The old wharf, Huskisson, N.S.W.

James Crisp (1879–1962)

The old wharf, Huskisson, N.S.W.

EXHIBITION HISTORY 1 – 4 of 4 exhibitions

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Catalogue of the Eighth Annual Exhibition of the Australian Painter-Etchers' Society [1928].

Venues

Education Department Gallery (8 June 1928 – 23 June 1928)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

ROBERTSON, Bruce (1872–1943)

A bush track. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

The Apple Gum. £2.10.0 (unframed)

Walker, F. Sidney. (1888–1972)

Lagoon. £1.01.0 (unframed)

Narooma, N.S.W. £2.02.0 (unframed)

Sunlit gums. £1.11.6 (unframed)

Harbour. £2.02.0 (unframed)

Haystacks. £1.01.0 (unframed)

Evening, Narooma. £1.11.6 (unframed)

The Drying Creek. £1.11.6 (unframed)

ROBERTSON, Bruce (1872–1943)

10. Riverside Trees. £2.10.0 (unframed)

11. River Oaks. £1.11.6 (unframed)

12. Australian River. £1.05.0 (unframed)

13. The Vista. £1.11.6 (unframed)

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

14. Roadside trees £1.05.0 (unframed)

15. Australina Pastoral. £1.05.0 (unframed)

16. Margarets, Lake Macquarie. £1.01.0 (unframed)

17. The Market, West Wemys Fife. £1.17.6 (unframed)

18. Fairy Bower, Manly, N.S.W. £1.11.6 (unframed)

19. Reflections Cook's River, N.S.W. £2.02.0 (unframed)

Godson, John Barclay. (1882–1957)

20. Church Montreuil. £3.03.0 (unframed)

21. A South Coast Farm*. £3.03.0 (unframed)

23. Entrance to Courtyard of L'Hotel De France, Montreuil*. £2.12.6 (unframed)

24. Scrivener's Mill, Mt. Irvine. £2.12.6 (unframed)

25. Old courthouse, Montreuil. £2.12.6 (unframed)

26. Brotham Bar and Minster, york. £2.12.6 (unframed)

27. The Shambles, York. £2.12.6 (unframed)

28. Jetty, Etaples. £2.02.0 (unframed)

29. Mosque Door, Cairo. £2.02.0 (unframed)

30. Middle Harbour, Peep. £2.02.0 (unframed)

31. Richmond Castle Tower, Yorks. £2.02.0 (unframed)

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: St Pauls, Cobitty | Date: 1928 | Technique: etching, printed in black ink, from one plate

32. St Pauls, Cobitty £3.03.0 (unframed)

33. Packing Oranges. £3.03.0 (unframed)

Friedensen, Thomas. (1879–1931)

34. The Wollondilly, N.S.W. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club

35. Bridge Building, Sydney Harbour*. £3.03.0 (unframed)

36. Homestead, North West. £2.12.6 (unframed)

37. Windsor Castle, Berkshire. £2.12.6 (unframed)

Artist: Friedensen, Thomas. | Title: Cobbers. | Date: 1928 | Technique: etching, printed in black ink, from one plate

38. Cobbers. £2.12.6 (unframed)

39. The Old Drover. £1.11.6 (unframed)

Artist: Friedensen, Thomas. | Title: Cockatoo. | Date: 1927 | Technique: etching, printed in brown ink, from one plate

40. Cockatoo. £2.02.0 (unframed)

Britton, Fred. (1889–1931)

41. Mylor Cottages. £2.02.0 (unframed)

42. Old commissariat stores, Sydney. £2.02.0 (unframed)

43. Hyde Park Barracks. £3.03.0 (unframed) | Print available for selection by members of the Australian Print-Collectors Club.

Artist: Britton, Fred. | Title: Sydney Harbour Bridge construction. | Date: 1929 | Technique: etching and drypoint, printed in black ink, from one plate

44. Sydney Harbour Bridge construction. £3.03.0 (unframed) | Print available for selection by members of the Australian Print-Collectors Club

Artist: Britton, Fred. | Title: Julian Ashton esq. | Date: (1925) | Technique: etching, printed in black ink, from one plate

45. Julian Ashton esq. £3.03.0 (unframed)

46. At Mona Vale. £1.11.6 (unframed)

47. On the Murray. £2.12.6 (unframed)

48. Nocturne. £2.02.0 (unframed)

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Waterloo Bridge in course of demolition | Date: 1928 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Waterloo Bridge in course of demolition £4.04.0 (unframed)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. Hawkesbury landscape £5.05.0 (unframed)

Artist: LONG, Sydney | Title: Dee Why landscape | Date: 1928 | Technique: line-etching, printed in red-brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

51. Dee Why landscape £4.04.0 (unframed)

Artist: LONG, Sydney | Title: Reflections, Avoca | Date: (1928) | Technique: line-etching, printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Reflections, Avoca £3.03.0 (unframed)

53. The Harbour from Greenwich. £2.12.6 (unframed)

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

54. Windmill Street, Old Sydney [1] £3.03.0 (unframed)

55. St. Ives. £4.04.0 (unframed)

Artist: LONG, Sydney | Title: The water meads | Date: 1928 | Technique: line-etching, drypoint printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

56. The water meads £3.03.0 (unframed)

van RAALTE, Henri (1881–1929)

57. Perth Town Hall, Morning. £3.03.0 (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

58. The end of day £4.04.0 (unframed)

59. The creek in flood. £3.13.6 (unframed)

60. Morning. £4.04.0 (unframed)

61. A Karri Tree Glade. £6.06.0 (unframed)

62. Day's beginning. £3.03.0 (unframed)

63. The road. £4.04.0 (unframed)

64. Hills of the south. £3.03.0 (unframed)

Morgan, Squire. (1886–1974)

