Hawkesbury landscape

Sydney Long (1871–1955)

Hawkesbury landscape | Australian Landscape

(1924)

line-etching and aquatint

EXHIBITION HISTORY 1 – 5 of 5 exhibitions

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Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Venues

Education Department Gallery (3 June 1922 – 24 June 1922)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Arms, John Taylor. (1887–1953)

1. A gable in theirs. American. | 12 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

1. A little deaf. New Zealand. | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923) and Dillon, Cyril. (1883–1974)

Artist: Boyd, Penleigh. | Title: Hauling the nets. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

1. Hauling the nets. Victoria | £2.02.0 (unframed) | drypoint

Crisp, James. (1879–1962)

1. The farmyard. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

1. The Chapel tower, Melbourne Grammar School. Victoria. | £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

1. St. Paul's Cathedral, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

1. St. James Church, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

1. Old timers, Berry's Bay. £3.03.0 (unframed) | etching

Gruner, Elioth. (1882–1939)

Artist: Gruner, Elioth. | Title: The wattles | Date: (1921) | Technique: drypoint, printed in black ink, from one plate

1. The wattles Kindly lent. | etching

Hope, Edith A. (1870–1942)

1. A Courtyard in France. Victoria. | £7.07.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

1. The Dochart, Perthshire. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

1. Rendezvous. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Micomicon | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

1. Micomicon £15.15.0 (unframed) | etching

Lindsay, Percy. (1870–1952)

1. Landscape. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

1. The little dutch mill £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

1. Ti-Tree. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

1. Jubbergate, York. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

1. Ti-Tree, N.S.W. £4.17.6 (unframed) | etching

Rose, Herbert. (1890–1937)

1. A corner of the Post Office. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

1. Brisbane Laneway. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

1. The Narrow Cave. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The waterhole | Date: 1922 | Technique: etching, printed in brown ink with plate-tone and wiped highlights, from one plate

1. The waterhole Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

1. Across the plains, Windsor (1st state). £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

1. Cool Water. South Australia | £6.06.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

2. Dawn. 15 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

2. Study of an old man's head. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

2. Morning. Victoria | £4.04.0 (unframed) | drypoint

Crisp, James. (1879–1962)

2. Breakfast. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

2. The Swimming Pool, Coombe Cottage. Victoria | £4.04.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

2. Australia House, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

2. Martin Place, Sydney. £4.04.0 (unframed) | etching

None

2. Church, Port Arthur, Tasmania. £2.02.0 (unframed) | etching

Hope, Edith A. (1870–1942)

2. Laon, The Aeroplane. Victoria | £3.13.6 (unframed) | etching

2. Ville D. Eu. Victoria. | £5.15.6 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

2. Magdalen Tower and Bridge, Oxford. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The shanty on the rise | Date: 1922 | Technique: etching, printed in brown ink, with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. The shanty on the rise £2.02.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

2. Blind Man's Wife. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

2. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

2. Tree Study. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

2. Heart of the Bruce. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

2. Reflections Cook's River, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

2. Sydney Harbour. Victoria. | £2.07.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

2. The sentinel. £2.02.0 (unframed) | drypoint

SHIRLOW, John (1869–1936)

2. East and West. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The west window | Date: 1922 | Technique: etching and drypoint, printed in warm black ink with plate-tone, from one plate

2. The west window Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

2. Cottage, Clarendon £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The far shore | Date: 1921 | Technique: drypoint, printed in brown ink, from one plate

2. The far shore South Australia. | £2.02.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

3. The butterfly. 18 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

3. Cornish interior. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

Artist: Boyd, Penleigh. | Title: Evening. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

3. Evening. £4.04.0 (unframed) | drypoint

Friedensen, Thomas. (1879–1931)

3. Barges, Chiswick Mall. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

3. Hunter Street, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

3. Lindisfarne, Hobart. £2.02.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

3. The Blue Mosque, Cairo. English. | £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

3. University, Medical School. £2.12.6 (unframed) | etching

LINDSAY, Norman (1879–1969)

3. Sortie. £6.06.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Old houses, Worcester | Date: c.1919 | Technique: drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

3. Old houses, Worcester £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

3. Deserted hut. £2.12.6 (unframed) | etching

MORT, Eirene (1879–1977)

3. Vaucluse House. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

3. Across Lake Macquarie, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

3. Glebe Island Bridge, Sydney. Victoria. | £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

3. The clock tower not for sale | etching

SHIRLOW, John (1869–1936)

3. Chinese at a doorway Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

3. The Giant. £1.01.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

3. Farmhouse, Hartley. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

3. Valley mists. South Australia | £4.04.0 (unframed) | etching

Arndt, Mina. (1885–1926)

4. Orpeush with his lute. New Zealand | £4.04.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

4. The white gum. Kindly lent. | etching

Friedensen, Thomas. (1879–1931)

4. Old houses, Candebec, Normandy. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

4. St. Mary's Catheral, Sydney. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

4. From the Archbishop's Garden. Victoria. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

4. 'Ben Hall's', The Bushranger's Home. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

4. Unknown seas £15.15.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

4. The harbour, St.Ives £3.03.0 (unframed) | softground

Morgan, Squire. (1886–1974)

4. Deserted Hut (first state). £3.03.0 (unframed) | etching.

MORT, Eirene (1879–1977)

4. The team. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

4. Groote Church, Dordrecht, Holland. £1.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

4. McMahon's Point, Sydney. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

4. The Farmlets. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

4. Ploughing the hill, Berwick. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

4. Hawkesbury River Farm. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

4. The cowshed. South Australia. | £4.04.0 (unframed) | etching

Wheatley, John. (1892–1955)

4. A Point of View. English. | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

4. Willows in Winter. American. | 14 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

5. Caesar's Tower, Warwick Castle. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

5. The Old Slave Market, Capetown. £3.03.0 (unframed) | etching

Hope, Edith A. (1870–1942)

5. Coney le Chateau. Victoria | £6.06.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

5. The Great Red Gum. £4.04.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

5. Bargins. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

5. Staples Inn, Holborn £2.12.6 (unframed) | aquatint

Morgan, Squire. (1886–1974)

5. Deserted hut. not for sale | drypoint

MORT, Eirene (1879–1977)

5. Palm Court, Vaucluse. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

5. The wave, Coogee, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

5. Moonlight on the Scene. £5.05.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

5. The Hawkesbury River. £3.03.0 (unframed) | etching

Wheatley, John. (1892–1955)

5. The Old Engraver. English | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

5. Spring Morning. American | 18 US dollars (unframed) | etching

Bentley, Alfred. (1879–1923)

6. The Hills of Auvergue. English. | £7.07.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

6. An Alley in Antwerp. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Bridge Street, Sydney. | Date: 1922 | Technique: etching, printed in black ink, from one plate

6. Bridge Street, Sydney. £4.04.0 (unframed) | etching

Haines, Fred S. (1879–1960)

6. The Old Beech. American. | US$15 (unframed) | etching

Hope, Edith A. (1870–1942)

6. The Viaduct, Albi. Victoria | £7.07.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

6. The Law Courts. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

6. The Mill. £5.05.0 (unframed) | aquatint

Morgan, Squire. (1886–1974)

