The compliment

Lionel Lindsay (1874–1961)

The compliment

(1924)

etching

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

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Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.

Venues

Sedon Galleries [1] (26 November 1929 – 31 December 1929)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

Nixon, Job. (1891–1938)

90. Concarneau. 5 Gns (unframed)

91. Concarneau. 5 gns (unframed).

92. Falmouth. 4 gns (unframed)

93. Madona in the wall, Subiaco. 4gns (unframed).

Orlik, Emil. (1870–1932)

149. An old Arab. 2 gns (framed)

150. A Dutch Study. 3 gns (framed)

151. Felucca on the Nile. 1½ gns (framed)

152. Portrait Study. 5 gns (framed)

Geissler, Paul. (1881–)

153. Nuremberg Castle. 3 gns (framed)

154. Lane in Rottenberg. 3 gns (framed)

155. City Gateway, Rottenberg. 4 gns (framed)

Dale, H. Sheppard. (1852–1921)

156. Thomas House, Rye. 3 gns (unframed)

UNWICK, W.N.

157. A Sussex Landscape. 3 gns (unframed)

Upoka, Joseph.

158. The Standard Bearer. 3 gns (unframed)

Geiger, Willy. (1878–1971)

159. The Toreador. 6 gns (unframed)

Boyd, Penleigh. (1890–1923)

160. The big gum. 7 gns (framed) | 1 only for sale

161. Edge of the clearing. 7 gns (framed) | 1 only for sale

162. Edge of the bush. 7 gns (framed)

van RAALTE, Henri (1881–1929)

163. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

164. The cliff 4 gns (unframed)

165. Dawn on the Valley Road. 3 gns (unframed)

166. The sentinel (Torrens Gorge). 6 gns (unframed)

167. Silver evening. 8 gns (unframed)

168. Hillside stream. 6 gns (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

169. The end of day 3 gns (unframed)

170. The road. 3 gns (unframed)

171. Day's beginning. 3 gns (unframed)

172. Roses. 10 gns (unframed)

173. The Big Gums. 10 gns (unframed)

174. Perth (W.A.). 4 gns (unframed)

175. Autumn dawn. 4 gns (unframed)

176. Morning moon. 3 gns (unframed)

177. Moonlit fields [plate for]. 3 gns (unframed)

178. The Karri Tree glade. 6 gns (unframed)

179. Evening symphony. 3½ gns (unframed)

180. Hills of the south. 4 gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

181. The leaning tree 3 gns (unframed)

182. An Australian Summer Day. 8 gns (unframed)

183. The creek in flood. 3½ gns (unframed)

184. Morning*. 2½ gns (unframed)

185. Twisted Branches. 2 gns (unframed)

LINDSAY, Lionel (1874–1961)

186. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

187. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

188. San Lorenzo in the Forum, Rome 4 gns (unframed)

189. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

190. St Ferreol, Marseilles 5 gns (unframed)

191. Casa du Cordon. 5 gns (unframed)

192. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

193. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

194. Church in Seville. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

195. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

196. Old Antequera, Andalucia, Spain 5 gns. (unframed)

197. Convent of St Entemia. 6 gns (unframed)

198. Santa Dominica, Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

199. The compliment 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

200. The vaquero 2½ gns (unframed)

201. The water carrier. 1½ gns (unframed)

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

202. Gamecocks, Spain 10 gns (unframed) | 1 only for sale

203. Alcazar, Seville. 2½ gns (unframed)

204. The bucking brumby. 2 gns (unframed)

205. The Sailor's Return. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little Balcony, Ferry Lane, The Rocks | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

206. Little Balcony, Ferry Lane, The Rocks 2 gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: Old Burwood Hotel, Kent Street. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

