Old Sydney.

Sydney Long (1871–1955)

Old Sydney.

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

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Catalogue of the Sixth Annual Exhibition of the Australian Painter-Etchers' Society [1926].

Venues

Education Department Gallery (1 June 1926 – 1 July 1926)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Playmates. £1.11.6 (unframed) | drypoint

A Tit Bit. £1.11.6 (unframed) | etching

The old mill, Auckland, N.Z. £1.11.6 (unframed) | etching

The straggliers. £1.01.0 (unframed) | etching

A Favorite Spot. £2.02.0 (unframed) | etching

Feathered Friends. £1.11.6 (unframed) | etching

The Story. £1.11.6 (unframed) | etching

The intruder [2]. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

Old and new bridges, from Emu Plains. £4.04.0 (unframed) | etching

10. The Gap, Sydney Heads. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

11. Stanwell Park. £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

12. St. Joseph's College, Sydney. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

13. Wiseman's Ferry. £4.04.0 (unframed) | etching

14. The old barn. £3.03.0 (unframed) | out of print | etching

Farmer, Helen. (1888–1970)

15. A Wharf at Foster. £2.02.0 (unframed) | etching

Artist: Farmer, Helen. | Title: Sunlit. | Date: 1926 | Technique: etching, printed in black ink with plate-tone, from one plate

16. Sunlit. £1.11.6 (unframed) | etching

17. Mid-day Shade*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

18. Boat sheds. £2.02.0 (unframed) | etching

19. A bend of the River. £2.02.0 (unframed) | etching

Lindeman, Grant. (1920–)

19. Elizabeth Bay Road, Elizabeth Bay. etching

Farmer, Helen. (1888–1970)

20. St. Phillips, Sydney. £1.11.6 (unframed) | etching

21. Deserted Tenement. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

22. Book Plate. etching

Warner, Alfred Edward. (1879–1968)

23. N.S.W. Border Farm. £3.13.6 (unframed) | etching

24. Clancy's Clearing. £3.13.6 (unframed) | etching

25. Circular Quay. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

26. Tinderie Sheds*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

27. The overflow waggon. £2.12.6 (unframed) | etching

28. Travelling Sheep. £1.11.6 (unframed) | etching

29. Moving Out. £1.11.6 (unframed) | etching

30. On the road to Condobolin. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

31. The Mountain Road, Brush Creek, N.S.W. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

32. Sydney University*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

33. The road to Fairy Bower, Manly. £2.12.6 (unframed) | etching

34. The Old Blacksmith. £2.02.0 (unframed) | etching

35. A Belgian windmill. £2.02.0 (unframed) | etching

36. The Drover. £1.11.6 (unframed) | etching

37. Covent Garden Theatre, London. £2.02.0 (unframed) | etching

38. Bridge of Sighs, Venice. £2.12.6 (unframed) | etching

39. Old street, York. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

40. Circular Quay, Sydney £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

41. The lake, Avoca £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

42. The Bridge. £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Palm Beach | Date: 1926 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. Palm Beach £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

44. Berry's Bay £3.03.0 (unframed) | etching

45. Old Sydney. £2.02.0 (unframed) | drypoint

Artist: LONG, Sydney | Title: Station Square [1] | Date: 1927 | Technique: line-etching, drypoint printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

46. Station Square [1] £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

47. Old Sydney. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

48. The Lake. £10.10.0 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Beddington Corner £4.04.0 (unframed) | aquatint

Artist: LONG, Sydney | Title: Bennett's End. Bucks | Date: 1927 | Technique: etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. Bennett's End. Bucks £3.03.0 (unframed) | etching

