Windswept Trees, Avoca.

Squire Morgan (1886–1974)

Windswept Trees, Avoca.

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

Catalogue [of the] Xmas Exhibition of the Australian Painter-Etchers' Society

Venues

Attic Gallery (3 December 1927 – 31 December 1927)
8th floor, Callaghan House, 393 (361?) George St., Sydney, New South Wales, Australia

Works

Barling, Mabel. (1914–)

A big cat. £1.01.0 (unframed) | etching

Check to the King. £1.01.0 (unframed) | etching

Britton, Fred. (1889–1931)

Construction, Sydney Harbor Bridge. £3.03.0 (unframed) | etching

Hyde Park Barracks and Corner District Court. £3.03.0 (unframed) | etching

Corner of Old Mint, Sydney. £3.03.0 (unframed) | etching

Demolition of Old Mint, Sydney. £2.12.6 (unframed) | etching

St. Mary's Cathedral. £3.13.6 (unframed) | etching

Sunlight. £2.12.6 (unframed) | etching

Crisp, James. (1879–1962)

A bit of Eden, South Coast. £1.11.6 (unframed) | etching

10. The quintette. £2.02.0 (unframed) | etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

11. The gander. £1.01.0 (unframed) | etching

12. The old mill, Auckland, N.Z. £1.11.6 (unframed) | etching

13. Peck's Farm, Kurrajong Heights. £2.02.0 (unframed) | etching

14. The porch, Saint Michael's, Rose Bay. £2.02.0 (unframed) | etching

Dwyer, Ella. (1887–1979)

Artist: Dwyer, Ella. | Title: A summer afternoon. | Date: c.1930 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

15. A summer afternoon. £1.11.6 (unframed) | etching

16. The Secret Passage, Elizabeth Bay House. £1.01.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

17. Excavations, Wynyard Sq. for City Railway, Sydney. £4.04.0 (unframed) | etching

18. Hunter Street, Sydney. £4.04.0 (unframed) | etching

19. 'The Whalers' Arms', Rocks, Sydney. £4.04.0 (unframed) | etching

Farmer, Helen. (1888–1970)

20. A Wharf at Forster. £2.02.0 (unframed) | etching

21. Deep Creek, Narrabeen Lake. £2.02.0 (unframed) | etching

22. The road to Forster. £2.02.0 (unframed) | etching

Artist: Farmer, Helen. | Title: Sunlit. | Date: 1926 | Technique: etching, printed in black ink with plate-tone, from one plate

23. Sunlit. £1.11.6 (unframed) | etching

24. Kurrajong. £2.12.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

25. Fording the Creek, New South Wales. £3.03.0 (unframed) | etching

26. A sunlit canal, Venice. £5.05.0 (unframed) | etching

27. The Bush, New South Wales. £4.04.0 (unframed) | etching

28. A pipe of 'baccy'. £2.12.6 (unframed) | etching

29. Kookaburras. £2.12.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

30. Windswept. £2.12.6 (unframed) | etching

31. The old stable. £2.02.0 (unframed) | etching

32. The valley. £2.02.0 (unframed) | etching

33. The river crossing. £1.01.0 (unframed) | etching

34. Sunlit farmyard. £2.02.0 (unframed) | etching

Glover, Allan. (1900–1984)

35. The burnt-out gum. £2.12.6 (unframed) | etching

36. The sandy track. £1.11.6 (unframed) | etching

37. At the Foothills. £2.02.0 (unframed) | etching

Artist: Glover, Allan. | Title: The riverside mill | Date: 1927 | Technique: etching, printed in brown ink, from one plate

38. The riverside mill £1.11.6 (unframed) | etching

39. The Shipyard. £2.12.6 (unframed) | etching

40. Sunlit gums. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

41. King Street, Sydney. £2.12.6 (unframed) | etching

42. Argyle. £2.02.0 (unframed) | etching

43. The Estuary. £2.12.6 (unframed) | etching

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

44. Brandon Bridge £2.02.0 (unframed) | lithograph

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

45. Landscape harmony £2.02.0 (unframed) | lithograph

Artist: GOODCHILD, John | Title: Light through trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

