The crossing

Lionel Lindsay (1874–1961)

The crossing | Spanish river scene

(1923)

etching

EXHIBITION HISTORY 1 – 4 of 4 exhibitions

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Society of Artists Annual Exhibition [1923].

Venues

Education Department Gallery (15 September 1923 – 13 October 1923)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

RICHARDSON, Linley, H. (1878–1947)

1. Once Upon a Time. 8 gns

MacDONALD, J.S. (1878–1952)

1a. Lithograph, Ronald. 10 gns

URE SMITH, Sydney (1887–1949)

3. Farm yard, Clarendon. 2 gns

5. Burdekin House. 3 gns

6. Farm sheds, Windsor. 4 gns

7. The sequestered farm. 3 gns

8. Picton farm. 3 gns

9. Old road to Picton. 3 gns

10. Ah Lum's Farm, Windsor. 5 gns

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

18. The crossing 5 gns

19. The Log. 2½ gns

Artist: LINDSAY, Lionel | Title: Dawn | Date: 1923 | Technique: aquatint and burnishing, printed in brown ink with wiped highlights, from one plate | Copyright: Courtesy of the National Library of Australia

20. Dawn 5 gns

Artist: LINDSAY, Lionel | Title: Teamsters | Date: 1923 | Technique: aquatint and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

21. Teamsters 3 gns

Artist: LINDSAY, Lionel | Title: Sussex Street trade | Date: 1923 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

22. Sussex Street trade 7 gns

23. The Old Burwood. 3 gns

24. The Doric Porch. 2 gns

Artist: LINDSAY, Lionel | Title: The selector | Date: 1923 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

25. The selector 3 gns

Artist: LINDSAY, Lionel | Title: The white horse | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

26. The white horse 2 gns

27. The Ivy Jar. 1 gn

MacDONALD, J.S. (1878–1952)

77a. Lithograph Portrait. 10 gns

Stainforth, Martin. (1866–1957)

79. The Widower wood engraving. after Sir Luke Fildes, R.A. Not For Sale

80. Virgin and Saints wood engraving. after Andrea del Sarto. 5 gns

PRESTON, Margaret (1875–1963)

Artist: PRESTON, Margaret | Title: Bird of Paradise. | Date: 1925 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

83. Bird of Paradise. 1 gn

84. Georgette. 1 gn

85. Bird of Paradise. 1 gn

86. Bird of Paradise. 1 gn

Australian Painter-Etchers Society. Second [Melbourne] Exhibition [1923]

Venues

Decoration Art Gallery (15 October 1923 – 29 October 1923)
289 Collins St., Melbourne, Victoria, Australia

Works

LINDSAY, Lionel (1874–1961)

1. Teamsters "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

2. Sussex Street trade "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £7.07.0 (unframed) | etching

3. The selector "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

4. Ronda. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

5. Breakfast "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The house on the wall, Cordova | Date: 1923 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

6. The house on the wall, Cordova "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

7. The Great Fig Tree. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

8. The Old Fossicker. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

9. The Log. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.12.6 (unframed) | etching

10. The Doric Porch. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

11. The crossing "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £5.05.0 (unframed) | etching

12. The Burrow. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: On the balcony. | Date: 1922 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

13. On the balcony. £1.11.6 (unframed) | etching

FEINT, Adrian (1894–1971)

14. Rendezvous. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

15. Burdekin House. £3.03.0 (unframed) | etching

16. The farm sheds. £4.04.0 (unframed) | etching

17. The barn, Windsor. £3.03.0 (unframed) | etching

18. Harbour from Rose Bay. £2.02.0 (unframed) | etching

19. Windsor, N.S.W. £3.03.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

20. Edge of the clearing. £4.04.0 (unframed) | etching

21. The Stack. £4.04.0 (unframed) | etching

Artist: Boyd, Penleigh. | Title: The jetty. | Date: c.1921 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate

22. The jetty. £4.04.0 (unframed) | etching

SHIRLOW, John (1869–1936)

Artist: SHIRLOW, John | Title: Andante. | Date: 1923 | Technique: drypoint, printed in black ink, from one copper plate

