

Lionel Lindsay (1874–1961)

Dahlias

(1925)

wood-engraving

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

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Society of Artists Annual Exhibition [1925].

Venues

Education Department Gallery (1925 – 3 October 1925)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

LINDSAY, Lionel (1874–1961)

1. Demons. 1 gn

2. Fruitpiece. 1½ gns

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

3. White goats 1½ gns

Artist: LINDSAY, Lionel | Title: Dahlias | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

4. Dahlias 1½ gns

5. Bacchanal. 1½ gns

6. The Bull on the Perisher. 2½ gns

7. The ride. 2 gns

8. Bronze by Barry. 2 gns

9. The Kiln. 2 gns

10. Ferry Lane (The Little Balcony). 2 gns

11. Milson's Point. 2½ gns

12. The Sailor's Return. 2 gns

13. In Gloucester Street. 4 gns

14. Lang's Church. 2 gns

15. The trough. 4 gns

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

16. The drafting gate, Bendemeer 4 gns

Cameron, D.Y. (1865–1945)

17. Winchester Cathedral. 32½ gns

18. The Lake of Monteith. 13 gns | etching and aquatint

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

19. The blacksmith's shop, Ambleside 5 gns

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

20. Ambleside farmyard 3 gns

25. Offices of the 'Sydney Morning Herald'. 5 gns

FEINT, Adrian (1894–1971)

26. Etched Book-plates. Not For Sale

McGrath, Raymond. (1903–1977)

Artist: McGrath, Raymond. | Title: St. Simeon Stylites. | Date: 1925 | Technique: wood-engraving, printed in relief from one block

29. St. Simeon Stylites. 1 gn

104. Tamburlaine woodcut 1 gn (Proceeds of the sale of this woodcut go to the Marlowe Memorial Fund).

Watercolours and Etchings by Lionel Lindsay

Venues

Jeanettie Sheldon (1 August 1928 – 1928)
Colonial Mutural Insurance Building, Queens St., Brisbane, Queensland, Australia

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: A smithy, Avila, Spain | Date: 1926 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

24. A smithy, Avila, Spain 4 gns

25. Gerona. 5 gns

Artist: LINDSAY, Lionel | Title: Burgos | Date: 1927 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

26. Burgos 3 gns

Artist: LINDSAY, Lionel | Title: The Alcazar, Segovia | Date: 1926 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

27. The Alcazar, Segovia 5 gns

Artist: LINDSAY, Lionel | Title: A Calvary, Segovia | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

28. A Calvary, Segovia 4 gns

Artist: LINDSAY, Lionel | Title: San Andres, Toledo | Date: 1927 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

29. San Andres, Toledo 4 gns

Artist: LINDSAY, Lionel | Title: A bridge, Estremadura | Date: 1926 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

30. A bridge, Estremadura 4 gns

31. St. Lesmes, Burgos. 3 gns

32. A Courtyard in New Castile. 2½ gns

Artist: LINDSAY, Lionel | Title: The three beggars of Guadalupe | Date: 1926 | Technique: etching, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

33. The three beggars of Guadalupe 3 gns.

34. A Sicilian Goatherd. 5 gns

35. The Snowy River. 3 gns

Artist: LINDSAY, Lionel | Title: Coaching days; near Binalong | Date: 1925 | Technique: spirit-aquatint and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

36. Coaching days; near Binalong 3 gns

37. The Departure. 2 gns

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

38. Evening ride 5 gns

Artist: LINDSAY, Lionel | Title: Kosciusko The bull calls on the Perisher range, Kosciusko | Date: 1925 | Technique: spirit-aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

39. Kosciusko The bull calls on the Perisher range, Kosciusko 2½ gns

40. A Pannikin of Flour. 2 gns

41. The ride. 2 gns

Artist: LINDSAY, Lionel | Title: Sunday camp | Date: 1925 | Technique: etching and aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

42. Sunday camp 2 gns

43. White goats 1½ gns

Artist: LINDSAY, Lionel | Title: Apple blossom | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

44. Apple blossom 1 gn

45. Bignonia. 1½ gns

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

46. The broken fence 1½ gns

47. Dahlias 1 gn

Artist: LINDSAY, Lionel | Title: Heysen's birds | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

48. Heysen's birds 2 gns

49. Kookaburra. 1 gn

Artist: LINDSAY, Lionel | Title: The Jester | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

50. The Jester 1 gn

51. Spangles. 1 gn

Artist: LINDSAY, Lionel | Title: Toucans | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

52. Toucans 1 gn

Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.