51. Autumn. etching

52. Pastoral. etching

53. Chiddingstone*. £3.03.0 (unframed) | aquatint | Print available for members of the print collectors club.

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

54. The blacksmith's shop, Ambleside £5.05.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

55. Ambleside farmyard £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

56. Offices of the 'Sydney Morning Herald'. £5.05.0 (unframed) | etching

57. The Old Treasury. £4.04.0 (unframed) | etching

58. A Reach of the Hawkesbury*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

59. Washing day £2.02.0 (unframed) | etching

60. Sydney from Bay Road. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

61. Macquarie Fields. £2.02.0 (unframed) | etching

62. The country road. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

63. Rose's Mill, Mt Gilead. £5.05.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

64. The ocean's fringe, Narrabeen, N.S.W. £2.02.0 (unframed) | etching

65. On the North Coast, N.S.W. £1.11.6 (unframed) | etching

66. Pulbah Island, Lake Macquarie, N.S.W. £2.02.0 (unframed) | etching

67. Australian Backwater. £1.11.6 (unframed) | etching

68. Venetian courtyard. £1.01.0 (unframed) | etching

69. Australian sunrise. £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

70. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unframed) | etching | *Print available for members of the print collectors club.

71. Old Bronte, Sydney, N.S.W. £1.05.0 (unframed) | etching

Ashton, Will. (1881–1963)

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

72. Ponte Vecchio, Florence £3.03.0 (unframed) | etching

73. Pont St. Marie, Paris. £3.03.0 (unframed) | etching

74. The Canal Brescon Martigues, France. £3.03.0 (unframed) | etching

Scott, Eric. (1892–1978)

75. Fleury Meudon. £1.01.0 (unframed) | etching

76. St. Cloud. £1.01.0 (unframed) | etching

77. Willows. £1.01.0 (unframed) | etching

78. Pont National. £1.01.0 (unframed) | etching

79. St. Severin, Paris. £1.01.0 (unframed) | etching

80. St. Nicholas de Chardonnet. £2.02.0 (unframed) | etching

81. Le Pont Marie. £2.02.0 (unframed) | etching

82. Somme a Amiens. £2.02.0 (unframed) | etching

83. Vieux Chartres. £2.02.0 (unframed) | etching

84. St. Maclou, Rouen. £1.11.6 (unframed) | etching

85. Cour du Dragon, Paris. £1.11.6 (unframed) | etching

86. Shrine at Veuce, France. £2.02.0 (unframed) | etching

SHIRLOW, John (1869–1936)

87. The Bank Door (Commercial Bank, Melb.). £3.13.6 (unframed) | etching

88. Princes Bridge, Melbourne. £3.13.6 (unframed) | etching

Reid, D.G. (1862–1933)

89. The old church at Dapto. £4.04.0 (unframed) | etching

90. A Country Road. £3.03.0 (unframed) | etching

91. The farm yard. £3.03.0 (unframed) | etching

92. At the Slip Rails -. etching

TRAILL, Jessie (1881–1967)