23. Andante. £2.02.0 (unframed) | etching

24. From South Yarra. £2.12.6 (unframed) | etching

25. Chinese at a doorway £2.12.6 (unframed) | etching

26. Flinders Street. £2.12.6 (unframed) | etching

27. Yarraside. £3.03.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

28. Scherzo. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

29. Death in the garden. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

30. Trio. Springwood, New South Wales, Australia | £4.04.0 (unframed) | etching

31. Dryad. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

32. Julia. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

33. Festival. Springwood, New South Wales, Australia | £8.08.0 (unframed) | etching

34. Argument. Springwood, New South Wales, Australia | £7.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

35. The Sugar Mills. £7.07.0 (unframed) | etching

36. McMahon's Point, Sydney. £2.12.6 (unframed) | etching

37. Sydney Harbour from Cremorne. £2.07.6 (unframed) | etching

38. The Mosque, Cairo. £2.12.6 (unframed) | etching

Rose, Herbert. (1890–1937) and Rose, Herbert. (1890–1937)

39. Half Moon Bay. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

40. Berry's Bay, Sydney. £2.12.6 (unframed) | etching

41. The Post Office, Sydney. £2.12.6 (unframed) | etching

Ashton, Will. (1881–1963)

42. Rodney Lane, Ilfracombe, England. £2.02.0 (unframed) | etching

43. Old bridge, Ayr, Scotland. £3.03.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

44. St. James' Doorway, Sydney. £2.02.0 (unframed) | etching

45. The Milking Shed. £2.02.0 (unframed) | etching

46. Lane of William Street, Sydney. £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

47. Broken Hill silhouette, British Mine, Sunset. £5.05.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: Testing the new turbine, Red Cliffs pumps, August 1922. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone and wiped highlights, from one plate

48. Testing the new turbine, Red Cliffs pumps, August 1922. £8.08.0 (unframed) | etching

49. The Digger, Red Cliffs. £1.01.0 (unframed) | etching

50. End of the day, Red Cliffs. £2.02.0 (unframed) | etching

51. View from Temple Court, Collins St. Melbourne. £2.02.0 (unframed) | etching

52. Super Great Power House. £5.05.0 (unframed) | etching

53. The Great Live Line. £4.04.0 (unframed) | etching

54. The Dam, Small Pump, Red Cliffs. £3.03.0 (unframed) | 1st State | etching

ROBERTSON, Bruce (1872–1943)

55. Australian Bush Road. Dee Why, via Manly, New South Wales, Australia. | £4.04.0 (unframed) | etching

56. The farm bridge, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £3.03.0 (unframed) | etching

57. Old Argyle Cut, Sydney. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

58. Over the Range. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

59. Australian sunrise. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

60. Across Lake Macquarie, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £2.02.0 (unframed) | etching

61. St. Andrew's Castle, Fife. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

62. Groote Church, Dordrecht, Holland. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

63. Rialto Bridge, Venice. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

64. The wave, Coogee, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.01.0 (unframed) | etching

65. The Duck Farm, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

66. Oxford Falls Bridge, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

72. Circular Quay, Sydney. £3.03.0 (unframed) | etching

73. Old houses, Candebec, Normandy. £2.12.6 (unframed) | etching

74. A canal in Venice. £3.03.0 (unframed) | etching

75. Barges, Chiswick Mall. £3.03.0 (unframed) | etching

76. Up Country Team. £2.02.0 (unframed) | etching

77. Windsor Castle, Berkshire. £3.03.0 (unframed) | etching

78. Windmill, Walton, Essex. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The old parchment mills £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

80. St. Paul's from the river £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

81. Friar Street, Worcester £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Beddington Corner £4.04.0 (unframed) | etching

83. Camp in the forest. £5.05.0 (unframed) | etching

84. Badnage Landscape. £4.04.0 (unframed) | etching

85. Soft Ground Pastorale. £7.07.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

86. Between the showers £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

87. The Thames from Waterloo Bridge £6.06.0 (unframed) | etching

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

88. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Wallis, Raymond. (1900–1983)

89. The Milking Shed. £2.02.0 (unframed) | etching

90. White gums. £1.11.6 (unframed) | etching

91. Lucerne Farm. £2.12.6 (unframed) | etching

92. The farmyard. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

93. The Rocks, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

94. Clyde Street, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

95. Windmill Hill, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

96. Christmas Eve, St Albans, England. 1 Bond Street, Sydney, New South Wales, Australia. | £10.10.0 (unframed) | etching

97. St. Joseph's Mulgoa, N.S.W. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

98. Sydney Observatory. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

99. Hyde Park, London. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

100. Chelsea Old Church, London. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

101. The haunted mill. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

102. Peterborough Cathedral. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

Ward, J. (1920–)