46. Light through trees £2.02.0 (unframed) | lithograph

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

47. Brisbane water £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The roost | Date: 1927 | Technique: line-etching, printed in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

48. The roost £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. A windy day £3.03.0 (unframed) | etching

50. The Harbor from McMahon's Point. £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

51. Berry's Bay £3.03.0 (unframed) | etching

52. Harbor View. £3.03.0 (unframed) | etching

Morgan, Squire. (1886–1974)

53. Windswept Trees, Avoca. £1.01.0 (unframed) | etching

54. Kookaburras. £1.11.6 (unframed) | etching

55. Kendall's residence, Fagan's Farm. £2.02.0 (unframed) | etching

56. The path to the beach. £1.01.0 (unframed) | etching

57. The roadside smithy. £1.11.6 (unframed) | etching

58. Sketch at Dee Why. £1.11.6 (unframed) | etching

McDonald, Sheila. (1902–1971)

Artist: McDonald, Sheila. | Title: Old Government House, Windsor | Date: c.1936 | Technique: etching, aquatint printed in brown

59. Old Government House, Windsor £1.11.6 (unframed) | etching

60. St. Mark's Church, Darling Point. £1.11.6 (unframed) | etching

Percival, C.H. (1891–1940)

67. The Workers. £2.02.0 (unframed) | etching

68. The Old-Timer. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

69. Roses. £5.05.0 (unframed) | etching

70. Summer light on the Hills. £2.12.6 (unframed) | etching

71. Evening symphony. £3.13.6 (unframed) | etching

Rose, Herbert. (1890–1937)

72. Piazza Umberto Desengano, Italy. £3.03.0 (unframed) | etching

73. Rue des Tamis, Tunis. £4.04.0 (unframed) | etching

74. Foundamenta Tasca, Venice. £3.03.0 (unframed) | etching

75. Place St. Pierre, Chartres, France. £2.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

76. The Vista. £1.11.6 (unframed) | etching

77. Margarets, Lake Macquarie. £1.05.0 (unframed) | etching

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

78. Roadside trees £1.05.0 (unframed) | etching

79. Australian Pastoral. £1.05.0 (unframed) | etching

80. Venetian courtyard. £1.01.0 (unframed) | etching

81. Evening, Narrabeen. £1.11.6 (unframed) | etching

SHIRLOW, John (1869–1936)

82. Collins Street. £4.04.0 (unframed) | etching

83. The Kiosk, Prince's Bridge. £3.03.0 (unframed) | etching

84. Evensong, St. Paul's Cathedral. £4.04.0 (unframed) | etching

85. Collins Street West. £3.03.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

86. The Towers of St. Andrews, Sydney Univ. £3.03.0 (unframed) | etching

87. Pathological Dept., R.P.A. Hospital. £3.03.0 (unframed) | etching

88. Women's College, Sydney University. £3.03.0 (unframed) | etching

89. The Willow Pool, Inverell. £3.03.0 (unframed) | etching

90. Noonday shade. £3.03.0 (unframed) | etching

91. The Viaduct. £1.01.0 (unframed) | etching

THURLOW, Ernest (1920s )

92. Giants of the Bush. £3.03.0 (unframed) | etching

93. Reflections. £1.01.0 (unframed) | etching

Walker, Leslie James. (1894–1951)

94. Laneway, Parramatta. £1.11.6 (unframed) | etching

95. Lennox Bridge. £1.01.0 (unframed) | etching

Whitney, William Montague. (1880–1946)

96. The Old Ferry, Port Adelaide. £1.11.6 (unframed) | etching

97. In For Repairs. £1.11.6 (unframed) | etching

98. The 'Trewyn', Port Adelaide. £2.02.0 (unframed) | etching

99. Old stables, Angaston. £1.11.6 (unframed) | etching

100. The last of the old farm. £1.11.6 (unframed) | etching

101. On the Murray. £2.02.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

102. Unloading. £2.02.0 (unframed) | etching

103. A bush track in Riverina. £1.11.6 (unframed) | etching

104. Ferries. £1.01.0 (unframed) | etching

105. Haystacks. £1.01.0 (unframed) | etching

106. The Mill, Mt. Gilead, N.S.W. £1.11.6 (unframed) | etching

107. Evening at Narooma. £1.11.6 (unframed) | etching

Reid, D.G. (1862–1933)

