Windsor Castle.

A.H. Fullwood (1863–1930)

Windsor Castle.

EXHIBITION HISTORY 1 – 6 of 6 exhibitions

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The Magnificent Collection of Australian Pictures. Made by the Late Lawrence Abrahams.

Venues

Decoration Art Gallery (16 June 1918 – 20 June 1918)
289 Collins St., Melbourne, Victoria, Australia

Works

FULLWOOD, A.H. (1863–1930)

90. The chalk cliff. [in manuscript] sold' 'not.

91. King Edward VII's Visit to Eton. [in manuscript] 'not sold'.

92. Carlyle's House [in manuscript]. £4.14.6

93. Industry [in manuscript]. £2.12.6

94. Windsor Castle. not sold

Carrick, Ethel. (1872–1952)

95. A Street Scene [in manuscript]. £0.10.6

LINDSAY, Lionel (1874–1961)

96. A corner of the garden. not sold

97. Solitude [in manuscript]. £1.06.0

Mather, John. (1848–1916)

98. A bush house [in manuscript]. £1.01.0

Monotypes, Pencil Drawings, Etchings and Aquatints

Venues

Gayfield Shaw's Gallery [1] (13 December 1920 – 24 December 1920)
Penzance Chambers, 29 Elizabeth St, Sydney, New South Wales, Australia

Works

LINDSAY, Norman (1879–1969)

1. Toilet. 4 gns

2. The ring. 4 gns

3. Good night. 10 gns

4. Siesta. 6 gns

Artist: LINDSAY, Norman | Title: From the moon | Date: 1920 | Technique: etching, aquatint and stipple, printed in black ink, from one copper plate; hand-coloured (by the artist?)

5. From the moon 10 gns

6. Beauty's fortune.

7. Desire. 25 gns

Artist: LINDSAY, Norman | Title: Madam mystery. | Date: 1920 | Technique: etching, printed in black ink, from one plate

8. Madam mystery. 12 gns

9. Debut.

TRAILL, Jessie (1881–1967)

10. Beautiful Victoria. 8 gns

Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

11. Hole in the trees 4 gns

12. Bush Track. 2 gns

Campbell, Fred. (1851–1930)

13. Reservoir at Braemar. 1½ gns

14. Reflections. 1½ gns

15. Solitude. 1½ gns

16. Close Hauled. 1½ gns

17. Mt. Macedon from Mt. Dandenong. 1½ gns

18. Sunset. 1½ gns

19. In Southern Pastures. 1½ gns

20. Morning in the bush. 1½ gns

21. The beach walk. 1½ gns

22. Shades of Evening. 1½ gns

23. The quarry. 1½ gns

Britton, Fred. (1889–1931)

24. The Chateau. 2 gns

Roberts, Tom. (1856–1931)

Artist: Roberts, Tom. | Title: The Chinese cook shop. | Date: 1887 | Technique: etching, printed in brown ink, from one copper plate

25. The Chinese cook shop. 5 gns (Framed)

FULLWOOD, A.H. (1863–1930)

40. Windsor Castle. 12 gns (Framed)

41. Hamstead Heath. 12 gns (Framed)

42. A waterhole. 8 gns 8 gns (Framed) 8 gns (Unframed)

43. Kentish Hop Farm. 12 gns (Framed)

44. Haymaking. 12 gns (Framed)

45. Wendover. 12 gns (Framed)

46. Home sweet home. 2 gns

47. Old bridge, Mosman Bay. 2 gns.

48. Old Tasmanian Windmill. 2 gns

49. Queens Square. 1½ gns

50. Ship unloading coal at Mosman. 2 gns

51. Circular Quay, Sydney. 4 gns

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

52. Sydney Harbour. 4 gns

53. Cape Raoel, Tasmania. 2 gns

MORT, Eirene (1879–1977)

54. Court House and Cells, Hartley. 2 gns

55. The forge, Cobbitty. 1 gns

Artist: MORT, Eirene | Title: Elizabeth Farm, Parramatta | Date: 1920 | Technique: etching, printed in black ink, from one plate

56. Elizabeth Farm, Parramatta 1½ gns

57. The pottery. 1½ gns

58. Camden. 2 gns

Addison, R. H. (1920–)