103. The Gamblers. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

104. The Drover. £3.03.0 (unframed) | etching

105. The bullocky. £3.03.0 (unframed) | etching

106. Macquarie Street. £3.03.0 (unframed) | etching

107. The Drover's Cook. £3.03.0 (unframed) | etching

108. The wool dray. £3.03.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. Melbourne Grammar School. £4.04.0 (unframed) | etching

110. The Swimming Pool, Coombe Cottage. £3.03.0 (unframed) | etching

111. From the Roof Garden, Coombe Cottage. £2.02.0 (unframed) | etching

112. Mosman. £2.02.0 (unframed) | etching

113. Port Phillip Heads. £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

114. Circular Quay. £2.02.0 (unframed) | etching

115. The White Way. £1.11.6 (unframed) | etching

116. The lake. £3.03.0 (unframed) | etching

Crisp, James. (1879–1962)

117. Young Magpies. £2.02.0 (unframed) | etching

118. Magpies. £2.02.0 (unframed) | etching

119. The quintette. £2.02.0 (unframed) | etching

Farmer, Helen. (1888–1970)

120. Cobbitty gums. £2.02.0 (unframed) | etching

121. End of the track. £1.01.0 (unframed) | etching

122. Dee Bridge, Chester. £2.02.0 (unframed) | etching

Lindsay, Daryl. (1889–1976)

123. Converter shed. £2.02.0 (unframed) | etching

124. Deserted House, Creswick. £2.02.0 (unframed) | etching

Campbell, Fred. (1851–1930)

125. The quarry. £1.11.6 (unframed) | etching

126. A sunlit sea. £1.11.6 (unframed) | etching

127. Reflections. £1.11.6 (unframed) | etching

128. Flinders Street Railway Station. £1.11.6 (unframed) | etching

129. East Coast, Port Phillip. £1.11.6 (unframed) | etching

130. In the Southern pastures. £1.11.6 (unframed) | etching

131. The beach walk. £1.11.6 (unframed) | etching

132. A fair wind. £1.11.6 (unframed) | etching

Morgan, Squire. (1886–1974)

133. The lake, Avoca. £3.03.0 (unframed) | etching

134. Morning sunlight. £3.03.0 (unframed) | etching

135. The sliprails. £3.03.0 (unframed) | etching

136. Ti-trees. £3.03.0 (unframed) | etching

137. Old bullock dray. £3.03.0 (unframed) | etching

138. The glade. £1.11.6 (unframed) | etching

139. Sketch, Avoca. £1.01.0 (unframed) | etching

PERCY, W.S. (1872–1946)

140. Garden Island. £1.11.6 (unframed) | etching

141. Old bark hut. £1.11.6 (unframed) | etching

Britton, Fred. (1889–1931)

142. The Bridge. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

144. Bracken banks. £7.07.0 (unframed) | etching

Britton, Fred. (1889–1931)

145. Morning light. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

145. Adelaide Cathedral. £3.03.0 (unframed) | etching

147. Wayside Gums. £4.04.0 (unframed) | etching

148. Town Hall, Perth. £3.03.0 (unframed) | etching

149. Barracks, Perth. £3.03.0 (unframed) | etching

150. Water's Edge Price on Frame. Price on frame. | etching

151. The Giant. £10.10.0 (unframed) | etching

Coffey, Alfred. (1869–1950)

152. Chapel, St. John's College, Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £5.05.0 (unframed) | etching

153. Glenyarrah (Gladswood), Double Bay. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £1.11.6 (unframed) | etching

Finley, Fred. (1894–1968)

154. The prisoners. £2.02.0 (unframed) | etching

155. Rag Pickers of the Pont Neuf. £2.02.0 (unframed) | etching

156. Mountebanks, St. Owen, Paris. £2.02.0 (unframed) | etching

157. The porcelain mender, Paris. £1.11.6 (unframed) | etching

A Catalogue of Original Signed Proof Etchings by Modern Artists

Venues

F. R. Meatyard (1 October 1930 – 1 October 1930)
32 Museum St., London, England

Works

Conder, Charles. (1868–1909)

64. The Carnival Set of Eight Original Lithographs. One of 50 signed sets, printed in red. Scarce. 8½ in. x 2½ in. sic . The Set. £16.16.0

LINDSAY, Lionel (1874–1961)

164. Courtyard in New Castile. £3.03.0

Artist: LINDSAY, Lionel | Title: Burgos | Date: 1927 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