6. Landscape, Scone (first state). £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

6. Kookaburras. £2.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

6. The Little Bridge, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

6. Chinese Opera. Victoria | £5.05.0 (unframed) | coloured etching

URE SMITH, Sydney (1887–1949)

6. Bilgola, Newport. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

7. Shakespeare's Birthplace, Stratford-on-Avon. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

7. Murrundie Valley, N.S.W. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

7. Sant Salvi. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

7. Harmony. £1.11.6 (unframed) | etching

LONG, Sydney (1871–1955)

7. Epping Forest, Landscape. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

7. War Memorial, Double Bay. £2.02.0 (unframed) | etching

QUINLAN, Will J. (1877–1963)

7. Burling Slip, New York. American. | US$20 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

7. West Front, Westminster Abbey. £1.16.6 (unframed) | etching

Smith, D. Murray. (1865–1952)

7. Hammersmith. English. | £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

7. The Tower, Carcassonne, Night. Victoria | £1.01.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

7. The three barns. Kindly lent by Ernest Watt, Esq. | etching

Friedensen, Thomas. (1879–1931)

8. Porch, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

8. The old barn. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

8. Trees in the Wind. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Don Quixote | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

8. Don Quixote £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

8. Strand on the Green. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

8. Macquarie Light. £2.02.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

8. Prince's Set of three. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

8. Uncle William Creech. American | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

8. Timber Belts. £7.07.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

8. Chinaman's garden's, Rose Bay. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

8. St. Peter's, Rome. £8.08.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

9. Avenue, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

9. The lagoon. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

9. Cathedral, Laon. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Red Gums | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

9. Red Gums £1.11.6 (unframed) | mezzotint.

LONG, Sydney (1871–1955)

9. The river from Waterloo Bridge. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

9. Barbara Ann. American. | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

9. The Chaff Cutter. Victoria. | £4.04.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

9. Harbour from Rose Bay. £2.02.0 (unframed) | etching

WALCOT, William (1874–1943)

9. Arc, St. Carlo. English. | £5.05.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

10. Studio Interior, Hammersmith. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

10. Echo Point, Katoomba. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

10. Cathedral, Albi. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

10. Bridge and Basket Willow. £3.03.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

10. Parchment Mill on the Wandle. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Good night in the gully where the white gums grow. | Date: 1922 | Technique: etching and aquatint, printed in brown ink, from one plate

10. Good night in the gully where the white gums grow. Victoria | £7.07.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

10. Sandhills, Bellevue Hill. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

10. Villa Quintilii. English | £8.08.0 (unframed) | etching

Burr, George Elbert. (1859–1939)

10. Arizona Clouds. American. | 36 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

11. The tramp. £2.12.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

11. Darling Harbour, Sydney. £3.03.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The terrace by the sea | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

11. The terrace by the sea £3.03.0 (unframed) | aquatint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

11. Beddington Corner £4.04.0 (unframed) | aquatint

PARTRIDGE, Roi (1888–1984)

11. Carmel, California. American. | 10 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The barn, Evening. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

11. The wooden temple. English. | £9.09.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

12. The Dick Whittington, Smithfield. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

12. Ye Old Fighting Locks, St Albans. £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

12. The Tinsmith's shop, King Street, Sydney £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

12. The passing storm £5.05.0 (unframed) | etching

Miller, Arthur (1893–1975)

12. A Crisp Morning. American. | 6 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

12. Camden, N.S.W. £3.03.0 (unframed) | etching

Whistler, James McNeill. (1834–1903)

12. The Music Room. English. | £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

13. cedar Court, Suffolk. £4.04.0 (unframed) | etching

HADEN, Francis Seymour (1818–1910)

13. A water meadow. English. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

13. The Gypsy dance £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

13. Pan £10.10.0 (unframed) | etching

Miller, Arthur (1893–1975)

13. Morning on a Calif. Hillside. American | US$6.00 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

14. Rue de Seine, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

14. Hunter Street. £2.12.6 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

14. On the Wandle £4.04.0 (unframed) | etching

PLOWMAN, George T.

14. Staples, Inn, London. American | US$10.00 (unframed) | etching

SHORT, Frank (1857–1945)

14. Shap Fell, Cumberland (Mezzotint after Peter De Wint). English. | £10.10.0 (unframed) | mezzotint

FULLWOOD, A.H. (1863–1930)

15. Street Latin Quarter, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

15. The Great Pear Tree, Windsor. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

15. Hawkesbury landscape £3.03.0 (unframed) | etching

PLOWMAN, George T.

15. Cloth Fair, Smithfield. American | 15 US dollars (unframed) | etching

ROBINS, W.P. (1882–1959)

15. Near Potter Heigham. English. | £4.04.0 (unframed) | etching

Lewis, Allen. (1873–1957)

16. The Workshop. American | US$20 (unframed) | etching

LINDSAY, Lionel (1874–1961)

16. The old Bark Hut. £2.12.6 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

16. Between the showers £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

16. Farm near Sandwich, Kent. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

17. William Dixson, Esq. kindly lent. Kindly lent | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

17. The belfry, Bruges £3.03.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

17. South Walsham. English. | £3.03.0 (unframed) | etching

Lewis, Allen. (1873–1957)

17. Gowanus Canal. Lewis, Allan [sic] | US$22 (unframed) | etching

18. Place de la Poissonerie, Chartres. Lewis, Allan [sic] | US$18 (unframed) | etching

18. Place de la Poissonerie, Chartres. US$18.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

18. The pumpkin patch, Windsor £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

18. A Cornish landscape £3.03.0 (unframed) | aquatint

Mura, Frank. (1861–)

18. In the Fields near Lancery. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

19. Bullfight in a Village. £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

19. Fantasy £6.06.0 (unframed) | aquatint

Pearson, Ralph M. (1883–1958)

19. Interpretation, 2nd State. American | 20 US dollars (unframed) | etching

UNWIN, Francis Sydney (1885–1925)

19. The Municipio, Florence. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

20. Rio dei Mendicanti, Venice. American | US$12. (unframed) | etching

LINDSAY, Lionel (1874–1961)

20. Bigola. £4.04.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

20. The Victorian Tower £5.05.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

20. The Groote Kirk. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

21. Sunny Corner, Villefranche. American | US$12.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Old carriage way, Cumberland Street | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

21. Old carriage way, Cumberland Street £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

21. Moonrise pastoral £5.00.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

21. Wheelwirghts, Falaise. English. | £4.04.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

22. The Moth. American | 25 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

22. The lake. softground

Hardie, Martin. (1875–1952)

22. Norfolk Bridge. English. | £3.03.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

23. Cockfight. American | 15 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

23. Pastoral. £7.07.0 (unframed) | softground

Hardie, Martin. (1875–1952)

23. Grey Day, New haven 2 2 0 1924 Sydney 1-13 December. English. | £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

24. The Spirit of the plains £4.04.0 (unframed) | aquatint

LUMSDEN, E.S. (1883–1948)

24. Jodhpur, Sunset. English | £4.04.0 (unframed) | etching

Winkler, John W. (1890–1979)

24. Small Delicatessen Booth Not ). American | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

25. The home of the rooks £4.04.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

25. The Hill Farmland. English. | £5.05.0 (unframed) | etching

Winkler, John W. (1890–1979)

25. Giner Shop for ). American | not for sale | etching

OSBORNE, Malcolm (1880–1963)

26. Le Puy. English. | £6.06.0 (unframed) | etching

Winkler, John W. (1890–1979)

26. Sacramento Street, San Frisco. Sale ). American | not for sale | etching

Barton, Loren R. (1893–)

27. Chinatown market. American | 18 US dollars (unframed) | etching

Benson, Frank. (1862–1951)

27. Black ducks. £21.00.0 (unframed) | etching

SOPER, George (1870–1942)

28. Lifting Potatoes. English. | £4.04.0 (unframed) | etching

Squirrell, Leonard R. (1893–1979)

29. Mill on the Wharfe. English. | £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

98. Studland Bay. £3.03.0 (unframed) | out of print

Exhibition of Etchings by Members and Honorary Members of the Australian Painter-Etchers' Society [1926].