207. Old Burwood Hotel, Kent Street. 3 gns (unframed) | 1 only for sale

208. Gloucester Street. 2 gns (unframed)

209. Pastoral. 2½ gns (unframed)

210. The water hole. 2½ gns (unframed) | 1 only for sale

211. A Pipe of Baccy. 2½ gns (unframed)

212. The Law Courts. 2 gns (unframed)

213. The Swing Bridge. 2 gns (unframed) | 1 only for sale

214. Under the Laurels. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

215. The drafting gate, Bendemeer 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

216. Evening ride 5 gns (unframed)

217. Byron. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The fountain | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

218. The fountain 2½ gns (unframed) | I only for sale

219. Kookaburra. 1 gn (unframed) | woodcut

220. Pelican. (1 only). 4 gns (unframed) | 1 only for sale | woodcut

221. Heron. 1 gn (unframed) | woodcut

222. Witch. 1½ gns (unframed) | woodcut

223. Spangles. 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

224. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

225. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The black cat | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block; touched with brush and black ink | Copyright: Courtesy of the National Library of Australia

226. The black cat 3 gns (unframed) | 1 only for sale | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

227. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Dahlias | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

228. Dahlias 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

229. Fruit piece 1 gn (unframed) | woodcut

230. Bignonia. 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

231. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

232. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

233. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

234. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

235. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

236. In Morocco 3½ gns (framed)

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

237. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

238. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

239. The broken plough 3½ gns (framed)

Rose, Herbert. (1890–1937)

240. Piazza Umberto Desengano, Italy. 3½ gns (framed) | drypoint

241. Rue des Tamis, Tunis. 4½ gns (framed) | drypoint

242. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

243. Fondamenta Tasca, Venice. 3½ gns (framed)

244. The Sugar Mills. 8 gns (framed)

245. The Zattere, Venice. 3½ gns (framed) | drypoint

246. Old Village Cagnes. 3 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

253. The Ring 4 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

254. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

255. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

256. The man in black. 6 gns (unframed)

257. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

258. House on the hill. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: The poddy calf | Date: c.1925 | Technique: linocut, printed in black ink, from one block

259. The poddy calf 3 gns (unframed)

260. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

261. Ducks 1 gn (unframed)

Friedensen, Thomas. (1879–1931)

262. Interior, Ann Hathaways's Cottage. 3 gns (unframed)

263. Windsor Castle, Berkshire. 2 gns (unframed)

264. The archway, Riviera. 3 gns (unframed)

265. The Madonna of the Bush. 1½ gns (unframed)

266. Harnessing. 1½ gns (unframed)

267. Homestead in the North-West. 2 gns (unframed)

268. The bark hut. 2 gns (unframed)

269. Venice, No. 2. 2 gns (unframed)

270. Building the bridge, Sydney Harbour. 2½ gns (unframed)

271. Omar, the Tent Maker. 3 gns (unframed)

272. The Drovers. 3 gns (unframed)

273. The Mounain Road, Brush Creek. 3 gns (unframed)

274. The Grand Canal, Venice. 3 gns (unframed)

275. Fountains Abbey, Yorkshire. 3 gns (unframed)

276. The Bush, New South Wales. 4 gns (unframed)

277. Three Kookaburras. 2 gns (unframed)

278. The Wallondilly. 3 gns (unframed)

279. Venice. 4 gns (unframed) | (1 only).

280. Normanby. (1 only). 3 gns (unframed) | 1 only for sale

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

281. The bridge, Avoca 4 gns (unframed)

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

282. The lake, Avoca 4 gns (unframed)

283.

