Ti-tree Pattern.

Anne Montgomery (1908–1991)

Ti-tree Pattern.

(1932)

EXHIBITION HISTORY 1 – 5 of 5 exhibitions

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Eighth Xmas Exhibition of Etchings and Woodcuts by Master Etchers. 8th Xmas Exhibition of Etchings and Woodcuts by Master Etchers.

Venues

Sedon Galleries [2] (6 December 1932 – 24 December 1932)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia

Works

Brangwyn, Frank. (1867–1956)

1. Roundabout, Bruges. 7 gns (framed)

WALCOT, William (1874–1943)

2. Back Door, Soloman's Palace. 9 gns (framed)

STRANG, William (1859–1921)

3. A Matter of Business. 10 gns

Macbeth-Raeburn, Henry. (1860–1947)

4. Mrs Malcolm (after Raeburn). 6 gns

Ward, Leslie. (1895–1978)

5. Swanage Mill Pond. 4 gns (unframed)

6. Cement works. 5 gns (unframed)

Wyllie, William Lionel (1851–1931)

7. The Fishing Fleet. 5 gns (framed)

Slater, Eric. (1896–)

9. Autumn. 5 gns (unframed).

10. Pyrethrums. 6 gns (unframed).

11. Japanese Bush Lanterns. 8 gns (unframed).

12. The headland by moonlight. 4 gns (unframed).

13. Corfe Castle, Dorset. 4 gns (unframed).

14. Rough Sea. 4 gns (unframed).

15. Sussex Mill. 5 gns (unframed).

Brouet, L. (1932–)

17. Three Caravans. 10 gns (unframed)

Hartrick, A.S. (1864–1950)

18. The Wassailers. 8 gns (unframed)

19. The evening hymn. 10 gns (unframed)

20. The Bellringers. 10 gns (unframed)

21. The cartbread, St Peter's Dunstable. 10 gns (unframed)

22. Needpath Castle. 8 gns (unframed)

Knight, Loxton.

23. Norwich. 5 gns (unframed)

Blatherwith, Lily. (1859–1934)

25. The Poppy. 5 gns (unframed)

26. February Fairmaids. 5 gns (unframed)

27. Poppies. 6 gns (unframed)

28. Shirley Poppies. 10 gns (unframed)

30. The Frog and the Water Lilies. 10 gns (unframed)

HANFSTANGEL (by 1932)

31. Head after Holbein. 5 gns (unframed)

32. Head after Holbein. 5 gns (unframed)

Christensen, Arent. (1898–1982)

33. A Roman Watermill. 6 gns (unframed)

Emanuel, Frank. (1865–1948)

34. Normanby. 5 gns

HARVEY, F. (by 1932)

35. The Players. 12 gns

Hammer, Nicolas. (1932–)

36. Bromley. 3 gns (unframed)

Fitzgerald, C.

37. Fountain of Love. 10 gns (unframed) | mezzotint

38. The Laughing Cavalier. 5 gns (unframed) | mezzotint

39. La Confidence. 7 gns (unframed) | mezzotint

40. The Dancers of Gondolf Castle (after Corot). 7 gns (unframed) | Mezzotint

Zipperer, Ernest. (1888–1992)

41. Bremen. 4 gns

Japanese printmaker.

42. Geese. 5 gns (unframed) | woodcut

43. The canal. 5 gns (unframed).

44. Winter. 4 gns (unframed) | woodcut

van RAALTE, Henri (1881–1929)

57. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

58. The cliff 5½ (unframed) | aquatint

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

59. The end of day 4½ gns (unframed) | aquatint

60. The road. 5 gns (unframed)

61. Day's beginning. 4½ gns (unframed) | aquatint

62. Perth (W.A.). 5½ gns (unframed) | aquatint

63. Moonlit fields [plate for]. 5 gns (unframed)

64. The Karri Tree glade. 9 gns (unframed)

65. Hills of the south. 5½ gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

66. The leaning tree 5 gns (unframed)

67. An Australian Summer Day. 10 gns (unframed)

68. Morning. 4 gns (unframed)

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

69. The Bassra guard 5 gns (unframed)

70. The Casa del Fores, Granada. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

71. The barber of Bou-Saada, Algeria 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The Tunis Gate, Kairouan | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

72. The Tunis Gate, Kairouan 6 gns (unframed)

73. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

74. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

75. San Lorenzo in the Forum, Rome 4 gns (unframed)

76. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

77. St Ferreol, Marseilles 5 gns (unframed)

78. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

79. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

80. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

81. Old Antequera, Andalucia, Spain 5 gns (unframed)

82. Santa Dominica Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

83. The vaquero 2½ gns (unframed)

84. Street Balcony, Guadelupe. 3 gns (unframed)

85. San Idilfonso. 4 gns (unframed)

86. Dawes Point. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

87. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

88. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

89. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

90. Fruit piece 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Hornbill | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

91. Hornbill 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Polar Bear | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

92. Polar Bear 2 gns (unframed) | woodcut

93. Currassow and Oleander. 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The clipped wing | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

94. The clipped wing 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The crab | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

95. The crab 2 gns (unframed) | woodcut

96. Camelias. 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Owls | Date: 1932 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

97. Owls 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

98. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

99. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

100. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

101. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

102. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

103. In Morocco 3½ gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

104. The haystacks 3 gns (framed)

Rose, Herbert. (1890–1937)

