The spreading Ti-Tree.

Herbert Gallop (1890–1958)

The spreading Ti-Tree.

(1920)

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

Society of Artists Annual Exhibition [1922].

Venues

Education Department Gallery (8 September 1922 – 26 September 1922)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Warner, Alfred Edward. (1879–1968)

69. Timber. 2½ gns

72b. Title unknown.

Friedensen, Thomas. (1879–1931)

73. George Street. 3 gns

74. St. Paul's Cathedral, London. 25 gns

Warner, Alfred Edward. (1879–1968)

75. Morning, Berry's Bay. 3 gns

77. York Street. 3 gns

FEINT, Adrian (1894–1971)

78. The Bathers. 2 gns

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: On the balcony. | Date: 1922 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

79. On the balcony. 1½ gns

FEINT, Adrian (1894–1971)

80. Bookplate -.

LINDSAY, Lionel (1874–1961)

81. Gossip, Essex Street. 2 gns

Artist: LINDSAY, Lionel | Title: Bulls on the bridge, Andalucia, Spain | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

82. Bulls on the bridge, Andalucia, Spain 2½ gns

83. A Cottage Idyll. 1½ gns

84. Mates. 4 gns

85. Travelling Sheep [mezzotint]. 2 gns

Artist: LINDSAY, Lionel | Title: A nook at Berry's Bay | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

86. A nook at Berry's Bay 2½ gns

Artist: LINDSAY, Lionel | Title: The black cat | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block; touched with brush and black ink | Copyright: Courtesy of the National Library of Australia

87. The black cat 1 gn

88. The Romantic Garden. 1½ gns

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

89. The Emperor 1 gn

LINDSAY, Norman (1879–1969)

91. The butterfly. 4 gns

LINDSAY, Lionel (1874–1961)

93. The Last Duel of Don Juan. 2½ gns

LINDSAY, Norman (1879–1969)

94. 'O Man Take Heed'. 15 gns

LINDSAY, Lionel (1874–1961)

97. The Arab Palace. 3 gns

LINDSAY, Norman (1879–1969)

99. Spring Song. 5 gns

URE SMITH, Sydney (1887–1949)

100. The willows. 3 gns

101. Windsor barn. 3 gns

102. Cumberland House, the Rocks. 2 gns

LINDSAY, Norman (1879–1969)

103. The Courtesan. 4 gns

Ward, J. (1920–)

104. The ring. 3 gns

105. Gamblers. 3 gns

Gallop, Herbert. (1890–1958)

106. The spreading Ti-Tree. 2 gns

URE SMITH, Sydney (1887–1949)

107. Early morning, the river, Windsor. 3 gns

108. Windsor, N.S.W. 3 gns

LINDSAY, Lionel (1874–1961)

110. Camellias. 2 gns

MORT, Eirene (1879–1977)

111. The yard. 2 gns

Warner, Alfred Edward. (1879–1968)

118. Team. 2½ gns

Morgan, Squire. (1886–1974)

119. Old bullock dray. 3 gns

Proctor, Thea. (1879–1966)

Artist: Proctor, Thea. | Title: The toilet. | Date: c.1918 | Technique: lithograph, printed in black ink, from one stone

121. The toilet. 4 gns. | lithograph

Catalogue of the Fourth Annual Exhibition of the Australian Painter-Etchers' Society [1924].

Venues

Farmers Smoke Room (1 December 1924 – 13 December 1924)
Oak Luncheon Hall, Farmers, Pitt, Market & George Sts., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

The gander. £1.01.0 (unframed) | etching

Farmer, Helen. (1888–1970)

Chinamen's gardens, Mavey Vale. £2.02.0 (unframed) | etching

Tree Study. £1.11.6 (unframed) | etching

Loading a drogher. £2.02.0 (unframed) | etching

An old home, Manly Vale. £2.12.6 (unframed) | etching

Cole, Herbert. (1867–1930)

1. Diana and Endymion pen and ink. £6.06.0 (unframed) | etching

2. Michael Angelo pen and ink 8 8 0 Two Pages Sketches, Poems by Zora Cross (By permission of Angus. etching

3. Page of Pen and Ink Drawings. £10.10.0 (unframed) | etching

4. Page of Pen and Ink Drawings. £10.10.0 (unframed) | etching

Crisp, James. (1879–1962)

