Mosman.

Cyril Dillon (1883–1974)

Mosman.

(1923)

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

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Australian Painter-Etchers Society. Second [Melbourne] Exhibition [1923]

Venues

Decoration Art Gallery (15 October 1923 – 29 October 1923)
289 Collins St., Melbourne, Victoria, Australia

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Teamsters | Date: 1923 | Technique: aquatint and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

1. Teamsters "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Sussex Street trade | Date: 1923 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. Sussex Street trade "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £7.07.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The selector | Date: 1923 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

3. The selector "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

4. Ronda. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

5. Breakfast "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The house on the wall, Cordova | Date: 1923 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

6. The house on the wall, Cordova "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

7. The Great Fig Tree. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

8. The Old Fossicker. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

9. The Log. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.12.6 (unframed) | etching

10. The Doric Porch. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

11. The crossing "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £5.05.0 (unframed) | etching

12. The Burrow. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: On the balcony. | Date: 1922 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

13. On the balcony. £1.11.6 (unframed) | etching

FEINT, Adrian (1894–1971)

14. Rendezvous. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

15. Burdekin House. £3.03.0 (unframed) | etching

16. The farm sheds. £4.04.0 (unframed) | etching

17. The barn, Windsor. £3.03.0 (unframed) | etching

18. Harbour from Rose Bay. £2.02.0 (unframed) | etching

19. Windsor, N.S.W. £3.03.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

20. Edge of the clearing. £4.04.0 (unframed) | etching

21. The Stack. £4.04.0 (unframed) | etching

Artist: Boyd, Penleigh. | Title: The jetty. | Date: c.1921 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate

22. The jetty. £4.04.0 (unframed) | etching

SHIRLOW, John (1869–1936)

Artist: SHIRLOW, John | Title: Andante. | Date: 1923 | Technique: drypoint, printed in black ink, from one copper plate

23. Andante. £2.02.0 (unframed) | etching

24. From South Yarra. £2.12.6 (unframed) | etching

25. Chinese at a doorway £2.12.6 (unframed) | etching

26. Flinders Street. £2.12.6 (unframed) | etching

27. Yarraside. £3.03.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

28. Scherzo. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

29. Death in the garden. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

30. Trio. Springwood, New South Wales, Australia | £4.04.0 (unframed) | etching

31. Dryad. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

32. Julia. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

33. Festival. Springwood, New South Wales, Australia | £8.08.0 (unframed) | etching

34. Argument. Springwood, New South Wales, Australia | £7.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

35. The Sugar Mills. £7.07.0 (unframed) | etching

36. McMahon's Point, Sydney. £2.12.6 (unframed) | etching

37. Sydney Harbour from Cremorne. £2.07.6 (unframed) | etching

38. The Mosque, Cairo. £2.12.6 (unframed) | etching

Rose, Herbert. (1890–1937) and Rose, Herbert. (1890–1937)

39. Half Moon Bay. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

40. Berry's Bay, Sydney. £2.12.6 (unframed) | etching

41. The Post Office, Sydney. £2.12.6 (unframed) | etching

Ashton, Will. (1881–1963)

42. Rodney Lane, Ilfracombe, England. £2.02.0 (unframed) | etching

43. Old bridge, Ayr, Scotland. £3.03.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

44. St. James' Doorway, Sydney. £2.02.0 (unframed) | etching

45. The Milking Shed. £2.02.0 (unframed) | etching

46. Lane of William Street, Sydney. £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

47. Broken Hill silhouette, British Mine, Sunset. £5.05.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: Testing the new turbine, Red Cliffs pumps, August 1922. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone and wiped highlights, from one plate

48. Testing the new turbine, Red Cliffs pumps, August 1922. £8.08.0 (unframed) | etching

49. The Digger, Red Cliffs. £1.01.0 (unframed) | etching

50. End of the day, Red Cliffs. £2.02.0 (unframed) | etching

51. View from Temple Court, Collins St. Melbourne. £2.02.0 (unframed) | etching

52. Super Great Power House. £5.05.0 (unframed) | etching

53. The Great Live Line. £4.04.0 (unframed) | etching

54. The Dam, Small Pump, Red Cliffs. £3.03.0 (unframed) | 1st State | etching

ROBERTSON, Bruce (1872–1943)

55. Australian Bush Road. Dee Why, via Manly, New South Wales, Australia. | £4.04.0 (unframed) | etching

56. The farm bridge, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £3.03.0 (unframed) | etching

57. Old Argyle Cut, Sydney. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

58. Over the Range. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

59. Australian sunrise. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

60. Across Lake Macquarie, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £2.02.0 (unframed) | etching

61. St. Andrew's Castle, Fife. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

62. Groote Church, Dordrecht, Holland. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

63. Rialto Bridge, Venice. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

64. The wave, Coogee, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.01.0 (unframed) | etching

65. The Duck Farm, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

66. Oxford Falls Bridge, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

72. Circular Quay, Sydney. £3.03.0 (unframed) | etching

73. Old houses, Candebec, Normandy. £2.12.6 (unframed) | etching

74. A canal in Venice. £3.03.0 (unframed) | etching

75. Barges, Chiswick Mall. £3.03.0 (unframed) | etching

76. Up Country Team. £2.02.0 (unframed) | etching

77. Windsor Castle, Berkshire. £3.03.0 (unframed) | etching

78. Windmill, Walton, Essex. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The old parchment mills £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

80. St. Paul's from the river £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

81. Friar Street, Worcester £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Beddington Corner £4.04.0 (unframed) | etching

83. Camp in the forest. £5.05.0 (unframed) | etching

84. Badnage Landscape. £4.04.0 (unframed) | etching

85. Soft Ground Pastorale. £7.07.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

86. Between the showers £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

87. The Thames from Waterloo Bridge £6.06.0 (unframed) | etching

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

88. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Wallis, Raymond. (1900–1983)

89. The Milking Shed. £2.02.0 (unframed) | etching

90. White gums. £1.11.6 (unframed) | etching

91. Lucerne Farm. £2.12.6 (unframed) | etching

92. The farmyard. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

93. The Rocks, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

94. Clyde Street, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

95. Windmill Hill, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

96. Christmas Eve, St Albans, England. 1 Bond Street, Sydney, New South Wales, Australia. | £10.10.0 (unframed) | etching

97. St. Joseph's Mulgoa, N.S.W. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

98. Sydney Observatory. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

99. Hyde Park, London. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

100. Chelsea Old Church, London. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

101. The haunted mill. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

102. Peterborough Cathedral. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

Ward, J. (1920–)

103. The Gamblers. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

104. The Drover. £3.03.0 (unframed) | etching

105. The bullocky. £3.03.0 (unframed) | etching

106. Macquarie Street. £3.03.0 (unframed) | etching

107. The Drover's Cook. £3.03.0 (unframed) | etching

108. The wool dray. £3.03.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. Melbourne Grammar School. £4.04.0 (unframed) | etching

110. The Swimming Pool, Coombe Cottage. £3.03.0 (unframed) | etching

111. From the Roof Garden, Coombe Cottage. £2.02.0 (unframed) | etching

112. Mosman. £2.02.0 (unframed) | etching

113. Port Phillip Heads. £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

114. Circular Quay. £2.02.0 (unframed) | etching

115. The White Way. £1.11.6 (unframed) | etching

116. The lake. £3.03.0 (unframed) | etching

Crisp, James. (1879–1962)

117. Young Magpies. £2.02.0 (unframed) | etching

118. Magpies. £2.02.0 (unframed) | etching

119. The quintette. £2.02.0 (unframed) | etching

Farmer, Helen. (1888–1970)

120. Cobbitty gums. £2.02.0 (unframed) | etching

121. End of the track. £1.01.0 (unframed) | etching

122. Dee Bridge, Chester. £2.02.0 (unframed) | etching

Lindsay, Daryl. (1889–1976)

123. Converter shed. £2.02.0 (unframed) | etching

124. Deserted House, Creswick. £2.02.0 (unframed) | etching

Campbell, Fred. (1851–1930)

125. The quarry. £1.11.6 (unframed) | etching

126. A sunlit sea. £1.11.6 (unframed) | etching

127. Reflections. £1.11.6 (unframed) | etching

128. Flinders Street Railway Station. £1.11.6 (unframed) | etching

129. East Coast, Port Phillip. £1.11.6 (unframed) | etching

130. In the Southern pastures. £1.11.6 (unframed) | etching

131. The beach walk. £1.11.6 (unframed) | etching

132. A fair wind. £1.11.6 (unframed) | etching

Morgan, Squire. (1886–1974)

133. The lake, Avoca. £3.03.0 (unframed) | etching

134. Morning sunlight. £3.03.0 (unframed) | etching

135. The sliprails. £3.03.0 (unframed) | etching

136. Ti-trees. £3.03.0 (unframed) | etching

137. Old bullock dray. £3.03.0 (unframed) | etching

138. The glade. £1.11.6 (unframed) | etching

139. Sketch, Avoca. £1.01.0 (unframed) | etching

PERCY, W.S. (1872–1946)

140. Garden Island. £1.11.6 (unframed) | etching

141. Old bark hut. £1.11.6 (unframed) | etching

Britton, Fred. (1889–1931)

142. The Bridge. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

144. Bracken banks. £7.07.0 (unframed) | etching

Britton, Fred. (1889–1931)

145. Morning light. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

145. Adelaide Cathedral. £3.03.0 (unframed) | etching

147. Wayside Gums. £4.04.0 (unframed) | etching

148. Town Hall, Perth. £3.03.0 (unframed) | etching

149. Barracks, Perth. £3.03.0 (unframed) | etching

150. Water's Edge Price on Frame. Price on frame. | etching

151. The Giant. £10.10.0 (unframed) | etching

Coffey, Alfred. (1869–1950)

152. Chapel, St. John's College, Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £5.05.0 (unframed) | etching

153. Glenyarrah (Gladswood), Double Bay. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £1.11.6 (unframed) | etching

Finley, Fred. (1894–1968)

154. The prisoners. £2.02.0 (unframed) | etching

155. Rag Pickers of the Pont Neuf. £2.02.0 (unframed) | etching

156. Mountebanks, St. Owen, Paris. £2.02.0 (unframed) | etching

157. The porcelain mender, Paris. £1.11.6 (unframed) | etching

A collected list of etchings: Cyril Dillon.

Venues

Venue Not Identified. None

Works

Dillon, Cyril. (1883–1974)

The North Tower, Wesley College. edition of 50 | out of print

The Quad, 'Wesley'. edition of 50 | out of print

Entrance gates. edition of 50 | out of print

Adamson Hall. edition of 50

Old Lab. edition of 50

The farm, Mitcham. edition of 25 | out of print

The Wetherby Tower, Melbourne Grammar School. edition of 50 | out of print

The Chapel, M.G.S. edition of 50

Coombe Cottage. edition of 50

The Swimming Pool, Coombe Cottage. edition of 50

The Roof Garden. edition of 50

Mosman. edition of 50

Melbourne Grammar School. edition of 50 | out of print

Port Phillip Heads. edition of 50

The old poplar. edition of 75

The Gin. edition of 50

The river dredge. edition of 10 | out of print