Bullfight in a Village.

Lionel Lindsay (1874–1961)

Bullfight in a Village.

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

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Second Annual Exhibition of Etchings by the Australian Painter Etchers Society

Venues

Education Department Gallery (3 June 1922 – 24 June 1922)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Arms, John Taylor. (1887–1953)

1. A gable in theirs. American. | 12 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

1. A little deaf. New Zealand. | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923) and Dillon, Cyril. (1883–1974)

Artist: Boyd, Penleigh. | Title: Hauling the nets. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

1. Hauling the nets. Victoria | £2.02.0 (unframed) | drypoint

Crisp, James. (1879–1962)

1. The farmyard. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

1. The Chapel tower, Melbourne Grammar School. Victoria. | £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

1. St. Paul's Cathedral, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

1. St. James Church, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

1. Old timers, Berry's Bay. £3.03.0 (unframed) | etching

Gruner, Elioth. (1882–1939)

Artist: Gruner, Elioth. | Title: The wattles | Date: (1921) | Technique: drypoint, printed in black ink, from one plate

1. The wattles Kindly lent. | etching

Hope, Edith A. (1870–1942)

1. A Courtyard in France. Victoria. | £7.07.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

1. The Dochart, Perthshire. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

1. Rendezvous. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Micomicon | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

1. Micomicon £15.15.0 (unframed) | etching

Lindsay, Percy. (1870–1952)

1. Landscape. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

1. The little dutch mill £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

1. Ti-Tree. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

1. Jubbergate, York. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

1. Ti-Tree, N.S.W. £4.17.6 (unframed) | etching

Rose, Herbert. (1890–1937)

1. A corner of the Post Office. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

1. Brisbane Laneway. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

1. The Narrow Cave. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The waterhole | Date: 1922 | Technique: etching, printed in brown ink with plate-tone and wiped highlights, from one plate

1. The waterhole Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

1. Across the plains, Windsor (1st state). £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

1. Cool Water. South Australia | £6.06.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

2. Dawn. 15 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

2. Study of an old man's head. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

2. Morning. Victoria | £4.04.0 (unframed) | drypoint

Crisp, James. (1879–1962)

2. Breakfast. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

2. The Swimming Pool, Coombe Cottage. Victoria | £4.04.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

2. Australia House, London. £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

2. Martin Place, Sydney. £4.04.0 (unframed) | etching

None

2. Church, Port Arthur, Tasmania. £2.02.0 (unframed) | etching

Hope, Edith A. (1870–1942)

2. Laon, The Aeroplane. Victoria | £3.13.6 (unframed) | etching

2. Ville D. Eu. Victoria. | £5.15.6 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

2. Magdalen Tower and Bridge, Oxford. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The shanty on the rise | Date: 1922 | Technique: etching, printed in brown ink, with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. The shanty on the rise £2.02.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

2. Blind Man's Wife. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

2. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

2. Tree Study. £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

2. Heart of the Bruce. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

2. Reflections Cook's River, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

2. Sydney Harbour. Victoria. | £2.07.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

2. The sentinel. £2.02.0 (unframed) | drypoint

SHIRLOW, John (1869–1936)

2. East and West. Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: The west window | Date: 1922 | Technique: etching and drypoint, printed in warm black ink with plate-tone, from one plate

2. The west window Victoria | £3.03.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

2. Cottage, Clarendon £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The far shore | Date: 1921 | Technique: drypoint, printed in brown ink, from one plate

2. The far shore South Australia. | £2.02.0 (unframed) | etching

Arms, John Taylor. (1887–1953)

3. The butterfly. 18 US dollars (unframed) | etching

Arndt, Mina. (1885–1926)

3. Cornish interior. New Zealand | £5.05.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

Artist: Boyd, Penleigh. | Title: Evening. | Date: c.1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

3. Evening. £4.04.0 (unframed) | drypoint

Friedensen, Thomas. (1879–1931)

3. Barges, Chiswick Mall. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

3. Hunter Street, Sydney. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

3. Lindisfarne, Hobart. £2.02.0 (unframed) | etching

HOWARTH, Albany E. (1872–1936)

3. The Blue Mosque, Cairo. English. | £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

3. University, Medical School. £2.12.6 (unframed) | etching

LINDSAY, Norman (1879–1969)

3. Sortie. £6.06.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Old houses, Worcester | Date: c.1919 | Technique: drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