64. Cottage on the Somme. 1½ gns

URE SMITH, Sydney (1887–1949)

65. The river, Windsor. 3 gns

66. The barn. 2 gns

Artist: URE SMITH, Sydney | Title: Gore Bay. | Date: 1918 | Technique: etching and aquatint, printed in warm black ink, from one plate

67. Gore Bay. 4½ gns

68. The barn, Winnstay. 2 gns

69. Old cottage, Hartley, New South Wales. 3 gns

70. The Brickworks, St. Leonards. 4 gns

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

71. Deserted courtyard, Hartley 3 gns

Artist: URE SMITH, Sydney | Title: Bank of New South Wales, Windsor | Date: 1920 | Technique: etching, printed in black ink, from one plate

72. Bank of New South Wales, Windsor 2 gns

Artist: URE SMITH, Sydney | Title: The observatory | Date: 1919 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

73. The observatory 1 gns

Jones, J. Birchland (1920–)

74. Rose Bay Convent. 2 gns

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Desolation | Date: 1919 | Technique: spirit-aquatint with burnished hightlights, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

75. Desolation 2 gns

Artist: LINDSAY, Lionel | Title: Herodiade in the mirror | Date: 1919 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

76. Herodiade in the mirror 4 gns

77. St. Phillip's Church. 3 gns | mezzotint.

Artist: LINDSAY, Lionel | Title: Old barn, Windsor, NSW | Date: 1919 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

78. Old barn, Windsor, NSW 2 gns.

Artist: LINDSAY, Lionel | Title: The march hare | Date: 1919 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

79. The march hare 1½ gns

Artist: LINDSAY, Lionel | Title: The timber belt | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

80. The timber belt 2 gns.

81. The little balcony, Ferry Lane. 2 gns

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

82. Gamecocks, Spain 3½ gns

Artist: LINDSAY, Lionel | Title: Adelaide Town Hall | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Courtesy of the National Library of Australia

83. Adelaide Town Hall 3 gns

Artist: LINDSAY, Lionel | Title: Little farm house, Ambleside | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

84. Little farm house, Ambleside 2 gns

85. The Bridgewater Mill. 3 gns

86. The Old Stone Bridge. 2 gns

87. Thw Swing Bridge. 2 gns

88. Union Bank, Adelaide. 2 gns

Rose, Herbert. (1890–1937)

89. Prince's Bridge. £1.15.0

90. Flinders Street, Melbourne. £2.16.0

91. Melbourne Town Hall. £2.05.0

92. Collins Street by Night. £2.16.0

93. Queen's Railway Bridge. £2.02.0

94. The White Mosque, Assam. £2.12.6

95. Spring Street, Melbourne. £3.03.0

96. Entrance to Auditorium. £2.12.0

97. Town Hall, Portico. £2.05.0

Barker, David. (1888–1946)

98. Balmoral Beach. 1½ gns

99. Boatsheds, The Spit, Sydney. 1½ gns

100. The brick kilns. 1½ gns

101. The Brickworks, St. Leonards. 2 gns

102. In the stubble. 1½ gns.

103. The Hill, Mosman. 2 gns

104. Mosman Bay. 1½ gns

105. the Harvest. 1½ gns

106. The fig tree. 1½ gns

The Etched Work and Monotypes of A. Henry Fullwood

Venues

Gayfield Shaw's Gallery [1] (14 March 1921 – 24 March 1921)
Penzance Chambers, 29 Elizabeth St, Sydney, New South Wales, Australia

Works

FULLWOOD, A.H. (1863–1930)