93. Meccano House, Yallourn. £5.05.0 (unframed) | etching

94. Work at Night, Yallourn. £2.02.0 (unframed) | etching

95. Harkaway Sunset. £2.02.0 (unframed) | etching

96. Trimming the Boiler. £1.01.0 (unframed) | etching

97. Into the Abyss, Brown Coal Mine. £1.01.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

98. The farmyard. £1.11.6 (unframed) | etching

99. Spreading Ti Trees. £1.11.6 (unframed) | etching

100. Quiet Pool. £1.01.0 (unframed) | etching

101. The drinking pool. £2.02.0 (unframed) | etching

102. The sawmill, Bateman's Bay. £1.01.0 (unframed) | etching

103. The old stable. £1.11.6 (unframed) | etching

104. The three gums. £1.11.6 (unframed) | etching

105. Swamp Ti Trees. £2.02.0 (unframed) | etching

106. Changing pastures. £1.11.6 (unframed) | etching

107. The lakeside. £4.04.0 (unframed) | etching

108. Swamp pastures. £2.02.0 (unframed) | etching

109. Farmsheds. £2.02.0 (unframed) | etching

110. White boatsheds. £2.02.0 (unframed) | etching

111. The old gateway. £2.02.0 (unframed) | etching

112. The deserted farm £1.11.6 (unframed) | etching

113. Into the shade. £1.11.6 (unframed) | etching

114. Canberra from Residency. £1.11.6 (unframed) | etching

115. Timbergetters. £1.11.6 (unframed) | etching

116. Sleepgetters. £1.01.0 (unframed) | etching

117. The lakeside. £2.02.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

118. Fort Denison £1.11.6 (unframed) | etching

119. Prince's Bridge. £1.11.6 (unframed) | etching

120. Milson's Point. £1.11.6 (unframed) | etching

121. Dawes Point. £1.11.6 (unframed) | etching

122. Midsummer Noon. £1.11.6 (unframed) | etching

123. McTaggart's Farm. £1.11.6 (unframed) | etching

124. The Home Pasture. £1.01.0 (unframed) | etching

Britton, Fred. (1889–1931)

125. On the Murray. £2.02.0 (unframed) | etching

126. The sunlit homestead. £3.03.0 (unframed) | etching

127. Old cottages at Goolwa. £2.02.0 (unframed) | etching

128. Cottage at Aldgate. £2.02.0 (unframed) | etching

129. A relic of the forties. £3.03.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

130. The Quay, Duquesne. £5.05.0 (unframed) | etching

131. The ford, Salonica. £5.05.0 (unframed) | etching

132. Arnold Mason. £5.05.0 (unframed) | etching

133. Pickford Farm. £3.13.6 (unframed) | etching

134. The Old Quarry. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

135. San Giovanni di Bellagio. £4.04.0 (unframed) | etching

136. The Ravaged Hillside. £4.04.0 (unframed) | etching

137. The Lonely Tower. £4.04.0 (unframed) | etching

138. Sunset, Ardgour. £4.04.0 (unframed) | etching

139. Stormy Water, Lake Linnbe. £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

140. Marshland. £5.05.0 (unframed) | etching

141. Haymaking on the Waveney. £5.05.0 (unframed) | etching

142. Old cottage, Shoreham. £5.05.5 (unframed) | etching

SHORT, Frank (1857–1945)

143. A Yorkshire Dell. £12.12.0 (unframed) | etching

144. The Raft on the Rhine. £12.12.0 (unframed) | etching

145. Hobb's Hawth. £8.08.0 (unframed) | etching

146. Twixt Dawn and Day. £6.06.0 (unframed) | etching

Hardie, Martin. (1875–1952)

147. A Street in Chioggia. £4.04.0 (unframed) | etching

148. The East Coast. £4.04.0 (unframed) | etching

149. The picnic. £3.03.0 (unframed) | etching

Burridge, Fred. (1869–1945)

150. Promise of a Hot Day. £5.05.0 (unframed) | etching

151. Traeth Bach. £4.04.0 (unframed) | etching

152. Evening. £4.04.0 (unframed) | etching

153. A March of Waters. £3.13.6 (unframed) | etching

154. Thunder weather. £3.03.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

155. Gracechurch Street, London. £3.03.0 (unframed) | etching

156. Land Lopers. £3.03.0 (unframed) | etching

158. The Hop Exchange after the Fire. £3.03.0 (unframed) | etching

Airy, Anna. (1882–1964)

159. Apple Blossom. £6.06.0 (unframed) | etching

160. Orchids. £4.04.0 (unframed) | etching

194 Pictures at the Annual Exhibition by the Painter Etchers' and Graphic Art Society of Australia

Venues

David Jones' Galleries [George st] (28 October 1936 – 13 November 1936)
George St., Sydney, New South Wales, Australia

Works

Poynter, Ambrose. (1796–1886)

Fontainebleau, by Ambrose Poynter.

Carentan, by Ambrose Poynter.

Bayeux, by Ambrose Poynter.

Sketches in Italy, by Ambrose Poynter.

Poynter, Edward James. (1836–1919)

Self Portrait.

Study: Head of St. Stephen.

Study of drapery.

Hardie, Martin. (1875–1952)

Etching, by Martin Hardie. not for sale | Lent by Mr H.R. Gallop.