65. Silhouette*. £3.03.0 (unframed)

66. Willows. £2.02.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

67. The path to the beach. £1.01.0 (unframed)

68. Pointer Pups. £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

69. Piccadilly Circus (under Reconstruction) £3.13.6 (unframed)

70. Martin Place. £3.13.6 (unframed)

71. Home berths. £3.03.0 (unframed)

Glover, Allan. (1900–1984)

72. The Thatched Stable. £1.11.6 (unframed)

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

73. Sunlight and ships £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

74. The mooring post. £1.01.0 (unframed)

75. The Scarred Veteran*. £3.03.0 (unframed)

76. Among the Gums. £1.11.6 (unframed)

77. The foundry. £1.11.6 (unframed)

GOODCHILD, John (1898–1980)

77. Venetian mooring. 1 gn (unframed)

Glover, Allan. (1900–1984)

78. Stormy sunset £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

78. Tivoli, Italy. 2½ gns (unframed)

Glover, Allan. (1900–1984)

79. Hilltop. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

79. Home berths. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

80. Berry's Bay. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

80. Thames Wharf. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

81. Lion Island, Broken Bay. £2.02.0 (unframed)

GOODCHILD, John (1898–1980)

81. Winter Glow. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

82. The Bell Inn at Stilton. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

82. Brandon Bridge 3½ gns (unframed)

FULLWOOD, A.H. (1863–1930)

83. Mt. Cook, N.Z. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

83. Landscape harmony 2 gns (unframed)

FULLWOOD, A.H. (1863–1930)

84. The Hermitage, Mt. Cook, N.Z. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

84. English country [pen drawing]. *4 gns (unframed) | pen drawing

FULLWOOD, A.H. (1863–1930)

85. Mt. Cook from Lake Pukeki. £2.02.0 (unframed)

GOODCHILD, John (1898–1980)

85. The country mill [pen drawing]. *4 gns (unframed) | pen drawing

FULLWOOD, A.H. (1863–1930)

86. City Railway, Wynyard Square, Sydney*. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

86. King St., Sydney [pencil]. 7 gns (unframed) | pencil

FULLWOOD, A.H. (1863–1930)

87. Clyde Street, Sydney. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

87. Wareham, England pencil. *5 gns (unframed)

88. The Round Pond, Kensington Gardens pencil. *4 gns (unframed)

Coffey, Alfred. (1869–1950)

88. Calder House, Eveleigh*. £3.03.0 (unframed)

Paul, Dorothy Ellsmore. (1900–1974)

89. Nude. £1.11.6 (unframed)

90. The Old Pilgrim Inn. £4.04.0 (unframed)

Farmer, Helen. (1888–1970)

91. Susan Island, Clarence River. £3.03.0 (unframed)

92. Evening calm. £2.02.0 (unframed)

93. On the Banks of the Clarence. £2.02.0 (unframed)

94. The end of the village. £1.01.0 (unframed)

Rose, Herbert. (1890–1937)

95. The Zattere, Venice. £3.03.0 (unframed)

Whitney, William Montague. (1880–1946)

96. A Relic of St. Marys, Edwardstown S.A.*. £2.12.6 (unframed)

97. Old outhouses St. Marys, Edwardstown, S.A. £2.12.6 (unframed) | Print available for selection by members of the Australian Print-Collectors Club

TRAILL, Jessie (1881–1967)

98. The Tunnel, Genoa. £4.04.0 (unframed)

99. The Tower, Carcassonne, Night. £5.05.0 (unframed)

100. Building Harbour Bridge, Sydney, No.II, Nov. £5.05.0 (unframed)

Artist: TRAILL, Jessie | Title: La forza [the force] | Date: 1927 | Technique: mezzotint, printed in black ink, from one plate

101. La forza [the force] £2.02.0 (unframed)

Grey, F. Millward. (1899–1957)

102. The Bather [pen and ink]. £0.05.0 (unframed)

103. The broken strap. £2.10.0 (unframed)

104. The Rackam Gum. £2.02.0 (unframed)

105. The Japanese Girl. £10.11.0 (unframed)

Wood, A.J. (1929–)

106. Portrait. £1.01.0 (unframed)

107. Portrait. £1.01.0 (unframed)

THURLOW, Ernest (1920s )

108. Through the Trees. £1.01.0 (unframed)

Flanagan, John Richard. (1895–1964)

109. The Sage. £2.02.0 (unframed)

Reid, D.G. (1862–1933)

110. Loading Fruit on the Hawkesbury. £2.02.0 (unframed)

111. Hill Crest. £3.03.0 (unframed)

112. The Rickyard*. £3.03.0 (unframed)

113. Source of the Minnimurra*. £3.03.0 (unframed)

114. Within sound of the Sea. £2.02.0 (unframed)

115. The Orchard Cart. £2.02.0 (unframed)

116. The Hayfield. £2.02.0 (unframed)

117. Eventide. £2.02.0 (unframed)

SHIRLOW, John (1869–1936)

118. Hobart Town. £3.13.6 (unframed)

119. Collins Street. £3.13.6 (unframed)

120. Convict Church, Port Arthur. £3.13.6 (unframed)

Walker, Leslie James. (1894–1951)

121. Lakeside. £1.01.0 (unframed)

122. The Iron Gate, Parramatta. £1.01.0 (unframed)

123. Alleyway. £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

124. Ross Bridge. £2.02.0 (unframed)

125. Tasmanian club. £1.01.0 (unframed)

126. North Mine, Broken Hill. £1.01.0 (unframed)

127. The Day Shift. £3.03.0 (unframed)

Goodhart, J.C. (1873–1952)

128. Klondyke Propty. Mine. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

129. Solitude. £1.11.6 (unframed)

McDonald, Sheila. (1902–1971)

