The mooring post.

Allan Glover (1900–1984)

The mooring post.

EXHIBITION HISTORY 1 – 4 of 4 exhibitions

Alan C. Glover: Exhibition of Paintings and Etchings [1927].

Venues

Royal South Australian Society Of Arts Gallery (3 August 1927 – 16 August 1927)
Institute Building, North Terrace, Adelaide, South Australia, Australia

Works

Glover, Allan. (1900–1984)

48. The mooring post. £1.05.0

49. Early morning, Moonta Mines. £1.05.0

50. The burnt-out gum. £2.12.6 | Illustrated in catalogue

51. Holy Trinity Church. £1.11.6

52. The Veteran Gum. £2.02.0

53. At the Wharf. £1.07.6

54. The boatshed. £1.07.6

55. From the Island. £0.15.0

56. Gums in sunlight. £0.15.0

GOODCHILD, John (1898–1980)

57. Quiet afternoon, Port Adelaide. £1.07.6

Glover, Allan. (1900–1984)

58. Old cottage, Magill. £1.07.6

Artist: Glover, Allan. | Title: The riverside mill | Date: 1927 | Technique: etching, printed in brown ink, from one plate

59. The riverside mill £1.11.6

60. The sandy track. £1.07.6

61. The Shipyard. £2.12.6

62. Dredges. £1.07.6

63. The Pile Bridge. £1.01.0

64. Coal Hulks. £1.07.6

65. A corner of the farm. £1.11.6

66. The cow yard. £1.07.6

67. Sunshine and shadow. £0.15.0

68. The old barn. £1.07.6

69. Unloading. £1.07.6

70. The Thatched Stable. £1.07.6

71. Deserted. £1.07.6

72. King William Street, Adelaide. £2.02.0

Catalogue of the Eighth Annual Exhibition of the Australian Painter-Etchers' Society [1928].

Venues

Education Department Gallery (8 June 1928 – 23 June 1928)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

ROBERTSON, Bruce (1872–1943)

A bush track. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

The Apple Gum. £2.10.0 (unframed)

Walker, F. Sidney. (1888–1972)

Lagoon. £1.01.0 (unframed)

Narooma, N.S.W. £2.02.0 (unframed)

Sunlit gums. £1.11.6 (unframed)

Harbour. £2.02.0 (unframed)

Haystacks. £1.01.0 (unframed)

Evening, Narooma. £1.11.6 (unframed)

The Drying Creek. £1.11.6 (unframed)

ROBERTSON, Bruce (1872–1943)

10. Riverside Trees. £2.10.0 (unframed)

11. River Oaks. £1.11.6 (unframed)

12. Australian River. £1.05.0 (unframed)

13. The Vista. £1.11.6 (unframed)

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

14. Roadside trees £1.05.0 (unframed)

15. Australina Pastoral. £1.05.0 (unframed)

16. Margarets, Lake Macquarie. £1.01.0 (unframed)

17. The Market, West Wemys Fife. £1.17.6 (unframed)

18. Fairy Bower, Manly, N.S.W. £1.11.6 (unframed)

19. Reflections Cook's River, N.S.W. £2.02.0 (unframed)

Godson, John Barclay. (1882–1957)

20. Church Montreuil. £3.03.0 (unframed)

21. A South Coast Farm*. £3.03.0 (unframed)

23. Entrance to Courtyard of L'Hotel De France, Montreuil*. £2.12.6 (unframed)

24. Scrivener's Mill, Mt. Irvine. £2.12.6 (unframed)

25. Old courthouse, Montreuil. £2.12.6 (unframed)

26. Brotham Bar and Minster, york. £2.12.6 (unframed)

27. The Shambles, York. £2.12.6 (unframed)

28. Jetty, Etaples. £2.02.0 (unframed)

29. Mosque Door, Cairo. £2.02.0 (unframed)

30. Middle Harbour, Peep. £2.02.0 (unframed)

31. Richmond Castle Tower, Yorks. £2.02.0 (unframed)

URE SMITH, Sydney (1887–1949)