105. St. Marks, Venice. 4 gns (framed)

106. Piazza Umberto Desengano, Italy. 3½ gns (framed)

107. Rue des Tamis, Tunis. 4½ gns (framed)

108. Place St. Pierre, Chartres, France. 3 gns (framed)

109. Fondamenta Tasca, Venice. 3½ gns (framed)

110. The Zattere, Venice. 3½ gns (framed) | drypont

112. Cagnes, France. 3½ gns (framed)

113. Sydney Harbour from Cremorne. 4 gns (framed)

114. Old gateway, Sisteron, France. 41/2

115. The old bridge, Besalu, Spain. 4 gns

GOODCHILD, John (1898–1980)

122. Westminster Abbey, London. 3 gns (unframed)

123. Sydney, from Milson's Point. 4 gns (unframed)

124. Night, Venice. 1 gn (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

125. Banks of Arno 2 gns (unframed)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

126. Piccadilly Circus (under Reconstruction) 3½ gns (unframed)

127. Trafalgar Square, London. 3½ gns (unframed)

128. Australian Summer Landscape. 4 gns (unframed)

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

129. The port, London 2½ gns (unframed)

130. Tivoli, Italy. 2½ gns (unframed)

131. Evening anchorage. 2½ gns (unframed)

132. King Street, Sydney. 3 gns (unframed)

LONG, Sydney (1871–1955)

133. A Sandgrain Pastoral. 3 gns (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

133. Brandon Bridge 5 gns (unframed)

134. Solitude. 3 gns (unframed)

135. Landscape, Otway Ranges. 5 gns (unframed)

136. Barwon Heads. 4 gns (unframed)

137. Otway Ranges. 4 gns (unframed)

LONG, Sydney (1871–1955)

138. Boatshed, Narrabeen. 1 gn (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Yarra Mouth | Date: 1936 | Technique: aquatint, printed in black ink, from one plate

138. Yarra Mouth 3 gns (unframed)

139. Ti-tree and Morning Light. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Afternoon light | Date: 1929 | Technique: lithograph, printed in black ink, from one stone

140. Afternoon light 2 gns (unframed)

Artist: GOODCHILD, John | Title: Riverside trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

141. Riverside trees 3 gns (unframed)

142. Morning glow. 3 gns (unframed)

143. Summer glow. 5 gns (unframed)

144. The barn. 10 gns (unframed)

145. Winter Glow. 2½ gns (unframed)

146. Hick's Lane, Melbourne. 1½ gns (unframed)

147. Swanston Street, Melbourne. 3½ gns (unframed)

148. Italian markets, Rome. 15 gns (unframed)

149. The Grand Canal, Venice. 25 gns (unframed)

150. Ponte Vecchio, Florence. 12 gns (unframed)

LINDSAY, Norman (1879–1969)

151. Enter the Magicians. 15 gns (unframed)

152. Julia Fisk and Mr Brish. 7 gns (unframed)

153. Leda. 10 gns (unframed)

154. Thieves' Kitchen. 10 gns (unframed)

155. C Sharp Minor Quartette. 15 gns (unframed)

156. Night's Frolics. 8 gns (unframed)

157. Don Juan's garden. 8 gns (unframed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

158. Unknown seas 35 gns (unframed)

159. Oblation. 18 gns (unframed)

160. The butterfly. 10 gns (unframed)

161. The Poet. 8 gns (unframed)

162. Love on Earth. 18 gns (unframed)

163. The bride. 10 gns (unframed)

Sherwood, Maud. (1880–1956)

164. Camelias. 4 gns (unframed)

165. The Market. 3 gns (unframed)

166. Spanish shepherd. 1 gn (unframed)

167. Anemonies. 4 gns (unframed)

168. Spanish Market. 4 gns (unframed)

169. Venetian fishing boats. 2½ gns (unframed)

170. Capri. 3 gns (unframed)

171. The Discussion. 2 gns (unframed)

172. Place St Nicolas, Sospel. 2 gns (unframed)

173. After the Service. 1 gn (unframed)

174. The Dancer. 1½ gns (unframed)

175. The Bridge. 1 gn (unframed)

SHIRLOW, John (1869–1936)

176. Twilight. 4 gns (framed) | aquatint

177. The smithy, Ross, Tasmania. 2 gns (framed)

178. The city. 3 gns (framed)

179. Sunset. 4 gns (framed)

180. Top of Bourke Street. 3 gns (framed)

181. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)

182. Corio Bay, Geelong. 3 gns (framed)

183. Yarraside. (2nd State). 3 gns (framed)

184. Swanston Street and Station. 6 gns (framed)

185. Princes Bridge. 5 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

187. The Ring 5 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

188. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

189. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

190. The man in black. 6 gns (unframed)

191. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

192. House on the hill. 4 gns (unframed)

193. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

194. Ducks 1 gn (unframed)

195. Head. 1 gn (unframed)

197. Fish Lane, Chester. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Bantams. | Date: c.1932 | Technique: linocut, printed in colour, from multiple blocks

198. Bantams. 8 gns (unframed)

199. The labyrinth. 3 gns (unframed)

Waller, Christian. (1894–1954)

Artist: Waller, Christian. | Title: The Sorceress. | Date: c.1922 | Technique: linocut, printed in black ink, from one block

200. The Sorceress. 1½ gns (unframed)

Artist: Waller, Christian. | Title: Morgan Le Fay. | Date: c.1927 | Technique: linocut, printed in colour, from multiple blocks; hand-coloured with gold paint

201. Morgan Le Fay. 3 gns (unframed)

202. The Great Breath. (book). 4 gns (unframed)

Wheeler, Charles. (1881–1977)

