Sunset.

John Shirlow (1869–1936)

Sunset.

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

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7th Xmas Exhibition of Etchings and Woodcuts by Leading English and Australian Artists

Venues

Sedon Galleries [2] (3 December 1931 – 24 December 1931)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia

Venue Not Identified. (3 December 1931 – 24 December 1931)

Works

Brangwyn, Frank. (1867–1956)

1. Roundabout, Bruges. 7 gns (framed)

WALCOT, William (1874–1943)

2. Back Door, Soloman's Palace. 9 gns (framed)

Zorn, Anders. (1860–1920)

3. My Models and My Boat. 25 gns (framed)

4. Against the current. 25 gns (framed)

Kasimir, Luigi. (1881–1962)

5. The old courtyard, Munich. 4 gns (framed)

6. The Tal, Munich. 3 gns (framed)

Tushingham, Sidney. (1884–1968)

7. Landscape. 12 gns (framed)

Bauer, Carl Joseph. (1897–1989)

8. Nude. 6 gns (framed)

Macbeth-Raeburn, Henry. (1860–1947)

9. Mrs Malcolm (after Raeburn). 6 gns

Ward, Leslie. (1895–1978)

10. The Agglestone, Studland Heath, Dorset. 3 gns

11. Old Poole Bridge. 3 gns

12. A Purbeck Farmstead. 3 gns

13. Moonrise in Pinelandd. 4 gns

14. London, from Cherry Gardens. 5 gns

15. Eastington Farm, Dorset. 3 gns

16. Storm and sunshine in the Cotswolds. 4 gns

17. A Dorset Shipyard. 5 gns

18. Whitgift Jetty, Yorkshire. 4 gns

19. Nocturne, Hammersmith. 3 gns

20. The Home of the Barges, Rochester Night. 5 gns

21. Benscombe Farm, Dorset. 3 gns

22. Doughty's Island. 3 gns

23. Nocturne, Westminster. 4 gns

24. An ancient house, Rochester. 3 gns

25. Near Bradle, Dorset. 4 gns

26. Blackmanstone Farm, Dorset. 5 gns

27. The Two Bowsprits, Poole. 4 gns

28. Under the Stern, Poole. 5 gns

29. House at Worth, Maltravers. 2 gns

30. Low Tide, Hammersmith. 3 gns

31. The condemned dwelling. 5 gns

32. Tugs on the Maas, Holland. 4 gns

33. Swanage Mill Pond. 4 gns

34. Thames Factories. 4 gns

Sharland, Edward W. (1884–1967)

35. London Bridge. 3 gns

36. Blackfriars Bridge. 3 gns

37. London Bridge. 3 gns | colour

38. Prince Henry's House, Fleet Street. 3 gns

39. The Old Mint at Bristol. 3 gns

40. Bit of Old London. 3 gns

van RAALTE, Henri (1881–1929)

54. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

55. The cliff 5½ gns (unframed) | aquatint

56. Hillside stream. 8½ gns (unframed) | aquatint

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

57. The end of day 1½ gns (unframed) | aquatint

58. The road. 5 gns (unframed)

59. Day's beginning. 4½ gns (unframed) | aquatint

60. Perth (W.A.). 5½ gns (unframed) | aquatint

61. Morning moon. 4½ gns (unframed)

61. Evening symphony. 5 gns (unframed)

62. Moonlit fields [plate for]. 5 gns (unframed)

63. The Karri Tree glade. 9 gns (unframed)

65. Hills of the south. 5½ gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

66. The leaning tree 5 gns (unframed)

67. An Australian Summer Day. 10 gns (unframed)

68. The creek in flood. 4½ gns (unframed)

69. Morning. 4 gns (unframed)

70. Twisted Branches. 2½ gns (unframed)

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

71. The Bassra guard 5 gns (unframed)

72. The Casa del Fores, Granada. 4 (unframed)

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

73. The barber of Bou-Saada, Algeria 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The Tunis Gate, Kairouan | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

74. The Tunis Gate, Kairouan 6 gns (unframed)

75. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

76. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

77. San Lorenzo in the Forum, Rome 4 gns (unframed)

78. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

79. St Ferreol, Marseilles 5 gns (unframed)

80. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

81. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed).

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

82. Little market, San Gaetano, Naples 5 gns (unframed).

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

83. Old Antequera, Andalucia, Spain 5 gns (unframed)

84. Santa Dominica, Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

85. The vaquero 2½ gns (unframed)

86. The water carrier. 1½ gns (unframed)

87. The bucking brumby. 2 gns (unframed)

88. The Sailor's Return. 2 gns (unframed)

89. A Pipe of Baccy. 2½ gns (unframed)

90. The Law Courts. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

91. Evening ride 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

92. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

93. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

94. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

95. Fruit piece 1 gn (unframed) | woodcut

Herbert, Harold. (1891–1945)

96. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

97. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

98. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

99. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

100. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

101. In Morocco 3½ gns (framed)

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

102. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

103. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

104. The broken plough 3½ gns (framed)

Hosking, W. John. (1930–)