Artist: URE SMITH, Sydney | Title: St Pauls, Cobitty | Date: 1928 | Technique: etching, printed in black ink, from one plate

32. St Pauls, Cobitty £3.03.0 (unframed)

33. Packing Oranges. £3.03.0 (unframed)

Friedensen, Thomas. (1879–1931)

34. The Wollondilly, N.S.W. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club

35. Bridge Building, Sydney Harbour*. £3.03.0 (unframed)

36. Homestead, North West. £2.12.6 (unframed)

37. Windsor Castle, Berkshire. £2.12.6 (unframed)

Artist: Friedensen, Thomas. | Title: Cobbers. | Date: 1928 | Technique: etching, printed in black ink, from one plate

38. Cobbers. £2.12.6 (unframed)

39. The Old Drover. £1.11.6 (unframed)

Artist: Friedensen, Thomas. | Title: Cockatoo. | Date: 1927 | Technique: etching, printed in brown ink, from one plate

40. Cockatoo. £2.02.0 (unframed)

Britton, Fred. (1889–1931)

41. Mylor Cottages. £2.02.0 (unframed)

42. Old commissariat stores, Sydney. £2.02.0 (unframed)

43. Hyde Park Barracks. £3.03.0 (unframed) | Print available for selection by members of the Australian Print-Collectors Club.

Artist: Britton, Fred. | Title: Sydney Harbour Bridge construction. | Date: 1929 | Technique: etching and drypoint, printed in black ink, from one plate

44. Sydney Harbour Bridge construction. £3.03.0 (unframed) | Print available for selection by members of the Australian Print-Collectors Club

Artist: Britton, Fred. | Title: Julian Ashton esq. | Date: (1925) | Technique: etching, printed in black ink, from one plate

45. Julian Ashton esq. £3.03.0 (unframed)

46. At Mona Vale. £1.11.6 (unframed)

47. On the Murray. £2.12.6 (unframed)

48. Nocturne. £2.02.0 (unframed)

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Waterloo Bridge in course of demolition | Date: 1928 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Waterloo Bridge in course of demolition £4.04.0 (unframed)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. Hawkesbury landscape £5.05.0 (unframed)

Artist: LONG, Sydney | Title: Dee Why landscape | Date: 1928 | Technique: line-etching, printed in red-brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

51. Dee Why landscape £4.04.0 (unframed)

Artist: LONG, Sydney | Title: Reflections, Avoca | Date: (1928) | Technique: line-etching, printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Reflections, Avoca £3.03.0 (unframed)

53. The Harbour from Greenwich. £2.12.6 (unframed)

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

54. Windmill Street, Old Sydney [1] £3.03.0 (unframed)

55. St. Ives. £4.04.0 (unframed)

Artist: LONG, Sydney | Title: The water meads | Date: 1928 | Technique: line-etching, drypoint printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

56. The water meads £3.03.0 (unframed)

van RAALTE, Henri (1881–1929)

57. Perth Town Hall, Morning. £3.03.0 (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

58. The end of day £4.04.0 (unframed)

59. The creek in flood. £3.13.6 (unframed)

60. Morning. £4.04.0 (unframed)

61. A Karri Tree Glade. £6.06.0 (unframed)

62. Day's beginning. £3.03.0 (unframed)

63. The road. £4.04.0 (unframed)

64. Hills of the south. £3.03.0 (unframed)

Morgan, Squire. (1886–1974)

65. Silhouette*. £3.03.0 (unframed)

66. Willows. £2.02.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

67. The path to the beach. £1.01.0 (unframed)

68. Pointer Pups. £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

69. Piccadilly Circus (under Reconstruction) £3.13.6 (unframed)

70. Martin Place. £3.13.6 (unframed)

71. Home berths. £3.03.0 (unframed)

Glover, Allan. (1900–1984)

72. The Thatched Stable. £1.11.6 (unframed)

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

73. Sunlight and ships £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

74. The mooring post. £1.01.0 (unframed)

75. The Scarred Veteran*. £3.03.0 (unframed)

76. Among the Gums. £1.11.6 (unframed)

77. The foundry. £1.11.6 (unframed)

GOODCHILD, John (1898–1980)

