Winter Glow.

John Goodchild (1898–1980)

Winter Glow.

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

Catalogue of the Eighth Annual Exhibition of the Australian Painter-Etchers' Society [1928].

Venues

Education Department Gallery (8 June 1928 – 23 June 1928)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

ROBERTSON, Bruce (1872–1943)

A bush track. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

The Apple Gum. £2.10.0 (unframed)

Walker, F. Sidney. (1888–1972)

Lagoon. £1.01.0 (unframed)

Narooma, N.S.W. £2.02.0 (unframed)

Sunlit gums. £1.11.6 (unframed)

Harbour. £2.02.0 (unframed)

Haystacks. £1.01.0 (unframed)

Evening, Narooma. £1.11.6 (unframed)

The Drying Creek. £1.11.6 (unframed)

ROBERTSON, Bruce (1872–1943)

10. Riverside Trees. £2.10.0 (unframed)

11. River Oaks. £1.11.6 (unframed)

12. Australian River. £1.05.0 (unframed)

13. The Vista. £1.11.6 (unframed)

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

14. Roadside trees £1.05.0 (unframed)

15. Australina Pastoral. £1.05.0 (unframed)

16. Margarets, Lake Macquarie. £1.01.0 (unframed)

17. The Market, West Wemys Fife. £1.17.6 (unframed)

18. Fairy Bower, Manly, N.S.W. £1.11.6 (unframed)

19. Reflections Cook's River, N.S.W. £2.02.0 (unframed)

Godson, John Barclay. (1882–1957)

20. Church Montreuil. £3.03.0 (unframed)

21. A South Coast Farm*. £3.03.0 (unframed)

23. Entrance to Courtyard of L'Hotel De France, Montreuil*. £2.12.6 (unframed)

24. Scrivener's Mill, Mt. Irvine. £2.12.6 (unframed)

25. Old courthouse, Montreuil. £2.12.6 (unframed)

26. Brotham Bar and Minster, york. £2.12.6 (unframed)

27. The Shambles, York. £2.12.6 (unframed)

28. Jetty, Etaples. £2.02.0 (unframed)

29. Mosque Door, Cairo. £2.02.0 (unframed)

30. Middle Harbour, Peep. £2.02.0 (unframed)

31. Richmond Castle Tower, Yorks. £2.02.0 (unframed)

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: St Pauls, Cobitty | Date: 1928 | Technique: etching, printed in black ink, from one plate

32. St Pauls, Cobitty £3.03.0 (unframed)

33. Packing Oranges. £3.03.0 (unframed)

Friedensen, Thomas. (1879–1931)

34. The Wollondilly, N.S.W. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club

35. Bridge Building, Sydney Harbour*. £3.03.0 (unframed)

36. Homestead, North West. £2.12.6 (unframed)

37. Windsor Castle, Berkshire. £2.12.6 (unframed)

Artist: Friedensen, Thomas. | Title: Cobbers. | Date: 1928 | Technique: etching, printed in black ink, from one plate

38. Cobbers. £2.12.6 (unframed)

39. The Old Drover. £1.11.6 (unframed)

Artist: Friedensen, Thomas. | Title: Cockatoo. | Date: 1927 | Technique: etching, printed in brown ink, from one plate

40. Cockatoo. £2.02.0 (unframed)

Britton, Fred. (1889–1931)

41. Mylor Cottages. £2.02.0 (unframed)

42. Old commissariat stores, Sydney. £2.02.0 (unframed)

43. Hyde Park Barracks. £3.03.0 (unframed) | Print available for selection by members of the Australian Print-Collectors Club.

Artist: Britton, Fred. | Title: Sydney Harbour Bridge construction. | Date: 1929 | Technique: etching and drypoint, printed in black ink, from one plate

44. Sydney Harbour Bridge construction. £3.03.0 (unframed) | Print available for selection by members of the Australian Print-Collectors Club

Artist: Britton, Fred. | Title: Julian Ashton esq. | Date: (1925) | Technique: etching, printed in black ink, from one plate

45. Julian Ashton esq. £3.03.0 (unframed)

46. At Mona Vale. £1.11.6 (unframed)

47. On the Murray. £2.12.6 (unframed)

48. Nocturne. £2.02.0 (unframed)

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Waterloo Bridge in course of demolition | Date: 1928 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Waterloo Bridge in course of demolition £4.04.0 (unframed)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. Hawkesbury landscape £5.05.0 (unframed)

Artist: LONG, Sydney | Title: Dee Why landscape | Date: 1928 | Technique: line-etching, printed in red-brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

