Old Tasmanian Windmill.

A.H. Fullwood (1863–1930)

Old Tasmanian Windmill. | Old Windmill, near Hobart.

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

Monotypes, Pencil Drawings, Etchings and Aquatints

Venues

Gayfield Shaw's Gallery [1] (13 December 1920 – 24 December 1920)
Penzance Chambers, 29 Elizabeth St, Sydney, New South Wales, Australia

Works

LINDSAY, Norman (1879–1969)

1. Toilet. 4 gns

2. The ring. 4 gns

3. Good night. 10 gns

4. Siesta. 6 gns

Artist: LINDSAY, Norman | Title: From the moon | Date: 1920 | Technique: etching, aquatint and stipple, printed in black ink, from one copper plate; hand-coloured (by the artist?)

5. From the moon 10 gns

6. Beauty's fortune.

7. Desire. 25 gns

Artist: LINDSAY, Norman | Title: Madam mystery. | Date: 1920 | Technique: etching, printed in black ink, from one plate

8. Madam mystery. 12 gns

9. Debut.

TRAILL, Jessie (1881–1967)

10. Beautiful Victoria. 8 gns

Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

11. Hole in the trees 4 gns

12. Bush Track. 2 gns

Campbell, Fred. (1851–1930)

13. Reservoir at Braemar. 1½ gns

14. Reflections. 1½ gns

15. Solitude. 1½ gns

16. Close Hauled. 1½ gns

17. Mt. Macedon from Mt. Dandenong. 1½ gns

18. Sunset. 1½ gns

19. In Southern Pastures. 1½ gns

20. Morning in the bush. 1½ gns

21. The beach walk. 1½ gns

22. Shades of Evening. 1½ gns

23. The quarry. 1½ gns

Britton, Fred. (1889–1931)

24. The Chateau. 2 gns

Roberts, Tom. (1856–1931)

Artist: Roberts, Tom. | Title: The Chinese cook shop. | Date: 1887 | Technique: etching, printed in brown ink, from one copper plate

25. The Chinese cook shop. 5 gns (Framed)

FULLWOOD, A.H. (1863–1930)

40. Windsor Castle. 12 gns (Framed)

41. Hamstead Heath. 12 gns (Framed)

42. A waterhole. 8 gns 8 gns (Framed) 8 gns (Unframed)

43. Kentish Hop Farm. 12 gns (Framed)

44. Haymaking. 12 gns (Framed)

45. Wendover. 12 gns (Framed)

46. Home sweet home. 2 gns

47. Old bridge, Mosman Bay. 2 gns.

48. Old Tasmanian Windmill. 2 gns

49. Queens Square. 1½ gns

50. Ship unloading coal at Mosman. 2 gns

51. Circular Quay, Sydney. 4 gns

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

52. Sydney Harbour. 4 gns

53. Cape Raoel, Tasmania. 2 gns

MORT, Eirene (1879–1977)

54. Court House and Cells, Hartley. 2 gns

55. The forge, Cobbitty. 1 gns

Artist: MORT, Eirene | Title: Elizabeth Farm, Parramatta | Date: 1920 | Technique: etching, printed in black ink, from one plate

56. Elizabeth Farm, Parramatta 1½ gns

57. The pottery. 1½ gns

58. Camden. 2 gns

Addison, R. H. (1920–)

64. Cottage on the Somme. 1½ gns

URE SMITH, Sydney (1887–1949)

65. The river, Windsor. 3 gns

66. The barn. 2 gns

Artist: URE SMITH, Sydney | Title: Gore Bay. | Date: 1918 | Technique: etching and aquatint, printed in warm black ink, from one plate

67. Gore Bay. 4½ gns

68. The barn, Winnstay. 2 gns

69. Old cottage, Hartley, New South Wales. 3 gns

70. The Brickworks, St. Leonards. 4 gns

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

71. Deserted courtyard, Hartley 3 gns

Artist: URE SMITH, Sydney | Title: Bank of New South Wales, Windsor | Date: 1920 | Technique: etching, printed in black ink, from one plate

72. Bank of New South Wales, Windsor 2 gns

Artist: URE SMITH, Sydney | Title: The observatory | Date: 1919 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

73. The observatory 1 gns

Jones, J. Birchland (1920–)

74. Rose Bay Convent. 2 gns

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Desolation | Date: 1919 | Technique: spirit-aquatint with burnished hightlights, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

75. Desolation 2 gns

Artist: LINDSAY, Lionel | Title: Herodiade in the mirror | Date: 1919 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

76. Herodiade in the mirror 4 gns

77. St. Phillip's Church. 3 gns | mezzotint.

Artist: LINDSAY, Lionel | Title: Old barn, Windsor, NSW | Date: 1919 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

78. Old barn, Windsor, NSW 2 gns.

Artist: LINDSAY, Lionel | Title: The march hare | Date: 1919 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

79. The march hare 1½ gns

Artist: LINDSAY, Lionel | Title: The timber belt | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

80. The timber belt 2 gns.

81. The little balcony, Ferry Lane. 2 gns

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

82. Gamecocks, Spain 3½ gns

Artist: LINDSAY, Lionel | Title: Adelaide Town Hall | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Courtesy of the National Library of Australia

