Pan

Artist: b'LONG, Sydney' | Title: b'Pan' | Date: 1919 | Technique: b'line-etching and aquatint, printed in black ink, from one copper plate' | Copyright: b'Reproduced with the kind permission of the Ophthalmic Research Institute of Australia'

Sydney Long (1871–1955)

Pan

(1919)

line-etching and aquatint

EXHIBITION HISTORY 1 – 4 of 4 exhibitions

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Society of Artists' Spring Exhibition.

Venues

Education Department Gallery (8 September 1920 – 8 September 1920)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

LONG, Sydney (1871–1955)

210. House of Lords. £5.15.0 (framed); £5.05.0 (unframed)

Barker, David. (1888–1946)

212. The Brickworks, St. Leonards. £1.17.6 (Framed) £1.11.6 (Unframed)

213. Boat sheds, The Spit. 1.17.6 (framed); 1.11.6 (unframed) | edition of 20

214. Toolum Mosque, Cairo. Kindly lent. | edition of 20

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The march hare | Date: 1919 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

215. The march hare £1.17.6 (Framed) £1.11.6 (Unframed) | edition of 50

Artist: LINDSAY, Lionel | Title: Old barn, Windsor, NSW | Date: 1919 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

216. Old barn, Windsor, NSW £2.08.6 (framed); £2.02.0 (unframed) | edition of 50

Artist: LINDSAY, Lionel | Title: Henry Lawson | Date: 1919 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

217. Henry Lawson £4.10.3 (framed); £4.04.0 (unframed) | proof only for sale | drypoint

Artist: LINDSAY, Lionel | Title: The timber belt | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

218. The timber belt £2.08.6 (framed); £2.02.0 (unframed) | edition of 50

Artist: LINDSAY, Lionel | Title: Herodiade in the mirror | Date: 1919 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

219. Herodiade in the mirror £4.12.6 (framed); £4.04.0 (unframed) | edition of 40

220. Philip's Church. £3.10.6 (framed); £3.03.0 (Unframed) | mezzotint

221. Girls' High School. £3.10.6 (framed); £3.03.0 (Unframed) | edition of 50

222. The little balcony, Ferry Lane. £2.07.6 (framed); £2.02.0 (Unframed) | edition of 50

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

223. Gamecocks, Spain £3.18.6 (framed); £3.13.6 (Unframed) | 10 proofs only - forsale

Artist: LINDSAY, Lionel | Title: The Mill Bridge, Bridgewater, South Australia | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

224. The Mill Bridge, Bridgewater, South Australia £1.16.6 (framed); £1.11.6 (Unframed) | edition of 50

Artist: LINDSAY, Lionel | Title: Desolation | Date: 1919 | Technique: spirit-aquatint with burnished hightlights, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

225. Desolation £1.16.6 (framed); £1.11.6 (unframed) | edition of 30 | aquatint | With facsimileof Hugh McCrae's script.

LINDSAY, Norman (1879–1969)

226. The mirror. Not For Sale

Artist: LINDSAY, Norman | Title: From the moon | Date: 1920 | Technique: etching, aquatint and stipple, printed in black ink, from one copper plate; hand-coloured (by the artist?)

227. From the moon Not For Sale

Artist: LINDSAY, Norman | Title: Julia's monkey. | Date: 1920 | Technique: etching and roulette, printed in warm dark brown ink, from one plate

228. Julia's monkey. Not For Sale

229. The terrace. Not For Sale

230. The ring. not for sale

231. The dream merchant Not For Sale

URE SMITH, Sydney (1887–1949)

232. The farm yard. £2.08.6 (Framed) £2.02.0 (Unframed) | edition of 30

233. The barn, Winnstay. £2.08.6 (framed); £2.02.0 (unframed) | edition of 30

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

234. Deserted courtyard, Hartley £3.10.6 (framed); £3.03.0 (Unframed) | edition of 40

235. Brickworks, St. Leonards. £4.12.6 (framed); £4.04.0 (Unframed) | edition of 40

236. Old cottage, Hartley, New South Wales. £3.08.6 (framed); £3.03.0 (Unframed) | edition of 30

Artist: URE SMITH, Sydney | Title: Bank of New South Wales, Windsor | Date: 1920 | Technique: etching, printed in black ink, from one plate

237. Bank of New South Wales, Windsor £2.08.0 (framed); £2.02.0 (unframed) | edition of 30

van RAALTE, Henri (1881–1929)