Venues

Dunster Galleries (1926 – 1926)
104-106 Gawler Place, Adelaide, South Australia, Australia

Works

Burridge, Fred. (1869–1945)

Pride of North Devon. £4.04.0

Hardie, Martin. (1875–1952)

Sleepy Ferry. £7.07.0

OSBORNE, Malcolm (1880–1963)

Dieppe. £5.05.0

Tourks Market Place. £4.04.0

ROBINS, W.P. (1882–1959)

Monkton. £8.08.0

The Stour Near Manningtree. £6.06.0

Anderson, Stanley. (1884–1966)

Bush House from the Strand. £3.13.6

SHORT, Frank (1857–1945)

1. Moonlight on the Medway. £12.12.0

2. Entrance to the Medway. £12.12.0 (unframed)

Morgan, Squire. (1886–1974)

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

10. The lagoon, Dee Why £3.03.0

11. Kangaroo Valley sketch. £1.11.6

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

12. The old parchment mills £3.03.0

13. Hawkesbury landscape £3.03.0 | aquatint

14. On the Wandle £3.03.0

15. Old Sydney, Station Square. £3.03.0

16. The watercress bed. £3.03.0

17. The Bridge. £4.04.0

18. The lake. £3.03.0

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

19. Circular Quay, Sydney £3.03.0

20. Pastoral. £2.02.0 | aquatint

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

21. Pastoral sandgrain £3.03.0 | sandgrain

Walker, F. Sidney. (1888–1972)

22. The Little Farm. £1.01.0

23. The Murray River. £1.01.0

24. From St. Kilda Road. £1.11.6

ROBERTSON, Bruce (1872–1943)

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

25. Rue de l'Cordonnerie, Dinan, France £7.07.0

26. Australian sunrise. £3.03.0

27. Belmont Lagoon, Lake Macquarie (New State). £2.17.6

28. On the North Coast, N.S.W. £1.11.6

29. Ocean Fringe, Narrabeen, N.S.W. £1.11.6

30. Oxford Falls Bridge, N.S.W. £1.11.6

31. Old Bronte, Sydney, N.S.W. £1.05.0

32. Venetian courtyard. £1.01.0

33. Pulbah Island, Lake Macquarie, N.S.W. £2.02.0

34. Australian Backwater. £1.11.6

FULLWOOD, A.H. (1863–1930)

35. The Rocks, Sydney, 1898 (British Museum and Sydney Art Gallery). £4.04.0 | Collections:British Museum and Sydney Art Gallery.

Artist: FULLWOOD, A.H. | Title: Old Treasury Building, Sydney. | Date: 1923 | Technique: etching, printed in black ink, from one plate

36. Old Treasury Building, Sydney. £4.04.0

37. Scots Church, Sydney. £3.03.0

Reid, D.G. (1862–1933)

38. Old church, Dapto, N.S.W. £3.03.0

39. Grandfather's barn. £2.02.0

40. Eventide. £2.02.0

Crisp, James. (1879–1962)

41. A Tit Bit. £1.11.6

42. A shady Nook. £1.01.0

43. Playmates. £1.11.6 | drypoint

Crisp, James. (1879–1962) and Whitford, Dora. (1898–1969)

44. The sentinel. £1.11.6

Gallop, Herbert. (1890–1958)

45. Canberra £2.02.0

46. Sleepergetters. £1.01.0

47. Changing pastures. £1.11.6

48. The farm sheds. £2.02.0

49. The three gums. £1.11.6

50. The old stable. £1.11.6

51. Swamp pastures. £2.02.0

52. Whispering Pines. £1.11.6

53. Uhrs Point, Ryde. £1.01.0

54. Lakeshore. £4.04.0 | Collection of:Melbourne Gallery.

Farmer, Helen. (1888–1970)

Artist: Farmer, Helen. | Title: Sunlit. | Date: 1926 | Technique: etching, printed in black ink with plate-tone, from one plate

55. Sunlit. £1.11.6

56. A bend of the River. £2.02.0

57. A Wharf at Forster. £2.02.0

58. Boatsheds. £2.02.0

59. St. Phillips, Sydney. £1.11.6

ST JOHN, Ellis (1874–1949)

60. Dismantling H.M.A.S. 'Australia'. £2.12.6

61. Argyle Cut, Sydney. £2.02.0

62. Roadmaker's Camp, N.S.W. £2.02.0

63. Milson's Point from Old Railway Yard. £2.12.6

64. Fort Denison. £2.02.0

65. The Thames from Chelsea Bridge. £2.02.0

Scott, Eric. (1892–1978)

66. Springtime in the Midi. £2.02.0

67. Cour du Dragon. £1.11.6

68. St. Maclou, Rouen. £1.11.6

van RAALTE, Henri (1881–1929)

69. The wind blown valley. £2.12.6

70. The Morning Fire. £3.03.0

73. The sentinel (Torrens Gorge). £6.06.0

74. The water glade (Torrens Gorge). £8.08.0

75. Wayside Gums. £4.04.0

Britton, Fred. (1889–1931)

76. A relic of the forties. £3.03.0

77. Sunlight. £2.12.6

78. The sunlit homestead. £3.03.0

79. The S.S. 'Quorna' on the Slips. £2.12.6

80. On the Murray. £2.02.0 | Collection: Melbourne Gallery

81. The Winery Steps. £1.01.0

82. Cottage at Aldgate. £2.02.0

83. Mylor Cottages. £2.02.0

84. High and dry, Goolwa. £1.01.0

85. The actor. £1.11.6

Friedensen, Thomas. (1879–1931)

85. Man from Burragorang (3rd State). £3.03.0

86. The Belgian windmill. £2.02.0

87. The Old Blacksmith. £2.02.0

88. The Sunlit Canal, Venice. £4.04.0

89. The Mountain Road, Brush Creek, N.S.W. £3.03.0

90. Fountains Abbey, Yorkshire. £3.03.0

Grey, F. Millward. (1899–1957)

91. The Bather. £1.05.0

92. The Air Pilot. £1.01.0

93. The broken strap. £2.02.0

94. The Rackam Gum. £1.11.6

95. The Dancing Girl. £1.05.0

Catalogue of the Eighth Annual Exhibition of the Australian Painter-Etchers' Society [1928].