1. The horse market, Capetown. 4 gns | monotype

2. The meeting place. 6 gns | monotype

3. Hyde Park, London. 10 gns | monotype

4. Season of Mists. 10 gns | monotype

5. 'The Evening Hour'. 10 gns | monotype

6. Misty morning. 6 gns | monotype

7. Old Mosman, Sydney. 6 gns | monotype

8. Morning mists. 6 gns | monotype

9. A View in St. James' Park, London. 6 gns

10. The lovers' walk. 6 gns | monotype

11. Coming storm. 6 gns | monotype

12. Sunny Day. 6 gns | monotype

13. The English Channel. 6 gns | monotype

14. Wendover. 6 gns | monotype

15. Sunshine and rain. 6 gns | monotype

16. Field Flowers. 6 gns | monotype

17. The 'Haycock' at Wansford. 4 gns | etching

18. Fleet Street, London. 3 gns | etching

19. Richmond on Thames (The way to the boats). 3 gns | etching

20. Bank holiday, Hampstead Heath. 3 gns | etching

Artist: FULLWOOD, A.H. | Title: Westminster school. | Date: 1902 | Technique: etching, printed in black ink, from one plate

21. Westminster school. 3 gns | etching

22. Richmond Bridge. 3 gns | etching

23. The boatbuilders. 4 gns | etching

24. Waterloo Bridge, London. 3 gns | etching

25. Windsor Town Hall. 1½ gns | etching

26. Old house, Windsor. 1½ gns | etching

27. Street in Windsor. 1½ gns | etching

28. Windsor Castle. 5 gns | etching

29. The haunted mill. 3 gns | etching

30. Stokesay Castle. 3 gns | etching

31. Hyde Park Corner, London. 3 gns | etching

32. The Storm. 3 gns | etching

33. Street in Windsor. 1½ gns | etching

34. Street in Paris. 1½ gns | etching

35. Fenbridge, Dedham. 3 gns | etching

36. St. Albans. 3 gns | Only print left for sale | etching

37. 'Star and Garter', Richmond. 3 gns | etching

38. Greenwich Park. 3 gns | etching

39. Newport Cathedral, Isle of Wight. 2 gns | etching

40. The Bridge. 2 gns | etching

41. The 'King's Head', Roehampton. 2 gns | etching

42. Birthplace of John Constable, RA. 2 gns | etching

43. Bank of Victoria, Melbourne. 4 gns | etching

44. Barges at Rochester. 4 gns | etching

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

45. His ain fireside. 5 gns | etching

46. Dickens' Old Curiosity Shop, London. etching

47. The Belgian Set. 6 proofs for sale | etching

48. The Edinburgh Set. 3 proofs for sale | etching

Catalogue of the Fourth Annual Exhibition of the Australian Painter-Etchers' Society [1924].

Venues

Farmers Smoke Room (1 December 1924 – 13 December 1924)
Oak Luncheon Hall, Farmers, Pitt, Market & George Sts., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

The gander. £1.01.0 (unframed) | etching

Farmer, Helen. (1888–1970)

Chinamen's gardens, Mavey Vale. £2.02.0 (unframed) | etching

Tree Study. £1.11.6 (unframed) | etching

Loading a drogher. £2.02.0 (unframed) | etching

An old home, Manly Vale. £2.12.6 (unframed) | etching

Cole, Herbert. (1867–1930)

1. Diana and Endymion pen and ink. £6.06.0 (unframed) | etching

2. Michael Angelo pen and ink 8 8 0 Two Pages Sketches, Poems by Zora Cross (By permission of Angus. etching

3. Page of Pen and Ink Drawings. £10.10.0 (unframed) | etching

4. Page of Pen and Ink Drawings. £10.10.0 (unframed) | etching

Crisp, James. (1879–1962)

10. The porch, Saint Michael's, Rose Bay. £2.02.0 (unframed) | etching

MORT, Eirene (1879–1977)

11. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

12. Black Mountain, Canberra £1.11.6 (unframed) | etching

13. King's School, Parramatta. £2.02.0 (unframed) | etching

SHIRLOW, John (1869–1936)

14. The Great Dome, Melbourne Public Library £2.02.0 (unframed) | etching

15. Gate of the City. £2.12.6 (unframed) | etching

16. Doorway, Bank of Victoria, Melbourne. £2.02.0 (unframed) | etching

17. Bernard O'Dowd [2] £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

18. Falling Leaves, Bathurst. etching

19. The bent tree, Tuggerah Lake. etching

20. The open lake. etching

21. Archway, Bathurst etching

Walker, F. Sidney. (1888–1972)

