Pittwater shore.

Herbert Gallop (1890–1958)

Pittwater shore.

(1929)

etching and aquatint

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

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Seventh Annual Exhibition of the Australian Painter-Etchers' Society

Venues

Education Department Gallery (30 May 1927 – 18 June 1927)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Gallop, Herbert. (1890–1958)

Shade Ti Trees. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Pittwater shore. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Winter (Wentworth Stable). £2.12.6 (unframed) | etching

Ti trees. £2.02.0 (unframed) | etching

The sliprails. £2.12.6 (unframed) | etching | Print available for members of the Print Collectors Club.

The Sunlit Farmyard. £2.12.6 (unframed) | etching

The Dairy Farm. £2.12.6 (unframed) | drypoint | Print available for members of the Print Collectors Club.

Walker, F. Sidney. (1888–1972)

Phillip Street, Sydney. £2.12.6 (unframed) | etching

The Bridge Cranes, Dawes Pt. £1.11.6 (unframed) | etching

10. The Mill, Mt. Gilead, N.S.W. £1.11.6 (unframed) | etching

11. Low Tide at Newport. £1.11.6 (unframed) | etching

12. The river boat. £1.11.6 (unframed) | etching

13. The Top of the Ridge. £1.01.0 (unframed) | etching

14. Evening. £1.11.6 (unframed) | only 4 copies for sale | etching

15. Skyline Sketch. £1.01.0 (unframed) | etching

Ashton, Will. (1881–1963)

16. The old bridge, Sospel, France. £3.03.0 (unframed) | etching

17. Le Pont Neuf, Paris. £3.03.0 (unframed) | etching

18. Le Pont de Bois, Paris. £3.03.0 (unframed) | etching

19. The church at Damme, Belgium. £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Le portail, St. Maclou [the portal, St. Maclou] | Date: 1927 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate; charcoal additions

20. Le portail, St. Maclou [the portal, St. Maclou] £5.05.0 (unframed) | etching

21. Building the Harbour Bridge I. beginnings. £5.05.0 (unframed) | etching

22. Between showers, Carcassonne. £4.04.0 (unframed) | etching

23. Reflections of the past, Toulouse. £2.02.0 (unframed) | etching

24. Autrefois. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

25. Fantasy £12.12.0 (unframed) | etching

26.

The blacksmith's shop

£4.04.0 (unframed) | etching

27. Rose Bay. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

28. A windy day £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

29. Berowra Creek. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

30. Friar Street, Worcester £3.03.0 (unframed) | Print available for members of the Print Collectors Club. | etching

Artist: LONG, Sydney | Title: Iffley Mill, Oxford | Date: c.1919 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

31. Iffley Mill, Oxford £3.03.0 (unframed) | Print available for members of the Print Collectors Club. | etching

Artist: LONG, Sydney | Title: Dunster | Date: 1927 | Technique: line-etching, aquatint, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

32. Dunster £4.04.0 (unframed) | etching

Morgan, Squire. (1886–1974)

39. Scots Church and Manse. £2.02.0 (unframed) | etching

40. The roadside shanty. £1.11.6 (unframed) | etching

41. Swamp Ti Trees, Avoca. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

42. Kookaburras. £1.11.6 (unframed) | etching

43. Winswept Trees, Avoca. £1.01.0 (unframed) | etching

Walker, Leslie James. (1894–1951)

44. Morning. £1.01.0 (unframed) | etching

Farmer, Helen. (1888–1970)

