Minnamurra Reflections.

John Barclay Godson (1882–1957)

Minnamurra Reflections.

EXHIBITION HISTORY 1 – 4 of 4 exhibitions

Sort By:

Results per page:

An Exhibition of Etchings and Drawings held under the auspices of the Society of Artists

Venues

Farmer's Exhibition Hall (17 November 1924 – 27 November 1924)
6th floor, Pitt Street, Sydney, New South Wales, Australia.

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The smithy window, Ambleside | Date: 1924 | Technique: drypoint and etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

23. The smithy window, Ambleside 3 gns

Artist: LINDSAY, Lionel | Title: The little outlaw. | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

24. The little outlaw. 2 gns

25. The Departure. 2 gns

26. The Never-Never. 3 gns

27. The Two Trees, Ambleside. 2½ gns

28. Tower of Gold, Seville. 3 gns

Artist: LINDSAY, Lionel | Title: The garden frog | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

29. The garden frog 1 gn

Artist: LINDSAY, Lionel | Title: Apple blossom | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

30. Apple blossom 1 gn

31. The Swan. 1 gn

Artist: LINDSAY, Lionel | Title: The roost | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

32. The roost 1 gn

33. Frosty Morning. 1 gn

Artist: LINDSAY, Lionel | Title: Morning tea | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

34. Morning tea 1 gn

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

43. Sundown. 2½ gns

GOODCHILD, John (1898–1980)

44. Sydney from Bradleys Head. 2½ gns

Artist: GOODCHILD, John | Title: The work of day | Date: 1924 | Technique: softground etching, printed in brown ink, from one plate

45. The work of day 2½ gns

PRESTON, Margaret (1875–1963)

46. Flight. 1 gn

47. Kookaburras. 1 gn

48. Bulletin Place. 1 gn

49. Wind. 1 gn

Britton, Fred. (1889–1931)

77. General Post Office, Adelaide.

Artist: Britton, Fred. | Title: Old Supreme Court, Adelaide. | Date: c.1925

78. Old Supreme Court, Adelaide.

79. Adelaide Railway Station.

Grey, F. Millward. (1899–1957)

85. Portrait. 6 gns

Godson, John Barclay. (1882–1957)

93. Minnamurra Reflections. 3 gns

94. Title unknown. 2 gns

van RAALTE, Henri (1881–1929)

100. The gust.

Artist: van RAALTE, Henri | Title: An idyll. | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

101. An idyll.

102. Wayside Gums.

103. Evening glow.

104. Calm Morning.

MacDONALD, J.S. (1878–1952)

132. Portrait.

133. Portrait.

134. Portrait.

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

138. Washing day 2 gns

139. Macquarie Fields. 2 gns

140. A Reach of the Hawkesbury*. 3 gns

141. The country road. 3 gns

Catalogue of the Exhibition of the Australian Painter-Etchers' Society. Exhibition of Etchings by Members and Honary Members of the Australian Painter-Etchers' Society [1925].

Venues

Dunster Galleries (24 November 1925 – 15 December 1925)
104-106 Gawler Place, Adelaide, South Australia, Australia

Works

Burridge, Fred. (1869–1945)

The Mountain Smithy. £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

Evening in the fishing quarter. £4.04.0 (unframed) | etching

Lee Hankey, William. (1869–1952)

Memories. £8.08.0 (unframed) | etching

Sitting Up. £6.06.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

Chinon Castle. £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

In the Path of the Gale. £5.05.0 (unframed) | etching

WALCOT, William (1874–1943)

Venice. £7.07.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

2. Wreckage. £3.03.0 (unframed) | etching

Airy, Anna. (1882–1964)

3. Azaleas. £7.07.0 (unframed) | etching

Lee Hankey, William. (1869–1952)

10. Jeanette of the Market. £12.12.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The farm sheds. £6.06.0 (unframed) | etching