ROBINS, W.P. (1882–1959)

10. Etching. not for sale | Lent by Mr H.R. Gallop.

OSBORNE, Malcolm (1880–1963)

11. Etching, by Malcolm Osborne. not for sale | Lent by Mr H.R. Gallop.

WALCOT, William (1874–1943)

12. Etching. not for sale | Lent by Mr H.R. Gallop.

Lee Hankey, William. (1869–1952)

13. Etching, by Le Hankey [sic]. not for sale | Lent by Mr H.R. Gallop

Squirrell, Leonard R. (1893–1979)

14. Aquatint Lent by Mr H.R Gallop. Not For Sale

Abbott, Harold. (1906–1986)

15. Nude Study. 3 gns. | Drawing.

16. Nude Study. 3 gns | Drawing.

17. Nude Study. 3 gns. | Drawing.

Baird, John. (1902–)

18. Barbary Sheep carbon. 2 gns

19. Cats carbon. 2 gns

20. Negro's Head carbon. 2 gns

Baker, Normand H. (1908–1955)

21. Pencil Study pencil. 15 gns

22. The model. [pencil]. 5 gns

23. Girl Ironing pencil. 3 gns

Brodziak, Phyllis Ruby. (1916–1967)

24. Iceland: 'The Midnight Sun'. 3 gns

25. The old mill, Kew. 3 gns

26. The Dutch Gateway. 3 gns

28. Stratford-on-Avon. 1½ gns

28. Windsor. 1½ gns

29. Head Study pencil. 3 gns

Bustard, William. (1894–1973)

30. In a Convent Garden. 1 gn

31. The old gothic church. 1 gn

32. Flood Level Gums. 1 gn

Byrne, Harold. (1899–1966)

33. Nude [chalk drawing]. 7 gns | chalk drawing

34. The Chapel, Convent of the Sacred Heart, Rose Bay. 3 gns

35. Old King's School. 1 gn

36. Winter, Franklin Square, etching and Hobart. 3 gns

37. Book Plates Sale) for (Not.

Chambers, Alfred. (1930–)

38. 'To the Hamlet' Pencil. 3 gns

39. Sketch at Ryde Pencil. 2 gns

Cobb, Victor. (1876–1945)

40. Wong Huey's Selection, Bendigo pencil. 12 gns

41. Passing of the flood waters [pencil]. 14 gns | pencil

42. The Trees, Collins Street, East Melbourne. 3 gns

43. The porchway, Old Church, Port Arthur, Tasmania. 1½ gns

44. Victoria's First Government House (First occupied by Governor La Trobe). 1½ gns

45. The Supreme Courts, Melbourne. 2 gns

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

46. Approach to the old stables of Cobb and Co., Melbourne. 3 gns

47. Entrance to Old Scotch College, Melbourne. 2 gns

48. Lombardy Poplar. 1½ gns

Coglan, Elaine E. (1897–1989)

49. Head Study crayon. 3 gns

50. Sepia Portrait sepia crayon. 2 gns

51. The meeting [crayon]. 2 gns

Crisp, James. (1879–1962)

52. 'Waiting' charcoal drawing. 7 gns

53. By the roadside [charcoal drawing]. 8 gns | charcoal drawing.

54. An old Moreton Bay Fig tree. 1½ gns

55. Late for dinner. 1 gn.

56. The old wharf, Huskisson, N.S.W. 1 gns

COWDROY, Vic (1908–)

57. Torso pastel. 2½ gns

58. Nude pastel. 2½ gns

Davies, L. Roy. (1897–1979)

59. The little tent. 4 gns | wash [drawing]

60. The Jetty [wash drawing]. 4 gns | wash

61. Up stream. 1 gn

62. Improved land. 1 gn

63. Fisherman. 1 gn

Dillon, Cyril. (1883–1974)

64. Spires of St. Paul's, Melbourne. 3 gns

65. Serenity. 3 gns

Dwyer, Ella. (1887–1979)

66. 'Four o'Clock' sandgrain. 2 gns

67. Flamingoes, Taronga Park. 2 gns | sandgrain

68. Ruins of Old Woolpack Inn, Gretna, Tasmania. 1½ gns

Emanuel, Cedric. (1906–1995)