Venues

Sedon Galleries [1] (26 November 1929 – 31 December 1929)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

Nixon, Job. (1891–1938)

90. Concarneau. 5 Gns (unframed)

91. Concarneau. 5 gns (unframed).

92. Falmouth. 4 gns (unframed)

93. Madona in the wall, Subiaco. 4gns (unframed).

Orlik, Emil. (1870–1932)

149. An old Arab. 2 gns (framed)

150. A Dutch Study. 3 gns (framed)

151. Felucca on the Nile. 1½ gns (framed)

152. Portrait Study. 5 gns (framed)

Geissler, Paul. (1881–)

153. Nuremberg Castle. 3 gns (framed)

154. Lane in Rottenberg. 3 gns (framed)

155. City Gateway, Rottenberg. 4 gns (framed)

Dale, H. Sheppard. (1852–1921)

156. Thomas House, Rye. 3 gns (unframed)

UNWICK, W.N.

157. A Sussex Landscape. 3 gns (unframed)

Upoka, Joseph.

158. The Standard Bearer. 3 gns (unframed)

Geiger, Willy. (1878–1971)

159. The Toreador. 6 gns (unframed)

Boyd, Penleigh. (1890–1923)

160. The big gum. 7 gns (framed) | 1 only for sale

161. Edge of the clearing. 7 gns (framed) | 1 only for sale

162. Edge of the bush. 7 gns (framed)

van RAALTE, Henri (1881–1929)

163. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

164. The cliff 4 gns (unframed)

165. Dawn on the Valley Road. 3 gns (unframed)

166. The sentinel (Torrens Gorge). 6 gns (unframed)

167. Silver evening. 8 gns (unframed)

168. Hillside stream. 6 gns (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

169. The end of day 3 gns (unframed)

170. The road. 3 gns (unframed)

171. Day's beginning. 3 gns (unframed)

172. Roses. 10 gns (unframed)

173. The Big Gums. 10 gns (unframed)

174. Perth (W.A.). 4 gns (unframed)

175. Autumn dawn. 4 gns (unframed)

176. Morning moon. 3 gns (unframed)

177. Moonlit fields [plate for]. 3 gns (unframed)

178. The Karri Tree glade. 6 gns (unframed)

179. Evening symphony. 3½ gns (unframed)

180. Hills of the south. 4 gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

181. The leaning tree 3 gns (unframed)

182. An Australian Summer Day. 8 gns (unframed)

183. The creek in flood. 3½ gns (unframed)

184. Morning*. 2½ gns (unframed)

185. Twisted Branches. 2 gns (unframed)

LINDSAY, Lionel (1874–1961)

186. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

187. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

188. San Lorenzo in the Forum, Rome 4 gns (unframed)

189. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

190. St Ferreol, Marseilles 5 gns (unframed)

191. Casa du Cordon. 5 gns (unframed)

192. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

193. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

194. Church in Seville. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

195. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

196. Old Antequera, Andalucia, Spain 5 gns. (unframed)

197. Convent of St Entemia. 6 gns (unframed)

198. Santa Dominica, Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

199. The compliment 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

200. The vaquero 2½ gns (unframed)

201. The water carrier. 1½ gns (unframed)

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

202. Gamecocks, Spain 10 gns (unframed) | 1 only for sale

203. Alcazar, Seville. 2½ gns (unframed)

204. The bucking brumby. 2 gns (unframed)

205. The Sailor's Return. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little Balcony, Ferry Lane, The Rocks | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

206. Little Balcony, Ferry Lane, The Rocks 2 gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: Old Burwood Hotel, Kent Street. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

207. Old Burwood Hotel, Kent Street. 3 gns (unframed) | 1 only for sale

208. Gloucester Street. 2 gns (unframed)

209. Pastoral. 2½ gns (unframed)

210. The water hole. 2½ gns (unframed) | 1 only for sale

211. A Pipe of Baccy. 2½ gns (unframed)

212. The Law Courts. 2 gns (unframed)

213. The Swing Bridge. 2 gns (unframed) | 1 only for sale

214. Under the Laurels. 2½ gns (unframed) | 1 only for sale

215. The drafting gate, Bendemeer 4 gns (unframed)

216. Evening ride 5 gns (unframed)

217. Byron. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The fountain | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

218. The fountain 2½ gns (unframed) | I only for sale

219. Kookaburra. 1 gn (unframed) | woodcut

220. Pelican. (1 only). 4 gns (unframed) | 1 only for sale | woodcut

221. Heron. 1 gn (unframed) | woodcut

222. Witch. 1½ gns (unframed) | woodcut

223. Spangles. 1 gn (unframed) | woodcut

224. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

225. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The black cat | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block; touched with brush and black ink | Copyright: Courtesy of the National Library of Australia

