Old Argyle Cut, Sydney.

Bruce Robertson (1872–1943)

Old Argyle Cut, Sydney.

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

Australian Painter-Etchers Society. Second [Melbourne] Exhibition [1923]

Venues

Decoration Art Gallery (15 October 1923 – 29 October 1923)
289 Collins St., Melbourne, Victoria, Australia

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Teamsters | Date: 1923 | Technique: aquatint and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

1. Teamsters "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Sussex Street trade | Date: 1923 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. Sussex Street trade "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £7.07.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The selector | Date: 1923 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

3. The selector "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

4. Ronda. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

5. Breakfast "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The house on the wall, Cordova | Date: 1923 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

6. The house on the wall, Cordova "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

7. The Great Fig Tree. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

8. The Old Fossicker. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

9. The Log. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.12.6 (unframed) | etching

10. The Doric Porch. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

11. The crossing "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £5.05.0 (unframed) | etching

12. The Burrow. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: On the balcony. | Date: 1922 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

13. On the balcony. £1.11.6 (unframed) | etching

FEINT, Adrian (1894–1971)

14. Rendezvous. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

15. Burdekin House. £3.03.0 (unframed) | etching

16. The farm sheds. £4.04.0 (unframed) | etching

17. The barn, Windsor. £3.03.0 (unframed) | etching

18. Harbour from Rose Bay. £2.02.0 (unframed) | etching

19. Windsor, N.S.W. £3.03.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

20. Edge of the clearing. £4.04.0 (unframed) | etching

21. The Stack. £4.04.0 (unframed) | etching

Artist: Boyd, Penleigh. | Title: The jetty. | Date: c.1921 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate

22. The jetty. £4.04.0 (unframed) | etching

SHIRLOW, John (1869–1936)

Artist: SHIRLOW, John | Title: Andante. | Date: 1923 | Technique: drypoint, printed in black ink, from one copper plate

23. Andante. £2.02.0 (unframed) | etching

24. From South Yarra. £2.12.6 (unframed) | etching

25. Chinese at a doorway £2.12.6 (unframed) | etching

26. Flinders Street. £2.12.6 (unframed) | etching

27. Yarraside. £3.03.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

28. Scherzo. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

29. Death in the garden. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

30. Trio. Springwood, New South Wales, Australia | £4.04.0 (unframed) | etching

31. Dryad. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

32. Julia. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

33. Festival. Springwood, New South Wales, Australia | £8.08.0 (unframed) | etching

34. Argument. Springwood, New South Wales, Australia | £7.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

35. The Sugar Mills. £7.07.0 (unframed) | etching

36. McMahon's Point, Sydney. £2.12.6 (unframed) | etching

37. Sydney Harbour from Cremorne. £2.07.6 (unframed) | etching

38. The Mosque, Cairo. £2.12.6 (unframed) | etching

Rose, Herbert. (1890–1937) and Rose, Herbert. (1890–1937)

39. Half Moon Bay. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

40. Berry's Bay, Sydney. £2.12.6 (unframed) | etching

41. The Post Office, Sydney. £2.12.6 (unframed) | etching

Ashton, Will. (1881–1963)

42. Rodney Lane, Ilfracombe, England. £2.02.0 (unframed) | etching

43. Old bridge, Ayr, Scotland. £3.03.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

44. St. James' Doorway, Sydney. £2.02.0 (unframed) | etching

45. The Milking Shed. £2.02.0 (unframed) | etching

46. Lane of William Street, Sydney. £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

47. Broken Hill silhouette, British Mine, Sunset. £5.05.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: Testing the new turbine, Red Cliffs pumps, August 1922. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone and wiped highlights, from one plate

48. Testing the new turbine, Red Cliffs pumps, August 1922. £8.08.0 (unframed) | etching

49. The Digger, Red Cliffs. £1.01.0 (unframed) | etching

50. End of the day, Red Cliffs. £2.02.0 (unframed) | etching

51. View from Temple Court, Collins St. Melbourne. £2.02.0 (unframed) | etching

52. Super Great Power House. £5.05.0 (unframed) | etching

53. The Great Live Line. £4.04.0 (unframed) | etching

54. The Dam, Small Pump, Red Cliffs. £3.03.0 (unframed) | 1st State | etching

ROBERTSON, Bruce (1872–1943)

