A relic of the forties.

Fred Britton (1889–1931)

A relic of the forties.

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

Exhibition of Etchings by Members and Honorary Members of the Australian Painter-Etchers' Society [1926].

Venues

Dunster Galleries (1926 – 1926)
104-106 Gawler Place, Adelaide, South Australia, Australia

Works

Burridge, Fred. (1869–1945)

Pride of North Devon. £4.04.0

Hardie, Martin. (1875–1952)

Sleepy Ferry. £7.07.0

OSBORNE, Malcolm (1880–1963)

Dieppe. £5.05.0

Tourks Market Place. £4.04.0

ROBINS, W.P. (1882–1959)

Monkton. £8.08.0

The Stour Near Manningtree. £6.06.0

Anderson, Stanley. (1884–1966)

Bush House from the Strand. £3.13.6

SHORT, Frank (1857–1945)

1. Moonlight on the Medway. £12.12.0

2. Entrance to the Medway. £12.12.0 (unframed)

Morgan, Squire. (1886–1974)

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

10. The lagoon, Dee Why £3.03.0

11. Kangaroo Valley sketch. £1.11.6

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

12. The old parchment mills £3.03.0

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

13. Hawkesbury landscape £3.03.0 | aquatint

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

14. On the Wandle £3.03.0

15. Old Sydney, Station Square. £3.03.0

16. The watercress bed. £3.03.0

17. The Bridge. £4.04.0

18. The lake. £3.03.0

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

19. Circular Quay, Sydney £3.03.0

20. Pastoral. £2.02.0 | aquatint

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

21. Pastoral sandgrain £3.03.0 | sandgrain

Walker, F. Sidney. (1888–1972)

22. The Little Farm. £1.01.0

23. The Murray River. £1.01.0

24. From St. Kilda Road. £1.11.6

ROBERTSON, Bruce (1872–1943)

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

25. Rue de l'Cordonnerie, Dinan, France £7.07.0

26. Australian sunrise. £3.03.0

27. Belmont Lagoon, Lake Macquarie (New State). £2.17.6

28. On the North Coast, N.S.W. £1.11.6

29. Ocean Fringe, Narrabeen, N.S.W. £1.11.6

30. Oxford Falls Bridge, N.S.W. £1.11.6

31. Old Bronte, Sydney, N.S.W. £1.05.0

32. Venetian courtyard. £1.01.0

33. Pulbah Island, Lake Macquarie, N.S.W. £2.02.0

34. Australian Backwater. £1.11.6

FULLWOOD, A.H. (1863–1930)

35. The Rocks, Sydney, 1898 (British Museum and Sydney Art Gallery). £4.04.0 | Collections:British Museum and Sydney Art Gallery.

Artist: FULLWOOD, A.H. | Title: Old Treasury Building, Sydney. | Date: 1923 | Technique: etching, printed in black ink, from one plate

36. Old Treasury Building, Sydney. £4.04.0

37. Scots Church, Sydney. £3.03.0

Reid, D.G. (1862–1933)

38. Old church, Dapto, N.S.W. £3.03.0

39. Grandfather's barn. £2.02.0

40. Eventide. £2.02.0

Crisp, James. (1879–1962)

41. A Tit Bit. £1.11.6

42. A shady Nook. £1.01.0

43. Playmates. £1.11.6 | drypoint

Crisp, James. (1879–1962) and Whitford, Dora. (1898–1969)

44. The sentinel. £1.11.6

Gallop, Herbert. (1890–1958)

45. Canberra £2.02.0

46. Sleepergetters. £1.01.0

47. Changing pastures. £1.11.6

48. The farm sheds. £2.02.0

49. The three gums. £1.11.6

50. The old stable. £1.11.6

51. Swamp pastures. £2.02.0

52. Whispering Pines. £1.11.6

53. Uhrs Point, Ryde. £1.01.0

54. Lakeshore. £4.04.0 | Collection of:Melbourne Gallery.

Farmer, Helen. (1888–1970)

Artist: Farmer, Helen. | Title: Sunlit. | Date: 1926 | Technique: etching, printed in black ink with plate-tone, from one plate

55. Sunlit. £1.11.6

56. A bend of the River. £2.02.0

57. A Wharf at Forster. £2.02.0

58. Boatsheds. £2.02.0

59. St. Phillips, Sydney. £1.11.6

ST JOHN, Ellis (1874–1949)

