The blacksmith's shop, Ambleside

Sydney Ure Smith (1887–1949)

The blacksmith's shop, Ambleside | The blacksmith's shop

(1925)

etching

EXHIBITION HISTORY 1 – 6 of 6 exhibitions

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Society of Artists Annual Exhibition [1925].

Venues

Education Department Gallery (1925 – 3 October 1925)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

LINDSAY, Lionel (1874–1961)

1. Demons. 1 gn

2. Fruitpiece. 1½ gns

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

3. White goats 1½ gns

Artist: LINDSAY, Lionel | Title: Dahlias | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

4. Dahlias 1½ gns

5. Bacchanal. 1½ gns

6. The Bull on the Perisher. 2½ gns

7. The ride. 2 gns

8. Bronze by Barry. 2 gns

9. The Kiln. 2 gns

10. Ferry Lane (The Little Balcony). 2 gns

11. Milson's Point. 2½ gns

12. The Sailor's Return. 2 gns

13. In Gloucester Street. 4 gns

14. Lang's Church. 2 gns

15. The trough. 4 gns

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

16. The drafting gate, Bendemeer 4 gns

Cameron, D.Y. (1865–1945)

17. Winchester Cathedral. 32½ gns

18. The Lake of Monteith. 13 gns | etching and aquatint

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

19. The blacksmith's shop, Ambleside 5 gns

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

20. Ambleside farmyard 3 gns

25. Offices of the 'Sydney Morning Herald'. 5 gns

FEINT, Adrian (1894–1971)

26. Etched Book-plates. Not For Sale

McGrath, Raymond. (1903–1977)

Artist: McGrath, Raymond. | Title: St. Simeon Stylites. | Date: 1925 | Technique: wood-engraving, printed in relief from one block

29. St. Simeon Stylites. 1 gn

104. Tamburlaine woodcut 1 gn (Proceeds of the sale of this woodcut go to the Marlowe Memorial Fund).

Society of Artists Exhibition [1925 Adelaide].

Venues

Dunster Galleries (1925 – 1925)
104-106 Gawler Place, Adelaide, South Australia, Australia

Works

URE SMITH, Sydney (1887–1949)

101. Offices of the 'Sydney Morning Herald'. 5 gns | 3 prints available for sale

102. The Old Treasury. 4 gns | 20 prints available for sale

103. The blacksmith's shop, Ambleside 5 gns | 2 prints available for sale

104. Ambleside farmyard 3 gns | 20 prints available for sale

Catalogue of the Exhibition of the Australian Painter-Etchers' Society. Exhibition of Etchings by Members and Honary Members of the Australian Painter-Etchers' Society [1925].

Venues

Dunster Galleries (24 November 1925 – 15 December 1925)
104-106 Gawler Place, Adelaide, South Australia, Australia

Works

Burridge, Fred. (1869–1945)

The Mountain Smithy. £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

Evening in the fishing quarter. £4.04.0 (unframed) | etching

Lee Hankey, William. (1869–1952)

Memories. £8.08.0 (unframed) | etching

Sitting Up. £6.06.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

Chinon Castle. £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

In the Path of the Gale. £5.05.0 (unframed) | etching

WALCOT, William (1874–1943)

Venice. £7.07.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

2. Wreckage. £3.03.0 (unframed) | etching

Airy, Anna. (1882–1964)

3. Azaleas. £7.07.0 (unframed) | etching

Lee Hankey, William. (1869–1952)

10. Jeanette of the Market. £12.12.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The farm sheds. £6.06.0 (unframed) | etching