10. The porch, Saint Michael's, Rose Bay. £2.02.0 (unframed) | etching

MORT, Eirene (1879–1977)

11. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

12. Black Mountain, Canberra £1.11.6 (unframed) | etching

13. King's School, Parramatta. £2.02.0 (unframed) | etching

SHIRLOW, John (1869–1936)

14. The Great Dome, Melbourne Public Library £2.02.0 (unframed) | etching

15. Gate of the City. £2.12.6 (unframed) | etching

16. Doorway, Bank of Victoria, Melbourne. £2.02.0 (unframed) | etching

17. Bernard O'Dowd [2] £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

18. Falling Leaves, Bathurst. etching

19. The bent tree, Tuggerah Lake. etching

20. The open lake. etching

21. Archway, Bathurst etching

Walker, F. Sidney. (1888–1972)

22. Barges, Hobart. £1.11.6 (unframed) | etching

23. Evening. £1.01.0 (unframed) | etching

24. North Head. £1.01.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

25. Sydney University. £3.03.0 (unframed) | etching

26. Cobles at Staithes, Yorks. £3.03.0 (unframed) | etching

27. The Bend of the Road. £3.03.0 (unframed) | etching

28. Church Point, Pittwater. £2.02.0 (unframed) | etching

29. Landscape. £2.02.0 (unframed) | etching

30. Bushranger's Hill, Pittwater. £2.02.0 (unframed) | etching

31. Bushranger's Hill, Pittwater original sketch. £6.06.0 (unframed) | etching

32. The Bend of the Road original sketch. £9.09.0 (unframed) | etching

WALCOT, William (1874–1943)

33. Piccadilly Circus. £5.05.0 (unframed) | etching

34. Whitehall. £5.05.0 (unframed) | etching

35. The Bank of England. £5.05.0 (unframed) | etching

36. The Horse Guards. £5.05.0 (unframed) | etching

37. Newcastle-on-Tyne. £6.06.0 (unframed) | etching

38. Trafalgar Square. £5.05.0 (unframed) | etching

Brangwyn, Frank. (1867–1956)

39. Barge Builders. £12.12.0 (unframed) | etching

40. Barnard Castle. £12.12.0 (unframed) | etching

Gabain, Ethel. (1853–1950)

41. Reveuse original. £3.03.0 (unframed) | etching

42. The Emerald Ring original. £3.03.0 (unframed) | etching

43. Munition Worker. £3.03.0 (unframed) | etching

44. Si les bijoux estaient indiscrets! original. £3.03.0 (unframed) | etching

45. Une dame qui se chausse original. £4.04.0 (unframed) | etching

46. Colombine a sa toilette original. £5.05.0 (unframed) | etching

47. The Patch. £5.05.0 (unframed) | etching

Hall, Oliver. (1869–1957)

48. Showery Weather. £3.03.0 (unframed) | etching

49. Old timber bridge, Yarmouth. £3.03.0 (unframed) | etching

Menpes, Mortimer. (1855–1938)

50. Portrait of Whistler. £3.03.0 (unframed) | etching

51. A Distant View London. £3.03.0 (unframed) | etching

52. Westminster. £3.03.0 (unframed) | etching

Bentley, Alfred. (1879–1923)

53. A Sussex Landscape. £3.03.0 (unframed) | etching

Cameron, D.Y. (1865–1945)

54. Bookplate. £4.04.0 (unframed) | etching

Blampied, Edmund. (1886–1966)

55. Original. £3.13.6 (unframed) | etching

56. Original. £3.13.6 (unframed) | etching

Hampton, Herbert G. (1889–1943)

57. Midnight. £2.02.0 (unframed) | etching

OFFLER, Edmund

58. Yvonne. £1.01.0 (unframed) | drypoint

MIGNOT, Victor (1872–)

59. Dordrecht. £4.04.0 (unframed) | etching

Boon, Jan. (1882–)

60. Head of old woman. £1.01.0 (unframed) | etching

61. Lucien Simon. £3.03.0 (unframed) | pencil study

Simon, Lucien. (1861–1945)

61. A Head. Lucien Simon | £3.03.0 (unframed) | pencil study

LONG, Sydney (1871–1955)