108. 'St. Stephen's', in the old Camperdown Cemetery. £3.03.0 (unframed) | etching

109. 'Morning', Broughton Mill Creek. £3.03.0 (unframed) | etching

110. The Pig Farm. £2.12.6 (unframed) | etching

111. The Slab Cottage. £2.12.6 (unframed) | etching

112. Source of the Minnamurra. £2.02.0 (unframed) | etching

113. In Leafy Bower. £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

114. Autrefois. £3.03.0 (unframed) | etching

115. Between showers, Carcassonne. £4.04.0 (unframed) | etching

116. Edge of the wood. £4.04.0 (unframed) | etching

117. Reflections of the past, Toulouse. £2.12.6 (unframed) | etching

118. Ti-Tree. £1.01.0 (unframed) | etching

119. Honeysuckles. £1.01.0 (unframed) | etching

Painter-Etchers and Graphic Art Society of Australia, Exhibition, 1937.

Venues

Education Department Gallery (23 November 1937 – 17 December 1937)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Baker, Normand H. (1908–1955)

Pencil Study. 6 gns

Nude [drawing]. 5 gns | Drawing.

Self Portrait. 6 gns

Hirst, G.W.L. (1868–1965)

A harbour boat shed. 3 gns

Pratt, Douglas. (1900–1972)

Quiraing -.

Artist: Pratt, Douglas. | Title: Gums of the sunny south | Date: 1937 | Technique: etching, printed in black ink, from one plate

Gums of the sunny south 6 gns

Walker, F. Sidney. (1888–1972)

Bush track in Riverina. 1 gn

Brodziak, Phyllis Ruby. (1916–1967)

1. Foggy Night. 1 gns

2. Kalnes. 2 gns

Pratt, Douglas. (1900–1972)

10. Lyndhurst Gardens -.

11. Mt. Bimlow, Burragorang. 20 gns

12. St. Mary's, Sydney.

13. 'Laluma', Woollahra -.

Emanuel, Cedric. (1906–1995)

14. Hobart. 5 gns

PLATT, Austin (1912–2003)

15. Book Plate (kindly lent).

Russom, Reginald. (1877–1952)

16. Prospectors. 1½ gns

17. The Pack Horse. 1½ gns

18. Taking Out the Kinks. 1½ gns

Baker, Alan Douglas (1914–1987)

19. Pencil Study of Nude. 7 gns

20. Head Study. 6 gns

Farmer, Helen. (1888–1970)

21. The broken gate. 1½ gns

22. The River Oak. 2 gns

PLATT, Austin (1912–2003)

23. Olive. 1½ gns

24. Congregational Church, Burwood. 5 gns

Gallop, Herbert. (1890–1958)

25. The old cottage, Meadowbank. 7 gns

Ingleton, Geoffrey. (1908–1998)

26. Storm driven. 3 gns

Hirst, G.W.L. (1868–1965)

27. An old land mark. 3 gns

28. From A Window In Balmain. 3 gns

29. White Horse Point. 3 gns

30. Drifting to Her Moorings. 3 gns

31. Evening. 3 gns

32. Morning Mist. 5 gns

PLATT, Austin (1912–2003)

33. 'Hutchins', Hobart. 1½ gns

34. Royal Exchange, Sydney 2 gns

ROBERTSON, Bruce (1872–1943)

35. A bend of the Williams River. 1½ gns

35a. Trees, Balmoral. 1 gn

36. Sydney from Harbour. 1½ gns

37. Old Jamieson Street, Sydney. 1½ gns

38. Palm Beach, Pittwater. 1½ gns

39. Williams River, Glenoak. 1½ gns

Emanuel, Cedric. (1906–1995)