12. Farmhouse, Hartley. £2.02.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

13. Washing day £2.02.0 (unframed) | etching

14. Farmyard, Clarendon. £2.02.0 (unframed) | etching

15. The sequestered farm. £3.03.0 (unframed) | etching

16. The country road. £3.03.0 (unframed) | etching

17. The Hawkesbury, Windsor. £3.03.0 (unframed) | etching

18. Offices of the 'Sydney Morning Herald'. £5.05.0 (unframed) | etching

19. The Old Treasury. £4.04.0 (unframed) | etching

20. The blacksmith's shop, Ambleside £5.05.0 (unframed) | etching

21. Ambleside farmyard £3.03.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

22. Australian sunrise. £3.03.0 (unframed) | etching

23. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unframed) | etching

24. On the Lane Cove, Sydney Harbour. £2.17.6 (unframed) | etching

25. Old Argyle Cut, Sydney. £2.10.0 (unframed) | etching

26. Australian sunrise. £2.10.0 (unframed) | etching

27. Australian natives, Lake Macquarie, NSW. £1.11.6 (unframed) | etching

28. Rue de Mer Rouge, Algiers. £1.11.6 (unframed) | etching

29. Outer Lake, Narrabeen. £1.05.0 (unframed) | etching

30. Old Balmoral Beach, Sydney Harbour. £1.11.6 (unframed) | etching

31. Banksia, Collaroy. £1.11.6 (unframed) | etching

32. Groote Church, Dordrecht, Holland. £1.11.6 (unframed) | etching

33. Trees of Balmoral, Sydney Harbour. £1.01.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

34. An Early Dooway. £2.02.0 (unframed) | etching

Godson, John Barclay. (1882–1957) and Godson, John Barclay. (1882–1957)

35. The Reclamation. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

36. Cobles at Staithes, Yorks. £3.03.0 (unframed) | etching

37. Bushrangers' Hill, Pittwater. £2.02.0 (unframed) | etching

38. Minnamurra Reflections. £3.03.0 (unframed) | etching

39. Early morn. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

40. Strand on the Green. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

41. The riverside £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

42. Beddington Corner £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. Moonrise pastoral £5.05.0 (unframed) | etching

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

44. Young Kookaburras £2.02.0 (unframed) | etching

45. The Snake Yarn. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Radnage, Bucks | Date: 1920 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

46. Radnage, Bucks £4.04.0 (unframed) | etching

47. Belfry, Bruges. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

48. The deserted selection. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Between the showers £4.04.0 (unframed) | etching

50. Fishing Boats, St. Ives. £2.12.6 (unframed) | etching

51. Pastoral. £6.06.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

52. The Breaking up of H.M.A.S. 'Australia'. £3.03.0 (unframed) | etching

53. The Grand Canal, Venice. £3.03.0 (unframed) | etching

54. Lacey's Creek, Burragorang Valley, N.S.W. £3.03.0 (unframed) | etching

55. St. Paul's Cathedral, London. £2.12.6 (unframed) | etching

56. The Up Country Farmer. £2.02.0 (unframed) | etching

57. An old English shepherd. £2.02.0 (unframed) | etching

58. A canal in Venice. £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

59. A Scone farm. £3.03.0 (unframed) | etching

Artist: Morgan, Squire. | Title: Ti trees | Date: 1922 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

60. Ti trees £3.03.0 (unframed) | etching

61. At Palm Beach. £3.03.0 (unframed) | etching

62. Old bullock dray. £3.03.0 (unframed) | etching

63. The lakeside. £2.12.6 (unframed) | etching

64. Deserted hut. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

65. Dawes Point, Sydney. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

66. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. £4.04.0 (unframed) | etching

67. Sydney Grammar School. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

68. The picnic. £4.04.0 (unframed) | etching

69. The launch. £3.03.0 (unframed) | etching

70. Conservatorium of Music, Sydney. £3.03.0 (unframed) | etching

71. Wiseman's Ferry. £4.04.0 (unframed) | etching

72. St. James Church, Sydney. £4.04.0 (unframed) | etching

73. Milson's Point, Sydney. £4.04.0 (unframed) | etching

74. Oxford and Cambridge Boat Race: The Start. £4.04.0 (unframed) | etching

75. St. Joseph's College, Sydney. £3.03.0 (unframed) | etching

76. Chinaman's gardens, Rose Bay. £4.04.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

77. MacTaggart's Farm. £1.07.0 (unframed) | etching

78. The River Tweed. £1.11.6 (unframed) | etching

79. Prince's Bridge, Melbourne. £1.11.6 (unframed) | etching

80. Newport Rocks. £1.01.0 (unframed) | etching

81. Evening. £1.01.0 (unframed) | etching

82. Timber Craft. £1.07.0 (unframed) | etching

83. The Estuary. £1.01.0 (unframed) | etching

84. From the Mountain Side. £1.07.0 (unframed) | etching

85. Along the Murrumbidgee. £1.11.6 (unframed) | etching

86. Mountain Gums. £1.11.6 (unframed) | etching

87. A Sydney Ferry. £1.01.0 (unframed) | etching

88. The river boat. £1.07.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

89. Bullock team. £1.11.6 (unframed) | etching

90. Wool Team. £1.11.6 (unframed) | etching

91. Martin's Farm. £2.02.0 (unframed) | etching

92. In Camp. £2.12.6 (unframed) | etching

93. Politicians. £2.12.6 (unframed) | etching

94. Cultivation paddocks. £2.12.6 (unframed) | etching

95. On the road. £3.03.0 (unframed) | etching

96. Loading Wool. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

97. Sundown. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

98. Gid-Dap. £3.03.0 (unframed) | etching

Farmer, Helen. (1888–1970)