51. Dee Why landscape £4.04.0 (unframed)

Artist: LONG, Sydney | Title: Reflections, Avoca | Date: (1928) | Technique: line-etching, printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Reflections, Avoca £3.03.0 (unframed)

53. The Harbour from Greenwich. £2.12.6 (unframed)

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

54. Windmill Street, Old Sydney [1] £3.03.0 (unframed)

55. St. Ives. £4.04.0 (unframed)

Artist: LONG, Sydney | Title: The water meads | Date: 1928 | Technique: line-etching, drypoint printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

56. The water meads £3.03.0 (unframed)

van RAALTE, Henri (1881–1929)

57. Perth Town Hall, Morning. £3.03.0 (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

58. The end of day £4.04.0 (unframed)

59. The creek in flood. £3.13.6 (unframed)

60. Morning. £4.04.0 (unframed)

61. A Karri Tree Glade. £6.06.0 (unframed)

62. Day's beginning. £3.03.0 (unframed)

63. The road. £4.04.0 (unframed)

64. Hills of the south. £3.03.0 (unframed)

Morgan, Squire. (1886–1974)

65. Silhouette*. £3.03.0 (unframed)

66. Willows. £2.02.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

67. The path to the beach. £1.01.0 (unframed)

68. Pointer Pups. £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

69. Piccadilly Circus (under Reconstruction) £3.13.6 (unframed)

70. Martin Place. £3.13.6 (unframed)

71. Home berths. £3.03.0 (unframed)

Glover, Allan. (1900–1984)

72. The Thatched Stable. £1.11.6 (unframed)

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

73. Sunlight and ships £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

74. The mooring post. £1.01.0 (unframed)

75. The Scarred Veteran*. £3.03.0 (unframed)

76. Among the Gums. £1.11.6 (unframed)

77. The foundry. £1.11.6 (unframed)

GOODCHILD, John (1898–1980)

77. Venetian mooring. 1 gn (unframed)

Glover, Allan. (1900–1984)

78. Stormy sunset £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

78. Tivoli, Italy. 2½ gns (unframed)

Glover, Allan. (1900–1984)

79. Hilltop. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

79. Home berths. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

80. Berry's Bay. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

80. Thames Wharf. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

81. Lion Island, Broken Bay. £2.02.0 (unframed)

GOODCHILD, John (1898–1980)

81. Winter Glow. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

82. The Bell Inn at Stilton. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

82. Brandon Bridge 3½ gns (unframed)

FULLWOOD, A.H. (1863–1930)

83. Mt. Cook, N.Z. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

83. Landscape harmony 2 gns (unframed)

FULLWOOD, A.H. (1863–1930)

84. The Hermitage, Mt. Cook, N.Z. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

84. English country [pen drawing]. *4 gns (unframed) | pen drawing

FULLWOOD, A.H. (1863–1930)

85. Mt. Cook from Lake Pukeki. £2.02.0 (unframed)

GOODCHILD, John (1898–1980)

85. The country mill [pen drawing]. *4 gns (unframed) | pen drawing

FULLWOOD, A.H. (1863–1930)

86. City Railway, Wynyard Square, Sydney*. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

86. King St., Sydney [pencil]. 7 gns (unframed) | pencil

FULLWOOD, A.H. (1863–1930)

87. Clyde Street, Sydney. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

87. Wareham, England pencil. *5 gns (unframed)

88. The Round Pond, Kensington Gardens pencil. *4 gns (unframed)

Coffey, Alfred. (1869–1950)

88. Calder House, Eveleigh*. £3.03.0 (unframed)

Paul, Dorothy Ellsmore. (1900–1974)

89. Nude. £1.11.6 (unframed)

90. The Old Pilgrim Inn. £4.04.0 (unframed)

Farmer, Helen. (1888–1970)

91. Susan Island, Clarence River. £3.03.0 (unframed)

92. Evening calm. £2.02.0 (unframed)

93. On the Banks of the Clarence. £2.02.0 (unframed)

94. The end of the village. £1.01.0 (unframed)

Rose, Herbert. (1890–1937)

95. The Zattere, Venice. £3.03.0 (unframed)

Whitney, William Montague. (1880–1946)

96. A Relic of St. Marys, Edwardstown S.A.*. £2.12.6 (unframed)

97. Old outhouses St. Marys, Edwardstown, S.A. £2.12.6 (unframed) | Print available for selection by members of the Australian Print-Collectors Club

TRAILL, Jessie (1881–1967)

