Long, Sydney. (1871–1955) · Exhibition History · Australian Prints + Printmaking

Representative Exhibition of Oils, Watercolours and Etchings by Leading Sydney Artists

Venues

Sedon Galleries [1] (16 March 1926 – 27 March 1926)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

92. Nymphs and Fawns. 10 gns

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

93. Porte Marechale, Bruges 3 gns

94. Edge of the clearing. 6 gns

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

95. Moonrise pastoral 5 gns

96. The distant dome. 6 gns

97. Riverside. 4 gns

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

98. Between the showers 4 gns

99. Still Pool. 4 gns

100. The quiet corner. 3 gns

101. Landscape. 3 gns

Catalogue of the Sixth Annual Exhibition of the Australian Painter-Etchers' Society [1926].

Venues

Education Department Gallery (1 June 1926 – 1 July 1926)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

40. Circular Quay, Sydney £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

41. The lake, Avoca £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

42. The Bridge. £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Palm Beach | Date: 1926 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. Palm Beach £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

44. Berry's Bay £3.03.0 (unframed) | etching

45. Old Sydney. £2.02.0 (unframed) | drypoint

Artist: LONG, Sydney | Title: Station Square [1] | Date: 1927 | Technique: line-etching, drypoint printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

46. Station Square [1] £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

47. Old Sydney. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

48. The Lake. £10.10.0 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Beddington Corner £4.04.0 (unframed) | aquatint

Artist: LONG, Sydney | Title: Bennett's End. Bucks | Date: 1927 | Technique: etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. Bennett's End. Bucks £3.03.0 (unframed) | etching

51. Autumn. etching

52. Pastoral. etching

53. Chiddingstone*. £3.03.0 (unframed) | aquatint | Print available for members of the print collectors club.

Exhibition of Etchings, Woodcuts, & by Famous Artists.

Venues

Sedon Galleries [1] (7 December 1926 – 21 December 1926)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Seventh Annual Exhibition of the Australian Painter-Etchers' Society

Venues

Education Department Gallery (30 May 1927 – 18 June 1927)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

25. Fantasy £12.12.0 (unframed) | etching

26.

The blacksmith's shop

£4.04.0 (unframed) | etching

27. Rose Bay. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

28. A windy day £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

29. Berowra Creek. £3.03.0 (unframed) | etching | Print available for members of the Print Collectors Club.

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

30. Friar Street, Worcester £3.03.0 (unframed) | Print available for members of the Print Collectors Club. | etching

Artist: LONG, Sydney | Title: Iffley Mill, Oxford | Date: c.1919 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

31. Iffley Mill, Oxford £3.03.0 (unframed) | Print available for members of the Print Collectors Club. | etching

Artist: LONG, Sydney | Title: Dunster | Date: 1927 | Technique: line-etching, aquatint, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

32. Dunster £4.04.0 (unframed) | etching

Catalogue [of the] Xmas Exhibition of the Australian Painter-Etchers' Society [1927]

Venues

Attic Gallery (3 December 1927 – 31 December 1927)
8th floor, Callaghan House, 393 (361?) George St., Sydney, New South Wales, Australia

Works

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

47. Brisbane water £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The roost | Date: 1927 | Technique: line-etching, printed in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

48. The roost £3.03.0 (unframed) | etching

49. A windy day £3.03.0 (unframed) | etching

50. The Harbor from McMahon's Point. £4.04.0 (unframed) | etching

51. Berry's Bay £3.03.0 (unframed) | etching

52. Harbor View. £3.03.0 (unframed) | etching

Catalogue of the Eighth Annual Exhibition of the Australian Painter-Etchers' Society [1928].

Venues

Education Department Gallery (8 June 1928 – 23 June 1928)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Artist: LONG, Sydney | Title: Waterloo Bridge in course of demolition | Date: 1928 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Waterloo Bridge in course of demolition £4.04.0 (unframed)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. Hawkesbury landscape £5.05.0 (unframed)

Artist: LONG, Sydney | Title: Dee Why landscape | Date: 1928 | Technique: line-etching, printed in red-brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

51. Dee Why landscape £4.04.0 (unframed)

Artist: LONG, Sydney | Title: Reflections, Avoca | Date: (1928) | Technique: line-etching, printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Reflections, Avoca £3.03.0 (unframed)

53. The Harbour from Greenwich. £2.12.6 (unframed)

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

54. Windmill Street, Old Sydney [1] £3.03.0 (unframed)

55. St. Ives. £4.04.0 (unframed)

Artist: LONG, Sydney | Title: The water meads | Date: 1928 | Technique: line-etching, drypoint printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

56. The water meads £3.03.0 (unframed)

191. St. Ives. £5.05.0 (unframed)

194. Waterloo Bridge in course of demolition

197. Study for. £10.10.0 (unframed)

202. Study for. £10.10.0 (unframed)

Exhibition of Etchings, Woodcuts and Aquatints by Australian Artists.

Venues

The Abbey Gallery (1 July 1928 – 1 July 1928)
2 Victoria St., Westminster, London, England

Fourth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Modern Masters.