83. Adelaide Town Hall 3 gns

Artist: LINDSAY, Lionel | Title: Little farm house, Ambleside | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

84. Little farm house, Ambleside 2 gns

85. The Bridgewater Mill. 3 gns

86. The Old Stone Bridge. 2 gns

87. Thw Swing Bridge. 2 gns

88. Union Bank, Adelaide. 2 gns

Rose, Herbert. (1890–1937)

89. Prince's Bridge. £1.15.0

90. Flinders Street, Melbourne. £2.16.0

91. Melbourne Town Hall. £2.05.0

92. Collins Street by Night. £2.16.0

93. Queen's Railway Bridge. £2.02.0

94. The White Mosque, Assam. £2.12.6

95. Spring Street, Melbourne. £3.03.0

96. Entrance to Auditorium. £2.12.0

97. Town Hall, Portico. £2.05.0

Barker, David. (1888–1946)

98. Balmoral Beach. 1½ gns

99. Boatsheds, The Spit, Sydney. 1½ gns

100. The brick kilns. 1½ gns

101. The Brickworks, St. Leonards. 2 gns

102. In the stubble. 1½ gns.

103. The Hill, Mosman. 2 gns

104. Mosman Bay. 1½ gns

105. the Harvest. 1½ gns

106. The fig tree. 1½ gns

A collected list of etchings: A Henry Fullwod.

Venues

Venue Not Identified. None

Works

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The 'Black Horse' Richmond NSW. | Date: 1894 | Technique: etching, printed in sepia ink, from one plate

The 'Black Horse' Richmond NSW. edition of 50 | out of print

King's School, Parramatta. (1st plate). edition of 50 | out of print

Cumberland Street, Sydney. edition of 50

Dr Jamieson's House, Sydney. edition of 50

Australian pioneers. edition of 50

Circular Quay, Sydney. edition of 50

Dawes Point, Sydney. edition of 50

Liverpool Street House. edition of 50

Old Tasmanian Windmill. edition of 50

King's School, Parramatta. (2nd plate).

etched from a former plate, lost or mislaid). edition of 50

St. James's Church, Sydney. edition of 50

Coaling, Mosman Bay. edition of 50

Old bridge, Mosman Bay. edition of 50

The Yarra at Heidelberg, Victoria. edition of 50

Orphan's Rock, Katoomba. edition of 50

The 'Mitre,' Hampton Court. edition of 50

Moonrise at Heidelberg, Victoria. edition of 50

Moonbi Ranges, N.S.W. edition of 50

St. James' Square, Sydney. edition of 50

Cape Rouel, Tasmania. edition of 50

Savage Club, N.S.W. edition of 50

Riverview College, Lane Cove. edition of 50

Rowe Street, Sydney. edition of 50

Burdekin House, Sydney. edition of 50

Martin Place, Sydney. edition of 50

Hunter Street, Sydney. edition of 50

St. Mary's Cathedral. (Interior). edition of 50

Edwards Beach, 1890. edition of 50

Old Dawes Point, Sydney. edition of 50

Sydney Observatory. edition of 50

Gabo Island, N.S.W. edition of 50

Harbour View Hotel (old and new), Sydney. edition of 50

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

The picnic. edition of 50

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

Sydney Harbour. edition of 50

Scots Church, Sydney. edition of 50

The Rocks, Sydney. edition of 50

Old England Hotel, Heidelberg, Victoria. edition of 50

Bank of Victoria, Melbourne. edition of 50

Gates, Government House, Melbourne. edition of 50

Wool Exchange, Melbourne. edition of 50

Equitable Building, Melbourne. edition of 50

Bank of New South Wales, Melbourne. edition of 50

Town Hall, Melbourne. edition of 50

Manly Beach. edition of 50

Mr. Mitchell's House, Darlinghurst. edition of 50

Edwards Beach, 1924. edition of 50

Clyde Street, Sydney. edition of 50

Parliament Building, Sydney. edition of 50

Artist: FULLWOOD, A.H. | Title: Nobby's, Port Macquarie, N.S.W. | Date: 1924 | Technique: etching, printed in black ink, from one plate

Nobby's, Port Macquarie, N.S.W. edition of 50

Artist: FULLWOOD, A.H. | Title: Cronulla Beach. | Date: 1924 | Technique: etching, printed in black ink, from one plate

Cronulla Beach. edition of 50

The launch. edition of 50

Kuring-gai Chase. edition of 50

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

Jerusalem Bay, Ku-Ring-Gai Chase, NSW. edition of 50

Cowan, N.S.W. edition of 50

Solre le Chateau, Belgium. edition of 50

Old houses, Cumberland Street, Sydney. edition of 50

Fort Street School, Sydney. edition of 50

Argyle Cut, Sydney. edition of 50

St. Joseph's Mulgoa, N.S.W. edition of 50

Old Treasury, Church Hill, Sydney (2 plates). edition of 50

Windmill Hill, Old Sydney Sand Modeller, Manly. edition of 50

Wiseman's Ferry. edition of 50

Milson's Point, Sydney. edition of 50

Chinaman's gardens, Rose Bay. edition of 50

Sydney Grammar School. edition of 50