Venues

Education Department Gallery (8 June 1928 – 23 June 1928)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

ROBERTSON, Bruce (1872–1943)

A bush track. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

The Apple Gum. £2.10.0 (unframed)

Walker, F. Sidney. (1888–1972)

Lagoon. £1.01.0 (unframed)

Narooma, N.S.W. £2.02.0 (unframed)

Sunlit gums. £1.11.6 (unframed)

Harbour. £2.02.0 (unframed)

Haystacks. £1.01.0 (unframed)

Evening, Narooma. £1.11.6 (unframed)

The Drying Creek. £1.11.6 (unframed)

ROBERTSON, Bruce (1872–1943)

10. Riverside Trees. £2.10.0 (unframed)

11. River Oaks. £1.11.6 (unframed)

12. Australian River. £1.05.0 (unframed)

13. The Vista. £1.11.6 (unframed)

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

14. Roadside trees £1.05.0 (unframed)

15. Australina Pastoral. £1.05.0 (unframed)

16. Margarets, Lake Macquarie. £1.01.0 (unframed)

17. The Market, West Wemys Fife. £1.17.6 (unframed)

18. Fairy Bower, Manly, N.S.W. £1.11.6 (unframed)

19. Reflections Cook's River, N.S.W. £2.02.0 (unframed)

Godson, John Barclay. (1882–1957)

20. Church Montreuil. £3.03.0 (unframed)

21. A South Coast Farm*. £3.03.0 (unframed)

23. Entrance to Courtyard of L'Hotel De France, Montreuil*. £2.12.6 (unframed)

24. Scrivener's Mill, Mt. Irvine. £2.12.6 (unframed)

25. Old courthouse, Montreuil. £2.12.6 (unframed)

26. Brotham Bar and Minster, york. £2.12.6 (unframed)

27. The Shambles, York. £2.12.6 (unframed)

28. Jetty, Etaples. £2.02.0 (unframed)

29. Mosque Door, Cairo. £2.02.0 (unframed)

30. Middle Harbour, Peep. £2.02.0 (unframed)

31. Richmond Castle Tower, Yorks. £2.02.0 (unframed)

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: St Pauls, Cobitty | Date: 1928 | Technique: etching, printed in black ink, from one plate

32. St Pauls, Cobitty £3.03.0 (unframed)

33. Packing Oranges. £3.03.0 (unframed)

Friedensen, Thomas. (1879–1931)

34. The Wollondilly, N.S.W. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club

35. Bridge Building, Sydney Harbour*. £3.03.0 (unframed)

36. Homestead, North West. £2.12.6 (unframed)

37. Windsor Castle, Berkshire. £2.12.6 (unframed)

Artist: Friedensen, Thomas. | Title: Cobbers. | Date: 1928 | Technique: etching, printed in black ink, from one plate

38. Cobbers. £2.12.6 (unframed)

39. The Old Drover. £1.11.6 (unframed)

Artist: Friedensen, Thomas. | Title: Cockatoo. | Date: 1927 | Technique: etching, printed in brown ink, from one plate

40. Cockatoo. £2.02.0 (unframed)

Britton, Fred. (1889–1931)

41. Mylor Cottages. £2.02.0 (unframed)

42. Old commissariat stores, Sydney. £2.02.0 (unframed)

43. Hyde Park Barracks. £3.03.0 (unframed) | Print available for selection by members of the Australian Print-Collectors Club.

Artist: Britton, Fred. | Title: Sydney Harbour Bridge construction. | Date: 1929 | Technique: etching and drypoint, printed in black ink, from one plate

44. Sydney Harbour Bridge construction. £3.03.0 (unframed) | Print available for selection by members of the Australian Print-Collectors Club

Artist: Britton, Fred. | Title: Julian Ashton esq. | Date: (1925) | Technique: etching, printed in black ink, from one plate

45. Julian Ashton esq. £3.03.0 (unframed)

46. At Mona Vale. £1.11.6 (unframed)

47. On the Murray. £2.12.6 (unframed)

48. Nocturne. £2.02.0 (unframed)

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Waterloo Bridge in course of demolition | Date: 1928 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Waterloo Bridge in course of demolition £4.04.0 (unframed)

50. Hawkesbury landscape £5.05.0 (unframed)

Artist: LONG, Sydney | Title: Dee Why landscape | Date: 1928 | Technique: line-etching, printed in red-brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

51. Dee Why landscape £4.04.0 (unframed)

Artist: LONG, Sydney | Title: Reflections, Avoca | Date: (1928) | Technique: line-etching, printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Reflections, Avoca £3.03.0 (unframed)

53. The Harbour from Greenwich. £2.12.6 (unframed)

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

54. Windmill Street, Old Sydney [1] £3.03.0 (unframed)

55. St. Ives. £4.04.0 (unframed)

Artist: LONG, Sydney | Title: The water meads | Date: 1928 | Technique: line-etching, drypoint printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

56. The water meads £3.03.0 (unframed)

van RAALTE, Henri (1881–1929)

57. Perth Town Hall, Morning. £3.03.0 (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

58. The end of day £4.04.0 (unframed)

59. The creek in flood. £3.13.6 (unframed)

60. Morning. £4.04.0 (unframed)

61. A Karri Tree Glade. £6.06.0 (unframed)

62. Day's beginning. £3.03.0 (unframed)

63. The road. £4.04.0 (unframed)

64. Hills of the south. £3.03.0 (unframed)

Morgan, Squire. (1886–1974)

65. Silhouette*. £3.03.0 (unframed)

66. Willows. £2.02.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

67. The path to the beach. £1.01.0 (unframed)

68. Pointer Pups. £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

69. Piccadilly Circus (under Reconstruction) £3.13.6 (unframed)

70. Martin Place. £3.13.6 (unframed)

71. Home berths. £3.03.0 (unframed)

Glover, Allan. (1900–1984)

72. The Thatched Stable. £1.11.6 (unframed)

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

73. Sunlight and ships £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

74. The mooring post. £1.01.0 (unframed)

75. The Scarred Veteran*. £3.03.0 (unframed)

76. Among the Gums. £1.11.6 (unframed)

77. The foundry. £1.11.6 (unframed)

GOODCHILD, John (1898–1980)

77. Venetian mooring. 1 gn (unframed)

Glover, Allan. (1900–1984)

78. Stormy sunset £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

78. Tivoli, Italy. 2½ gns (unframed)

Glover, Allan. (1900–1984)

79. Hilltop. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

79. Home berths. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

80. Berry's Bay. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

80. Thames Wharf. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

81. Lion Island, Broken Bay. £2.02.0 (unframed)

GOODCHILD, John (1898–1980)

81. Winter Glow. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

82. The Bell Inn at Stilton. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

82. Brandon Bridge 3½ gns (unframed)

FULLWOOD, A.H. (1863–1930)

83. Mt. Cook, N.Z. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

83. Landscape harmony 2 gns (unframed)

FULLWOOD, A.H. (1863–1930)

84. The Hermitage, Mt. Cook, N.Z. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

84. English country [pen drawing]. *4 gns (unframed) | pen drawing

FULLWOOD, A.H. (1863–1930)

85. Mt. Cook from Lake Pukeki. £2.02.0 (unframed)

GOODCHILD, John (1898–1980)