99. The cowbail. £2.02.0 (unframed) | etching

100. A river boat. £1.11.6 (unframed) | etching

101. The paddock gate. £3.03.0 (unframed) | etching

102. The derelict. £2.02.0 (unframed) | etching

103. Chinamen's gardens, Mavey Vale. £2.02.0 (unframed) | etching

104. Loading a drogher. £2.02.0 (unframed) | etching

105. The deserted tenement. £1.11.6 (unframed) | etching

106. The cottage on the hill. £1.01.6 (unframed) | etching

Crisp, James. (1879–1962)

107. A Favorite Spot. £2.02.0 (unframed) | etching

108. The old mill, Auckland, N.Z. £1.11.0 (unframed) | etching

109. The Story. £1.11.6 (unframed) | etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

110. The gander. £1.01.0 (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Sydney Harbour from Vaucluse | Date: 1923 | Technique: etching, printed in black ink, from one plate

111. Sydney Harbour from Vaucluse £2.02.0 (unframed) | etching

112. Government House, Windsor, N.S.W. £2.02.0 (unframed) | etching

113. The yard. £2.02.0 (unframed) | etching

114. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

115. Black Mountain, Canberra £1.11.6 (unframed) | etching

116. A Hartley barn. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

117. The Bridge. £1.11.6 (unframed) | etching

118. Ships at rest. £2.02.0 (unframed) | etching

119. After work. £2.02.0 (unframed) | etching

120. Low Banks. £1.01.0 (unframed) | etching

121. Bush Light. £1.01.0 (unframed) | etching

122. Sydney from Bradleys Head. £2.02.0 (unframed) | etching

123. The smithy. £2.02.0 (unframed) | etching

124. Quiet afternoon, Port Adelaide. £4.04.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

125. Sundown. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

126. Desolation. £1.11.6 (unframed) | etching

127. King William Street, Adelaide. £2.12.6 (unframed) | etching

128. G.P.O., Adelaide. £5.05.0 (unframed) | etching

Britton, Fred. (1889–1931)

129. The Winery. £0.15.0 (unframed) | etching

130. The barn. £0.15.0 (unframed) | etching

131. The wharves, Birkenhead. £1.01.0 (unframed) | etching

132. Old carpenter's shop, Noarlunga. £1.01.0 (unframed) | etching

133. Old cottages at Goolwa. £1.11.6 (unframed) | etching

134. The sunlit homestead. £2.02.0 (unframed) | etching

135. Cottage at Aldgate. £2.02.0 (unframed) | etching

136. The slips. £2.12.6 (unframed) | etching | Collection: British Museum.

van RAALTE, Henri (1881–1929)

137. The water glade (Torrens Gorge). £8.08.0 (unframed) | etching

138. Silver evening. £7.07.0 (unframed) | etching

Artist: van RAALTE, Henri | Title: Tuarts of the South-West. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

139. Tuarts of the South-West. £10.10.0 (unframed) | etching

140. The Cathedral at Dawn. £4.04.0 (unframed) | etching

Catalogue of the Sixth Annual Exhibition of the Australian Painter-Etchers' Society [1926].