60. Dismantling H.M.A.S. 'Australia'. £2.12.6

61. Argyle Cut, Sydney. £2.02.0

62. Roadmaker's Camp, N.S.W. £2.02.0

63. Milson's Point from Old Railway Yard. £2.12.6

64. Fort Denison. £2.02.0

65. The Thames from Chelsea Bridge. £2.02.0

Scott, Eric. (1892–1978)

66. Springtime in the Midi. £2.02.0

67. Cour du Dragon. £1.11.6

68. St. Maclou, Rouen. £1.11.6

van RAALTE, Henri (1881–1929)

69. The wind blown valley. £2.12.6

70. The Morning Fire. £3.03.0

73. The sentinel (Torrens Gorge). £6.06.0

74. The water glade (Torrens Gorge). £8.08.0

75. Wayside Gums. £4.04.0

Britton, Fred. (1889–1931)

76. A relic of the forties. £3.03.0

77. Sunlight. £2.12.6

78. The sunlit homestead. £3.03.0

79. The S.S. 'Quorna' on the Slips. £2.12.6

80. On the Murray. £2.02.0 | Collection: Melbourne Gallery

81. The Winery Steps. £1.01.0

82. Cottage at Aldgate. £2.02.0

83. Mylor Cottages. £2.02.0

84. High and dry, Goolwa. £1.01.0

85. The actor. £1.11.6

Friedensen, Thomas. (1879–1931)

85. Man from Burragorang (3rd State). £3.03.0

86. The Belgian windmill. £2.02.0

87. The Old Blacksmith. £2.02.0

88. The Sunlit Canal, Venice. £4.04.0

89. The Mountain Road, Brush Creek, N.S.W. £3.03.0

90. Fountains Abbey, Yorkshire. £3.03.0

Grey, F. Millward. (1899–1957)

91. The Bather. £1.05.0

92. The Air Pilot. £1.01.0

93. The broken strap. £2.02.0

94. The Rackam Gum. £1.11.6

95. The Dancing Girl. £1.05.0

Catalogue of the Sixth Annual Exhibition of the Australian Painter-Etchers' Society [1926].

Venues

Education Department Gallery (1 June 1926 – 1 July 1926)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Playmates. £1.11.6 (unframed) | drypoint

A Tit Bit. £1.11.6 (unframed) | etching

The old mill, Auckland, N.Z. £1.11.6 (unframed) | etching

The straggliers. £1.01.0 (unframed) | etching

A Favorite Spot. £2.02.0 (unframed) | etching

Feathered Friends. £1.11.6 (unframed) | etching

The Story. £1.11.6 (unframed) | etching

The intruder [2]. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

Old and new bridges, from Emu Plains. £4.04.0 (unframed) | etching

10. The Gap, Sydney Heads. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

11. Stanwell Park. £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

12. St. Joseph's College, Sydney. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

13. Wiseman's Ferry. £4.04.0 (unframed) | etching

14. The old barn. £3.03.0 (unframed) | out of print | etching

Farmer, Helen. (1888–1970)

15. A Wharf at Foster. £2.02.0 (unframed) | etching

Artist: Farmer, Helen. | Title: Sunlit. | Date: 1926 | Technique: etching, printed in black ink with plate-tone, from one plate

16. Sunlit. £1.11.6 (unframed) | etching

17. Mid-day Shade*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

18. Boat sheds. £2.02.0 (unframed) | etching

19. A bend of the River. £2.02.0 (unframed) | etching

Lindeman, Grant. (1920–)

19. Elizabeth Bay Road, Elizabeth Bay. etching

Farmer, Helen. (1888–1970)

20. St. Phillips, Sydney. £1.11.6 (unframed) | etching

21. Deserted Tenement. £1.11.6 (unframed) | etching

Dillon, Cyril. (1883–1974)

22. Book Plate. etching

Warner, Alfred Edward. (1879–1968)