98. The Tunnel, Genoa. £4.04.0 (unframed)

99. The Tower, Carcassonne, Night. £5.05.0 (unframed)

100. Building Harbour Bridge, Sydney, No.II, Nov. £5.05.0 (unframed)

Artist: TRAILL, Jessie | Title: La forza [the force] | Date: 1927 | Technique: mezzotint, printed in black ink, from one plate

101. La forza [the force] £2.02.0 (unframed)

Grey, F. Millward. (1899–1957)

102. The Bather [pen and ink]. £0.05.0 (unframed)

103. The broken strap. £2.10.0 (unframed)

104. The Rackam Gum. £2.02.0 (unframed)

105. The Japanese Girl. £10.11.0 (unframed)

Wood, A.J. (1929–)

106. Portrait. £1.01.0 (unframed)

107. Portrait. £1.01.0 (unframed)

THURLOW, Ernest (1920s )

108. Through the Trees. £1.01.0 (unframed)

Flanagan, John Richard. (1895–1964)

109. The Sage. £2.02.0 (unframed)

Reid, D.G. (1862–1933)

110. Loading Fruit on the Hawkesbury. £2.02.0 (unframed)

111. Hill Crest. £3.03.0 (unframed)

112. The Rickyard*. £3.03.0 (unframed)

113. Source of the Minnimurra*. £3.03.0 (unframed)

114. Within sound of the Sea. £2.02.0 (unframed)

115. The Orchard Cart. £2.02.0 (unframed)

116. The Hayfield. £2.02.0 (unframed)

117. Eventide. £2.02.0 (unframed)

SHIRLOW, John (1869–1936)

118. Hobart Town. £3.13.6 (unframed)

119. Collins Street. £3.13.6 (unframed)

120. Convict Church, Port Arthur. £3.13.6 (unframed)

Walker, Leslie James. (1894–1951)

121. Lakeside. £1.01.0 (unframed)

122. The Iron Gate, Parramatta. £1.01.0 (unframed)

123. Alleyway. £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

124. Ross Bridge. £2.02.0 (unframed)

125. Tasmanian club. £1.01.0 (unframed)

126. North Mine, Broken Hill. £1.01.0 (unframed)

127. The Day Shift. £3.03.0 (unframed)

Goodhart, J.C. (1873–1952)

128. Klondyke Propty. Mine. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

129. Solitude. £1.11.6 (unframed)

McDonald, Sheila. (1902–1971)

130. Five Miles East of Windsor. £2.02.0 (unframed)

131. The Rocks, Sydney. £1.11.6 (unframed)

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

132. Bulletin Place, Sydney £2.02.0 (unframed)

Hilder, Bim. (1909–1990)

134. Gum trees. £1.01.0 (unframed)

Dwyer, Ella. (1887–1979)

135. The wind bloweth. £1.01.0 (unframed)

136. Forsaken. £1.01.0 (unframed)

137. Old mill buildings, Hobart. £2.02.0 (unframed)

138. A bush camp. £1.01.0 (unframed)

139. Bridge at Richmond, Tas. £1.11.6 (unframed)

140. Lady Franklin Museum, Hobart. £1.01.0 (unframed)

Crisp, James. (1879–1962)

141. Possums. £1.11.6 (unframed)

142. Jamberoo to Nowra. £1.11.6 (unframed)

143. The old wharf, Huskisson, N.S.W. £1.01.0 (unframed)

144. Old White House, Rhodes. £1.01.0 (unframed)

145. The Lakes Entrance, Victoria. £1.11.6 (unframed)

146. A bit of Eden, South Coast. £1.11.6 (unframed)

147. St. Michael's Church, Rose Bay. £1.11.6 (unframed)

148. College Street. £1.01.1 (unframed)

Crisp, James. (1879–1962) and Whitford, Dora. (1898–1969)

149. The sentinel. £1.11.6 (unframed)

Crisp, James. (1879–1962)

150. The old mill, Auckland, N.Z. £1.11.6 (unframed)

Hardie, Martin. (1875–1952)

154. A Street at Chioggia. £5.05.0 (unframed)

155. St. Malo. £4.14.6 (unframed)

156. Bric A Brac. £4.14.6 (unframed)

157. Bereland. £4.04.0 (unframed)

158. A river of Normandy. £3.13.6 (unframed)

159. Sunset at Slaughter. £3.13.6 (unframed)

OSBORNE, Malcolm (1880–1963)

160. His Honor, Judge Parry. £8.08.0 (unframed)

161. Avignon. £8.08.0 (unframed)

162. Wayside Talkes, Dieppe. £6.06.0 (unframed)

163. City Walls, Avignon. £6.06.0 (unframed)

164. The Little Crucifix, Carcassonne. £6.06.0 (unframed)

SHORT, Frank (1857–1945)