62. The River Side. £4.04.0 (unframed) | etching

63. Mother and Young. £2.12.6 (unframed) | etching

64. Kookaburras. £3.03.0 (unframed) | etching

65. Stand on the Green. £3.13.6 (unframed) | etching

66. Deserted. £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

67. Fishing boats, Lisbon £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

68. Magpies £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

69. Fishing boats, Lisbon £3.03.0 (unframed) | etching

70. The Pool. £4.04.0 (unframed) | etching

71. Houes of Parliament, London. £2.02.0 (unframed) | etching

Green, Reginald. (1884–1971)

72. Shakespeare's School, Stratford-on-Avon. £3.03.0 (unframed) | etching

73. The Star Inn. £3.03.0 (unframed) | etching

74. John Knox's House, Edinburgh. £2.02.0 (unframed) | etching

75. The Cross, Chichester. £2.02.0 (unframed) | etching

76. Merton College, Oxford. £2.02.0 (unframed) | etching

77. St. John's College, Cambridge. £2.02.0 (unframed) | etching

78. Windsor Castle. £2.02.0 (unframed) | etching

RICHARDS, Fred (1887–1932)

79. Vire. £2.02.0 (unframed) | etching

Dawson, Nelson. (1859–1941)

80. Coming into Harbour. £3.00.0 (unframed) | etching

STRANG, William (1859–1921)

81. Death Defeated. £2.02.0 (unframed) | etching

82. The Nymph. £3.03.0 (unframed) | etching

Munz, F.

83. Group of Trees. £2.02.0 (unframed) | etching

Lindeman, Grant. (1920–)

84. The Tuck Shop, S.G.S. £1.01.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

Artist: Friedensen, Thomas. | Title: The man from Burrywang. | Date: 1925 | Technique: etching and drypoint, printed in black ink, from one plate

85. The man from Burrywang. £1.11.6 (unframed) | etching

86. The Bridge of Sighs. £2.12.6 (unframed) | etching

87. The heart of the city. £2.12.6 (unframed) | etching

88. Breaking up in 'Australia'. £3.03.0 (unframed) | etching

89. A sunlit canal, Venice. £3.03.0 (unframed) | etching

90. A waterway in Venice. £2.02.0 (unframed) | etching

91. Interior Anne Hathaway's Cottage drawing. £5.05.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

92. Nocturne. £2.02.0 (unframed) | etching

93. Old Cremorne wharf. £2.02.0 (unframed) | etching

94. Old House, rear Vickery's Chambers. £2.02.0 (unframed) | etching

95. Milson's Point from Old Railway Yards. £2.02.0 (unframed) | etching

96. Dismantling H.M.A.S. 'Australia'. £3.03.0 (unframed) | etching

97. The old Barracks, Queen's Square. £2.02.0 (unframed) | etching

Morgan, Squire. (1886–1974)

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

99. The lagoon, Dee Why £2.12.6 (unframed) | etching

100. The Burragorang Valley. £3.03.0 (unframed) | etching

101. Scone Farm. £3.03.0 (unframed) | etching

102. Kangaroo Valley sketch. £1.11.6 (unframed) | etching

103. Sketch Dee Why. £1.11.6 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

104. Bundagobilly Creek. £3.03.0 (unframed) | etching

105. Interior Woolshed. £3.03.0 (unframed) | etching

106. Loading Wool. £3.03.0 (unframed) | etching

107. The Wagon Loaded. £2.12.6 (unframed) | etching

108. Macquarie Street. £2.02.0 (unframed) | etching

109. Wool Team Leaving. £1.11.6 (unframed) | etching

110. Bullock team coming in. £1.11.6 (unframed) | etching

111. Jinderie Sheds. £1.11.6 (unframed) | etching

112. St. James'. £1.01.0 (unframed) | etching

Nelson, Harold. (active by 1924)

114. Minerva. £2.02.0 (unframed) | etching

115. The Studio Window. £3.03.0 (unframed) | etching

WEBB, Harry George (1882–1914)

116. The Jester. £1.01.0 (unframed) | etching

Whydale, Herbert. (1892–1968)

117. The Hayrick. £3.03.0 (unframed) | etching

Fell, Eleanor. (1885–1946)

118. Lambeth Bridge. etching

119. Malaga. £3.13.6 (unframed) | etching

TRAILL, Jessie (1881–1967)

120. Bridge Building. £5.05.0 (unframed) | etching

121. Bridge Building. £10.10.0 (unframed) | etching

122. Bridge Building (No.3), the Opening Night. £3.03.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: The big building, Yallourn, May 1924. | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

123. The big building, Yallourn, May 1924. £6.16.6 (unframed) | etching

124. Super Great Power House. £5.15.6 (unframed) | etching

125. View from Temple Court, Collins St. Melbourne. £2.12.6 (unframed) | etching

Arndt, Mina. (1885–1926)

126. Study of old man. £4.04.0 (unframed) | etching

127. Ben. £3.03.0 (unframed) | etching

128. Street in Corfe. £2.02.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

129. Mrs Heberden. £5.05.0 (unframed) | etching

130. The Old Quarry. £4.04.0 (unframed) | etching

131. A sunlit land. £4.04.0 (unframed) | etching

132. Stirling Bridge. £4.04.0 (unframed) | etching

133. Arnold Mason. £5.05.0 (unframed) | etching

134. Jukhers of the Plain. £4.04.0 (unframed) | etching

135. Dieppe. £4.04.0 (unframed) | etching

137. Noon, Wareham. £3.03.0 (unframed) | etching

138. Le Puy. £4.04.0 (unframed) | etching

139. Nathaniel Sparks - Portrait. £5.05.0 (unframed) | etching

139A. Dieppe. etching

139B. Mrs. Heberden - Portrait. etching

Gaskell, Percival. (1868–1934)

140. Ferpecle mezzotint. £6.06.0 (unframed) | etching

141. Summer Morning, River Wharf. £5.05.0 (unframed) | mezzotint

142. Derwent Water, evening. £5.05.0 (unframed) | etching

143. The chalk pit on the Downs. £3.03.0 (unframed) | etching

144. The Enchanted Castle. £4.04.0 (unframed) | etching

145. San Vigilio, Lago di Garda. £3.03.0 (unframed) | etching

146. Ploughing in Purbeck. £3.03.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

146. Loches Castle. £4.04.0 (unframed) | etching

Gaskell, Percival. (1868–1934)

147. Crowland Abbey Ditching. £3.03.0 (unframed) | etching

Burridge, Fred. (1869–1945)

148. The Mountain Smithy. £4.04.0 (unframed) | etching

149. The Little White Town. £3.03.0 (unframed) | etching

150. Lancaster. £4.04.0 (unframed) | etching

151. Thunder weather. £3.03.0 (unframed) | etching

152. The Upland Farm. £4.04.0 (unframed) | etching

153. A March of Waters. £3.12.6 (unframed) | etching

154. Patriarchs. £3.03.0 (unframed) | etching

155. Harlech. £4.04.0 (unframed) | etching

156. The Promise of a Hot Day. £5.05.0 (unframed) | etching

157. A Spring Afternoon. £2.10.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

158. Piccadilly Circus. £3.03.0 (unframed) | etching

159. By-products. £3.03.0 (unframed) | etching

160. Hop Exchange, London, after the Fire. £3.03.0 (unframed) | etching

161. Westminster School. £3.03.0 (unframed) | etching

162. Covent Garden. £3.03.0 (unframed) | etching

163. Wreckage. £3.03.0 (unframed) | etching

164. St. Margaret's and Big Ben. £3.03.0 (unframed) | etching

165. Gracechurch Street, London. £4.04.0 (unframed) | etching

Duff, J.R.K. (1862–1938)

166. Rain. £3.03.0 (unframed) | etching

167. The man with the beet. £3.03.0 (unframed) | etching

168. The Marsh. £3.03.0 (unframed) | etching

169. January Lambs. £3.03.0 (unframed) | etching

170. At play. £1.11.6 (unframed) | etching

171. False Fire. £1.11.6 (unframed) | etching

172. Milking. £1.11.6 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

173. St. Mary's Catheral, Sydney. £4.04.0 (unframed) | etching

174. The launch. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Cronulla Beach. | Date: 1924 | Technique: etching, printed in black ink, from one plate

175. Cronulla Beach. £3.03.0 (unframed) | etching

176. Chelsea Pensioners. £10.10.0 (unframed) | etching

177. Windsor Castle. £12.12.0 (unframed) | etching

178. Dr Jamieson's House. [pencil]. £8.08.0 (unframed) | etching

178. Dr Jamieson's House. [pencil]. £0.08.0 (unframed) | etching

179. Old Mosman [pencil]. £8.08.0 (unframed) | pencil

179. Old Mosman [pencil]. £0.08.0 (unframed) | pencil

Flanagan, John Richard. (1895–1964)