226. The black cat 3 gns (unframed) | 1 only for sale | woodcut

227. The broken fence 1½ gns (unframed) | woodcut

228. Dahlias 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

229. Fruit piece 1 gn (unframed) | woodcut

230. Bignonia. 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

231. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

232. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

233. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

234. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

235. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

236. In Morocco 3½ gns (framed)

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

237. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

238. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

239. The broken plough 3½ gns (framed)

Rose, Herbert. (1890–1937)

240. Piazza Umberto Desengano, Italy. 3½ gns (framed) | drypoint

241. Rue des Tamis, Tunis. 4½ gns (framed) | drypoint

242. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

243. Fondamenta Tasca, Venice. 3½ gns (framed)

244. The Sugar Mills. 8 gns (framed)

245. The Zattere, Venice. 3½ gns (framed) | drypoint

246. Old Village Cagnes. 3 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

253. The Ring 4 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

254. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

255. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

256. The man in black. 6 gns (unframed)

257. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

258. House on the hill. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: The poddy calf | Date: c.1925 | Technique: linocut, printed in black ink, from one block

259. The poddy calf 3 gns (unframed)

260. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

261. Ducks 1 gn (unframed)

Friedensen, Thomas. (1879–1931)

262. Interior, Ann Hathaways's Cottage. 3 gns (unframed)

263. Windsor Castle, Berkshire. 2 gns (unframed)

264. The archway, Riviera. 3 gns (unframed)

265. The Madonna of the Bush. 1½ gns (unframed)

266. Harnessing. 1½ gns (unframed)

267. Homestead in the North-West. 2 gns (unframed)

268. The bark hut. 2 gns (unframed)

269. Venice, No. 2. 2 gns (unframed)

270. Building the bridge, Sydney Harbour. 2½ gns (unframed)

271. Omar, the Tent Maker. 3 gns (unframed)

272. The Drovers. 3 gns (unframed)

273. The Mounain Road, Brush Creek. 3 gns (unframed)

274. The Grand Canal, Venice. 3 gns (unframed)

275. Fountains Abbey, Yorkshire. 3 gns (unframed)

276. The Bush, New South Wales. 4 gns (unframed)

277. Three Kookaburras. 2 gns (unframed)

278. The Wallondilly. 3 gns (unframed)

279. Venice. 4 gns (unframed) | (1 only).

280. Normanby. (1 only). 3 gns (unframed) | 1 only for sale

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

281. The bridge, Avoca 4 gns (unframed)

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

282. The lake, Avoca 4 gns (unframed)

283.

The blacksmith's shop

4 gns (unframed)

284. The Hawkesbury River at Wiseman's Ferry. 5 gns (unframed)

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

285. Brisbane water 4 gns (unframed)

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

286. Fishing boats, Kings Lynn 4 gns (unframed)

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

287. Berry's Bay 3 gns (unframed)

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

288. Magpies 3 gns (unframed)

289. Kookaburras. 3 gns (unframed)

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

290. A windy day 3 gns (unframed)

Artist: LONG, Sydney | Title: The roost | Date: 1927 | Technique: line-etching, printed in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

291. The roost 3 gns (unframed)

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

292. Young Kookaburras 3 gns (unframed)

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

293. The river from Blackfriars Bridge 4 gns (unframed)

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

294. The Thames from Waterloo Bridge 6 gns (unframed)

LINDSAY, Norman (1879–1969)

295. Moonlight Piper. 12 gns (unframed)

296. Thieves' Kitchen. [no price given] (unframed)

297. Leda. [no price given] (unframed)

298. Don Juan's garden. 8 gns (unframed)

299. The Innocents. 15 gns (unframed)

300. Femininity. 12 gns (framed)

301. Adventure 25 gns (framed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

302. Unknown seas 30 gns (framed)

303. She Arrives. 18 gns (framed)

304. Song of the faun 25 gns (framed)

305. Oblation. 18 gns (framed)

305a.The. Butterfly. 12 gns (framed)

306. Robin Hood. 7 gns (framed)

307. Enter the Duke. 15 gns (framed)

308. Acceptance. 6 gns (framed)

309. The Poet. 8 gns (framed)

310. Love on Earth. 18 gns (framed)

311. The bride. 12 gns (framed)

Dillon, Cyril. (1883–1974)