69. 'Capel's' pen and wash. 7 gns

70. 'Halvorsen's'. 2 gns

71. Richmond Landscape pen drawing. 6 gns

72. Blue's Point [pen and wash]. 5 gns | pen and wash

73. A sunny corner. 1½ gns

74. Capel's boatshed, Ruschutter's Bay. 3 gns | one print only for sale | etching

75. A Rushcutter's Bay boatshed [pencil]. 5 gns | pencil

Gallop, Herbert. (1890–1958)

76. The country road [sepia]. 3 gns | sepia

77. The beach [sepia]. 4 gns

78. The old barns, Ryde (Cox's Farm sepia. 4 gns

Garling, Lilias. (1909–)

79. In Old Trujillo (Spain) sepia. 3½ gns

80. A corner of Clovelly [sepia]. 3 gns | sepia

GOODCHILD, John (1898–1980)

81. Self Portrait. 2 gns

82. Sunshine and Shower. 1 gn | etching

83. Friends' School, Hobart. 2 gns | etching

84. Stepping Stones. 2 gns

Hirst, G.W.L. (1868–1965)

85. Centennial Park Glade pencil. 3 gns

86. South Coast [pencil]. 3 gns

87. Illawarra pencil. 3 gns

88. Coast Range pencil. 3 gns

89. Ramparts of North head pencil. 3 gns

90. Calm pencil. 3 gns

91. Rising Fog pencil. 5 gns

Hunter, William. (1899–1963)

92. White horses. 3 gns

93. Emerald. 3 gns

94. Homeward. 2½ gns

95. Three Trees. 2½ gns

96. Port Melbourne. 1½ gns

97. 'Taking Off'. 3 gns

98. Lerderderg Creek. 3 gns

99. Misty moon. 2½ gns

100. Sea wings. 1½ gns

101. Steve. 3 gns | line etching

Ingleton, Geoffrey. (1908–1998)

102. Waiting the ebb - The Heemskerck at Batavia, 16th Aug., 1642 (Tasman's Voyage). 2½ gns

103. Plaintive avocets - (For the Ornithologist.) A scene at Corner Inlet - a beautiful study of these fascinating waders. 1½ gns

104. Sunda pirates. 2 gns

105. Raked fore and aft. 2 gns

Johnson, George. (1926–2021)

106. Thora sepia. 15 gns

107. Figure Studies [sepia]. 7 gns

LONG, Sydney (1871–1955)

108. Station Square [2]. 4 gns

Artist: LONG, Sydney | Title: The lagoon | Date: 1928 | Technique: aquatint and drypoint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

108. The lagoon 5 gns

110. Landscape, Avoca. 3 gns

111. Central Tower, University. 3 gns

112. Old Sydney. 3 gns

113. The Village. 3 gns

Artist: LONG, Sydney | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

114. St. Albans 3 gns

Longstaff, John. (1862–1941)

115. Arthur McCarthy [charcoal]. Not For Sale | charcoal

McDonald, Sheila. (1902–1971)

116. Old pine tree. 2½ gns | only print

117. Old Barracks, King Street. 3 gns | pen and wash

118. Dunheved, St. Mary's (Residence and Observatory of Admiral King) pencil. 2 gns

Mahoney, Will. (1905–1989)

119. Nude. 3½ gns | drawing

120. Spring Day wash. 3½ gns

121. Portrait pencil. Not For Sale

Morgan, Squire. (1886–1974)

122. Hawkesbury corn barn. 2 gns

123. Scots Church. 3 gns

124. Morning sunlight. Not For Sale

OGILVIE, Helen (1902–1993)

Artist: OGILVIE, Helen | Title: The crab. | Date: 1936 | Technique: wood-engraving, printed in black ink, from one block

125. The crab. ½ gn

126. Things of the. ½ gn

NELSON, Gwen (1897–1973)

127. Moreton Bay Fig. 4 gns | wash

128. 'Paradise' in Berkshire'. 5 gns | wash

Parsons, Alice Mary. (1863–1939)

