The roadside pool.

Douglas Pratt (1900–1972)

The roadside pool.

(1930s?)

EXHIBITION HISTORY 1 – 5 of 5 exhibitions

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Exhibition of Australian Art [1932].

Venues

Boans Art Gallery. (8 March 1932 – 24 March 1932)
Perth, Western Australia, Australia

Works

Glover, Allan. (1900–1984)

Artist: Glover, Allan. | Title: The Spreading Bay fig tree | Date: 1931 | Technique: etching and aquatint, printed in brown ink, from one plate

7. The Spreading Bay fig tree 2 gns (unframed) | etching

9. Storm cloud. 1 gn (unframed) | etching

LINDSAY, Norman (1879–1969)

10. Dance 8 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Cordeliers' Gate, Loches, France | Date: 1931 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

11. The Cordeliers' Gate, Loches, France 3 Gns (unframed). | etching

Glover, Allan. (1900–1984)

12. The Side Entrance. 11/2 gns (unframed). | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The waiting gondola, Venice | Date: 1930 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

12 The waiting gondola, Venice 3 gns (unframed) | etching

Pratt, Douglas. (1900–1972)

13. The roadside pool. 2 gns (unframed) | etching

None

14. Trees on the tableland. 3 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

15. Argyle Cut, Sydney. 2 gns (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Tunis Gate, Kairouan | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

16 The Tunis Gate, Kairouan 5 gns (unframed) | etching

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

17. San Lorenzo in the Forum, Rome 4 gns (unframed) | etching

18. Old miners, Creswick Creek, Victoria. 3 gns (unframed) | etching

TRETHOWAN, Edith (1901–1939)

19. Bookplate. woodcut

None

20. Perth from King's Park. 1 gn (unframed) | woodcut

21. The clearing, Balingup. 1 gn (unframed). | woodcut

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Repose | Date: 1934 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

22. Repose 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Ibis | Date: 1933 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

23. Ibis 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The clipped wing | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

24. The clipped wing 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Polar Bear | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

25. Polar Bear 2 gns (unframed) | woodcut

None

26. Evening. 4 gns (unframed) | woodcut (colour print)

27. The Chapel of SS. Mary and George, The Grammar School, Guildford. 5 gns (unframed) | woodcut (colour print)

Australian Painter-Etchers Society. Annual Exhibition 1932.

Venues

Macleod Gallery (1 December 1932 – 17 December 1932)
Bulletin Buildings, 252 George St., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Cattai Creek. 1½ gns (unframed)

A Favorite Spot. 2 gns (unframed)

The intruder [1]. 1½ gns (unframed)

Follow the Leader. 1½ gns (unframed)

The Pigeon Cole. 1½ gns (unframed)

Boxall, d'Auvergne (1895–1944)

1. St. Peter's College, Adelaide. Not For Sale

2. Avignon [pencil drawing]. Not For Sale

3. St. Mark's, Venice. [pencil drawing]. Not For Sale

4. Silver Street, London. 3 gns (unframed)

Crisp, James. (1879–1962)

10. Cocoanut Palms, Magnetic Island, North Queensland. 2 gns (unframed)

11. Young kookaburras [pencil drawing]. 2 gns (unframed) | pencil drawing

12. The conference. 1½ gns (unframed)

13. Magpies [pencil drawing]. 5 gns (unframed) | pencil drawing

Davies, L. Roy. (1897–1979)

14. Hawkesbury River. 1 gn (unframed)

15. Green and gold. 1 gn (unframed)

16. The Apothecary. Not For Sale

17. Mangrove Creek. 1 gn (unframed)

Artist: Davies, L. Roy. | Title: Forest lovers. | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

18. Forest lovers. 1 gn (unframed)

19. Burragorang. 1 gn (unframed)

20. The broken fence. 1 gn (unframed)

Dundas, Douglas. (1900–1981)

21. Ponte Vecchio, Florence. Not For Sale | dry point

Dwyer, Ella. (1887–1979)

22. A bend in the creek. 2 gns (unframed)

23. Pastoral, near Windsor. 2 gns (unframed)

24. Moonrise sandgrain. 1 gns (unframed)

25. Bookplate -.

Farmer, Helen. (1888–1970)

33. From Bradley's Head. 1½ gns (unframed)

Gallop, Herbert. (1890–1958)

37. South Coast Pastures. 2 gns (unframed)

38. Cattai Creek, Windsor. 2 gns (unframed)

39. The country road. 4 gns (unframed)

40. Old cottage, Ryde. 1 gn (unframed)

41. The Lake. 1½ gns (unframed)

42. Macquarie Shore. 1 gn (unframed)

43. The South Wind. 2 gns (unframed)

44. Mount Kiera, South Coast. 2 gns (unframed)

Godson, John Barclay. (1882–1957)