77. Venetian mooring. 1 gn (unframed)

Glover, Allan. (1900–1984)

78. Stormy sunset £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

78. Tivoli, Italy. 2½ gns (unframed)

Glover, Allan. (1900–1984)

79. Hilltop. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

79. Home berths. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

80. Berry's Bay. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

80. Thames Wharf. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

81. Lion Island, Broken Bay. £2.02.0 (unframed)

GOODCHILD, John (1898–1980)

81. Winter Glow. 3 gns (unframed)

FULLWOOD, A.H. (1863–1930)

82. The Bell Inn at Stilton. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

82. Brandon Bridge 3½ gns (unframed)

FULLWOOD, A.H. (1863–1930)

83. Mt. Cook, N.Z. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

83. Landscape harmony 2 gns (unframed)

FULLWOOD, A.H. (1863–1930)

84. The Hermitage, Mt. Cook, N.Z. £3.03.0 (unframed) | *Print available for selection by members of the Australian Print-Collectors Club.

GOODCHILD, John (1898–1980)

84. English country [pen drawing]. *4 gns (unframed) | pen drawing

FULLWOOD, A.H. (1863–1930)

85. Mt. Cook from Lake Pukeki. £2.02.0 (unframed)

GOODCHILD, John (1898–1980)

85. The country mill [pen drawing]. *4 gns (unframed) | pen drawing

FULLWOOD, A.H. (1863–1930)

86. City Railway, Wynyard Square, Sydney*. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

86. King St., Sydney [pencil]. 7 gns (unframed) | pencil

FULLWOOD, A.H. (1863–1930)

87. Clyde Street, Sydney. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

87. Wareham, England pencil. *5 gns (unframed)

88. The Round Pond, Kensington Gardens pencil. *4 gns (unframed)

Coffey, Alfred. (1869–1950)

88. Calder House, Eveleigh*. £3.03.0 (unframed)

Paul, Dorothy Ellsmore. (1900–1974)

89. Nude. £1.11.6 (unframed)

90. The Old Pilgrim Inn. £4.04.0 (unframed)

Farmer, Helen. (1888–1970)

91. Susan Island, Clarence River. £3.03.0 (unframed)

92. Evening calm. £2.02.0 (unframed)

93. On the Banks of the Clarence. £2.02.0 (unframed)

94. The end of the village. £1.01.0 (unframed)

Rose, Herbert. (1890–1937)

95. The Zattere, Venice. £3.03.0 (unframed)

Whitney, William Montague. (1880–1946)

96. A Relic of St. Marys, Edwardstown S.A.*. £2.12.6 (unframed)

97. Old outhouses St. Marys, Edwardstown, S.A. £2.12.6 (unframed) | Print available for selection by members of the Australian Print-Collectors Club

TRAILL, Jessie (1881–1967)

98. The Tunnel, Genoa. £4.04.0 (unframed)

99. The Tower, Carcassonne, Night. £5.05.0 (unframed)

100. Building Harbour Bridge, Sydney, No.II, Nov. £5.05.0 (unframed)

Artist: TRAILL, Jessie | Title: La forza [the force] | Date: 1927 | Technique: mezzotint, printed in black ink, from one plate

101. La forza [the force] £2.02.0 (unframed)

Grey, F. Millward. (1899–1957)

102. The Bather [pen and ink]. £0.05.0 (unframed)

103. The broken strap. £2.10.0 (unframed)

104. The Rackam Gum. £2.02.0 (unframed)

105. The Japanese Girl. £10.11.0 (unframed)

Wood, A.J. (1929–)

106. Portrait. £1.01.0 (unframed)

107. Portrait. £1.01.0 (unframed)

THURLOW, Ernest (1920s )

108. Through the Trees. £1.01.0 (unframed)

Flanagan, John Richard. (1895–1964)

109. The Sage. £2.02.0 (unframed)

Reid, D.G. (1862–1933)

