Circular Quay.

Gayfield Shaw (1885–1961)

Circular Quay.

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

Australian Painter-Etchers Society. Second [Melbourne] Exhibition [1923]

Venues

Decoration Art Gallery (15 October 1923 – 29 October 1923)
289 Collins St., Melbourne, Victoria, Australia

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Teamsters | Date: 1923 | Technique: aquatint and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

1. Teamsters "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Sussex Street trade | Date: 1923 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. Sussex Street trade "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £7.07.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The selector | Date: 1923 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

3. The selector "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

4. Ronda. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

5. Breakfast "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The house on the wall, Cordova | Date: 1923 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

6. The house on the wall, Cordova "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

7. The Great Fig Tree. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

8. The Old Fossicker. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

9. The Log. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.12.6 (unframed) | etching

10. The Doric Porch. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

11. The crossing "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £5.05.0 (unframed) | etching

12. The Burrow. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: On the balcony. | Date: 1922 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

13. On the balcony. £1.11.6 (unframed) | etching

FEINT, Adrian (1894–1971)

14. Rendezvous. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

15. Burdekin House. £3.03.0 (unframed) | etching

16. The farm sheds. £4.04.0 (unframed) | etching

17. The barn, Windsor. £3.03.0 (unframed) | etching

18. Harbour from Rose Bay. £2.02.0 (unframed) | etching

19. Windsor, N.S.W. £3.03.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

20. Edge of the clearing. £4.04.0 (unframed) | etching

21. The Stack. £4.04.0 (unframed) | etching

Artist: Boyd, Penleigh. | Title: The jetty. | Date: c.1921 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate

22. The jetty. £4.04.0 (unframed) | etching

SHIRLOW, John (1869–1936)

Artist: SHIRLOW, John | Title: Andante. | Date: 1923 | Technique: drypoint, printed in black ink, from one copper plate

23. Andante. £2.02.0 (unframed) | etching

24. From South Yarra. £2.12.6 (unframed) | etching

25. Chinese at a doorway £2.12.6 (unframed) | etching

26. Flinders Street. £2.12.6 (unframed) | etching

27. Yarraside. £3.03.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

28. Scherzo. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

29. Death in the garden. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

30. Trio. Springwood, New South Wales, Australia | £4.04.0 (unframed) | etching

31. Dryad. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

32. Julia. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

33. Festival. Springwood, New South Wales, Australia | £8.08.0 (unframed) | etching

34. Argument. Springwood, New South Wales, Australia | £7.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

35. The Sugar Mills. £7.07.0 (unframed) | etching

36. McMahon's Point, Sydney. £2.12.6 (unframed) | etching

37. Sydney Harbour from Cremorne. £2.07.6 (unframed) | etching

38. The Mosque, Cairo. £2.12.6 (unframed) | etching

Rose, Herbert. (1890–1937) and Rose, Herbert. (1890–1937)

39. Half Moon Bay. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

40. Berry's Bay, Sydney. £2.12.6 (unframed) | etching

41. The Post Office, Sydney. £2.12.6 (unframed) | etching

Ashton, Will. (1881–1963)

42. Rodney Lane, Ilfracombe, England. £2.02.0 (unframed) | etching

43. Old bridge, Ayr, Scotland. £3.03.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

44. St. James' Doorway, Sydney. £2.02.0 (unframed) | etching

45. The Milking Shed. £2.02.0 (unframed) | etching

46. Lane of William Street, Sydney. £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

47. Broken Hill silhouette, British Mine, Sunset. £5.05.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: Testing the new turbine, Red Cliffs pumps, August 1922. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone and wiped highlights, from one plate

48. Testing the new turbine, Red Cliffs pumps, August 1922. £8.08.0 (unframed) | etching

49. The Digger, Red Cliffs. £1.01.0 (unframed) | etching

50. End of the day, Red Cliffs. £2.02.0 (unframed) | etching

51. View from Temple Court, Collins St. Melbourne. £2.02.0 (unframed) | etching

52. Super Great Power House. £5.05.0 (unframed) | etching

53. The Great Live Line. £4.04.0 (unframed) | etching

54. The Dam, Small Pump, Red Cliffs. £3.03.0 (unframed) | 1st State | etching

ROBERTSON, Bruce (1872–1943)