23. N.S.W. Border Farm. £3.13.6 (unframed) | etching

24. Clancy's Clearing. £3.13.6 (unframed) | etching

25. Circular Quay. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

26. Tinderie Sheds*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

27. The overflow waggon. £2.12.6 (unframed) | etching

28. Travelling Sheep. £1.11.6 (unframed) | etching

29. Moving Out. £1.11.6 (unframed) | etching

30. On the road to Condobolin. £3.03.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

31. The Mountain Road, Brush Creek, N.S.W. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

32. Sydney University*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

33. The road to Fairy Bower, Manly. £2.12.6 (unframed) | etching

34. The Old Blacksmith. £2.02.0 (unframed) | etching

35. A Belgian windmill. £2.02.0 (unframed) | etching

36. The Drover. £1.11.6 (unframed) | etching

37. Covent Garden Theatre, London. £2.02.0 (unframed) | etching

38. Bridge of Sighs, Venice. £2.12.6 (unframed) | etching

39. Old street, York. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

40. Circular Quay, Sydney £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

41. The lake, Avoca £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

42. The Bridge. £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Palm Beach | Date: 1926 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. Palm Beach £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

44. Berry's Bay £3.03.0 (unframed) | etching

45. Old Sydney. £2.02.0 (unframed) | drypoint

Artist: LONG, Sydney | Title: Station Square [1] | Date: 1927 | Technique: line-etching, drypoint printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

46. Station Square [1] £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

47. Old Sydney. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

48. The Lake. £10.10.0 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Beddington Corner £4.04.0 (unframed) | aquatint

Artist: LONG, Sydney | Title: Bennett's End. Bucks | Date: 1927 | Technique: etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. Bennett's End. Bucks £3.03.0 (unframed) | etching

51. Autumn. etching

52. Pastoral. etching

53. Chiddingstone*. £3.03.0 (unframed) | aquatint | Print available for members of the print collectors club.

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

54. The blacksmith's shop, Ambleside £5.05.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

55. Ambleside farmyard £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

56. Offices of the 'Sydney Morning Herald'. £5.05.0 (unframed) | etching

57. The Old Treasury. £4.04.0 (unframed) | etching

58. A Reach of the Hawkesbury*. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

59. Washing day £2.02.0 (unframed) | etching

60. Sydney from Bay Road. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

61. Macquarie Fields. £2.02.0 (unframed) | etching

62. The country road. £3.03.0 (unframed) | etching | Print available for members of the print collectors club.

63. Rose's Mill, Mt Gilead. £5.05.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

64. The ocean's fringe, Narrabeen, N.S.W. £2.02.0 (unframed) | etching

65. On the North Coast, N.S.W. £1.11.6 (unframed) | etching

66. Pulbah Island, Lake Macquarie, N.S.W. £2.02.0 (unframed) | etching

67. Australian Backwater. £1.11.6 (unframed) | etching

68. Venetian courtyard. £1.01.0 (unframed) | etching

69. Australian sunrise. £3.03.0 (unframed) | etching | *Print available for members of the print collectors club.

70. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unframed) | etching | *Print available for members of the print collectors club.

71. Old Bronte, Sydney, N.S.W. £1.05.0 (unframed) | etching

Ashton, Will. (1881–1963)

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

72. Ponte Vecchio, Florence £3.03.0 (unframed) | etching

73. Pont St. Marie, Paris. £3.03.0 (unframed) | etching

74. The Canal Brescon Martigues, France. £3.03.0 (unframed) | etching

Scott, Eric. (1892–1978)

75. Fleury Meudon. £1.01.0 (unframed) | etching

76. St. Cloud. £1.01.0 (unframed) | etching

77. Willows. £1.01.0 (unframed) | etching

78. Pont National. £1.01.0 (unframed) | etching

79. St. Severin, Paris. £1.01.0 (unframed) | etching

80. St. Nicholas de Chardonnet. £2.02.0 (unframed) | etching

81. Le Pont Marie. £2.02.0 (unframed) | etching

82. Somme a Amiens. £2.02.0 (unframed) | etching

83. Vieux Chartres. £2.02.0 (unframed) | etching

84. St. Maclou, Rouen. £1.11.6 (unframed) | etching

85. Cour du Dragon, Paris. £1.11.6 (unframed) | etching

86. Shrine at Veuce, France. £2.02.0 (unframed) | etching

SHIRLOW, John (1869–1936)

87. The Bank Door (Commercial Bank, Melb.). £3.13.6 (unframed) | etching

88. Princes Bridge, Melbourne. £3.13.6 (unframed) | etching

Reid, D.G. (1862–1933)

89. The old church at Dapto. £4.04.0 (unframed) | etching

90. A Country Road. £3.03.0 (unframed) | etching

91. The farm yard. £3.03.0 (unframed) | etching

92. At the Slip Rails -. etching

TRAILL, Jessie (1881–1967)