The blacksmith's shop

4 gns (unframed)

284. The Hawkesbury River at Wiseman's Ferry. 5 gns (unframed)

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

285. Brisbane water 4 gns (unframed)

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

286. Fishing boats, Kings Lynn 4 gns (unframed)

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

287. Berry's Bay 3 gns (unframed)

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

288. Magpies 3 gns (unframed)

289. Kookaburras. 3 gns (unframed)

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

290. A windy day 3 gns (unframed)

Artist: LONG, Sydney | Title: The roost | Date: 1927 | Technique: line-etching, printed in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

291. The roost 3 gns (unframed)

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

292. Young Kookaburras 3 gns (unframed)

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

293. The river from Blackfriars Bridge 4 gns (unframed)

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

294. The Thames from Waterloo Bridge 6 gns (unframed)

LINDSAY, Norman (1879–1969)

295. Moonlight Piper. 12 gns (unframed)

296. Thieves' Kitchen. [no price given] (unframed)

297. Leda. [no price given] (unframed)

298. Don Juan's garden. 8 gns (unframed)

299. The Innocents. 15 gns (unframed)

300. Femininity. 12 gns (framed)

301. Adventure 25 gns (framed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

302. Unknown seas 30 gns (framed)

303. She Arrives. 18 gns (framed)

304. Song of the faun 25 gns (framed)

305. Oblation. 18 gns (framed)

305a.The. Butterfly. 12 gns (framed)

306. Robin Hood. 7 gns (framed)

307. Enter the Duke. 15 gns (framed)

308. Acceptance. 6 gns (framed)

309. The Poet. 8 gns (framed)

310. Love on Earth. 18 gns (framed)

311. The bride. 12 gns (framed)

Dillon, Cyril. (1883–1974)

312. Spires of St. Paul's, Melbourne. 3 gns (unframed)

313. Melbourne Grammar School. 3 gns (unframed)

314. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

315. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

316. Old houses, Cumberland Street, the Rocks. 2½ gns.(unframed)

317. Entrance, old Colonial Treasury. 4 gns (unframed)

318. 177 Kent Street, Sydney. 2 gns (unframed)

319. Cumberland Street Hostel. 2½ gns(unframed)

320. Argyle. 3 gns (unframed)

321. Ah Lum's Farm, Windsor. 5 gns (unframed)

322. Entrance to the Farm. 2 gns (unframed)

323. Packing Oranges. 3 gns (unframed)

324. Shade. 3 gns (unframed)

325. Hawkesbury River Farm. 5 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

326. Deserted courtyard, Hartley 5 gns (unframed)

327. Rose's Mill, Mt Gilead. 5 gns (unframed)

Cobb, Victor. (1876–1945)

328. Sunday morning, Collins Street. 3 gns (framed)

329. The Tower, Arts School, Universiy. 3½ gns (framed)

330. The two poplars. [no price given] (framed)

331. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

332. Gothic Window, old museum, Melbourne University [1]. [no price given] (framed)

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

333. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

334. Entrance, Trinity College. 2 gns (framed)

335. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

336. Fragment. 1 gn (framed)

Sheldon, Vincent. (1895–1945)

337. Old St. Andrew's, Brisbane. 2 gns (unframed)

338. Evening. 2 gns (unframed)

339. The old kiln. 2 gns (unframed)

Gallop, Herbert. (1890–1958)

340. Lakeshore. 4 gns (unframed)

341. Macquarie Shore. [no price given]

342. Shade Ti Trees. 3 gns (unframed)

343. The farm sheds. [no price given] (unframed)

344. Farmyard, Winter. 2½ gns (unframed)

345. Lacewood Pines. 2½ gns (unframed)

346. Pittwater shore. 2½ gns (unframed)

347. The white boathouse. 2½ gns (unframed)

348. The sheltered barn. 2 gns (unframed)

349. The drinking pool. 2 gns (unframed)

350. Windswept. 4 gns (unframed)

351. The old gateway. 2 gns (unframed)

GRIFFIN, Murray (1903–1992)

352. Enchanted wood 3 gns (framed)

353. Ann Mary. 3 gns (framed)

Thompson, Thelma. (1920–)

354. The Hermitage Bell. 2 gns (framed)

355. The Bridge of Sighs, Venice. 3 gns (framed)

356. York Minster. 3 gns (framed)

Flett, James. (1906–1986)