55. Australian Bush Road. Dee Why, via Manly, New South Wales, Australia. | £4.04.0 (unframed) | etching

56. The farm bridge, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £3.03.0 (unframed) | etching

57. Old Argyle Cut, Sydney. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

58. Over the Range. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

59. Australian sunrise. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

60. Across Lake Macquarie, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £2.02.0 (unframed) | etching

61. St. Andrew's Castle, Fife. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

62. Groote Church, Dordrecht, Holland. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

63. Rialto Bridge, Venice. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

64. The wave, Coogee, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.01.0 (unframed) | etching

65. The Duck Farm, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

66. Oxford Falls Bridge, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

72. Circular Quay, Sydney. £3.03.0 (unframed) | etching

73. Old houses, Candebec, Normandy. £2.12.6 (unframed) | etching

74. A canal in Venice. £3.03.0 (unframed) | etching

75. Barges, Chiswick Mall. £3.03.0 (unframed) | etching

76. Up Country Team. £2.02.0 (unframed) | etching

77. Windsor Castle, Berkshire. £3.03.0 (unframed) | etching

78. Windmill, Walton, Essex. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The old parchment mills £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

80. St. Paul's from the river £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

81. Friar Street, Worcester £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Beddington Corner £4.04.0 (unframed) | etching

83. Camp in the forest. £5.05.0 (unframed) | etching

84. Badnage Landscape. £4.04.0 (unframed) | etching

85. Soft Ground Pastorale. £7.07.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

86. Between the showers £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

87. The Thames from Waterloo Bridge £6.06.0 (unframed) | etching

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

88. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Wallis, Raymond. (1900–1983)

89. The Milking Shed. £2.02.0 (unframed) | etching

90. White gums. £1.11.6 (unframed) | etching

91. Lucerne Farm. £2.12.6 (unframed) | etching

92. The farmyard. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

93. The Rocks, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

94. Clyde Street, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

95. Windmill Hill, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

96. Christmas Eve, St Albans, England. 1 Bond Street, Sydney, New South Wales, Australia. | £10.10.0 (unframed) | etching

97. St. Joseph's Mulgoa, N.S.W. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

98. Sydney Observatory. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

99. Hyde Park, London. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

100. Chelsea Old Church, London. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

101. The haunted mill. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

102. Peterborough Cathedral. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

Ward, J. (1920–)

103. The Gamblers. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

104. The Drover. £3.03.0 (unframed) | etching

105. The bullocky. £3.03.0 (unframed) | etching

106. Macquarie Street. £3.03.0 (unframed) | etching

107. The Drover's Cook. £3.03.0 (unframed) | etching

108. The wool dray. £3.03.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. Melbourne Grammar School. £4.04.0 (unframed) | etching

110. The Swimming Pool, Coombe Cottage. £3.03.0 (unframed) | etching

111. From the Roof Garden, Coombe Cottage. £2.02.0 (unframed) | etching

112. Mosman. £2.02.0 (unframed) | etching

113. Port Phillip Heads. £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

114. Circular Quay. £2.02.0 (unframed) | etching

115. The White Way. £1.11.6 (unframed) | etching

116. The lake. £3.03.0 (unframed) | etching

Crisp, James. (1879–1962)

117. Young Magpies. £2.02.0 (unframed) | etching

118. Magpies. £2.02.0 (unframed) | etching

119. The quintette. £2.02.0 (unframed) | etching

Farmer, Helen. (1888–1970)

120. Cobbitty gums. £2.02.0 (unframed) | etching

121. End of the track. £1.01.0 (unframed) | etching

122. Dee Bridge, Chester. £2.02.0 (unframed) | etching

Lindsay, Daryl. (1889–1976)

123. Converter shed. £2.02.0 (unframed) | etching

124. Deserted House, Creswick. £2.02.0 (unframed) | etching

Campbell, Fred. (1851–1930)

125. The quarry. £1.11.6 (unframed) | etching

126. A sunlit sea. £1.11.6 (unframed) | etching

127. Reflections. £1.11.6 (unframed) | etching

128. Flinders Street Railway Station. £1.11.6 (unframed) | etching

129. East Coast, Port Phillip. £1.11.6 (unframed) | etching

130. In the Southern pastures. £1.11.6 (unframed) | etching

131. The beach walk. £1.11.6 (unframed) | etching

132. A fair wind. £1.11.6 (unframed) | etching

Morgan, Squire. (1886–1974)