45. Self-Portrait.

46. Hilda. 5 gns (unframed)

47. Study for etching. 15 gns (unframed) | pencil drawing

48. Study for etching [pencil drawing].

49. After the ballet. 3 gns (unframed)

50. Engraved Bookplate.

51. Engraved Bookplate.

GOODCHILD, John (1898–1980)

52. Solitude. 3 gns (unframed)

53. Morning light and Ti-tree. 3 gns (unframed)

54. Otway Ranges. 4 gns (unframed)

55. Landscape, Otway Ranges. 5 gns (unframed)

56. Australian Summer Landscape. 4 gns (unframed)

57. Sydney Harbour Bridge. 5 gns (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

58. Banks of Arno 1½ gns (unframed)

59. Gums in sunlight. 2 gns (unframed)

60. The Rows, Chester pencil drawing. 7 gns (unframed)

61. Hastings [pencil drawing]. 7 gns (unframed) | pencil drawing.

62. Tied Up pencil drawing. 5 gns (unframed)

63. Banks and Ti-tree. 7 gns (unframed) | pencil drawing

Hilder, Bim. (1909–1990)

Artist: Hilder, Bim. | Title: The moderne pyramid. | Date: c.1930 | Technique: etching and aquatint, printed in black ink, from one plate

64. The moderne pyramid. 1 gn (unframed)

65. The Shallow Lake. 1 gn (unframed)

Morgan, Squire. (1886–1974)

70. Booral (The Roue of Koala Park). 1 gn (unframed)

Artist: Morgan, Squire. | Title: The bush mother. | Date: c.1932 | Technique: etching and aquatint, printed in black ink, from one plate

71. The bush mother. 1 gn (unframed)

72. Moonrise. 2 gns (unframed)

O'Reilly, Brian. (1930–)

73. Captain Murray. 3 gns (unframed)

74. Portrait. 3 gns (unframed)

O'SHEA, Molly (1890–)

75. St. Matthew's, Windsor. 1 gn (unframed)

76. Trinity Church, Miller's Point. 1 gn (unframed)

77. Lennox Bridge, Parramatta. 1½ gns (unframed)

78. Boat building, Brookvale. 1 gn (unframed)

79. King's School Chapel, Parramatta. 2 gns (unframed)

80. King's School, Canterbury. 1 gn (unframed)

81. Old houses, Lower Fort Street. 1 gn (unframed)

82. The Bridge, September. 1½ gns (unframed)

Pratt, Douglas. (1900–1972)

83. Paddocks on the Plains. 3 gns (unframed)

Artist: Pratt, Douglas. | Title: Lennox Bridge, Parramatta | Date: 1932 | Technique: etching, printed in brown ink, from one plate

84. Lennox Bridge, Parramatta 2 gns (unframed)

85. The roadside pool. 1½ gns (unframed)

86. Queen's club. 2 gns (unframed)

87. The Cathedral, Armidale. 2 gns (unframed)

88. Ginahgulla. Not For Sale

89. Sydney Harbour Bridge, February. 2 gns (unframed)

90. Country Road, Baulkham Hills pencil drawing. 6 gns (unframed)

91. Avoca Lagoon [pencil drawing]. 7 gns (unframed)

92. Double Bay and Darling Point pencil drawing. 5 gns (unframed)

Reid, D.G. (1862–1933)

93. The White Mill. 1 gn (unframed)

94. Cloud Shadows. 2 gns (unframed)

Sheldon, Vincent. (1895–1945)

100. Haystack. 1½ gns (unframed)

101. The retreat, Glen Innes. 1½ gns (unframed)

102. Ploughing. 1½ gns (unframed)

103. Low Tide, Hamilton. 1½ gns (unframed)

104. Trout Stream, Glen Innes. 1½ gns (unframed)

105. Feeding time. 2 gns (unframed)

106. The old barn, Grafton Road. 1½ gns (unframed)

ST JOHN, Ellis (1874–1949)

107. Entrance, Sydney University. 1½ gns (unframed)

108. Argyle. 1 gn (unframed)

109. The Thames from Chelsea Bridge. 2 gns (unframed)

Tidswell, Quinton. (1910–1940)

110. Trees and Farm Sheds. 1 gn (unframed)

111. Bank of N.S.W., Windsor. 1 gn (unframed)

112. Demolitions. 1 gn (unframed)

113. Old buildings, George Street, Windsor. 2 gns. (unframed)

Warner, Ralph Malcolm. (1902–1966)