239. Portico, Melbourne Town Hall. £2.15.0 (framed) £2.05.0 (unframed) | edition of 50 | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The observatory | Date: 1919 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

240. The observatory £1.06.0 (framed); £1.01.0 (Unframed) | edition of 25

Rose, Herbert. (1890–1937)

241. The auditorium. £3.00.0 (Framed) £2.10.0 (Unframed) | edition of 50

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The shell. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

242. The shell. £11.02.6 (framed); £10.10.0 (unframed)

Artist: van RAALTE, Henri | Title: Tuarts of the South-West. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

243. Tuarts of the South-West. £11.02.6 (framed); £10.10.0 (unframed)

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

244. Pan £7.19.6 (Framed) £7.07.0 (Unframed) | edition of 15

246. Passing Storm. £5.15.6 (framed); £5.05.0 (Unframed) | edition of 15

247. Pastoral. £6.16.6 (framed); £6.06.0 (Unframed) | edition of 15

Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Venues

Education Department Gallery (3 June 1922 – 24 June 1922)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Arms, John Taylor. (1887–1953)

1. A gable in theirs. American. | 12 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

1. A little deaf. New Zealand. | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923) and Dillon, Cyril. (1883–1974)

Artist: Boyd, Penleigh. | Title: Hauling the nets. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

1. Hauling the nets. Victoria | £2.02.0 (unframed) | drypoint

Crisp, James. (1879–1962)

1. The farmyard. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

1. The Chapel tower, Melbourne Grammar School. Victoria. | £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

1. St. Paul's Cathedral, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

1. St. James Church, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

1. Old timers, Berry's Bay. £3.03.0 (unframed) | etching

Gruner, Elioth. (1882–1939)

Artist: Gruner, Elioth. | Title: The wattles | Date: (1921) | Technique: drypoint, printed in black ink, from one plate

1. The wattles Kindly lent. | etching

Hope, Edith A. (1870–1942)

1. A Courtyard in France. Victoria. | £7.07.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

1. The Dochart, Perthshire. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

1. Rendezvous. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Micomicon | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

1. Micomicon £15.15.0 (unframed) | etching

Lindsay, Percy. (1870–1952)

1. Landscape. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

1. The little dutch mill £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

1. Ti-Tree. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

1. Jubbergate, York. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

1. Ti-Tree, N.S.W. £4.17.6 (unframed) | etching

Rose, Herbert. (1890–1937)

1. A corner of the Post Office. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

1. Brisbane Laneway. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

1. The Narrow Cave. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The waterhole | Date: 1922 | Technique: etching, printed in brown ink with plate-tone and wiped highlights, from one plate

1. The waterhole Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

1. Across the plains, Windsor (1st state). £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

1. Cool Water. South Australia | £6.06.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

2. Dawn. 15 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

2. Study of an old man's head. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

2. Morning. Victoria | £4.04.0 (unframed) | drypoint

Crisp, James. (1879–1962)

2. Breakfast. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

2. The Swimming Pool, Coombe Cottage. Victoria | £4.04.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

2. Australia House, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

2. Martin Place, Sydney. £4.04.0 (unframed) | etching

None

2. Church, Port Arthur, Tasmania. £2.02.0 (unframed) | etching

Hope, Edith A. (1870–1942)

2. Laon, The Aeroplane. Victoria | £3.13.6 (unframed) | etching

2. Ville D. Eu. Victoria. | £5.15.6 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

2. Magdalen Tower and Bridge, Oxford. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The shanty on the rise | Date: 1922 | Technique: etching, printed in brown ink, with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. The shanty on the rise £2.02.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

2. Blind Man's Wife. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

2. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

2. Tree Study. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

2. Heart of the Bruce. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

2. Reflections Cook's River, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

2. Sydney Harbour. Victoria. | £2.07.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

2. The sentinel. £2.02.0 (unframed) | drypoint

SHIRLOW, John (1869–1936)

2. East and West. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The west window | Date: 1922 | Technique: etching and drypoint, printed in warm black ink with plate-tone, from one plate

2. The west window Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

2. Cottage, Clarendon £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The far shore | Date: 1921 | Technique: drypoint, printed in brown ink, from one plate

2. The far shore South Australia. | £2.02.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

3. The butterfly. 18 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

3. Cornish interior. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

Artist: Boyd, Penleigh. | Title: Evening. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

3. Evening. £4.04.0 (unframed) | drypoint

Friedensen, Thomas. (1879–1931)