Venues

Education Department Gallery (1 June 1926 – 1 July 1926)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Playmates. £1.11.6 (unframed) | drypoint

A Tit Bit. £1.11.6 (unframed) | etching

The old mill, Auckland, N.Z. £1.11.6 (unframed) | etching

The straggliers. £1.01.0 (unframed) | etching

A Favorite Spot. £2.02.0 (unframed) | etching

Feathered Friends. £1.11.6 (unframed) | etching

The Story. £1.11.6 (unframed) | etching

The intruder [2]. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

Old and new bridges, from Emu Plains. £4.04.0 (unframed) | etching

10. The Gap, Sydney Heads. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

11. Stanwell Park. £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

12. St. Joseph's College, Sydney. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

13. Wiseman's Ferry. £4.04.0 (unframed) | etching

14. The old barn. £3.03.0 (unframed) | out of print | etching

Farmer, Helen. (1888–1970)

15. A Wharf at Foster. £2.02.0 (unframed) | etching

Artist: Farmer, Helen. | Title: Sunlit. | Date: 1926 | Technique: etching, printed in black ink with plate-tone, from one plate

16. Sunlit. £1.11.6 (unframed) | etching

17. Mid-day Shade*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

18. Boat sheds. £2.02.0 (unframed) | etching

19. A bend of the River. £2.02.0 (unframed) | etching

Lindeman, Grant. (1920–)

19. Elizabeth Bay Road, Elizabeth Bay. etching

Farmer, Helen. (1888–1970)

20. St. Phillips, Sydney. £1.11.6 (unframed) | etching

21. Deserted Tenement. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

22. Book Plate. etching

Warner, Alfred Edward. (1879–1968)

23. N.S.W. Border Farm. £3.13.6 (unframed) | etching

24. Clancy's Clearing. £3.13.6 (unframed) | etching

25. Circular Quay. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

26. Tinderie Sheds*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

27. The overflow waggon. £2.12.6 (unframed) | etching

28. Travelling Sheep. £1.11.6 (unframed) | etching

29. Moving Out. £1.11.6 (unframed) | etching

30. On the road to Condobolin. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

31. The Mountain Road, Brush Creek, N.S.W. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

32. Sydney University*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

33. The road to Fairy Bower, Manly. £2.12.6 (unframed) | etching

34. The Old Blacksmith. £2.02.0 (unframed) | etching

35. A Belgian windmill. £2.02.0 (unframed) | etching

36. The Drover. £1.11.6 (unframed) | etching

37. Covent Garden Theatre, London. £2.02.0 (unframed) | etching

38. Bridge of Sighs, Venice. £2.12.6 (unframed) | etching

39. Old street, York. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

40. Circular Quay, Sydney £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

41. The lake, Avoca £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

42. The Bridge. £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Palm Beach | Date: 1926 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. Palm Beach £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

44. Berry's Bay £3.03.0 (unframed) | etching

45. Old Sydney. £2.02.0 (unframed) | drypoint

Artist: LONG, Sydney | Title: Station Square [1] | Date: 1927 | Technique: line-etching, drypoint printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

46. Station Square [1] £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

47. Old Sydney. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

48. The Lake. £10.10.0 (unframed) | etching

49. Beddington Corner £4.04.0 (unframed) | aquatint

Artist: LONG, Sydney | Title: Bennett's End. Bucks | Date: 1927 | Technique: etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. Bennett's End. Bucks £3.03.0 (unframed) | etching

51. Autumn. etching

52. Pastoral. etching

53. Chiddingstone*. £3.03.0 (unframed) | aquatint | Print available for members of the print collectors club.

URE SMITH, Sydney (1887–1949)

54. The blacksmith's shop, Ambleside £5.05.0 (unframed) | etching

55. Ambleside farmyard £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

56. Offices of the 'Sydney Morning Herald'. £5.05.0 (unframed) | etching

57. The Old Treasury. £4.04.0 (unframed) | etching

58. A Reach of the Hawkesbury*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

59. Washing day £2.02.0 (unframed) | etching

60. Sydney from Bay Road. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

61. Macquarie Fields. £2.02.0 (unframed) | etching

62. The country road. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

63. Rose's Mill, Mt Gilead. £5.05.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

64. The ocean's fringe, Narrabeen, N.S.W. £2.02.0 (unframed) | etching

65. On the North Coast, N.S.W. £1.11.6 (unframed) | etching

66. Pulbah Island, Lake Macquarie, N.S.W. £2.02.0 (unframed) | etching

67. Australian Backwater. £1.11.6 (unframed) | etching

68. Venetian courtyard. £1.01.0 (unframed) | etching

69. Australian sunrise. £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

70. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unframed) | etching | *Print available for members of the print collectors club.