22. Barges, Hobart. £1.11.6 (unframed) | etching

23. Evening. £1.01.0 (unframed) | etching

24. North Head. £1.01.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

25. Sydney University. £3.03.0 (unframed) | etching

26. Cobles at Staithes, Yorks. £3.03.0 (unframed) | etching

27. The Bend of the Road. £3.03.0 (unframed) | etching

28. Church Point, Pittwater. £2.02.0 (unframed) | etching

29. Landscape. £2.02.0 (unframed) | etching

30. Bushranger's Hill, Pittwater. £2.02.0 (unframed) | etching

31. Bushranger's Hill, Pittwater original sketch. £6.06.0 (unframed) | etching

32. The Bend of the Road original sketch. £9.09.0 (unframed) | etching

WALCOT, William (1874–1943)

33. Piccadilly Circus. £5.05.0 (unframed) | etching

34. Whitehall. £5.05.0 (unframed) | etching

35. The Bank of England. £5.05.0 (unframed) | etching

36. The Horse Guards. £5.05.0 (unframed) | etching

37. Newcastle-on-Tyne. £6.06.0 (unframed) | etching

38. Trafalgar Square. £5.05.0 (unframed) | etching

Brangwyn, Frank. (1867–1956)

39. Barge Builders. £12.12.0 (unframed) | etching

40. Barnard Castle. £12.12.0 (unframed) | etching

Gabain, Ethel. (1853–1950)

41. Reveuse original. £3.03.0 (unframed) | etching

42. The Emerald Ring original. £3.03.0 (unframed) | etching

43. Munition Worker. £3.03.0 (unframed) | etching

44. Si les bijoux estaient indiscrets! original. £3.03.0 (unframed) | etching

45. Une dame qui se chausse original. £4.04.0 (unframed) | etching

46. Colombine a sa toilette original. £5.05.0 (unframed) | etching

47. The Patch. £5.05.0 (unframed) | etching

Hall, Oliver. (1869–1957)

48. Showery Weather. £3.03.0 (unframed) | etching

49. Old timber bridge, Yarmouth. £3.03.0 (unframed) | etching

Menpes, Mortimer. (1855–1938)

50. Portrait of Whistler. £3.03.0 (unframed) | etching

51. A Distant View London. £3.03.0 (unframed) | etching

52. Westminster. £3.03.0 (unframed) | etching

Bentley, Alfred. (1879–1923)

53. A Sussex Landscape. £3.03.0 (unframed) | etching

Cameron, D.Y. (1865–1945)

54. Bookplate. £4.04.0 (unframed) | etching

Blampied, Edmund. (1886–1966)

55. Original. £3.13.6 (unframed) | etching

56. Original. £3.13.6 (unframed) | etching

Hampton, Herbert G. (1889–1943)

57. Midnight. £2.02.0 (unframed) | etching

OFFLER, Edmund

58. Yvonne. £1.01.0 (unframed) | drypoint

MIGNOT, Victor (1872–)

59. Dordrecht. £4.04.0 (unframed) | etching

Boon, Jan. (1882–)

60. Head of old woman. £1.01.0 (unframed) | etching

61. Lucien Simon. £3.03.0 (unframed) | pencil study

Simon, Lucien. (1861–1945)

61. A Head. Lucien Simon | £3.03.0 (unframed) | pencil study

LONG, Sydney (1871–1955)

62. The River Side. £4.04.0 (unframed) | etching

63. Mother and Young. £2.12.6 (unframed) | etching

64. Kookaburras. £3.03.0 (unframed) | etching

65. Stand on the Green. £3.13.6 (unframed) | etching

66. Deserted. £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

67. Fishing boats, Lisbon £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

68. Magpies £3.03.0 (unframed) | etching

69. Fishing boats, Lisbon £3.03.0 (unframed) | etching

70. The Pool. £4.04.0 (unframed) | etching

71. Houes of Parliament, London. £2.02.0 (unframed) | etching

Green, Reginald. (1884–1971)

72. Shakespeare's School, Stratford-on-Avon. £3.03.0 (unframed) | etching

73. The Star Inn. £3.03.0 (unframed) | etching

74. John Knox's House, Edinburgh. £2.02.0 (unframed) | etching

75. The Cross, Chichester. £2.02.0 (unframed) | etching

76. Merton College, Oxford. £2.02.0 (unframed) | etching

77. St. John's College, Cambridge. £2.02.0 (unframed) | etching

78. Windsor Castle. £2.02.0 (unframed) | etching

RICHARDS, Fred (1887–1932)

79. Vire. £2.02.0 (unframed) | etching

Dawson, Nelson. (1859–1941)

80. Coming into Harbour. £3.00.0 (unframed) | etching

STRANG, William (1859–1921)

81. Death Defeated. £2.02.0 (unframed) | etching

82. The Nymph. £3.03.0 (unframed) | etching

Munz, F.

