Cowan, N.S.W.

A.H. Fullwood (1863–1930)

Cowan, N.S.W.

(1924)

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

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Catalogue of an Exhibition of recent paintings and etchings by members of the Australian Painter-Etchers' Society

Venues

Blaxland Galleries. [1]. (18 November 1929 – 30 November 1929)
8th & 9th floor, George St., Sydney, New South Wales, Australia.

Works

Crisp, James. (1879–1962)

Playmates. 1½ gns (unframed) | drypoint

Barker, David. (1888–1946)

1. Martin Place. Kindly lent by F. larkins, Esq. | drypoint

2. Circular Quay. 3 gns (unframed) | drypoint

Artist: Barker, David. | Title: Bridge Street. | Date: (1930) | Technique: drypoint, printed in black ink, from one plate

3. Bridge Street. 3 gns (unframed) | drypoint

4. The Mill, Sussex. 2 gns (unframed) | etching

Coffey, Alfred. (1869–1950)

5. Stone Tower, Fort Macquarie. 1½ gns (unframed) | etching

6. Carthona, Double Bay. 1½ gns (unframed) | etching

7. Old bridge, William St., Double Bay. 1½ gns (unframed) | etching

8. Double Bay Beach. 1½ gns (unframed) | etching

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

10. Farm corner. 1½ gns. (unframed) | etching

11. A bit of the Barron River, N.Q. 2 gns (unframed) | drypoint

12. A Favourite spot. [drawing for]. 5 gns (framed) | colour drawing

13. Mt. Cootha, Brisbane. 1½ gns (unframed) | etching

14. The conference. 1½ gns (unframed) | etching

15. Brisbane, Queensland. 1 gn (unframed) | etching

16. Cocoanut Palms, Magnetic Island, North Queensland. 3 gns (unframed) | etching

17. The Old Mine, Harden. 1½ gns (unframed) | etching

18. Nearing home. 1½ gns (unframed) | etching

19. Hauling timber, Jamberoo to Nowra. 1½ gns (unframed) | etching

20. Cattai Creek. 1½ gns (unframed) | etching

Artist: Crisp, James. | Title: The teamster. | Date: 1923 | Technique: etching and rocker, printed in warm black ink with plate-tone, from one plate

21. The teamster. 2 gns. (unframed) | etching

22. Kuranda Railway Station, N.Q. [pencil]. 3 gns (framed) | pencil

Dwyer, Ella. (1887–1979)

23. Misty morning sandgrain. 2 gns. (unframed) | sandgrain

24. Old Home of 'Commodore' Blue, Berry's Bay. 2 gns (unframed) | etching

25. Old houses, Campbell Street. 1½ gns (unframed) | etching

26. On an Old Highway, Tasmania. 1 gns (unframed) | etching

Farmer, Helen. (1888–1970)

27. Nelligen. 1½ gns (unframed) | etching

28. Church Point, Pittwater. 2½ gns (unframed) | etching

29. Huskisson. 1 gn (unframed) | etching

30. Riddles Wharf, Pittwater. 2 gns (unframed) | etching

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

31. His ain fireside. 4 gns (unframed) | etching

32. Conservatorium of Music, Sydney. 2 gns (unframed) | etching

33. Clock Tower, Central Station, Sydney. 3 gns (unframed) | etching

34. Fort Street School, Sydney. 2 gns (unframed) | etching

35. Cowan, N.S.W. 2 gns. (unframed) | etching

36. Dickens' Old Curiosity Shop, London. 3 gns (unframed) | etching

Friedensen, Thomas. (1879–1931)

37. The Drovers. 3 gns (unframed) | etching

38. The bush philosopher. 2½ gns (unframed) | etching

39. The Mountain Road, Brush Creek, N.S.W. 3 gns (unframed) | etching

40. Venice. 3 gns (unframed) | etching

Artist: Friedensen, Thomas. | Title: Caudebec, Normandy. | Date: 1929 | Technique: etching and aquatint, printed in black ink, from one plate

41. Caudebec, Normandy. 3 gns (unframed) | etching

42. Omar, the Tent Maker. 3 gns (unframed) | etching

Artist: Friedensen, Thomas. | Title: The bush madonna. | Date: 1930 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

43. The bush madonna. 1 gn (unframed) | etching

44. The bark hut. 2 gns (unframed) | etching

45. The Digger. 1½ gns (unframed) | etching

46. Old drover. 1 gn (unframed) | etching

47. The Conservation of Music, Sydney. 2 gns (unframed) | etching

48. Three Kookaburras. 2 gns (unframed) | etching

Gallop, Herbert. (1890–1958)