71. Old Bronte, Sydney, N.S.W. £1.05.0 (unframed) | etching

Ashton, Will. (1881–1963)

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

72. Ponte Vecchio, Florence £3.03.0 (unframed) | etching

73. Pont St. Marie, Paris. £3.03.0 (unframed) | etching

74. The Canal Brescon Martigues, France. £3.03.0 (unframed) | etching

Scott, Eric. (1892–1978)

75. Fleury Meudon. £1.01.0 (unframed) | etching

76. St. Cloud. £1.01.0 (unframed) | etching

77. Willows. £1.01.0 (unframed) | etching

78. Pont National. £1.01.0 (unframed) | etching

79. St. Severin, Paris. £1.01.0 (unframed) | etching

80. St. Nicholas de Chardonnet. £2.02.0 (unframed) | etching

81. Le Pont Marie. £2.02.0 (unframed) | etching

82. Somme a Amiens. £2.02.0 (unframed) | etching

83. Vieux Chartres. £2.02.0 (unframed) | etching

84. St. Maclou, Rouen. £1.11.6 (unframed) | etching

85. Cour du Dragon, Paris. £1.11.6 (unframed) | etching

86. Shrine at Veuce, France. £2.02.0 (unframed) | etching

SHIRLOW, John (1869–1936)

87. The Bank Door (Commercial Bank, Melb.). £3.13.6 (unframed) | etching

88. Princes Bridge, Melbourne. £3.13.6 (unframed) | etching

Reid, D.G. (1862–1933)

89. The old church at Dapto. £4.04.0 (unframed) | etching

90. A Country Road. £3.03.0 (unframed) | etching

91. The farm yard. £3.03.0 (unframed) | etching

92. At the Slip Rails -. etching

TRAILL, Jessie (1881–1967)

93. Meccano House, Yallourn. £5.05.0 (unframed) | etching

94. Work at Night, Yallourn. £2.02.0 (unframed) | etching

95. Harkaway Sunset. £2.02.0 (unframed) | etching

96. Trimming the Boiler. £1.01.0 (unframed) | etching

97. Into the Abyss, Brown Coal Mine. £1.01.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

98. The farmyard. £1.11.6 (unframed) | etching

99. Spreading Ti Trees. £1.11.6 (unframed) | etching

100. Quiet Pool. £1.01.0 (unframed) | etching

101. The drinking pool. £2.02.0 (unframed) | etching

102. The sawmill, Bateman's Bay. £1.01.0 (unframed) | etching

103. The old stable. £1.11.6 (unframed) | etching

104. The three gums. £1.11.6 (unframed) | etching

105. Swamp Ti Trees. £2.02.0 (unframed) | etching

106. Changing pastures. £1.11.6 (unframed) | etching

107. The lakeside. £4.04.0 (unframed) | etching

108. Swamp pastures. £2.02.0 (unframed) | etching

109. Farmsheds. £2.02.0 (unframed) | etching

110. White boatsheds. £2.02.0 (unframed) | etching

111. The old gateway. £2.02.0 (unframed) | etching

112. The deserted farm £1.11.6 (unframed) | etching

113. Into the shade. £1.11.6 (unframed) | etching

114. Canberra from Residency. £1.11.6 (unframed) | etching

115. Timbergetters. £1.11.6 (unframed) | etching

116. Sleepgetters. £1.01.0 (unframed) | etching

117. The lakeside. £2.02.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

118. Fort Denison £1.11.6 (unframed) | etching

119. Prince's Bridge. £1.11.6 (unframed) | etching

120. Milson's Point. £1.11.6 (unframed) | etching

121. Dawes Point. £1.11.6 (unframed) | etching

122. Midsummer Noon. £1.11.6 (unframed) | etching

123. McTaggart's Farm. £1.11.6 (unframed) | etching

124. The Home Pasture. £1.01.0 (unframed) | etching

Britton, Fred. (1889–1931)

125. On the Murray. £2.02.0 (unframed) | etching

126. The sunlit homestead. £3.03.0 (unframed) | etching

127. Old cottages at Goolwa. £2.02.0 (unframed) | etching

128. Cottage at Aldgate. £2.02.0 (unframed) | etching

129. A relic of the forties. £3.03.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

130. The Quay, Duquesne. £5.05.0 (unframed) | etching

131. The ford, Salonica. £5.05.0 (unframed) | etching

132. Arnold Mason. £5.05.0 (unframed) | etching

133. Pickford Farm. £3.13.6 (unframed) | etching

134. The Old Quarry. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

135. San Giovanni di Bellagio. £4.04.0 (unframed) | etching

136. The Ravaged Hillside. £4.04.0 (unframed) | etching

137. The Lonely Tower. £4.04.0 (unframed) | etching

138. Sunset, Ardgour. £4.04.0 (unframed) | etching

139. Stormy Water, Lake Linnbe. £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

140. Marshland. £5.05.0 (unframed) | etching

141. Haymaking on the Waveney. £5.05.0 (unframed) | etching

142. Old cottage, Shoreham. £5.05.5 (unframed) | etching

SHORT, Frank (1857–1945)