83. Group of Trees. £2.02.0 (unframed) | etching

Lindeman, Grant. (1920–)

84. The Tuck Shop, S.G.S. £1.01.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

Artist: Friedensen, Thomas. | Title: The man from Burrywang. | Date: 1925 | Technique: etching and drypoint, printed in black ink, from one plate

85. The man from Burrywang. £1.11.6 (unframed) | etching

86. The Bridge of Sighs. £2.12.6 (unframed) | etching

87. The heart of the city. £2.12.6 (unframed) | etching

88. Breaking up in 'Australia'. £3.03.0 (unframed) | etching

89. A sunlit canal, Venice. £3.03.0 (unframed) | etching

90. A waterway in Venice. £2.02.0 (unframed) | etching

91. Interior Anne Hathaway's Cottage drawing. £5.05.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

92. Nocturne. £2.02.0 (unframed) | etching

93. Old Cremorne wharf. £2.02.0 (unframed) | etching

94. Old House, rear Vickery's Chambers. £2.02.0 (unframed) | etching

95. Milson's Point from Old Railway Yards. £2.02.0 (unframed) | etching

96. Dismantling H.M.A.S. 'Australia'. £3.03.0 (unframed) | etching

97. The old Barracks, Queen's Square. £2.02.0 (unframed) | etching

Morgan, Squire. (1886–1974)

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

99. The lagoon, Dee Why £2.12.6 (unframed) | etching

100. The Burragorang Valley. £3.03.0 (unframed) | etching

101. Scone Farm. £3.03.0 (unframed) | etching

102. Kangaroo Valley sketch. £1.11.6 (unframed) | etching

103. Sketch Dee Why. £1.11.6 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

104. Bundagobilly Creek. £3.03.0 (unframed) | etching

105. Interior Woolshed. £3.03.0 (unframed) | etching

106. Loading Wool. £3.03.0 (unframed) | etching

107. The Wagon Loaded. £2.12.6 (unframed) | etching

108. Macquarie Street. £2.02.0 (unframed) | etching

109. Wool Team Leaving. £1.11.6 (unframed) | etching

110. Bullock team coming in. £1.11.6 (unframed) | etching

111. Jinderie Sheds. £1.11.6 (unframed) | etching

112. St. James'. £1.01.0 (unframed) | etching

Nelson, Harold. (active by 1924)

114. Minerva. £2.02.0 (unframed) | etching

115. The Studio Window. £3.03.0 (unframed) | etching

WEBB, Harry George (1882–1914)

116. The Jester. £1.01.0 (unframed) | etching

Whydale, Herbert. (1892–1968)

117. The Hayrick. £3.03.0 (unframed) | etching

Fell, Eleanor. (1885–1946)

118. Lambeth Bridge. etching

119. Malaga. £3.13.6 (unframed) | etching

TRAILL, Jessie (1881–1967)

120. Bridge Building. £5.05.0 (unframed) | etching

121. Bridge Building. £10.10.0 (unframed) | etching

122. Bridge Building (No.3), the Opening Night. £3.03.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: The big building, Yallourn, May 1924. | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

123. The big building, Yallourn, May 1924. £6.16.6 (unframed) | etching

124. Super Great Power House. £5.15.6 (unframed) | etching

125. View from Temple Court, Collins St. Melbourne. £2.12.6 (unframed) | etching

Arndt, Mina. (1885–1926)