85. The country mill [pen drawing]. *4 gns (unframed) | pen drawing

FULLWOOD, A.H. (1863–1930)

86. City Railway, Wynyard Square, Sydney*. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

86. King St., Sydney [pencil]. 7 gns (unframed) | pencil

FULLWOOD, A.H. (1863–1930)

87. Clyde Street, Sydney. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

87. Wareham, England pencil. *5 gns (unframed)

88. The Round Pond, Kensington Gardens pencil. *4 gns (unframed)

Coffey, Alfred. (1869–1950)

88. Calder House, Eveleigh*. £3.03.0 (unframed)

Paul, Dorothy Ellsmore. (1900–1974)

89. Nude. £1.11.6 (unframed)

90. The Old Pilgrim Inn. £4.04.0 (unframed)

Farmer, Helen. (1888–1970)

91. Susan Island, Clarence River. £3.03.0 (unframed)

92. Evening calm. £2.02.0 (unframed)

93. On the Banks of the Clarence. £2.02.0 (unframed)

94. The end of the village. £1.01.0 (unframed)

Rose, Herbert. (1890–1937)

95. The Zattere, Venice. £3.03.0 (unframed)

Whitney, William Montague. (1880–1946)

96. A Relic of St. Marys, Edwardstown S.A.*. £2.12.6 (unframed)

97. Old outhouses St. Marys, Edwardstown, S.A. £2.12.6 (unframed) | Print available for selection by members of the Australian Print-Collectors Club

TRAILL, Jessie (1881–1967)

98. The Tunnel, Genoa. £4.04.0 (unframed)

99. The Tower, Carcassonne, Night. £5.05.0 (unframed)

100. Building Harbour Bridge, Sydney, No.II, Nov. £5.05.0 (unframed)

Artist: TRAILL, Jessie | Title: La forza [the force] | Date: 1927 | Technique: mezzotint, printed in black ink, from one plate

101. La forza [the force] £2.02.0 (unframed)

Grey, F. Millward. (1899–1957)

102. The Bather [pen and ink]. £0.05.0 (unframed)

103. The broken strap. £2.10.0 (unframed)

104. The Rackam Gum. £2.02.0 (unframed)

105. The Japanese Girl. £10.11.0 (unframed)

Wood, A.J. (1929–)

106. Portrait. £1.01.0 (unframed)

107. Portrait. £1.01.0 (unframed)

THURLOW, Ernest (1920s )

108. Through the Trees. £1.01.0 (unframed)

Flanagan, John Richard. (1895–1964)

109. The Sage. £2.02.0 (unframed)

Reid, D.G. (1862–1933)

110. Loading Fruit on the Hawkesbury. £2.02.0 (unframed)

111. Hill Crest. £3.03.0 (unframed)

112. The Rickyard*. £3.03.0 (unframed)

113. Source of the Minnimurra*. £3.03.0 (unframed)

114. Within sound of the Sea. £2.02.0 (unframed)

115. The Orchard Cart. £2.02.0 (unframed)

116. The Hayfield. £2.02.0 (unframed)

117. Eventide. £2.02.0 (unframed)

SHIRLOW, John (1869–1936)

118. Hobart Town. £3.13.6 (unframed)

119. Collins Street. £3.13.6 (unframed)

120. Convict Church, Port Arthur. £3.13.6 (unframed)

Walker, Leslie James. (1894–1951)

121. Lakeside. £1.01.0 (unframed)

122. The Iron Gate, Parramatta. £1.01.0 (unframed)

123. Alleyway. £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

124. Ross Bridge. £2.02.0 (unframed)

125. Tasmanian club. £1.01.0 (unframed)

126. North Mine, Broken Hill. £1.01.0 (unframed)

127. The Day Shift. £3.03.0 (unframed)

Goodhart, J.C. (1873–1952)

128. Klondyke Propty. Mine. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

129. Solitude. £1.11.6 (unframed)

McDonald, Sheila. (1902–1971)

130. Five Miles East of Windsor. £2.02.0 (unframed)

131. The Rocks, Sydney. £1.11.6 (unframed)

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

132. Bulletin Place, Sydney £2.02.0 (unframed)

Hilder, Bim. (1909–1990)

134. Gum trees. £1.01.0 (unframed)

Dwyer, Ella. (1887–1979)

135. The wind bloweth. £1.01.0 (unframed)

136. Forsaken. £1.01.0 (unframed)

137. Old mill buildings, Hobart. £2.02.0 (unframed)

138. A bush camp. £1.01.0 (unframed)

139. Bridge at Richmond, Tas. £1.11.6 (unframed)

140. Lady Franklin Museum, Hobart. £1.01.0 (unframed)

Crisp, James. (1879–1962)

141. Possums. £1.11.6 (unframed)

142. Jamberoo to Nowra. £1.11.6 (unframed)

143. The old wharf, Huskisson, N.S.W. £1.01.0 (unframed)

144. Old White House, Rhodes. £1.01.0 (unframed)

145. The Lakes Entrance, Victoria. £1.11.6 (unframed)

146. A bit of Eden, South Coast. £1.11.6 (unframed)

147. St. Michael's Church, Rose Bay. £1.11.6 (unframed)

148. College Street. £1.01.1 (unframed)

Crisp, James. (1879–1962) and Whitford, Dora. (1898–1969)

149. The sentinel. £1.11.6 (unframed)

Crisp, James. (1879–1962)

150. The old mill, Auckland, N.Z. £1.11.6 (unframed)

Hardie, Martin. (1875–1952)

154. A Street at Chioggia. £5.05.0 (unframed)

155. St. Malo. £4.14.6 (unframed)

156. Bric A Brac. £4.14.6 (unframed)

157. Bereland. £4.04.0 (unframed)

158. A river of Normandy. £3.13.6 (unframed)

159. Sunset at Slaughter. £3.13.6 (unframed)

OSBORNE, Malcolm (1880–1963)

160. His Honor, Judge Parry. £8.08.0 (unframed)

161. Avignon. £8.08.0 (unframed)

162. Wayside Talkes, Dieppe. £6.06.0 (unframed)

163. City Walls, Avignon. £6.06.0 (unframed)

164. The Little Crucifix, Carcassonne. £6.06.0 (unframed)

SHORT, Frank (1857–1945)

165. The Shadowed Valley; The South Downs. £21.00.0 (unframed)

166. Mr Right at Dawn. £18.18.0 (unframed)

167. Dawn. £10.10.0 (unframed)

168. The Thames at Twickenham. £10.10.0 (unframed)

169. The head of Langston Harbor. £8.08.0 (unframed)

Airy, Anna. (1882–1964)

170. Pea Pods. £5.05.0 (unframed)

171. The Visitor. £5.05.0 (unframed)

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

172. Nude Study. £6.06.0 (unframed)

Gallop, Herbert. (1890–1958)

173. Burragorang Valley. £1.11.6 (unframed)

174. Windswept. £3.03.0 (unframed)

175. Lacewood Pines. £2.12.6 (unframed)

176. Mt. Keira (North Wollongong). £3.03.0 (unframed)

177. Macquarie Shore. £2.02.0 (unframed)

178. The Open Beach. £1.01.0 (unframed)

Rees, Lloyd. (1895–1988)

