The conspirators.

James Crisp (1879–1962)

The conspirators.

(1925)

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

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Catalogue of the Fifth Annual Exhibition of the Australian Painter-Etchers Society [1925].

Venues

Education Department Gallery (6 July 1925 – 25 July 1925)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Airy, Anna. (1882–1964)

The Reader. £3.03.0 (unframed) | etching

Forerunners of Fruit. £3.03.0 (unframed) | etching

King Pippin. etching

Anderson, Stanley. (1884–1966)

Bush House from The Strand. £3.13.6 (unframed) | etching

St. Mary's Woolnoth Church. £3.13.6 (unframed) | etching

Covent Garden Market. £3.13.6 (unframed) | etching

St. George's, Hanover Square. £3.13.6 (unframed) | etching

The chess players. £3.03.0 (unframed) | etching

Demolition in Regent Street. £3.13.6 (unframed) | etching

Reid, D.G. (1862–1933)

* 22. The barn. £2.11.6 (unframed) | etching

* 23. Twilight. £2.02.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

10. Trafalgar Square. £2.12.6 (unframed) | etching

11. Landlopers. £3.03.0 (unframed) | etching

12. The Chimera, Notre Dame (Paris). £3.13.6 (unframed) | etching

Bêjot, Eugène. (1867–1931)

13. Dunkerque. £7.07.0 (unframed) | etching

Bentley, Alfred. (1879–1923)

14. Puisdenome. £6.06.0 (unframed) | etching

15. Rouen. £6.06.0 (unframed) | etching

Brangwyn, Frank. (1867–1956)

16. Street St. Cirq. £8.08.0 (unframed) | etching

Burridge, Fred. (1869–1945)

17. The Mill in the Wirral. £3.03.0 (unframed) | etching

18. The west wind. £4.04.0 (unframed) | etching

19. Ghagford Bridge. £3.03.0 (unframed) | etching

20. Traeth Bach. £4.04.0 (unframed) | etching

Crisp, James. (1879–1962)

21. The intruder [1]. £2.02.0 (unframed) | drypoint

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

22. Farm corner. £1.11.6 (unframed) | etching

23. The conspirators. £2.02.0 (unframed) | drypoint

24. A glimpse. £1.01.0 (unframed) | etching

25. Pencil Drawing for Conspirator. £3.03.0 (unframed) | pencil

Duff, J.R.K. (1862–1938)

26. King of The Castle. £2.02.0 (unframed) | etching

27. Noisy Neighbours. £2.02.0 (unframed) | etching

28. In Winter. £3.03.0 (unframed) | etching

29. Down to the Shearing. £3.03.0 (unframed) | etching

30. Too Much Rain. £2.02.0 (unframed) | etching

Emanuel, Frank. (1865–1948)

31. Midsummer Night. £2.02.0 (unframed) | etching

32. Little Hell Street, Dieppe. £3.13.6 (unframed) | etching

33. T'Auld Brig o' Ayr. £3.13.6 (unframed) | etching

Farmer, Helen. (1888–1970)

34. Fishing boats, Hobart. £2.02.0 (unframed) | etching

35. The derelict. £2.02.0 (unframed) | etching

36. The cowbail. £2.02.0 (unframed) | etching

37. The paddock gate. £3.03.0 (unframed) | etching

38. River boats. £1.11.6 (unframed) | etching

39. A Cobbitty Farm. £2.02.0 (unframed) | etching

40. From Observatory Hill. £2.02.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

41. The Up Country Farmer. £2.02.0 (unframed) | etching

42. 'Snowy'. £2.12.6 (unframed) | etching

43. Grand Canal, Venice. £3.03.0 (unframed) | etching

44. Horses and barn. £2.02.0 (unframed) | etching

45. Fountains Abbey, Yorkshire. £3.03.0 (unframed) | aquatint

46. Pastoral in the Burragorang. £1.11.6 (unframed) | etching

47. An old English shepherd. £2.02.0 (unframed) | etching

48. Lacey's Creek, Burragorang Valley, N.S.W. £3.03.0 (unframed) | aquatint

49. St. Paul's Cathedral, London. etching

50. Fruit Market, Havre. £1.11.6 (unframed) | etching

51. Dickens' Character. £1.11.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

52. Riverview College, Lane Cove. £2.02.0 (unframed) | etching

53. Kuring-gai Chase. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

54. The picnic. £4.04.0 (unframed) | etching

55. Parliament Building, Sydney. £3.03.0 (unframed) | etching

56. Argyle Cut, Sydney. £3.03.0 (unframed) | etching

57. Manly Beach. £3.03.0 (unframed) | etching

58. Dawes Point, Sydney. £3.03.0 (unframed) | etching

59. Sydney Grammar School. £3.03.0 (unframed) | etching

60. Old church, Mulgoa. £3.03.0 (unframed) | etching

61. Chinaman's gardens, Rose Bay. £4.04.0 (unframed) | etching

62. Milson's Point, Sydney. £4.04.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

63. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. £4.04.0 (unframed) | etching