357. The Treasure Chest. 6 gns (framed)

358. Dead Man's Tree. 2½ gns (framed)

359. Berries. 3½ gns (framed)

Artist: Flett, James. | Title: Jerboas. | Date: (1932) | Technique: linocut, printed in colour, from mutliple blocks

360. Jerboas. 3 gns (framed)

361. The intruders. 3 gns (framed)

Artist: Flett, James. | Title: The artist. | Date: 1928 | Technique: linocut, printed in colour, from multiple blocks

362. The artist. 3½ gns (framed)

363. The Pirate. 3 gns (framed)

364. Victorian Days. 2½ gns (framed)

365. The Dominican. 2 gns (framed)

366. The old captain. 2 gns (framed)

367. Fawkner. 2 gns (framed)

368. Dampier. 2 gns (framed)

369. Peter, the Pumpkin Eater. 4 gns (framed)

Reynolds, Frederick George. (1880–1932)

370. Ti tree. 1 gn (framed)

371. In the Dandenongs. 6 gns (framed)

372. The bullock team. 2 gns (framed)

373. Giant Blue Gums. 2 gns (framed)

374. Edge of the clearing. 2 gns (framed)

375. A bush road. 7 gns (framed)

Hosking, W. John. (1930–)

376. Sunny hours. 3 gns (framed)

377. The Slow Motion Steeplechase. 1½ gns (framed)

378. Pals. 1½ gns (framed)

379. Ursa Major and Ursa Minor. 2 gns (framed)

380. The Shearers. 1½ gns (framed)

381. The caravan. 2 gns (framed)

382. Moonrise. 1½ gns (framed)

383. The Light, Fantastic Toe. 2½ gns (framed)

GOODCHILD, John (1898–1980)

384. The Northern Group. 2 gns (unframed)

Goodhart, J.C. (1873–1952)

385. Klondyke Propty. Mine. 3 gns (unframed)

386. Molle Street Bridge, Hobart. 2 gns (unframed)

387. A bit of old Hobart. 1 gn (unframed)

Unknown

Venues

Venue Not Identified. None

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Edge of the world. | Date: 1907 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Edge of the world. edition of 30, out of print

Evening. edition of 25, out of print

Artist: LINDSAY, Lionel | Title: The deserted shrine. | Date: 1907 | Technique: etching and aquatint, printed in warm black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

The deserted shrine. edition of 30 | out of print

Gums in Moonlight. edition of 30 | out of print

Diana. edition of 30 | out of print

Middle Harbour. edition of 25 | out of print

Convent of St. Margarita. edition of 30 | out of print

The goat's dance

Los Capucinos -. edition of 30

Gitana - -.

Bacchante and goat

Afternoon. edition of 30, out of print

Thessalian Sorcerers -. edition of 25

Portrait of N. Lindsay -. edition of 25

Romance -. edition of 25

Melbourne Town Hall. edition of 30 | out of print

Public Library, - Melbourne. edition of 30 | out of print

St. Mary's Cathedral, Sydney. edition of 30

Diana. edition of 25 | out of print

Baccante. edition of 30

The pool. edition of 30 | out of print

The Terrace. edition of 30

Six aquatints illustrating the poems of Griffith Fairfax.

Echo and Narcissus. edition of 130

Key of Green. edition of 130

Apollo and Daphne. edition of 130

Rondeau of the Night. edition of 130

Pan. edition of 130

Artist: LINDSAY, Lionel | Title: Wind of the sea. | Date: 1910 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Wind of the sea. edition of 130

The goat's dance out of print

Cremorne Point. edition of 25 | out of print

The Argyle. edition of 30

Old Hunter Street Book Shop (Mezzotint). edition of 30

Old Gloucester Street Rock (Mezzotint). edition of 30

The Rocks, (Mezzotint). edition of 30 | mezzotint

Clovelly, Watson's Bay, (Mezzotint). edition of 30 | out of print

The harbour from Cremorne (Mezzotint). edition of 30 | out of print | mezzotint

Old Education Dept (Mezzotint). edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: Gums in moonlight | Date: 1911 | Technique: mezzotint and etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Gums in moonlight edition of 30 | mezzotint