3. Old houses, Worcester £3.03.0 (unframed) | drypoint

Morgan, Squire. (1886–1974)

3. Deserted hut. £2.12.6 (unframed) | etching

MORT, Eirene (1879–1977)

3. Vaucluse House. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

3. Across Lake Macquarie, N.S.W. £1.16.6 (unframed) | etching

Rose, Herbert. (1890–1937)

3. Glebe Island Bridge, Sydney. Victoria. | £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

3. The clock tower not for sale | etching

SHIRLOW, John (1869–1936)

3. Chinese at a doorway Victoria | £3.03.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

3. The Giant. £1.01.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

3. Farmhouse, Hartley. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

3. Valley mists. South Australia | £4.04.0 (unframed) | etching

Arndt, Mina. (1885–1926)

4. Orpeush with his lute. New Zealand | £4.04.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

4. The white gum. Kindly lent. | etching

Friedensen, Thomas. (1879–1931)

4. Old houses, Candebec, Normandy. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

4. St. Mary's Catheral, Sydney. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

4. From the Archbishop's Garden. Victoria. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

4. 'Ben Hall's', The Bushranger's Home. £2.02.0 (unframed) | aquatint

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

4. Unknown seas £15.15.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

4. The harbour, St.Ives £3.03.0 (unframed) | softground

Morgan, Squire. (1886–1974)

4. Deserted Hut (first state). £3.03.0 (unframed) | etching.

MORT, Eirene (1879–1977)

4. The team. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

4. Groote Church, Dordrecht, Holland. £1.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

4. McMahon's Point, Sydney. Victoria. | £2.12.6 (unframed) | etching

Shaw, Gayfield. (1885–1961)

4. The Farmlets. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

4. Ploughing the hill, Berwick. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

4. Hawkesbury River Farm. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

4. The cowshed. South Australia. | £4.04.0 (unframed) | etching

Wheatley, John. (1892–1955)

4. A Point of View. English. | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

4. Willows in Winter. American. | 14 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

5. Caesar's Tower, Warwick Castle. £3.03.0 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

5. The Old Slave Market, Capetown. £3.03.0 (unframed) | etching

Hope, Edith A. (1870–1942)

5. Coney le Chateau. Victoria | £6.06.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

5. The Great Red Gum. £4.04.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

5. Bargins. £5.05.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

5. Staples Inn, Holborn £2.12.6 (unframed) | aquatint

Morgan, Squire. (1886–1974)

5. Deserted hut. not for sale | drypoint

MORT, Eirene (1879–1977)

5. Palm Court, Vaucluse. £1.11.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

5. The wave, Coogee, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

5. Moonlight on the Scene. £5.05.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

5. The Hawkesbury River. £3.03.0 (unframed) | etching

Wheatley, John. (1892–1955)

5. The Old Engraver. English | £4.04.0 (unframed) | etching

Young, Charles Jac. (1880–1940)

5. Spring Morning. American | 18 US dollars (unframed) | etching

Bentley, Alfred. (1879–1923)

6. The Hills of Auvergue. English. | £7.07.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

6. An Alley in Antwerp. £2.12.6 (unframed) | aquatint

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Bridge Street, Sydney. | Date: 1922 | Technique: etching, printed in black ink, from one plate

6. Bridge Street, Sydney. £4.04.0 (unframed) | etching

Haines, Fred S. (1879–1960)

6. The Old Beech. American. | US$15 (unframed) | etching

Hope, Edith A. (1870–1942)

6. The Viaduct, Albi. Victoria | £7.07.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

6. The Law Courts. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

6. The Mill. £5.05.0 (unframed) | aquatint

Morgan, Squire. (1886–1974)

6. Landscape, Scone (first state). £3.03.0 (unframed) | etching

MORT, Eirene (1879–1977)

6. Kookaburras. £2.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

6. The Little Bridge, N.S.W. £1.01.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

6. Chinese Opera. Victoria | £5.05.0 (unframed) | coloured etching

URE SMITH, Sydney (1887–1949)

6. Bilgola, Newport. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

7. Shakespeare's Birthplace, Stratford-on-Avon. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

7. Murrundie Valley, N.S.W. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

7. Sant Salvi. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

7. Harmony. £1.11.6 (unframed) | etching

LONG, Sydney (1871–1955)