64. Solre le Chateau, Belgium. £3.03.0 (unframed) | etching

65. Wiseman's Ferry. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

66. The chalk pit on the Downs. £4.04.0 (unframed) | aquatint

67. Title unknown. etching

68. Crowland Abbey. £3.03.0 (unframed) | etching

69. Ploughing in Purbeck. £3.03.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

70. Reflections. £1.01.0 (unframed) | etching

71. Entrance to The Harbour. £1.11.6 (unframed) | etching

72. An Early Doorway. £2.02.0 (unframed) | etching

73. The National Gallery of N.S.W. £1.11.6 (unframed) | etching

74. The Pig Gallows. £1.11.6 (unframed) | etching

75. Bushrangers' Hill, Newport. £2.02.0 (unframed) | etching

76. The Bend of the Road. £3.03.0 (unframed) | etching

77. Sydney University. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980)

78. Desolation. £1.11.6 (unframed) | etching

79. The smithy. £2.02.0 (unframed) | etching

79a. Quiet afternoon, Port Adelaide. £4.04.0 (unframed) | etching

80. King William Street, Adelaide. £2.12.6 (unframed) | etching

Lee Hankey, William. (1869–1952)

81. The Drapery Market. £15.15.0 (unframed) | etching

Hardie, Martin. (1875–1952)

82. The Sleepy Ferry. £6.06.0 (unframed) | etching

83. Unloading the Barge. £5.05.0 (unframed) | etching

84. Evening in the fishing quarter. £5.05.0 (unframed) | etching

85. An Essex Boatyard. £5.05.0 (unframed) | etching

86. Sunset in Scotland. £5.05.0 (unframed) | etching

87. The Incoming Tide. £4.14.6 (unframed) | etching

LONG, Sydney (1871–1955)

88. Kookaburras. £2.02.0 (unframed) | etching

Artist: LONG, Sydney | Title: Lincoln | Date: 1925 | Technique: line-etching and drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

89. Lincoln £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

90. The river from Blackfriars Bridge £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

91. The old shot and powder works £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

92. Brisbane water £3.03.0 (unframed) | etching

93.

The blacksmith's shop

£2.11.6 (unframed) | aquatint

Artist: LONG, Sydney | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

94. St. Albans £2.11.6 (unframed) | etching

Artist: LONG, Sydney | Title: The camp in the forest | Date: 1920 | Technique: softground-etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

95. The camp in the forest etching

96. Deserted. £2.11.6 (unframed) | etching

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

97. Fishing boats, Kings Lynn £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

98. The riverside £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Turkeys and pumpkins | Date: 1925 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

99. Turkeys and pumpkins £2.02.0 (unframed) | etching

100. The Harbour. £2.02.0 (unframed) | etching

Morgan, Squire. (1886–1974)

101. Fagan's Cottage, Gosford. £2.12.6 (unframed) | etching

102. The prospector. £2.12.6 (unframed) | etching

103. At Palm Beach. £3.03.0 (unframed) | etching

104. On the road to Tambourine, Queensland. £2.12.6 (unframed) | etching

Artist: Morgan, Squire. | Title: Summer heat | Date: (1923) | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