165. The Shadowed Valley; The South Downs. £21.00.0 (unframed)

166. Mr Right at Dawn. £18.18.0 (unframed)

167. Dawn. £10.10.0 (unframed)

168. The Thames at Twickenham. £10.10.0 (unframed)

169. The head of Langston Harbor. £8.08.0 (unframed)

Airy, Anna. (1882–1964)

170. Pea Pods. £5.05.0 (unframed)

171. The Visitor. £5.05.0 (unframed)

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

172. Nude Study. £6.06.0 (unframed)

Gallop, Herbert. (1890–1958)

173. Burragorang Valley. £1.11.6 (unframed)

174. Windswept. £3.03.0 (unframed)

175. Lacewood Pines. £2.12.6 (unframed)

176. Mt. Keira (North Wollongong). £3.03.0 (unframed)

177. Macquarie Shore. £2.02.0 (unframed)

178. The Open Beach. £1.01.0 (unframed)

Rees, Lloyd. (1895–1988)

179. A Sketch in Rome. £7.07.0 (unframed)

Walker, F. Sidney. (1888–1972)

180. Close of Day, Narooma. £3.03.0 (unframed)

181. Sketch Narooma. £2.02.0 (unframed)

Rees, Lloyd. (1895–1988)

182. The Tower of the Mangia, Sienz, Italy. £8.08.0 (unframed)

183. St. Peter's, Rome. £26.05.0 (unframed)

TRINDALL, Lyall (1866–1965)

184. Nude Study. £15.15.0 (unframed)

Rees, Lloyd. (1895–1988)

185. The Cathedral. £42.00.0 (unframed) | Drawing section

TRINDALL, Lyall (1866–1965)

186. An Interesting tory. £15.15.0 (unframed)

Rees, Lloyd. (1895–1988)

187. Notre Dame De Paris. £10.10.0 (unframed)

TRINDALL, Lyall (1866–1965)

188. Study of a head. £15.15.0 (unframed)

Ashton, Will. (1881–1963)

189. Landscape. £5.05.0 (unframed)

190. Trees at Narrabeen.

LONG, Sydney (1871–1955)

191. St. Ives. £5.05.0 (unframed)

Baker, Normand H. (1908–1955)

192. Head of an old woman. £10.10.0 (unframed)

Ashton, Will. (1881–1963)

193. Rue Mouffard.

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Waterloo Bridge in course of demolition | Date: 1928 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

194. Waterloo Bridge in course of demolition

Ashton, Will. (1881–1963)

195. Rue Galande.

Walker, F. Sidney. (1888–1972)

196. Sketch for Sunlit Gums. £3.03.0 (unframed)

LONG, Sydney (1871–1955)

197. Study for. £10.10.0 (unframed)

Wilkinson, Leslie. (1882–1973)

198. Wells Cathedral, Chapter House Staircase.

199. St. Mark's Venice, North Transpept.

200. The Octagon, Ely Cathedral.

Rose, Herbert. (1890–1937)

201. St. Gervais, Paris. £8.08.0 (unframed)

LONG, Sydney (1871–1955)

202. Study for. £10.10.0 (unframed)

Proctor, Thea. (1879–1966)

203. Scarf. £12.12.0 (unframed)

204. The Dancer. £10.10.0 (unframed)

205. Portrait of a Young Man. £10.10.0 (unframed)

Rose, Herbert. (1890–1937)

206. A Street of Stairs, Villefranche. £8.08.0 (unframed)

Britton, Fred. (1889–1931)

Artist: Britton, Fred. | Title: Julian Ashton esq. | Date: (1925) | Technique: etching, printed in black ink, from one plate

207. Julian Ashton esq. £12.12.0 (unframed)

208. The Old Mint, Sydney. £8.08.0 (unframed)

Rose, Herbert. (1890–1937)

209. The Market, Venice. £12.12.0 (unframed)

210. Rio Toresela, Venice. £5.05.0 (unframed)

211. Old houses, Villefrance. £5.05.0 (unframed)

212. St. Cirq-La-Popie, France. £8.08.0 (unframed)

Reid, D.G. (1862–1933)

213. Old colonial homestead. £3.03.0 (unframed)

Farmer, Helen. (1888–1970)

214. Susan Island. £5.05.0 (unframed)

215. Sketch for Kurrajongs. £5.05.0 (unframed)

Eilbeck, Harrie. (1928–)

216. The Alchemist. £10.10.0 (unframed)

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

217. The cliff £6.06.0 (unframed)

Walker, Leslie James. (1894–1951)