179. A Sketch in Rome. £7.07.0 (unframed)

Walker, F. Sidney. (1888–1972)

180. Close of Day, Narooma. £3.03.0 (unframed)

181. Sketch Narooma. £2.02.0 (unframed)

Rees, Lloyd. (1895–1988)

182. The Tower of the Mangia, Sienz, Italy. £8.08.0 (unframed)

183. St. Peter's, Rome. £26.05.0 (unframed)

TRINDALL, Lyall (1866–1965)

184. Nude Study. £15.15.0 (unframed)

Rees, Lloyd. (1895–1988)

185. The Cathedral. £42.00.0 (unframed) | Drawing section

TRINDALL, Lyall (1866–1965)

186. An Interesting tory. £15.15.0 (unframed)

Rees, Lloyd. (1895–1988)

187. Notre Dame De Paris. £10.10.0 (unframed)

TRINDALL, Lyall (1866–1965)

188. Study of a head. £15.15.0 (unframed)

Ashton, Will. (1881–1963)

189. Landscape. £5.05.0 (unframed)

190. Trees at Narrabeen.

LONG, Sydney (1871–1955)

191. St. Ives. £5.05.0 (unframed)

Baker, Normand H. (1908–1955)

192. Head of an old woman. £10.10.0 (unframed)

Ashton, Will. (1881–1963)

193. Rue Mouffard.

LONG, Sydney (1871–1955)

194. Waterloo Bridge in course of demolition

Ashton, Will. (1881–1963)

195. Rue Galande.

Walker, F. Sidney. (1888–1972)

196. Sketch for Sunlit Gums. £3.03.0 (unframed)

LONG, Sydney (1871–1955)

197. Study for. £10.10.0 (unframed)

Wilkinson, Leslie. (1882–1973)

198. Wells Cathedral, Chapter House Staircase.

199. St. Mark's Venice, North Transpept.

200. The Octagon, Ely Cathedral.

Rose, Herbert. (1890–1937)

201. St. Gervais, Paris. £8.08.0 (unframed)

LONG, Sydney (1871–1955)

202. Study for. £10.10.0 (unframed)

Proctor, Thea. (1879–1966)

203. Scarf. £12.12.0 (unframed)

204. The Dancer. £10.10.0 (unframed)

205. Portrait of a Young Man. £10.10.0 (unframed)

Rose, Herbert. (1890–1937)

206. A Street of Stairs, Villefranche. £8.08.0 (unframed)

Britton, Fred. (1889–1931)

207. Julian Ashton esq. £12.12.0 (unframed)

208. The Old Mint, Sydney. £8.08.0 (unframed)

Rose, Herbert. (1890–1937)

209. The Market, Venice. £12.12.0 (unframed)

210. Rio Toresela, Venice. £5.05.0 (unframed)

211. Old houses, Villefrance. £5.05.0 (unframed)

212. St. Cirq-La-Popie, France. £8.08.0 (unframed)

Reid, D.G. (1862–1933)

213. Old colonial homestead. £3.03.0 (unframed)

Farmer, Helen. (1888–1970)

214. Susan Island. £5.05.0 (unframed)

215. Sketch for Kurrajongs. £5.05.0 (unframed)

Eilbeck, Harrie. (1928–)

216. The Alchemist. £10.10.0 (unframed)

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

217. The cliff £6.06.0 (unframed)

Walker, Leslie James. (1894–1951)

218. Old sawmill, Parramatta. £5.05.0 (unframed)

219. The Hawkesbury at Richmond. £5.05.0 (unframed)

220. Reilly's Sheds, Burragorang. £5.05.0 (unframed)

UNKNOWN

221. Silenus. £7.07.0 (unframed)

PRESTON, Margaret (1875–1963)

222. Banksias. £1.01.0 (unframed)

Artist: PRESTON, Margaret | Title: Circular Quay | Date: 1925 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

223. Circular Quay £1.01.0 (unframed)

224. Nude. £1.01.0 (unframed)

Dattilo-Rubbo, Anthony. (1870–1955)

225. Old age. £15.15.0 (unframed)

FEINT, Adrian (1894–1971)

226. Circe. £2.12.6 (unframed)

Ashton, Will. (1881–1963)

227. Palaces, The Grand Canal.

FEINT, Adrian (1894–1971)

227. Milsons Point. £2.02.0 (unframed)

Ashton, Will. (1881–1963)

228. Landscape near Dee Why.

Baker, Normand H. (1908–1955)

230. Pen and Ink Study. £8.08.0 (unframed)

Reid, D.G. (1862–1933)

231. Dawn. £5.05.0 (unframed)

232. An ancient barn. £3.03.0 (unframed)

Catalogue of an Exhibition of recent paintings and etchings by members of the Australian Painter-Etchers' Society

Venues

Blaxland Galleries. [1]. (18 November 1929 – 30 November 1929)
8th & 9th floor, George St., Sydney, New South Wales, Australia.

Works

Crisp, James. (1879–1962)

Playmates. 1½ gns (unframed) | drypoint

Barker, David. (1888–1946)

1. Martin Place. Kindly lent by F. larkins, Esq. | drypoint

2. Circular Quay. 3 gns (unframed) | drypoint

Artist: Barker, David. | Title: Bridge Street. | Date: (1930) | Technique: drypoint, printed in black ink, from one plate

3. Bridge Street. 3 gns (unframed) | drypoint

4. The Mill, Sussex. 2 gns (unframed) | etching

Coffey, Alfred. (1869–1950)

5. Stone Tower, Fort Macquarie. 1½ gns (unframed) | etching

6. Carthona, Double Bay. 1½ gns (unframed) | etching

7. Old bridge, William St., Double Bay. 1½ gns (unframed) | etching

8. Double Bay Beach. 1½ gns (unframed) | etching

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

10. Farm corner. 1½ gns. (unframed) | etching

11. A bit of the Barron River, N.Q. 2 gns (unframed) | drypoint

12. A Favourite spot. [drawing for]. 5 gns (framed) | colour drawing

13. Mt. Cootha, Brisbane. 1½ gns (unframed) | etching

14. The conference. 1½ gns (unframed) | etching

15. Brisbane, Queensland. 1 gn (unframed) | etching

16. Cocoanut Palms, Magnetic Island, North Queensland. 3 gns (unframed) | etching

17. The Old Mine, Harden. 1½ gns (unframed) | etching

18. Nearing home. 1½ gns (unframed) | etching

19. Hauling timber, Jamberoo to Nowra. 1½ gns (unframed) | etching

20. Cattai Creek. 1½ gns (unframed) | etching

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

21. The teamster. 2 gns. (unframed) | etching

22. Kuranda Railway Station, N.Q. [pencil]. 3 gns (framed) | pencil

Dwyer, Ella. (1887–1979)

23. Misty morning sandgrain. 2 gns. (unframed) | sandgrain

24. Old Home of 'Commodore' Blue, Berry's Bay. 2 gns (unframed) | etching

25. Old houses, Campbell Street. 1½ gns (unframed) | etching

26. On an Old Highway, Tasmania. 1 gns (unframed) | etching

Farmer, Helen. (1888–1970)