40. Balmain Waterfront. 12 gns

41. Kilmore. 7 gns

42. Hobart. 15 gns

Baker, Alan Douglas (1914–1987)

43. Joe Holloway. 13 gns

44. A Sulky child. 12 gns

Ingleton, Geoffrey. (1908–1998)

45. Sea ruffians - The mutiny of the Bounty on the morning of 28th April, 1789. The ship seized by Fletcher Christian and his associates from Captain Bligh. 3 gns

46. Sea rivalry - Flinders' Investigator meets Baudin's Le Geographe in Encounter Bay, 7th April, 1802. 3 gns

Emanuel, Cedric. (1906–1995)

47. Timber Mills, South Coast. 2 gns

Hirst, G.W.L. (1868–1965)

48. Northbridge Hills. 3 gns

Langker, Erik. (1898–1982)

49. A river monarch. 10 gns

50. The river bank, Windsor. 4 gns

51. Sunlight Thru the Trees. 6 gns

52. Spring. 3 gns

Crisp, James. (1879–1962)

53. Chums. 5 gns

54. The Wood heap, Megalong Valley. 3 gns

Dattilo-Rubbo, Anthony. (1870–1955)

55. Drawing (in chalk and charcoal). 8 gns

Crisp, James. (1879–1962)

56. St. Mark's. 1 gn

Walker, F. Sidney. (1888–1972)

56a. Billabong in Riverina. 1 gn

Gallop, Herbert. (1890–1958)

57. Springtime. 8 gns

Walker, F. Sidney. (1888–1972)

58. Morning at Collaroy. 2 gns

Reid, Stuart. (1935–)

59. Tumbledown Avenue, Windsor. 8 gns

Hosking, W. John. (1930–)

60. A Pattern of Shadows. 3 gns

O'SHEA, Molly (1890–)

61. Boats at Berry's Bay. 1½ gns

62. Daisies. 1 gn

Hosking, W. John. (1930–)

63. The old stable. 3 gns

64. On the North Coast. 3 gns

65. Fig Trees. 3 gns

66. Newcastle Headlands. 4 gns

Coglan, Elaine E. (1897–1989)

67. The Girl. 2 gns

68. Pencil Portrait. 2 gns

69. A Digger. 5 gns

RICHARDS, B.

69a. Sunshine and shadow. 2½ gns

69b. In An Old Garden, Ryde. 3 gns

Dwyer, Ella. (1887–1979)

70. Shady depths. 2 gns

71. Mornlight Sunlight. 1 gn

Watkins, J.S. (1866–1942)

72. Pencil Drawing. 25 gns

73. Head of an old man.

74. Study of head.

75. Semi Nude. 30 gns

Farleigh, John. (1900–1965)

76. Capture of the Irishman. 3½ gns

77. Black girl and the artist. 4 gns

78. Milk Thistle. 3½ gns

79. The Boy David. 3½ gns

Ingleton, Geoffrey. (1908–1998)

80. Zeehan, Shooting the Sun. 3 gns

81. Botany Bay 'Welcome' - The Endeavour coming to anchor 29th April, 1770. Capt. Cook had nothing but praise for the stauch little cat-built bark Endeavour. 3 gns

Chambers, Alfred. (1930–)

82. The Windswept Coast. 3 gns

83. The Early Moon. 2 gns

Thorpe, Lesbia. (1919–2009)

85. Head Study. 3 gns

86. Candles. 5 gns

87. The Invalid. 5 gns

COWDROY, Vic (1908–)

88. Portrait sandgrain. 7 gns

Parsons, Alice Mary. (1863–1939)

88. Swamp Oaks. 1½ gns

89. Rain Clouds. 1½ gns

Gallop, Herbert. (1890–1958)

90. Old Manildra. 2 gns

91. Pike's Farm, Manildra. 3 gns

92. Ti-trees. 10 gns

93. Along Victoria Road, Dundas. 6 gns

94. Mandadgery Creek. 3 gns

COWDROY, Vic (1908–)