203. St. Clement Dane's Church. 4 gns (framed)

204. Queen Victoria Memorial. 4 gns (framed)

205. Montmartre. 4 gns (framed)

206. La Tour De L'Horloge, Dinan. 4 gns (framed)

207. Aqueduct, Segovia. 4 gns (framed)

Friedensen, Thomas. (1879–1931)

208. A Moorish gateway. 1½ gns (unframed)

209. Canal in Venice. 3 gns (unframed)

210. Clearing, Morning. 3 gns (unframed)

211. The flooded creek. 4 gns (unframed)

212. The Madonna of the Bush. 2 gns (unframed)

213. Omar, the Tent Maker. 3 gns (unframed)

214. The Grand Canal, Venice. 3 gns (unframed)

Campbell, Fred. (1851–1930)

215. Healesville. 4 gns

LONG, Sydney (1871–1955)

216. Landscape, Narrabeen. 3 gns (unframed)

217. Boyd's Boatshed, Narrabeen. 4 gns (unframed)

218.

The blacksmith's shop

4 gns (unframed)

219. Badnage Landscape. 4 gn (unframed)

Britton, Fred. (1889–1931)

220. The slips. 5 gns (unframed)

221. A relic of the forties. 6 gns (unframed)

222. Morning light. 5 gns (unframed)

Goodchild, Doreen. (1900–1998)

223. The Hoers. 5 gns (unframed)

Fasken, Myrtle. (1889–1972)

224 Shearing Woodcuts, 1 guinea each. set of seven. 1 gn each (unframed)

Goodchild, Doreen. (1900–1998)

224. The Hoers. 6 gns

Dillon, Cyril. (1883–1974)

227. Spires of St. Paul's, Melbourne. 3 gns (unframed)

228. Melbourne Grammar School. 3 gns (unframed)

229. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

230. 'Queens' Melbourne University. 3 gns (unframed)

230. 'Queen's', Melbourne University. 3 gns (unframed)

231. Serenity. 3½ gns (unframed)

URE SMITH, Sydney (1887–1949)

232. Old houses, Cumberland Street, the Rocks. 2½ gns (unframed)

233. Entrance, old Colonial Treasury. 4 gns (unframed)

234. Cumberland Street Hostel. 2½ gns (unframed)

235. Argyle. 3 gns (unframed)

236. Entrance to the Farm. 2 gns (unframed)

237. Packing Oranges. 3 gns (unframed)

238. Shade. 3 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

239. Deserted courtyard, Hartley 5 gns (unframed)

240. Rose's Mill, Mt Gilead. 5 gns (unframed)

241. Bellevue Hills. 4 gns (unframed)

Cobb, Victor. (1876–1945)

242. Scotch College, Hawthorn. 2½ gns (framed)

243. St. John's Church, Toorak. 2½ gns (framed)

244. Princes Bridge, from the West. 3 gns (framed)

245. The archway, Scotch College. 3 gns (framed)

246. The Tower, Melbourne Grammar School. 3 gns (framed)

247. Norman Archway, City Courts. 2½ gns (framed)

248. War Memorial by Lambert, Geelong Grammar. 3 gns (framed)

GRIFFIN, Murray (1903–1992)

249. Portrait. 1 gn (unframed)

Artist: GRIFFIN, Murray | Title: Regent bower birds [1]. | Date: 1932 | Technique: linocut, printed in colour, from multiple blocks

250. Regent bower birds [1]. 2 gns (unframed)

251. Magpies [1]. 2 gns (unframed)

252. Comrades. 1 gn (unframed)

253. On the road. 1 gn (unframed)

Montgomery, Anne. (1908–1991)

Artist: Montgomery, Anne. | Title: Shadow and sunlight | Date: 1932 | Technique: etching, printed in brown ink with plate-tone on one plate

254. Shadow and sunlight 2 gns (framed)

255. Ti-tree Pattern. 2 gns (framed)

256. The challenge. 1 gn (framed)

257. Spanish Doorway (Phelia Grimwade House). 2 gns (framed)

Zelman, Victor. (1877–1960)

258. Reflections, Thornton. 2 gns (framed)

259. Shepherd's Flat. 2 gns (framed)

260. The wood carter. 2 gns (framed)

261. The Burnley Ferry. 2 gns (framed)

262. Pastoral. 2 gns (framed)

263. Sailors' Mission Church. 2 gns (framed)

Taylor, Stephanie. (1899–1974)

264. The gum. 2 gns (framed)

265. Glimpse of the Bush. 1 gn (framed)

Hosking, W. John. (1930–)

266. The Shearers. 2 gns (framed)

267. Sleep. 2½ gns (framed)

268. The preacher in the pulpit. 2½ gns (framed)

269. The dragon plane. 2 gns (framed)

270. The fairy ring. 3½ gns (framed)

271. The butterfly dance. 5 gns (framed)

272. The caravan. 2 gns (framed)

273. Steeplejacks. 2 gns (framed)

274. Refreshment. 2 gns (framed)

275. Ursa Major and Ursa Minor. 2 gns (framed)

276. Hush! the Mantus Prays. 3 gns (framed)

277. Pals. 2 gns (framed)

278. The Light, Fantastic Toe. 3 gns (framed)

279. The Slow Motion Steeplechase. 4 gns (framed)

280. Sunny hours. 3½ gns (framed)

Thompson, Thelma. (1920–)

281. The Hermitage Bell. 2 gns (framed)

Williams, C.W. (1930–)

281. Princes Bridge. 4 gns

Thompson, Thelma. (1920–)

282. The Bridge of Sighs, Venice. 3 gns (framed)

283. Yorkminster. 3 gns (framed)

Williams, C.W. (1930–)