45. The Old Farmhouse, Mittagong. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

46. Kurrajong. £2.12.6 (unframed) | Print available for members of the Print Collectors Club. | etching

47. The road to Forster. £1.11.6 (unframed) | etching

48. An old corner, Mittagong. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

49. Deep Creek, Narrabeen Lake. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

50. A Landscape, Forster. £1.01.0 (unframed) | etching

51. A glimpse of the Harbour. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Percival, C.H. (1891–1940)

52. The Last Tram (from the original Bulletin drawing). £3.03.0 (unframed) | etching

53. Camels Drinking, Egypt. £1.11.6 (unframed) | etching

54. Quiet Creek. £2.02.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

55. Archway near Stratford, England. £2.02.0 (unframed) | etching

56. The Old Shed. £2.02.0 (unframed) | etching

57. P.L.C. Pymble. £1.15.6 (unframed) | etching

Reid, D.G. (1862–1933)

68. 'Morning', Broughton Mill Creek. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

69. Cottage and Girl. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

70. St. Stephen's, Newtown. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

71. In Leafy Bower. £2.02.0 (unframed) | etching

72. The Ironbark Tree. £2.02.0 (unframed) | etching

73. The Pig Farm. £2.02.0 (unframed) | etching

Crisp, James. (1879–1962)

74. Peck's Farm, Kurrajong Heights. £2.02.0 (unframed) | etching

75. The Pack Horse. £1.11.6 (unframed) | etching

76. The Strength of the Free. £1.01.0 (unframed) | etching

77. Pelican Pond (2nd state). £1.01.0 (unframed) | etching

Coulter, Reg W. (1904–)

78. The King is indisposed. £5.05.0 (unframed) | etching

79. Treasure Haven. £3.03.0 (unframed) | etching

80. East is West. £3.03.0 (unframed) | etching

81. Decoration. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

82. The Bush, New South Wales. £4.04.0 (unframed) | etching

83. Fording the Creek, N.S.W. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

84. Pastoral, North West. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

85. Street in Cairo, Egypt. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

86. Venice. £2.12.6 (unframed) | etching

87. Ann Hathaway's Cottage. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Artist: Friedensen, Thomas. | Title: Young Australia. | Date: 1926 | Technique: drypoint printed in brown ink with plate-tone

88. Young Australia. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

89. Archway, Riviera. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

90. A pipe of 'baccy'. £2.12.6 (unframed) | etching

91. Kookaburras. £2.02.0 (unframed) | etching

92. Kangaroos. £2.02.0 (unframed) | etching

93. Harnessing. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

94. Hobson's Bay. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

95. Melbourne from South Yarra. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Warner, Alfred Edward. (1879–1968)

96. Argyle. £2.02.0 (unframed) | etching | Print available for members of the Print Collectors Club.

97. Near Nymagee. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Scott, Eric. (1892–1978)

98. Notre Dame (facade). £3.03.0 (unframed) | etching

99. Notre Dame (abside). £2.02.0 (unframed) | etching

100. La Chappelle. £4.04.0 (unframed) | etching

101. Winter sun (midi). £3.03.0 (unframed) | etching

102. Moret-sur-Loing. £3.03.0 (unframed) | etching

103. Portre de Guillaume (Chartres). £4.04.0 (unframed) | etching

104. Beauvais. £3.03.0 (unframed) | etching

105. Notre Dame. £1.01.0 (unframed) | etching

106. Les Tours de Chartres. £1.01.0 (unframed) | etching

McDonald, Sheila. (1902–1971)

107. Nocturne. £1.01.0 (unframed) | etching

108. Windmill, Mt. Gilead. £1.01.0 (unframed) | etching

109. Old cottage, St. Mary's. £1.01.0 (unframed) | etching

Allcot, John (1888–1973)

110. H.M.S. Roebuck. £1.11.6 (unframed) | etching

111. H.M.S. Sirius. £1.11.6 (unframed) | etching

Dwyer, Ella. (1887–1979)

112. Cellars, Port Arthur, Tas. £1.01.0 (unframed) | etching

Goode-Smith, W.M. (1875–1903)

113. Bridge Construction, Dawes Pt. £1.01.0 (unframed) | etching

Nock, Lucy. (1866–1975)

114. The Old Lodge, Wentworth House. £1.01.0 (unframed) | etching

Burridge, Fred. (1869–1945)