165. Burgos £3.03.0

166. Outside the Walls, Avila. £3.03.0

167. Las Regas, Toledo. £3.03.0 | edition of 10

168. The crossing £4.04.0, (Framed) £2.15.0 (Unframed) | One of 75 proofs published | etching, 6 x 8 3/4 in.

Unknown

Venues

Venue Not Identified. None

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Edge of the world. | Date: 1907 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Edge of the world. edition of 30, out of print

Evening. edition of 25, out of print

Artist: LINDSAY, Lionel | Title: The deserted shrine. | Date: 1907 | Technique: etching and aquatint, printed in warm black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

The deserted shrine. edition of 30 | out of print

Gums in Moonlight. edition of 30 | out of print

Diana. edition of 30 | out of print

Middle Harbour. edition of 25 | out of print

Convent of St. Margarita. edition of 30 | out of print

The goat's dance

Los Capucinos -. edition of 30

Gitana - -.

Bacchante and goat

Afternoon. edition of 30, out of print

Thessalian Sorcerers -. edition of 25

Portrait of N. Lindsay -. edition of 25

Romance -. edition of 25

Melbourne Town Hall. edition of 30 | out of print

Public Library, - Melbourne. edition of 30 | out of print

St. Mary's Cathedral, Sydney. edition of 30

Diana. edition of 25 | out of print

Baccante. edition of 30

The pool. edition of 30 | out of print

The Terrace. edition of 30

Six aquatints illustrating the poems of Griffith Fairfax.

Echo and Narcissus. edition of 130

Key of Green. edition of 130

Apollo and Daphne. edition of 130

Rondeau of the Night. edition of 130

Pan. edition of 130

Artist: LINDSAY, Lionel | Title: Wind of the sea. | Date: 1910 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Wind of the sea. edition of 130

The goat's dance out of print

Cremorne Point. edition of 25 | out of print

The Argyle. edition of 30

Old Hunter Street Book Shop (Mezzotint). edition of 30

Old Gloucester Street Rock (Mezzotint). edition of 30

The Rocks, (Mezzotint). edition of 30 | mezzotint

Clovelly, Watson's Bay, (Mezzotint). edition of 30 | out of print

The harbour from Cremorne (Mezzotint). edition of 30 | out of print | mezzotint

Old Education Dept (Mezzotint). edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: Gums in moonlight | Date: 1911 | Technique: mezzotint and etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Gums in moonlight edition of 30 | mezzotint

Miller's Point, Dawes Street. edition of 25 | out of print

Charlotte Place. edition of 30 | out of print

Old Essex Street. edition of 30 | out of print

Non-Commissioned Officers' Quarters. out of print

Kent Street. edition of 30

Nat, an old circus hand. edition of 25 | out of print

The Ocean Wave Hotel - Once Black Dog. edition of 50

Artist: LINDSAY, Lionel | Title: Officers quarters, Kent Street | Date: 1912 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Officers quarters, Kent Street edition of 50 | out of print

Old Treasury Buildings. edition of 50

Derelict, Kent Street. edition of 25 | out of print

Whalers' Arms Lane. edition of 30 | out of print

The New York Hotel, Lower George Street. edition of 50

The steps of the Sailors' Return. edition of 50 | out of print

Femmes damnées edition of 25

Artist: LINDSAY, Lionel | Title: The angler. | Date: 1912 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The angler. edition of 25

St. John's Darlinghurst, from College Street.

Street. edition of 25

The old Government Stores, Circular Quay. edition of 50

Artist: LINDSAY, Lionel | Title: Old houses, Cumberland Street, Sydney. | Date: 1912 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Old houses, Cumberland Street, Sydney. Not issued

Hero's Tower. edition of 30

Rose Bay Sand Dunes. edition of 25

Nude Study. not issued.

Death of Carmen (Aquatint) Not issued.

The fight with Garcia, the 'One-Eyed'.

(Aquatint) Not issued.

Fort Dawes. edition of 50 | out of print

The Union club. edition of 50 | out of print

Old Miller Street. edition of 50 | out of print

The plant auction, Hunter Street, (Mezzotint). edition of 30 | out of print | mezzotint

The Old Synagogue, Bridge Street. edition of 50

Mitchell's House, Cumberland Street. edition of 50 | out of print

The Bathers. edition of 30

Dead Timber. edition of 50

The Settler Not issued. not issued.