114. West Wind. 1 gn (unframed)

115. Evening mists, Lord Howe Island. 1 gn (unframed)

116. Lord Howe Island. 1½ gns (unframed)

117. Winter, Kosciusko. 2 gns (unframed)

118. The Birth of a Ship. 2 gns (unframed)

119. The still stream 1½ gns (unframed)

Walker, F. Sidney. (1888–1972)

120. Morning surf, Collaroy. 2 gns (unframed) | sandgrain

121. The Windjammer. 1½ gns (unframed)

122. Morning light, Sydney Harbour. 1½ gns (unframed)

123. The Murrumbidgee. 1 gn (unframed)

124. Billabong. 1 gn (unframed)

SHIRLOW, John (1869–1936)

125. Laneway, St Paul's Cathedral, Melbourne. 2 gns (unframed)

126. Prince's Bridge. 3½ gns (unframed)

127. Parliament House, Melbourne. 3 gns. (unframed)

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The 'Black Horse' Richmond NSW. | Date: 1894 | Technique: etching, printed in sepia ink, from one plate

128. The 'Black Horse' Richmond NSW. 5 gns (unframed)

Nathan, R.H. Jerrold. (1889–1979)

147. Jeannette. £2.02.0 (unframed)

148. Study of a head. £1.01.0 (unframed)

9th Xmas Exhibition of Etchings, Woodcuts and Pencil Drawings by leading Australian and Continental Artists Ninth Xmas Exhibition of Etchings, Woodcuts and Pencil Drawings by leading Australian and Continental Artists

Venues

Sedon Galleries [3]. (12 December 1933 – 24 December 1933)
Elizabeth House, 340 Collins St., Melbourne, Victoria, Australia

Works

HADEN, Francis Seymour (1818–1910)

1. Four Cows. 6 gns

2. Railway Encroachment. 10 gns

Lee Hankey, William. (1869–1952)

3. Madelaine. 5 gns

4. Seine near Rouen. 4 gns

5. Les Dunes. 4 gns

STRANG, William (1859–1921)

6. Boon Companions. 5 gns

7. A Matter of Business. 9 gns

Wintszler. (1933–)

8. Le Petit Marche. 3 gns

Squirrell, Leonard R. (1893–1979)

9. English Landscape. 5 gns

Robertson, David. (1886–1944)

10. Roman Fountain. 3 gns

11. Albano. 4 gns

Herman-Paul. (1864–1940)

12. The Temptation of Faust. 8 gns

Soper, Eileen. (1905–1990)

13. Leap Frog. 5 gns

Zipperer, Ernest. (1888–1992)

14. Bremen. 4 gns

Rosenberg, Louis. (1890–1983)

15. Rue du Pont Vieux, Nice. 4 gns

Brangwyn, Frank. (1867–1956)

16. Roundabout, Bruges. 7 gns

HANNSTAKER

17. Eve. 5 gns

KRUPP, J.

18. Berlin Alleyway. 5 gns

Simon, J.F. (1933–)

19. The Market. 5 gns

Boyd, Penleigh. (1890–1923) and Dillon, Cyril. (1883–1974)

Artist: Boyd, Penleigh. | Title: Hauling the nets. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

20. Hauling the nets. 6 gns

Boyd, Penleigh. (1890–1923)

21. Morning. 7 gns

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

25. The cliff 5½ gns (unframed)

26. The road. 5 gns (unframed)

27. Day's beginning. 4½ gns (unframed)

28. Perth (W.A.). 5½ gns (unframed)

29. Moonlit fields [plate for]. 5 gns (unframed)

30. The Karri Tree glade. 9 gns (unframed)

31. An Australian Summer Day. 10 gns (unframed)

32. Morning. 4 gns (unframed)

Herbert, Harold. (1891–1945)

33. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

34. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

35. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

36. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

37. Brixham trawlers 3½ gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

38. The haystacks 3 gns (framed)

LINDSAY, Lionel (1874–1961)

40. The Casa del Fores, Granada. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

41. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

42. St Ferreol, Marseilles 5 gns (unframed)

43. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

44. Little market, San Gaetano, Naples 5 gns (unframed).

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

45. The vaquero 2½ gns (unframed)

46. Street Balcony, Guadelupe. 3 gns (unframed)

47. The bucking brumby. 2 gns (unframed)

48. A Pipe of Baccy. 2½ gns (unframed)

49. The Sailor's Return. 2 gns (unframed)

50. Miller Street. 8 gns (unframed)

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

51. Fruit piece 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Hornbill | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

52. Hornbill 2 gns (unframed) | woodcut

53. Polar Bear 2 gns (unframed) | woodcut

54. Currassow and Oleander. 1½ gns (unframed) | woodcut

55. The clipped wing 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The crab | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