115. Evening. £5.05.0 (unframed) | etching

116. Lancaster. £5.05.0 (unframed) | etching

117. (Final Print). £10.10.0 (unframed) | final print for sale | etching

OSBORNE, Malcolm (1880–1963)

118. Donjon, Loches. £5.05.0 (unframed) | etching

119. Nathaniel Sparkes. £6.06.0 (unframed) | etching

120. Dordrecht. £6.06.0 (unframed) | etching

121. Mt. St. Michel. £5.05.0 (unframed) | etching

122. Sir Edward Clarke. £7.07.0 (unframed) | etching

123. Sunlit land. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

124. High tide. £7.07.0 (unframed) | etching

125. The Black Island. £7.07.0 (unframed) | etching

126. The Mad King's Castle. £5.05.0 (unframed) | etching

127. The Gathering Storm, Lake Garda. £4.04.0 (unframed) | etching

128. Torcello. £3.03.0 (unframed) | etching

129. Hindhead. £4.04.0 (unframed) | etching

Hardie, Martin. (1875–1952)

130. St. Barnabas', Venice. £5.05.0 (unframed) | etching

131. Canal, Chioggia. £5.05.0 (unframed) | etching

Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.

Venues

Sedon Galleries [1] (26 November 1929 – 31 December 1929)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

Nixon, Job. (1891–1938)

90. Concarneau. 5 Gns (unframed)

91. Concarneau. 5 gns (unframed).

92. Falmouth. 4 gns (unframed)

93. Madona in the wall, Subiaco. 4gns (unframed).

Orlik, Emil. (1870–1932)

149. An old Arab. 2 gns (framed)

150. A Dutch Study. 3 gns (framed)

151. Felucca on the Nile. 1½ gns (framed)

152. Portrait Study. 5 gns (framed)

Geissler, Paul. (1881–)

153. Nuremberg Castle. 3 gns (framed)

154. Lane in Rottenberg. 3 gns (framed)

155. City Gateway, Rottenberg. 4 gns (framed)

Dale, H. Sheppard. (1852–1921)

156. Thomas House, Rye. 3 gns (unframed)

UNWICK, W.N.

157. A Sussex Landscape. 3 gns (unframed)

Upoka, Joseph.

158. The Standard Bearer. 3 gns (unframed)

Geiger, Willy. (1878–1971)

159. The Toreador. 6 gns (unframed)

Boyd, Penleigh. (1890–1923)

160. The big gum. 7 gns (framed) | 1 only for sale

161. Edge of the clearing. 7 gns (framed) | 1 only for sale

162. Edge of the bush. 7 gns (framed)

van RAALTE, Henri (1881–1929)

163. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

164. The cliff 4 gns (unframed)

165. Dawn on the Valley Road. 3 gns (unframed)

166. The sentinel (Torrens Gorge). 6 gns (unframed)

167. Silver evening. 8 gns (unframed)

168. Hillside stream. 6 gns (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

169. The end of day 3 gns (unframed)

170. The road. 3 gns (unframed)

171. Day's beginning. 3 gns (unframed)

172. Roses. 10 gns (unframed)

173. The Big Gums. 10 gns (unframed)

174. Perth (W.A.). 4 gns (unframed)

175. Autumn dawn. 4 gns (unframed)

176. Morning moon. 3 gns (unframed)

177. Moonlit fields [plate for]. 3 gns (unframed)

178. The Karri Tree glade. 6 gns (unframed)

179. Evening symphony. 3½ gns (unframed)

180. Hills of the south. 4 gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

181. The leaning tree 3 gns (unframed)

182. An Australian Summer Day. 8 gns (unframed)

183. The creek in flood. 3½ gns (unframed)

184. Morning*. 2½ gns (unframed)

185. Twisted Branches. 2 gns (unframed)

LINDSAY, Lionel (1874–1961)

186. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

187. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

188. San Lorenzo in the Forum, Rome 4 gns (unframed)

189. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

190. St Ferreol, Marseilles 5 gns (unframed)

191. Casa du Cordon. 5 gns (unframed)

192. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

193. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

194. Church in Seville. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

195. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

196. Old Antequera, Andalucia, Spain 5 gns. (unframed)

197. Convent of St Entemia. 6 gns (unframed)

198. Santa Dominica, Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

199. The compliment 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

200. The vaquero 2½ gns (unframed)

201. The water carrier. 1½ gns (unframed)

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

202. Gamecocks, Spain 10 gns (unframed) | 1 only for sale

203. Alcazar, Seville. 2½ gns (unframed)

204. The bucking brumby. 2 gns (unframed)

205. The Sailor's Return. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little Balcony, Ferry Lane, The Rocks | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

206. Little Balcony, Ferry Lane, The Rocks 2 gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: Old Burwood Hotel, Kent Street. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

207. Old Burwood Hotel, Kent Street. 3 gns (unframed) | 1 only for sale

208. Gloucester Street. 2 gns (unframed)

209. Pastoral. 2½ gns (unframed)

210. The water hole. 2½ gns (unframed) | 1 only for sale

211. A Pipe of Baccy. 2½ gns (unframed)

212. The Law Courts. 2 gns (unframed)

213. The Swing Bridge. 2 gns (unframed) | 1 only for sale

214. Under the Laurels. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

215. The drafting gate, Bendemeer 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

216. Evening ride 5 gns (unframed)

217. Byron. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The fountain | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

218. The fountain 2½ gns (unframed) | I only for sale

219. Kookaburra. 1 gn (unframed) | woodcut

220. Pelican. (1 only). 4 gns (unframed) | 1 only for sale | woodcut

221. Heron. 1 gn (unframed) | woodcut

222. Witch. 1½ gns (unframed) | woodcut

223. Spangles. 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

224. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

225. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The black cat | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block; touched with brush and black ink | Copyright: Courtesy of the National Library of Australia

226. The black cat 3 gns (unframed) | 1 only for sale | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

227. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Dahlias | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

228. Dahlias 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

229. Fruit piece 1 gn (unframed) | woodcut

230. Bignonia. 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

231. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

232. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

233. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

234. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

235. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

236. In Morocco 3½ gns (framed)

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

237. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

238. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

239. The broken plough 3½ gns (framed)

Rose, Herbert. (1890–1937)

240. Piazza Umberto Desengano, Italy. 3½ gns (framed) | drypoint

241. Rue des Tamis, Tunis. 4½ gns (framed) | drypoint

242. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

243. Fondamenta Tasca, Venice. 3½ gns (framed)

244. The Sugar Mills. 8 gns (framed)

245. The Zattere, Venice. 3½ gns (framed) | drypoint

246. Old Village Cagnes. 3 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

253. The Ring 4 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

254. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

255. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

256. The man in black. 6 gns (unframed)

257. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

258. House on the hill. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: The poddy calf | Date: c.1925 | Technique: linocut, printed in black ink, from one block

259. The poddy calf 3 gns (unframed)

260. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

261. Ducks 1 gn (unframed)

Friedensen, Thomas. (1879–1931)