49. The picnic, Cattai Creek. 2 gns (unframed) | etching

50. Kangaroo Valley. 1 gn (unframed) | etching

51. Shore Pines. 2 gns (unframed) | etching

52. The farm on the Fish River. 1½ gns (unframed) | etching

53. North Ryde Farms. 1½ gns (unframed) | etching

54. Over the Hill. 1 gn (unframed) | etching

55. The southerly blows. 3 gns (unframed) | etching

56. Boatsheds, Pittwater. 2 gns (unframed) | etching

57. Wharfside, Pittwater. 5 gns (unframed) | etching

58. From the Hills. 2 gns (unframed) | etching

Glover, Allan. (1900–1984)

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

59. The Barn, Magill 2½ gns (unframed) | etching

60. Summertime. 2½ gns (unframed) | etching

61. The Sheltered Glade. 1½ gns (unframed) | etching

62. The Dry Creek. 2½ gns (unframed) | etching

Artist: Glover, Allan. | Title: Dawn | Date: 1929 | Technique: aquatint, printed in warm black ink, from one plate

63. Dawn 1 gn (unframed) | mezzotint

64. At Oaklands. 1 gn (unframed) | etching

65. The two gums. 1 gn (unframed) | etching

66. In the Power House. 2 gns (unframed) | aquatint

Artist: Glover, Allan. | Title: Parker's cottage, Moonta Mines | Date: 1929 | Technique: etching, printed in brown ink, from one plate

67. Parker's cottage, Moonta Mines 2 gns (unframed) | etching

Artist: Glover, Allan. | Title: Towards Treuer's and Karkarilla Moonta Mines | Date: 1927 | Technique: etching and aquatint, printed in brown ink with plat-tone, from one plate

68. Towards Treuer's and Karkarilla Moonta Mines 1½ gns (unframed) | etching

Godson, John Barclay. (1882–1957)

69. A Peep of the Homeland. 3 gns (unframed) | etching

70. A Yorkshire Village. 3 gns (unframed) | etching

71. Old court house, Berrima. 3 gns (unframed) | etching

72. Botanic Steps. 1 gn (unframed) | etching

73. Entrance to the Old Town. 3 gns (unframed) | etching

74. A Yorkshire Stream. 1½ gns (unframed) | etching

75. Jetty, Etaples. 2 gns (unframed) | etching

76. The Shambles, York. 3 gns (unframed) | etching

Goodhart, J.C. (1873–1952)

89. The Poppet Head. 3 gns (unframed) | etching

GOODCHILD, John (1898–1980)

90. A bush shipyard. 3 gns (unframed) | etching

91. Prosperity. 3 gns (unframed) | etching

92. Desert Gums. 2 gns (unframed) | softground etching

Hilder, Bim. (1909–1990)

93. Windy Day. 1 gn (unframed) | aquatint

94. The sentinel. 1 gn (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

95. Hawkesbury landscape 6 gns (unframed) | aquatint

96. The lake. 4 gns (unframed) | aquatint

97. Landscape, Newport. 4 gns (unframed) | line etching

98. Boyd's Boatshed, Narrabeen. 4 gns (unframed) | line etching

99. Narrabeen Landscape. 3 gns. (unframed) | line etching

Artist: LONG, Sydney | Title: Tascot | Date: 1928, after | Technique: line-etching, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

100. Tascot 3 gns (unframed) | line etching

Artist: LONG, Sydney | Title: Windmill Street, Old Sydney [1] | Date: (1926) | Technique: drypoint, printed from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

101. Windmill Street, Old Sydney [1] 3 gns (unframed) | line etching

102. Feeding time. 3 gns (unframed) | line etching

103. Demolition, Waterloo Bridge, London. 4 gns (unframed) | line etching

Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

104. Old houses, Chiddingstone 3 gns (unframed) | line etching

105. Old mill, Petertary. 3 gns (unframed) | line etching

Marsden, May. (1876–1968)

106. The moorings, Berry's Bay. 2 gns (unframed) | etching

107. Coaling Cranes, Ball's Head. 2 gns (unframed) | etching

108. Prymont Bridge. 3 gns (unframed) | etching

109. The Mopoke. 1 gn (unframed) | etching

110. Blue Mountains, Leura. 2 gns (unframed) | etching

111. The boat pool, Newcastle, N.S.W. 2½ gns (unframed) | etching

112. The Harbour, Newcastle, N.S.W. 3½ gns (unframed) | etching

113. On the Golf Links, Mossvale. 1 gn (unframed) | etching

Morgan, Squire. (1886–1974)