105. Summer heat £3.03.0 (unframed) | etching

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

106. The lagoon, Dee Why £3.03.0 (unframed) | etching

107. Landscape, Scone. £3.03.0 (unframed) | etching

108. Kangaroo Valley sketch. £1.11.6 (unframed) | etching

109. In Kangaroo Valley. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

110. Black Mountain, Canberra £1.11.6 (unframed) | etching

111. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

112. The King's School. £2.02.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

113. Admiralty Arch. £7.07.0 (unframed) | etching

114. 'Cherrac'. £5.05.0 (unframed) | etching

115. St. Stephen's, Walbrook. £3.03.0 (unframed) | etching

116. Market Place, Tours. £3.03.0 (unframed) | etching

117. Chinon Castle. £4.14.6 (unframed) | etching

118. Fair fields of France. £4.04.0 (unframed) | etching

119. Arthur. £3.13.6 (unframed) | etching

120. Holyrood Palace. £4.04.0 (unframed) | etching

121. My mother. £5.05.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

124. On the Lane Cove, Sydney Harbour. £3.03.0 (unframed) | etching

125. Rue de Mer Rouge, Algiers. £1.17.6 (unframed) | etching

126. Wreck of 'Collaroy', Collaroy Beach. £2.02.0 (unframed) | etching

127. Banksia, Collaroy. £1.17.6 (unframed) | etching

128. Trees of Balmoral. £1.01.0 (unframed) | etching

129. Australian sunrise. £3.10.0 (unframed) | etching

130. Belmont Lagoon, Lake Macquarie N.S.W.. £3.03.0 (unframed) | etching

131. Australian natives, Lake Macquarie, NSW. £1.17.6 (unframed) | etching

132. Government house from Gardens. £1.11.6 (unframed) | etching

ROBINS, W.P. (1882–1959)

133. The Moorland farm. etching

134. Islesworth. £4.04.0 (unframed) | etching

135. In Constable's Country. £4.04.0 (unframed) | etching

SHEPPERSON, Claude (1867–1921)

136. The beach. £15.15.0 (unframed) | etching

137. The Bather. £8.18.6 (unframed) | etching

SHIRLOW, John (1869–1936)

138. The Gate of the City. £5.05.0 (unframed) | etching

139. Doorway, Bank of Victoria, Melbourne. £3.03.0 (unframed) | etching

140. Bernard O'Dowd [2] £4.04.0 (unframed) | etching

SHORT, Frank (1857–1945)

141. April Day in Kent. £8.08.0 (unframed) | etching

142. Raft of Lusitania. £8.08.0 (unframed) | etching

Soper, Eileen. (1905–1990)

143. Feeding the chickens. £5.05.0 (unframed) | etching

144. Practice. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

145. Bridge Building. £10.10.0 (unframed) | etching

146. Bridge Building, The Opening Night of July 8th. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

148. The Froth. £15.15.0 (unframed) | etching

149. The Clyde. £15.15.0 (unframed) | etching

150. York Minster. £9.09.0 (unframed) | etching

151. Wooden Temple of Jupiter. £15.15.0 (unframed) | etching

152. Brooklyn Bridge. £14.14.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

153. The River Tweed. £2.02.0 (unframed) | etching

154. The bush track. £1.11.6 (unframed) | etching

155. Along the Murrumbidgee. £1.11.6 (unframed) | etching

156. Sydney. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

157. View from Temple Court, Collins St. Melbourne. £2.12.6 (unframed) | etching

Walker, F. Sidney. (1888–1972)

157. Newport Rocks. £1.01.0 (unframed) | etching

158. Morning. £1.01.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

159. Interior Wool Shed. £3.03.0 (unframed) | etching

160. Loading Wool. £3.03.0 (unframed) | etching

161. Sydney University. £2.02.0 (unframed) | etching

162. Boundary Riders. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

163. Sundown. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

164. The Camp. £2.12.6 (unframed) | etching

165. Politicians. £2.12.6 (unframed) | etching

166. Giddap. £3.03.0 (unframed) | etching

167. Prawners, Sydney Harbour. £3.03.0 (unframed) | etching

168. The Silo. £2.12.6 (unframed) | etching

Whydale, Herbert. (1892–1968)

169. Dry Point. £3.03.0 (unframed) | etching

A collected list of etchings: James Crisp.

Venues

Venue Not Identified. None

Works

Crisp, James. (1879–1962)

The farmyard. edition of 50 | out of print

Young Magpies. edition of 50

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

The teamster. edition of 50

The three jackies. edition of 50

The sultan. edition of 50

Farm corner. edition of 50

Country pasture. edition of 50

Late for dinner. edition of 50

Corner Old Stables, Vaucluse House. edition of 50

The quintette. edition of 50

Magpies. edition of 50

A glimpse. edition of 25

The porch, Saint Michael's, Rose Bay. edition of 35

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

The gander. edition of 35

The intruder [1]. edition of 35

The conspirators. edition of 35