126. Study of old man. £4.04.0 (unframed) | etching

127. Ben. £3.03.0 (unframed) | etching

128. Street in Corfe. £2.02.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

129. Mrs Heberden. £5.05.0 (unframed) | etching

130. The Old Quarry. £4.04.0 (unframed) | etching

131. A sunlit land. £4.04.0 (unframed) | etching

132. Stirling Bridge. £4.04.0 (unframed) | etching

133. Arnold Mason. £5.05.0 (unframed) | etching

134. Jukhers of the Plain. £4.04.0 (unframed) | etching

135. Dieppe. £4.04.0 (unframed) | etching

137. Noon, Wareham. £3.03.0 (unframed) | etching

138. Le Puy. £4.04.0 (unframed) | etching

139. Nathaniel Sparks - Portrait. £5.05.0 (unframed) | etching

139A. Dieppe. etching

139B. Mrs. Heberden - Portrait. etching

Gaskell, Percival. (1868–1934)

140. Ferpecle mezzotint. £6.06.0 (unframed) | etching

141. Summer Morning, River Wharf. £5.05.0 (unframed) | mezzotint

142. Derwent Water, evening. £5.05.0 (unframed) | etching

143. The chalk pit on the Downs. £3.03.0 (unframed) | etching

144. The Enchanted Castle. £4.04.0 (unframed) | etching

145. San Vigilio, Lago di Garda. £3.03.0 (unframed) | etching

146. Ploughing in Purbeck. £3.03.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

146. Loches Castle. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

147. Crowland Abbey Ditching. £3.03.0 (unframed) | etching

Burridge, Fred. (1869–1945)

148. The Mountain Smithy. £4.04.0 (unframed) | etching

149. The Little White Town. £3.03.0 (unframed) | etching

150. Lancaster. £4.04.0 (unframed) | etching

151. Thunder weather. £3.03.0 (unframed) | etching

152. The Upland Farm. £4.04.0 (unframed) | etching

153. A March of Waters. £3.12.6 (unframed) | etching

154. Patriarchs. £3.03.0 (unframed) | etching

155. Harlech. £4.04.0 (unframed) | etching

156. The Promise of a Hot Day. £5.05.0 (unframed) | etching

157. A Spring Afternoon. £2.10.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

158. Piccadilly Circus. £3.03.0 (unframed) | etching

159. By-products. £3.03.0 (unframed) | etching

160. Hop Exchange, London, after the Fire. £3.03.0 (unframed) | etching

161. Westminster School. £3.03.0 (unframed) | etching

162. Covent Garden. £3.03.0 (unframed) | etching

163. Wreckage. £3.03.0 (unframed) | etching

164. St. Margaret's and Big Ben. £3.03.0 (unframed) | etching

165. Gracechurch Street, London. £4.04.0 (unframed) | etching

Duff, J.R.K. (1862–1938)

166. Rain. £3.03.0 (unframed) | etching

167. The man with the beet. £3.03.0 (unframed) | etching

168. The Marsh. £3.03.0 (unframed) | etching

169. January Lambs. £3.03.0 (unframed) | etching

170. At play. £1.11.6 (unframed) | etching

171. False Fire. £1.11.6 (unframed) | etching

172. Milking. £1.11.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

173. St. Mary's Catheral, Sydney. £4.04.0 (unframed) | etching

174. The launch. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Cronulla Beach. | Date: 1924 | Technique: etching, printed in black ink, from one plate

175. Cronulla Beach. £3.03.0 (unframed) | etching

176. Chelsea Pensioners. £10.10.0 (unframed) | etching

177. Windsor Castle. £12.12.0 (unframed) | etching

178. Dr Jamieson's House. [pencil]. £8.08.0 (unframed) | etching

178. Dr Jamieson's House. [pencil]. £0.08.0 (unframed) | etching

179. Old Mosman [pencil]. £8.08.0 (unframed) | pencil

179. Old Mosman [pencil]. £0.08.0 (unframed) | pencil

Flanagan, John Richard. (1895–1964)

180. Title unknown. £6.06.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

181. Into the shade. £2.02.0 (unframed) | etching

182. The spreading Ti-Tree. £2.02.0 (unframed) | etching

183. The lake side. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

184. The heart of Sydney. £4.04.0 (unframed) | etching

185. Wentworth House, Vaucluse, N.S.W. £2.02.0 (unframed) | etching

186. The mooring. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

187. Sundown. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

188. Sydney from Bradleys Head. £2.02.0 (unframed) | etching

Artist: GOODCHILD, John | Title: The work of day | Date: 1924 | Technique: softground etching, printed in brown ink, from one plate