130. Five Miles East of Windsor. £2.02.0 (unframed)

131. The Rocks, Sydney. £1.11.6 (unframed)

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

132. Bulletin Place, Sydney £2.02.0 (unframed)

Hilder, Bim. (1909–1990)

134. Gum trees. £1.01.0 (unframed)

Dwyer, Ella. (1887–1979)

135. The wind bloweth. £1.01.0 (unframed)

136. Forsaken. £1.01.0 (unframed)

137. Old mill buildings, Hobart. £2.02.0 (unframed)

138. A bush camp. £1.01.0 (unframed)

139. Bridge at Richmond, Tas. £1.11.6 (unframed)

140. Lady Franklin Museum, Hobart. £1.01.0 (unframed)

Crisp, James. (1879–1962)

141. Possums. £1.11.6 (unframed)

142. Jamberoo to Nowra. £1.11.6 (unframed)

143. The old wharf, Huskisson, N.S.W. £1.01.0 (unframed)

144. Old White House, Rhodes. £1.01.0 (unframed)

145. The Lakes Entrance, Victoria. £1.11.6 (unframed)

146. A bit of Eden, South Coast. £1.11.6 (unframed)

147. St. Michael's Church, Rose Bay. £1.11.6 (unframed)

148. College Street. £1.01.1 (unframed)

Crisp, James. (1879–1962) and Whitford, Dora. (1898–1969)

149. The sentinel. £1.11.6 (unframed)

Crisp, James. (1879–1962)

150. The old mill, Auckland, N.Z. £1.11.6 (unframed)

Hardie, Martin. (1875–1952)

154. A Street at Chioggia. £5.05.0 (unframed)

155. St. Malo. £4.14.6 (unframed)

156. Bric A Brac. £4.14.6 (unframed)

157. Bereland. £4.04.0 (unframed)

158. A river of Normandy. £3.13.6 (unframed)

159. Sunset at Slaughter. £3.13.6 (unframed)

OSBORNE, Malcolm (1880–1963)

160. His Honor, Judge Parry. £8.08.0 (unframed)

161. Avignon. £8.08.0 (unframed)

162. Wayside Talkes, Dieppe. £6.06.0 (unframed)

163. City Walls, Avignon. £6.06.0 (unframed)

164. The Little Crucifix, Carcassonne. £6.06.0 (unframed)

SHORT, Frank (1857–1945)

165. The Shadowed Valley; The South Downs. £21.00.0 (unframed)

166. Mr Right at Dawn. £18.18.0 (unframed)

167. Dawn. £10.10.0 (unframed)

168. The Thames at Twickenham. £10.10.0 (unframed)

169. The head of Langston Harbor. £8.08.0 (unframed)

Airy, Anna. (1882–1964)

170. Pea Pods. £5.05.0 (unframed)

171. The Visitor. £5.05.0 (unframed)

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

172. Nude Study. £6.06.0 (unframed)

Gallop, Herbert. (1890–1958)

173. Burragorang Valley. £1.11.6 (unframed)

174. Windswept. £3.03.0 (unframed)

175. Lacewood Pines. £2.12.6 (unframed)

176. Mt. Keira (North Wollongong). £3.03.0 (unframed)

177. Macquarie Shore. £2.02.0 (unframed)

178. The Open Beach. £1.01.0 (unframed)

Rees, Lloyd. (1895–1988)

179. A Sketch in Rome. £7.07.0 (unframed)

Walker, F. Sidney. (1888–1972)

180. Close of Day, Narooma. £3.03.0 (unframed)

181. Sketch Narooma. £2.02.0 (unframed)

Rees, Lloyd. (1895–1988)

182. The Tower of the Mangia, Sienz, Italy. £8.08.0 (unframed)

183. St. Peter's, Rome. £26.05.0 (unframed)

TRINDALL, Lyall (1866–1965)

184. Nude Study. £15.15.0 (unframed)

Rees, Lloyd. (1895–1988)

185. The Cathedral. £42.00.0 (unframed) | Drawing section

TRINDALL, Lyall (1866–1965)

186. An Interesting tory. £15.15.0 (unframed)

Rees, Lloyd. (1895–1988)

187. Notre Dame De Paris. £10.10.0 (unframed)

TRINDALL, Lyall (1866–1965)

188. Study of a head. £15.15.0 (unframed)

Ashton, Will. (1881–1963)

189. Landscape. £5.05.0 (unframed)

190. Trees at Narrabeen.

LONG, Sydney (1871–1955)

191. St. Ives. £5.05.0 (unframed)

Baker, Normand H. (1908–1955)

192. Head of an old woman. £10.10.0 (unframed)

Ashton, Will. (1881–1963)

193. Rue Mouffard.

LONG, Sydney (1871–1955)

194. Waterloo Bridge in course of demolition

Ashton, Will. (1881–1963)

195. Rue Galande.

Walker, F. Sidney. (1888–1972)

196. Sketch for Sunlit Gums. £3.03.0 (unframed)

LONG, Sydney (1871–1955)

197. Study for. £10.10.0 (unframed)

Wilkinson, Leslie. (1882–1973)

198. Wells Cathedral, Chapter House Staircase.

199. St. Mark's Venice, North Transpept.

200. The Octagon, Ely Cathedral.

Rose, Herbert. (1890–1937)

201. St. Gervais, Paris. £8.08.0 (unframed)

LONG, Sydney (1871–1955)

202. Study for. £10.10.0 (unframed)

Proctor, Thea. (1879–1966)

203. Scarf. £12.12.0 (unframed)

204. The Dancer. £10.10.0 (unframed)

205. Portrait of a Young Man. £10.10.0 (unframed)

Rose, Herbert. (1890–1937)

206. A Street of Stairs, Villefranche. £8.08.0 (unframed)

Britton, Fred. (1889–1931)