3. Barges, Chiswick Mall. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

3. Hunter Street, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

3. Lindisfarne, Hobart. £2.02.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

3. The Blue Mosque, Cairo. English. | £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

3. University, Medical School. £2.12.6 (unframed) | etching

LINDSAY, Norman (1879–1969)

3. Sortie. £6.06.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Old houses, Worcester | Date: c.1919 | Technique: drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

3. Old houses, Worcester £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

3. Deserted hut. £2.12.6 (unframed) | etching

MORT, Eirene (1879–1977)

3. Vaucluse House. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

3. Across Lake Macquarie, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

3. Glebe Island Bridge, Sydney. Victoria. | £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

3. The clock tower not for sale | etching

SHIRLOW, John (1869–1936)

3. Chinese at a doorway Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

3. The Giant. £1.01.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

3. Farmhouse, Hartley. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

3. Valley mists. South Australia | £4.04.0 (unframed) | etching

Arndt, Mina. (1885–1926)

4. Orpeush with his lute. New Zealand | £4.04.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

4. The white gum. Kindly lent. | etching

Friedensen, Thomas. (1879–1931)

4. Old houses, Candebec, Normandy. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

4. St. Mary's Catheral, Sydney. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

4. From the Archbishop's Garden. Victoria. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

4. 'Ben Hall's', The Bushranger's Home. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

4. Unknown seas £15.15.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

4. The harbour, St.Ives £3.03.0 (unframed) | softground

Morgan, Squire. (1886–1974)

4. Deserted Hut (first state). £3.03.0 (unframed) | etching.

MORT, Eirene (1879–1977)

4. The team. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

4. Groote Church, Dordrecht, Holland. £1.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

4. McMahon's Point, Sydney. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

4. The Farmlets. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

4. Ploughing the hill, Berwick. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

4. Hawkesbury River Farm. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

4. The cowshed. South Australia. | £4.04.0 (unframed) | etching

Wheatley, John. (1892–1955)

4. A Point of View. English. | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

4. Willows in Winter. American. | 14 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

5. Caesar's Tower, Warwick Castle. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

5. The Old Slave Market, Capetown. £3.03.0 (unframed) | etching

Hope, Edith A. (1870–1942)

5. Coney le Chateau. Victoria | £6.06.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

5. The Great Red Gum. £4.04.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

5. Bargins. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

5. Staples Inn, Holborn £2.12.6 (unframed) | aquatint

Morgan, Squire. (1886–1974)

5. Deserted hut. not for sale | drypoint

MORT, Eirene (1879–1977)

5. Palm Court, Vaucluse. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

5. The wave, Coogee, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

5. Moonlight on the Scene. £5.05.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

5. The Hawkesbury River. £3.03.0 (unframed) | etching

Wheatley, John. (1892–1955)

5. The Old Engraver. English | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

5. Spring Morning. American | 18 US dollars (unframed) | etching

Bentley, Alfred. (1879–1923)

6. The Hills of Auvergue. English. | £7.07.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

6. An Alley in Antwerp. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Bridge Street, Sydney. | Date: 1922 | Technique: etching, printed in black ink, from one plate

6. Bridge Street, Sydney. £4.04.0 (unframed) | etching

Haines, Fred S. (1879–1960)

6. The Old Beech. American. | US$15 (unframed) | etching

Hope, Edith A. (1870–1942)

6. The Viaduct, Albi. Victoria | £7.07.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

6. The Law Courts. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

6. The Mill. £5.05.0 (unframed) | aquatint

Morgan, Squire. (1886–1974)

6. Landscape, Scone (first state). £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

6. Kookaburras. £2.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

6. The Little Bridge, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

6. Chinese Opera. Victoria | £5.05.0 (unframed) | coloured etching

URE SMITH, Sydney (1887–1949)

6. Bilgola, Newport. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

7. Shakespeare's Birthplace, Stratford-on-Avon. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

7. Murrundie Valley, N.S.W. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

7. Sant Salvi. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

7. Harmony. £1.11.6 (unframed) | etching

LONG, Sydney (1871–1955)

7. Epping Forest, Landscape. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

7. War Memorial, Double Bay. £2.02.0 (unframed) | etching

QUINLAN, Will J. (1877–1963)

7. Burling Slip, New York. American. | US$20 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

7. West Front, Westminster Abbey. £1.16.6 (unframed) | etching

Smith, D. Murray. (1865–1952)

7. Hammersmith. English. | £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

7. The Tower, Carcassonne, Night. Victoria | £1.01.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

7. The three barns. Kindly lent by Ernest Watt, Esq. | etching

Friedensen, Thomas. (1879–1931)