Venues

Sedon Galleries [1] (21 November 1928 – 1928)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Exhibition of Etchings by the Australian Painter-Etchers' Society

Venues

New Gallery [Melbourne]. (11 December 1928 – 24 December 1928)
107 Elizabeth St., (Robertson's Building), Melbourne, Victoria, Australia

Works

48. The Hawkesbury River Landscape. £6.06.0 (unframed) | etching

49.

The blacksmith's shop

£4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. The old shot and powder works £4.04.0 (unframed) | etching

51. Christchurch. £3.03.0 (unframed) | etching

52. Iffley Mill, Oxford £3.03.0 (unframed) | etching

53. The Parchment Mills. £4.04.0 (unframed) | etching

Exhibition of Etchings

Venues

Millions Club (21 June 1929 – 1929)
Sydney, New South Wales, Australia

Works

34. The Hawkesbury River at Wiseman's Ferry. £6.06.0 (unframed) | etching

35.

The blacksmith's shop

£4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

36. The passing storm £5.05.0 (unframed) | etching

Catalogue of an Exhibition of recent paintings and etchings by members of the Australian Painter-Etchers' Society

Venues

Blaxland Galleries. [1]. (18 November 1929 – 30 November 1929)
8th & 9th floor, George St., Sydney, New South Wales, Australia.

Works

95. Hawkesbury landscape 6 gns (unframed) | aquatint

96. The lake. 4 gns (unframed) | aquatint

97. Landscape, Newport. 4 gns (unframed) | line etching

98. Boyd's Boatshed, Narrabeen. 4 gns (unframed) | line etching

99. Narrabeen Landscape. 3 gns. (unframed) | line etching

Artist: LONG, Sydney | Title: Tascot | Date: 1928, after | Technique: line-etching, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

100. Tascot 3 gns (unframed) | line etching

101. Windmill Street, Old Sydney [1] 3 gns (unframed) | line etching

102. Feeding time. 3 gns (unframed) | line etching

103. Demolition, Waterloo Bridge, London. 4 gns (unframed) | line etching

Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

104. Old houses, Chiddingstone 3 gns (unframed) | line etching

105. Old mill, Petertary. 3 gns (unframed) | line etching

Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.

Venues

Sedon Galleries [1] (26 November 1929 – 31 December 1929)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

281. The bridge, Avoca 4 gns (unframed)

282. The lake, Avoca 4 gns (unframed)

283.

The blacksmith's shop

4 gns (unframed)

284. The Hawkesbury River at Wiseman's Ferry. 5 gns (unframed)

285. Brisbane water 4 gns (unframed)

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

286. Fishing boats, Kings Lynn 4 gns (unframed)

287. Berry's Bay 3 gns (unframed)

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

288. Magpies 3 gns (unframed)

289. Kookaburras. 3 gns (unframed)

290. A windy day 3 gns (unframed)

291. The roost 3 gns (unframed)

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

292. Young Kookaburras 3 gns (unframed)

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

293. The river from Blackfriars Bridge 4 gns (unframed)

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

294. The Thames from Waterloo Bridge 6 gns (unframed)

The Artists' Society of Canberra: Annual Exhibition [1930]. The Artists Society of Canberra: Third Annual Exhibition.

Venues

Sydney Buildings (14 March 1930 – 28 March 1930)
Canberra, Australian Capital Territory, Australia

Works

93. The passing storm framed £5.14.0 (Framed) unframed £5.05.0 (Unframed) | edition of 10

94. Windmill Street, Old Sydney. £3.03.0 (unframed) | edition of 10

95. Demolition, Waterloo Bridge, London. framed £4.12.6 (framed); £4.04.0 (Unframed) | 58 for sale

96. The roost framed £3.10.6 (Framed) unframed £3. 3.0 (Unframed) | edition of 20

97. Boyd's Boatshed, Narrabeen. framed £3.10.6 (Framed) unframed £3. 3.0 (Unframed) | edition of 20

97a. The lake [aquatint]. £7.14.6 (framed); £7. 7.0 (unframed) | 12 for sale | aquatint

The Artists' Society of Canberra: Annual Exhibition [1930]. The Artists' Society of Canberra: Third Annual Exhibition.

Venues

Sydney Buildings (14 March 1930 – 28 March 1930)
Canberra, Australian Capital Territory, Australia

1931 Catalogue of Annual Exhibition. Australian Painter-Etchers' Society

Venues

David Jones' Art Gallery [Elizabeth St]. (30 November 1931 – 9 December 1931)
7th floor (Mezzanine), Elizabeth Street, Sydney, New South Wales, Australia

Works

56. Chalk and Wash Drawing. £8.08.0 (framed)

57. Study for. £10.10.0 (framed)

58. The Mill by the River. £3.03.0 (unframed)

59. Boatshed, Narrabeen. £4.04.0 (unframed) | etching

60. Landscape, Narrabeen. £3.03.0 (unframed)

61. Landscape, Mitcham. £3.03.0 (unframed)

62. The bridge, Narrabeen. £3.03.0 (unframed)

7th Xmas Exhibition of Etchings and Woodcuts by Leading English and Australian Artists

Venues

Sedon Galleries [2] (3 December 1931 – 24 December 1931)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia

Venue Not Identified. (3 December 1931 – 24 December 1931)