133. The lake, Avoca. £3.03.0 (unframed) | etching

134. Morning sunlight. £3.03.0 (unframed) | etching

135. The sliprails. £3.03.0 (unframed) | etching

136. Ti-trees. £3.03.0 (unframed) | etching

137. Old bullock dray. £3.03.0 (unframed) | etching

138. The glade. £1.11.6 (unframed) | etching

139. Sketch, Avoca. £1.01.0 (unframed) | etching

PERCY, W.S. (1872–1946)

140. Garden Island. £1.11.6 (unframed) | etching

141. Old bark hut. £1.11.6 (unframed) | etching

Britton, Fred. (1889–1931)

142. The Bridge. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

144. Bracken banks. £7.07.0 (unframed) | etching

Britton, Fred. (1889–1931)

145. Morning light. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

145. Adelaide Cathedral. £3.03.0 (unframed) | etching

147. Wayside Gums. £4.04.0 (unframed) | etching

148. Town Hall, Perth. £3.03.0 (unframed) | etching

149. Barracks, Perth. £3.03.0 (unframed) | etching

150. Water's Edge Price on Frame. Price on frame. | etching

151. The Giant. £10.10.0 (unframed) | etching

Coffey, Alfred. (1869–1950)

152. Chapel, St. John's College, Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £5.05.0 (unframed) | etching

153. Glenyarrah (Gladswood), Double Bay. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £1.11.6 (unframed) | etching

Finley, Fred. (1894–1968)

154. The prisoners. £2.02.0 (unframed) | etching

155. Rag Pickers of the Pont Neuf. £2.02.0 (unframed) | etching

156. Mountebanks, St. Owen, Paris. £2.02.0 (unframed) | etching

157. The porcelain mender, Paris. £1.11.6 (unframed) | etching

Catalogue of the Exhibition of the Australian Painter-Etchers' Society. Exhibition of Etchings by Members and Honary Members of the Australian Painter-Etchers' Society [1925].

Venues

Dunster Galleries (24 November 1925 – 15 December 1925)
104-106 Gawler Place, Adelaide, South Australia, Australia

Works

Burridge, Fred. (1869–1945)

The Mountain Smithy. £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

Evening in the fishing quarter. £4.04.0 (unframed) | etching

Lee Hankey, William. (1869–1952)

Memories. £8.08.0 (unframed) | etching

Sitting Up. £6.06.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

Chinon Castle. £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

In the Path of the Gale. £5.05.0 (unframed) | etching

WALCOT, William (1874–1943)

Venice. £7.07.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

2. Wreckage. £3.03.0 (unframed) | etching

Airy, Anna. (1882–1964)

3. Azaleas. £7.07.0 (unframed) | etching

Lee Hankey, William. (1869–1952)

10. Jeanette of the Market. £12.12.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The farm sheds. £6.06.0 (unframed) | etching

12. Farmhouse, Hartley. £2.02.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

13. Washing day £2.02.0 (unframed) | etching

14. Farmyard, Clarendon. £2.02.0 (unframed) | etching

15. The sequestered farm. £3.03.0 (unframed) | etching

16. The country road. £3.03.0 (unframed) | etching

17. The Hawkesbury, Windsor. £3.03.0 (unframed) | etching

18. Offices of the 'Sydney Morning Herald'. £5.05.0 (unframed) | etching

19. The Old Treasury. £4.04.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

20. The blacksmith's shop, Ambleside £5.05.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

21. Ambleside farmyard £3.03.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

22. Australian sunrise. £3.03.0 (unframed) | etching

23. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unframed) | etching

24. On the Lane Cove, Sydney Harbour. £2.17.6 (unframed) | etching

25. Old Argyle Cut, Sydney. £2.10.0 (unframed) | etching

26. Australian sunrise. £2.10.0 (unframed) | etching

27. Australian natives, Lake Macquarie, NSW. £1.11.6 (unframed) | etching

28. Rue de Mer Rouge, Algiers. £1.11.6 (unframed) | etching

29. Outer Lake, Narrabeen. £1.05.0 (unframed) | etching

30. Old Balmoral Beach, Sydney Harbour. £1.11.6 (unframed) | etching

31. Banksia, Collaroy. £1.11.6 (unframed) | etching

32. Groote Church, Dordrecht, Holland. £1.11.6 (unframed) | etching

33. Trees of Balmoral, Sydney Harbour. £1.01.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

34. An Early Dooway. £2.02.0 (unframed) | etching

Godson, John Barclay. (1882–1957) and Godson, John Barclay. (1882–1957)