7. Epping Forest, Landscape. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

7. War Memorial, Double Bay. £2.02.0 (unframed) | etching

QUINLAN, Will J. (1877–1963)

7. Burling Slip, New York. American. | US$20 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

7. West Front, Westminster Abbey. £1.16.6 (unframed) | etching

Smith, D. Murray. (1865–1952)

7. Hammersmith. English. | £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

7. The Tower, Carcassonne, Night. Victoria | £1.01.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

7. The three barns. Kindly lent by Ernest Watt, Esq. | etching

Friedensen, Thomas. (1879–1931)

8. Porch, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

8. The old barn. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

8. Trees in the Wind. Victoria. | £6.16.6 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Don Quixote | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

8. Don Quixote £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

8. Strand on the Green. £4.04.0 (unframed) | etching

MORT, Eirene (1879–1977)

8. Macquarie Light. £2.02.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

8. Prince's Set of three. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

8. Uncle William Creech. American | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

8. Timber Belts. £7.07.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

8. Chinaman's garden's, Rose Bay. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

8. St. Peter's, Rome. £8.08.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

9. Avenue, Harfleur. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

9. The lagoon. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

9. Cathedral, Laon. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Red Gums | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

9. Red Gums £1.11.6 (unframed) | mezzotint.

LONG, Sydney (1871–1955)

9. The river from Waterloo Bridge. £6.06.0 (unframed) | etching

Telling, Elizabeth. (1881–)

9. Barbara Ann. American. | 10 US dollars (unframed) | etching

TRAILL, Jessie (1881–1967)

9. The Chaff Cutter. Victoria. | £4.04.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

9. Harbour from Rose Bay. £2.02.0 (unframed) | etching

WALCOT, William (1874–1943)

9. Arc, St. Carlo. English. | £5.05.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

10. Studio Interior, Hammersmith. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

10. Echo Point, Katoomba. £4.04.0 (unframed) | etching

Hope, Edith A. (1870–1942)

10. Cathedral, Albi. Victoria. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

10. Bridge and Basket Willow. £3.03.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

10. Parchment Mill on the Wandle. £4.04.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

Artist: TRAILL, Jessie | Title: Good night in the gully where the white gums grow. | Date: 1922 | Technique: etching and aquatint, printed in brown ink, from one plate

10. Good night in the gully where the white gums grow. Victoria | £7.07.0 (unframed) | aquatint

URE SMITH, Sydney (1887–1949)

10. Sandhills, Bellevue Hill. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

10. Villa Quintilii. English | £8.08.0 (unframed) | etching

Burr, George Elbert. (1859–1939)

10. Arizona Clouds. American. | 36 US dollars (unframed) | etching

Friedensen, Thomas. (1879–1931)

11. The tramp. £2.12.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

11. Darling Harbour, Sydney. £3.03.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The terrace by the sea | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

11. The terrace by the sea £3.03.0 (unframed) | aquatint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

11. Beddington Corner £4.04.0 (unframed) | aquatint

PARTRIDGE, Roi (1888–1984)

11. Carmel, California. American. | 10 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The barn, Evening. £3.03.0 (unframed) | etching

WALCOT, William (1874–1943)

11. The wooden temple. English. | £9.09.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

12. The Dick Whittington, Smithfield. £3.03.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

12. Ye Old Fighting Locks, St Albans. £4.04.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

12. The Tinsmith's shop, King Street, Sydney £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

12. The passing storm £5.05.0 (unframed) | etching

Miller, Arthur (1893–1975)

12. A Crisp Morning. American. | 6 US dollars (unframed) | etching

URE SMITH, Sydney (1887–1949)

12. Camden, N.S.W. £3.03.0 (unframed) | etching

Whistler, James McNeill. (1834–1903)

12. The Music Room. English. | £6.06.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

13. cedar Court, Suffolk. £4.04.0 (unframed) | etching

HADEN, Francis Seymour (1818–1910)

13. A water meadow. English. | £8.08.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

13. The Gypsy dance £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

13. Pan £10.10.0 (unframed) | etching

Miller, Arthur (1893–1975)

13. Morning on a Calif. Hillside. American | US$6.00 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

14. Rue de Seine, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

14. Hunter Street. £2.12.6 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

14. On the Wandle £4.04.0 (unframed) | etching

PLOWMAN, George T.