56. The crab 2 gns (unframed) | woodcut

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

57. The Ring 5 gns | woodcut

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

58. Hit. 3 gns

59. The shepherd. 3 gns

60. The labyrinth. 3 gns

GOODCHILD, John (1898–1980)

62. Australian Summer Landscape. 4 gns

63. Evening anchorage. 2½ gns

64. Solitude. 3 gns

65. Landscape, Otway Ranges. 5 gns

66. Barwon Heads. 4 gns

67. Otway Ranges. 4 gns

Artist: GOODCHILD, John | Title: Yarra Mouth | Date: 1936 | Technique: aquatint, printed in black ink, from one plate

68. Yarra Mouth 3 gns

69. Ti-tree and Morning Light. 3 gns

70. Hick's Lane, Melbourne. 1½ gns

71. Swanston Street, Melbourne. 3½ gns

72. Home berths. 4 gns

73. Morning glow. 3 gns

74. Evening light. 3 gns

75. Cathedral Lane. 2 gns

76. The Old Gaol, Melbourne. 2 gns

77. Road and trees. 2 gns

78. Bourke Street, Melbourne. 3 gns

Wheeler, Charles. (1881–1977)

93. Rue Cortot, Montmartre. 4 gns (framed)

94. Luxenbourg Gardens. 4 gns (framed)

95. Cannon Street Station. 4 gns (framed)

96. Montmartre. 4 gns (framed)

Goodchild, Doreen. (1900–1998)

97. The Hoers. 5 gns (unframed)

Curtis, Robert Emerson. (1898–1996)

102. 'Magdeburg' Dredge, Yallourn. 6 gns

Campbell, Fred. (1851–1930)

103. Healesville. 4 gns

Rose, Herbert. (1890–1937)

104. St. Marks, Venice. 3½ gns (framed)

105. Piazza Umberto Desengano, Italy. 3½ gns (framed)

106. Rue des Tamis, Tunis. 4½ gns (framed)

107. Place St. Pierre, Chartres, France. 3 gns (framed)

Artist: Rose, Herbert. | Title: Le Puy, France | Date: c.1927 | Technique: etching, printed in black ink, from one plate

108. Le Puy, France 3½ gns (framed)

109. The Zattere, Venice. 3½ gns (framed)

110. Cagnes, France. 3½ gns (framed)

111. Old gateway, Sisteron, France. 4½ gns (framed)

SHIRLOW, John (1869–1936)

116. The smithy, Ross, Tasmania. 2 gns (framed)

117. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)

118. Corio Bay, Geelong. 3 gns (framed)

119. Yarraside. (2nd State). 3 gns (framed)

120. Gate of the City. 3 gns (framed)

121. Evening calm. 4 gns (framed)

LINDSAY, Norman (1879–1969)

122. Enter the Magicians. 15 gns (unframed)

123. Leda. 10 gns (unframed)

124. C. Sharp Minor Quartette. 15 gns (unframed)

125. Don Juan's garden. 8 gns (unframed)

126. Self Portrait. 15 gns (unframed)

127. The Innocents. 15 gns (unframed)

128. Desert Island. 6 gns (unframed)

Artist: LINDSAY, Norman | Title: Land of the Sylphs | Date: 1926 | Technique: drypoint, printed in blue ink, from one plate

129. Land of the Sylphs 10 gns (unframed)

130. Amazons. 6 gns (unframed)

131. The King, the Queen and the Lady. 6 gns (unframed)

132. Pan's Hour. 6 gns (unframed)

133. Armoured. 10 gns (unframed)

134. Capricio.

135. Toilet.

136. That Hidden Faun -.

GRIFFIN, Murray (1903–1992)

137. The white one. 3½ gns

138. Cinerarias. 3½ gns

139. The golden duck 3½ gns

140. The shorn ones. 3½ gns

141. Single roses. 3½ gns

Artist: GRIFFIN, Murray | Title: Wild duck | Date: 1933 | Technique: linocut, printed in colour, from multiple blocks

142. Wild duck 2½ gns

143. The Wistful Duck. 2½ gns

Dillon, Cyril. (1883–1974)

145. Melbourne Grammar School. 3 gns (unframed)

146. Serenity. 3½ gns (unframed)

URE SMITH, Sydney (1887–1949)

147. Entrance, old Colonial Treasury. 4 gns

148. Cumberland Street Hostel. 2½ gns

149. Argyle. 3 gns

150. Shade. 3 gns

151. Old road to Picton. 4 gns

152. Upper Fort Street. 2 gns

Parsons, E.