105. Steeplejacks. 4 gns (framed)

Rose, Herbert. (1890–1937)

106 Piazza Umberto Desengano, Italy. 31/2 gns (framed) | drypoint

107. Rue des Tamis, Tunis. 41/2 gns (framed) | drypoint

108. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

109. Fondamenta Tasca, Venice. 31/2 gns (framed)

110. The Zattere, Venice. 31/2 gns (framed) | drypoint

112. Cagnes, France. 31/2 gns (framed)

113. Sydney Harbour from Cremorne. 4 gns (framed)

Wheeler, Charles. (1881–1977)

114. St. Clement Dane's Church. 4 gns (framed)

Friedensen, Thomas. (1879–1931)

114. The home paddock. 3 gns (unframed)

Wheeler, Charles. (1881–1977)

115. Queen Victoria Memorial. 4 gns (framed)

116. Montmartre. 4 gns (framed)

117. La Tour De L'Horloge, Dinan. 4 gns (framed)

118. Milking Time. 4 gns (framed)

119. Aqueduct, Segoria. 4 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

120. The Ring 5 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

121. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

122. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

123. The man in black. 6 gns (unframed)

124. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

125. House on the hill. 4 gns (unframed)

126. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

127. Ducks 1 gn (unframed)

128. Head. 1 gn (unframed)

130. Fish Lane, Chester. 3 gns (unframed)

Waller, Christian. (1894–1954)

Artist: Waller, Christian. | Title: The Sorceress. | Date: c.1922 | Technique: linocut, printed in black ink, from one block

131. The Sorceress. 1½ gns (unframed)

Artist: Waller, Christian. | Title: Morgan Le Fay. | Date: c.1927 | Technique: linocut, printed in colour, from multiple blocks; hand-coloured with gold paint

132. Morgan Le Fay. 3 gns (unframed)

LONG, Sydney (1871–1955)

133. A Sandgrain Pastoral. 3 gns (unframed)

134. Landscape, Narrabeen. 3 gns (unframed)

136.

The blacksmith's shop

4 gns (unframed)

138. Boatshed, Narrabeen. 4 gns (unframed)

Friedensen, Thomas. (1879–1931)

139. A Moorish gateway. 1½ gn (unframed)

140. Canal in Venice. 3 gns (unframed)

141. Clearing, Morning. 3 gns (unframed)

142. The flooded creek. 4 gns (unframed)

143. A mountain selection. 2 gns (unframed)

145. Home in the Bush. 1½ gns (unframed)

146. Homestead on the Federal Highway. 2 gns (unframed)

147. The Madonna of the Bush. 2 gns (unframed)

148. Omar, the Tent Maker. 3 gns (unframed)

149. The Grand Canal, Venice. 3 gns (unframed)

LINDSAY, Norman (1879–1969)

150. Enter the Magicians. 15 gns (unframed)

151. Julia Fisk and Mr Brish. 7 gns (unframed)

152. Leda. 10 gns (unframed)

153. Thieves' Kitchen. 10 gns (unframed)

154. C Sharp Minor Quartette. 15 gns (unframed)

155. Night's Frolics. 8 gns (unframed)

156. Don Juan's garden. 8 gns (unframed)

157. Femininity. 12 gns (unframed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

158. Unknown seas 35 gns (unframed)

159. Oblation. 18 gns (unframed)

160. The butterfly. 12 gns (unframed)

161. The Poet. 8 gns (unframed)

162. Love on Earth. 18 gns (unframed)

163. The bride. 12 gns (unframed)

Zelman, Victor. (1877–1960)

164. Reflections, Thornton. 2 gns (framed)

165. Shepherd's Flat. 2 gns (framed)

166. The wood carter. 2 gns (framed)

167. The Burnley Ferry. 2 gns (framed)

168. Pastoral. 2 gns (framed)

Dillon, Cyril. (1883–1974)

169. Spires of St. Paul's, Melbourne. 3 gns (unframed)

170. Melbourne Grammar School. 3 gns (unframed)

171. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

172. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

173. Old Homes, Cumberland Street. 2½ gns (unframed)

174. Entrance, old Colonial Treasury. 4 gns (unframed)

175. Cumberland Street Hostel. 2½ gns (unframed)

176. Argyle. 3 gns (unframed)

177. Entrance to the Farm. 2 gns (unframed)

178. Packing Oranges. 3 gns (unframed).

179. Shade. 3 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

180. Deserted courtyard, Hartley 5 gns (unframed)

181. Rose's Mill, Mt Gilead. 5 gns (unframed)

GOODCHILD, John (1898–1980)

182. Westminster Abbey, London. 3 gns (unframed)

GOODCHILD, John (1898–1980) and SHIRLOW, John (1869–1936)

183. Sydney from Milsons Point. 4 gns (unframed)

GOODCHILD, John (1898–1980)