95. King's Cross (Design for Mural). 6 gns

96. Study in Chalk. 2½ gns

97. A Study in Chalk. 2½ gns

Parsons, Alice Mary. (1863–1939)

98. Winter Trees in Parramatta Park. 1½ gns

99. Nocturne. 1 gn

Coglan, Elaine E. (1897–1989)

100. The model. 3 gns

Dwyer, Ella. (1887–1979)

101. Bookplates -.

Farleigh, John. (1900–1965)

102. The black girl and King Richard. 2½ gns

103. The Black girl. 4 gns

104. Hemlock. 4 gns

105. Birch Trees. 2½ gns

Ingleton, Geoffrey. (1908–1998)

106. Dawn and aweigh - The Supply leaving Botany Bay for Port Jackson, 25th January, 1788, with Captain Phillip aboard. 3 gns

107. Seekers - Dampier's Roebuck, in Shark Bay, 11th Aug., 1699. The first British Warship to arrive in Australian waters. 3 gns

Chambers, Alfred. (1930–)

108. The Edge of the Dunes. 2 gns

109. A Southerly Off the Coast. 5 gns

ROBERTSON, Bruce (1872–1943)

110. Merewether Lagoon, Newcastle. 2 gns

111. Rue de L'Cordelias, Dinan, France. 2 gns

112. The coming storm. 3 gns

113. Old Argyle Cut, Sydney. 2 gns

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

114. Rue de l'Cordonnerie, Dinan, France 10 gns

115. Waterloo Bridge, London. 2 gns

116. A Monarch of the Bush. 3 gns

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

117. Roadside trees 1½ gns

118. Arrival of the Australian Fleet. 4½ gns

McDonald, Sheila. (1902–1971)

119. Coral Trees in Winter. 3 gns

120. The lagoon, Lord Howe Island. 1½ gns

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

121. Bulletin Place, Sydney 1½ gns

122. Where the River Bends. 1½ gns

123. St. Paul's Cobbitty. 4 gns

124. Moonlight. 5 gns

125. Doorway, Old Government House, Parramatta. 2½ gns

126. Tumut Poplars. 5 gns

LINDSAY, Norman (1879–1969)

127. Title not known.

128. [No information provided].

129. Title not known.

Pratt, Douglas. (1900–1972)

130. Main Entrance, Sydney University.

131. The roadside pool.

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

132. The Sunlit Forge

133. Summer Shade -.

Artist: Pratt, Douglas. | Title: Gums on Monaro | Date: c.1932 | Technique: etching, printed in brown ink, from one plate

134. Gums on Monaro

LONG, Sydney (1871–1955)

135. Avoca landscape. 3 gns

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

136. The lake, Avoca 4 gns

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

137. On the Wandle 3 gns

138. Street, Alexandria. 5 gns

139. The river from Waterloo Bridge. 6 gns

140. Chalk and Wash Drawing. 8 gns

141. The little boat shed. 3 gns

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

142. Moonrise pastoral 5 gns

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

143. Circular Quay, Sydney 4 gns

Artist: LONG, Sydney | Title: The lagoon | Date: 1928 | Technique: aquatint and drypoint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

144. The lagoon 4 gns

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

145. The bridge, Avoca 4 gns

Morgan, Squire. (1886–1974)

146. Misty moonrise. 3 gns

147. The glade. 2 gns

148. Old Scots' Church. 3 gns

149. Old bullock dray. 3 gns

150. Roadside shanties. 3 gns

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

151. The lagoon, Dee Why 3 gns

152. Hawkesbury corn barn. 3 gns

153. Windswept Trees, Avoca. 1 gn

Walker, F. Sidney. (1888–1972)

154. The University, Sydney. 1 gn

155. Sydney. 1½ gns

156. The River, Tweed. 1½ gns

157. Newport. 2 gns

158. The timbered ridge. 3 gns.

159. Woodford. 3 gns

Hirst, G.W.L. (1868–1965)