Artist: LINDSAY, Lionel | Title: Autumn evening | Date: 1913 | Technique: spirit-aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Autumn evening edition of 30, out of print

Eve. edition of 30

Portrait of Christopher Brennan -.

On the way to Kosciusko. edition of 30

Hyde Park Corner. edition of 50

Miller Street, George Street North. edition of 50

Education Dept, from Bridge Street. edition of 50, out of print

Old George Street Markret and Police.

Court. edition of 50

Old Sydney Warves, Miller's Point. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Elizabeth Farm, Parramatta | Date: 1914 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Elizabeth Farm, Parramatta edition of 50

Hegarty's Old Baths, St. Kilda -. edition of 50

The little boat pier, St. Kilda. edition of 50

Fisherman's Boats, St. Kilda -. edition of 50

Artist: LINDSAY, Lionel | Title: An old courtyard, New veterinary institute, La Trobe Street, Melbourne. | Date: 1914 | Technique: etching and aquatint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

An old courtyard, New veterinary institute, La Trobe Street, Melbourne. edition of 50

St. James' Cathedral, - Melbourne. edition of 50

Artist: LINDSAY, Lionel | Title: The Little Pool, old and Customs House, River Yarra Melbourne | Date: 1914 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Little Pool, old and Customs House, River Yarra Melbourne edition of 50

Theatre Royal, Hobart -. edition of 50

The Martyrdom of Belgium -. edition of 50

'Trinity', Melbourne University -. edition of 50

Bookplate of H. White - -.

The old Fig Tree Hotel, North Sydney. edition of 50

The last of old Hunter Street, Sydney. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: The ropemaker's shop, Seville | Date: 1916 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The ropemaker's shop, Seville edition of 50

Kensington Chambers. edition of 50

Gates of the Capucinos, Seville. edition of 50

Refresmment, Seville edition of 50

Artist: LINDSAY, Lionel | Title: Governor Bourke' Hotel, Sussex Street, Sydney | Date: 1916 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Governor Bourke' Hotel, Sussex Street, Sydney edition of 50 | out of print

Eaton's Timber yards, Berry's Bay. edition of 30

Old St. Andrews. edition of 30 | mezzotint

Blackwalled House, Cumberland Street. edition of 50

Circular Quay, from Admiralty House. edition of 50

The Pewit. edition of 50

The satyr. edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: St. Andrew's towers, Sydney. | Date: 1916 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

St. Andrew's towers, Sydney. edition of 50 | out of print

A Spanish Grand. edition of 30, out of print

Ashmore House, Old Kent Street Mansion. edition of 50

The old church school house, Pitt Street. edition of 50

The pawnbroker of Argyle Street. edition of 50 | out of print

The Dancer. edition of 50

Ariadne. edition of 50, out of print

Nude Study.

Argyle Cut, from rear. edition of 50, out of print

Nude study, Sydney Sketch Club

Evensong. edition of 50, out of print

The Bathers. edition of 50

The Old Barracks. edition of 50

Artist: LINDSAY, Lionel | Title: The satyr's pool | Date: 1917 | Technique: etching and spirit-aquatint, printed in blrown ink, from one plate | Copyright: Courtesy of the National Library of Australia

The satyr's pool edition of 50

The mendicant. edition of 30 | out of print

St. Patrick's Cathedral, Melbourne. edition of 50

Fruit Market, Queen Street, Melbourne. edition of 50

Artist: LINDSAY, Lionel | Title: Rocks Resumption, with St. Philip's Church | Date: 1917 | Technique: etching and drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Rocks Resumption, with St. Philip's Church edition of 50

Queen's Street Theatre, Melbourne. edition of 50

Hilder, J.J. (1881–1916) and LINDSAY, Lionel (1874–1961)

Artist: Hilder, J.J. | Title: Dora Creek | Date: 1918 | Technique: spirit-aquatint and drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Dora Creek edition of 100 | out of print

LINDSAY, Lionel (1874–1961)

Pastoral, after S. Long. edition of 50

Old Government House, Windsor. edition of 50 | out of print

King Billy, after B.E. Minna. edition of 50 | out of print

Norman Lindsay. edition of 50

Albion Park. out of print

Ferry Lane. edition of 50 | out of print

Dawes Battery. edition of 50

Artist: LINDSAY, Lionel | Title: Portico, Old Education Department Sydney | Date: 1918 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Portico, Old Education Department Sydney edition of 50