110. Loading Fruit on the Hawkesbury. £2.02.0 (unframed)

111. Hill Crest. £3.03.0 (unframed)

112. The Rickyard*. £3.03.0 (unframed)

113. Source of the Minnimurra*. £3.03.0 (unframed)

114. Within sound of the Sea. £2.02.0 (unframed)

115. The Orchard Cart. £2.02.0 (unframed)

116. The Hayfield. £2.02.0 (unframed)

117. Eventide. £2.02.0 (unframed)

SHIRLOW, John (1869–1936)

118. Hobart Town. £3.13.6 (unframed)

119. Collins Street. £3.13.6 (unframed)

120. Convict Church, Port Arthur. £3.13.6 (unframed)

Walker, Leslie James. (1894–1951)

121. Lakeside. £1.01.0 (unframed)

122. The Iron Gate, Parramatta. £1.01.0 (unframed)

123. Alleyway. £1.01.0 (unframed)

GOODCHILD, John (1898–1980)

124. Ross Bridge. £2.02.0 (unframed)

125. Tasmanian club. £1.01.0 (unframed)

126. North Mine, Broken Hill. £1.01.0 (unframed)

127. The Day Shift. £3.03.0 (unframed)

Goodhart, J.C. (1873–1952)

128. Klondyke Propty. Mine. £3.03.0 (unframed)

GOODCHILD, John (1898–1980)

129. Solitude. £1.11.6 (unframed)

McDonald, Sheila. (1902–1971)

130. Five Miles East of Windsor. £2.02.0 (unframed)

131. The Rocks, Sydney. £1.11.6 (unframed)

Artist: McDonald, Sheila. | Title: Bulletin Place, Sydney | Date: c.1928 | Technique: etching, aquatint printed in brown

132. Bulletin Place, Sydney £2.02.0 (unframed)

Hilder, Bim. (1909–1990)

134. Gum trees. £1.01.0 (unframed)

Dwyer, Ella. (1887–1979)

135. The wind bloweth. £1.01.0 (unframed)

136. Forsaken. £1.01.0 (unframed)

137. Old mill buildings, Hobart. £2.02.0 (unframed)

138. A bush camp. £1.01.0 (unframed)

139. Bridge at Richmond, Tas. £1.11.6 (unframed)

140. Lady Franklin Museum, Hobart. £1.01.0 (unframed)

Crisp, James. (1879–1962)

141. Possums. £1.11.6 (unframed)

142. Jamberoo to Nowra. £1.11.6 (unframed)

143. The old wharf, Huskisson, N.S.W. £1.01.0 (unframed)

144. Old White House, Rhodes. £1.01.0 (unframed)

145. The Lakes Entrance, Victoria. £1.11.6 (unframed)

146. A bit of Eden, South Coast. £1.11.6 (unframed)

147. St. Michael's Church, Rose Bay. £1.11.6 (unframed)

148. College Street. £1.01.1 (unframed)

Crisp, James. (1879–1962) and Whitford, Dora. (1898–1969)

149. The sentinel. £1.11.6 (unframed)

Crisp, James. (1879–1962)

150. The old mill, Auckland, N.Z. £1.11.6 (unframed)

Hardie, Martin. (1875–1952)

154. A Street at Chioggia. £5.05.0 (unframed)

155. St. Malo. £4.14.6 (unframed)

156. Bric A Brac. £4.14.6 (unframed)

157. Bereland. £4.04.0 (unframed)

158. A river of Normandy. £3.13.6 (unframed)

159. Sunset at Slaughter. £3.13.6 (unframed)

OSBORNE, Malcolm (1880–1963)

160. His Honor, Judge Parry. £8.08.0 (unframed)

161. Avignon. £8.08.0 (unframed)

162. Wayside Talkes, Dieppe. £6.06.0 (unframed)

163. City Walls, Avignon. £6.06.0 (unframed)

164. The Little Crucifix, Carcassonne. £6.06.0 (unframed)

SHORT, Frank (1857–1945)

165. The Shadowed Valley; The South Downs. £21.00.0 (unframed)

166. Mr Right at Dawn. £18.18.0 (unframed)

167. Dawn. £10.10.0 (unframed)

168. The Thames at Twickenham. £10.10.0 (unframed)

169. The head of Langston Harbor. £8.08.0 (unframed)

Airy, Anna. (1882–1964)