35. The Reclamation. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

36. Cobles at Staithes, Yorks. £3.03.0 (unframed) | etching

37. Bushrangers' Hill, Pittwater. £2.02.0 (unframed) | etching

38. Minnamurra Reflections. £3.03.0 (unframed) | etching

39. Early morn. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

40. Strand on the Green. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

41. The riverside £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

42. Beddington Corner £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. Moonrise pastoral £5.05.0 (unframed) | etching

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

44. Young Kookaburras £2.02.0 (unframed) | etching

45. The Snake Yarn. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Radnage, Bucks | Date: 1920 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

46. Radnage, Bucks £4.04.0 (unframed) | etching

47. Belfry, Bruges. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

48. The deserted selection. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Between the showers £4.04.0 (unframed) | etching

50. Fishing Boats, St. Ives. £2.12.6 (unframed) | etching

51. Pastoral. £6.06.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

52. The Breaking up of H.M.A.S. 'Australia'. £3.03.0 (unframed) | etching

53. The Grand Canal, Venice. £3.03.0 (unframed) | etching

54. Lacey's Creek, Burragorang Valley, N.S.W. £3.03.0 (unframed) | etching

55. St. Paul's Cathedral, London. £2.12.6 (unframed) | etching

56. The Up Country Farmer. £2.02.0 (unframed) | etching

57. An old English shepherd. £2.02.0 (unframed) | etching

58. A canal in Venice. £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

59. A Scone farm. £3.03.0 (unframed) | etching

Artist: Morgan, Squire. | Title: Ti trees | Date: 1922 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

60. Ti trees £3.03.0 (unframed) | etching

61. At Palm Beach. £3.03.0 (unframed) | etching

62. Old bullock dray. £3.03.0 (unframed) | etching

63. The lakeside. £2.12.6 (unframed) | etching

64. Deserted hut. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

65. Dawes Point, Sydney. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

66. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. £4.04.0 (unframed) | etching

67. Sydney Grammar School. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

68. The picnic. £4.04.0 (unframed) | etching

69. The launch. £3.03.0 (unframed) | etching

70. Conservatorium of Music, Sydney. £3.03.0 (unframed) | etching

71. Wiseman's Ferry. £4.04.0 (unframed) | etching

72. St. James Church, Sydney. £4.04.0 (unframed) | etching

73. Milson's Point, Sydney. £4.04.0 (unframed) | etching

74. Oxford and Cambridge Boat Race: The Start. £4.04.0 (unframed) | etching

75. St. Joseph's College, Sydney. £3.03.0 (unframed) | etching

76. Chinaman's gardens, Rose Bay. £4.04.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

77. MacTaggart's Farm. £1.07.0 (unframed) | etching

78. The River Tweed. £1.11.6 (unframed) | etching

79. Prince's Bridge, Melbourne. £1.11.6 (unframed) | etching

80. Newport Rocks. £1.01.0 (unframed) | etching

81. Evening. £1.01.0 (unframed) | etching

82. Timber Craft. £1.07.0 (unframed) | etching

83. The Estuary. £1.01.0 (unframed) | etching

84. From the Mountain Side. £1.07.0 (unframed) | etching

85. Along the Murrumbidgee. £1.11.6 (unframed) | etching

86. Mountain Gums. £1.11.6 (unframed) | etching

87. A Sydney Ferry. £1.01.0 (unframed) | etching

88. The river boat. £1.07.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

89. Bullock team. £1.11.6 (unframed) | etching

90. Wool Team. £1.11.6 (unframed) | etching

91. Martin's Farm. £2.02.0 (unframed) | etching

92. In Camp. £2.12.6 (unframed) | etching

93. Politicians. £2.12.6 (unframed) | etching

94. Cultivation paddocks. £2.12.6 (unframed) | etching

95. On the road. £3.03.0 (unframed) | etching

96. Loading Wool. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

97. Sundown. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

98. Gid-Dap. £3.03.0 (unframed) | etching

Farmer, Helen. (1888–1970)

99. The cowbail. £2.02.0 (unframed) | etching

100. A river boat. £1.11.6 (unframed) | etching

101. The paddock gate. £3.03.0 (unframed) | etching

102. The derelict. £2.02.0 (unframed) | etching

103. Chinamen's gardens, Mavey Vale. £2.02.0 (unframed) | etching

104. Loading a drogher. £2.02.0 (unframed) | etching

105. The deserted tenement. £1.11.6 (unframed) | etching

106. The cottage on the hill. £1.01.6 (unframed) | etching

Crisp, James. (1879–1962)