218. Old sawmill, Parramatta. £5.05.0 (unframed)

219. The Hawkesbury at Richmond. £5.05.0 (unframed)

220. Reilly's Sheds, Burragorang. £5.05.0 (unframed)

UNKNOWN

221. Silenus. £7.07.0 (unframed)

PRESTON, Margaret (1875–1963)

222. Banksias. £1.01.0 (unframed)

Artist: PRESTON, Margaret | Title: Circular Quay | Date: 1925 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

223. Circular Quay £1.01.0 (unframed)

224. Nude. £1.01.0 (unframed)

Dattilo-Rubbo, Anthony. (1870–1955)

225. Old age. £15.15.0 (unframed)

FEINT, Adrian (1894–1971)

226. Circe. £2.12.6 (unframed)

Ashton, Will. (1881–1963)

227. Palaces, The Grand Canal.

FEINT, Adrian (1894–1971)

227. Milsons Point. £2.02.0 (unframed)

Ashton, Will. (1881–1963)

228. Landscape near Dee Why.

Baker, Normand H. (1908–1955)

230. Pen and Ink Study. £8.08.0 (unframed)

Reid, D.G. (1862–1933)

231. Dawn. £5.05.0 (unframed)

232. An ancient barn. £3.03.0 (unframed)

Eighth Xmas Exhibition of Etchings and Woodcuts by Master Etchers. 8th Xmas Exhibition of Etchings and Woodcuts by Master Etchers.

Venues

Sedon Galleries [2] (6 December 1932 – 24 December 1932)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia

Works

Brangwyn, Frank. (1867–1956)

1. Roundabout, Bruges. 7 gns (framed)

WALCOT, William (1874–1943)

2. Back Door, Soloman's Palace. 9 gns (framed)

STRANG, William (1859–1921)

3. A Matter of Business. 10 gns

Macbeth-Raeburn, Henry. (1860–1947)

4. Mrs Malcolm (after Raeburn). 6 gns

Ward, Leslie. (1895–1978)

5. Swanage Mill Pond. 4 gns (unframed)

6. Cement works. 5 gns (unframed)

Wyllie, William Lionel (1851–1931)

7. The Fishing Fleet. 5 gns (framed)

Slater, Eric. (1896–)

9. Autumn. 5 gns (unframed).

10. Pyrethrums. 6 gns (unframed).

11. Japanese Bush Lanterns. 8 gns (unframed).

12. The headland by moonlight. 4 gns (unframed).

13. Corfe Castle, Dorset. 4 gns (unframed).

14. Rough Sea. 4 gns (unframed).

15. Sussex Mill. 5 gns (unframed).

Brouet, L. (1932–)

17. Three Caravans. 10 gns (unframed)

Hartrick, A.S. (1864–1950)

18. The Wassailers. 8 gns (unframed)

19. The evening hymn. 10 gns (unframed)

20. The Bellringers. 10 gns (unframed)

21. The cartbread, St Peter's Dunstable. 10 gns (unframed)

22. Needpath Castle. 8 gns (unframed)

Knight, Loxton.

23. Norwich. 5 gns (unframed)

Blatherwith, Lily. (1859–1934)

25. The Poppy. 5 gns (unframed)

26. February Fairmaids. 5 gns (unframed)

27. Poppies. 6 gns (unframed)

28. Shirley Poppies. 10 gns (unframed)

30. The Frog and the Water Lilies. 10 gns (unframed)

HANFSTANGEL (by 1932)

31. Head after Holbein. 5 gns (unframed)

32. Head after Holbein. 5 gns (unframed)

Christensen, Arent. (1898–1982)

33. A Roman Watermill. 6 gns (unframed)

Emanuel, Frank. (1865–1948)

34. Normanby. 5 gns

HARVEY, F. (by 1932)

35. The Players. 12 gns

Hammer, Nicolas. (1932–)

36. Bromley. 3 gns (unframed)

Fitzgerald, C.

37. Fountain of Love. 10 gns (unframed) | mezzotint

38. The Laughing Cavalier. 5 gns (unframed) | mezzotint

39. La Confidence. 7 gns (unframed) | mezzotint

40. The Dancers of Gondolf Castle (after Corot). 7 gns (unframed) | Mezzotint

Zipperer, Ernest. (1888–1992)

41. Bremen. 4 gns

Japanese printmaker.