207. Julian Ashton esq. £12.12.0 (unframed)

208. The Old Mint, Sydney. £8.08.0 (unframed)

Rose, Herbert. (1890–1937)

209. The Market, Venice. £12.12.0 (unframed)

210. Rio Toresela, Venice. £5.05.0 (unframed)

211. Old houses, Villefrance. £5.05.0 (unframed)

212. St. Cirq-La-Popie, France. £8.08.0 (unframed)

Reid, D.G. (1862–1933)

213. Old colonial homestead. £3.03.0 (unframed)

Farmer, Helen. (1888–1970)

214. Susan Island. £5.05.0 (unframed)

215. Sketch for Kurrajongs. £5.05.0 (unframed)

Eilbeck, Harrie. (1928–)

216. The Alchemist. £10.10.0 (unframed)

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

217. The cliff £6.06.0 (unframed)

Walker, Leslie James. (1894–1951)

218. Old sawmill, Parramatta. £5.05.0 (unframed)

219. The Hawkesbury at Richmond. £5.05.0 (unframed)

220. Reilly's Sheds, Burragorang. £5.05.0 (unframed)

UNKNOWN

221. Silenus. £7.07.0 (unframed)

PRESTON, Margaret (1875–1963)

222. Banksias. £1.01.0 (unframed)

Artist: PRESTON, Margaret | Title: Circular Quay | Date: 1925 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

223. Circular Quay £1.01.0 (unframed)

224. Nude. £1.01.0 (unframed)

Dattilo-Rubbo, Anthony. (1870–1955)

225. Old age. £15.15.0 (unframed)

FEINT, Adrian (1894–1971)

226. Circe. £2.12.6 (unframed)

Ashton, Will. (1881–1963)

227. Palaces, The Grand Canal.

FEINT, Adrian (1894–1971)

227. Milsons Point. £2.02.0 (unframed)

Ashton, Will. (1881–1963)

228. Landscape near Dee Why.

Baker, Normand H. (1908–1955)

230. Pen and Ink Study. £8.08.0 (unframed)

Reid, D.G. (1862–1933)

231. Dawn. £5.05.0 (unframed)

232. An ancient barn. £3.03.0 (unframed)

Exhibition of Etchings by the Australian Painter-Etchers' Society

Venues

New Gallery [Melbourne]. (11 December 1928 – 24 December 1928)
107 Elizabeth St., (Robertson's Building), Melbourne, Victoria, Australia

Works

Crisp, James. (1879–1962)

Cattai Creek. £1.11.6 (unframed) | etching

The old wharf, Huskisson, N.S.W. £1.01.0 (unframed) | etching

A bit of Eden, South Coast. £1.11.6 (unframed) | etching

St. Michael's Church, Rose Bay. £1.11.6 (unframed) | etching

The Lakes Entrance, Victoria. £1.11.6 (unframed) | etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

The gander. £1.01.0 (unframed) | etching

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Farm corner. £1.11.6 (unframed) | etching

A glimpse. £1.01.0 (unframed) | etching

Young Kookaburras. £1.01.0 (unframed) | etching

10. Hauling timber, Jamberoo to Nowra. £1.11.6 (unframed) | etching

Dwyer, Ella. (1887–1979)

11. Old mill buildings, Hobart. £2.02.0 (unframed) | etching

12. St. Thomas' Church, North Sydney. £1.01.0 (unframed) | etching

13. On an Old Highway, Tasmania. £1.01.0 (unframed) | etching

14. The wind bloweth. £1.01.0 (unframed) | etching

Farmer, Helen. (1888–1970)

15. Susan Island. £2.12.6 (unframed) | etching

16. On the Banks of the Clarence. £2.02.0 (unframed) | etching

17. The end of the village. £1.01.0 (unframed) | etching

18. The road to Forster. £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

19. Venice. £3.03.0 (unframed) | etching

Artist: Friedensen, Thomas. | Title: Caudebec, Normandy. | Date: 1929 | Technique: etching and aquatint, printed in black ink, from one plate

20. Caudebec, Normandy. £3.03.0 (unframed) | etching

21. The Wollondilly, N.S.W. £3.03.0 (unframed) | etching

22. The Mountain Road, Brush Creek, N.S.W. £3.03.0 (unframed) | etching

23. Building the bridge, Sydney Harbour. £3.03.0 (unframed) | etching

24. A pipe of 'baccy'. £2.12.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

25. Xmas Eve. £10.10.0 (unframed) | etching | Collection, Sydney National Gallery.

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

26. His ain fireside. £4.04.0 (unframed) | etching

27. Carlyle's House, Chelsea. £4.04.0 (unframed) | etching

28. The Storm. £3.03.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

29. Lakeshore. £4.04.0 (unframed) | etching

30. Windswept. £3.03.0 (unframed) | etching

31. Dairy Farm. £2.02.0 (unframed) | etching

32. The farmyard. £2.02.0 (unframed) | etching

33. Spreading Ti-Tree. £1.12.6 (unframed) | etching

Glover, Allan. (1900–1984)

34. Sunlight and ships £3.03.0 (unframed) | etching | ollection:Melbourne Art Gallery.

35. The Scarred Veteran. £3.03.0 (unframed) | etching

36. Hilltop. £2.12.6 (unframed) | etching | Collections, Adelaide and Melbourne Art Galleries.

37. The Thatched Stable. £1.11.6 (unframed) | etching

38. The two gums. £1.01.0 (unframed) | etching

39. Stormy sunset £1.01.0 (unframed) | etching

40. At Oaklands. £1.01.0 (unframed) | etching

GOODCHILD, John (1898–1980)

41. Solitude. £2.02.0 (unframed) | etching

42. 'Finance' (Collins St., Melbourne). £1.01.0 (unframed) | etching

43. German Charley's shanty. £1.11.6 (unframed) | etching

Goodhart, J.C. (1873–1952)

44. Molle Street Bridge, Hobart. £2.02.0 (unframed) | etching | Collection, Adelaide Art Gallery.

45. The old Ross tannery. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

46. 'De Bavay's', Broken Hill. £2.02.0 (unframed) | etching

47. 'Conquest' (Broken Hill Mines). £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

48. The Hawkesbury River Landscape. £6.06.0 (unframed) | etching

49.