55. Australian Bush Road. Dee Why, via Manly, New South Wales, Australia. | £4.04.0 (unframed) | etching

56. The farm bridge, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £3.03.0 (unframed) | etching

57. Old Argyle Cut, Sydney. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

58. Over the Range. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

59. Australian sunrise. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

60. Across Lake Macquarie, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £2.02.0 (unframed) | etching

61. St. Andrew's Castle, Fife. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

62. Groote Church, Dordrecht, Holland. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

63. Rialto Bridge, Venice. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

64. The wave, Coogee, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.01.0 (unframed) | etching

65. The Duck Farm, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

66. Oxford Falls Bridge, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

72. Circular Quay, Sydney. £3.03.0 (unframed) | etching

73. Old houses, Candebec, Normandy. £2.12.6 (unframed) | etching

74. A canal in Venice. £3.03.0 (unframed) | etching

75. Barges, Chiswick Mall. £3.03.0 (unframed) | etching

76. Up Country Team. £2.02.0 (unframed) | etching

77. Windsor Castle, Berkshire. £3.03.0 (unframed) | etching

78. Windmill, Walton, Essex. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The old parchment mills £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

80. St. Paul's from the river £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

81. Friar Street, Worcester £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Beddington Corner £4.04.0 (unframed) | etching

83. Camp in the forest. £5.05.0 (unframed) | etching

84. Badnage Landscape. £4.04.0 (unframed) | etching

85. Soft Ground Pastorale. £7.07.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

86. Between the showers £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

87. The Thames from Waterloo Bridge £6.06.0 (unframed) | etching

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

88. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Wallis, Raymond. (1900–1983)

89. The Milking Shed. £2.02.0 (unframed) | etching

90. White gums. £1.11.6 (unframed) | etching

91. Lucerne Farm. £2.12.6 (unframed) | etching

92. The farmyard. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

93. The Rocks, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

94. Clyde Street, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

95. Windmill Hill, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

96. Christmas Eve, St Albans, England. 1 Bond Street, Sydney, New South Wales, Australia. | £10.10.0 (unframed) | etching

97. St. Joseph's Mulgoa, N.S.W. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

98. Sydney Observatory. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

99. Hyde Park, London. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

100. Chelsea Old Church, London. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

101. The haunted mill. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

102. Peterborough Cathedral. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

Ward, J. (1920–)

103. The Gamblers. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

104. The Drover. £3.03.0 (unframed) | etching

105. The bullocky. £3.03.0 (unframed) | etching

106. Macquarie Street. £3.03.0 (unframed) | etching

107. The Drover's Cook. £3.03.0 (unframed) | etching

108. The wool dray. £3.03.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. Melbourne Grammar School. £4.04.0 (unframed) | etching

110. The Swimming Pool, Coombe Cottage. £3.03.0 (unframed) | etching

111. From the Roof Garden, Coombe Cottage. £2.02.0 (unframed) | etching

112. Mosman. £2.02.0 (unframed) | etching

113. Port Phillip Heads. £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

114. Circular Quay. £2.02.0 (unframed) | etching

115. The White Way. £1.11.6 (unframed) | etching

116. The lake. £3.03.0 (unframed) | etching

Crisp, James. (1879–1962)

117. Young Magpies. £2.02.0 (unframed) | etching

118. Magpies. £2.02.0 (unframed) | etching

119. The quintette. £2.02.0 (unframed) | etching

Farmer, Helen. (1888–1970)

120. Cobbitty gums. £2.02.0 (unframed) | etching

121. End of the track. £1.01.0 (unframed) | etching

122. Dee Bridge, Chester. £2.02.0 (unframed) | etching

Lindsay, Daryl. (1889–1976)

123. Converter shed. £2.02.0 (unframed) | etching

124. Deserted House, Creswick. £2.02.0 (unframed) | etching

Campbell, Fred. (1851–1930)

125. The quarry. £1.11.6 (unframed) | etching

126. A sunlit sea. £1.11.6 (unframed) | etching

127. Reflections. £1.11.6 (unframed) | etching

128. Flinders Street Railway Station. £1.11.6 (unframed) | etching

129. East Coast, Port Phillip. £1.11.6 (unframed) | etching

130. In the Southern pastures. £1.11.6 (unframed) | etching

131. The beach walk. £1.11.6 (unframed) | etching

132. A fair wind. £1.11.6 (unframed) | etching

Morgan, Squire. (1886–1974)