42. Geese. 5 gns (unframed) | woodcut

43. The canal. 5 gns (unframed).

44. Winter. 4 gns (unframed) | woodcut

van RAALTE, Henri (1881–1929)

57. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

58. The cliff 5½ (unframed) | aquatint

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

59. The end of day 4½ gns (unframed) | aquatint

60. The road. 5 gns (unframed)

61. Day's beginning. 4½ gns (unframed) | aquatint

62. Perth (W.A.). 5½ gns (unframed) | aquatint

63. Moonlit fields [plate for]. 5 gns (unframed)

64. The Karri Tree glade. 9 gns (unframed)

65. Hills of the south. 5½ gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

66. The leaning tree 5 gns (unframed)

67. An Australian Summer Day. 10 gns (unframed)

68. Morning. 4 gns (unframed)

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

69. The Bassra guard 5 gns (unframed)

70. The Casa del Fores, Granada. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

71. The barber of Bou-Saada, Algeria 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The Tunis Gate, Kairouan | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

72. The Tunis Gate, Kairouan 6 gns (unframed)

73. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

74. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

75. San Lorenzo in the Forum, Rome 4 gns (unframed)

76. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

77. St Ferreol, Marseilles 5 gns (unframed)

78. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

79. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

80. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

81. Old Antequera, Andalucia, Spain 5 gns (unframed)

82. Santa Dominica Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

83. The vaquero 2½ gns (unframed)

84. Street Balcony, Guadelupe. 3 gns (unframed)

85. San Idilfonso. 4 gns (unframed)

86. Dawes Point. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

87. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

88. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

89. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

90. Fruit piece 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Hornbill | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

91. Hornbill 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Polar Bear | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

92. Polar Bear 2 gns (unframed) | woodcut

93. Currassow and Oleander. 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The clipped wing | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

94. The clipped wing 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The crab | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

95. The crab 2 gns (unframed) | woodcut

96. Camelias. 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Owls | Date: 1932 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

97. Owls 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

98. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

99. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

100. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

101. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

102. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

103. In Morocco 3½ gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

104. The haystacks 3 gns (framed)

Rose, Herbert. (1890–1937)

105. St. Marks, Venice. 4 gns (framed)

106. Piazza Umberto Desengano, Italy. 3½ gns (framed)

107. Rue des Tamis, Tunis. 4½ gns (framed)

108. Place St. Pierre, Chartres, France. 3 gns (framed)

109. Fondamenta Tasca, Venice. 3½ gns (framed)

110. The Zattere, Venice. 3½ gns (framed) | drypont

112. Cagnes, France. 3½ gns (framed)

113. Sydney Harbour from Cremorne. 4 gns (framed)

114. Old gateway, Sisteron, France. 41/2

115. The old bridge, Besalu, Spain. 4 gns

GOODCHILD, John (1898–1980)

122. Westminster Abbey, London. 3 gns (unframed)

123. Sydney, from Milson's Point. 4 gns (unframed)

124. Night, Venice. 1 gn (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

125. Banks of Arno 2 gns (unframed)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

126. Piccadilly Circus (under Reconstruction) 3½ gns (unframed)

127. Trafalgar Square, London. 3½ gns (unframed)

128. Australian Summer Landscape. 4 gns (unframed)

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

129. The port, London 2½ gns (unframed)

130. Tivoli, Italy. 2½ gns (unframed)

131. Evening anchorage. 2½ gns (unframed)

132. King Street, Sydney. 3 gns (unframed)

LONG, Sydney (1871–1955)

133. A Sandgrain Pastoral. 3 gns (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

133. Brandon Bridge 5 gns (unframed)

134. Solitude. 3 gns (unframed)

135. Landscape, Otway Ranges. 5 gns (unframed)

136. Barwon Heads. 4 gns (unframed)

137. Otway Ranges. 4 gns (unframed)

LONG, Sydney (1871–1955)

138. Boatshed, Narrabeen. 1 gn (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Yarra Mouth | Date: 1936 | Technique: aquatint, printed in black ink, from one plate

138. Yarra Mouth 3 gns (unframed)

139. Ti-tree and Morning Light. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Afternoon light | Date: 1929 | Technique: lithograph, printed in black ink, from one stone

140. Afternoon light 2 gns (unframed)

Artist: GOODCHILD, John | Title: Riverside trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

141. Riverside trees 3 gns (unframed)

142. Morning glow. 3 gns (unframed)

143. Summer glow. 5 gns (unframed)

144. The barn. 10 gns (unframed)

145. Winter Glow. 2½ gns (unframed)

146. Hick's Lane, Melbourne. 1½ gns (unframed)

147. Swanston Street, Melbourne. 3½ gns (unframed)

148. Italian markets, Rome. 15 gns (unframed)

149. The Grand Canal, Venice. 25 gns (unframed)

150. Ponte Vecchio, Florence. 12 gns (unframed)

LINDSAY, Norman (1879–1969)