160. Eventide. 4 gns

161. On the Parramatta River. 3 gns

162. St. Mary's Basilica, Sydney. 5 gns

163. The Convent, Rose Bay. 4 gns

164. Ball's Head. 3 gns

165. The Coal Mine. 3 gns

O'SHEA, Molly (1890–)

166. Reconstructing the Argyle. 1½ gns

Ingleton, Geoffrey. (1908–1998)

167. Safely moored in Sydney Cove. 3 gns

168. Waiting the ebb - The Heemskerck at Batavia, 16th Aug., 1642 (Tasman's Voyage). 3 gns

169. Raked fore and aft. 3 gns

Peterson, Stuart. (1900–1976)

170. Cleaning Kumaras. 20 gns

171. Hauling the canoe log. 20 gns

172. Taranaki, The Mountain god. 15 gns

173. Papaka and Pupu. 30 gns

174. The Whanganui Taniwha. 10 gns

Crisp, James. (1879–1962)

175. Fishing boats, San Francisco Bay. 1½ gns

176. Cocoanut Palms, Magnetic Island, North Queensland. 2 gns

177. Porch, St. Michael's Rose Bay. 2 gns

178. The old mill, Auckland, N.Z. 1½ gns

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

179. The gander. 1 gn.

Brodziak, Phyllis Ruby. (1916–1967)

180. The Stabbur, Norway. 3 gns

181. Iceland: 'The Midnight Sun'. 3 gns

O'SHEA, Molly (1890–)

182. Lennox Bridge, Parramatta. 1½ gns

Russom, Reginald. (1877–1952)

183. Cobb and Co. 2 gns

184. The Mail Goes Through. 2 gns

Emanuel, Cedric. (1906–1995)

185. A Rushcutter's Bay boatshed. 5 gns

186. Boatsheds, Mosman. 2 gns

187. Capel's boatshed, Ruschutter's Bay. 3 gns

188. Farm, Richmond. 2 gns

189. Old stable, Windsor, NSW. 1½ gns

190. Halvorsens. 5 gns

191. Idle Jinkers. 4 gns

Baker, Normand H. (1908–1955)

192. Bruce. 5 gns

193. Alan. 12 gns

Dwyer, Ella. (1887–1979)

194. Four O'Clocks sandgrain. 2 gns

195. Old Homes, Campbell Street. 1½ gns

196. Misty morning sandgrain. 2 gns | sandgrain

197. Gathering Storms, Mount Cook, N.Z. 1½ gns

198. Flamingoes, Taronga Park. 2 gns

199. Tree Fern at Sunset. 1½ gns

199a. Moonbeams. 1½ gns

ST JOHN, Ellis (1874–1949)

200. Roadmaker's Camp, N.S.W. 2 gns

201. Milson's Point, rom Old Railway yard. 2 gns

202. Sydney Harbour Bridge. 2 gns

203. The Thames from Chelsea Bridge. 2 gns

204. St. James' Doorway, Sydney. 2 gns

205. Milson's Point, Sydney. 1½ gns

206. Dawes Point, Sydney. 1½ gns

Russom, Reginald. (1877–1952)

207. Henry Lawson. 75 gns

OSBORNE, Malcolm (1880–1963)

208. Chinon Castle. 6 gns

209. Dordrecht. 8 gns

210. City Walls, Avignon. 6 gns

211. His Honor, Judge Parry. 8 gns

Fletcher, Hanslip. (1874–1955)

212. St. George's Chapel, Windsor. 15 gns

Gaskell, Percival. (1868–1934)

213. High tide. 8 gns

214. The Lake. 4 gns

215. The Black Island. 8 gns

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

216. Nude Study. 7 gns

Airy, Anna. (1882–1964)

217. Portrait of a boy. 5 gns

Hardie, Martin. (1875–1952)

218. The farm on the hilltop. 3 gns

219. The Market Place. 5 gns

220. Sunset at Slaughter. 3 gns

SHORT, Frank (1857–1945)

221. In Port Volundam. 7 gns

222. April Day in Kent. 8 gns | etching

Duff, J.R.K. (1862–1938)

223. False Fire. 3 gns