107. A Favorite Spot. £2.02.0 (unframed) | etching

108. The old mill, Auckland, N.Z. £1.11.0 (unframed) | etching

109. The Story. £1.11.6 (unframed) | etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

110. The gander. £1.01.0 (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Sydney Harbour from Vaucluse | Date: 1923 | Technique: etching, printed in black ink, from one plate

111. Sydney Harbour from Vaucluse £2.02.0 (unframed) | etching

112. Government House, Windsor, N.S.W. £2.02.0 (unframed) | etching

113. The yard. £2.02.0 (unframed) | etching

114. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

115. Black Mountain, Canberra £1.11.6 (unframed) | etching

116. A Hartley barn. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

117. The Bridge. £1.11.6 (unframed) | etching

118. Ships at rest. £2.02.0 (unframed) | etching

119. After work. £2.02.0 (unframed) | etching

120. Low Banks. £1.01.0 (unframed) | etching

121. Bush Light. £1.01.0 (unframed) | etching

122. Sydney from Bradleys Head. £2.02.0 (unframed) | etching

123. The smithy. £2.02.0 (unframed) | etching

124. Quiet afternoon, Port Adelaide. £4.04.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

125. Sundown. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

126. Desolation. £1.11.6 (unframed) | etching

127. King William Street, Adelaide. £2.12.6 (unframed) | etching

128. G.P.O., Adelaide. £5.05.0 (unframed) | etching

Britton, Fred. (1889–1931)

129. The Winery. £0.15.0 (unframed) | etching

130. The barn. £0.15.0 (unframed) | etching

131. The wharves, Birkenhead. £1.01.0 (unframed) | etching

132. Old carpenter's shop, Noarlunga. £1.01.0 (unframed) | etching

133. Old cottages at Goolwa. £1.11.6 (unframed) | etching

134. The sunlit homestead. £2.02.0 (unframed) | etching

135. Cottage at Aldgate. £2.02.0 (unframed) | etching

136. The slips. £2.12.6 (unframed) | etching | Collection: British Museum.

van RAALTE, Henri (1881–1929)

137. The water glade (Torrens Gorge). £8.08.0 (unframed) | etching

138. Silver evening. £7.07.0 (unframed) | etching

Artist: van RAALTE, Henri | Title: Tuarts of the South-West. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

139. Tuarts of the South-West. £10.10.0 (unframed) | etching

140. The Cathedral at Dawn. £4.04.0 (unframed) | etching

Painter-Etchers and Graphic Art Society of Australia, Exhibition, 1937.

Venues

Education Department Gallery (23 November 1937 – 17 December 1937)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Baker, Normand H. (1908–1955)

Pencil Study. 6 gns

Nude [drawing]. 5 gns | Drawing.

Self Portrait. 6 gns

Hirst, G.W.L. (1868–1965)

A harbour boat shed. 3 gns

Pratt, Douglas. (1900–1972)

Quiraing -.

Artist: Pratt, Douglas. | Title: Gums of the sunny south | Date: 1937 | Technique: etching, printed in black ink, from one plate

Gums of the sunny south 6 gns

Walker, F. Sidney. (1888–1972)

Bush track in Riverina. 1 gn

Brodziak, Phyllis Ruby. (1916–1967)

1. Foggy Night. 1 gns

2. Kalnes. 2 gns

Pratt, Douglas. (1900–1972)

10. Lyndhurst Gardens -.

11. Mt. Bimlow, Burragorang. 20 gns

12. St. Mary's, Sydney.

13. 'Laluma', Woollahra -.