14. Staples, Inn, London. American | US$10.00 (unframed) | etching

SHORT, Frank (1857–1945)

14. Shap Fell, Cumberland (Mezzotint after Peter De Wint). English. | £10.10.0 (unframed) | mezzotint

FULLWOOD, A.H. (1863–1930)

15. Street Latin Quarter, Paris. £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

15. The Great Pear Tree, Windsor. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

15. Hawkesbury landscape £3.03.0 (unframed) | etching

PLOWMAN, George T.

15. Cloth Fair, Smithfield. American | 15 US dollars (unframed) | etching

ROBINS, W.P. (1882–1959)

15. Near Potter Heigham. English. | £4.04.0 (unframed) | etching

Lewis, Allen. (1873–1957)

16. The Workshop. American | US$20 (unframed) | etching

LINDSAY, Lionel (1874–1961)

16. The old Bark Hut. £2.12.6 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

16. Between the showers £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

16. Farm near Sandwich, Kent. English. | £5.05.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

17. William Dixson, Esq. kindly lent. Kindly lent | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

17. The belfry, Bruges £3.03.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

17. South Walsham. English. | £3.03.0 (unframed) | etching

Lewis, Allen. (1873–1957)

17. Gowanus Canal. Lewis, Allan [sic] | US$22 (unframed) | etching

18. Place de la Poissonerie, Chartres. Lewis, Allan [sic] | US$18 (unframed) | etching

18. Place de la Poissonerie, Chartres. US$18.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

18. The pumpkin patch, Windsor £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

18. A Cornish landscape £3.03.0 (unframed) | aquatint

Mura, Frank. (1861–)

18. In the Fields near Lancery. English. | £2.02.0 (unframed) | etching

LINDSAY, Lionel (1874–1961)

19. Bullfight in a Village. £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

19. Fantasy £6.06.0 (unframed) | aquatint

Pearson, Ralph M. (1883–1958)

19. Interpretation, 2nd State. American | 20 US dollars (unframed) | etching

UNWIN, Francis Sydney (1885–1925)

19. The Municipio, Florence. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

20. Rio dei Mendicanti, Venice. American | US$12. (unframed) | etching

LINDSAY, Lionel (1874–1961)

20. Bigola. £4.04.0 (unframed) | drypoint

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

20. The Victorian Tower £5.05.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

20. The Groote Kirk. English. | £3.03.0 (unframed) | etching

Jacques, Berth Evelyn. (1863–1863)

21. Sunny Corner, Villefranche. American | US$12.00 (unframed) | etching

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Old carriage way, Cumberland Street | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

21. Old carriage way, Cumberland Street £4.04.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

21. Moonrise pastoral £5.00.0 (unframed) | aquatint

Hardie, Martin. (1875–1952)

21. Wheelwirghts, Falaise. English. | £4.04.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

22. The Moth. American | 25 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

22. The lake. softground

Hardie, Martin. (1875–1952)

22. Norfolk Bridge. English. | £3.03.0 (unframed) | etching

Goldthwaite, Ann. (1875–1944)

23. Cockfight. American | 15 US dollars (unframed) | etching

LONG, Sydney (1871–1955)

23. Pastoral. £7.07.0 (unframed) | softground

Hardie, Martin. (1875–1952)

23. Grey Day, New haven 2 2 0 1924 Sydney 1-13 December. English. | £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

24. The Spirit of the plains £4.04.0 (unframed) | aquatint

LUMSDEN, E.S. (1883–1948)

24. Jodhpur, Sunset. English | £4.04.0 (unframed) | etching

Winkler, John W. (1890–1979)

24. Small Delicatessen Booth Not ). American | not for sale | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

25. The home of the rooks £4.04.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

25. The Hill Farmland. English. | £5.05.0 (unframed) | etching

Winkler, John W. (1890–1979)

25. Giner Shop for ). American | not for sale | etching

OSBORNE, Malcolm (1880–1963)

26. Le Puy. English. | £6.06.0 (unframed) | etching

Winkler, John W. (1890–1979)

26. Sacramento Street, San Frisco. Sale ). American | not for sale | etching

Barton, Loren R. (1893–)

27. Chinatown market. American | 18 US dollars (unframed) | etching

Benson, Frank. (1862–1951)

27. Black ducks. £21.00.0 (unframed) | etching

SOPER, George (1870–1942)

28. Lifting Potatoes. English. | £4.04.0 (unframed) | etching

Squirrell, Leonard R. (1893–1979)