153. North East Valley, Dunedin, N.Z. 9 gns

154. Hartland. 8 gns

155. Clovelly. 8 gns

156. The Fishing Village. 8 gns

157. Gooseham Hill, near Welcombe. 7 gns

158. At Mead. 7 gns

159. English Landscape. 6 gns

160. The cottage in the bush. 6 gns

161. Clovelly. 6 gns

162. The Old Farm House. 6 gns

163. On the Divide. 5 gns

164. The old barn. 5 gns

165. Hope House. 5 gns

166. Ancients. 5 gns

167. Spain. 5 gns

168. Dandenong. 4 gns

169. Settler's Hut. 4 gns

PRESTON, Margaret (1875–1963)

170. Crows. 1 gn (framed)

171. Chorozema. 1 gn (framed)

172. Rock Lily. 1 gn (framed)

Artist: PRESTON, Margaret | Title: Banksia cobs | Date: 1933 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

173. Banksia cobs 3 gns (framed)

174. Koala. 5 gns (framed)

Artist: PRESTON, Margaret | Title: Wheelflower. | Date: 1929 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

175. Wheelflower. 5 gns (framed)

176. Australian Black Ducks. 3½ gns (framed)

177. Fuchsia. 3 gns (framed)

Artist: PRESTON, Margaret | Title: Dahlia and sunflower | Date: 1933 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

178. Dahlia and sunflower 2½ gns (framed)

179. Hakea. 2 gns (framed)

180. Magnolia. 1½ gns (framed)

181. Crotolaria. 1½ gns (framed)

182. Kookaburras. 1½ gns (framed)

183. Banksia, N.S.W. 1½ gns (framed)

184. Bossiaea. 1 gn (framed)

Cobb, Victor. (1876–1945)

185. Scotch College, Hawthorn. 2½ gns (framed)

186. St. John's Church, Toorak. 2½ gns (framed)

187. The archway, Scotch College. 3 gns (framed)

188. Norman Archway, City Courts. 2½ gns (framed)

Pratt, Douglas. (1900–1972)

189. Summer Shade. 2 gns (unframed)

190. Rustling in the Breeze. 1 gn (unframed)

191. Trees of the Tablelands. 3 gns (unframed)

192. The roadside pool. 1½ gns (unframed)

193. Still Waters. 3 gns (unframed)

194. Paddocks on the Plains. 3 gns (unframed)

Levick, T.F. (1864–1945)

200. Floodbury ferry, Evesham. 4 gns

201. The Stanley Hall, Chester. 4 gns

202. Market Square, Evesham. 4 gns

203. Cropthorn, Worcester. 4 gns

204. Cowl Street, Evesham. 4 gns

205. Mary Anderson's House. 4 gns

206. Greyfriars Street, Chester. 4 gns

207. Cafe, Broadway, Worcester. 4 gns

Dyson, Will. (1880–1938)

208. Mornin' White Trash!. 4 gns

Exhibition of pencil drawings, etchings, watercolours and painting by Douglas Pratt.

Venues

Fine Art Society's Gallery [Melbourne]. (1 August 1934 – 13 August 1934)
100 Exhibition St., Melbourne, Victoria, Australia

Works

Pratt, Douglas. (1900–1972)

26. Gums of Monaro. 4 gns 4 gns (Framed) Un4 gns (Unframed) | 2 proofs only available for sale

27. Still waters. (National Gallery). 3 gns

28. The roadside pool. 2 gns | 1 proof only for sale

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

29. The Sunlit Forge 2 gns | Collection:National Gallery, W.A.

30. Warriors of the West. 3 gns

Artist: Pratt, Douglas. | Title: Guardians of the Valley | Date: 1934 | Technique: etching, printed in brown ink, from one plate

31. Guardians of the Valley 3 gns

32. Argyle Cut. 2 gns

33. Lennox Bridge, Parramatta 2 gns

34. Paddocks on the Plains. 3 gns

35. Summer haze. 2 gns | 2 proofs only available for sale | in National Gallery

36. A bend in the Macquarie. 1½ gns

37. Pyrmont Bridge. 1½ gns

38. Narooma. 1½ gns

39. Victims of the Southerlies. 2 gns

Painter-Etchers and Graphic Art Society of Australia, Exhibition, 1937.

Venues

Education Department Gallery (23 November 1937 – 17 December 1937)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Baker, Normand H. (1908–1955)

Pencil Study. 6 gns

Nude [drawing]. 5 gns | Drawing.

Self Portrait. 6 gns

Hirst, G.W.L. (1868–1965)

A harbour boat shed. 3 gns

Pratt, Douglas. (1900–1972)

Quiraing -.