93. Meccano House, Yallourn. £5.05.0 (unframed) | etching

94. Work at Night, Yallourn. £2.02.0 (unframed) | etching

95. Harkaway Sunset. £2.02.0 (unframed) | etching

96. Trimming the Boiler. £1.01.0 (unframed) | etching

97. Into the Abyss, Brown Coal Mine. £1.01.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

98. The farmyard. £1.11.6 (unframed) | etching

99. Spreading Ti Trees. £1.11.6 (unframed) | etching

100. Quiet Pool. £1.01.0 (unframed) | etching

101. The drinking pool. £2.02.0 (unframed) | etching

102. The sawmill, Bateman's Bay. £1.01.0 (unframed) | etching

103. The old stable. £1.11.6 (unframed) | etching

104. The three gums. £1.11.6 (unframed) | etching

105. Swamp Ti Trees. £2.02.0 (unframed) | etching

106. Changing pastures. £1.11.6 (unframed) | etching

107. The lakeside. £4.04.0 (unframed) | etching

108. Swamp pastures. £2.02.0 (unframed) | etching

109. Farmsheds. £2.02.0 (unframed) | etching

110. White boatsheds. £2.02.0 (unframed) | etching

111. The old gateway. £2.02.0 (unframed) | etching

112. The deserted farm £1.11.6 (unframed) | etching

113. Into the shade. £1.11.6 (unframed) | etching

114. Canberra from Residency. £1.11.6 (unframed) | etching

115. Timbergetters. £1.11.6 (unframed) | etching

116. Sleepgetters. £1.01.0 (unframed) | etching

117. The lakeside. £2.02.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

118. Fort Denison £1.11.6 (unframed) | etching

119. Prince's Bridge. £1.11.6 (unframed) | etching

120. Milson's Point. £1.11.6 (unframed) | etching

121. Dawes Point. £1.11.6 (unframed) | etching

122. Midsummer Noon. £1.11.6 (unframed) | etching

123. McTaggart's Farm. £1.11.6 (unframed) | etching

124. The Home Pasture. £1.01.0 (unframed) | etching

Britton, Fred. (1889–1931)

125. On the Murray. £2.02.0 (unframed) | etching

126. The sunlit homestead. £3.03.0 (unframed) | etching

127. Old cottages at Goolwa. £2.02.0 (unframed) | etching

128. Cottage at Aldgate. £2.02.0 (unframed) | etching

129. A relic of the forties. £3.03.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

130. The Quay, Duquesne. £5.05.0 (unframed) | etching

131. The ford, Salonica. £5.05.0 (unframed) | etching

132. Arnold Mason. £5.05.0 (unframed) | etching

133. Pickford Farm. £3.13.6 (unframed) | etching

134. The Old Quarry. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

135. San Giovanni di Bellagio. £4.04.0 (unframed) | etching

136. The Ravaged Hillside. £4.04.0 (unframed) | etching

137. The Lonely Tower. £4.04.0 (unframed) | etching

138. Sunset, Ardgour. £4.04.0 (unframed) | etching

139. Stormy Water, Lake Linnbe. £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

140. Marshland. £5.05.0 (unframed) | etching

141. Haymaking on the Waveney. £5.05.0 (unframed) | etching

142. Old cottage, Shoreham. £5.05.5 (unframed) | etching

SHORT, Frank (1857–1945)

143. A Yorkshire Dell. £12.12.0 (unframed) | etching

144. The Raft on the Rhine. £12.12.0 (unframed) | etching

145. Hobb's Hawth. £8.08.0 (unframed) | etching

146. Twixt Dawn and Day. £6.06.0 (unframed) | etching

Hardie, Martin. (1875–1952)

147. A Street in Chioggia. £4.04.0 (unframed) | etching

148. The East Coast. £4.04.0 (unframed) | etching

149. The picnic. £3.03.0 (unframed) | etching

Burridge, Fred. (1869–1945)

150. Promise of a Hot Day. £5.05.0 (unframed) | etching

151. Traeth Bach. £4.04.0 (unframed) | etching

152. Evening. £4.04.0 (unframed) | etching

153. A March of Waters. £3.13.6 (unframed) | etching

154. Thunder weather. £3.03.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

155. Gracechurch Street, London. £3.03.0 (unframed) | etching

156. Land Lopers. £3.03.0 (unframed) | etching

158. The Hop Exchange after the Fire. £3.03.0 (unframed) | etching

Airy, Anna. (1882–1964)

159. Apple Blossom. £6.06.0 (unframed) | etching

160. Orchids. £4.04.0 (unframed) | etching

Eighth Xmas Exhibition of Etchings and Woodcuts by Master Etchers. 8th Xmas Exhibition of Etchings and Woodcuts by Master Etchers.