262. Interior, Ann Hathaways's Cottage. 3 gns (unframed)

263. Windsor Castle, Berkshire. 2 gns (unframed)

264. The archway, Riviera. 3 gns (unframed)

265. The Madonna of the Bush. 1½ gns (unframed)

266. Harnessing. 1½ gns (unframed)

267. Homestead in the North-West. 2 gns (unframed)

268. The bark hut. 2 gns (unframed)

269. Venice, No. 2. 2 gns (unframed)

270. Building the bridge, Sydney Harbour. 2½ gns (unframed)

271. Omar, the Tent Maker. 3 gns (unframed)

272. The Drovers. 3 gns (unframed)

273. The Mounain Road, Brush Creek. 3 gns (unframed)

274. The Grand Canal, Venice. 3 gns (unframed)

275. Fountains Abbey, Yorkshire. 3 gns (unframed)

276. The Bush, New South Wales. 4 gns (unframed)

277. Three Kookaburras. 2 gns (unframed)

278. The Wallondilly. 3 gns (unframed)

279. Venice. 4 gns (unframed) | (1 only).

280. Normanby. (1 only). 3 gns (unframed) | 1 only for sale

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

281. The bridge, Avoca 4 gns (unframed)

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

282. The lake, Avoca 4 gns (unframed)

283.

The blacksmith's shop

4 gns (unframed)

284. The Hawkesbury River at Wiseman's Ferry. 5 gns (unframed)

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

285. Brisbane water 4 gns (unframed)

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

286. Fishing boats, Kings Lynn 4 gns (unframed)

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

287. Berry's Bay 3 gns (unframed)

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

288. Magpies 3 gns (unframed)

289. Kookaburras. 3 gns (unframed)

290. A windy day 3 gns (unframed)

Artist: LONG, Sydney | Title: The roost | Date: 1927 | Technique: line-etching, printed in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

291. The roost 3 gns (unframed)

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

292. Young Kookaburras 3 gns (unframed)

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

293. The river from Blackfriars Bridge 4 gns (unframed)

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

294. The Thames from Waterloo Bridge 6 gns (unframed)

LINDSAY, Norman (1879–1969)

295. Moonlight Piper. 12 gns (unframed)

296. Thieves' Kitchen. [no price given] (unframed)

297. Leda. [no price given] (unframed)

298. Don Juan's garden. 8 gns (unframed)

299. The Innocents. 15 gns (unframed)

300. Femininity. 12 gns (framed)

301. Adventure 25 gns (framed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

302. Unknown seas 30 gns (framed)

303. She Arrives. 18 gns (framed)

304. Song of the faun 25 gns (framed)

305. Oblation. 18 gns (framed)

305a.The. Butterfly. 12 gns (framed)

306. Robin Hood. 7 gns (framed)

307. Enter the Duke. 15 gns (framed)

308. Acceptance. 6 gns (framed)

309. The Poet. 8 gns (framed)

310. Love on Earth. 18 gns (framed)

311. The bride. 12 gns (framed)

Dillon, Cyril. (1883–1974)

312. Spires of St. Paul's, Melbourne. 3 gns (unframed)

313. Melbourne Grammar School. 3 gns (unframed)

314. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

315. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

316. Old houses, Cumberland Street, the Rocks. 2½ gns.(unframed)

317. Entrance, old Colonial Treasury. 4 gns (unframed)

318. 177 Kent Street, Sydney. 2 gns (unframed)

319. Cumberland Street Hostel. 2½ gns(unframed)

320. Argyle. 3 gns (unframed)

321. Ah Lum's Farm, Windsor. 5 gns (unframed)

322. Entrance to the Farm. 2 gns (unframed)

323. Packing Oranges. 3 gns (unframed)

324. Shade. 3 gns (unframed)

325. Hawkesbury River Farm. 5 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

326. Deserted courtyard, Hartley 5 gns (unframed)

327. Rose's Mill, Mt Gilead. 5 gns (unframed)

Cobb, Victor. (1876–1945)

328. Sunday morning, Collins Street. 3 gns (framed)

329. The Tower, Arts School, Universiy. 3½ gns (framed)

330. The two poplars. [no price given] (framed)

331. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

332. Gothic Window, old museum, Melbourne University [1]. [no price given] (framed)

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

333. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

334. Entrance, Trinity College. 2 gns (framed)

335. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

336. Fragment. 1 gn (framed)

Sheldon, Vincent. (1895–1945)

337. Old St. Andrew's, Brisbane. 2 gns (unframed)

338. Evening. 2 gns (unframed)

339. The old kiln. 2 gns (unframed)

Gallop, Herbert. (1890–1958)