29. Mill on the Wharfe. English. | £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

98. Studland Bay. £3.03.0 (unframed) | out of print

Unknown

Venues

Venue Not Identified. None

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Edge of the world. | Date: 1907 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Edge of the world. edition of 30, out of print

Evening. edition of 25, out of print

Artist: LINDSAY, Lionel | Title: The deserted shrine. | Date: 1907 | Technique: etching and aquatint, printed in warm black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

The deserted shrine. edition of 30 | out of print

Gums in Moonlight. edition of 30 | out of print

Diana. edition of 30 | out of print

Middle Harbour. edition of 25 | out of print

Convent of St. Margarita. edition of 30 | out of print

The goat's dance

Los Capucinos -. edition of 30

Gitana - -.

Bacchante and goat

Afternoon. edition of 30, out of print

Thessalian Sorcerers -. edition of 25

Portrait of N. Lindsay -. edition of 25

Romance -. edition of 25

Melbourne Town Hall. edition of 30 | out of print

Public Library, - Melbourne. edition of 30 | out of print

St. Mary's Cathedral, Sydney. edition of 30

Diana. edition of 25 | out of print

Baccante. edition of 30

The pool. edition of 30 | out of print

The Terrace. edition of 30

Six aquatints illustrating the poems of Griffith Fairfax.

Echo and Narcissus. edition of 130

Key of Green. edition of 130

Apollo and Daphne. edition of 130

Rondeau of the Night. edition of 130

Pan. edition of 130

Artist: LINDSAY, Lionel | Title: Wind of the sea. | Date: 1910 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Wind of the sea. edition of 130

The goat's dance out of print

Cremorne Point. edition of 25 | out of print

The Argyle. edition of 30

Old Hunter Street Book Shop (Mezzotint). edition of 30

Old Gloucester Street Rock (Mezzotint). edition of 30

The Rocks, (Mezzotint). edition of 30 | mezzotint

Clovelly, Watson's Bay, (Mezzotint). edition of 30 | out of print

The harbour from Cremorne (Mezzotint). edition of 30 | out of print | mezzotint

Old Education Dept (Mezzotint). edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: Gums in moonlight | Date: 1911 | Technique: mezzotint and etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Gums in moonlight edition of 30 | mezzotint

Miller's Point, Dawes Street. edition of 25 | out of print

Charlotte Place. edition of 30 | out of print

Old Essex Street. edition of 30 | out of print

Non-Commissioned Officers' Quarters. out of print

Kent Street. edition of 30

Nat, an old circus hand. edition of 25 | out of print

The Ocean Wave Hotel - Once Black Dog. edition of 50

Artist: LINDSAY, Lionel | Title: Officers quarters, Kent Street | Date: 1912 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Officers quarters, Kent Street edition of 50 | out of print

Old Treasury Buildings. edition of 50

Derelict, Kent Street. edition of 25 | out of print

Whalers' Arms Lane. edition of 30 | out of print

The New York Hotel, Lower George Street. edition of 50

The steps of the Sailors' Return. edition of 50 | out of print

Femmes damnées edition of 25

Artist: LINDSAY, Lionel | Title: The angler. | Date: 1912 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The angler. edition of 25

St. John's Darlinghurst, from College Street.

Street. edition of 25

The old Government Stores, Circular Quay. edition of 50

Artist: LINDSAY, Lionel | Title: Old houses, Cumberland Street, Sydney. | Date: 1912 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Old houses, Cumberland Street, Sydney. Not issued

Hero's Tower. edition of 30

Rose Bay Sand Dunes. edition of 25

Nude Study. not issued.

Death of Carmen (Aquatint) Not issued.

The fight with Garcia, the 'One-Eyed'.

(Aquatint) Not issued.

Fort Dawes. edition of 50 | out of print

The Union club. edition of 50 | out of print

Old Miller Street. edition of 50 | out of print

The plant auction, Hunter Street, (Mezzotint). edition of 30 | out of print | mezzotint

The Old Synagogue, Bridge Street. edition of 50

Mitchell's House, Cumberland Street. edition of 50 | out of print

The Bathers. edition of 30

Dead Timber. edition of 50

The Settler Not issued. not issued.

Artist: LINDSAY, Lionel | Title: Autumn evening | Date: 1913 | Technique: spirit-aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Autumn evening edition of 30, out of print

Eve. edition of 30

Portrait of Christopher Brennan -.