Venues

Sedon Galleries [2] (6 December 1932 – 24 December 1932)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia

Works

Brangwyn, Frank. (1867–1956)

1. Roundabout, Bruges. 7 gns (framed)

WALCOT, William (1874–1943)

2. Back Door, Soloman's Palace. 9 gns (framed)

STRANG, William (1859–1921)

3. A Matter of Business. 10 gns

Macbeth-Raeburn, Henry. (1860–1947)

4. Mrs Malcolm (after Raeburn). 6 gns

Ward, Leslie. (1895–1978)

5. Swanage Mill Pond. 4 gns (unframed)

6. Cement works. 5 gns (unframed)

Wyllie, William Lionel (1851–1931)

7. The Fishing Fleet. 5 gns (framed)

Slater, Eric. (1896–)

9. Autumn. 5 gns (unframed).

10. Pyrethrums. 6 gns (unframed).

11. Japanese Bush Lanterns. 8 gns (unframed).

12. The headland by moonlight. 4 gns (unframed).

13. Corfe Castle, Dorset. 4 gns (unframed).

14. Rough Sea. 4 gns (unframed).

15. Sussex Mill. 5 gns (unframed).

Brouet, L. (1932–)

17. Three Caravans. 10 gns (unframed)

Hartrick, A.S. (1864–1950)

18. The Wassailers. 8 gns (unframed)

19. The evening hymn. 10 gns (unframed)

20. The Bellringers. 10 gns (unframed)

21. The cartbread, St Peter's Dunstable. 10 gns (unframed)

22. Needpath Castle. 8 gns (unframed)

Knight, Loxton.

23. Norwich. 5 gns (unframed)

Blatherwith, Lily. (1859–1934)

25. The Poppy. 5 gns (unframed)

26. February Fairmaids. 5 gns (unframed)

27. Poppies. 6 gns (unframed)

28. Shirley Poppies. 10 gns (unframed)

30. The Frog and the Water Lilies. 10 gns (unframed)

HANFSTANGEL (by 1932)

31. Head after Holbein. 5 gns (unframed)

32. Head after Holbein. 5 gns (unframed)

Christensen, Arent. (1898–1982)

33. A Roman Watermill. 6 gns (unframed)

Emanuel, Frank. (1865–1948)

34. Normanby. 5 gns

HARVEY, F. (by 1932)

35. The Players. 12 gns

Hammer, Nicolas. (1932–)

36. Bromley. 3 gns (unframed)

Fitzgerald, C.

37. Fountain of Love. 10 gns (unframed) | mezzotint

38. The Laughing Cavalier. 5 gns (unframed) | mezzotint

39. La Confidence. 7 gns (unframed) | mezzotint

40. The Dancers of Gondolf Castle (after Corot). 7 gns (unframed) | Mezzotint

Zipperer, Ernest. (1888–1992)

41. Bremen. 4 gns

Japanese printmaker.

42. Geese. 5 gns (unframed) | woodcut

43. The canal. 5 gns (unframed).

44. Winter. 4 gns (unframed) | woodcut

van RAALTE, Henri (1881–1929)

57. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

58. The cliff 5½ (unframed) | aquatint

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

59. The end of day 4½ gns (unframed) | aquatint

60. The road. 5 gns (unframed)

61. Day's beginning. 4½ gns (unframed) | aquatint

62. Perth (W.A.). 5½ gns (unframed) | aquatint

63. Moonlit fields [plate for]. 5 gns (unframed)

64. The Karri Tree glade. 9 gns (unframed)

65. Hills of the south. 5½ gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

66. The leaning tree 5 gns (unframed)

67. An Australian Summer Day. 10 gns (unframed)

68. Morning. 4 gns (unframed)

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

69. The Bassra guard 5 gns (unframed)

70. The Casa del Fores, Granada. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

71. The barber of Bou-Saada, Algeria 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The Tunis Gate, Kairouan | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