133. The lake, Avoca. £3.03.0 (unframed) | etching

134. Morning sunlight. £3.03.0 (unframed) | etching

135. The sliprails. £3.03.0 (unframed) | etching

136. Ti-trees. £3.03.0 (unframed) | etching

137. Old bullock dray. £3.03.0 (unframed) | etching

138. The glade. £1.11.6 (unframed) | etching

139. Sketch, Avoca. £1.01.0 (unframed) | etching

PERCY, W.S. (1872–1946)

140. Garden Island. £1.11.6 (unframed) | etching

141. Old bark hut. £1.11.6 (unframed) | etching

Britton, Fred. (1889–1931)

142. The Bridge. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

144. Bracken banks. £7.07.0 (unframed) | etching

Britton, Fred. (1889–1931)

145. Morning light. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

145. Adelaide Cathedral. £3.03.0 (unframed) | etching

147. Wayside Gums. £4.04.0 (unframed) | etching

148. Town Hall, Perth. £3.03.0 (unframed) | etching

149. Barracks, Perth. £3.03.0 (unframed) | etching

150. Water's Edge Price on Frame. Price on frame. | etching

151. The Giant. £10.10.0 (unframed) | etching

Coffey, Alfred. (1869–1950)

152. Chapel, St. John's College, Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £5.05.0 (unframed) | etching

153. Glenyarrah (Gladswood), Double Bay. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £1.11.6 (unframed) | etching

Finley, Fred. (1894–1968)

154. The prisoners. £2.02.0 (unframed) | etching

155. Rag Pickers of the Pont Neuf. £2.02.0 (unframed) | etching

156. Mountebanks, St. Owen, Paris. £2.02.0 (unframed) | etching

157. The porcelain mender, Paris. £1.11.6 (unframed) | etching

Exhibition of etchings by A.H. Fullwood and Gayfield Shaw.

Venues

Swain's Galleries (10 December 1926 – 24 December 1926)
119 Pitt St., Sydney, New South Wales, Australia

Works

FULLWOOD, A.H. (1863–1930)

1. Coaling, Mosman Bay. 2½ gns | etching

Shaw, Gayfield. (1885–1961)

1. Bulletin Lane 2 gns

FULLWOOD, A.H. (1863–1930)

2. Old Mosman Bridge. 3 gns | etching

Shaw, Gayfield. (1885–1961)

2. Hillside dairy. 1½ gns

FULLWOOD, A.H. (1863–1930)

3. Bank of New South Wales, Melbourne. 2½ gns | etching

Shaw, Gayfield. (1885–1961)

3. Distant Tower. 2 gns

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

4. The picnic. 3 gns | etching

Shaw, Gayfield. (1885–1961)

4. A city courtyard. 2 gns

FULLWOOD, A.H. (1863–1930)

5. St. Joseph's College, Sydney. 3 gns | etching

Shaw, Gayfield. (1885–1961)

5. Brisbane Laneway. 1½ gns

FULLWOOD, A.H. (1863–1930)

6. Wiseman's Ferry. 3 gns | etching

Shaw, Gayfield. (1885–1961)

6. Castlereagh Street, Sydney 2 gns

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

7. His ain fireside. 4 gns | etching

Shaw, Gayfield. (1885–1961)

7. Mill hut, Menangle. 2 gns

FULLWOOD, A.H. (1863–1930)

8. Mercury Lane, Canterbury. 4 gns | etching

Shaw, Gayfield. (1885–1961)

8. The clock tower 2 gns

FULLWOOD, A.H. (1863–1930)

9. Fleet Street, London. 4 gns | etching

Shaw, Gayfield. (1885–1961)

9. Mid-day. 1½ gns

FULLWOOD, A.H. (1863–1930)

10. The Cheshire Cheese, London. 4 gns | etching

Shaw, Gayfield. (1885–1961)

10. The sentinel. 2 gns

FULLWOOD, A.H. (1863–1930)

11. The boatbuilders. 3 gns | etching

Shaw, Gayfield. (1885–1961)

11. The bush pottery. 3 gns

FULLWOOD, A.H. (1863–1930)

12. Bull. 4 gns | etching

Shaw, Gayfield. (1885–1961)

12. The White Way. 1½ gns

FULLWOOD, A.H. (1863–1930)

13. The Storm. 3 gns | etching

Shaw, Gayfield. (1885–1961)

13. Farmlets. 4 gns

FULLWOOD, A.H. (1863–1930)

14. Xmas Eve. 10 gns | etching | Collection: Sydney Gallery.

Shaw, Gayfield. (1885–1961)