The blacksmith's shop

£4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. The old shot and powder works £4.04.0 (unframed) | etching

51. Christchurch. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Iffley Mill, Oxford | Date: c.1919 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Iffley Mill, Oxford £3.03.0 (unframed) | etching

53. The Parchment Mills. £4.04.0 (unframed) | etching

McDonald, Sheila. (1902–1971)

54. The Rocks, Sydney. £1.11.6 (unframed) | etching

55. Bulletin Place, Sydney £1.11.6 (unframed) | etching

56. St. Mark's, Darling Point. £1.11.6 (unframed) | etching

Paul, Dorothy Ellsmore. (1900–1974)

57. Nude. £1.11.6 (unframed) | etching

58. The Joseph's Coat. £2.02.0 (unframed) | etching

59. Nocturne. £3.03.0 (unframed) | etching

Paul, Mick. (1888–1945)

60. Lachlan Macquarie. £2.02.0 (unframed) | etching

Reid, D.G. (1862–1933)

68. A Fisherman's Haven. £2.02.0 (unframed) | etching

69. The Windmill. £1.10.6 (unframed) | etching

70. The Gothic Spire. £2.02.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

71. Australian sunrise. £3.03.0 (unframed) | etching

72. Riverside Trees. £2.10.0 (unframed) | etching

73. On the Lane Cove, Sydney Harbour. £2.17.6 (unframed) | etching

74. Roadside trees £2.02.0 (unframed) | etching

76. 'Evening', Narrabeen Lakes. £1.11.6 (unframed) | etching

77. 'Margarets', Lake Macquarie. £1.01.0 (unframed) | etching

78. 'The Vista'. £1.11.6 (unframed) | etching

79. River Oaks. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

80. In the Old Village, Cagnes, France. £2.12.6 (unframed) | etching

Artist: Rose, Herbert. | Title: Le Puy, France | Date: c.1927 | Technique: etching, printed in black ink, from one plate

81. Le Puy, France £3.03.0 (unframed) | etching

82. The Zattere, Venice. £3.03.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

83. Women's College, Sydney University. £3.03.0 (unframed) | etching

84. St. Andrew's College, Sydney University. £3.03.0 (unframed) | etching

85. Readitt's Bend. £3.03.0 (unframed) | etching

86. The willows. £2.02.0 (unframed) | etching

87. The Mill Pastoral. £2.02.0 (unframed) | etching

88. Water carters. £2.02.0 (unframed) | etching

89. The beach. £1.11.6 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Mirage | Date: 1928 | Technique: aquatint and etching, printed in brown ink with plate-tone, from one plate

95. Mirage £3.03.0 (unframed) | etching

96. The Organ Pipes at Dawn, Wilpena Mts S.A. £5.05.0 (unframed) | coloured etching

97. Melbourne. £3.03.0 (unframed) | aquatint

98. End of the day, Red Cliffs. £2.02.0 (unframed) | aquatint

99. Edge. £3.03.0 (unframed) | etching

100. Mt Warning, N.S.W. £4.04.0 (unframed) | aquatint

101. Ti-Tree. £1.01.0 (unframed) | etching

102. Between showers, Carcassonne. £4.04.0 (unframed) | aquatint

Walker, F. Sidney. (1888–1972)

103. Evening, Narooma. £1.11.6 (unframed) | etching

104. Sunlit gums. £1.11.6 (unframed) | etching

105. The Drying Creek. £1.11.6 (unframed) | etching

106. The Mill. £1.11.6 (unframed) | etching

107. Lagoon. £1.01.0 (unframed) | etching

108. Quiet Water. £1.01.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. The Spires of St. Paul's, Melbourne. £3.03.0 (unframed) | etching

110. Melbounre Grammar School. £3.03.0 (unframed) | etching

111. 'Queens', Melbourne University. £3.03.0 (unframed) | etching

112. Bookplate, 'Melba'. not for sale | etching

Exhibition of Etchings

Venues

Millions Club (21 June 1929 – 1929)
Sydney, New South Wales, Australia

Works

Ashton, Will. (1881–1963)

1. St. Picolo, Venice. £3.03.0 (unframed) | etching

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

2. Ponte Vecchio, Florence £2.12.6 (unframed) | etching

3. Le Pont de Bois, Paris. £3.03.0 (unframed) | etching

Britton, Fred. (1889–1931)

4. Burdekin House, Sydney. £2.02.0 (unframed) | etching

5. Old commissariat stores, Sydney. £2.02.0 (unframed) | etching

6. Nocturne. £2.02.0 (unframed) | etching

Coffey, Alfred. (1869–1950)

7. The wooden bridge to Pyrmont, old Sydney. £3.03.0 | etching

8. Steps, Gloucester Street. £4.04.0 | etching

9. Clyde Street, Miller's Point, Old Sydney. £4.04.0 | etching

Crisp, James. (1879–1962) and Whitford, Dora. (1898–1969)

10. The sentinel. £1.11.6 (unframed) | etching

Crisp, James. (1879–1962)

11. Magpies. £2.02.0 (unframed) | etching

12. The old wharf, Huskisson, N.S.W. £1.01.0 (unframed) | etching

Dwyer, Ella. (1887–1979)

13. Old houses, Campbell Street. £1.11.6 (unframed) | etching

14. Boat sheds, McMahon's Point. £1.11.6 (unframed) | etching

15. Sunset, Hawkesbury River. £1.01.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

16. The Bush, New South Wales. £4.04.0 (unframed) | etching

17. Lacey's Creek, Burragorang Valley, N.S.W. £5.05.0 (unframed) | etching

18. The Old Swaggie. £1.11.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

19. Sydney Grammar School. £3.03.0 | etching

20. The Gap, Sydney Heads. £2.02.0 | etching

21. Hunter Street, Sydney. £3.03.0 | etching

Gallop, Herbert. (1890–1958)

22. Lakeside. £5.05.0 (unframed) | etching

23. Wind-swept. £3.03.0 (unframed) | etching

24. no entry -.