312. Spires of St. Paul's, Melbourne. 3 gns (unframed)

313. Melbourne Grammar School. 3 gns (unframed)

314. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

315. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

316. Old houses, Cumberland Street, the Rocks. 2½ gns.(unframed)

317. Entrance, old Colonial Treasury. 4 gns (unframed)

318. 177 Kent Street, Sydney. 2 gns (unframed)

319. Cumberland Street Hostel. 2½ gns(unframed)

320. Argyle. 3 gns (unframed)

321. Ah Lum's Farm, Windsor. 5 gns (unframed)

322. Entrance to the Farm. 2 gns (unframed)

323. Packing Oranges. 3 gns (unframed)

324. Shade. 3 gns (unframed)

325. Hawkesbury River Farm. 5 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

326. Deserted courtyard, Hartley 5 gns (unframed)

327. Rose's Mill, Mt Gilead. 5 gns (unframed)

Cobb, Victor. (1876–1945)

328. Sunday morning, Collins Street. 3 gns (framed)

329. The Tower, Arts School, Universiy. 3½ gns (framed)

330. The two poplars. [no price given] (framed)

331. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

332. Gothic Window, old museum, Melbourne University [1]. [no price given] (framed)

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

333. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

334. Entrance, Trinity College. 2 gns (framed)

335. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

336. Fragment. 1 gn (framed)

Sheldon, Vincent. (1895–1945)

337. Old St. Andrew's, Brisbane. 2 gns (unframed)

338. Evening. 2 gns (unframed)

339. The old kiln. 2 gns (unframed)

Gallop, Herbert. (1890–1958)

340. Lakeshore. 4 gns (unframed)

341. Macquarie Shore. [no price given]

342. Shade Ti Trees. 3 gns (unframed)

343. The farm sheds. [no price given] (unframed)

344. Farmyard, Winter. 2½ gns (unframed)

345. Lacewood Pines. 2½ gns (unframed)

346. Pittwater shore. 2½ gns (unframed)

347. The white boathouse. 2½ gns (unframed)

348. The sheltered barn. 2 gns (unframed)

349. The drinking pool. 2 gns (unframed)

350. Windswept. 4 gns (unframed)

351. The old gateway. 2 gns (unframed)

GRIFFIN, Murray (1903–1992)

352. Enchanted wood 3 gns (framed)

353. Ann Mary. 3 gns (framed)

Thompson, Thelma. (1920–)

354. The Hermitage Bell. 2 gns (framed)

355. The Bridge of Sighs, Venice. 3 gns (framed)

356. York Minster. 3 gns (framed)

Flett, James. (1906–1986)

357. The Treasure Chest. 6 gns (framed)

358. Dead Man's Tree. 2½ gns (framed)

359. Berries. 3½ gns (framed)

Artist: Flett, James. | Title: Jerboas. | Date: (1932) | Technique: linocut, printed in colour, from mutliple blocks

360. Jerboas. 3 gns (framed)

361. The intruders. 3 gns (framed)

Artist: Flett, James. | Title: The artist. | Date: 1928 | Technique: linocut, printed in colour, from multiple blocks

362. The artist. 3½ gns (framed)

363. The Pirate. 3 gns (framed)

364. Victorian Days. 2½ gns (framed)

365. The Dominican. 2 gns (framed)

366. The old captain. 2 gns (framed)

367. Fawkner. 2 gns (framed)

368. Dampier. 2 gns (framed)

369. Peter, the Pumpkin Eater. 4 gns (framed)

Reynolds, Frederick George. (1880–1932)

370. Ti tree. 1 gn (framed)

371. In the Dandenongs. 6 gns (framed)

372. The bullock team. 2 gns (framed)

373. Giant Blue Gums. 2 gns (framed)

374. Edge of the clearing. 2 gns (framed)

375. A bush road. 7 gns (framed)

Hosking, W. John. (1930–)

376. Sunny hours. 3 gns (framed)

377. The Slow Motion Steeplechase. 1½ gns (framed)

378. Pals. 1½ gns (framed)

379. Ursa Major and Ursa Minor. 2 gns (framed)

380. The Shearers. 1½ gns (framed)

381. The caravan. 2 gns (framed)

382. Moonrise. 1½ gns (framed)

383. The Light, Fantastic Toe. 2½ gns (framed)

GOODCHILD, John (1898–1980)

384. The Northern Group. 2 gns (unframed)

Goodhart, J.C. (1873–1952)

385. Klondyke Propty. Mine. 3 gns (unframed)

386. Molle Street Bridge, Hobart. 2 gns (unframed)

387. A bit of old Hobart. 1 gn (unframed)