8. Porch, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

8. The old barn. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

8. Trees in the Wind. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Don Quixote | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

8. Don Quixote £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

8. Strand on the Green. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

8. Macquarie Light. £2.02.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

8. Prince's Set of three. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

8. Uncle William Creech. American | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

8. Timber Belts. £7.07.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

8. Chinaman's garden's, Rose Bay. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

8. St. Peter's, Rome. £8.08.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

9. Avenue, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

9. The lagoon. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

9. Cathedral, Laon. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Red Gums | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

9. Red Gums £1.11.6 (unframed) | mezzotint.

LONG, Sydney (1871–1955)

9. The river from Waterloo Bridge. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

9. Barbara Ann. American. | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

9. The Chaff Cutter. Victoria. | £4.04.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

9. Harbour from Rose Bay. £2.02.0 (unframed) | etching

WALCOT, William (1874–1943)

9. Arc, St. Carlo. English. | £5.05.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

10. Studio Interior, Hammersmith. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

10. Echo Point, Katoomba. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

10. Cathedral, Albi. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

10. Bridge and Basket Willow. £3.03.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

10. Parchment Mill on the Wandle. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Good night in the gully where the white gums grow. | Date: 1922 | Technique: etching and aquatint, printed in brown ink, from one plate

10. Good night in the gully where the white gums grow. Victoria | £7.07.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

10. Sandhills, Bellevue Hill. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

10. Villa Quintilii. English | £8.08.0 (unframed) | etching

Burr, George Elbert. (1859–1939)

10. Arizona Clouds. American. | 36 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

11. The tramp. £2.12.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

11. Darling Harbour, Sydney. £3.03.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The terrace by the sea | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

11. The terrace by the sea £3.03.0 (unframed) | aquatint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

11. Beddington Corner £4.04.0 (unframed) | aquatint

PARTRIDGE, Roi (1888–1984)

11. Carmel, California. American. | 10 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The barn, Evening. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

11. The wooden temple. English. | £9.09.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

12. The Dick Whittington, Smithfield. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

12. Ye Old Fighting Locks, St Albans. £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

12. The Tinsmith's shop, King Street, Sydney £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

12. The passing storm £5.05.0 (unframed) | etching

Miller, Arthur (1893–1975)

12. A Crisp Morning. American. | 6 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

12. Camden, N.S.W. £3.03.0 (unframed) | etching

Whistler, James McNeill. (1834–1903)

12. The Music Room. English. | £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

13. cedar Court, Suffolk. £4.04.0 (unframed) | etching

HADEN, Francis Seymour (1818–1910)

13. A water meadow. English. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

13. The Gypsy dance £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

13. Pan £10.10.0 (unframed) | etching

Miller, Arthur (1893–1975)

13. Morning on a Calif. Hillside. American | US$6.00 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

14. Rue de Seine, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

14. Hunter Street. £2.12.6 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

14. On the Wandle £4.04.0 (unframed) | etching

PLOWMAN, George T.

14. Staples, Inn, London. American | US$10.00 (unframed) | etching

SHORT, Frank (1857–1945)

14. Shap Fell, Cumberland (Mezzotint after Peter De Wint). English. | £10.10.0 (unframed) | mezzotint

FULLWOOD, A.H. (1863–1930)

15. Street Latin Quarter, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

15. The Great Pear Tree, Windsor. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

15. Hawkesbury landscape £3.03.0 (unframed) | etching

PLOWMAN, George T.

15. Cloth Fair, Smithfield. American | 15 US dollars (unframed) | etching

ROBINS, W.P. (1882–1959)

15. Near Potter Heigham. English. | £4.04.0 (unframed) | etching

Lewis, Allen. (1873–1957)

16. The Workshop. American | US$20 (unframed) | etching

LINDSAY, Lionel (1874–1961)

16. The old Bark Hut. £2.12.6 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

16. Between the showers £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

16. Farm near Sandwich, Kent. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

17. William Dixson, Esq. kindly lent. Kindly lent | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

17. The belfry, Bruges £3.03.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

17. South Walsham. English. | £3.03.0 (unframed) | etching

Lewis, Allen. (1873–1957)

17. Gowanus Canal. Lewis, Allan [sic] | US$22 (unframed) | etching

18. Place de la Poissonerie, Chartres. Lewis, Allan [sic] | US$18 (unframed) | etching

18. Place de la Poissonerie, Chartres. US$18.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

18. The pumpkin patch, Windsor £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

18. A Cornish landscape £3.03.0 (unframed) | aquatint

Mura, Frank. (1861–)