Glover, Allan. (1900–1984)

25. Sunlight and ships £3.03.0 | etching

26. Hilltop. [no price] | etching

27. The Thatched Stable. £1.11.6 | etching

Godson, John Barclay. (1882–1957)

28. Sydney University. £3.03.0 (unframed) | etching

29. The old barn. £3.03.0 (unframed) | etching

30. Vaucluse House. £2.12.6 (unframed) | etching

GOODCHILD, John (1898–1980)

31. The Day Shift, Propty. Mine, Broken Hill. £3.03.0 (unframed) | etching

32. De Bavay's, Broken Hill. £2.02.0 (unframed) | etching

Goodhart, J.C. (1873–1952)

33. The Poppet Head. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

34. The Hawkesbury River at Wiseman's Ferry. £6.06.0 (unframed) | etching

35.

The blacksmith's shop

£4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

36. The passing storm £5.05.0 (unframed) | etching

Marsden, May. (1876–1968)

37. Pyrmont Bridge. £3.03.0 (unframed) | etching

38. Coaling Cranes, Ball's Head. £2.02.0 (unframed) | etching

McDonald, Sheila. (1902–1971)

39. Bulletin Place, Sydney £1.11.6 (unframed) | etching

40. The Rocks, Sydney. £1.11.6 (unframed) | etching

41. The lagoon, Lord Howe Island. £1.11.6 (unframed) | etching

Morgan, Squire. (1886–1974)

42. Scot's Church. £3.03.0 (unframed) | etching

43. Kendall's residence, Fagan's Farm. £3.03.0 (unframed) | etching

44. Willows. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

45. Officers' Mess, Duntroon R.M.C. £2.12.6 | etching

46. The barn. £2.02.0 (unframed) | etching

47. Magpie. £2.02.0 | etching

Pratt, Douglas. (1900–1972)

48. The Bridge. £2.02.0 | etching

49. Far from the Madding sic Crowd. £2.02.0 | etching

50. Winter sunshine. £2.12.6 | etching

Reid, D.G. (1862–1933)

51. The fisherman's haven, Broken Bay. £3.03.0 | etching

52. The Windmill Pump. £2.02.0 | etching

53. Eventide. £2.02.0 | etching

ROBERTSON, Bruce (1872–1943)

54. Riverside Trees. £2.17.6 | etching

55. Australian sunrise. £3.10.0 | etching

56. On the Lane Cove, Sydney Harbour. £3.03.0 | etching

ST JOHN, Ellis (1874–1949)

57. Roadmaker's Camp, N.S.W. £2.02.0 (unframed) | etching

58. Archway, Eversham, England. £2.02.0 (unframed) | etching

59. The Bridge from Fort Macquarie. £2.02.0 (unframed) | etching

SHIRLOW, John (1869–1936)

60. The Bank Door (Commercial Bank, Melb.). £4.04.0 (unframed) | etching

61. Evening, Collins Street, Melbourne. £3.10.6 (unframed) | etching

URE SMITH, Sydney (1887–1949)

62. The farm sheds. £4.04.0 (unframed) | etching

63. St Pauls, Cobitty £3.03.0 (unframed) | etching

64. The country road. £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

65. Between showers, Carcassonne. £4.04.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

66. Hole in the trees £5.05.0 (unframed) | etching

67. The Organ Pipes at Dawn, Wilpena Mts S.A. £5.05.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

68. Evening, Narooma. £1.11.6 (unframed) | etching

69. Skyline Sketch, Sydney. £1.01.0 (unframed) | etching

70. Harbour Entrance, Sydney. £1.11.6 (unframed) | etching

Wood, A.J. (1929–)

71. 'Sheila'. £2.02.0 | etching

72. 'Sheila'. £1.01.0 | etching

194 Pictures at the Annual Exhibition by the Painter Etchers' and Graphic Art Society of Australia

Venues

David Jones' Galleries [George st] (28 October 1936 – 13 November 1936)
George St., Sydney, New South Wales, Australia

Works

Poynter, Ambrose. (1796–1886)

Fontainebleau, by Ambrose Poynter.

Carentan, by Ambrose Poynter.

Bayeux, by Ambrose Poynter.

Sketches in Italy, by Ambrose Poynter.

Poynter, Edward James. (1836–1919)

Self Portrait.

Study: Head of St. Stephen.

Study of drapery.

Hardie, Martin. (1875–1952)

Etching, by Martin Hardie. not for sale | Lent by Mr H.R. Gallop.