12. Farmhouse, Hartley. £2.02.0 (unframed) | etching

13. Washing day £2.02.0 (unframed) | etching

14. Farmyard, Clarendon. £2.02.0 (unframed) | etching

15. The sequestered farm. £3.03.0 (unframed) | etching

16. The country road. £3.03.0 (unframed) | etching

17. The Hawkesbury, Windsor. £3.03.0 (unframed) | etching

18. Offices of the 'Sydney Morning Herald'. £5.05.0 (unframed) | etching

19. The Old Treasury. £4.04.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

20. The blacksmith's shop, Ambleside £5.05.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

21. Ambleside farmyard £3.03.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

22. Australian sunrise. £3.03.0 (unframed) | etching

23. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unframed) | etching

24. On the Lane Cove, Sydney Harbour. £2.17.6 (unframed) | etching

25. Old Argyle Cut, Sydney. £2.10.0 (unframed) | etching

26. Australian sunrise. £2.10.0 (unframed) | etching

27. Australian natives, Lake Macquarie, NSW. £1.11.6 (unframed) | etching

28. Rue de Mer Rouge, Algiers. £1.11.6 (unframed) | etching

29. Outer Lake, Narrabeen. £1.05.0 (unframed) | etching

30. Old Balmoral Beach, Sydney Harbour. £1.11.6 (unframed) | etching

31. Banksia, Collaroy. £1.11.6 (unframed) | etching

32. Groote Church, Dordrecht, Holland. £1.11.6 (unframed) | etching

33. Trees of Balmoral, Sydney Harbour. £1.01.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

34. An Early Dooway. £2.02.0 (unframed) | etching

Godson, John Barclay. (1882–1957) and Godson, John Barclay. (1882–1957)

35. The Reclamation. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

36. Cobles at Staithes, Yorks. £3.03.0 (unframed) | etching

37. Bushrangers' Hill, Pittwater. £2.02.0 (unframed) | etching

38. Minnamurra Reflections. £3.03.0 (unframed) | etching

39. Early morn. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

40. Strand on the Green. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

41. The riverside £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

42. Beddington Corner £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. Moonrise pastoral £5.05.0 (unframed) | etching

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

44. Young Kookaburras £2.02.0 (unframed) | etching

45. The Snake Yarn. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Radnage, Bucks | Date: 1920 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

46. Radnage, Bucks £4.04.0 (unframed) | etching

47. Belfry, Bruges. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

48. The deserted selection. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Between the showers £4.04.0 (unframed) | etching

50. Fishing Boats, St. Ives. £2.12.6 (unframed) | etching

51. Pastoral. £6.06.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

52. The Breaking up of H.M.A.S. 'Australia'. £3.03.0 (unframed) | etching

53. The Grand Canal, Venice. £3.03.0 (unframed) | etching

54. Lacey's Creek, Burragorang Valley, N.S.W. £3.03.0 (unframed) | etching

55. St. Paul's Cathedral, London. £2.12.6 (unframed) | etching

56. The Up Country Farmer. £2.02.0 (unframed) | etching

57. An old English shepherd. £2.02.0 (unframed) | etching

58. A canal in Venice. £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

59. A Scone farm. £3.03.0 (unframed) | etching

Artist: Morgan, Squire. | Title: Ti trees | Date: 1922 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

60. Ti trees £3.03.0 (unframed) | etching

61. At Palm Beach. £3.03.0 (unframed) | etching

62. Old bullock dray. £3.03.0 (unframed) | etching

63. The lakeside. £2.12.6 (unframed) | etching

64. Deserted hut. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

65. Dawes Point, Sydney. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

66. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. £4.04.0 (unframed) | etching