18. In the Fields near Lancery. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

19. Bullfight in a Village. £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

19. Fantasy £6.06.0 (unframed) | aquatint

Pearson, Ralph M. (1883–1958)

19. Interpretation, 2nd State. American | 20 US dollars (unframed) | etching

UNWIN, Francis Sydney (1885–1925)

19. The Municipio, Florence. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

20. Rio dei Mendicanti, Venice. American | US$12. (unframed) | etching

LINDSAY, Lionel (1874–1961)

20. Bigola. £4.04.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

20. The Victorian Tower £5.05.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

20. The Groote Kirk. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

21. Sunny Corner, Villefranche. American | US$12.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Old carriage way, Cumberland Street | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

21. Old carriage way, Cumberland Street £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

21. Moonrise pastoral £5.00.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

21. Wheelwirghts, Falaise. English. | £4.04.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

22. The Moth. American | 25 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

22. The lake. softground

Hardie, Martin. (1875–1952)

22. Norfolk Bridge. English. | £3.03.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

23. Cockfight. American | 15 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

23. Pastoral. £7.07.0 (unframed) | softground

Hardie, Martin. (1875–1952)

23. Grey Day, New haven 2 2 0 1924 Sydney 1-13 December. English. | £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

24. The Spirit of the plains £4.04.0 (unframed) | aquatint

LUMSDEN, E.S. (1883–1948)

24. Jodhpur, Sunset. English | £4.04.0 (unframed) | etching

Winkler, John W. (1890–1979)

24. Small Delicatessen Booth Not ). American | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

25. The home of the rooks £4.04.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

25. The Hill Farmland. English. | £5.05.0 (unframed) | etching

Winkler, John W. (1890–1979)

25. Giner Shop for ). American | not for sale | etching

OSBORNE, Malcolm (1880–1963)

26. Le Puy. English. | £6.06.0 (unframed) | etching

Winkler, John W. (1890–1979)

26. Sacramento Street, San Frisco. Sale ). American | not for sale | etching

Barton, Loren R. (1893–)

27. Chinatown market. American | 18 US dollars (unframed) | etching

Benson, Frank. (1862–1951)

27. Black ducks. £21.00.0 (unframed) | etching

SOPER, George (1870–1942)

28. Lifting Potatoes. English. | £4.04.0 (unframed) | etching

Squirrell, Leonard R. (1893–1979)

29. Mill on the Wharfe. English. | £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

98. Studland Bay. £3.03.0 (unframed) | out of print

Royal British Colonial Society of Artists Third Annual Exhibition

Venues

Farmer & Company (26 October 1925 – 21 November 1925)

Works

Allan, Robert W. (1852–1942)

92. Off to the Trawling. £3.15.0

93. Port Knockie, Banffshire, Scotland. £3.15.0

94. Market Day, Chartre, France. £3.15.0

95. Grand Canal, Venice. £5.00.0

96. Dumblane. £3.15.0

97. Montreuil-sur-Mer. £5.00.0

OSBORNE, Malcolm (1880–1963)

98. Mrs Heverden. £7.17.6

99. Mt. St. Michel. £6.12.6

100. Chinon Castle. £5.00.0

101. Place des Halles, Tours. £3.15.0

102. Nathaniel Sparks. £6.15.0

103. Arnold Mason. £6.05.0

104. Stanley Anderson. £6.05.0

105. Dieppe. £5.00.0

106. Le Puy. £6.05.0

107. Cathedral Steps. £3.15.0

108. Cherrac. £6.05.0

SHORT, Frank (1857–1945)

109. Moonrise on the Bure. £16.10.0 | mezzotint.

110. Morning haze in Chichester Harbour. £16.10.0 | aquatint

111. The sea-road into Seaford. £6.10.0 | etching

112. Rough Weather at Blatchington. £6.10.0 | drypoint

113. The Rising Sun, Kingsdown. £5.05.0 | etching

114. Moonlight on the Medway. £13.10.0 | mezzotint, after J.M.W. Turner, R.A.

SHORT, Frank (1857–1945) and Turner, J.M.W. (1775–1851)

115. Sheep washing, Windsor. £13.10.0 | mezzotint after J.M.W. Turner, R.A.

SHORT, Frank (1857–1945)