ROBINS, W.P. (1882–1959)

10. Etching. not for sale | Lent by Mr H.R. Gallop.

OSBORNE, Malcolm (1880–1963)

11. Etching, by Malcolm Osborne. not for sale | Lent by Mr H.R. Gallop.

WALCOT, William (1874–1943)

12. Etching. not for sale | Lent by Mr H.R. Gallop.

Lee Hankey, William. (1869–1952)

13. Etching, by Le Hankey [sic]. not for sale | Lent by Mr H.R. Gallop

Squirrell, Leonard R. (1893–1979)

14. Aquatint Lent by Mr H.R Gallop. Not For Sale

Abbott, Harold. (1906–1986)

15. Nude Study. 3 gns. | Drawing.

16. Nude Study. 3 gns | Drawing.

17. Nude Study. 3 gns. | Drawing.

Baird, John. (1902–)

18. Barbary Sheep carbon. 2 gns

19. Cats carbon. 2 gns

20. Negro's Head carbon. 2 gns

Baker, Normand H. (1908–1955)

21. Pencil Study pencil. 15 gns

22. The model. [pencil]. 5 gns

23. Girl Ironing pencil. 3 gns

Brodziak, Phyllis Ruby. (1916–1967)

24. Iceland: 'The Midnight Sun'. 3 gns

25. The old mill, Kew. 3 gns

26. The Dutch Gateway. 3 gns

28. Stratford-on-Avon. 1½ gns

28. Windsor. 1½ gns

29. Head Study pencil. 3 gns

Bustard, William. (1894–1973)

30. In a Convent Garden. 1 gn

31. The old gothic church. 1 gn

32. Flood Level Gums. 1 gn

Byrne, Harold. (1899–1966)

33. Nude [chalk drawing]. 7 gns | chalk drawing

34. The Chapel, Convent of the Sacred Heart, Rose Bay. 3 gns

35. Old King's School. 1 gn

36. Winter, Franklin Square, etching and Hobart. 3 gns

37. Book Plates Sale) for (Not.

Chambers, Alfred. (1930–)

38. 'To the Hamlet' Pencil. 3 gns

39. Sketch at Ryde Pencil. 2 gns

Cobb, Victor. (1876–1945)

40. Wong Huey's Selection, Bendigo pencil. 12 gns

41. Passing of the flood waters [pencil]. 14 gns | pencil

42. The Trees, Collins Street, East Melbourne. 3 gns

43. The porchway, Old Church, Port Arthur, Tasmania. 1½ gns

44. Victoria's First Government House (First occupied by Governor La Trobe). 1½ gns

45. The Supreme Courts, Melbourne. 2 gns

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

46. Approach to the old stables of Cobb and Co., Melbourne. 3 gns

47. Entrance to Old Scotch College, Melbourne. 2 gns

48. Lombardy Poplar. 1½ gns

Coglan, Elaine E. (1897–1989)

49. Head Study crayon. 3 gns

50. Sepia Portrait sepia crayon. 2 gns

51. The meeting [crayon]. 2 gns

Crisp, James. (1879–1962)

52. 'Waiting' charcoal drawing. 7 gns

53. By the roadside [charcoal drawing]. 8 gns | charcoal drawing.

54. An old Moreton Bay Fig tree. 1½ gns

55. Late for dinner. 1 gn.

56. The old wharf, Huskisson, N.S.W. 1 gns

COWDROY, Vic (1908–)

57. Torso pastel. 2½ gns

58. Nude pastel. 2½ gns

Davies, L. Roy. (1897–1979)

59. The little tent. 4 gns | wash [drawing]

60. The Jetty [wash drawing]. 4 gns | wash

61. Up stream. 1 gn

62. Improved land. 1 gn

63. Fisherman. 1 gn

Dillon, Cyril. (1883–1974)

64. Spires of St. Paul's, Melbourne. 3 gns

65. Serenity. 3 gns

Dwyer, Ella. (1887–1979)

66. 'Four o'Clock' sandgrain. 2 gns

67. Flamingoes, Taronga Park. 2 gns | sandgrain

68. Ruins of Old Woolpack Inn, Gretna, Tasmania. 1½ gns

Emanuel, Cedric. (1906–1995)

69. 'Capel's' pen and wash. 7 gns

70. 'Halvorsen's'. 2 gns

71. Richmond Landscape pen drawing. 6 gns

72. Blue's Point [pen and wash]. 5 gns | pen and wash

73. A sunny corner. 1½ gns

74. Capel's boatshed, Ruschutter's Bay. 3 gns | one print only for sale | etching

75. A Rushcutter's Bay boatshed [pencil]. 5 gns | pencil

Gallop, Herbert. (1890–1958)

76. The country road [sepia]. 3 gns | sepia

77. The beach [sepia]. 4 gns

78. The old barns, Ryde (Cox's Farm sepia. 4 gns

Garling, Lilias. (1909–)

79. In Old Trujillo (Spain) sepia. 3½ gns

80. A corner of Clovelly [sepia]. 3 gns | sepia

GOODCHILD, John (1898–1980)

81. Self Portrait. 2 gns

82. Sunshine and Shower. 1 gn | etching

83. Friends' School, Hobart. 2 gns | etching

84. Stepping Stones. 2 gns

Hirst, G.W.L. (1868–1965)

85. Centennial Park Glade pencil. 3 gns

86. South Coast [pencil]. 3 gns

87. Illawarra pencil. 3 gns

88. Coast Range pencil. 3 gns

89. Ramparts of North head pencil. 3 gns

90. Calm pencil. 3 gns

91. Rising Fog pencil. 5 gns

Hunter, William. (1899–1963)

92. White horses. 3 gns

93. Emerald. 3 gns

94. Homeward. 2½ gns

95. Three Trees. 2½ gns

96. Port Melbourne. 1½ gns

97. 'Taking Off'. 3 gns

98. Lerderderg Creek. 3 gns

99. Misty moon. 2½ gns

100. Sea wings. 1½ gns

101. Steve. 3 gns | line etching

Ingleton, Geoffrey. (1908–1998)

102. Waiting the ebb - The Heemskerck at Batavia, 16th Aug., 1642 (Tasman's Voyage). 2½ gns

103. Plaintive avocets - (For the Ornithologist.) A scene at Corner Inlet - a beautiful study of these fascinating waders. 1½ gns

104. Sunda pirates. 2 gns

105. Raked fore and aft. 2 gns

Johnson, George. (1926–2021)