151. Enter the Magicians. 15 gns (unframed)

152. Julia Fisk and Mr Brish. 7 gns (unframed)

153. Leda. 10 gns (unframed)

154. Thieves' Kitchen. 10 gns (unframed)

155. C Sharp Minor Quartette. 15 gns (unframed)

156. Night's Frolics. 8 gns (unframed)

157. Don Juan's garden. 8 gns (unframed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

158. Unknown seas 35 gns (unframed)

159. Oblation. 18 gns (unframed)

160. The butterfly. 10 gns (unframed)

161. The Poet. 8 gns (unframed)

162. Love on Earth. 18 gns (unframed)

163. The bride. 10 gns (unframed)

Sherwood, Maud. (1880–1956)

164. Camelias. 4 gns (unframed)

165. The Market. 3 gns (unframed)

166. Spanish shepherd. 1 gn (unframed)

167. Anemonies. 4 gns (unframed)

168. Spanish Market. 4 gns (unframed)

169. Venetian fishing boats. 2½ gns (unframed)

170. Capri. 3 gns (unframed)

171. The Discussion. 2 gns (unframed)

172. Place St Nicolas, Sospel. 2 gns (unframed)

173. After the Service. 1 gn (unframed)

174. The Dancer. 1½ gns (unframed)

175. The Bridge. 1 gn (unframed)

SHIRLOW, John (1869–1936)

176. Twilight. 4 gns (framed) | aquatint

177. The smithy, Ross, Tasmania. 2 gns (framed)

178. The city. 3 gns (framed)

179. Sunset. 4 gns (framed)

180. Top of Bourke Street. 3 gns (framed)

181. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)

182. Corio Bay, Geelong. 3 gns (framed)

183. Yarraside. (2nd State). 3 gns (framed)

184. Swanston Street and Station. 6 gns (framed)

185. Princes Bridge. 5 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

187. The Ring 5 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

188. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

189. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

190. The man in black. 6 gns (unframed)

191. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

192. House on the hill. 4 gns (unframed)

193. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

194. Ducks 1 gn (unframed)

195. Head. 1 gn (unframed)

197. Fish Lane, Chester. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Bantams. | Date: c.1932 | Technique: linocut, printed in colour, from multiple blocks

198. Bantams. 8 gns (unframed)

199. The labyrinth. 3 gns (unframed)

Waller, Christian. (1894–1954)

Artist: Waller, Christian. | Title: The Sorceress. | Date: c.1922 | Technique: linocut, printed in black ink, from one block

200. The Sorceress. 1½ gns (unframed)

Artist: Waller, Christian. | Title: Morgan Le Fay. | Date: c.1927 | Technique: linocut, printed in colour, from multiple blocks; hand-coloured with gold paint

201. Morgan Le Fay. 3 gns (unframed)

202. The Great Breath. (book). 4 gns (unframed)

Wheeler, Charles. (1881–1977)

203. St. Clement Dane's Church. 4 gns (framed)

204. Queen Victoria Memorial. 4 gns (framed)

205. Montmartre. 4 gns (framed)

206. La Tour De L'Horloge, Dinan. 4 gns (framed)

207. Aqueduct, Segovia. 4 gns (framed)

Friedensen, Thomas. (1879–1931)

208. A Moorish gateway. 1½ gns (unframed)

209. Canal in Venice. 3 gns (unframed)

210. Clearing, Morning. 3 gns (unframed)

211. The flooded creek. 4 gns (unframed)

212. The Madonna of the Bush. 2 gns (unframed)

213. Omar, the Tent Maker. 3 gns (unframed)

214. The Grand Canal, Venice. 3 gns (unframed)

Campbell, Fred. (1851–1930)

215. Healesville. 4 gns

LONG, Sydney (1871–1955)

216. Landscape, Narrabeen. 3 gns (unframed)

217. Boyd's Boatshed, Narrabeen. 4 gns (unframed)

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

218.

The blacksmith's shop

4 gns (unframed)

219. Badnage Landscape. 4 gn (unframed)

Britton, Fred. (1889–1931)

220. The slips. 5 gns (unframed)

221. A relic of the forties. 6 gns (unframed)

222. Morning light. 5 gns (unframed)

Goodchild, Doreen. (1900–1998)

223. The Hoers. 5 gns (unframed)

Fasken, Myrtle. (1889–1972)

224 Shearing Woodcuts, 1 guinea each. set of seven. 1 gn each (unframed)

Goodchild, Doreen. (1900–1998)

224. The Hoers. 6 gns

Dillon, Cyril. (1883–1974)