Artist: Pratt, Douglas. | Title: Gums of the sunny south | Date: 1937 | Technique: etching, printed in black ink, from one plate

Gums of the sunny south 6 gns

Walker, F. Sidney. (1888–1972)

Bush track in Riverina. 1 gn

Brodziak, Phyllis Ruby. (1916–1967)

1. Foggy Night. 1 gns

2. Kalnes. 2 gns

Pratt, Douglas. (1900–1972)

10. Lyndhurst Gardens -.

11. Mt. Bimlow, Burragorang. 20 gns

12. St. Mary's, Sydney.

13. 'Laluma', Woollahra -.

Emanuel, Cedric. (1906–1995)

14. Hobart. 5 gns

PLATT, Austin (1912–2003)

15. Book Plate (kindly lent).

Russom, Reginald. (1877–1952)

16. Prospectors. 1½ gns

17. The Pack Horse. 1½ gns

18. Taking Out the Kinks. 1½ gns

Baker, Alan Douglas (1914–1987)

19. Pencil Study of Nude. 7 gns

20. Head Study. 6 gns

Farmer, Helen. (1888–1970)

21. The broken gate. 1½ gns

22. The River Oak. 2 gns

PLATT, Austin (1912–2003)

23. Olive. 1½ gns

24. Congregational Church, Burwood. 5 gns

Gallop, Herbert. (1890–1958)

25. The old cottage, Meadowbank. 7 gns

Ingleton, Geoffrey. (1908–1998)

26. Storm driven. 3 gns

Hirst, G.W.L. (1868–1965)

27. An old land mark. 3 gns

28. From A Window In Balmain. 3 gns

29. White Horse Point. 3 gns

30. Drifting to Her Moorings. 3 gns

31. Evening. 3 gns

32. Morning Mist. 5 gns

PLATT, Austin (1912–2003)

33. 'Hutchins', Hobart. 1½ gns

34. Royal Exchange, Sydney 2 gns

ROBERTSON, Bruce (1872–1943)

35. A bend of the Williams River. 1½ gns

35a. Trees, Balmoral. 1 gn

36. Sydney from Harbour. 1½ gns

37. Old Jamieson Street, Sydney. 1½ gns

38. Palm Beach, Pittwater. 1½ gns

39. Williams River, Glenoak. 1½ gns

Emanuel, Cedric. (1906–1995)

40. Balmain Waterfront. 12 gns

41. Kilmore. 7 gns

42. Hobart. 15 gns

Baker, Alan Douglas (1914–1987)

43. Joe Holloway. 13 gns

44. A Sulky child. 12 gns

Ingleton, Geoffrey. (1908–1998)

45. Sea ruffians - The mutiny of the Bounty on the morning of 28th April, 1789. The ship seized by Fletcher Christian and his associates from Captain Bligh. 3 gns

46. Sea rivalry - Flinders' Investigator meets Baudin's Le Geographe in Encounter Bay, 7th April, 1802. 3 gns

Emanuel, Cedric. (1906–1995)

47. Timber Mills, South Coast. 2 gns

Hirst, G.W.L. (1868–1965)

48. Northbridge Hills. 3 gns

Langker, Erik. (1898–1982)

49. A river monarch. 10 gns

50. The river bank, Windsor. 4 gns

51. Sunlight Thru the Trees. 6 gns

52. Spring. 3 gns

Crisp, James. (1879–1962)

53. Chums. 5 gns

54. The Wood heap, Megalong Valley. 3 gns

Dattilo-Rubbo, Anthony. (1870–1955)

55. Drawing (in chalk and charcoal). 8 gns

Crisp, James. (1879–1962)

56. St. Mark's. 1 gn

Walker, F. Sidney. (1888–1972)

56a. Billabong in Riverina. 1 gn

Gallop, Herbert. (1890–1958)

57. Springtime. 8 gns

Walker, F. Sidney. (1888–1972)

58. Morning at Collaroy. 2 gns

Reid, Stuart. (1935–)

59. Tumbledown Avenue, Windsor. 8 gns

Hosking, W. John. (1930–)

60. A Pattern of Shadows. 3 gns

O'SHEA, Molly (1890–)

61. Boats at Berry's Bay. 1½ gns

62. Daisies. 1 gn

Hosking, W. John. (1930–)

63. The old stable. 3 gns

64. On the North Coast. 3 gns

65. Fig Trees. 3 gns

66. Newcastle Headlands. 4 gns

Coglan, Elaine E. (1897–1989)

67. The Girl. 2 gns

68. Pencil Portrait. 2 gns

69. A Digger. 5 gns

RICHARDS, B.