Miller's Point, Dawes Street. edition of 25 | out of print

Charlotte Place. edition of 30 | out of print

Old Essex Street. edition of 30 | out of print

Non-Commissioned Officers' Quarters. out of print

Kent Street. edition of 30

Nat, an old circus hand. edition of 25 | out of print

The Ocean Wave Hotel - Once Black Dog. edition of 50

Artist: LINDSAY, Lionel | Title: Officers quarters, Kent Street | Date: 1912 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Officers quarters, Kent Street edition of 50 | out of print

Old Treasury Buildings. edition of 50

Derelict, Kent Street. edition of 25 | out of print

Whalers' Arms Lane. edition of 30 | out of print

The New York Hotel, Lower George Street. edition of 50

The steps of the Sailors' Return. edition of 50 | out of print

Femmes damnées edition of 25

Artist: LINDSAY, Lionel | Title: The angler. | Date: 1912 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The angler. edition of 25

St. John's Darlinghurst, from College Street.

Street. edition of 25

The old Government Stores, Circular Quay. edition of 50

Artist: LINDSAY, Lionel | Title: Old houses, Cumberland Street, Sydney. | Date: 1912 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Old houses, Cumberland Street, Sydney. Not issued

Hero's Tower. edition of 30

Rose Bay Sand Dunes. edition of 25

Nude Study. not issued.

Death of Carmen (Aquatint) Not issued.

The fight with Garcia, the 'One-Eyed'.

(Aquatint) Not issued.

Fort Dawes. edition of 50 | out of print

The Union club. edition of 50 | out of print

Old Miller Street. edition of 50 | out of print

The plant auction, Hunter Street, (Mezzotint). edition of 30 | out of print | mezzotint

The Old Synagogue, Bridge Street. edition of 50

Mitchell's House, Cumberland Street. edition of 50 | out of print

The Bathers. edition of 30

Dead Timber. edition of 50

The Settler Not issued. not issued.

Artist: LINDSAY, Lionel | Title: Autumn evening | Date: 1913 | Technique: spirit-aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Autumn evening edition of 30, out of print

Eve. edition of 30

Portrait of Christopher Brennan -.

On the way to Kosciusko. edition of 30

Hyde Park Corner. edition of 50

Miller Street, George Street North. edition of 50

Education Dept, from Bridge Street. edition of 50, out of print

Old George Street Markret and Police.

Court. edition of 50

Old Sydney Warves, Miller's Point. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Elizabeth Farm, Parramatta | Date: 1914 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Elizabeth Farm, Parramatta edition of 50

Hegarty's Old Baths, St. Kilda -. edition of 50

The little boat pier, St. Kilda. edition of 50

Fisherman's Boats, St. Kilda -. edition of 50

Artist: LINDSAY, Lionel | Title: An old courtyard, New veterinary institute, La Trobe Street, Melbourne. | Date: 1914 | Technique: etching and aquatint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

An old courtyard, New veterinary institute, La Trobe Street, Melbourne. edition of 50

St. James' Cathedral, - Melbourne. edition of 50

Artist: LINDSAY, Lionel | Title: The Little Pool, old and Customs House, River Yarra Melbourne | Date: 1914 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Little Pool, old and Customs House, River Yarra Melbourne edition of 50

Theatre Royal, Hobart -. edition of 50

The Martyrdom of Belgium -. edition of 50

'Trinity', Melbourne University -. edition of 50

Bookplate of H. White - -.