170. Pea Pods. £5.05.0 (unframed)

171. The Visitor. £5.05.0 (unframed)

Airy, Anna. (1882–1964) and Arndt, Mina. (1885–1926)

172. Nude Study. £6.06.0 (unframed)

Gallop, Herbert. (1890–1958)

173. Burragorang Valley. £1.11.6 (unframed)

174. Windswept. £3.03.0 (unframed)

175. Lacewood Pines. £2.12.6 (unframed)

176. Mt. Keira (North Wollongong). £3.03.0 (unframed)

177. Macquarie Shore. £2.02.0 (unframed)

178. The Open Beach. £1.01.0 (unframed)

Rees, Lloyd. (1895–1988)

179. A Sketch in Rome. £7.07.0 (unframed)

Walker, F. Sidney. (1888–1972)

180. Close of Day, Narooma. £3.03.0 (unframed)

181. Sketch Narooma. £2.02.0 (unframed)

Rees, Lloyd. (1895–1988)

182. The Tower of the Mangia, Sienz, Italy. £8.08.0 (unframed)

183. St. Peter's, Rome. £26.05.0 (unframed)

TRINDALL, Lyall (1866–1965)

184. Nude Study. £15.15.0 (unframed)

Rees, Lloyd. (1895–1988)

185. The Cathedral. £42.00.0 (unframed) | Drawing section

TRINDALL, Lyall (1866–1965)

186. An Interesting tory. £15.15.0 (unframed)

Rees, Lloyd. (1895–1988)

187. Notre Dame De Paris. £10.10.0 (unframed)

TRINDALL, Lyall (1866–1965)

188. Study of a head. £15.15.0 (unframed)

Ashton, Will. (1881–1963)

189. Landscape. £5.05.0 (unframed)

190. Trees at Narrabeen.

LONG, Sydney (1871–1955)

191. St. Ives. £5.05.0 (unframed)

Baker, Normand H. (1908–1955)

192. Head of an old woman. £10.10.0 (unframed)

Ashton, Will. (1881–1963)

193. Rue Mouffard.

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Waterloo Bridge in course of demolition | Date: 1928 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

194. Waterloo Bridge in course of demolition

Ashton, Will. (1881–1963)

195. Rue Galande.

Walker, F. Sidney. (1888–1972)

196. Sketch for Sunlit Gums. £3.03.0 (unframed)

LONG, Sydney (1871–1955)

197. Study for. £10.10.0 (unframed)

Wilkinson, Leslie. (1882–1973)

198. Wells Cathedral, Chapter House Staircase.

199. St. Mark's Venice, North Transpept.

200. The Octagon, Ely Cathedral.

Rose, Herbert. (1890–1937)

201. St. Gervais, Paris. £8.08.0 (unframed)

LONG, Sydney (1871–1955)

202. Study for. £10.10.0 (unframed)

Proctor, Thea. (1879–1966)

203. Scarf. £12.12.0 (unframed)

204. The Dancer. £10.10.0 (unframed)

205. Portrait of a Young Man. £10.10.0 (unframed)

Rose, Herbert. (1890–1937)

206. A Street of Stairs, Villefranche. £8.08.0 (unframed)

Britton, Fred. (1889–1931)

Artist: Britton, Fred. | Title: Julian Ashton esq. | Date: (1925) | Technique: etching, printed in black ink, from one plate

207. Julian Ashton esq. £12.12.0 (unframed)

208. The Old Mint, Sydney. £8.08.0 (unframed)

Rose, Herbert. (1890–1937)

209. The Market, Venice. £12.12.0 (unframed)

210. Rio Toresela, Venice. £5.05.0 (unframed)

211. Old houses, Villefrance. £5.05.0 (unframed)

212. St. Cirq-La-Popie, France. £8.08.0 (unframed)

Reid, D.G. (1862–1933)

213. Old colonial homestead. £3.03.0 (unframed)

Farmer, Helen. (1888–1970)