129. The watercourse. 1½ gns

130. Rain Clouds. 1½ gns

131. By-way in Bowral District sepia wash. 1½ gns

PLATT, Austin (1912–2003)

132. Prince's Bridge, Melbourne. 3 gns

133. St. Aloysius College from Harbour Bridge. 1½ gns

134. Scotch College, Adelaide 1½ gns

135. Guildford Chapel. 1½ gns

Pratt, Douglas. (1900–1972)

136. A Monaro Monarch pencil. 16 gns

137. Homestead Trees [pencil]. 12 gns | pencil

138. Lennox Bridge, Lapstone (First Bridge on Australian Mainland). [pencil]. 8gns | pencil

139. A Quirindi glade pencil. 8 gns

140. Morning lights, Rose Bay. 7 gns | pencil

141. Near the Queensland Border. 2½ gns

142. Reflections and shadows. 1½ gns

143. Victims of the Southerlies. 2½ gns

Ragless, Max. (1901–1981)

144. Gums of Nockamka. 10 gns

145. Shearer's Hut, Pewsey Vale. 3 gns

146. Port Lincoln. 2 gns

147. The church at Pewsey Vale. 1½ gns

148. Bridgewater Mill. 1 gn

Rees, Lloyd. (1895–1988)

149. Hills behind Kiama pen. 25 gns

150. Ever-winding River pencil. 8 gns

151. Dusk at Hunter's Hill pencil. Not For Sale

152. Dawn on Lane Cover River [pencil]. 8 gns

153. Church on the Hill pencil. 8 gns

154. Road Across the Hills, Shellharbour pen. 20 gns

Reid, Stuart. (1935–)

155. New Shoes for Dobbin sepia wash. 30 gns

156. Horse resting [sepia wash]. 8 gns | sepia wash

157. The beach, Longreef [sepia wash]. 8 gns

RICHARDS, B.

158. A glimpse of Old Sydney. 4 gns. | pencil

159. Nasturtiums pencil. 1½ gns

Robinson, Charles H. (1893–1968)

160. Macquarie Street, Hobart. 1½ gns

161. Evening Rise. 1½ gns

162. River craft, Hobart. 1 gns

163. Noon. 1 gns

164. Milking Time. 1 gns

165. Collegiate School, Hobart. 2 gns

Sheldon, Vincent. (1895–1945)

166. Old St. Andrew's, Brisbane. 2 gns

167. Excavations. 2 gns

168. The Doorway. 2 gns

169. The Last Furrow. 1½ gns

170. Butterflies. 1½ gns

Townshend, G.K. (1888–1969)

171. The Bay. 4 gns | wash

TRAILL, Jessie (1881–1967)

172. Rhyll Landmark (on Philip Island Rhyll). 3 gns

173. Viaduct, Norlaix chalk. 3 gns

174. Old Well, Brittany chalk. 2 gns

175. On Churchill Island chalk. 2 gns

THORNHILL, Dorothy (1910–1987)

176. Boatshed, Berry's Bay chalk. 3 gns

Thorpe, Lesbia. (1919–2009)

177. Winter crayon. 7 gns

178. Impression crayon. 4 gns

Walker, F. Sidney. (1888–1972)

179. Morning at Collaroy. 2 gns | sandgrain

180. Billabong in Riverina. 1 gn

181. University, Sydney. 1 gn

182. Afterglow. 1 gn

183. Road to Tilba Tilba. 1 gn. | sandgrain

184. Midsummer Morn. 1½ gns

Watkins, J.S. (1866–1942)

185. Drawing chalk. 15 gns

186. The Little Jade God. 15 gns | chalk

WEBSTER, Alfred C.R. (1936)

187. Old Hulks pen and wash. 2 gns

188. Zoo Study pen and wash. 1 gn

189. Bush, Culvert pen and wash. 3 gns

190. Collitt's Inn pencil and wash. 3 gns

Whitney, William Montague. (1880–1946)

191. The Veteran charcoal. 3 gns

192. Moonlight charcoal. 3 gns

193. Winter landscape. 2 gns

194. Old shed, Emu Plains pencil. 3 gns