72. The Tunis Gate, Kairouan 6 gns (unframed)

73. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

74. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

75. San Lorenzo in the Forum, Rome 4 gns (unframed)

76. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

77. St Ferreol, Marseilles 5 gns (unframed)

78. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

79. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

80. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

81. Old Antequera, Andalucia, Spain 5 gns (unframed)

82. Santa Dominica Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

83. The vaquero 2½ gns (unframed)

84. Street Balcony, Guadelupe. 3 gns (unframed)

85. San Idilfonso. 4 gns (unframed)

86. Dawes Point. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

87. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

88. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

89. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

90. Fruit piece 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Hornbill | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

91. Hornbill 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Polar Bear | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

92. Polar Bear 2 gns (unframed) | woodcut

93. Currassow and Oleander. 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The clipped wing | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

94. The clipped wing 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The crab | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

95. The crab 2 gns (unframed) | woodcut

96. Camelias. 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Owls | Date: 1932 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

97. Owls 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

98. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

99. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

100. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

101. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

102. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

103. In Morocco 3½ gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

104. The haystacks 3 gns (framed)

Rose, Herbert. (1890–1937)

105. St. Marks, Venice. 4 gns (framed)

106. Piazza Umberto Desengano, Italy. 3½ gns (framed)

107. Rue des Tamis, Tunis. 4½ gns (framed)

108. Place St. Pierre, Chartres, France. 3 gns (framed)

109. Fondamenta Tasca, Venice. 3½ gns (framed)

110. The Zattere, Venice. 3½ gns (framed) | drypont

112. Cagnes, France. 3½ gns (framed)

113. Sydney Harbour from Cremorne. 4 gns (framed)

114. Old gateway, Sisteron, France. 41/2

115. The old bridge, Besalu, Spain. 4 gns

GOODCHILD, John (1898–1980)

122. Westminster Abbey, London. 3 gns (unframed)

123. Sydney, from Milson's Point. 4 gns (unframed)

124. Night, Venice. 1 gn (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

125. Banks of Arno 2 gns (unframed)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

126. Piccadilly Circus (under Reconstruction) 3½ gns (unframed)

127. Trafalgar Square, London. 3½ gns (unframed)

128. Australian Summer Landscape. 4 gns (unframed)

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

129. The port, London 2½ gns (unframed)

130. Tivoli, Italy. 2½ gns (unframed)

131. Evening anchorage. 2½ gns (unframed)

132. King Street, Sydney. 3 gns (unframed)

LONG, Sydney (1871–1955)

133. A Sandgrain Pastoral. 3 gns (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

133. Brandon Bridge 5 gns (unframed)

134. Solitude. 3 gns (unframed)

135. Landscape, Otway Ranges. 5 gns (unframed)

136. Barwon Heads. 4 gns (unframed)

137. Otway Ranges. 4 gns (unframed)

LONG, Sydney (1871–1955)

138. Boatshed, Narrabeen. 1 gn (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Yarra Mouth | Date: 1936 | Technique: aquatint, printed in black ink, from one plate

138. Yarra Mouth 3 gns (unframed)

139. Ti-tree and Morning Light. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Afternoon light | Date: 1929 | Technique: lithograph, printed in black ink, from one stone

140. Afternoon light 2 gns (unframed)

Artist: GOODCHILD, John | Title: Riverside trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

141. Riverside trees 3 gns (unframed)

142. Morning glow. 3 gns (unframed)

143. Summer glow. 5 gns (unframed)

144. The barn. 10 gns (unframed)

145. Winter Glow. 2½ gns (unframed)

146. Hick's Lane, Melbourne. 1½ gns (unframed)

147. Swanston Street, Melbourne. 3½ gns (unframed)

148. Italian markets, Rome. 15 gns (unframed)

149. The Grand Canal, Venice. 25 gns (unframed)

150. Ponte Vecchio, Florence. 12 gns (unframed)

LINDSAY, Norman (1879–1969)

151. Enter the Magicians. 15 gns (unframed)

152. Julia Fisk and Mr Brish. 7 gns (unframed)

153. Leda. 10 gns (unframed)

154. Thieves' Kitchen. 10 gns (unframed)

155. C Sharp Minor Quartette. 15 gns (unframed)

156. Night's Frolics. 8 gns (unframed)

157. Don Juan's garden. 8 gns (unframed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

158. Unknown seas 35 gns (unframed)

159. Oblation. 18 gns (unframed)

160. The butterfly. 10 gns (unframed)

161. The Poet. 8 gns (unframed)

162. Love on Earth. 18 gns (unframed)

163. The bride. 10 gns (unframed)

Sherwood, Maud. (1880–1956)