69a. Sunshine and shadow. 2½ gns

69b. In An Old Garden, Ryde. 3 gns

Dwyer, Ella. (1887–1979)

70. Shady depths. 2 gns

71. Mornlight Sunlight. 1 gn

Watkins, J.S. (1866–1942)

72. Pencil Drawing. 25 gns

73. Head of an old man.

74. Study of head.

75. Semi Nude. 30 gns

Farleigh, John. (1900–1965)

76. Capture of the Irishman. 3½ gns

77. Black girl and the artist. 4 gns

78. Milk Thistle. 3½ gns

79. The Boy David. 3½ gns

Ingleton, Geoffrey. (1908–1998)

80. Zeehan, Shooting the Sun. 3 gns

81. Botany Bay 'Welcome' - The Endeavour coming to anchor 29th April, 1770. Capt. Cook had nothing but praise for the stauch little cat-built bark Endeavour. 3 gns

Chambers, Alfred. (1930–)

82. The Windswept Coast. 3 gns

83. The Early Moon. 2 gns

Thorpe, Lesbia. (1919–2009)

85. Head Study. 3 gns

86. Candles. 5 gns

87. The Invalid. 5 gns

COWDROY, Vic (1908–)

88. Portrait sandgrain. 7 gns

Parsons, Alice Mary. (1863–1939)

88. Swamp Oaks. 1½ gns

89. Rain Clouds. 1½ gns

Gallop, Herbert. (1890–1958)

90. Old Manildra. 2 gns

91. Pike's Farm, Manildra. 3 gns

92. Ti-trees. 10 gns

93. Along Victoria Road, Dundas. 6 gns

94. Mandadgery Creek. 3 gns

COWDROY, Vic (1908–)

95. King's Cross (Design for Mural). 6 gns

96. Study in Chalk. 2½ gns

97. A Study in Chalk. 2½ gns

Parsons, Alice Mary. (1863–1939)

98. Winter Trees in Parramatta Park. 1½ gns

99. Nocturne. 1 gn

Coglan, Elaine E. (1897–1989)

100. The model. 3 gns

Dwyer, Ella. (1887–1979)

101. Bookplates -.

Farleigh, John. (1900–1965)

102. The black girl and King Richard. 2½ gns

103. The Black girl. 4 gns

104. Hemlock. 4 gns

105. Birch Trees. 2½ gns

Ingleton, Geoffrey. (1908–1998)

106. Dawn and aweigh - The Supply leaving Botany Bay for Port Jackson, 25th January, 1788, with Captain Phillip aboard. 3 gns

107. Seekers - Dampier's Roebuck, in Shark Bay, 11th Aug., 1699. The first British Warship to arrive in Australian waters. 3 gns

Chambers, Alfred. (1930–)

108. The Edge of the Dunes. 2 gns

109. A Southerly Off the Coast. 5 gns

ROBERTSON, Bruce (1872–1943)

110. Merewether Lagoon, Newcastle. 2 gns

111. Rue de L'Cordelias, Dinan, France. 2 gns

112. The coming storm. 3 gns

113. Old Argyle Cut, Sydney. 2 gns

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

114. Rue de l'Cordonnerie, Dinan, France 10 gns

115. Waterloo Bridge, London. 2 gns

116. A Monarch of the Bush. 3 gns

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

117. Roadside trees 1½ gns

118. Arrival of the Australian Fleet. 4½ gns

McDonald, Sheila. (1902–1971)

119. Coral Trees in Winter. 3 gns

120. The lagoon, Lord Howe Island. 1½ gns

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

121. Bulletin Place, Sydney 1½ gns

122. Where the River Bends. 1½ gns

123. St. Paul's Cobbitty. 4 gns

124. Moonlight. 5 gns

125. Doorway, Old Government House, Parramatta. 2½ gns

126. Tumut Poplars. 5 gns

LINDSAY, Norman (1879–1969)

127. Title not known.

128. [No information provided].

129. Title not known.

Pratt, Douglas. (1900–1972)

130. Main Entrance, Sydney University.

131. The roadside pool.

132. The Sunlit Forge

133. Summer Shade -.

Artist: Pratt, Douglas. | Title: Gums on Monaro | Date: c.1932 | Technique: etching, printed in brown ink, from one plate

134. Gums on Monaro

LONG, Sydney (1871–1955)

135. Avoca landscape. 3 gns

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

136. The lake, Avoca 4 gns

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

137. On the Wandle 3 gns

138. Street, Alexandria. 5 gns

139. The river from Waterloo Bridge. 6 gns

140. Chalk and Wash Drawing. 8 gns

141. The little boat shed. 3 gns

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

142. Moonrise pastoral 5 gns

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

143. Circular Quay, Sydney 4 gns

Artist: LONG, Sydney | Title: The lagoon | Date: 1928 | Technique: aquatint and drypoint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

144. The lagoon 4 gns

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

145. The bridge, Avoca 4 gns

Morgan, Squire. (1886–1974)