27. Nelligen. 1½ gns (unframed) | etching

28. Church Point, Pittwater. 2½ gns (unframed) | etching

29. Huskisson. 1 gn (unframed) | etching

30. Riddles Wharf, Pittwater. 2 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

31. His ain fireside. 4 gns (unframed) | etching

32. Conservatorium of Music, Sydney. 2 gns (unframed) | etching

33. Clock Tower, Central Station, Sydney. 3 gns (unframed) | etching

34. Fort Street School, Sydney. 2 gns (unframed) | etching

35. Cowan, N.S.W. 2 gns. (unframed) | etching

36. Dickens' Old Curiosity Shop, London. 3 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

37. The Drovers. 3 gns (unframed) | etching

38. The bush philosopher. 2½ gns (unframed) | etching

39. The Mountain Road, Brush Creek, N.S.W. 3 gns (unframed) | etching

40. Venice. 3 gns (unframed) | etching

Artist: Friedensen, Thomas. | Title: Caudebec, Normandy. | Date: 1929 | Technique: etching and aquatint, printed in black ink, from one plate

41. Caudebec, Normandy. 3 gns (unframed) | etching

42. Omar, the Tent Maker. 3 gns (unframed) | etching

Artist: Friedensen, Thomas. | Title: The bush madonna. | Date: 1930 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

43. The bush madonna. 1 gn (unframed) | etching

44. The bark hut. 2 gns (unframed) | etching

45. The Digger. 1½ gns (unframed) | etching

46. Old drover. 1 gn (unframed) | etching

47. The Conservation of Music, Sydney. 2 gns (unframed) | etching

48. Three Kookaburras. 2 gns (unframed) | etching

Gallop, Herbert. (1890–1958)

49. The picnic, Cattai Creek. 2 gns (unframed) | etching

50. Kangaroo Valley. 1 gn (unframed) | etching

51. Shore Pines. 2 gns (unframed) | etching

52. The farm on the Fish River. 1½ gns (unframed) | etching

53. North Ryde Farms. 1½ gns (unframed) | etching

54. Over the Hill. 1 gn (unframed) | etching

55. The southerly blows. 3 gns (unframed) | etching

56. Boatsheds, Pittwater. 2 gns (unframed) | etching

57. Wharfside, Pittwater. 5 gns (unframed) | etching

58. From the Hills. 2 gns (unframed) | etching

Glover, Allan. (1900–1984)

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

59. The Barn, Magill 2½ gns (unframed) | etching

60. Summertime. 2½ gns (unframed) | etching

61. The Sheltered Glade. 1½ gns (unframed) | etching

62. The Dry Creek. 2½ gns (unframed) | etching

Artist: Glover, Allan. | Title: Dawn | Date: 1929 | Technique: aquatint, printed in warm black ink, from one plate

63. Dawn 1 gn (unframed) | mezzotint

64. At Oaklands. 1 gn (unframed) | etching

65. The two gums. 1 gn (unframed) | etching

66. In the Power House. 2 gns (unframed) | aquatint

Artist: Glover, Allan. | Title: Parker's cottage, Moonta Mines | Date: 1929 | Technique: etching, printed in brown ink, from one plate

67. Parker's cottage, Moonta Mines 2 gns (unframed) | etching

Artist: Glover, Allan. | Title: Towards Treuer's and Karkarilla Moonta Mines | Date: 1927 | Technique: etching and aquatint, printed in brown ink with plat-tone, from one plate

68. Towards Treuer's and Karkarilla Moonta Mines 1½ gns (unframed) | etching

Godson, John Barclay. (1882–1957)

69. A Peep of the Homeland. 3 gns (unframed) | etching

70. A Yorkshire Village. 3 gns (unframed) | etching

71. Old court house, Berrima. 3 gns (unframed) | etching

72. Botanic Steps. 1 gn (unframed) | etching

73. Entrance to the Old Town. 3 gns (unframed) | etching

74. A Yorkshire Stream. 1½ gns (unframed) | etching

75. Jetty, Etaples. 2 gns (unframed) | etching

76. The Shambles, York. 3 gns (unframed) | etching

Goodhart, J.C. (1873–1952)

89. The Poppet Head. 3 gns (unframed) | etching

GOODCHILD, John (1898–1980)

90. A bush shipyard. 3 gns (unframed) | etching

91. Prosperity. 3 gns (unframed) | etching

92. Desert Gums. 2 gns (unframed) | softground etching

Hilder, Bim. (1909–1990)

93. Windy Day. 1 gn (unframed) | aquatint

94. The sentinel. 1 gn (unframed) | etching

LONG, Sydney (1871–1955)

95. Hawkesbury landscape 6 gns (unframed) | aquatint

96. The lake. 4 gns (unframed) | aquatint

97. Landscape, Newport. 4 gns (unframed) | line etching

98. Boyd's Boatshed, Narrabeen. 4 gns (unframed) | line etching

99. Narrabeen Landscape. 3 gns. (unframed) | line etching

Artist: LONG, Sydney | Title: Tascot | Date: 1928, after | Technique: line-etching, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

100. Tascot 3 gns (unframed) | line etching

101. Windmill Street, Old Sydney [1] 3 gns (unframed) | line etching

102. Feeding time. 3 gns (unframed) | line etching

103. Demolition, Waterloo Bridge, London. 4 gns (unframed) | line etching

Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

104. Old houses, Chiddingstone 3 gns (unframed) | line etching

105. Old mill, Petertary. 3 gns (unframed) | line etching

Marsden, May. (1876–1968)

106. The moorings, Berry's Bay. 2 gns (unframed) | etching

107. Coaling Cranes, Ball's Head. 2 gns (unframed) | etching

108. Prymont Bridge. 3 gns (unframed) | etching

109. The Mopoke. 1 gn (unframed) | etching

110. Blue Mountains, Leura. 2 gns (unframed) | etching

111. The boat pool, Newcastle, N.S.W. 2½ gns (unframed) | etching

112. The Harbour, Newcastle, N.S.W. 3½ gns (unframed) | etching

113. On the Golf Links, Mossvale. 1 gn (unframed) | etching

Morgan, Squire. (1886–1974)

114. Afternoon light. 2 gns (unframed) | etching

115. Roadside shanties. 3 gns (unframed) | etching

116. Scots Church. 3 gns (unframed) | etching

117. Avoca Lagoon. 3 gns (unframed) | etching

Artist: Morgan, Squire. | Title: Approaching Canberra | Date: c.1927 | Technique: etching

118. Approaching Canberra 1 gn (unframed) | etching

119. Mt. Ainsley, Canberra. 1 gn (unframed) | etching

120. Pioneer's Home. 1 gn (unframed) | etching

MORT, Eirene (1879–1977)

121. The Old School House Canberra. 1½ gns (unframed) | etching

122. Kaye's Barn (Klensendorlffe's), Canberra. 1½ gns (unframed) | etching

123. Bookplate. etching

124. Experiment Cottage, Parramatta. 1 gn (unframed) | etching

125. St. John's, Parramatta. 2 gns (unframed) | etching

126. Holy Thorn, Glastonbury. 1½ gns (unframed) | etching

127. Stonetubs, Vaucluse. 1½ gns (unframed) | etching

128. Horsley II. 2 gns (unframed) | etching

Parkes, Adrienne. (1910–1943)