On the way to Kosciusko. edition of 30

Hyde Park Corner. edition of 50

Miller Street, George Street North. edition of 50

Education Dept, from Bridge Street. edition of 50, out of print

Old George Street Markret and Police.

Court. edition of 50

Old Sydney Warves, Miller's Point. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Elizabeth Farm, Parramatta | Date: 1914 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Elizabeth Farm, Parramatta edition of 50

Hegarty's Old Baths, St. Kilda -. edition of 50

The little boat pier, St. Kilda. edition of 50

Fisherman's Boats, St. Kilda -. edition of 50

Artist: LINDSAY, Lionel | Title: An old courtyard, New veterinary institute, La Trobe Street, Melbourne. | Date: 1914 | Technique: etching and aquatint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

An old courtyard, New veterinary institute, La Trobe Street, Melbourne. edition of 50

St. James' Cathedral, - Melbourne. edition of 50

Artist: LINDSAY, Lionel | Title: The Little Pool, old and Customs House, River Yarra Melbourne | Date: 1914 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Little Pool, old and Customs House, River Yarra Melbourne edition of 50

Theatre Royal, Hobart -. edition of 50

The Martyrdom of Belgium -. edition of 50

'Trinity', Melbourne University -. edition of 50

Bookplate of H. White - -.

The old Fig Tree Hotel, North Sydney. edition of 50

The last of old Hunter Street, Sydney. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: The ropemaker's shop, Seville | Date: 1916 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The ropemaker's shop, Seville edition of 50

Kensington Chambers. edition of 50

Gates of the Capucinos, Seville. edition of 50

Refresmment, Seville edition of 50

Artist: LINDSAY, Lionel | Title: Governor Bourke' Hotel, Sussex Street, Sydney | Date: 1916 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Governor Bourke' Hotel, Sussex Street, Sydney edition of 50 | out of print

Eaton's Timber yards, Berry's Bay. edition of 30

Old St. Andrews. edition of 30 | mezzotint

Blackwalled House, Cumberland Street. edition of 50

Circular Quay, from Admiralty House. edition of 50

The Pewit. edition of 50

The satyr. edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: St. Andrew's towers, Sydney. | Date: 1916 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

St. Andrew's towers, Sydney. edition of 50 | out of print

A Spanish Grand. edition of 30, out of print

Ashmore House, Old Kent Street Mansion. edition of 50

The old church school house, Pitt Street. edition of 50

The pawnbroker of Argyle Street. edition of 50 | out of print

The Dancer. edition of 50

Ariadne. edition of 50, out of print

Nude Study.

Argyle Cut, from rear. edition of 50, out of print

Nude study, Sydney Sketch Club

Evensong. edition of 50, out of print

The Bathers. edition of 50

The Old Barracks. edition of 50

Artist: LINDSAY, Lionel | Title: The satyr's pool | Date: 1917 | Technique: etching and spirit-aquatint, printed in blrown ink, from one plate | Copyright: Courtesy of the National Library of Australia

The satyr's pool edition of 50

The mendicant. edition of 30 | out of print

St. Patrick's Cathedral, Melbourne. edition of 50

Fruit Market, Queen Street, Melbourne. edition of 50

Artist: LINDSAY, Lionel | Title: Rocks Resumption, with St. Philip's Church | Date: 1917 | Technique: etching and drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Rocks Resumption, with St. Philip's Church edition of 50

Queen's Street Theatre, Melbourne. edition of 50

Hilder, J.J. (1881–1916) and LINDSAY, Lionel (1874–1961)

Artist: Hilder, J.J. | Title: Dora Creek | Date: 1918 | Technique: spirit-aquatint and drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Dora Creek edition of 100 | out of print

LINDSAY, Lionel (1874–1961)

Pastoral, after S. Long. edition of 50

Old Government House, Windsor. edition of 50 | out of print

King Billy, after B.E. Minna. edition of 50 | out of print

Norman Lindsay. edition of 50

Albion Park. out of print

Ferry Lane. edition of 50 | out of print

Dawes Battery. edition of 50

Artist: LINDSAY, Lionel | Title: Portico, Old Education Department Sydney | Date: 1918 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Portico, Old Education Department Sydney edition of 50

The edge of the plain. edition of 30 | out of print

Norman Lindsay. edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: Sunday morning, the Rocks | Date: 1918 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Sunday morning, the Rocks edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Abandoned abattoir | Date: 1918 | Technique: etching, aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Abandoned abattoir edition of 50