The old Fig Tree Hotel, North Sydney. edition of 50

The last of old Hunter Street, Sydney. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: The ropemaker's shop, Seville | Date: 1916 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The ropemaker's shop, Seville edition of 50

Kensington Chambers. edition of 50

Gates of the Capucinos, Seville. edition of 50

Refresmment, Seville edition of 50

Artist: LINDSAY, Lionel | Title: Governor Bourke' Hotel, Sussex Street, Sydney | Date: 1916 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Governor Bourke' Hotel, Sussex Street, Sydney edition of 50 | out of print

Eaton's Timber yards, Berry's Bay. edition of 30

Old St. Andrews. edition of 30 | mezzotint

Blackwalled House, Cumberland Street. edition of 50

Circular Quay, from Admiralty House. edition of 50

The Pewit. edition of 50

The satyr. edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: St. Andrew's towers, Sydney. | Date: 1916 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

St. Andrew's towers, Sydney. edition of 50 | out of print

A Spanish Grand. edition of 30, out of print

Ashmore House, Old Kent Street Mansion. edition of 50

The old church school house, Pitt Street. edition of 50

The pawnbroker of Argyle Street. edition of 50 | out of print

The Dancer. edition of 50

Ariadne. edition of 50, out of print

Nude Study.

Argyle Cut, from rear. edition of 50, out of print

Nude study, Sydney Sketch Club

Evensong. edition of 50, out of print

The Bathers. edition of 50

The Old Barracks. edition of 50

Artist: LINDSAY, Lionel | Title: The satyr's pool | Date: 1917 | Technique: etching and spirit-aquatint, printed in blrown ink, from one plate | Copyright: Courtesy of the National Library of Australia

The satyr's pool edition of 50

The mendicant. edition of 30 | out of print

St. Patrick's Cathedral, Melbourne. edition of 50

Fruit Market, Queen Street, Melbourne. edition of 50

Artist: LINDSAY, Lionel | Title: Rocks Resumption, with St. Philip's Church | Date: 1917 | Technique: etching and drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Rocks Resumption, with St. Philip's Church edition of 50

Queen's Street Theatre, Melbourne. edition of 50

Hilder, J.J. (1881–1916) and LINDSAY, Lionel (1874–1961)

Artist: Hilder, J.J. | Title: Dora Creek | Date: 1918 | Technique: spirit-aquatint and drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Dora Creek edition of 100 | out of print

LINDSAY, Lionel (1874–1961)

Pastoral, after S. Long. edition of 50

Old Government House, Windsor. edition of 50 | out of print

King Billy, after B.E. Minna. edition of 50 | out of print

Norman Lindsay. edition of 50

Albion Park. out of print

Ferry Lane. edition of 50 | out of print

Dawes Battery. edition of 50

Artist: LINDSAY, Lionel | Title: Portico, Old Education Department Sydney | Date: 1918 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Portico, Old Education Department Sydney edition of 50

The edge of the plain. edition of 30 | out of print

Norman Lindsay. edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: Sunday morning, the Rocks | Date: 1918 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Sunday morning, the Rocks edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Abandoned abattoir | Date: 1918 | Technique: etching, aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Abandoned abattoir edition of 50

St. Matthew's Church, Windsor. edition of 50

Refitting Berry's Bay. edition of 30 | out of print

Dawes Point. edition of 50

Nude with scarf. edition of 30

Rock Davies boatshed. edition of 30 | out of print

Cevantes University, Alcala de Hermares. edition of 50

Artist: LINDSAY, Lionel | Title: The Canon's niece, Spain | Date: 1919 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Canon's niece, Spain edition of 30 | out of print

St. Matthew's Church, windsor, from Park. edition of 50

In the Moors' Gate. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: The Doctor's house, Windsor, NSW | Date: 1919 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Doctor's house, Windsor, NSW edition of 50

Artist: LINDSAY, Lionel | Title: Carpenter's shop, Phillip Street, Sydney | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Carpenter's shop, Phillip Street, Sydney edition of 50