129. Spanish Dancer. 1½ gns (unframed) | etching

130. Ballet Dancer. 1½ gns (unframed) | etching

131. The old model. 3 gns (unframed) | etching

Paul, Dorothy Ellsmore. (1900–1974)

132. Joseph's Coat. 1 2 gns (unframed) | etching

133. Joseph's Coat. 2 gns (unframed) | drypoint

Pratt, Douglas. (1900–1972)

134. Boats, Double Bay. 2 gns (unframed) | etching

135. Dredging, Cook's River. 2 gns (unframed) | etching

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

136. The Sunlit Forge 1½ gns (unframed) | etching

137. The Track to the Sheds. 2 gns (unframed) | etching

138. Botany Bay. 2 gns (unframed) | etching

139. Lakeside. 1 gns (unframed) | etching

140. Pyrmont Bridge. 1 gns (unframed) | etching

141. Early Home, Tempe. 1½ gns (unframed) | etching

142. Far From the Madding Crowd. 2 gns (unframed) | etching

143. Boats, Double Bay pencil study. 2 gns (framed) | pencil study

144. The Track to the Sheds [pencil study]. 2 gns (framed) | pencil study

145. Sketch, Fairy Meadow pencil study. 2 gns (framed) | pencil study

Reid, D.G. (1862–1933)

146. The Sunken Road. 3 gns (unframed) | etching

147. A Fisherman's Fortune. 3 gns (unframed) | etching

148. Ancestral Trees. 3 gns (unframed) | etching

149. The Fruit Boat. 2 gns (unframed) | etching

150. Bridge on the Orange Road. 2 gns (unframed) | etching

151. In the Afterglow. 2 gns (unframed) | etching

152. The Grove. 2 gns (unframed) | etching

153. The Doll's House. 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

154. Rue de l'Petit Fort Dinan, Brittany. 2 gns (unframed) | etching

155. The river bank morning. 1½ gns (unframed) | etching

156. The timber ship, Swansea, Lake Macquarie. 1½ gns (unframed) | etching

157. The river bend. 1½ gns. (unframed) | etching

158. Top of the Hill. £1 5 0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

159. The Harbour Bridge. 2 gns (unframed) | etching

160. The Old Shed. 2 gns (unframed) | etching

SHIRLOW, John (1869–1936)

161. The casualty list. 5 gns (unframed) | etching

162. State Parliament House, Melbourne. 2 gns (unframed) | etching

Artist: SHIRLOW, John | Title: Kelly's Stairs. | Date: c.1929 | Technique: etching, printed in black ink, from one copper plate

163. Kelly's Stairs. 2 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

164. Malelucas. 4 gns (unframed) | etching

165. First Night, Turret Theatre. 5 gns (unframed) | colour aquatint

166. St. Etienne, Toulouse. 5 gns (unframed) | colour etching

167. Drawing of Bridge, the Creeper Crane. 10 gns (framed) | chalk

Warner, Alfred Edward. (1879–1968)

168. Old House, Rocks District. 1 gn (unframed) | etching

169. Tweed River Flats. 2 gns (unframed) | etching

Walker, F. Sidney. (1888–1972)

170. The Bridge, South Abutment, May 1929. 1½ gns (unframed) | etching

171. The Nepean, Penrith. 2 gns (unframed) | etching

172. Pastoral. 2 gns (unframed) | etching

173. Down in Riverina. 1½ gns (unframed) | etching

174. Harbour Entrance. 1½ gns (unframed) | etching

175. The Home Paddock. 1½ gns (unframed) | etching

176. The timbered ridge. 1 gn. (unframed) | etching

177. Lagoon. 1 gn (unframed) | etching

178. Quiet Water. 1 gn (unframed) | etching

179. The road to Tilba Tilba. 1 gn (unframed) | etching

180. Even Tide. 1 gn (unframed) | etching

181. The creek. 2 gns (unframed) | pencil

Wood, A.J. (1929–)

182. The Pelican. 1 gn (unframed) | drypoint

183. 'Morrie'. 2 gns (unframed) | etching

184. Sheela. 1 gn (unframed) | etching

185. Portrait softground. 1 gn (unframed) | softground

A collected list of etchings: Sydney Long.

Venues

Venue Not Identified. None

Works

LONG, Sydney (1871–1955)

Strand on the Green, - No.1. edition of 30

Old houses, Chiddingstone edition of 50

Pan edition of 30

Hawkesbury landscape edition of 50

The Victorian Tower edition of 10

The home of the rooks edition of 50

Pastoral sandgrain edition of 30

Camp in the forest. edition of 60 | Print Collector's Club Plate.

Radnage landcape. edition of 40

Market Place, Bruges, Belgium. edition of 30

Artist: LONG, Sydney | Title: The wooden ship | Date: 1922 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The wooden ship edition of 30

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Autumn landscape edition of 30

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

St. Paul's from the river edition of 30

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Friar Street, Worcester edition of 30

Fishing Boats, Whitby. edition of 30

Fantasy edition of 30

Artist: LONG, Sydney | Title: Kookaburra and young | Date: c.1919 | Technique: drypoint, printed in black ink with light plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Kookaburra and young edition of 30

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Magpies edition of 30

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The deserted selection. edition of 30

Strand on the Green, - No.3. edition of 30

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The riverside edition of 30

The watercress bed. edition of 30

Kookaburras. edition of 30

Houses of Parliament, from the River. edition of 30

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Fishing boats, Lisbon edition of 30

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Fishing boats, Kings Lynn edition of 30

The River, from Blackfriars Bridge -. edition of 30

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The old shot and powder works edition of 30

Artist: LONG, Sydney | Title: Lincoln | Date: 1925 | Technique: line-etching and drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Lincoln edition of 40

Kookaburras, No.3. edition of 60

The blacksmith's shop

edition of 40

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Brisbane water edition of 30

Artist: LONG, Sydney | Title: Turkeys and pumpkins | Date: 1925 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Turkeys and pumpkins edition of 30

Artist: LONG, Sydney | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

St. Albans edition of 30

The passing storm edition of 50 | aquatint

Porte Marechale, Bruges edition of 50

The Mill. edition of 60

Between the showers edition of 50

Staples Inn, Holborn edition of 30

Beddington Corner edition of 30

The Parchment Mills. edition of 30

On the Wandle edition of 30

The Spirit of the plains edition of 50

The belfry, Bruges edition of 50

The harbour, St.Ives edition of 50

Artist: LONG, Sydney | Title: Landscape, Epping Forest | Date: c.1919 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Landscape, Epping Forest edition of 50

Moonrise pastoral edition of 60

The little dutch mill edition of 30

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The Thames from Waterloo Bridge edition of 30

Pastoral. edition of 50

Artist: LONG, Sydney | Title: Drying sails | Date: c.1919 | Technique: line-etching and drypoint, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Drying sails edition of 30

Artist: LONG, Sydney | Title: Becalmed | Date: c.1919 | Technique: line-etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Becalmed edition of 30

Old houses, Worcester edition of 30

A Cornish landscape edition of 30 | Soft Ground