St. Matthew's Church, Windsor. edition of 50

Refitting Berry's Bay. edition of 30 | out of print

Dawes Point. edition of 50

Nude with scarf. edition of 30

Rock Davies boatshed. edition of 30 | out of print

Cevantes University, Alcala de Hermares. edition of 50

Artist: LINDSAY, Lionel | Title: The Canon's niece, Spain | Date: 1919 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Canon's niece, Spain edition of 30 | out of print

St. Matthew's Church, windsor, from Park. edition of 50

In the Moors' Gate. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: The Doctor's house, Windsor, NSW | Date: 1919 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Doctor's house, Windsor, NSW edition of 50

Artist: LINDSAY, Lionel | Title: Carpenter's shop, Phillip Street, Sydney | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Carpenter's shop, Phillip Street, Sydney edition of 50

Artist: LINDSAY, Lionel | Title: Arcadia Alley, Pitt Street, Sydney | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Arcadia Alley, Pitt Street, Sydney edition of 50, out of print

Artist: LINDSAY, Lionel | Title: Ladies of Spain | Date: 1919 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Ladies of Spain edition of 50 | out of print

The Alcazar, Seville. edition of 50

Artist: LINDSAY, Lionel | Title: Evening harmony | Date: 1919 | Technique: spirit-aquatint, printed in brown ink with plate-tone with wiped highlights, from one plate | Copyright: Courtesy of the National Library of Australia

Evening harmony edition of 40, out of print

Old Argyle. edition of 50 | out of print

Mardi Gras. edition of 25 | out of print

The Bishop's door. edition of 30 | out of print

Stables of the Royal Hotel, Windsor. edition of 50

The Royal Hotel, Windsor. edition of 50

St. Philip's Church, Sydney (Mezzotint). edition of 45 | out of print

St. Matthew's Church, Windsor. edition of 50

Artist: LINDSAY, Lionel | Title: Old houses, Cumberland Street | Date: 1912 | Technique: etching and aquatint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Old houses, Cumberland Street edition of 50

Artist: LINDSAY, Lionel | Title: Henry Lawson | Date: 1919 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Henry Lawson edition of 50

The little balcony, Ferry Lane. edition of 50

Old Barn, Windsor. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Bulls on the bridge, Andalucia, Spain | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Bulls on the bridge, Andalucia, Spain edition of 50

The timber belt. edition of 50 | out of print

Hans Heysen's First Studio. edition of 40

The wool load. edition of 50

Artist: LINDSAY, Lionel | Title: The Mill Bridge, Bridgewater, South Australia | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Mill Bridge, Bridgewater, South Australia edition of 50

Returning home. edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Gamecocks, Spain edition of 50 | out of print

Old farm house, Ambleside, S.A. edition of 30

The Gypsy dance edition of 50

Artist: LINDSAY, Lionel | Title: The march hare | Date: 1919 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The march hare edition of 50

Moonrise. edition of 50 | out of print

Desolation. edition of 50 | out of print

Girls' High School. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Herodiade in the mirror | Date: 1919 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Herodiade in the mirror edition of 40

The Little Farmhouse, Windsor. edition of 50

Currency Lass. edition of 50

Great Dane. edition of 50

Artist: LINDSAY, Lionel | Title: Hulks, Berry's Bay | Date: 1920 | Technique: etching, aquatint and foul biting, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Hulks, Berry's Bay edition of 50

The drover edition of 50 | out of print

Little Argyle. edition of 50 | out of print

Guitar player. edition of 50 | out of print

Old carriage-way. edition of 50 | out of print

Cordova. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: In Heysen's country | Date: 1921 | Technique: etching, aquatint and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

In Heysen's country edition of 35 | out of print

Sacred Grove. edition of 40

Tinsmith's shop. out of print

Terrace by the sea. edition of 50

Bilgola. edition of 30 | out of print

Pumpkin patch. edition of 30 | out of print

The sundowner. edition of 50 | out of print

Hauling timber. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Muleteers, Spain | Date: 1921 | Technique: etching printed green-black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Muleteers, Spain edition of 50