227. Spires of St. Paul's, Melbourne. 3 gns (unframed)

227. Spires of St. Paul's, Melbourne. 3 gns (unframed)

228. Melbourne Grammar School. 3 gns (unframed)

228. Melbourne Grammar School. 3 gns (unframed)

229. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

229. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

230. 'Queens' Melbourne University. 3 gns (unframed)

230. 'Queen's', Melbourne University. 3 gns (unframed)

231. Serenity. 3½ gns (unframed)

231. Serenity. 3½ gns (unframed)

URE SMITH, Sydney (1887–1949)

232. Old houses, Cumberland Street, the Rocks. 2½ gns (unframed)

233. Entrance, old Colonial Treasury. 4 gns (unframed)

234. Cumberland Street Hostel. 2½ gns (unframed)

235. Argyle. 3 gns (unframed)

236. Entrance to the Farm. 2 gns (unframed)

237. Packing Oranges. 3 gns (unframed)

238. Shade. 3 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

239. Deserted courtyard, Hartley 5 gns (unframed)

240. Rose's Mill, Mt Gilead. 5 gns (unframed)

241. Bellevue Hills. 4 gns (unframed)

Cobb, Victor. (1876–1945)

242. Scotch College, Hawthorn. 2½ gns (framed)

243. St. John's Church, Toorak. 2½ gns (framed)

244. Princes Bridge, from the West. 3 gns (framed)

245. The archway, Scotch College. 3 gns (framed)

246. The Tower, Melbourne Grammar School. 3 gns (framed)

247. Norman Archway, City Courts. 2½ gns (framed)

248. War Memorial by Lambert, Geelong Grammar. 3 gns (framed)

GRIFFIN, Murray (1903–1992)

249. Portrait. 1 gn (unframed)

Artist: GRIFFIN, Murray | Title: Regent bower birds [1]. | Date: 1932 | Technique: linocut, printed in colour, from multiple blocks

250. Regent bower birds [1]. 2 gns (unframed)

251. Magpies [1]. 2 gns (unframed)

252. Comrades. 1 gn (unframed)

253. On the road. 1 gn (unframed)

Montgomery, Anne. (1908–1991)

Artist: Montgomery, Anne. | Title: Shadow and sunlight | Date: 1932 | Technique: etching, printed in brown ink with plate-tone on one plate

254. Shadow and sunlight 2 gns (framed)

255. Ti-tree Pattern. 2 gns (framed)

256. The challenge. 1 gn (framed)

257. Spanish Doorway (Phelia Grimwade House). 2 gns (framed)

Zelman, Victor. (1877–1960)

258. Reflections, Thornton. 2 gns (framed)

259. Shepherd's Flat. 2 gns (framed)

260. The wood carter. 2 gns (framed)

261. The Burnley Ferry. 2 gns (framed)

262. Pastoral. 2 gns (framed)

263. Sailors' Mission Church. 2 gns (framed)

Taylor, Stephanie. (1899–1974)

264. The gum. 2 gns (framed)

265. Glimpse of the Bush. 1 gn (framed)

Hosking, W. John. (1930–)

266. The Shearers. 2 gns (framed)

267. Sleep. 2½ gns (framed)

268. The preacher in the pulpit. 2½ gns (framed)

269. The dragon plane. 2 gns (framed)

270. The fairy ring. 3½ gns (framed)

271. The butterfly dance. 5 gns (framed)

272. The caravan. 2 gns (framed)

273. Steeplejacks. 2 gns (framed)

274. Refreshment. 2 gns (framed)

275. Ursa Major and Ursa Minor. 2 gns (framed)

276. Hush! the Mantus Prays. 3 gns (framed)

277. Pals. 2 gns (framed)

278. The Light, Fantastic Toe. 3 gns (framed)

279. The Slow Motion Steeplechase. 4 gns (framed)

280. Sunny hours. 3½ gns (framed)

Thompson, Thelma. (1920–)

281. The Hermitage Bell. 2 gns (framed)

Williams, C.W. (1930–)

281. Princes Bridge. 4 gns

Thompson, Thelma. (1920–)

282. The Bridge of Sighs, Venice. 3 gns (framed)

283. Yorkminster. 3 gns (framed)

Williams, C.W. (1930–)

285. Scots' Church, Collins Street. 4 gns

286. Flinders Street Station. 4 gns

287. St. Patrick's Cathedral. 5 gns

288. Parliament House, Melbourne. 7 gns.

289. The T. and G. Building. 6 gns

290. Old Sydney and 'Our' Bridge. 6 gns

291. Gums. 4 gns

Dyson, Will. (1880–1938)

292. Mornin' White Trash!. 4 gns