164. Camelias. 4 gns (unframed)

165. The Market. 3 gns (unframed)

166. Spanish shepherd. 1 gn (unframed)

167. Anemonies. 4 gns (unframed)

168. Spanish Market. 4 gns (unframed)

169. Venetian fishing boats. 2½ gns (unframed)

170. Capri. 3 gns (unframed)

171. The Discussion. 2 gns (unframed)

172. Place St Nicolas, Sospel. 2 gns (unframed)

173. After the Service. 1 gn (unframed)

174. The Dancer. 1½ gns (unframed)

175. The Bridge. 1 gn (unframed)

SHIRLOW, John (1869–1936)

176. Twilight. 4 gns (framed) | aquatint

177. The smithy, Ross, Tasmania. 2 gns (framed)

178. The city. 3 gns (framed)

179. Sunset. 4 gns (framed)

180. Top of Bourke Street. 3 gns (framed)

181. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)

182. Corio Bay, Geelong. 3 gns (framed)

183. Yarraside. (2nd State). 3 gns (framed)

184. Swanston Street and Station. 6 gns (framed)

185. Princes Bridge. 5 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

187. The Ring 5 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

188. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

189. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

190. The man in black. 6 gns (unframed)

191. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

192. House on the hill. 4 gns (unframed)

193. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

194. Ducks 1 gn (unframed)

195. Head. 1 gn (unframed)

197. Fish Lane, Chester. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Bantams. | Date: c.1932 | Technique: linocut, printed in colour, from multiple blocks

198. Bantams. 8 gns (unframed)

199. The labyrinth. 3 gns (unframed)

Waller, Christian. (1894–1954)

Artist: Waller, Christian. | Title: The Sorceress. | Date: c.1922 | Technique: linocut, printed in black ink, from one block

200. The Sorceress. 1½ gns (unframed)

Artist: Waller, Christian. | Title: Morgan Le Fay. | Date: c.1927 | Technique: linocut, printed in colour, from multiple blocks; hand-coloured with gold paint

201. Morgan Le Fay. 3 gns (unframed)

202. The Great Breath. (book). 4 gns (unframed)

Wheeler, Charles. (1881–1977)

203. St. Clement Dane's Church. 4 gns (framed)

204. Queen Victoria Memorial. 4 gns (framed)

205. Montmartre. 4 gns (framed)

206. La Tour De L'Horloge, Dinan. 4 gns (framed)

207. Aqueduct, Segovia. 4 gns (framed)

Friedensen, Thomas. (1879–1931)

208. A Moorish gateway. 1½ gns (unframed)

209. Canal in Venice. 3 gns (unframed)

210. Clearing, Morning. 3 gns (unframed)

211. The flooded creek. 4 gns (unframed)

212. The Madonna of the Bush. 2 gns (unframed)

213. Omar, the Tent Maker. 3 gns (unframed)

214. The Grand Canal, Venice. 3 gns (unframed)

Campbell, Fred. (1851–1930)

215. Healesville. 4 gns

LONG, Sydney (1871–1955)

216. Landscape, Narrabeen. 3 gns (unframed)

217. Boyd's Boatshed, Narrabeen. 4 gns (unframed)

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

218.

The blacksmith's shop

4 gns (unframed)

219. Badnage Landscape. 4 gn (unframed)

Britton, Fred. (1889–1931)

220. The slips. 5 gns (unframed)

221. A relic of the forties. 6 gns (unframed)

222. Morning light. 5 gns (unframed)

Goodchild, Doreen. (1900–1998)

223. The Hoers. 5 gns (unframed)

Fasken, Myrtle. (1889–1972)

224 Shearing Woodcuts, 1 guinea each. set of seven. 1 gn each (unframed)

Goodchild, Doreen. (1900–1998)

224. The Hoers. 6 gns

Dillon, Cyril. (1883–1974)

227. Spires of St. Paul's, Melbourne. 3 gns (unframed)

227. Spires of St. Paul's, Melbourne. 3 gns (unframed)

228. Melbourne Grammar School. 3 gns (unframed)

228. Melbourne Grammar School. 3 gns (unframed)

229. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

229. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

230. 'Queens' Melbourne University. 3 gns (unframed)