189. The work of day £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980) and SHIRLOW, John (1869–1936)

190. Sydney from Milsons Point. £4.04.0 (unframed) | etching

GOODCHILD, John (1898–1980)

191. Title unknown. £3.03.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

205. Cement Works, Rochester. £3.03.0 (unframed) | etching

206. Isleworth. £3.03.0 (unframed) | etching

207. Interior of Barn at Rabley Heath. £3.03.0 (unframed) | etching

208. The path of a gale. £5.05.0 (unframed) | etching

Emanuel, Frank. (1865–1948)

209. Little Hell Street, Dieppe. £3.13.6 (unframed) | etching

210. Rue Eau de Robec, Rouen. £3.03.0 (unframed) | etching

211. Rembrandt at the Press. £2.10.0 (unframed) | etching

Airy, Anna. (1882–1964)

212. Goldfinches fighting. £4.04.0 (unframed) | etching

213. Cast of Dice. £4.04.0 (unframed) | etching

214. Apple Blossom. £4.04.0 (unframed) | etching

Fletcher, Hanslip. (1874–1955)

215. Exeter Cathedral drawing. £15.15.0 (unframed) | etching

Kinney, Troy. (1871–1938)

216. Serenade. £8.08.0 (unframed) | etching

Warlow, H. Gordon. (1885–1942)

217. Place de Eglise. £2.02.0 (unframed) | etching

Austen, Winifred. (1876–1964)

218. Curlew. £4.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

219. On the Lane Cove, Sydney Harbour. £3.03.0 (unframed) | etching

220. Rue de Mer Rouge, Algiers. £1.17.6 (unframed) | etching

221. Trees of Balmoral. £1.01.0 (unframed) | etching

222. Wreck of 'Collaroy', Collaroy Beach. £2.02.0 (unframed) | etching

223. Banksia, Collaroy. £1.17.6 (unframed) | etching

The A.H. Fullwood Memorial Exhibition

Venues

National Art Gallery Of New South Wales (14 March 1936 – 30 March 1936)
Art Gallery Rd., The Domain, Sydney, New South Wales, Australia

Works

FULLWOOD, A.H. (1863–1930)

98. Dover Castle. 2½ gns

99. Martin Place, Sydney. 3 gns

100. His ain fireside. 2½gns

101. Sydney Grammar School. 3 gns

102. Peterborough Cathedral. 3 gns

103. Queen's Square, Sydney. 2 gns

104. Crowhurst House, Surrey. 2 gns

105. St. Mary's Catheral, Sydney. 3 gns

106. Conservatorium of Music, Sydney. 2 gns

107. Fleet Street, London. 2½ gns

108. St. Albans. 4 gns

109. A View in Greenwich Park. 3 gns

110. Cumberland Street, Sydney. 3 gns

111. Diana's Pool, Bushey Park. 3 gns

112. King Edward VII's Visit to Eton. 3 gns

113. Dr Jamieson's House, Sydney. 2 gns.

114. Clyde Street, Sydney. 2 gns

115. Happy Hampstead. 3 gns

116. The Green Man, Putney. 2 gns

117. The Poet's House (Keats) Hampstead Heath. 3 gns

118. Jack Straw's Castle, Hampstead Heath. 3 gns

119. Crowhurst House, Surrey. 2 gns

120. Windmill Street, Sydney. 2 gns

121. Richmond on Thames (The way to the boats). 3 gns

Artist: FULLWOOD, A.H. | Title: The old mill. | Date: 1907 | Technique: lithograph, printed in black ink, from one stone

122. The old mill. 2 gns

123. Richmond on Thames (The way to the boats). 3 gns

124. Old McMahon's Point. Sydney. 3 gns

Artist: FULLWOOD, A.H. | Title: Rochester Bridge. | Date: 1907 | Technique: lithograph, printed in black ink, from one stone