Artist: LINDSAY, Lionel | Title: Arcadia Alley, Pitt Street, Sydney | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Arcadia Alley, Pitt Street, Sydney edition of 50, out of print

Artist: LINDSAY, Lionel | Title: Ladies of Spain | Date: 1919 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Ladies of Spain edition of 50 | out of print

The Alcazar, Seville. edition of 50

Artist: LINDSAY, Lionel | Title: Evening harmony | Date: 1919 | Technique: spirit-aquatint, printed in brown ink with plate-tone with wiped highlights, from one plate | Copyright: Courtesy of the National Library of Australia

Evening harmony edition of 40, out of print

Old Argyle. edition of 50 | out of print

Mardi Gras. edition of 25 | out of print

The Bishop's door. edition of 30 | out of print

Stables of the Royal Hotel, Windsor. edition of 50

The Royal Hotel, Windsor. edition of 50

St. Philip's Church, Sydney (Mezzotint). edition of 45 | out of print

St. Matthew's Church, Windsor. edition of 50

Artist: LINDSAY, Lionel | Title: Old houses, Cumberland Street | Date: 1912 | Technique: etching and aquatint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Old houses, Cumberland Street edition of 50

Artist: LINDSAY, Lionel | Title: Henry Lawson | Date: 1919 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Henry Lawson edition of 50

The little balcony, Ferry Lane. edition of 50

Old Barn, Windsor. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Bulls on the bridge, Andalucia, Spain | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Bulls on the bridge, Andalucia, Spain edition of 50

The timber belt. edition of 50 | out of print

Hans Heysen's First Studio. edition of 40

The wool load. edition of 50

Artist: LINDSAY, Lionel | Title: The Mill Bridge, Bridgewater, South Australia | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Mill Bridge, Bridgewater, South Australia edition of 50

Returning home. edition of 30 | out of print

Gamecocks, Spain edition of 50 | out of print

Old farm house, Ambleside, S.A. edition of 30

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Gypsy dance edition of 50

Artist: LINDSAY, Lionel | Title: The march hare | Date: 1919 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The march hare edition of 50

Moonrise. edition of 50 | out of print

Desolation. edition of 50 | out of print

Girls' High School. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Herodiade in the mirror | Date: 1919 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Herodiade in the mirror edition of 40

The Little Farmhouse, Windsor. edition of 50

Currency Lass. edition of 50

Great Dane. edition of 50

Artist: LINDSAY, Lionel | Title: Hulks, Berry's Bay | Date: 1920 | Technique: etching, aquatint and foul biting, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Hulks, Berry's Bay edition of 50

The drover edition of 50 | out of print

Little Argyle. edition of 50 | out of print

Guitar player. edition of 50 | out of print

Old carriage-way. edition of 50 | out of print

Cordova. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: In Heysen's country | Date: 1921 | Technique: etching, aquatint and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

In Heysen's country edition of 35 | out of print

Sacred Grove. edition of 40

Tinsmith's shop. out of print

Terrace by the sea. edition of 50

Bilgola. edition of 30 | out of print

Pumpkin patch. edition of 30 | out of print

The sundowner. edition of 50 | out of print

Hauling timber. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Muleteers, Spain | Date: 1921 | Technique: etching printed green-black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Muleteers, Spain edition of 50

Gypsy Dance. edition of 50

A Travelling Shearer. edition of 50, out of print

Rendervous. edition of 50

Shanty on the rise. edition of 50 | out of print

University Medical School. edition of 50

Ben halls. edition of 50

Great Red Gum. edition of 50

Law Courts. edition of 50

Harmony. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Don Quixote | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Don Quixote edition of 50

Artist: LINDSAY, Lionel | Title: Red Gums | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Red Gums edition of 45 | mezzotint