146. Misty moonrise. 3 gns

147. The glade. 2 gns

148. Old Scots' Church. 3 gns

149. Old bullock dray. 3 gns

150. Roadside shanties. 3 gns

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

151. The lagoon, Dee Why 3 gns

152. Hawkesbury corn barn. 3 gns

153. Windswept Trees, Avoca. 1 gn

Walker, F. Sidney. (1888–1972)

154. The University, Sydney. 1 gn

155. Sydney. 1½ gns

156. The River, Tweed. 1½ gns

157. Newport. 2 gns

158. The timbered ridge. 3 gns.

159. Woodford. 3 gns

Hirst, G.W.L. (1868–1965)

160. Eventide. 4 gns

161. On the Parramatta River. 3 gns

162. St. Mary's Basilica, Sydney. 5 gns

163. The Convent, Rose Bay. 4 gns

164. Ball's Head. 3 gns

165. The Coal Mine. 3 gns

O'SHEA, Molly (1890–)

166. Reconstructing the Argyle. 1½ gns

Ingleton, Geoffrey. (1908–1998)

167. Safely moored in Sydney Cove. 3 gns

168. Waiting the ebb - The Heemskerck at Batavia, 16th Aug., 1642 (Tasman's Voyage). 3 gns

169. Raked fore and aft. 3 gns

Peterson, Stuart. (1900–1976)

170. Cleaning Kumaras. 20 gns

171. Hauling the canoe log. 20 gns

172. Taranaki, The Mountain god. 15 gns

173. Papaka and Pupu. 30 gns

174. The Whanganui Taniwha. 10 gns

Crisp, James. (1879–1962)

175. Fishing boats, San Francisco Bay. 1½ gns

176. Cocoanut Palms, Magnetic Island, North Queensland. 2 gns

177. Porch, St. Michael's Rose Bay. 2 gns

178. The old mill, Auckland, N.Z. 1½ gns

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

179. The gander. 1 gn.

Brodziak, Phyllis Ruby. (1916–1967)

180. The Stabbur, Norway. 3 gns

181. Iceland: 'The Midnight Sun'. 3 gns

O'SHEA, Molly (1890–)

182. Lennox Bridge, Parramatta. 1½ gns

Russom, Reginald. (1877–1952)

183. Cobb and Co. 2 gns

184. The Mail Goes Through. 2 gns

Emanuel, Cedric. (1906–1995)

185. A Rushcutter's Bay boatshed. 5 gns

186. Boatsheds, Mosman. 2 gns

187. Capel's boatshed, Ruschutter's Bay. 3 gns

188. Farm, Richmond. 2 gns

189. Old stable, Windsor, NSW. 1½ gns

190. Halvorsens. 5 gns

191. Idle Jinkers. 4 gns

Baker, Normand H. (1908–1955)

192. Bruce. 5 gns

193. Alan. 12 gns

Dwyer, Ella. (1887–1979)

194. Four O'Clocks sandgrain. 2 gns

195. Old Homes, Campbell Street. 1½ gns

196. Misty morning sandgrain. 2 gns | sandgrain

197. Gathering Storms, Mount Cook, N.Z. 1½ gns

198. Flamingoes, Taronga Park. 2 gns

199. Tree Fern at Sunset. 1½ gns

199a. Moonbeams. 1½ gns

ST JOHN, Ellis (1874–1949)

200. Roadmaker's Camp, N.S.W. 2 gns

201. Milson's Point, rom Old Railway yard. 2 gns

202. Sydney Harbour Bridge. 2 gns

203. The Thames from Chelsea Bridge. 2 gns

204. St. James' Doorway, Sydney. 2 gns

205. Milson's Point, Sydney. 1½ gns

206. Dawes Point, Sydney. 1½ gns

Russom, Reginald. (1877–1952)

207. Henry Lawson. 75 gns

OSBORNE, Malcolm (1880–1963)

208. Chinon Castle. 6 gns

209. Dordrecht. 8 gns

210. City Walls, Avignon. 6 gns

211. His Honor, Judge Parry. 8 gns

Fletcher, Hanslip. (1874–1955)

212. St. George's Chapel, Windsor. 15 gns

Gaskell, Percival. (1868–1934)

213. High tide. 8 gns

214. The Lake. 4 gns

215. The Black Island. 8 gns

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

216. Nude Study. 7 gns

Airy, Anna. (1882–1964)

217. Portrait of a boy. 5 gns

Hardie, Martin. (1875–1952)

218. The farm on the hilltop. 3 gns

219. The Market Place. 5 gns

220. Sunset at Slaughter. 3 gns

SHORT, Frank (1857–1945)

221. In Port Volundam. 7 gns

222. April Day in Kent. 8 gns | etching

Duff, J.R.K. (1862–1938)

223. False Fire. 3 gns