114. Afternoon light. 2 gns (unframed) | etching

115. Roadside shanties. 3 gns (unframed) | etching

116. Scots Church. 3 gns (unframed) | etching

117. Avoca Lagoon. 3 gns (unframed) | etching

Artist: Morgan, Squire. | Title: Approaching Canberra | Date: c.1927 | Technique: etching

118. Approaching Canberra 1 gn (unframed) | etching

119. Mt. Ainsley, Canberra. 1 gn (unframed) | etching

120. Pioneer's Home. 1 gn (unframed) | etching

MORT, Eirene (1879–1977)

121. The Old School House Canberra. 1½ gns (unframed) | etching

122. Kaye's Barn (Klensendorlffe's), Canberra. 1½ gns (unframed) | etching

123. Bookplate. etching

124. Experiment Cottage, Parramatta. 1 gn (unframed) | etching

125. St. John's, Parramatta. 2 gns (unframed) | etching

126. Holy Thorn, Glastonbury. 1½ gns (unframed) | etching

127. Stonetubs, Vaucluse. 1½ gns (unframed) | etching

128. Horsley II. 2 gns (unframed) | etching

Parkes, Adrienne. (1910–1943)

129. Spanish Dancer. 1½ gns (unframed) | etching

130. Ballet Dancer. 1½ gns (unframed) | etching

131. The old model. 3 gns (unframed) | etching

Paul, Dorothy Ellsmore. (1900–1974)

132. Joseph's Coat. 1 2 gns (unframed) | etching

133. Joseph's Coat. 2 gns (unframed) | drypoint

Pratt, Douglas. (1900–1972)

134. Boats, Double Bay. 2 gns (unframed) | etching

135. Dredging, Cook's River. 2 gns (unframed) | etching

Artist: Pratt, Douglas. | Title: The Sunlit Forge | Date: c.1929 | Technique: etching, printed in black ink, from one plate

136. The Sunlit Forge 1½ gns (unframed) | etching

137. The Track to the Sheds. 2 gns (unframed) | etching

138. Botany Bay. 2 gns (unframed) | etching

139. Lakeside. 1 gns (unframed) | etching

140. Pyrmont Bridge. 1 gns (unframed) | etching

141. Early Home, Tempe. 1½ gns (unframed) | etching

142. Far From the Madding Crowd. 2 gns (unframed) | etching

143. Boats, Double Bay pencil study. 2 gns (framed) | pencil study

144. The Track to the Sheds [pencil study]. 2 gns (framed) | pencil study

145. Sketch, Fairy Meadow pencil study. 2 gns (framed) | pencil study

Reid, D.G. (1862–1933)

146. The Sunken Road. 3 gns (unframed) | etching

147. A Fisherman's Fortune. 3 gns (unframed) | etching

148. Ancestral Trees. 3 gns (unframed) | etching

149. The Fruit Boat. 2 gns (unframed) | etching

150. Bridge on the Orange Road. 2 gns (unframed) | etching

151. In the Afterglow. 2 gns (unframed) | etching

152. The Grove. 2 gns (unframed) | etching

153. The Doll's House. 2 gns (unframed) | etching

ROBERTSON, Bruce (1872–1943)

154. Rue de l'Petit Fort Dinan, Brittany. 2 gns (unframed) | etching

155. The river bank morning. 1½ gns (unframed) | etching

156. The timber ship, Swansea, Lake Macquarie. 1½ gns (unframed) | etching

157. The river bend. 1½ gns. (unframed) | etching

158. Top of the Hill. £1 5 0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

159. The Harbour Bridge. 2 gns (unframed) | etching

160. The Old Shed. 2 gns (unframed) | etching

SHIRLOW, John (1869–1936)

161. The casualty list. 5 gns (unframed) | etching

162. State Parliament House, Melbourne. 2 gns (unframed) | etching

Artist: SHIRLOW, John | Title: Kelly's Stairs. | Date: c.1929 | Technique: etching, printed in black ink, from one copper plate

163. Kelly's Stairs. 2 gns (unframed) | etching

TRAILL, Jessie (1881–1967)

164. Malelucas. 4 gns (unframed) | etching

165. First Night, Turret Theatre. 5 gns (unframed) | colour aquatint

166. St. Etienne, Toulouse. 5 gns (unframed) | colour etching

167. Drawing of Bridge, the Creeper Crane. 10 gns (framed) | chalk

Warner, Alfred Edward. (1879–1968)

168. Old House, Rocks District. 1 gn (unframed) | etching

169. Tweed River Flats. 2 gns (unframed) | etching

Walker, F. Sidney. (1888–1972)