184. Night, Venice. 1 gn (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

185. Banks of Arno 2 gns (unframed)

186. Gums in sunlight. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

187. Piccadilly Circus (under Reconstruction) 3½ gns (unframed)

188. Castlereagh Street. 2 gns (unframed)

189. Trafalgar Square, London. 3½ gns (unframed)

190. Australian Summer Landscape. 4 gns (unframed)

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

191. The port, London 2½ gns (unframed)

192. Tivoli, Italy. 2½ gns (unframed)

193. The Estuary. 3 gns (unframed)

194. Gateway, Lincoln. 2 gns (unframed)

195. Evening anchorage. 2½ gns (unframed)

196. Home berths. 3 gns (unframed)

197. King Street, Sydney. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

198. Landscape harmony 2 gns (unframed)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

199. Brandon Bridge 5 gns (unframed)

Artist: GOODCHILD, John | Title: Light through trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

200. Light through trees 2 gns (unframed)

201. Solitude. 3 gns (unframed)

Cobb, Victor. (1876–1945)

202. The two stacks. 3 gns (framed)

203. Sunday morning, Collins Street. 3 gns (framed)

204. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

205. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

206. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

207. Trinity College. 2 gns (framed)

208. Doorway, old Scotch College. 2 gns (framed).

209. Scotch College, Hawthorn. 2½ gns (framed)

210. St. John's Church, Toorak. 2½ gns (framed)

211. Princes Bridge, from the West. 3 gns (framed)

212. Scots Church, Collins St. 2½ gns (framed)

213. The archway, Scotch College. 3 gns (framed)

214. The Tower, Melbourne Grammar School. 3 gns (framed)

215. Norman Archway, City Courts. 2½ gns (framed)

216. War Memorial by Lambert, Geelong Grammar. 3 gns (framed)

217. Ye Olde Mitre Tavern. 2½ gns (framed)

218. Coombe Cottage, Coldstream. 4 gns (framed)

219. Pergola and Bath, Coombe Cottage. 4 gns (framed)

220. Queen's Bridge. 1½ gns (framed)

221. Old St. James' Cathedral. 3½ gns (framed)

222. Evening light, Darebin Creek. 3½ gns (framed)

223. Haunt of the Kingfisher, Alexandra. 3 gns (framed)

224. A glimpse Melbourne. 2½ gns (framed)

SHIRLOW, John (1869–1936)

225. Twilight. 4 gns (framed) | aquatint

226. The smithy, Ross, Tasmania. 2 gns (framed)

227. The city. 3 gns (framed)

228. Sunset. 4 gns (framed)

229. Top of Bourke Street. 3 gns (framed)

230. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)

231. Corio Bay, Geelong. 3 gns (framed)

232. Yarraside. (2nd State). 3 gns (framed)

Hosking, W. John. (1930–)

233. The Shearers. 2 gns (unframed)

234. Sleep. 21/2 (unframed)

235. The preacher in the pulpit. 21/2 gns (unframed)

LONG, Sydney (1871–1955)

235. Boyd's Boatshed, Narrabeen. 4 gns (unframed)

Hosking, W. John. (1930–)

236 The dragon plane. 2 gns (unframed)

237. The fairy ring. 31/2 gns (unframed)

238. The butterfly dance. 5 gns (unframed)

239. The caravan. 2 gns (unframed)

240 Steeplejacks. 2 gns (unframed)

241. Refreshment. 2 gns (framed)

242. Ursa Major and Ursa Minor. 2 gns (framed)

243. Hush! the Mantos Prays. 3 gns (framed)

244. Pals. 2 gns (framed)

245. The Light, Fantastic Toe. 3 gns (framed)

246. The Slow Motion Steeplechase. 4 gns (framed)

247. Sunny hours. 3½ gns (framed)

Taylor, Stephanie. (1899–1974)

248. The gum. 2 gns (framed)

McCulloch, Alan. (1907–1992)

249. The coming storm. 3 gns (framed)

250. The Windmill. 2 gns (framed)

Pestell, William. (1930–)

251. Scots' Church Spire. 3 gns (framed)

Williams, C.W. (1930–)

252. Princes Bridge. 4 gns (framed)

253. Scots' Church, Collins Street. 4 gns (framed)

254. Flinders Street Station. 4 gns (framed)

255. Collins Street, from Treasury. 3 gns (framed)

256. Harbour Mists, Sydney. 5 gns (framed)

257. St. Patrick's Cathedral. 5 gns (framed)

258. Morning mists. 4 gns (framed)

259. Parliament House, Melbourne. 7 gns (framed).

260. The T. and G. Building. 6 gns (framed)

261. Sydney Bridge and North Pylon. 5 gns (framed)

262. Old Sydney and 'Our' Bridge. 6 gns (framed)

Eighth Xmas Exhibition of Etchings and Woodcuts by Master Etchers. 8th Xmas Exhibition of Etchings and Woodcuts by Master Etchers.

Venues

Sedon Galleries [2] (6 December 1932 – 24 December 1932)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia