The deserted selection.

Sydney Long (1871–1955)

The deserted selection. | The old hut.

(1923)

line-etching

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

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Catalogue of the Exhibition of the Australian Painter-Etchers' Society. Exhibition of Etchings by Members and Honary Members of the Australian Painter-Etchers' Society [1925].

Venues

Dunster Galleries (24 November 1925 – 15 December 1925)
104-106 Gawler Place, Adelaide, South Australia, Australia

Works

Burridge, Fred. (1869–1945)

The Mountain Smithy. £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

Evening in the fishing quarter. £4.04.0 (unframed) | etching

Lee Hankey, William. (1869–1952)

Memories. £8.08.0 (unframed) | etching

Sitting Up. £6.06.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

Chinon Castle. £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

In the Path of the Gale. £5.05.0 (unframed) | etching

WALCOT, William (1874–1943)

Venice. £7.07.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

2. Wreckage. £3.03.0 (unframed) | etching

Airy, Anna. (1882–1964)

3. Azaleas. £7.07.0 (unframed) | etching

Lee Hankey, William. (1869–1952)

10. Jeanette of the Market. £12.12.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The farm sheds. £6.06.0 (unframed) | etching

12. Farmhouse, Hartley. £2.02.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

13. Washing day £2.02.0 (unframed) | etching

14. Farmyard, Clarendon. £2.02.0 (unframed) | etching

15. The sequestered farm. £3.03.0 (unframed) | etching

16. The country road. £3.03.0 (unframed) | etching

17. The Hawkesbury, Windsor. £3.03.0 (unframed) | etching

18. Offices of the 'Sydney Morning Herald'. £5.05.0 (unframed) | etching

19. The Old Treasury. £4.04.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

20. The blacksmith's shop, Ambleside £5.05.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

21. Ambleside farmyard £3.03.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

22. Australian sunrise. £3.03.0 (unframed) | etching

23. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unframed) | etching

24. On the Lane Cove, Sydney Harbour. £2.17.6 (unframed) | etching

25. Old Argyle Cut, Sydney. £2.10.0 (unframed) | etching

26. Australian sunrise. £2.10.0 (unframed) | etching

27. Australian natives, Lake Macquarie, NSW. £1.11.6 (unframed) | etching

28. Rue de Mer Rouge, Algiers. £1.11.6 (unframed) | etching

29. Outer Lake, Narrabeen. £1.05.0 (unframed) | etching

30. Old Balmoral Beach, Sydney Harbour. £1.11.6 (unframed) | etching

31. Banksia, Collaroy. £1.11.6 (unframed) | etching

32. Groote Church, Dordrecht, Holland. £1.11.6 (unframed) | etching

33. Trees of Balmoral, Sydney Harbour. £1.01.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

34. An Early Dooway. £2.02.0 (unframed) | etching

Godson, John Barclay. (1882–1957) and Godson, John Barclay. (1882–1957)

35. The Reclamation. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

36. Cobles at Staithes, Yorks. £3.03.0 (unframed) | etching

37. Bushrangers' Hill, Pittwater. £2.02.0 (unframed) | etching

38. Minnamurra Reflections. £3.03.0 (unframed) | etching

39. Early morn. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

40. Strand on the Green. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

41. The riverside £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

42. Beddington Corner £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. Moonrise pastoral £5.05.0 (unframed) | etching

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

44. Young Kookaburras £2.02.0 (unframed) | etching

45. The Snake Yarn. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Radnage, Bucks | Date: 1920 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

46. Radnage, Bucks £4.04.0 (unframed) | etching

47. Belfry, Bruges. £3.03.0 (unframed) | etching

48. The deserted selection. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Between the showers £4.04.0 (unframed) | etching

50. Fishing Boats, St. Ives. £2.12.6 (unframed) | etching

51. Pastoral. £6.06.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

52. The Breaking up of H.M.A.S. 'Australia'. £3.03.0 (unframed) | etching

53. The Grand Canal, Venice. £3.03.0 (unframed) | etching

54. Lacey's Creek, Burragorang Valley, N.S.W. £3.03.0 (unframed) | etching

55. St. Paul's Cathedral, London. £2.12.6 (unframed) | etching

56. The Up Country Farmer. £2.02.0 (unframed) | etching

57. An old English shepherd. £2.02.0 (unframed) | etching

58. A canal in Venice. £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

59. A Scone farm. £3.03.0 (unframed) | etching

Artist: Morgan, Squire. | Title: Ti trees | Date: 1922 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