143. A Yorkshire Dell. £12.12.0 (unframed) | etching

144. The Raft on the Rhine. £12.12.0 (unframed) | etching

145. Hobb's Hawth. £8.08.0 (unframed) | etching

146. Twixt Dawn and Day. £6.06.0 (unframed) | etching

Hardie, Martin. (1875–1952)

147. A Street in Chioggia. £4.04.0 (unframed) | etching

148. The East Coast. £4.04.0 (unframed) | etching

149. The picnic. £3.03.0 (unframed) | etching

Burridge, Fred. (1869–1945)

150. Promise of a Hot Day. £5.05.0 (unframed) | etching

151. Traeth Bach. £4.04.0 (unframed) | etching

152. Evening. £4.04.0 (unframed) | etching

153. A March of Waters. £3.13.6 (unframed) | etching

154. Thunder weather. £3.03.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

155. Gracechurch Street, London. £3.03.0 (unframed) | etching

156. Land Lopers. £3.03.0 (unframed) | etching

158. The Hop Exchange after the Fire. £3.03.0 (unframed) | etching

Airy, Anna. (1882–1964)

159. Apple Blossom. £6.06.0 (unframed) | etching

160. Orchids. £4.04.0 (unframed) | etching

Society of Artists Brisbane exhibition.

Venues

Parbury House (19 May 1937 – 5 June 1937)
3rd floor, Parbury House, Eagle St., Brisbane, Queensland, Australia

Works

GRIFFIN, Murray (1903–1992)

32. The hungry one. 5 gns (Framed)

33. Cinerarias. 5 gns (Framed)

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Palaces, Benares | Date: 1930 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

55. Palaces, Benares 6 gns

56. Zocodova Gate. 5 gns

57. The Street of the Aquaduct, Segovia. 4 gns

Artist: LINDSAY, Lionel | Title: Heysen's birds | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

58. Heysen's birds 1½ gns

Artist: LINDSAY, Lionel | Title: The black cat | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block; touched with brush and black ink | Copyright: Courtesy of the National Library of Australia

59. The black cat 3 gns

60. Town Gate, Burgos. 6 gns

Artist: LINDSAY, Lionel | Title: The clipped wing | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

61. The clipped wing 2 gns

Artist: LINDSAY, Lionel | Title: Morning glory. | Date: 1932 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

62. Morning glory. 2½ gns

PRESTON, Margaret (1875–1963)

75. Sunflower. 1½ gns

77. Mixed Flowers. 1½ gns

URE SMITH, Sydney (1887–1949)

91. The blacksmith's shop, Ambleside 5 gns (Framed)

92. The church on the hill. 3 gns (Framed)

93. Entrance, old Colonial Residence, Windsor. 2 gns (Framed) | etching

Unknown

Venues

Venue Not Identified. None

Works

URE SMITH, Sydney (1887–1949)

Freezing works, Parramatta River. edition of 50 | out of print

Wind-swept. edition of 10 | out of print

Stables of the Currency Lass, Parramatta. edition of 25 | out of print

Old Houses, 26 Princes Street. edition of 25 | out of print

Elizabeth Bay from Potts Point. edition of 25, out of print

Parbury's Bond, Miller's Point. edition of 25 | out of print

The old shop. edition of 25 | out of print

Top of King Street. edition of 25 | out of print

Laneway to Playfair Street the Rocks. edition of 25 | out of print

Old houses, Cumberland Street. edition of 35 | out of print

Darling Harbour, from Balmain. edition of 25

Pyrmont from Balmain. edition of 25

Pyrmont Bridge, Sydney. edition of 25 | out of print

Towers of St. Andrews. edition of 25 | out of print

Council Yard, McMahon's Point. edition of 25

Launching of H.M.A.S. 'Brisbane', Cockatoo Island 30 September 1915. edition of 50

The Little Ketch, Mosman. edition of 50

Artist: URE SMITH, Sydney | Title: The old mill, Mt Gilead | Date: 1915, December | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

The old mill, Mt Gilead edition of 25 | out of print

Title Page Plate for sets -.