14. King's School. 3 gns

FULLWOOD, A.H. (1863–1930)

15. Ludlow. 4 gns | etching

Shaw, Gayfield. (1885–1961)

15. Tuggerah. 3 gns

FULLWOOD, A.H. (1863–1930)

16. Sydney Grammar School. 3 gns | etching

Shaw, Gayfield. (1885–1961)

16. The lake. 5 gns

FULLWOOD, A.H. (1863–1930)

17. Dawes Point. 3 gns | etching

Shaw, Gayfield. (1885–1961)

17. Jamieson Valley. 4 gns

FULLWOOD, A.H. (1863–1930)

18. Clyde Street, Sydney. 3 gns | etching

Shaw, Gayfield. (1885–1961)

18. Old church, Port Macquarie. 2 gns

FULLWOOD, A.H. (1863–1930)

19. Chinaman's gardens, Rose Bay. 4 gns | etching

Shaw, Gayfield. (1885–1961)

19. Reflections. 1½ gns

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

20. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. 4 gns | etching

Shaw, Gayfield. (1885–1961)

20. Circular Quay. 2 gns

FULLWOOD, A.H. (1863–1930)

21. St. James Church, Sydney. 4 gns | etching

Shaw, Gayfield. (1885–1961)

21. Falling Leaves, Bathurst. 3 gns

FULLWOOD, A.H. (1863–1930)

22. Conservatorium of Music, Sydney. 3 gns | etching

Shaw, Gayfield. (1885–1961)

22. Autumn landscape. 3 gns | etching

FULLWOOD, A.H. (1863–1930)

23. Oxford. 3 gns | etching

Shaw, Gayfield. (1885–1961)

23. Archway, Bathurst 2 gns

FULLWOOD, A.H. (1863–1930)

24. Stanwell Park. 3 gns | etching

Shaw, Gayfield. (1885–1961)

24. The open lake. 3 gns

FULLWOOD, A.H. (1863–1930)

25. Old. 4 gns | etching

Shaw, Gayfield. (1885–1961)

25. The bent tree, Tuggerah Lake. 3 gns

FULLWOOD, A.H. (1863–1930)

26. Rowe Street, Sydney. 3 gns | etching

Shaw, Gayfield. (1885–1961)

26. Prince Alfred College, Adelaide (Private Commission). 3 gns

FULLWOOD, A.H. (1863–1930)

27. Manly Beach. 2 gns | etching

Shaw, Gayfield. (1885–1961)

27. The Chapel, King's School. 2 gns

FULLWOOD, A.H. (1863–1930)

28. 'Home, Sweet Home'. 2 gns | etching

Shaw, Gayfield. (1885–1961)

28. Holidays. 1½ gns

FULLWOOD, A.H. (1863–1930)

29. Solre le Chateau, Belgium. 3 gns | etching

Shaw, Gayfield. (1885–1961)

29. Murrumbidgee Banks. 2 gns

FULLWOOD, A.H. (1863–1930)

30. Carlyle's House, Chelsea. 4 gns | etching

31. Scots Church, Sydney. 2 gns | etching

32. Sydney Rocks, 1890. 4 gns | etching | Collection of: British Museum Print Room and Sydney Gallery.

Exhibition of etchings by A. Henry Fullwood and Gayfield Shaw.

Venues

New Art Gallery (1 March 1927 – 1 March 1927)
National Bank Buildings, Walsh's Corner, Liverpool Street, Hobart, Tasmania, Australia

Works

Shaw, Gayfield. (1885–1961)

1. Hillside dairy. £2.10.0 | etching

FULLWOOD, A.H. (1863–1930)

1. The Storm. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

2. A city courtyard. £2.10.0 | etching

FULLWOOD, A.H. (1863–1930)

2. Home, Sweet Home. £2.10.0 | etching

Shaw, Gayfield. (1885–1961)

3. Brisbane Laneway. £2.10.0 | etching

FULLWOOD, A.H. (1863–1930)

3. Sydney Grammar School. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

4. Castlereagh Street, Sydney £2.10.0 | etching

FULLWOOD, A.H. (1863–1930)

4. St. Joseph's College, Sydney. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

5. The clock tower £2.10.0 | etching

FULLWOOD, A.H. (1863–1930)

5. Manly Beach. £2.10.0 | etching

Shaw, Gayfield. (1885–1961)