60. Ti trees £3.03.0 (unframed) | etching

61. At Palm Beach. £3.03.0 (unframed) | etching

62. Old bullock dray. £3.03.0 (unframed) | etching

63. The lakeside. £2.12.6 (unframed) | etching

64. Deserted hut. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

65. Dawes Point, Sydney. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

66. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. £4.04.0 (unframed) | etching

67. Sydney Grammar School. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

68. The picnic. £4.04.0 (unframed) | etching

69. The launch. £3.03.0 (unframed) | etching

70. Conservatorium of Music, Sydney. £3.03.0 (unframed) | etching

71. Wiseman's Ferry. £4.04.0 (unframed) | etching

72. St. James Church, Sydney. £4.04.0 (unframed) | etching

73. Milson's Point, Sydney. £4.04.0 (unframed) | etching

74. Oxford and Cambridge Boat Race: The Start. £4.04.0 (unframed) | etching

75. St. Joseph's College, Sydney. £3.03.0 (unframed) | etching

76. Chinaman's gardens, Rose Bay. £4.04.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

77. MacTaggart's Farm. £1.07.0 (unframed) | etching

78. The River Tweed. £1.11.6 (unframed) | etching

79. Prince's Bridge, Melbourne. £1.11.6 (unframed) | etching

80. Newport Rocks. £1.01.0 (unframed) | etching

81. Evening. £1.01.0 (unframed) | etching

82. Timber Craft. £1.07.0 (unframed) | etching

83. The Estuary. £1.01.0 (unframed) | etching

84. From the Mountain Side. £1.07.0 (unframed) | etching

85. Along the Murrumbidgee. £1.11.6 (unframed) | etching

86. Mountain Gums. £1.11.6 (unframed) | etching

87. A Sydney Ferry. £1.01.0 (unframed) | etching

88. The river boat. £1.07.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

89. Bullock team. £1.11.6 (unframed) | etching

90. Wool Team. £1.11.6 (unframed) | etching

91. Martin's Farm. £2.02.0 (unframed) | etching

92. In Camp. £2.12.6 (unframed) | etching

93. Politicians. £2.12.6 (unframed) | etching

94. Cultivation paddocks. £2.12.6 (unframed) | etching

95. On the road. £3.03.0 (unframed) | etching

96. Loading Wool. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

97. Sundown. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

98. Gid-Dap. £3.03.0 (unframed) | etching

Farmer, Helen. (1888–1970)

99. The cowbail. £2.02.0 (unframed) | etching

100. A river boat. £1.11.6 (unframed) | etching

101. The paddock gate. £3.03.0 (unframed) | etching

102. The derelict. £2.02.0 (unframed) | etching

103. Chinamen's gardens, Mavey Vale. £2.02.0 (unframed) | etching

104. Loading a drogher. £2.02.0 (unframed) | etching

105. The deserted tenement. £1.11.6 (unframed) | etching

106. The cottage on the hill. £1.01.6 (unframed) | etching

Crisp, James. (1879–1962)

107. A Favorite Spot. £2.02.0 (unframed) | etching

108. The old mill, Auckland, N.Z. £1.11.0 (unframed) | etching

109. The Story. £1.11.6 (unframed) | etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

110. The gander. £1.01.0 (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Sydney Harbour from Vaucluse | Date: 1923 | Technique: etching, printed in black ink, from one plate

111. Sydney Harbour from Vaucluse £2.02.0 (unframed) | etching

112. Government House, Windsor, N.S.W. £2.02.0 (unframed) | etching

113. The yard. £2.02.0 (unframed) | etching

114. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

115. Black Mountain, Canberra £1.11.6 (unframed) | etching

116. A Hartley barn. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

117. The Bridge. £1.11.6 (unframed) | etching

118. Ships at rest. £2.02.0 (unframed) | etching

119. After work. £2.02.0 (unframed) | etching

120. Low Banks. £1.01.0 (unframed) | etching

121. Bush Light. £1.01.0 (unframed) | etching

122. Sydney from Bradleys Head. £2.02.0 (unframed) | etching

123. The smithy. £2.02.0 (unframed) | etching

124. Quiet afternoon, Port Adelaide. £4.04.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

125. Sundown. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

126. Desolation. £1.11.6 (unframed) | etching

127. King William Street, Adelaide. £2.12.6 (unframed) | etching

128. G.P.O., Adelaide. £5.05.0 (unframed) | etching

Britton, Fred. (1889–1931)

129. The Winery. £0.15.0 (unframed) | etching

130. The barn. £0.15.0 (unframed) | etching

131. The wharves, Birkenhead. £1.01.0 (unframed) | etching

132. Old carpenter's shop, Noarlunga. £1.01.0 (unframed) | etching

133. Old cottages at Goolwa. £1.11.6 (unframed) | etching

134. The sunlit homestead. £2.02.0 (unframed) | etching

135. Cottage at Aldgate. £2.02.0 (unframed) | etching

136. The slips. £2.12.6 (unframed) | etching | Collection: British Museum.

van RAALTE, Henri (1881–1929)