Circular Quay. edition of 25 | out of print

Old cottage, Elizabeth Street, Sydney. edition of 25 | out of print

Musgrave Street. edition of 30 | out of print

The old tree. edition of 25

Entrance, old Colonial Treasury. edition of 30, out of print

Argyle. edition of 30, out of print

Old convict barracks. edition of 50 | out of print

Old house, The Rocks. edition of 25 | out of print

No.15 Jamieson Street, Sydney. edition of 50 | out of print

Post Office from Wynyard Street. edition of 50

The Little Doorway, Bathurst. edition of 50

Lennox Bridge, Parramatta. edition of 30 | out of print

Dawes' Battery. edition of 50 | out of print

Ashmore House, Kent Street. edition of 50

Entrance, old Colonial Residence, Windsor. edition of 50

Windsor, N.S.W. edition of 50 | out of print

Shell Cove. edition of 30 | out of print

Ships, Berry's Bay. edition of 30 | out of print

The waterfront. edition of 50 | out of print

The church on the hill. edition of 50 | out of print

The cooperage. edition of 30 | out of print

Boatsheds, Mosman. edition of 50

Harbour, from Curraghbeana Point. edition of 30

The Building of H.M.A.S. "Adelaide". edition of 35

The Building of H.M.A.S. "Adelaide" (Stern View). edition of 35

The Building of H.M.A.S. "Adelaide" (The Bows). edition of 35

Artist: URE SMITH, Sydney | Title: Gore Bay. | Date: 1918 | Technique: etching and aquatint, printed in warm black ink, from one plate

Gore Bay. edition of 50 | out of print

The Mill, Mt. Gilead, N.S.W. edition of 50 | out of print

Old Government House, Windsor. edition of 50 | out of print

Old cottage, Cobbitty. edition of 50 | out of print

Landscape, Windsor. edition of 30

Old Treasury, Lang Street. edition of 30

Stables, Dawes' Battery. edition of 12 | out of print

Artist: URE SMITH, Sydney | Title: The observatory | Date: 1919 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

The observatory edition of 25

The farmyard. edition of 30

The barn, Winnstay. edition of 30

Cottage, Hartley, N.S.W. edition of 30 | out of print

Brickworks, St. Leonards. edition of 40

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

Deserted courtyard, Hartley edition of 40 | out of print

Bank of N.S.W., Windsor. edition of 30 | out of print

The river, Windsor. edition of 40 | out of print

The barn. edition of 50 | out of print

Across the plains, Windsor. edition of 10

Farmhouse, Hartley. edition of 50

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

Cottage, Clarendon edition of 50 | out of print

Camden, NSW. edition of 30

Hawkesbury River Farm. edition of 30 | out of print

Headland, from Bilgola. edition of 50 | out of print

The three barns. edition of 40 | out of print

The Hawkesbury, Windsor. edition of 30

Harbour, from Rose Bay. edition of 50

The barn, Evening. edition of 30

Chinaman's garden's, Rose Bay. edition of 10

Sandhills, Bellevue Hill. edition of 10

Sandhills, Bellevue Hill. edition of 20

Cumberland House, The Rocks. edition of 50 | out of print

Windsor barn. edition of 30

Windsor. edition of 30 | out of print

The willows. edition of 30 | out of print

Early morning, the river, Windsor. edition of 30, out of print

Old road to Picton. edition of 30

Farmyard, Clarendon. edition of 50

Farm sheds, Windsor. edition of 50 | out of print

Picton farm. edition of 30 | out of print

The sequestered farm. edition of 50

Burdekin House. edition of 50 | out of print

Rose's Mill, Mt Gilead. edition of 50

Ah Lum's Farm, Windsor. edition of 50

The sunlit barn. edition of 50

The country road. edition of 30

Macquarie Fields. edition of 30

Sydney from Bay Road. edition of 30

Washing day edition of 50

A Reach of the Hawkesbury*. edition of 30

The Old Treasury. edition of 50

Offices of the 'Sydney Morning Herald'. edition of 30

The blacksmith's shop, Ambleside edition of 30