285. Scots' Church, Collins Street. 4 gns

286. Flinders Street Station. 4 gns

287. St. Patrick's Cathedral. 5 gns

288. Parliament House, Melbourne. 7 gns.

289. The T. and G. Building. 6 gns

290. Old Sydney and 'Our' Bridge. 6 gns

291. Gums. 4 gns

Dyson, Will. (1880–1938)

292. Mornin' White Trash!. 4 gns

Victorian Artists' Society, Exhibition of Prints [1933]

Venues

Victorian Artists Society Galleries (18 July 1933 – 29 July 1933)
430 Albert Street, East Melbourne, Victoria, Australia

Works

Roach, G.T.M. (1895–1972)

16. Adelaide University. 2 gns

Hunter, William. (1899–1963)

17. The Lower Yarra. 3 gns

Coleman, Constance. (1903–1990)

19. White gums. 1 gn

20. Sea fantasy. 1 gn

Roach, G.T.M. (1895–1972)

20. Washing Day. ½ gn

Artist: Roach, G.T.M. | Title: The valley | Date: 1924 | Technique: etching, printed in black ink, from one plate

21. The valley 2 gns

22. Red Gums. 2 gns

Jordan, Allan. (1898–1982)

23. Mordialloc. 2 gns

Coleman, Constance. (1903–1990)

24. Solitude. 1 gn

Boyd, Penleigh. (1890–1923) and Dillon, Cyril. (1883–1974)

Artist: Boyd, Penleigh. | Title: Hauling the nets. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

25. Hauling the nets. 6 gns

Roach, G.T.M. (1895–1972)

27. St. Mark's College. 2 gns

SHIRLOW, John (1869–1936)

28. The river. 4 gns

Rose, Herbert. (1890–1937)

32. Fondamenta Tasca, Venice. 3½ gns

Hunter, William. (1899–1963)

Artist: Hunter, William. | Title: The wanderer | Date: 1940s | Technique: etching and aquatint, printed in brown ink, from one plate

33. The wanderer 3 gns

SHIRLOW, John (1869–1936)

34. Williamstown. 2 gns

Boyd, Penleigh. (1890–1923)

35. Morning. 7 gns

Rose, Herbert. (1890–1937)

36. Cagnes, France. 3 gns

Hunter, William. (1899–1963)

38. Taking Off. 2 gns

GRIFFIN, Murray (1903–1992)

41. White swans. 1 gn

OGILVIE, Helen (1902–1993)

42. Woodcutter's cottage, Nagambie. 2½ gns

GRIFFIN, Murray (1903–1992)

43. Nankeen night heron 2 gns

OGILVIE, Helen (1902–1993)

Artist: OGILVIE, Helen | Title: Disturbed fowls. | Date: c.1938 | Technique: linocut, printed in colour, from multiple blocks

44. Disturbed fowls. 2½ gns

GRIFFIN, Murray (1903–1992)

45. Torquoise Wrens.

Hunter, William. (1899–1963)

47. The Last Stage. 2 gns

51. Breaking the clod. 1½ gns

Roach, G.T.M. (1895–1972)

53. Where it's quiet. 1 gn

Jordan, Allan. (1898–1982)

62. 'Scandal'. 2½ gns

Newell, Alice (1876–1966)

63. Saints and pygmies. 1 gn | lino cut

Pye, Mabel. (1894–1982)

80. Jonquils. 1 gn | linocut

Montgomery, Anne. (1908–1991)

82. Evening. ½ gn

Hopwood, Graham. (1933–)

84. Ti-Tree. 3/4 gns

Montgomery, Anne. (1908–1991)

86. Ti-tree Pattern. 1½ gns

Jordan, Allan. (1898–1982)

87. The creek, Carrum. 2½ gns

Newell, Lucy. (1906–1987)

90. The mountain road. 3/4 gn | woodcut

Pestell, William. (1930–)

91. St. Paul's Melbourne. 2 gns

Hunter, William. (1899–1963)

92. The Punt House. 2 gns

Hopwood, Graham. (1933–)

93. The Silent Pool. 3/4 gns

95. Over the Hill. 3/4 gns

Jordan, Allan. (1898–1982)

99. The Lonely Hut. 2½ gns

Hunter, William. (1899–1963)

Artist: Hunter, William. | Title: Mount Macedon | Date: c 1937 | Technique: aquatint, printed in colour, from four plates

101. Mount Macedon 2 gns

103. The Mill. 1 gn

Hopwood, Graham. (1933–)

104. Peace of Night. 1¼ gns

107. Melbourne from Domain. 3/4 gns

Newell, Lucy. (1906–1987)

111. Night. 1¼ gns | woodcut

Pye, Mabel. (1894–1982)

112. The model... 2 gns | linocut

113. The Mountain. | Blue Dandenong, Melbourne. 2 gns | linocut

Artist: Pye, Mabel. | Title: Summer [the cottage] | Date: 1939 | Technique: linocut, printed in colour inks, from multiple blocks

114. Summer [the cottage] 1½ gns | linocut

Newell, Alice (1876–1966)

Artist: Newell, Alice | Title: Spires of St Pauls | Date: 1933 | Technique: linocut, printed in colour, from multiple blocks

115. Spires of St Pauls 1 gn. | lino cut

116. Scarlet Runner. 2 gns | iino cut

118. Black Jacks Gully. 3 gns | lino cut

120. Burk Tree. 3 gns | lino cut

GRIFFIN, Murray (1903–1992)

Artist: GRIFFIN, Murray | Title: Wild duck | Date: 1933 | Technique: linocut, printed in colour, from multiple blocks