214. Susan Island. £5.05.0 (unframed)

215. Sketch for Kurrajongs. £5.05.0 (unframed)

Eilbeck, Harrie. (1928–)

216. The Alchemist. £10.10.0 (unframed)

van RAALTE, Henri (1881–1929)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

217. The cliff £6.06.0 (unframed)

Walker, Leslie James. (1894–1951)

218. Old sawmill, Parramatta. £5.05.0 (unframed)

219. The Hawkesbury at Richmond. £5.05.0 (unframed)

220. Reilly's Sheds, Burragorang. £5.05.0 (unframed)

UNKNOWN

221. Silenus. £7.07.0 (unframed)

PRESTON, Margaret (1875–1963)

222. Banksias. £1.01.0 (unframed)

Artist: PRESTON, Margaret | Title: Circular Quay | Date: 1925 | Technique: woodcut, printed in black ink, from one block | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

223. Circular Quay £1.01.0 (unframed)

224. Nude. £1.01.0 (unframed)

Dattilo-Rubbo, Anthony. (1870–1955)

225. Old age. £15.15.0 (unframed)

FEINT, Adrian (1894–1971)

226. Circe. £2.12.6 (unframed)

Ashton, Will. (1881–1963)

227. Palaces, The Grand Canal.

FEINT, Adrian (1894–1971)

227. Milsons Point. £2.02.0 (unframed)

Ashton, Will. (1881–1963)

228. Landscape near Dee Why.

Baker, Normand H. (1908–1955)

230. Pen and Ink Study. £8.08.0 (unframed)

Reid, D.G. (1862–1933)

231. Dawn. £5.05.0 (unframed)

232. An ancient barn. £3.03.0 (unframed)

Alan C. Glover. Exhibition of Paintings and Etchings [1931].

Venues

Royal South Australian Society Of Arts Gallery (6 August 1931 – 22 August 1931)
Institute Building, North Terrace, Adelaide, South Australia, Australia

Works

Glover, Allan. (1900–1984)

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

32. Sunlight and ships £3.03.0 | + Purchased 1928 - Melbourne National Gallery

33. Hilltop. £2.12.6 | * Purchased 1928 - Adelaide National Gallery. + Purchased 1928 - Melbourne National Gallery

34. The Scarred Veteran. £2.02.0

35. Stormy sunset £1.07.6

36. The Bridge. £2.02.0

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

37. The Barn, Magill £2.12.6

38. The Sheltered Glade. £1.11.6

39. The Old Hotel. £1.01.0

40. Sunlit shed, Second Valley. £1.18.6

Artist: Glover, Allan. | Title: The Spreading Bay fig tree | Date: 1931 | Technique: etching and aquatint, printed in brown ink, from one plate

41. The Spreading Bay fig tree £2.02.0

42. The two gums. £1.07.6

43. At Oaklands. £1.07.6

44. Summertime. £2.02.0

45. The Dry Creek. £2.02.0

Artist: Glover, Allan. | Title: Dawn | Date: 1929 | Technique: aquatint, printed in warm black ink, from one plate

46. Dawn £1.07.6

47. The foundry. £1.11.6

Artist: Glover, Allan. | Title: Parker's cottage, Moonta Mines | Date: 1929 | Technique: etching, printed in brown ink, from one plate

48. Parker's cottage, Moonta Mines £1.11.6

Artist: Glover, Allan. | Title: Towards Treuer's and Karkarilla Moonta Mines | Date: 1927 | Technique: etching and aquatint, printed in brown ink with plat-tone, from one plate

49. Towards Treuer's and Karkarilla Moonta Mines £1.11.6

50. Age Hath its Beauties. £1.11.6

51. In the Power House. £2.02.0

52. The White Horse. £1.11.6

53. An Aldgate Farm. £1.11.6

54. Through the Trees. £1.05.0

55. Low Tide, Port Adelaide. £2.02.0

56. Queen's Bridge, Melbourne. £1.05.0

57. The University. £1.11.6

58. The mooring post. £1.05.0

59. Swamps, Mannum, SA. £1.07.6

60. Holy Trinity Church. £1.11.6

61. The sandy track. £2.02.0

62. The Thatched Stable. £1.11.6

Artist: Glover, Allan. | Title: The riverside mill | Date: 1927 | Technique: etching, printed in brown ink, from one plate