106. Thora sepia. 15 gns

107. Figure Studies [sepia]. 7 gns

LONG, Sydney (1871–1955)

108. Station Square [2]. 4 gns

Artist: LONG, Sydney | Title: The lagoon | Date: 1928 | Technique: aquatint and drypoint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

108. The lagoon 5 gns

110. Landscape, Avoca. 3 gns

111. Central Tower, University. 3 gns

112. Old Sydney. 3 gns

113. The Village. 3 gns

Artist: LONG, Sydney | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

114. St. Albans 3 gns

Longstaff, John. (1862–1941)

115. Arthur McCarthy [charcoal]. Not For Sale | charcoal

McDonald, Sheila. (1902–1971)

116. Old pine tree. 2½ gns | only print

117. Old Barracks, King Street. 3 gns | pen and wash

118. Dunheved, St. Mary's (Residence and Observatory of Admiral King) pencil. 2 gns

Mahoney, Will. (1905–1989)

119. Nude. 3½ gns | drawing

120. Spring Day wash. 3½ gns

121. Portrait pencil. Not For Sale

Morgan, Squire. (1886–1974)

122. Hawkesbury corn barn. 2 gns

123. Scots Church. 3 gns

124. Morning sunlight. Not For Sale

OGILVIE, Helen (1902–1993)

Artist: OGILVIE, Helen | Title: The crab. | Date: 1936 | Technique: wood-engraving, printed in black ink, from one block

125. The crab. ½ gn

126. Things of the. ½ gn

NELSON, Gwen (1897–1973)

127. Moreton Bay Fig. 4 gns | wash

128. 'Paradise' in Berkshire'. 5 gns | wash

Parsons, Alice Mary. (1863–1939)

129. The watercourse. 1½ gns

130. Rain Clouds. 1½ gns

131. By-way in Bowral District sepia wash. 1½ gns

PLATT, Austin (1912–2003)

132. Prince's Bridge, Melbourne. 3 gns

133. St. Aloysius College from Harbour Bridge. 1½ gns

134. Scotch College, Adelaide 1½ gns

135. Guildford Chapel. 1½ gns

Pratt, Douglas. (1900–1972)

136. A Monaro Monarch pencil. 16 gns

137. Homestead Trees [pencil]. 12 gns | pencil

138. Lennox Bridge, Lapstone (First Bridge on Australian Mainland). [pencil]. 8gns | pencil

139. A Quirindi glade pencil. 8 gns

140. Morning lights, Rose Bay. 7 gns | pencil

141. Near the Queensland Border. 2½ gns

142. Reflections and shadows. 1½ gns

143. Victims of the Southerlies. 2½ gns

Ragless, Max. (1901–1981)

144. Gums of Nockamka. 10 gns

145. Shearer's Hut, Pewsey Vale. 3 gns

146. Port Lincoln. 2 gns

147. The church at Pewsey Vale. 1½ gns

148. Bridgewater Mill. 1 gn

Rees, Lloyd. (1895–1988)

149. Hills behind Kiama pen. 25 gns

150. Ever-winding River pencil. 8 gns

151. Dusk at Hunter's Hill pencil. Not For Sale

152. Dawn on Lane Cover River [pencil]. 8 gns

153. Church on the Hill pencil. 8 gns

154. Road Across the Hills, Shellharbour pen. 20 gns

Reid, Stuart. (1935–)

155. New Shoes for Dobbin sepia wash. 30 gns

156. Horse resting [sepia wash]. 8 gns | sepia wash

157. The beach, Longreef [sepia wash]. 8 gns

RICHARDS, B.

158. A glimpse of Old Sydney. 4 gns. | pencil

159. Nasturtiums pencil. 1½ gns

Robinson, Charles H. (1893–1968)

160. Macquarie Street, Hobart. 1½ gns

161. Evening Rise. 1½ gns

162. River craft, Hobart. 1 gns

163. Noon. 1 gns

164. Milking Time. 1 gns

165. Collegiate School, Hobart. 2 gns

Sheldon, Vincent. (1895–1945)

166. Old St. Andrew's, Brisbane. 2 gns

167. Excavations. 2 gns

168. The Doorway. 2 gns

169. The Last Furrow. 1½ gns

170. Butterflies. 1½ gns

Townshend, G.K. (1888–1969)

171. The Bay. 4 gns | wash

TRAILL, Jessie (1881–1967)

172. Rhyll Landmark (on Philip Island Rhyll). 3 gns

173. Viaduct, Norlaix chalk. 3 gns

174. Old Well, Brittany chalk. 2 gns

175. On Churchill Island chalk. 2 gns

THORNHILL, Dorothy (1910–1987)

176. Boatshed, Berry's Bay chalk. 3 gns

Thorpe, Lesbia. (1919–2009)

177. Winter crayon. 7 gns

178. Impression crayon. 4 gns

Walker, F. Sidney. (1888–1972)

179. Morning at Collaroy. 2 gns | sandgrain

180. Billabong in Riverina. 1 gn

181. University, Sydney. 1 gn

182. Afterglow. 1 gn

183. Road to Tilba Tilba. 1 gn. | sandgrain

184. Midsummer Morn. 1½ gns

Watkins, J.S. (1866–1942)

185. Drawing chalk. 15 gns

186. The Little Jade God. 15 gns | chalk

WEBSTER, Alfred C.R. (1936)

187. Old Hulks pen and wash. 2 gns

188. Zoo Study pen and wash. 1 gn

189. Bush, Culvert pen and wash. 3 gns

190. Collitt's Inn pencil and wash. 3 gns

Whitney, William Montague. (1880–1946)

191. The Veteran charcoal. 3 gns

192. Moonlight charcoal. 3 gns

193. Winter landscape. 2 gns

194. Old shed, Emu Plains pencil. 3 gns