156. Wild duck 2 gns

157. Parrots. 2 gns

158. Galahs. 2 gns

OGILVIE, Helen (1902–1993)

Artist: OGILVIE, Helen | Title: Chooks in the straw. | Date: 1932 | Technique: linocut, printed in colour, from three blocks

159. Chooks in the straw. 2 gns

160. At Mornington. 2 gns

161. The yellow skirt. 2 gns

Japanese artist

167. Japanese print, early nineteenth century, exhibited by P. Serle.

Utamaro. (1754–1806)

168. Japanese print by Utamaro. Exhibited by P. Serle.

Exhibition of works by Helen Ogilvie and Anne Montgomery

Venues

Kurrajong House (14 November 1933 – 27 November 1933)
Melbourne, Victoria, Australia

Works

OGILVIE, Helen (1902–1993)

1. Windy Sky. £1.07.6 (Framed) £1.01.0 (Unframed)

2. The yellow skirt. £2.02.0 (Framed) £1.11.6 (Unframed)

3. Mallards. £2.07.5 (Framed) £1.01.0 (Unframed)

Artist: OGILVIE, Helen | Title: The white evening dress | Date: c.1930 | Technique: linocut, printed in colour, from multiple blocks

4. The white evening dress £2.02.0 (Framed) £1.11.6 (Unframed)

5. Winter Fog. £1.07.6 (Framed) £1.01.0 (Unframed)

6. The Old Orchard. £2.02.0 (Framed) £1.11.6 (Unframed)

7. The Thunder Cloud. £1.07.6 (Framed) £1.01.0 (Unframed)

Artist: OGILVIE, Helen | Title: The cottage window | Date: 1933 | Technique: linocut, printed in colour, from multiple blocks

8. The cottage window £2.02.0 (Framed) £1.11.6 (Unframed)

9. The Toby Jug. £2.02.0 (Framed) £1.11.6 (Unframed)

10. Nasturtiums. £1.07.6 (Framed) £1.01.0 (Unframed)

11. Clowns Resting. £2.02.0 (Framed) £1.11.6 (Unframed)

12. Gollywogs. £2.02.0 (Framed) £1.11.6 (Unframed)

13. Calendulas. £2.10.6 (Framed) £2.02.0 (Unframed)

14. Old Cyprus. £2.10.6 (Framed) £2.02.0 (Unframed)

15. Geese in Stubble. £1.07.6 (Framed) £1.01.0 (Unframed)

16. Three Geese. £2.02.0 (Framed) £1.11.6 (Unframed)

17. St. George River, Lorne. £2.02.0 (Framed) £1.11.6 (Unframed)

18. At Mornington. £2.02.0 (Framed) £1.11.6 (Unframed)

19. Eucalyptus Seed Pod. £1.07.6 (Framed) £1.01.0 (Unframed)

20. The white gum. £2.02.0 (Framed) £1.11.6 (Unframed)

21. Chooks in the straw. £2.02.0 (Framed) £1.11.6 (Unframed)

22. The Almond Tree. £1.11.6 (Framed) £1.01.0 (Unframed)

Montgomery, Anne. (1908–1991)

23. Spanish Doorway (Phelia Grimwade House). £2.02.0

24. Shadow and sunlight £2.02.0

25. Ti-tree Pattern. £1.11.6

26. The challenge. £1.01.0

27. City Shadows. £1.11.6

28. Evening. £0.12.6

Catalogue [of the] Second Annual Exhibition. Painter Etchers' and Graphic Art Society of Australia. Formerly the Australian Painter-Etchers' Society.

Venues

Blaxland Galleries. [1]. (8 October 1935 – 19 October 1935)
8th & 9th floor, George St., Sydney, New South Wales, Australia.

Works

Abbott, Guenda. (1906–2005)

Cairngorms. £2.10.0

Richmond. £1.01.0

Newlyn. £1.10.0

Longstaff, John. (1862–1941)

Sketch (pencil) - Lent by Mr H. Herbert. Not For Sale

Brangwyn, Frank. (1867–1956)

2. Drawing [1]. Not For Sale | Lent by Sir John Longstaff

3. Drawing [2]. Not For Sale | Lent by Sir John Longstaff.

Abbott, Harold. (1906–1986)

4. Andrew of Carlaminda. Kindly lent. Not for sale. | pen

5. W.A. Lang, Esq. Kindly lent. Not for sale. | pencil

Baker, Normand H. (1908–1955)

9. Head of a woman. £6.06.0 | sepia

10. The Work Shed wash. £15.15.0

11. Nude [drawing sepia]. £12.12.0 | Drawing sepia

Bustard, William. (1894–1973)

12. Byron Bay Sandhills. £1.01.0

13. Old St. Stephens. £2.02.0 | etching and aquatint

14. Sybil (Pencil Drawing). £3.03.0

15. The Pioneer (Pencil Drawing). £3.03.0

Byrne, Harold. (1899–1966)

16. Moon and Watteau. £2.02.0

17. Hommage a Rembrandt (Dry Point). £3.03.0

18. The Pilgrim (Dry Point). £3.03.0

19. Great Synagogue. £3.03.0

20. Book-Plates. Not For Sale

Coglan, Elaine E. (1897–1989)

21. Fred E. Crook, Esq. (Charcoal). Not For Sale

22. The corner, Bridge & Macquarie Streets, Sydney. £2.02.0

Cooper, Ashley. (1889–1970)

23. Old Gloucester Street [pencil]. £3.03.0 | pencil

24. Old mill, Campbelltown [pencil]. £3.03.0 | pencil

25. 'St. Luke's,' Liverpool pencil. £3.03.0

26. Flower Study [pencil]. £3.03.0 | pencil

Crisp, James. (1879–1962)