170. The Bridge, South Abutment, May 1929. 1½ gns (unframed) | etching

171. The Nepean, Penrith. 2 gns (unframed) | etching

172. Pastoral. 2 gns (unframed) | etching

173. Down in Riverina. 1½ gns (unframed) | etching

174. Harbour Entrance. 1½ gns (unframed) | etching

175. The Home Paddock. 1½ gns (unframed) | etching

176. The timbered ridge. 1 gn. (unframed) | etching

177. Lagoon. 1 gn (unframed) | etching

178. Quiet Water. 1 gn (unframed) | etching

179. The road to Tilba Tilba. 1 gn (unframed) | etching

180. Even Tide. 1 gn (unframed) | etching

181. The creek. 2 gns (unframed) | pencil

Wood, A.J. (1929–)

182. The Pelican. 1 gn (unframed) | drypoint

183. 'Morrie'. 2 gns (unframed) | etching

184. Sheela. 1 gn (unframed) | etching

185. Portrait softground. 1 gn (unframed) | softground

A collected list of etchings: A Henry Fullwod.

Venues

Venue Not Identified. None

Works

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The 'Black Horse' Richmond NSW. | Date: 1894 | Technique: etching, printed in sepia ink, from one plate

The 'Black Horse' Richmond NSW. edition of 50 | out of print

King's School, Parramatta. (1st plate). edition of 50 | out of print

Cumberland Street, Sydney. edition of 50

Dr Jamieson's House, Sydney. edition of 50

Australian pioneers. edition of 50

Circular Quay, Sydney. edition of 50

Dawes Point, Sydney. edition of 50

Liverpool Street House. edition of 50

Old Tasmanian Windmill. edition of 50

King's School, Parramatta. (2nd plate).

etched from a former plate, lost or mislaid). edition of 50

St. James's Church, Sydney. edition of 50

Coaling, Mosman Bay. edition of 50

Old bridge, Mosman Bay. edition of 50

The Yarra at Heidelberg, Victoria. edition of 50

Orphan's Rock, Katoomba. edition of 50

The 'Mitre,' Hampton Court. edition of 50

Moonrise at Heidelberg, Victoria. edition of 50

Moonbi Ranges, N.S.W. edition of 50

St. James' Square, Sydney. edition of 50

Cape Rouel, Tasmania. edition of 50

Savage Club, N.S.W. edition of 50

Riverview College, Lane Cove. edition of 50

Rowe Street, Sydney. edition of 50

Burdekin House, Sydney. edition of 50

Martin Place, Sydney. edition of 50

Hunter Street, Sydney. edition of 50

St. Mary's Cathedral. (Interior). edition of 50

Edwards Beach, 1890. edition of 50

Old Dawes Point, Sydney. edition of 50

Sydney Observatory. edition of 50

Gabo Island, N.S.W. edition of 50

Harbour View Hotel (old and new), Sydney. edition of 50

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

The picnic. edition of 50

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

Sydney Harbour. edition of 50

Scots Church, Sydney. edition of 50

The Rocks, Sydney. edition of 50

Old England Hotel, Heidelberg, Victoria. edition of 50

Bank of Victoria, Melbourne. edition of 50

Gates, Government House, Melbourne. edition of 50

Wool Exchange, Melbourne. edition of 50

Equitable Building, Melbourne. edition of 50

Bank of New South Wales, Melbourne. edition of 50

Town Hall, Melbourne. edition of 50

Manly Beach. edition of 50

Mr. Mitchell's House, Darlinghurst. edition of 50

Edwards Beach, 1924. edition of 50

Clyde Street, Sydney. edition of 50

Parliament Building, Sydney. edition of 50

Artist: FULLWOOD, A.H. | Title: Nobby's, Port Macquarie, N.S.W. | Date: 1924 | Technique: etching, printed in black ink, from one plate

Nobby's, Port Macquarie, N.S.W. edition of 50

Artist: FULLWOOD, A.H. | Title: Cronulla Beach. | Date: 1924 | Technique: etching, printed in black ink, from one plate

Cronulla Beach. edition of 50

The launch. edition of 50

Kuring-gai Chase. edition of 50

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

Jerusalem Bay, Ku-Ring-Gai Chase, NSW. edition of 50

Cowan, N.S.W. edition of 50

Solre le Chateau, Belgium. edition of 50

Old houses, Cumberland Street, Sydney. edition of 50

Fort Street School, Sydney. edition of 50

Argyle Cut, Sydney. edition of 50

St. Joseph's Mulgoa, N.S.W. edition of 50

Old Treasury, Church Hill, Sydney (2 plates). edition of 50

Windmill Hill, Old Sydney Sand Modeller, Manly. edition of 50

Wiseman's Ferry. edition of 50

Milson's Point, Sydney. edition of 50

Chinaman's gardens, Rose Bay. edition of 50

Sydney Grammar School. edition of 50

Henry Fullwood, R.B.C.