67. Sydney Grammar School. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

68. The picnic. £4.04.0 (unframed) | etching

69. The launch. £3.03.0 (unframed) | etching

70. Conservatorium of Music, Sydney. £3.03.0 (unframed) | etching

71. Wiseman's Ferry. £4.04.0 (unframed) | etching

72. St. James Church, Sydney. £4.04.0 (unframed) | etching

73. Milson's Point, Sydney. £4.04.0 (unframed) | etching

74. Oxford and Cambridge Boat Race: The Start. £4.04.0 (unframed) | etching

75. St. Joseph's College, Sydney. £3.03.0 (unframed) | etching

76. Chinaman's gardens, Rose Bay. £4.04.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

77. MacTaggart's Farm. £1.07.0 (unframed) | etching

78. The River Tweed. £1.11.6 (unframed) | etching

79. Prince's Bridge, Melbourne. £1.11.6 (unframed) | etching

80. Newport Rocks. £1.01.0 (unframed) | etching

81. Evening. £1.01.0 (unframed) | etching

82. Timber Craft. £1.07.0 (unframed) | etching

83. The Estuary. £1.01.0 (unframed) | etching

84. From the Mountain Side. £1.07.0 (unframed) | etching

85. Along the Murrumbidgee. £1.11.6 (unframed) | etching

86. Mountain Gums. £1.11.6 (unframed) | etching

87. A Sydney Ferry. £1.01.0 (unframed) | etching

88. The river boat. £1.07.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

89. Bullock team. £1.11.6 (unframed) | etching

90. Wool Team. £1.11.6 (unframed) | etching

91. Martin's Farm. £2.02.0 (unframed) | etching

92. In Camp. £2.12.6 (unframed) | etching

93. Politicians. £2.12.6 (unframed) | etching

94. Cultivation paddocks. £2.12.6 (unframed) | etching

95. On the road. £3.03.0 (unframed) | etching

96. Loading Wool. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

97. Sundown. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

98. Gid-Dap. £3.03.0 (unframed) | etching

Farmer, Helen. (1888–1970)

99. The cowbail. £2.02.0 (unframed) | etching

100. A river boat. £1.11.6 (unframed) | etching

101. The paddock gate. £3.03.0 (unframed) | etching

102. The derelict. £2.02.0 (unframed) | etching

103. Chinamen's gardens, Mavey Vale. £2.02.0 (unframed) | etching

104. Loading a drogher. £2.02.0 (unframed) | etching

105. The deserted tenement. £1.11.6 (unframed) | etching

106. The cottage on the hill. £1.01.6 (unframed) | etching

Crisp, James. (1879–1962)

107. A Favorite Spot. £2.02.0 (unframed) | etching

108. The old mill, Auckland, N.Z. £1.11.0 (unframed) | etching

109. The Story. £1.11.6 (unframed) | etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

110. The gander. £1.01.0 (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Sydney Harbour from Vaucluse | Date: 1923 | Technique: etching, printed in black ink, from one plate

111. Sydney Harbour from Vaucluse £2.02.0 (unframed) | etching

112. Government House, Windsor, N.S.W. £2.02.0 (unframed) | etching

113. The yard. £2.02.0 (unframed) | etching

114. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

115. Black Mountain, Canberra £1.11.6 (unframed) | etching

116. A Hartley barn. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

117. The Bridge. £1.11.6 (unframed) | etching

118. Ships at rest. £2.02.0 (unframed) | etching

119. After work. £2.02.0 (unframed) | etching

120. Low Banks. £1.01.0 (unframed) | etching

121. Bush Light. £1.01.0 (unframed) | etching

122. Sydney from Bradleys Head. £2.02.0 (unframed) | etching

123. The smithy. £2.02.0 (unframed) | etching

124. Quiet afternoon, Port Adelaide. £4.04.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

125. Sundown. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

126. Desolation. £1.11.6 (unframed) | etching

127. King William Street, Adelaide. £2.12.6 (unframed) | etching

128. G.P.O., Adelaide. £5.05.0 (unframed) | etching

Britton, Fred. (1889–1931)

129. The Winery. £0.15.0 (unframed) | etching

130. The barn. £0.15.0 (unframed) | etching

131. The wharves, Birkenhead. £1.01.0 (unframed) | etching

132. Old carpenter's shop, Noarlunga. £1.01.0 (unframed) | etching

133. Old cottages at Goolwa. £1.11.6 (unframed) | etching

134. The sunlit homestead. £2.02.0 (unframed) | etching

135. Cottage at Aldgate. £2.02.0 (unframed) | etching

136. The slips. £2.12.6 (unframed) | etching | Collection: British Museum.

van RAALTE, Henri (1881–1929)

137. The water glade (Torrens Gorge). £8.08.0 (unframed) | etching

138. Silver evening. £7.07.0 (unframed) | etching

Artist: van RAALTE, Henri | Title: Tuarts of the South-West. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

139. Tuarts of the South-West. £10.10.0 (unframed) | etching

140. The Cathedral at Dawn. £4.04.0 (unframed) | etching

An Exhibition of Etchings and Drawings

Works

LINDSAY, Lionel (1874–1961)

23. The smithy window, Ambleside 3 gns

24. The little outlaw. 2 gns

25. The Departure. 2 gns

26. The Never-Never. 3 gns

27. The Two Trees, Ambleside. 2½ gns

28. The Tower of Gold Seville. 3 gns

29. The garden frog 1 gn

30. Apple blossom 1 gn

31. The Swan. 1 gn

32. The roost 1 gn

33. Frosty Morning. 1 gn

34. Morning tea 1 gn

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

43. Sundown. 2½ gns

GOODCHILD, John (1898–1980)