137. The water glade (Torrens Gorge). £8.08.0 (unframed) | etching

138. Silver evening. £7.07.0 (unframed) | etching

Artist: van RAALTE, Henri | Title: Tuarts of the South-West. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

139. Tuarts of the South-West. £10.10.0 (unframed) | etching

140. The Cathedral at Dawn. £4.04.0 (unframed) | etching

Unknown

Venues

Venue Not Identified. (1932 – 1932)

Works

LONG, Sydney (1871–1955)

53. Radnage landcape. £4.04.0

Artist: LONG, Sydney | Title: The land of the lavender | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

54. The land of the lavender £4.04.0

Artist: LONG, Sydney | Title: Lincoln | Date: 1925 | Technique: line-etching and drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

55. Lincoln £4.04.0

56. Feeding time. £3.03.0

57. The Harbour from Berry's Bay. £3.03.0

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

58. Circular Quay, Sydney £4.04.0

59. Shot and Powder Works on the Thames. £3.03.0

60. From Blackfriars Bridge. £3.03.0

61. Young Kookaburras £4.04.0

62. The deserted selection. £3.03.0

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

63. The passing storm £5.05.0

Artist: LONG, Sydney | Title: Iffley Mill, Oxford | Date: c.1919 | Technique: aquatint, printed in blue ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

64. Iffley Mill, Oxford £3.03.0

A collected list of etchings: Sydney Long.

Venues

Venue Not Identified. None

Works

LONG, Sydney (1871–1955)

Strand on the Green, - No.1. edition of 30

Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Old houses, Chiddingstone edition of 50

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Pan edition of 30

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Hawkesbury landscape edition of 50

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The Victorian Tower edition of 10

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The home of the rooks edition of 50

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Pastoral sandgrain edition of 30

Camp in the forest. edition of 60 | Print Collector's Club Plate.

Radnage landcape. edition of 40

Market Place, Bruges, Belgium. edition of 30

Artist: LONG, Sydney | Title: The wooden ship | Date: 1922 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The wooden ship edition of 30

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Autumn landscape edition of 30

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

St. Paul's from the river edition of 30

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Friar Street, Worcester edition of 30

Fishing Boats, Whitby. edition of 30

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Fantasy edition of 30

Artist: LONG, Sydney | Title: Kookaburra and young | Date: c.1919 | Technique: drypoint, printed in black ink with light plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Kookaburra and young edition of 30

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Magpies edition of 30

The deserted selection. edition of 30

Strand on the Green, - No.3. edition of 30

The riverside edition of 30

The watercress bed. edition of 30

Kookaburras. edition of 30

Houses of Parliament, from the River. edition of 30

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Fishing boats, Lisbon edition of 30

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Fishing boats, Kings Lynn edition of 30

The River, from Blackfriars Bridge -. edition of 30

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The old shot and powder works edition of 30

Lincoln edition of 40

Kookaburras, No.3. edition of 60

The blacksmith's shop

edition of 40

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Brisbane water edition of 30

Artist: LONG, Sydney | Title: Turkeys and pumpkins | Date: 1925 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Turkeys and pumpkins edition of 30

Artist: LONG, Sydney | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

St. Albans edition of 30

The passing storm edition of 50 | aquatint

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Porte Marechale, Bruges edition of 50

The Mill. edition of 60

Between the showers edition of 50

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Staples Inn, Holborn edition of 30

Beddington Corner edition of 30

The Parchment Mills. edition of 30

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

On the Wandle edition of 30

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The Spirit of the plains edition of 50

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The belfry, Bruges edition of 50

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The harbour, St.Ives edition of 50

Artist: LONG, Sydney | Title: Landscape, Epping Forest | Date: c.1919 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Landscape, Epping Forest edition of 50

Moonrise pastoral edition of 60

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The little dutch mill edition of 30

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The Thames from Waterloo Bridge edition of 30

Pastoral. edition of 50

Artist: LONG, Sydney | Title: Drying sails | Date: c.1919 | Technique: line-etching and drypoint, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Drying sails edition of 30

Artist: LONG, Sydney | Title: Becalmed | Date: c.1919 | Technique: line-etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Becalmed edition of 30

Artist: LONG, Sydney | Title: Old houses, Worcester | Date: c.1919 | Technique: drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Old houses, Worcester edition of 30

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

A Cornish landscape edition of 30 | Soft Ground