27. Maori Wahines, Rotorua (Body Colour, Black. £5.05.0

28. 'Late for Dinner'. £1.01.0

29. An old gateway, Fernhill, Mulgoa. £1.11.6

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

30. The teamster. £2.02.0

31. St. Mark's pencil drawing. £2.02.0

32. Corner Old Stables, Vaucluse House. £1.11.6

33. Cocoanut Palms, Magnetic Island, North Queensland. £2.02.0

Curtis, Robert Emerson. (1898–1996)

34. Riverfront, Newcastle pencil. £7.07.0

35. Painting Ship pencil. £4.04.0

36. Propeller Repairs pencil. £10.10.0

37. Last of old Argyle Cut. £3.03.0 | pencil

Davies, L. Roy. (1897–1979)

38. Illustration. £1.01.0

39. Illustration. £1.01.0

40. Refuge Bay. £1.01.0

41. Manly Vale. [pencil]. £5.05.0 | pencil

42. Head of navigation [drawing]. £2.02.0

DOWMAN, W.J. (by 1935)

43. Gypsy Camp drawing. £3.03.0

44. Even Pastures drawing. £3.03.0

Dwyer, Ella. (1887–1979)

45. Tree Fern at Sunset. £1.11.6 | sandgrain [aquatint]

46. Moonbeams. £1.11.6

Emanuel, Cedric. (1906–1995)

47. Halvorsen's [pen and wash]. £5.05.0 | pen and wash

48. Queen's Square [pen and wash]. £8.08.0 | pen and wash

49. Study for etching. £7.07.0 | pen drawing

50. Still Life [pencil]. £3.03.0 | pencil

51. Richmond Landscape. £2.02.0

52. Capel's boatshed, Ruschutter's Bay. £2.02.0

53. Point Piper [pencil.]. £5.05.0 | pencil

54. Dwellings, Nth. Sydney pen drawing. £4.04.0

Garling, Lilias. (1909–)

55. In the Albaicin, Granada pencil. £3.03.0

56. Avoca, N.S.W. [charcoal]. £3.03.0

Gillespie, David. (1930–)

57. The Horse Guards. £2.02.9

58. Morcate. £1.11.6

59. Fishing boats, Hobart. £1.11.6

GOODCHILD, John (1898–1980)

60. Road Menders, Gippsland. £2.02.0

Hirst, G.W.L. (1868–1965)

61. Argyle Cut [pencil drawing]. £4.04.0 | pencil drawing

62. A Wentworth House Relic [drawing]. £4.04.0 | pencil drawing

63. The Titan. £4.04.0

64. The Convent, Rose Bay. £4.04.0 | pencil drawing

65. Old cottage, Gladesville [pencil drawing]. £3.03.0 | pencil drawing

66. South Head, Port Jackson pencil drawing. £3.03.0

67. Tarban Creek, Gladesville pencil drawing. £2.02.0

68. The Coal Mine, Balmain. £2.02.0 | pencil drawing.

69. Needing Repair [pencil drawing]. £3.03.0

70. Laid Up pencil drawing. £3.03.0

Hunter, William. (1899–1963)

71. Homeward. £2.02.0

72. Lord of the mists. £2.12.6

73. Trees. £1.01.0

74. Victoria Docks. £2.15.0

75. Ruins in William Street. £2.02.0

76. Helen Moore. £2.02.0

77. Shadowed stream. £3.03.0

78. Moon Radiance - Hampton. £4.04.0

79. Williamstown. £3.03.0

80. After Rain, Fishermen's Bend. £3.03.0

LINDSAY, Norman (1879–1969)

81. Figure study [drawing]. £5.05.0

82. Figure study [drawing]. £5.05.0

83. Figure study [drawing]. £5.05.0

LONG, Sydney (1871–1955)

84. The boatshed. £4.04.0

85. Dee Why. £3.03.0

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

86. The riverside Not For Sale

Artist: LONG, Sydney | Title: The land of the lavender | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

87. The land of the lavender £3.03.0

88. Street Scene study for [drawing]. £5.05.0

89. The Insecure Landing. Not For Sale

90. The Edge of the Lagoon. Not For Sale

91. The Wayside Inn. £3.03.0

92. Landscape, Mitcham charcoal and wash. £8.08.0

93. Working Proof for the Demolition of Waterloo Bridge etching Not for Sale (Kindly lent by Mr Gifford).

McDonald, Sheila. (1902–1971)

94. Giant Gums of Jerry's Plains pen, ink. £6.06.0

95. St. Paul's, Cobbity [pen and ink]. £4.04.0 | pen and ink

96. Moonlight [pen & ink]. £5.05.0 | pen, ink

97. The Rocks, Sydney. £1.11.6

Mahoney, Will. (1905–1989)

98. The pitch. £2.02.0

99. Joeys. £1.01.0

100. Sepia Drawing. £3.03.0

Miller, Syd. (1901–1983)

101. Bandicoots. £3.03.0

102. Dingo. £3.03.0

103. 'Tim' - Mrs R.H. Bettington's Cavin Terrier. £3.03.0

104. 'Topy' - Mrs Pat Levy's Scottish Terrier Puppy. £4.04.0

105. 'Snoopy' - Mrs John Fairfax's Australian Terrier Puppy chalk and wash. £4.04.0

106. 'Sandy' - Dr H. Throsby's Scottish Terrier chalk and wash. £4.04.0

107. 'Tony' - Mrs Dinger Bode's Cocker Spaniel. £3.03.0

Morgan, Squire. (1886–1974)

108. Morning sunlight. £3.03.0

109. Willows. £3.03.0

110. Landscape near Scone. £3.03.0

111. Kangaroo Valley sketch. £1.11.6

Nicholls, Muriel. (1935–)

112. Illustration for a Fairy Story pencil. £2.02.0

O'SHEA, Molly (1890–)

113. Captain Cook's Cottage, Melbourne pencil. £2.12.6

114. King's School, Parramatta. [pencil]. £2.02.0 | pencil

115. 'Steel'. £2.02.0

Parsons, Alice Mary. (1863–1939)

116. Tree Study sepia wash. £1.01.0

117. A Sandy Track. £1.01.0

118. Tent at Wamberal. £1.01.0

Pratt, Douglas. (1900–1972)

119. St. Phillips. £2.02.0

RICHARDS, B.

119. Hauling timber [drawing]. £6.06.0

Pratt, Douglas. (1900–1972)

120. The roadside sentinel. £2.02.0

121. A bend in the Macquarie. £1.01.0

122. Tranquil Pastures. £1.11.6

123. Victims of the Southerlies. £2.02.0

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

124. The Sunlit Forge £1.11.6

125. An Australian Monarch pencil drawing. £15.15.0

126. From Ultimo to the Glebe pencil drawing. £5.05.0

PRESTON, Margaret (1875–1963)

127. Native Pear (Aus.). £1.05.0

128. Football. £1.05.0

Artist: PRESTON, Margaret | Title: Polo | Date: 1935 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

129. Polo £1.05.0

130. Mottlecah - W.A. £1.05.0

Ragless, Max. (1901–1981)

131. River Trees. £3.03.0

Artist: Ragless, Max. | Title: The fallen branch | Date: 1934 | Technique: aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: © Max Ragless

132. The fallen branch £3.03.0

133. Normanville Landscape. £3.03.0

134. Gums on Willochra Creek. £2.02.0

135. In the Jamieson Valley, Katoomba. £2.02.0

136. An old wooden bridge. £2.02.0

137. Skeleton Trees. £1.11.6

Rees, Lloyd. (1895–1988)

138. The three spires. £15.15.0 | pen

139. The River Entrance [pen]. £10.10.0

140. Distant View of a City [pen]. £8.08.0

Reid, Stuart. (1935–)

141. Ducks in a garden [lead pencil]. £5.05.0 | lead pencil

142. 'Old Tabby' lead pencil. £3.03.0

143. Cattle study [lead pencil]. £3.03.0

144. Morning light. £3.03.0 | lead pencil.

145. The truant [lead pencil]. £2.02.0

RICHARDS, B.

147. Phillip Street, 1935 pencil. £4.04.0

ROBERTSON, Bruce (1872–1943)

148. Bush sunset. £3.03.0

149. Monarch of the Bush. £3.03.0

150. Near Kendall, N.S.W. £2.02.0

151. Mellaluca, Belmont Lagoon, Lake Macquarie. £1.17.6

152. Australian Bush Track. £1.17.6

153. Blue Mountain crossing. £1.05.0

154. Morning Calm, Lake Macquarie. £1.05.0

155. Evening, Lake Macquarie. £1.01.0

156. Bend of the Road, Church Point, Pittwater.

157. Bridge, Oxford Falls. £1.01.0

SALVANA, John (1873–1956)

158. Brickworks drawing. £4.04.0

159. Hauling timber [drawing]. £6.06.0

Shaw, Gayfield. (1885–1961)

160. St. Phillips. etching

161. White wall. etching

162. Jamieson House. etching

Sheldon, Pearl. (1877–)

163. Witney. £2.02.0

Sheldon, Vincent. (1895–1945)

164. Interior, St. John's Cathedral, Brisbane. £2.02.0

165. Pageant's End. £2.12.6

166. Side Shows. £2.02.0

167. The landing jetty. £1.11.6 | first State, only proof.

Townshend, G.K. (1888–1969)

168. Illustration wash. £4.04.0

169. Landscape near Wollongong wash and white. £5.05.0

170. Stone-Cutters wash and white. £5.05.0

Walker, F. Sidney. (1888–1972)

171. Riverina pastoral [wash drawing]. £4.04.0

172. Coast at Collaroy. £2.12.6 | sandgrain

173. Newport, New South Wales. £2.02.0 | Sandgrain [etching]

174. Poplars at Tumut, N.S.W. £1.11.6

175. Woodford pencil. £3.03.0

176. The timbered ridge. [sketch for]. £2.02.0 | pencil

177. Billabong. £1.01.0

178. The Bridge, South Abutment, May 1929. £1.11.6

Whitney, William Montague. (1880–1946)

179. Burragorang Valley. £1.01.0

180. The cottage on the hill, Burragorang. £1.01.0

181. Camden landscape. £1.01.0

182. Nocturne charcoal. £3.03.0

183. Old shed, Emu Plains pencil. £2.02.0

Gallop, Herbert. (1890–1958)

184. The Old Farm sepia. £3.03.0

185. Noonan Flat, Hunter River sepia. £3.03.0

186. Ti trees [drawing]. £5.05.0

187. The Market Garden sepia. £3.03.0

Johnstone, Frank E. (1903–)

188. 'Westham', Bathurst line. £1.11.6

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

189. Brixham trawlers £3.13.6

Herbert, Harold. (1891–1945)

190. Cypresses, Ronda. £4.04.0

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

191. Lime kiln cottage £3.13.6

Montgomery, Anne. (1908–1991)

192. Tree composition [charcoal]. £5.05.0 | charcoal

193. Shadows. £1.15.0

194. Ti-tree Pattern. £1.05.0

195. Evening.

OGILVIE, Helen (1902–1993)

196. The Black Roosters.

197. 'Emperor'.