6. Mid-day. £2.00.0 | etching

FULLWOOD, A.H. (1863–1930)

6. Ludlow. £4.10.0 | etching

Shaw, Gayfield. (1885–1961)

7. The sentinel. £2.10.0 | etching

FULLWOOD, A.H. (1863–1930)

7. Coaling, Mosman Bay. £3.03.0 | etching

Shaw, Gayfield. (1885–1961)

8. The bush pottery. £3.10.0 | etching

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

8. His ain fireside. £4.10.0 | etching

Shaw, Gayfield. (1885–1961)

9. The White Way. £2.10.0 | etching

FULLWOOD, A.H. (1863–1930)

9. The Bull and Bush, Hampstead. £4.10.0 | etching

Shaw, Gayfield. (1885–1961)

10. Farmlets. £4.10.0 | etching

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The Spaniards, Hampstead Heath. | Date: 1909 | Technique: etching and drypoint, printed in black ink, from one plate

10. The Spaniards, Hampstead Heath. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

11. King's School. £4.10.0 | etching

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

11. The picnic. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

12. Tuggerah. £3.10.0 | etching

FULLWOOD, A.H. (1863–1930)

12. Oxford and Cambridge Boatrace, Putney. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

13. Jamieson Valley. £4.10.0 | etching

FULLWOOD, A.H. (1863–1930)

13. Conservatorium of Music, Sydney. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

14. Old church, Port Macquarie. £2.10.0 | etching

FULLWOOD, A.H. (1863–1930)

14. Chinaman's gardens, Rose Bay. £4.10.0 | etching

Shaw, Gayfield. (1885–1961)

15. Reflections. £2.00.0 | etching

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

15. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. £4.10.0 | etching

Shaw, Gayfield. (1885–1961)

16. Circular Quay. £2.10.0 | etching

FULLWOOD, A.H. (1863–1930)

16. Scots Church, Sydney. £2.10.0 | etching

Shaw, Gayfield. (1885–1961)

17. Autumn landscape. £3.10.0 | etching

FULLWOOD, A.H. (1863–1930)

17. Marbery Lane, Cantrebury. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

18. Archway, Bathurst £2.10.0 | etching

FULLWOOD, A.H. (1863–1930)

18. Bank of New South Wales, Melbourne. £3.03.0 | etching

Shaw, Gayfield. (1885–1961)

19. Prince Alfred College, Adelaide (Private Commission). £3.10.0 | etching

FULLWOOD, A.H. (1863–1930)

19. Clyde Street, Sydney. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

20. Holidays. £2.00.0 | etching

FULLWOOD, A.H. (1863–1930)

20. Rowe Street, Sydney. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

21. Murrumbidgee Banks. £2.10.0 | etching

FULLWOOD, A.H. (1863–1930)

21. Old Mosman Bridge. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

22. Bulletin Lane £3.10.0 | etching

FULLWOOD, A.H. (1863–1930)

22. The boatbuilders. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

23. Distant Tower. £2.10.0 | etching

FULLWOOD, A.H. (1863–1930)

23. Dawes Point, Sydney. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

24. Mill hut, Menangle. £3.10.0 | etching

FULLWOOD, A.H. (1863–1930)

24. Old and new bridges, from Emu Plains. £4.10.0 | etching

Shaw, Gayfield. (1885–1961)

25. The lake. £5.10.0 | etching

FULLWOOD, A.H. (1863–1930)

25. Carlyle's House, Chelsea. £4.10.0 | etching

Shaw, Gayfield. (1885–1961)

26. Falling Leaves, Bathurst. £3.10.0 | etching

FULLWOOD, A.H. (1863–1930)

26. Wiseman's Ferry. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

27. The open lake. £3.10.0 | etching

FULLWOOD, A.H. (1863–1930)

27. Christmas Eve, St Albans, England. £10.10.0 | etching | Collection of Sydney Gallery

Shaw, Gayfield. (1885–1961)

28. The bent tree, Tuggerah Lake. £3.10.0 | etching

FULLWOOD, A.H. (1863–1930)

28. Old mill, Tasmania. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

29. The Chapel, King's School. £2.10.0 | etching

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

29. Sydney Harbour. £3.10.0 | etching

Shaw, Gayfield. (1885–1961)

30. The Viaduct. £2.00.0 | etching

31. The Hillside Dairy. £2.00.0 | etching

32. Noon-day shadows. £3.10.0 | etching