The edge of the plain. edition of 30 | out of print

Norman Lindsay. edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: Sunday morning, the Rocks | Date: 1918 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Sunday morning, the Rocks edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Abandoned abattoir | Date: 1918 | Technique: etching, aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Abandoned abattoir edition of 50

St. Matthew's Church, Windsor. edition of 50

Refitting Berry's Bay. edition of 30 | out of print

Dawes Point. edition of 50

Nude with scarf. edition of 30

Rock Davies boatshed. edition of 30 | out of print

Cevantes University, Alcala de Hermares. edition of 50

Artist: LINDSAY, Lionel | Title: The Canon's niece, Spain | Date: 1919 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Canon's niece, Spain edition of 30 | out of print

St. Matthew's Church, windsor, from Park. edition of 50

In the Moors' Gate. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: The Doctor's house, Windsor, NSW | Date: 1919 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Doctor's house, Windsor, NSW edition of 50

Artist: LINDSAY, Lionel | Title: Carpenter's shop, Phillip Street, Sydney | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Carpenter's shop, Phillip Street, Sydney edition of 50

Artist: LINDSAY, Lionel | Title: Arcadia Alley, Pitt Street, Sydney | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Arcadia Alley, Pitt Street, Sydney edition of 50, out of print

Artist: LINDSAY, Lionel | Title: Ladies of Spain | Date: 1919 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Ladies of Spain edition of 50 | out of print

The Alcazar, Seville. edition of 50

Artist: LINDSAY, Lionel | Title: Evening harmony | Date: 1919 | Technique: spirit-aquatint, printed in brown ink with plate-tone with wiped highlights, from one plate | Copyright: Courtesy of the National Library of Australia

Evening harmony edition of 40, out of print

Old Argyle. edition of 50 | out of print

Mardi Gras. edition of 25 | out of print

The Bishop's door. edition of 30 | out of print

Stables of the Royal Hotel, Windsor. edition of 50

The Royal Hotel, Windsor. edition of 50

St. Philip's Church, Sydney (Mezzotint). edition of 45 | out of print

St. Matthew's Church, Windsor. edition of 50

Artist: LINDSAY, Lionel | Title: Old houses, Cumberland Street | Date: 1912 | Technique: etching and aquatint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Old houses, Cumberland Street edition of 50

Artist: LINDSAY, Lionel | Title: Henry Lawson | Date: 1919 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Henry Lawson edition of 50

The little balcony, Ferry Lane. edition of 50

Old Barn, Windsor. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Bulls on the bridge, Andalucia, Spain | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Bulls on the bridge, Andalucia, Spain edition of 50

The timber belt. edition of 50 | out of print

Hans Heysen's First Studio. edition of 40

The wool load. edition of 50

Artist: LINDSAY, Lionel | Title: The Mill Bridge, Bridgewater, South Australia | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Mill Bridge, Bridgewater, South Australia edition of 50

Returning home. edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Gamecocks, Spain edition of 50 | out of print

Old farm house, Ambleside, S.A. edition of 30

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Gypsy dance edition of 50

Artist: LINDSAY, Lionel | Title: The march hare | Date: 1919 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The march hare edition of 50

Moonrise. edition of 50 | out of print

Desolation. edition of 50 | out of print

Girls' High School. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Herodiade in the mirror | Date: 1919 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Herodiade in the mirror edition of 40

The Little Farmhouse, Windsor. edition of 50

Currency Lass. edition of 50

Great Dane. edition of 50

Artist: LINDSAY, Lionel | Title: Hulks, Berry's Bay | Date: 1920 | Technique: etching, aquatint and foul biting, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Hulks, Berry's Bay edition of 50

The drover edition of 50 | out of print

Little Argyle. edition of 50 | out of print

Guitar player. edition of 50 | out of print

Old carriage-way. edition of 50 | out of print

Cordova. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: In Heysen's country | Date: 1921 | Technique: etching, aquatint and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

In Heysen's country edition of 35 | out of print

Sacred Grove. edition of 40

Tinsmith's shop. out of print

Terrace by the sea. edition of 50

Bilgola. edition of 30 | out of print

Pumpkin patch. edition of 30 | out of print

The sundowner. edition of 50 | out of print

Hauling timber. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Muleteers, Spain | Date: 1921 | Technique: etching printed green-black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Muleteers, Spain edition of 50