198. Sketch chalk. £1.01.0

TRAILL, Jessie (1881–1967)

199. The Port Ragusa chalk. £5.05.0

200. Memorial, Zeebrugge chalk. £3.03.0

201. Between Showers, Carcassone [pencil]. £2.02.0

Bruce, Janna. (1909–)

202. Australian Aboriginal chalk drawing. £2.02.0

203. Fijian Girl crayon drawing. £2.02.0

Cardamatis, Wolfgang. (1917–2010)

204. Design for Book-Plate [Pen]. £2.02.0 | pen

205. Design for Book-Plate [Pen]. Not For Sale | pen

Davies, Olive. (1935–)

206. Decoration pen and ink.

UNGAR, Thora (1911–2005)

207. Animal studies [1] [pencil]. £2.02.0 | pencil

208. Animal studies [2] [pencil]. £2.02.0 | pencil

Exhibition of the Graphic Arts

Venues

Velasquez Gallery. (16 July 1943 – 27 July 1943)
Tye's Building, 100 Bourke Street, Melbourne, Victoria, Australia

Works

Crampton, Charles H. (1945–)

5. My Model. £2.02.0

LINDSAY, Lionel (1874–1961)

6. Dr. Mitchell's House. Etching | Lent by Miss V. Barker.

Hunter, William. (1899–1963)

7. Fisherman's Bend. £1.11.

Montgomery, Anne. (1908–1991)

8. Evening. £5.01.0

Crampton, Charles H. (1945–)

9. Templestowe Smith. £2.02.0

Hunter, William. (1899–1963)

10. Bible Joe. £2.02.0

11. Gull. £2.02.0

12. Old Moorings, Williamstown. £3.03.0

LINDSAY, Lionel (1874–1961)

13. Ferry Lane Etching. etching | Lent by Miss V. Barker.

Hunter, William. (1899–1963)

14. White house. (Little Bourke Street). £1.11.

Jordan, Allan. (1898–1982)

15. The stragglers. £2.02.0

16. The " Woodyard. £2.02.0

Montgomery, Anne. (1908–1991)

17. Spanish Doorway (Phelia Grimwade House). £3.13.6

18. Shadow and sunlight £4.04.0

MacNally, M.J. (1874–1943)

19. Etching. Loaned by Miss Sybil Craig

TRAILL, Jessie (1881–1967)

20. The Gap in the Trees. £2.02.0

Byrne, Harold. (1899–1966)

21. St. Francis. Etching | Lent by Miss V. Barker

LINDSAY, Lionel (1874–1961)

22. Creswick. aquatint | Lent by Miss V. Barker.

Byrne, Harold. (1899–1966)

23. St. Mary's Cathedral. etching | Lent by Miss V. Barker.

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Hammer and tongs, Clyde | Date: 1938 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

24. Hammer and tongs, Clyde £3.03.0

LINDSAY, Lionel (1874–1961)

25. Henry Lawson.

FEINT, Adrian (1894–1971)

26. The Offering - Bail. £1.01.0

Artist: FEINT, Adrian | Title: Old Milson's Point, Sydney 1927. | Date: 1927 | Technique: linocut, printed in black ink, from one block | Copyright: Courtesy the Estate of Adrian Feint

27. Old Milson's Point, Sydney 1927. £1.11.0

Craig, Sybil. (1901–1989)

29. Giraffe. Not For Sale

Jordan, Allan. (1898–1982)

30. Wedge-tail Eagles. £2.02.0

31. The barn. £2.02.0

32. Camels " ". £3.03.0

33. Scandal. £2.02.0

34. The Race. £1.11.

LINDSAY, Lionel (1874–1961)

35. White pheasant. Lent by Miss V. Barker | woodcut

FEINT, Adrian (1894–1971)

36. Circe. £2.02.0

TRAILL, Jessie (1881–1967)

37. Tropic Night. £7.02.6

Hunter, William. (1899–1963)

38. Wesley Church. £2.12.0

Montgomery, Anne. (1908–1991)

39. City Shadows. £2.12.

40. Ti-tree Pattern. £3.03.0

41. The challenge.

Jordan, Allan. (1898–1982)

42. The Estuary. £2.02.0

43. Haystacks. £2.02.0

44. Ducks. £2.02.0

45. Newhaven ". £2.02.0

BRITTEN, G.W. (1940s)

46. Commissariat Store, Sydney. Etching | Lent by Miss V. Barker.

Hunter, William. (1899–1963)

47. Old times. £2.12.

48. Golden Pheasant. £1.11.

49. Shadowed stream. £2.02.0

51. Lyre Bird. £2.12.

Kasimir, Luigi. (1881–1962)

62. Old City. £5.05.0

MUELLER, R.

63. Mouse and walnut. £3.03.0

Schmidt-Kestner, Erich. (1877–1941)

64. Doe and Fawn. £1.11.

Halm, Peter. (1854–1923)

65. House with Trees. £3.03.0

66. Old mill. £3.03.0

HOLLEMBERG, F.

67. Landscape. £4.04.0

Crampton, Charles H. (1945–)

75. Zillah Pencil.

Hunter, William. (1899–1963)

83. Peacock. £2.12.0

FRIEDMAN, H.

84. Over the Rise. £3.03.0

Pestell, William. (1930–)

93. Scots Church.

94. The Spires -.

Jordan, Allan. (1898–1982)

97. The farm. £2.02.0