Emanuel, Cedric. (1906–1995)

14. Hobart. 5 gns

PLATT, Austin (1912–2003)

15. Book Plate (kindly lent).

Russom, Reginald. (1877–1952)

16. Prospectors. 1½ gns

17. The Pack Horse. 1½ gns

18. Taking Out the Kinks. 1½ gns

Baker, Alan Douglas (1914–1987)

19. Pencil Study of Nude. 7 gns

20. Head Study. 6 gns

Farmer, Helen. (1888–1970)

21. The broken gate. 1½ gns

22. The River Oak. 2 gns

PLATT, Austin (1912–2003)

23. Olive. 1½ gns

24. Congregational Church, Burwood. 5 gns

Gallop, Herbert. (1890–1958)

25. The old cottage, Meadowbank. 7 gns

Ingleton, Geoffrey. (1908–1998)

26. Storm driven. 3 gns

Hirst, G.W.L. (1868–1965)

27. An old land mark. 3 gns

28. From A Window In Balmain. 3 gns

29. White Horse Point. 3 gns

30. Drifting to Her Moorings. 3 gns

31. Evening. 3 gns

32. Morning Mist. 5 gns

PLATT, Austin (1912–2003)

33. 'Hutchins', Hobart. 1½ gns

34. Royal Exchange, Sydney 2 gns

ROBERTSON, Bruce (1872–1943)

35. A bend of the Williams River. 1½ gns

35a. Trees, Balmoral. 1 gn

36. Sydney from Harbour. 1½ gns

37. Old Jamieson Street, Sydney. 1½ gns

38. Palm Beach, Pittwater. 1½ gns

39. Williams River, Glenoak. 1½ gns

Emanuel, Cedric. (1906–1995)

40. Balmain Waterfront. 12 gns

41. Kilmore. 7 gns

42. Hobart. 15 gns

Baker, Alan Douglas (1914–1987)

43. Joe Holloway. 13 gns

44. A Sulky child. 12 gns

Ingleton, Geoffrey. (1908–1998)

45. Sea ruffians - The mutiny of the Bounty on the morning of 28th April, 1789. The ship seized by Fletcher Christian and his associates from Captain Bligh. 3 gns

46. Sea rivalry - Flinders' Investigator meets Baudin's Le Geographe in Encounter Bay, 7th April, 1802. 3 gns

Emanuel, Cedric. (1906–1995)

47. Timber Mills, South Coast. 2 gns

Hirst, G.W.L. (1868–1965)

48. Northbridge Hills. 3 gns

Langker, Erik. (1898–1982)

49. A river monarch. 10 gns

50. The river bank, Windsor. 4 gns

51. Sunlight Thru the Trees. 6 gns

52. Spring. 3 gns

Crisp, James. (1879–1962)

53. Chums. 5 gns

54. The Wood heap, Megalong Valley. 3 gns

Dattilo-Rubbo, Anthony. (1870–1955)

55. Drawing (in chalk and charcoal). 8 gns

Crisp, James. (1879–1962)

56. St. Mark's. 1 gn

Walker, F. Sidney. (1888–1972)

56a. Billabong in Riverina. 1 gn

Gallop, Herbert. (1890–1958)

57. Springtime. 8 gns

Walker, F. Sidney. (1888–1972)

58. Morning at Collaroy. 2 gns

Reid, Stuart. (1935–)

59. Tumbledown Avenue, Windsor. 8 gns

Hosking, W. John. (1930–)

60. A Pattern of Shadows. 3 gns

O'SHEA, Molly (1890–)

61. Boats at Berry's Bay. 1½ gns

62. Daisies. 1 gn

Hosking, W. John. (1930–)

63. The old stable. 3 gns

64. On the North Coast. 3 gns

65. Fig Trees. 3 gns

66. Newcastle Headlands. 4 gns

Coglan, Elaine E. (1897–1989)

67. The Girl. 2 gns

68. Pencil Portrait. 2 gns

69. A Digger. 5 gns

RICHARDS, B.

69a. Sunshine and shadow. 2½ gns

69b. In An Old Garden, Ryde. 3 gns

Dwyer, Ella. (1887–1979)

70. Shady depths. 2 gns

71. Mornlight Sunlight. 1 gn

Watkins, J.S. (1866–1942)

72. Pencil Drawing. 25 gns

73. Head of an old man.

74. Study of head.

75. Semi Nude. 30 gns

Farleigh, John. (1900–1965)

76. Capture of the Irishman. 3½ gns

77. Black girl and the artist. 4 gns

78. Milk Thistle. 3½ gns

79. The Boy David. 3½ gns

Ingleton, Geoffrey. (1908–1998)

80. Zeehan, Shooting the Sun. 3 gns

81. Botany Bay 'Welcome' - The Endeavour coming to anchor 29th April, 1770. Capt. Cook had nothing but praise for the stauch little cat-built bark Endeavour. 3 gns

Chambers, Alfred. (1930–)