116. The Thames at Twickenham. £6.10.0 | aquatint

117. Dawn. £10.10.0

118. Sion House. £10.10.0 | drypoint

119. Ehrenbreitstein to Coblenz mezzotint after J.M.W. Turner, R.A. £15.15.0 | mezzotint

120. Strolling Players at Lydd. £7.17.6 | etching

121. An April Day in Kent. £7.17.6 | etching

122. A South Coast Road. £6.10.0 | etching

Wilkinson, Norman. (1878–1971)

123. The Passing of the 'Lion' (H.M.S. 'Lion' in the hands of the ship-breakers. Proof signed by Lord Beatty). £23.00.0

Brangwyn, Frank. (1867–1956)

124. The Ponte Rotto, Rome. £26.10.0

125. The Skittle Match, Dixmude. £26.10.0

Kay, Dorothy.

126. The Basuto Blanket Not arrived in.

127. Malay Driver time exhibition for.

LONG, Sydney (1871–1955)

133. Pan £10.10.0

134. Moonrise pastoral £5.05.0

135. Pastoral. £5.05.0

136. The Harbour St. Ives. £3.03.0

137. The river from Waterloo Bridge. £6.06.0

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

138. Autumn landscape £3.03.0

139. Staples Inn, Holborn £3.03.0

140. Pastoral. sandgrain. £3.03.0

141. Kookaburras. £3.03.0

142. Kookaburras, No. 2. £2.02.0

143. The little dutch mill £3.03.0

144. Stand on the Green, No. £3.03.0

A collected list of etchings: Sydney Long.

Venues

Venue Not Identified. None

Works

LONG, Sydney (1871–1955)

Strand on the Green, - No.1. edition of 30

Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Old houses, Chiddingstone edition of 50

Pan edition of 30

Hawkesbury landscape edition of 50

The Victorian Tower edition of 10

The home of the rooks edition of 50

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Pastoral sandgrain edition of 30

Camp in the forest. edition of 60 | Print Collector's Club Plate.

Radnage landcape. edition of 40

Market Place, Bruges, Belgium. edition of 30

Artist: LONG, Sydney | Title: The wooden ship | Date: 1922 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The wooden ship edition of 30

Autumn landscape edition of 30

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

St. Paul's from the river edition of 30

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Friar Street, Worcester edition of 30

Fishing Boats, Whitby. edition of 30

Fantasy edition of 30

Artist: LONG, Sydney | Title: Kookaburra and young | Date: c.1919 | Technique: drypoint, printed in black ink with light plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Kookaburra and young edition of 30

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Magpies edition of 30

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The deserted selection. edition of 30

Strand on the Green, - No.3. edition of 30

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The riverside edition of 30

The watercress bed. edition of 30

Kookaburras. edition of 30

Houses of Parliament, from the River. edition of 30

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Fishing boats, Lisbon edition of 30

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Fishing boats, Kings Lynn edition of 30

The River, from Blackfriars Bridge -. edition of 30

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The old shot and powder works edition of 30

Artist: LONG, Sydney | Title: Lincoln | Date: 1925 | Technique: line-etching and drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Lincoln edition of 40

Kookaburras, No.3. edition of 60

The blacksmith's shop

edition of 40

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Brisbane water edition of 30

Artist: LONG, Sydney | Title: Turkeys and pumpkins | Date: 1925 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Turkeys and pumpkins edition of 30

Artist: LONG, Sydney | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

St. Albans edition of 30

The passing storm edition of 50 | aquatint

Porte Marechale, Bruges edition of 50

The Mill. edition of 60

Between the showers edition of 50

Staples Inn, Holborn edition of 30

Beddington Corner edition of 30

The Parchment Mills. edition of 30

On the Wandle edition of 30

The Spirit of the plains edition of 50

The belfry, Bruges edition of 50

The harbour, St.Ives edition of 50

Artist: LONG, Sydney | Title: Landscape, Epping Forest | Date: c.1919 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Landscape, Epping Forest edition of 50

Moonrise pastoral edition of 60

The little dutch mill edition of 30

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The Thames from Waterloo Bridge edition of 30

Pastoral. edition of 50

Artist: LONG, Sydney | Title: Drying sails | Date: c.1919 | Technique: line-etching and drypoint, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Drying sails edition of 30

Artist: LONG, Sydney | Title: Becalmed | Date: c.1919 | Technique: line-etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Becalmed edition of 30

Old houses, Worcester edition of 30

A Cornish landscape edition of 30 | Soft Ground