340. Lakeshore. 4 gns (unframed)

341. Macquarie Shore. [no price given]

342. Shade Ti Trees. 3 gns (unframed)

343. The farm sheds. [no price given] (unframed)

344. Farmyard, Winter. 2½ gns (unframed)

345. Lacewood Pines. 2½ gns (unframed)

346. Pittwater shore. 2½ gns (unframed)

347. The white boathouse. 2½ gns (unframed)

348. The sheltered barn. 2 gns (unframed)

349. The drinking pool. 2 gns (unframed)

350. Windswept. 4 gns (unframed)

351. The old gateway. 2 gns (unframed)

GRIFFIN, Murray (1903–1992)

352. Enchanted wood 3 gns (framed)

353. Ann Mary. 3 gns (framed)

Thompson, Thelma. (1920–)

354. The Hermitage Bell. 2 gns (framed)

355. The Bridge of Sighs, Venice. 3 gns (framed)

356. York Minster. 3 gns (framed)

Flett, James. (1906–1986)

357. The Treasure Chest. 6 gns (framed)

358. Dead Man's Tree. 2½ gns (framed)

359. Berries. 3½ gns (framed)

Artist: Flett, James. | Title: Jerboas. | Date: (1932) | Technique: linocut, printed in colour, from mutliple blocks

360. Jerboas. 3 gns (framed)

361. The intruders. 3 gns (framed)

Artist: Flett, James. | Title: The artist. | Date: 1928 | Technique: linocut, printed in colour, from multiple blocks

362. The artist. 3½ gns (framed)

363. The Pirate. 3 gns (framed)

364. Victorian Days. 2½ gns (framed)

365. The Dominican. 2 gns (framed)

366. The old captain. 2 gns (framed)

367. Fawkner. 2 gns (framed)

368. Dampier. 2 gns (framed)

369. Peter, the Pumpkin Eater. 4 gns (framed)

Reynolds, Frederick George. (1880–1932)

370. Ti tree. 1 gn (framed)

371. In the Dandenongs. 6 gns (framed)

372. The bullock team. 2 gns (framed)

373. Giant Blue Gums. 2 gns (framed)

374. Edge of the clearing. 2 gns (framed)

375. A bush road. 7 gns (framed)

Hosking, W. John. (1930–)

376. Sunny hours. 3 gns (framed)

377. The Slow Motion Steeplechase. 1½ gns (framed)

378. Pals. 1½ gns (framed)

379. Ursa Major and Ursa Minor. 2 gns (framed)

380. The Shearers. 1½ gns (framed)

381. The caravan. 2 gns (framed)

382. Moonrise. 1½ gns (framed)

383. The Light, Fantastic Toe. 2½ gns (framed)

GOODCHILD, John (1898–1980)

384. The Northern Group. 2 gns (unframed)

Goodhart, J.C. (1873–1952)

385. Klondyke Propty. Mine. 3 gns (unframed)

386. Molle Street Bridge, Hobart. 2 gns (unframed)

387. A bit of old Hobart. 1 gn (unframed)

Society of Artists' Exhibition

Venues

Venue Not Identified. (1932 – 1932)

Works

Glover, Allan. (1900–1984)

57. Swamps, Mannum, SA. 1 gn

58. Sunlit shed, Second Valley. 1½ gns

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

59. Sunlight and ships 3 gns

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Cordeliers' Gate, Loches, France | Date: 1931 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

65. The Cordeliers' Gate, Loches, France 4 gns

Godson, John Barclay. (1882–1957)

81. Bush huts. 1 gn

82. Entrance to Gaol, Berrima, N.S.W. 3 gns

83. Specimen Panel Etched Bookplates -.

Gallop, Herbert. (1890–1958)

84. Pittwater shore. 3 gns

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The crab | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

85. The crab 2 gns