82. The Windswept Coast. 3 gns

83. The Early Moon. 2 gns

Thorpe, Lesbia. (1919–2009)

85. Head Study. 3 gns

86. Candles. 5 gns

87. The Invalid. 5 gns

COWDROY, Vic (1908–)

88. Portrait sandgrain. 7 gns

Parsons, Alice Mary. (1863–1939)

88. Swamp Oaks. 1½ gns

89. Rain Clouds. 1½ gns

Gallop, Herbert. (1890–1958)

90. Old Manildra. 2 gns

91. Pike's Farm, Manildra. 3 gns

92. Ti-trees. 10 gns

93. Along Victoria Road, Dundas. 6 gns

94. Mandadgery Creek. 3 gns

COWDROY, Vic (1908–)

95. King's Cross (Design for Mural). 6 gns

96. Study in Chalk. 2½ gns

97. A Study in Chalk. 2½ gns

Parsons, Alice Mary. (1863–1939)

98. Winter Trees in Parramatta Park. 1½ gns

99. Nocturne. 1 gn

Coglan, Elaine E. (1897–1989)

100. The model. 3 gns

Dwyer, Ella. (1887–1979)

101. Bookplates -.

Farleigh, John. (1900–1965)

102. The black girl and King Richard. 2½ gns

103. The Black girl. 4 gns

104. Hemlock. 4 gns

105. Birch Trees. 2½ gns

Ingleton, Geoffrey. (1908–1998)

106. Dawn and aweigh - The Supply leaving Botany Bay for Port Jackson, 25th January, 1788, with Captain Phillip aboard. 3 gns

107. Seekers - Dampier's Roebuck, in Shark Bay, 11th Aug., 1699. The first British Warship to arrive in Australian waters. 3 gns

Chambers, Alfred. (1930–)

108. The Edge of the Dunes. 2 gns

109. A Southerly Off the Coast. 5 gns

ROBERTSON, Bruce (1872–1943)

110. Merewether Lagoon, Newcastle. 2 gns

111. Rue de L'Cordelias, Dinan, France. 2 gns

112. The coming storm. 3 gns

113. Old Argyle Cut, Sydney. 2 gns

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

114. Rue de l'Cordonnerie, Dinan, France 10 gns

115. Waterloo Bridge, London. 2 gns

116. A Monarch of the Bush. 3 gns

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

117. Roadside trees 1½ gns

118. Arrival of the Australian Fleet. 4½ gns

McDonald, Sheila. (1902–1971)

119. Coral Trees in Winter. 3 gns

120. The lagoon, Lord Howe Island. 1½ gns

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

121. Bulletin Place, Sydney 1½ gns

122. Where the River Bends. 1½ gns

123. St. Paul's Cobbitty. 4 gns

124. Moonlight. 5 gns

125. Doorway, Old Government House, Parramatta. 2½ gns

126. Tumut Poplars. 5 gns

LINDSAY, Norman (1879–1969)

127. Title not known.

128. [No information provided].

129. Title not known.

Pratt, Douglas. (1900–1972)

130. Main Entrance, Sydney University.

131. The roadside pool.

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

132. The Sunlit Forge

133. Summer Shade -.

Artist: Pratt, Douglas. | Title: Gums on Monaro | Date: c.1932 | Technique: etching, printed in brown ink, from one plate

134. Gums on Monaro

LONG, Sydney (1871–1955)

135. Avoca landscape. 3 gns

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

136. The lake, Avoca 4 gns

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

137. On the Wandle 3 gns

138. Street, Alexandria. 5 gns

139. The river from Waterloo Bridge. 6 gns

140. Chalk and Wash Drawing. 8 gns

141. The little boat shed. 3 gns

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

142. Moonrise pastoral 5 gns

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

143. Circular Quay, Sydney 4 gns

Artist: LONG, Sydney | Title: The lagoon | Date: 1928 | Technique: aquatint and drypoint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

144. The lagoon 4 gns

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

145. The bridge, Avoca 4 gns

Morgan, Squire. (1886–1974)

146. Misty moonrise. 3 gns

147. The glade. 2 gns

148. Old Scots' Church. 3 gns

149. Old bullock dray. 3 gns

150. Roadside shanties. 3 gns

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

151. The lagoon, Dee Why 3 gns

152. Hawkesbury corn barn. 3 gns

153. Windswept Trees, Avoca. 1 gn

Walker, F. Sidney. (1888–1972)