Bridge and Basket Willow. edition of 30 | out of print

Hunter Street. edition of 50

Great Pear Tree, Windsor. edition of 50

Wm. Dixson, Esq. out of print

Bullfight in a Village. edition of 50

Arab Palace. edition of 50

Artist: LINDSAY, Lionel | Title: Last duel of Don Juan Manara | Date: 1922 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Last duel of Don Juan Manara edition of 50

Camellias. edition of 50

Mates. edition of 25 | out of print

Artist: LINDSAY, Lionel | Title: A nook at Berry's Bay | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

A nook at Berry's Bay edition of 45 | mezzotint

Travelling sheep. edition of 50 | out of print

A Cottage Idyll. edition of 50

Gossip, Essex Street. edition of 50

Bulls on the bridge, Andalucia, Spain edition of 50

Lolly shop. edition of 50 | out of print

Refreshments. edition of 50

Bathers. edition of 50

The fossicker. edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Breakfast edition of 50 | out of print

House on the Wall. edition of 50 | out of print

Ebeneezer Vickery's, off Pitt Street, Sydney. edition of 50

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The crossing edition of 50

The Log. edition of 50

Artist: LINDSAY, Lionel | Title: Dawn | Date: 1923 | Technique: aquatint and burnishing, printed in brown ink with wiped highlights, from one plate | Copyright: Courtesy of the National Library of Australia

Dawn edition of 75

Teamster. edition of 75

Old Burwood Hotel, Kent Street. edition of 75

Artist: LINDSAY, Lionel | Title: Sussex Street trade | Date: 1923 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Sussex Street trade edition of 30

Doric Porch. edition of 50

Selector. edition of 75 | out of print

The Two Trees, Ambleside.

The Never-Never. edition of 50

Tower of Gold, Seville. edition of 50

Artist: LINDSAY, Lionel | Title: The smithy window, Ambleside | Date: 1924 | Technique: drypoint and etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The smithy window, Ambleside edition of 75

The Departure. edition of 75

The bucking brumby. edition of 75

Pastoral. edition of 30

The drover. edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: Evening camp | Date: 1924 | Technique: aquatint, printed in brown ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Evening camp edition of 50

Hawkesbury River. edition of 30

Snowy River. edition of 75

Ronda. edition of 50

A Pipe of Baccy. edition of 75

Demolition - Girls' High School. edition of 75

Great Fig Tree. edition of 75

A Pannikin of Flour. edition of 100

Boundary Rider. edition of 30

Beggars. edition of 75

Summer moon. edition of 75

Stringy Bark. edition of 50

Water hole. edition of 50

Artist: LINDSAY, Lionel | Title: A Barye bronze | Date: 1924 | Technique: etching printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

A Barye bronze edition of 50

Sydney Waterside. edition of 50

The ride. edition of 50

Artist: LINDSAY, Lionel | Title: The deserted house, Creswick | Date: 1923 | Technique: aquatint and etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The deserted house, Creswick edition of 50

The compliment edition of 50

Milson's Point. edition of 75

Barn and Stable. edition of 30

Sailor's Return. edition of 75

Artist: LINDSAY, Lionel | Title: Old Mac | Date: 1925 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Old Mac edition of 30

Artist: LINDSAY, Lionel | Title: Kosciusko The bull calls on the Perisher range, Kosciusko | Date: 1925 | Technique: spirit-aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Kosciusko The bull calls on the Perisher range, Kosciusko edition of 75

The little balcony, Ferry Lane. edition of 50

The Well. edition of 30

The trough. edition of 30

The Kiln. edition of 40

Laing's Church. edition of 75

Talbinga. edition of 50

The Shearer's Cook. edition of 30

The vaquero edition of 50

A Northern River. edition of 50

Artist: LINDSAY, Lionel | Title: The Never Never, a composition | Date: 1924 | Technique: spirit-aquatint, printed in green/black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The Never Never, a composition edition of 50

Old Ambleside Barn. edition of 35

Cobb. edition of 40

The drafting gate, Bendemeer edition of 35