Venues

Australian Fine Arts Gallery (19?? – 19??)
219 George St., Sydney, New South Wales, Australia

Works

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Westminster school. | Date: 1902 | Technique: etching, printed in black ink, from one plate

32. Westminster school. 3 gns

Artist: FULLWOOD, A.H. | Title: The Spaniards, Hampstead Heath. | Date: 1909 | Technique: etching and drypoint, printed in black ink, from one plate

33. The Spaniards, Hampstead Heath. 3 gns

34. Waterloo Bridge. 3 gns

35. Old slave market, Capetown. 2 gns

36. Crowhurst House, Surrey. 3 gns

37. The Way to the Boats, Richmond. 3 gns

38. The boatbuilders. 3 gns

39. The Screen Man, Putney Head. 3 gns

Artist: FULLWOOD, A.H. | Title: The Star and Garter, Richmond. | Date: 1909 | Technique: etching, printed in black ink with plate-tone, from one plate

40. The Star and Garter, Richmond. 3 gns

41. The Firs, Hampstead Heath. 3 gns

42. His ain fireside. 3 gns

43. Keat's House, Hampstead. 3 gns

44. Diana's Pool, Bushey Park. 3 gns

45. The Bull and Bush, Hampstead. 3 gns

46. Chelsea Old Church, London. 3 gns

Artist: FULLWOOD, A.H. | Title: Peascod Street, Windsor. | Date: 1903 | Technique: etching, printed in black ink, from one plate

47. Peascod Street, Windsor. 2 gns

48. Ludlow. 3 gns

49. Town Hall, Peterborough. 3 gns

50. King Edward VII's Visit to Eton. 5 gns

51. Fleet Street, London. 4 gns

52. View from Greenwich Park, London. 3 gns

53. Hampstead Heath. 3 gns

54. The Storm. 3 gns

55. Carlyle's House, Chelsea. 3 gns | Collection ofDresen Print Room.

56. Peterborough Cathedral. 4 gns | Collection:Dresden Print Room.

57. Mercery Lane, Canterbury. 3 gns | Collection: Dresden Print Room.

58. Richmond on Thames (The way to the boats). 3 gns

59. The Bell Inn at Stilton. 3 gns

60. Solre le Chateau, Belgium. 3 gns

61. Xmas Eve. 10 gns | Collection: Sydney National Gallery.

62. Windsor Castle and park. 5 gns | Collection of:Sydney National Gallery; Dresden Print Room

63. Dover Castle. 3 gns

64. Old Cheshire Cheese. 3 gns

66. Manly. 3 gns

67. Riverview. 2 gns

68. The picnic. 3 gns

69. St. Mary's. 4 gns

70. Battery, Dawes' Point. 3 gns

71. Circular Quay, Sydney. 4 gns

72. Martin Place, Sydney. 4 gns

73. Burdekin House, Sydney. 3 gns

74. Clyde Street, Sydney. 3 gns

75. Pioneers. 3 gns

76. Old House, Cumberland Street. 3 gns

77. Home, Sweet Home. 3 gns

78. Old Parliament Buildings. 3 gns

79. Rowe Street, Sydney. 3 gns

80. The Rocks, Old Sydney. 4 gns

81. Fort Street School, Sydney. 2 gns

82. King's School, Parramatta. 2 gns

83. Old bridge, Mosman Bay. 3 gns.

84. Cape Rouel, Tasmania. 2 gns

85. Coaling, Mosman Bay. 2 gns

86. Cumberland Street, Sydney. 2 gns

87. Old mill, Tasmania. 3 gns

88. Sydney Harbour. 4 gns

89. Cowan, N.S.W. 3 gns.

90. Kuring-gai Chase. 3 gns

91. Bank of New South Wales, Melbourne. 3 gns

92. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. 3 gns

93. Edwards' Beach, Middle Harbour. 3 gns

94. Edwards' Beach. 3 gns

95. Bank of Victoria, Melbourne. 3 gns

96. Cronulla Beach. 3 gns

97. The New England Hotel, Heidelberg. 2 gns

98. St. James Church, Sydney. 3 gns

99. The Medway Valley. 2 gns

100. Houses of Parliament, London. 2 gns

101. The New Vauxhall Bridge, London. 2 gns