125. Rochester Bridge. 2 gns

126. Bull and Bush, Hamstead Heath. 3 gns

127. Xmas Eve. 5 gns

128. Old Milson's Point. 3 gns

129. The Pool. 2½ gns

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

130. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. 3 gns

Artist: FULLWOOD, A.H. | Title: Twickenham Ferry. | Date: 1907 | Technique: lithograph, printed in black ink, from one stone

131. Twickenham Ferry. 2 gns

132. Town Hall, Melbourne. 2 gns

133. Westminster school. 3 gns

134. Houses of Parliament London. 2 gns

135. Cape Rouel, Tasmania. 2 gns

136. Waterloo Bridge. 2½ gns

137. The Medway Valley. 2 gns

138. Equitable Building, Melbourne. 2 gns

139. Town Hall, Peterborough. 4 gns

140. St. Joseph's College, Sydney. 3 gns

141. An old inn. 2 gns

142. Crowhurst House, Surrey. 3 gns

143. The Bell Inn at Stilton. 2 gns

144. The Old England of Heidelburg. 2 gns

145. Queen's Square, Sydney (No.2). 3 gns

146. The church at Mulgoa. 2 gns

147. Rowe Street, Sydney. 2 gns

148. Deans Passage, St Albans. 3 gns

149. King's School, Parramatta. 2 gns

150. Old mill, Tasmania. 2 gns

151. The Firs, Hampstead Heath. 3 gns

152. Home, Sweet Home. 2 gns

153. The Rocks, Sydney. 3 gns

154. Old Mosman. 3 gns

155. Scott's Church. 2 gns

156. Hunter Street, Sydney. 3 gns

157. Ye Old Shop. 2 gns

158. Gates, Government House, Melbourne. 2 gns

159. Hunter Street, Sydney. 3 gns

160. Old church, Chelsea. 2 gns

161. Coaling, Mosman Bay. 2 gns

162. Windsor Castle. 3 gns

163. The Bank of Victoria, Melbourne. 2 gns

The Etched Work and Monotypes of A. Henry Fullwood

Works

FULLWOOD, A.H. (1863–1930)

1. The horse market, Capetown. 4 gns

2. The meeting place. 6 gns

3. Hyde Park, London. 10 gns

4. Season of Mists. 10 gns

5. 'The Evening Hour'. 10 gns

6. Misty morning. 6 gns

7. Old Mosman, Sydney. 6 gns

8. Morning mists. 6 gns

9. A View in St. James' Park, London. 6 gns

10. The lovers' walk. 6 gns

11. Coming storm. 6 gns

12. Sunny Day. 6 gns

13. The English Channel. 6 gns

14. Wendover. 6 gns

15. Sunshine and rain. 6 gns

16. Field Flowers. 6 gns

17. The 'Haycock' at Wansford. 4 gns

18. Fleet Street, London. 3 gns

19. Richmond on Thames (The way to the boats). 3 gns

20. Bank holiday, Hampstead Heath. 3 gns

21. Westminster school. 3 gns

22. Richmond Bridge. 3 gns

23. The boatbuilders. 4 gns

24. Waterloo Bridge, London. 3 gns

25. Windsor Town Hall. 1½ gns

26. Old house, Windsor. 1½ gns

27. Street in Windsor. 1½ gns

28. Windsor Castle. 5 gns

29. The haunted mill. 3 gns

30. Stokesay Castle. 3 gns

31. Hyde Park Corner, London. 3 gns

32. The Storm. 3 gns

33. Street in Windsor. 1½ gns

34. Street in Paris. 1½ gns

35. Fenbridge, Dedham. 3 gns

36. St. Albans. 3 gns | only one print left. for sale

37. 'Star and Garter', Richmond. 3 gns

38. Greenwich Park. 3 gns

39. Newport Cathedral, Isle of Wight. 2 gns

40. The Bridge. 2 gns

41. The 'King's Head', Roehampton. 2 gns

42. Birthplace of John Constable, RA. 2 gns

43. Bank of Victoria, Melbourne. 4 gns

44. Barges at Rochester. 4 gns

45. His ain fireside. 5 gns

46. Dickens' Old Curiosity Shop, London.

47. The Belgian Set. 6 proofs for sale

48. The Edinburgh Set. 3 proofs for sale