230. 'Queen's', Melbourne University. 3 gns (unframed)

231. Serenity. 3½ gns (unframed)

231. Serenity. 3½ gns (unframed)

URE SMITH, Sydney (1887–1949)

232. Old houses, Cumberland Street, the Rocks. 2½ gns (unframed)

233. Entrance, old Colonial Treasury. 4 gns (unframed)

234. Cumberland Street Hostel. 2½ gns (unframed)

235. Argyle. 3 gns (unframed)

236. Entrance to the Farm. 2 gns (unframed)

237. Packing Oranges. 3 gns (unframed)

238. Shade. 3 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

239. Deserted courtyard, Hartley 5 gns (unframed)

240. Rose's Mill, Mt Gilead. 5 gns (unframed)

241. Bellevue Hills. 4 gns (unframed)

Cobb, Victor. (1876–1945)

242. Scotch College, Hawthorn. 2½ gns (framed)

243. St. John's Church, Toorak. 2½ gns (framed)

244. Princes Bridge, from the West. 3 gns (framed)

245. The archway, Scotch College. 3 gns (framed)

246. The Tower, Melbourne Grammar School. 3 gns (framed)

247. Norman Archway, City Courts. 2½ gns (framed)

248. War Memorial by Lambert, Geelong Grammar. 3 gns (framed)

GRIFFIN, Murray (1903–1992)

249. Portrait. 1 gn (unframed)

Artist: GRIFFIN, Murray | Title: Regent bower birds [1]. | Date: 1932 | Technique: linocut, printed in colour, from multiple blocks

250. Regent bower birds [1]. 2 gns (unframed)

251. Magpies [1]. 2 gns (unframed)

252. Comrades. 1 gn (unframed)

253. On the road. 1 gn (unframed)

Montgomery, Anne. (1908–1991)

Artist: Montgomery, Anne. | Title: Shadow and sunlight | Date: 1932 | Technique: etching, printed in brown ink with plate-tone on one plate

254. Shadow and sunlight 2 gns (framed)

255. Ti-tree Pattern. 2 gns (framed)

256. The challenge. 1 gn (framed)

257. Spanish Doorway (Phelia Grimwade House). 2 gns (framed)

Zelman, Victor. (1877–1960)

258. Reflections, Thornton. 2 gns (framed)

259. Shepherd's Flat. 2 gns (framed)

260. The wood carter. 2 gns (framed)

261. The Burnley Ferry. 2 gns (framed)

262. Pastoral. 2 gns (framed)

263. Sailors' Mission Church. 2 gns (framed)

Taylor, Stephanie. (1899–1974)

264. The gum. 2 gns (framed)

265. Glimpse of the Bush. 1 gn (framed)

Hosking, W. John. (1930–)

266. The Shearers. 2 gns (framed)

267. Sleep. 2½ gns (framed)

268. The preacher in the pulpit. 2½ gns (framed)

269. The dragon plane. 2 gns (framed)

270. The fairy ring. 3½ gns (framed)

271. The butterfly dance. 5 gns (framed)

272. The caravan. 2 gns (framed)

273. Steeplejacks. 2 gns (framed)

274. Refreshment. 2 gns (framed)

275. Ursa Major and Ursa Minor. 2 gns (framed)

276. Hush! the Mantus Prays. 3 gns (framed)

277. Pals. 2 gns (framed)

278. The Light, Fantastic Toe. 3 gns (framed)

279. The Slow Motion Steeplechase. 4 gns (framed)

280. Sunny hours. 3½ gns (framed)

Thompson, Thelma. (1920–)

281. The Hermitage Bell. 2 gns (framed)

Williams, C.W. (1930–)

281. Princes Bridge. 4 gns

Thompson, Thelma. (1920–)

282. The Bridge of Sighs, Venice. 3 gns (framed)

283. Yorkminster. 3 gns (framed)

Williams, C.W. (1930–)

285. Scots' Church, Collins Street. 4 gns

286. Flinders Street Station. 4 gns

287. St. Patrick's Cathedral. 5 gns

288. Parliament House, Melbourne. 7 gns.

289. The T. and G. Building. 6 gns

290. Old Sydney and 'Our' Bridge. 6 gns

291. Gums. 4 gns

Dyson, Will. (1880–1938)

292. Mornin' White Trash!. 4 gns