Gypsy Dance. edition of 50

A Travelling Shearer. edition of 50, out of print

Rendervous. edition of 50

Shanty on the rise. edition of 50 | out of print

University Medical School. edition of 50

Ben halls. edition of 50

Great Red Gum. edition of 50

Law Courts. edition of 50

Harmony. edition of 50 | out of print

Artist: LINDSAY, Lionel | Title: Don Quixote | Date: 1922 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Don Quixote edition of 50

Artist: LINDSAY, Lionel | Title: Red Gums | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Red Gums edition of 45 | mezzotint

Bridge and Basket Willow. edition of 30 | out of print

Hunter Street. edition of 50

Great Pear Tree, Windsor. edition of 50

Wm. Dixson, Esq. out of print

Bullfight in a Village. edition of 50

Arab Palace. edition of 50

Artist: LINDSAY, Lionel | Title: Last duel of Don Juan Manara | Date: 1922 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Last duel of Don Juan Manara edition of 50

Camellias. edition of 50

Mates. edition of 25 | out of print

Artist: LINDSAY, Lionel | Title: A nook at Berry's Bay | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

A nook at Berry's Bay edition of 45 | mezzotint

Travelling sheep. edition of 50 | out of print

A Cottage Idyll. edition of 50

Gossip, Essex Street. edition of 50

Bulls on the bridge, Andalucia, Spain edition of 50

Lolly shop. edition of 50 | out of print

Refreshments. edition of 50

Bathers. edition of 50

The fossicker. edition of 30 | out of print

Breakfast edition of 50 | out of print

House on the Wall. edition of 50 | out of print

Ebeneezer Vickery's, off Pitt Street, Sydney. edition of 50

The crossing edition of 50

The Log. edition of 50

Dawn edition of 75

Teamster. edition of 75

Artist: LINDSAY, Lionel | Title: Old Burwood Hotel, Kent Street. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Old Burwood Hotel, Kent Street. edition of 75

Sussex Street trade edition of 30

Doric Porch. edition of 50

Selector. edition of 75 | out of print

The Two Trees, Ambleside.

The Never-Never. edition of 50

Tower of Gold, Seville. edition of 50

Artist: LINDSAY, Lionel | Title: The smithy window, Ambleside | Date: 1924 | Technique: drypoint and etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The smithy window, Ambleside edition of 75

The Departure. edition of 75

The bucking brumby. edition of 75

Pastoral. edition of 30

The drover. edition of 30 | out of print

Artist: LINDSAY, Lionel | Title: Evening camp | Date: 1924 | Technique: aquatint, printed in brown ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Evening camp edition of 50

Hawkesbury River. edition of 30

Snowy River. edition of 75

Ronda. edition of 50

A Pipe of Baccy. edition of 75

Demolition - Girls' High School. edition of 75

Great Fig Tree. edition of 75

A Pannikin of Flour. edition of 100

Boundary Rider. edition of 30

Beggars. edition of 75

Summer moon. edition of 75

Stringy Bark. edition of 50

Water hole. edition of 50

Artist: LINDSAY, Lionel | Title: A Barye bronze | Date: 1924 | Technique: etching printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

A Barye bronze edition of 50

Sydney Waterside. edition of 50

The ride. edition of 50

Artist: LINDSAY, Lionel | Title: The deserted house, Creswick | Date: 1923 | Technique: aquatint and etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The deserted house, Creswick edition of 50

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The compliment edition of 50

Milson's Point. edition of 75

Barn and Stable. edition of 30

Sailor's Return. edition of 75

Artist: LINDSAY, Lionel | Title: Old Mac | Date: 1925 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Old Mac edition of 30

Artist: LINDSAY, Lionel | Title: Kosciusko The bull calls on the Perisher range, Kosciusko | Date: 1925 | Technique: spirit-aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Kosciusko The bull calls on the Perisher range, Kosciusko edition of 75

The little balcony, Ferry Lane. edition of 50

The Well. edition of 30

The trough. edition of 30

The Kiln. edition of 40

Laing's Church. edition of 75

Talbinga. edition of 50

The Shearer's Cook. edition of 30

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The vaquero edition of 50

A Northern River. edition of 50

Artist: LINDSAY, Lionel | Title: The Never Never, a composition | Date: 1924 | Technique: spirit-aquatint, printed in green/black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The Never Never, a composition edition of 50

Old Ambleside Barn. edition of 35

Cobb. edition of 40

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The drafting gate, Bendemeer edition of 35