154. The University, Sydney. 1 gn

155. Sydney. 1½ gns

156. The River, Tweed. 1½ gns

157. Newport. 2 gns

158. The timbered ridge. 3 gns.

159. Woodford. 3 gns

Hirst, G.W.L. (1868–1965)

160. Eventide. 4 gns

161. On the Parramatta River. 3 gns

162. St. Mary's Basilica, Sydney. 5 gns

163. The Convent, Rose Bay. 4 gns

164. Ball's Head. 3 gns

165. The Coal Mine. 3 gns

O'SHEA, Molly (1890–)

166. Reconstructing the Argyle. 1½ gns

Ingleton, Geoffrey. (1908–1998)

167. Safely moored in Sydney Cove. 3 gns

168. Waiting the ebb - The Heemskerck at Batavia, 16th Aug., 1642 (Tasman's Voyage). 3 gns

169. Raked fore and aft. 3 gns

Peterson, Stuart. (1900–1976)

170. Cleaning Kumaras. 20 gns

171. Hauling the canoe log. 20 gns

172. Taranaki, The Mountain god. 15 gns

173. Papaka and Pupu. 30 gns

174. The Whanganui Taniwha. 10 gns

Crisp, James. (1879–1962)

175. Fishing boats, San Francisco Bay. 1½ gns

176. Cocoanut Palms, Magnetic Island, North Queensland. 2 gns

177. Porch, St. Michael's Rose Bay. 2 gns

178. The old mill, Auckland, N.Z. 1½ gns

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

179. The gander. 1 gn.

Brodziak, Phyllis Ruby. (1916–1967)

180. The Stabbur, Norway. 3 gns

181. Iceland: 'The Midnight Sun'. 3 gns

O'SHEA, Molly (1890–)

182. Lennox Bridge, Parramatta. 1½ gns

Russom, Reginald. (1877–1952)

183. Cobb and Co. 2 gns

184. The Mail Goes Through. 2 gns

Emanuel, Cedric. (1906–1995)

185. A Rushcutter's Bay boatshed. 5 gns

186. Boatsheds, Mosman. 2 gns

187. Capel's boatshed, Ruschutter's Bay. 3 gns

188. Farm, Richmond. 2 gns

189. Old stable, Windsor, NSW. 1½ gns

190. Halvorsens. 5 gns

191. Idle Jinkers. 4 gns

Baker, Normand H. (1908–1955)

192. Bruce. 5 gns

193. Alan. 12 gns

Dwyer, Ella. (1887–1979)

194. Four O'Clocks sandgrain. 2 gns

195. Old Homes, Campbell Street. 1½ gns

196. Misty morning sandgrain. 2 gns | sandgrain

197. Gathering Storms, Mount Cook, N.Z. 1½ gns

198. Flamingoes, Taronga Park. 2 gns

199. Tree Fern at Sunset. 1½ gns

199a. Moonbeams. 1½ gns

ST JOHN, Ellis (1874–1949)

200. Roadmaker's Camp, N.S.W. 2 gns

201. Milson's Point, rom Old Railway yard. 2 gns

202. Sydney Harbour Bridge. 2 gns

203. The Thames from Chelsea Bridge. 2 gns

204. St. James' Doorway, Sydney. 2 gns

205. Milson's Point, Sydney. 1½ gns

206. Dawes Point, Sydney. 1½ gns

Russom, Reginald. (1877–1952)

207. Henry Lawson. 75 gns

OSBORNE, Malcolm (1880–1963)

208. Chinon Castle. 6 gns

209. Dordrecht. 8 gns

210. City Walls, Avignon. 6 gns

211. His Honor, Judge Parry. 8 gns

Fletcher, Hanslip. (1874–1955)

212. St. George's Chapel, Windsor. 15 gns

Gaskell, Percival. (1868–1934)

213. High tide. 8 gns

214. The Lake. 4 gns

215. The Black Island. 8 gns

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

216. Nude Study. 7 gns

Airy, Anna. (1882–1964)

217. Portrait of a boy. 5 gns

Hardie, Martin. (1875–1952)

218. The farm on the hilltop. 3 gns

219. The Market Place. 5 gns

220. Sunset at Slaughter. 3 gns

SHORT, Frank (1857–1945)

221. In Port Volundam. 7 gns

222. April Day in Kent. 8 gns | etching

Duff, J.R.K. (1862–1938)

223. False Fire. 3 gns