Gypsy Dance. edition of 50

A Travelling Shearer. edition of 50, out of print

Rendervous. edition of 50

Shanty on the rise. edition of 50 | out of print

University Medical School. edition of 50

Ben halls. edition of 50

Great Red Gum. edition of 50

Law Courts. edition of 50

Harmony. edition of 50 | out of print

Don Quixote edition of 50

Red Gums edition of 45 | mezzotint

Bridge and Basket Willow. edition of 30 | out of print

Hunter Street. edition of 50

Great Pear Tree, Windsor. edition of 50

Wm. Dixson, Esq. out of print

Bullfight in a Village. edition of 50

Arab Palace. edition of 50

Artist: LINDSAY, Lionel | Title: Last duel of Don Juan Manara | Date: 1922 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Last duel of Don Juan Manara edition of 50

Camellias. edition of 50

Mates. edition of 25 | out of print

Artist: LINDSAY, Lionel | Title: A nook at Berry's Bay | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

A nook at Berry's Bay edition of 45 | mezzotint

Travelling sheep. edition of 50 | out of print

A Cottage Idyll. edition of 50

Gossip, Essex Street. edition of 50

Bulls on the bridge, Andalucia, Spain edition of 50

Lolly shop. edition of 50 | out of print

Refreshments. edition of 50

Bathers. edition of 50

The fossicker. edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Breakfast edition of 50 | out of print

House on the Wall. edition of 50 | out of print

Ebeneezer Vickery's, off Pitt Street, Sydney. edition of 50

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The crossing edition of 50

The Log. edition of 50

Artist: LINDSAY, Lionel | Title: Dawn | Date: 1923 | Technique: aquatint and burnishing, printed in brown ink with wiped highlights, from one plate | Copyright: Courtesy of the National Library of Australia

Dawn edition of 75

Teamster. edition of 75

Artist: LINDSAY, Lionel | Title: Old Burwood Hotel, Kent Street. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Old Burwood Hotel, Kent Street. edition of 75

Artist: LINDSAY, Lionel | Title: Sussex Street trade | Date: 1923 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Sussex Street trade edition of 30

Doric Porch. edition of 50

Selector. edition of 75 | out of print

The Two Trees, Ambleside.

The Never-Never. edition of 50

Tower of Gold, Seville. edition of 50

Artist: LINDSAY, Lionel | Title: The smithy window, Ambleside | Date: 1924 | Technique: drypoint and etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The smithy window, Ambleside edition of 75

The Departure. edition of 75

The bucking brumby. edition of 75

Pastoral. edition of 30

The drover. edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: Evening camp | Date: 1924 | Technique: aquatint, printed in brown ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Evening camp edition of 50

Hawkesbury River. edition of 30

Snowy River. edition of 75

Ronda. edition of 50

A Pipe of Baccy. edition of 75

Demolition - Girls' High School. edition of 75

Great Fig Tree. edition of 75

A Pannikin of Flour. edition of 100

Boundary Rider. edition of 30

Beggars. edition of 75

Summer moon. edition of 75

Stringy Bark. edition of 50

Water hole. edition of 50

Artist: LINDSAY, Lionel | Title: A Barye bronze | Date: 1924 | Technique: etching printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

A Barye bronze edition of 50

Sydney Waterside. edition of 50

The ride. edition of 50

Artist: LINDSAY, Lionel | Title: The deserted house, Creswick | Date: 1923 | Technique: aquatint and etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The deserted house, Creswick edition of 50

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The compliment edition of 50

Milson's Point. edition of 75

Barn and Stable. edition of 30

Sailor's Return. edition of 75

Artist: LINDSAY, Lionel | Title: Old Mac | Date: 1925 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Old Mac edition of 30

Artist: LINDSAY, Lionel | Title: Kosciusko The bull calls on the Perisher range, Kosciusko | Date: 1925 | Technique: spirit-aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Kosciusko The bull calls on the Perisher range, Kosciusko edition of 75

The little balcony, Ferry Lane. edition of 50

The Well. edition of 30

The trough. edition of 30

The Kiln. edition of 40

Laing's Church. edition of 75

Talbinga. edition of 50

The Shearer's Cook. edition of 30

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The vaquero edition of 50

A Northern River. edition of 50

Artist: LINDSAY, Lionel | Title: The Never Never, a composition | Date: 1924 | Technique: spirit-aquatint, printed in green/black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The Never Never, a composition edition of 50

Old Ambleside Barn. edition of 35

Cobb. edition of 40

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The drafting gate, Bendemeer edition of 35