44. Sydney from Bradleys Head. 2½ gns

45. The work of day 2½ gns

FULLWOOD, A.H. (1863–1930)

52. Kuring-gai Chase. 3 gns

53. Argyle Cut, Sydney. 3 gns

Artist: FULLWOOD, A.H. | Title: Nobby's, Port Macquarie, N.S.W. | Date: 1924 | Technique: etching, printed in black ink, from one plate

54. Nobby's, Port Macquarie, N.S.W. 3 gns.

55. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. 4 gns

56. Parliament Building, Sydney. 3 gns

McGrath, Raymond. (1903–1977)

60. 'Come hither, Child, to me'. 1 gn

61. 'Never more, Sailor'. 1 gn

62. 'Is there anybody there?'. 1 gn

63. 'In dreams and dark Chateau'. 1 gn

Britton, Fred. (1889–1931)

77. General Post Office, Adelaide.

78. Old Supreme Court, Adelaide.

79. Adelaide Railway Station.

FEINT, Adrian (1894–1971)

Artist: FEINT, Adrian | Title: Decoration. | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

80. Decoration. 1½ gns

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: Scarf dance. | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

81. Scarf dance. 1½ gns

FEINT, Adrian (1894–1971)

82. Milson's Point. 2 gns

Grey, F. Millward. (1899–1957)

85. Portrait. 6 gns

Godson, John Barclay. (1882–1957)

93. Minnamurra Reflections. 3 gns

94. Etching. 2 gns

van RAALTE, Henri (1881–1929)

99. Gulley stones. 8 gns

100. The gust. 10 gns

101. An idyll. 8 gns

102. Wayside Gums. 4 gns

103. Evening glow. 5 gns

104. Calm Morning. 4 gns

Herbert, Harold. (1891–1945)

127. Fishing boats, Martigues. 3 gns

128. Cypresses, Ronda. 3 gns

MacDONALD, J.S. (1878–1952)

132. Portrait.

133. Portrait.

134. Portrait.

URE SMITH, Sydney (1887–1949)

138. Washing day 2 gns

139. Macquarie Fields. 2 gns

140. A Reach of the Hawkesbury*. 3 gns

141. The country road. 3 gns

Unknown

Venues

Venue Not Identified. None

Works

Godson, John Barclay. (1882–1957)

Cobles at Staithes, Yorks. edition of 20 | out of print

Cobles at Staithes, Yorks. edition of 15 | out of print

Old bridge, Staithes, Yorks. out of print

York Minster. edition of 35 | out of print

St. Mary's Cathedral, Sydney. edition of 25 | out of print

Boatshed, Cremorne. edition of 30 | out of print

Old boathouse, Auckland, N.Z. edition of 25 | out of print

Godson, John Barclay. (1882–1957) and Godson, John Barclay. (1882–1957)

The Reclamation. edition of 30

Godson, John Barclay. (1882–1957)

Central Tower, Sydney University. edition of 50 | out of print

Fisher Library, Sydney University. edition of 30

Fisher Library, Sydney 'Varsity. edition of 30

Cobles at Staithes, Yorks. edition of 30

Transport Berrima, Williamstown.

Lindisfarne, Hobart. edition of 40

None

Church, Port Arthur, Tasmania. edition of 40

Godson, John Barclay. (1882–1957)

Old timers, Berry's Bay. edition of 40

A Minnamurra Crossing. edition of 40

Scows at Rest. edition of 50 | etching and aquatint

Botanic Steps. edition of 40

The Bend of the Road, Pittwater -.

Church Pt., Pittwater. edition of 50

Bushranger's Hill, Pittwater. edition of 50

Cow and Trees (No title on etching). edition of 30

Boatshed, Bay View (No title on etching). edition of 30

Sydney University. edition of 75

Cobles at Staithes, Yorks. edition of 40

Minnamurra Reflections. edition of 25 | etching and aquatint | Out of print

Reflections. edition of 30

Entrance on the harbour. edition of 25

An Early Doorway. edition of 30

National Gallery of N.S.W. edition of 25

The Pig Gallows. edition of 25 | etching and aquatint