63. The riverside mill £1.11.6

64. The burnt-out gum. £2.12.6

65. The Shipyard. £2.12.6

Exhibition of Etchings and Aquatints

Venues

Royal South Australian Society Of Arts Gallery (2 December 1936 – 19 December 1936)
Institute Building, North Terrace, Adelaide, South Australia, Australia

Works

Ragless, Max. (1901–1981)

1. Gums of Nockamka. £10.10.0

2. River Trees*. £3.03.0

Artist: Ragless, Max. | Title: The fallen branch | Date: 1934 | Technique: aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: © Max Ragless

3. The fallen branch £3.03.0

4. Normanville Landscape. £3.03.0

5. Green Hills. £3.03.0

Artist: Ragless, Max. | Title: Twisted branches | Date: 1935 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: © Max Ragless

6. Twisted branches £3.03.0

7. The forest giant. £3.03.0

8. The Red Gum. £3.03.0

9. An old wooden bridge. £2.02.0

10. Gums on Willochra Creek. £2.02.0

11. In the Jamieson Valley, Katoomba. £2.02.0

12. Monarchs of the Murray. £2.02.0

13. Port Lincoln. £2.02.0

14. The sawmill. £2.02.0 | * Proof in Adelaide National Gallery.

15. Crumbling Cliffs. £2.02.0

16. Big Gums. £2.02.0

17. the Shearer's Hut, Pewsey Vale. £2.02.0

18. The church at Pewsey Vale. £1.11.6

19. Melrose and Mt Remarkable. £1.11.6

20. Summer morning. £1.11.6

21. Clyde River, Bateman's Bay, N.S.W. £1.11.6

22. Evening, Clyde River. £1.01.6

23. Shadows on the Sand, Lake Bonney. £1.01.0

24. Springcart Gully, River Murray. £1.01.0

25. Morning light. £1.01.0

26. Adelaide Skyline. £1.01.0

27. Early Adelaide. £0.10.6

28. River barges. £0.10.6

29. Bridgewater Mill. £0.10.6

30. The old bridge. £0.10.6

Whinnen, George. (1891–1950)

31. Giant Red Gums. £2.12.6

32. The farm. £2.02.0

33. Mt Breckan, Victor Harbour. £2.12.6

34. Big gums. £2.02.0 | * Proof in Adelaide National Gallery.

35. The valley farm. £2.02.0

36. The Garden P.G.C. £1.01.0

37. Clayton Church. £1.01.0

38. Gum Saplings. £1.11.6

39. Morning haze. £1.01.6

40. Boundary Rider's Hut. £1.01.0

41. Stradbroke Farm. £0.10.6

42. Hayfield. £0.10.6

43. Gums Against the Sky. £2.02.0 | * Proof in Adelaide National Gallery.

44. The Mill, Mt Barker. £0.10.6

45. The creek, Pewsey Vale. £0.10.6

46. The Bluff, Victor Harbour. £1.01.0

47. Australian Bush. £0.10.6

48. Roadside gums. £2.02.0

Glover, Allan. (1900–1984)

Artist: Glover, Allan. | Title: Sunlight and ships | Date: 1928 | Technique: etching, printed in brown ink, from one plate

49. Sunlight and ships £3.03.0 | + Proof in Melbourne National Gallery. # Proof in Perth National Gallery

50. Hilltop. £2.12.6 | * Proof in Adelaide National Gallery. + Proof in Melbourne National Gallery.

51. Coull's Barn. £2.02.0

52. Departing Day. £2.02.0

53. Hilltop Sentinels. £2.12.6

54. The Shipyard. £2.02.0

Artist: Glover, Allan. | Title: The Spreading Bay fig tree | Date: 1931 | Technique: etching and aquatint, printed in brown ink, from one plate