180. Title unknown. £6.06.0 (unframed) | etching

Gallop, Herbert. (1890–1958)

181. Into the shade. £2.02.0 (unframed) | etching

182. The spreading Ti-Tree. £2.02.0 (unframed) | etching

183. The lake side. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

184. The heart of Sydney. £4.04.0 (unframed) | etching

185. Wentworth House, Vaucluse, N.S.W. £2.02.0 (unframed) | etching

186. The mooring. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

187. Sundown. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

188. Sydney from Bradleys Head. £2.02.0 (unframed) | etching

Artist: GOODCHILD, John | Title: The work of day | Date: 1924 | Technique: softground etching, printed in brown ink, from one plate

189. The work of day £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980) and SHIRLOW, John (1869–1936)

190. Sydney from Milsons Point. £4.04.0 (unframed) | etching

GOODCHILD, John (1898–1980)

191. Title unknown. £3.03.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

205. Cement Works, Rochester. £3.03.0 (unframed) | etching

206. Isleworth. £3.03.0 (unframed) | etching

207. Interior of Barn at Rabley Heath. £3.03.0 (unframed) | etching

208. The path of a gale. £5.05.0 (unframed) | etching

Emanuel, Frank. (1865–1948)

209. Little Hell Street, Dieppe. £3.13.6 (unframed) | etching

210. Rue Eau de Robec, Rouen. £3.03.0 (unframed) | etching

211. Rembrandt at the Press. £2.10.0 (unframed) | etching

Airy, Anna. (1882–1964)

212. Goldfinches fighting. £4.04.0 (unframed) | etching

213. Cast of Dice. £4.04.0 (unframed) | etching

214. Apple Blossom. £4.04.0 (unframed) | etching

Fletcher, Hanslip. (1874–1955)

215. Exeter Cathedral drawing. £15.15.0 (unframed) | etching

Kinney, Troy. (1871–1938)

216. Serenade. £8.08.0 (unframed) | etching

Warlow, H. Gordon. (1885–1942)

217. Place de Eglise. £2.02.0 (unframed) | etching

Austen, Winifred. (1876–1964)

218. Curlew. £4.12.6 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

219. On the Lane Cove, Sydney Harbour. £3.03.0 (unframed) | etching

220. Rue de Mer Rouge, Algiers. £1.17.6 (unframed) | etching

221. Trees of Balmoral. £1.01.0 (unframed) | etching

222. Wreck of 'Collaroy', Collaroy Beach. £2.02.0 (unframed) | etching

223. Banksia, Collaroy. £1.17.6 (unframed) | etching

A collected list of etchings: Herbert Gallop.

Venues

Venue Not Identified. None

Works

Gallop, Herbert. (1890–1958)

The drinking pool. edition of 30

The deserted farm edition of 30

Ti-trees. edition of 20

The Last Log Off. edition of 30

Swamp pine trees. edition of 30

The sheltered barn. edition of 30

The farmyard. edition of 30

The old gateway. edition of 30

A breezy day. (Presentation Plate only)

The River, Ryde. (Presentation Plate only). edition of 30

The hillside barn. edition of 30

The sawmill, Bateman's Bay. edition of 30

The river bridge, Ryde. edition of Three Prints issued: Plate destroyed

The sleeper-getters. edition of 30

The cart-shed. (Artist's first Plate; Presentation Prints only).

The spreading Ti-Tree. edition of 30

The fringe of whispering pines. edition of 30

Into the shade. edition of 25

The farm sheds. edition of 30

The lakeside. edition of 20 | drypoint

Canberra Capital Site. edition of 20 | drypoint

The two gums. edition of 20 | zinc drypoint

Ermington (Drypoint on Zinc). edition of 12 | drypoint on zinc

Ti-tree group. edition of 12 | drypoint from zinc

Changing pastures. copper drypoint

Canberra, from Ainslie. edition of 25

Canberra, from Residency. (Copper. edition of 20

Crossing at Ryde. edition of 12 | zinc drypoint

Uhrs Point, Ryde. edition of 12 | zinc drypoint

The old stable. edition of 20 | copper drypoint

Windswept Ti-tree. edition of 12 | copper drypoint