55. The Spreading Bay fig tree £2.02.0

56. The burnt-out gum. £2.02.0

57. Stormy sunset £1.01.0

58. The mooring post. £1.01.0

59. Storm cloud. £1.01.0

60. Roadside gums. £1.11.6

61. The Side Entrance. £1.11.6

62. The Grampians at Dunkeld. £2.12.6

Artist: Glover, Allan. | Title: Dusk | Date: 1935 | Technique: aquatint, printed in brown ink, from one plate

63. Dusk £1.01.0

64. In Peaceful Solitude. £1.11.6

65. Sunlit shed, Second Valley. £1.11.6

66. Age Hath Its Beauties. £1.11.6

67. Stormy sunset £1.01.0

Artist: Glover, Allan. | Title: Parker's cottage, Moonta Mines | Date: 1929 | Technique: etching, printed in brown ink, from one plate

68. Parker's cottage, Moonta Mines £1.11.6

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

69. The Barn, Magill £2.02.0

70. The Bridge. £1.11.6

71. At the Smeiters, Port Pirie. £1.11.6

72. Late Afternoon, Millicent. £2.02.0

73. At Oaklands. £10.6

74. The roasters, Pt Pirie. £1.11.6

75. In the Power House. £2.02.0

76. The sandy track. £2.02.0

77. Holy Trinity Church. £1.11.6

78. Storm cloud. £1.01.0

79. The University Adelaide. £1.11.6

80. King William Street, Adelaide. £1.11.6

81. Old cottage, Ambleside. £1.11.6

82. Low Tide, Port Adelaide. £2.02.0

83. The Thatched Stable. £1.01.0

84. The two gums. £10.6

85. The Old Stone Bridge. £1.01.0

Artist: Glover, Allan. | Title: Towards Treuer's and Karkarilla Moonta Mines | Date: 1927 | Technique: etching and aquatint, printed in brown ink with plat-tone, from one plate

86. Towards Treuer's and Karkarilla Moonta Mines £1.01.0

87. The Edge of the Creek. £1.01.0

88. From the Island. £10.6

89. The Veteran Gum. £2.02.0

Helsby, Malcolm. (1888–)

90. Sunshine After Rain. £2.12.6 | one proof only for sale

91. Quai du Rosaire, Bruges. £2.02.0

92. Dunster Church. £1.11.6

93. Dean's Doorway, Westminster. £1.11.6

94. Lamb Building, Inner Temple. £1.11.6

95. Where the Strand and Fleet St Meet. £2.02.0

96. St. Paul's from Bankside. £2.02.0

97. Notre Dame, Paris*. £2.02.0

98. St. Peter's Cathedral, Adelaide. £2.02.0 | * Proof in Adelaide National Gallery.

99. The Railway Station from Bank St. £2.02.0

100. St. Bartholomews, Smithfield. £0.15.6

101. The Bank of England and Royal Exchange. £2.12.6

102. Sunlight. £1.11.6

103. St. Clement Danes, Strand, London. £1.11.6

104. Fountain Court, Trinity College, Cambridge. £2.02.0 | 2 proofs only for sale

105. Houses of Parliament, London. £2.02.0 | 3 proofs only for sale | *Proof in Adelaide National Gallery

106. The old Admiralty, Whitehall, London. £1.11.6

107. St. Peter's College. £2.02.0 | artist proofs only for sale

108. St. Martins-in-the-Fields (from National Gallery). £1.01.0

109. No. 17 Fleet St, (known as Prince Henry's Room). £1.11.6

110. Masonic Temple, North Terrace. £1.11.6

111. The Library, Inner Temple. £1.11.6

112. The Tower London. £1.11.6

113. St. Paul's from Watling St, London. £1.11.6

114. The Monument. £1.01.0

115. Elizabethan House, Holborn, London. £1.11.6

116. The Savoy Chapel Royal. £0.15.6

117. St. Bride's Church, London. £1.11.6

118. Notre Dame, Paris. £2.12.6

119. Quai du Rosaire, Bruges. £0.10.6

120. Pont du Cheval, Bruges. £0.10.6