The sliprails.

Squire Morgan (1886–1974)

The sliprails.

EXHIBITION HISTORY 1 – 4 of 4 exhibitions

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Australian Painter-Etchers Society. Second [Melbourne] Exhibition [1923]

Venues

Decoration Art Gallery (15 October 1923 – 29 October 1923)
289 Collins St., Melbourne, Victoria, Australia

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Teamsters | Date: 1923 | Technique: aquatint and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

1. Teamsters "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Sussex Street trade | Date: 1923 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. Sussex Street trade "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £7.07.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The selector | Date: 1923 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

3. The selector "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

4. Ronda. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

5. Breakfast "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The house on the wall, Cordova | Date: 1923 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

6. The house on the wall, Cordova "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

7. The Great Fig Tree. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

8. The Old Fossicker. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

9. The Log. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.12.6 (unframed) | etching

10. The Doric Porch. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

11. The crossing "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £5.05.0 (unframed) | etching

12. The Burrow. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: On the balcony. | Date: 1922 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

13. On the balcony. £1.11.6 (unframed) | etching

FEINT, Adrian (1894–1971)

14. Rendezvous. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

15. Burdekin House. £3.03.0 (unframed) | etching

16. The farm sheds. £4.04.0 (unframed) | etching

17. The barn, Windsor. £3.03.0 (unframed) | etching

18. Harbour from Rose Bay. £2.02.0 (unframed) | etching

19. Windsor, N.S.W. £3.03.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

20. Edge of the clearing. £4.04.0 (unframed) | etching

21. The Stack. £4.04.0 (unframed) | etching

Artist: Boyd, Penleigh. | Title: The jetty. | Date: c.1921 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate

22. The jetty. £4.04.0 (unframed) | etching

SHIRLOW, John (1869–1936)

Artist: SHIRLOW, John | Title: Andante. | Date: 1923 | Technique: drypoint, printed in black ink, from one copper plate

23. Andante. £2.02.0 (unframed) | etching

24. From South Yarra. £2.12.6 (unframed) | etching

25. Chinese at a doorway £2.12.6 (unframed) | etching

26. Flinders Street. £2.12.6 (unframed) | etching

27. Yarraside. £3.03.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

28. Scherzo. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

29. Death in the garden. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

30. Trio. Springwood, New South Wales, Australia | £4.04.0 (unframed) | etching

31. Dryad. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

32. Julia. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

33. Festival. Springwood, New South Wales, Australia | £8.08.0 (unframed) | etching

34. Argument. Springwood, New South Wales, Australia | £7.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

35. The Sugar Mills. £7.07.0 (unframed) | etching

36. McMahon's Point, Sydney. £2.12.6 (unframed) | etching

37. Sydney Harbour from Cremorne. £2.07.6 (unframed) | etching

38. The Mosque, Cairo. £2.12.6 (unframed) | etching

Rose, Herbert. (1890–1937) and Rose, Herbert. (1890–1937)

39. Half Moon Bay. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

40. Berry's Bay, Sydney. £2.12.6 (unframed) | etching

41. The Post Office, Sydney. £2.12.6 (unframed) | etching

Ashton, Will. (1881–1963)

42. Rodney Lane, Ilfracombe, England. £2.02.0 (unframed) | etching

43. Old bridge, Ayr, Scotland. £3.03.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

44. St. James' Doorway, Sydney. £2.02.0 (unframed) | etching

45. The Milking Shed. £2.02.0 (unframed) | etching

46. Lane of William Street, Sydney. £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

47. Broken Hill silhouette, British Mine, Sunset. £5.05.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: Testing the new turbine, Red Cliffs pumps, August 1922. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone and wiped highlights, from one plate

48. Testing the new turbine, Red Cliffs pumps, August 1922. £8.08.0 (unframed) | etching

49. The Digger, Red Cliffs. £1.01.0 (unframed) | etching

50. End of the day, Red Cliffs. £2.02.0 (unframed) | etching

51. View from Temple Court, Collins St. Melbourne. £2.02.0 (unframed) | etching

52. Super Great Power House. £5.05.0 (unframed) | etching

53. The Great Live Line. £4.04.0 (unframed) | etching

54. The Dam, Small Pump, Red Cliffs. £3.03.0 (unframed) | 1st State | etching

ROBERTSON, Bruce (1872–1943)

55. Australian Bush Road. Dee Why, via Manly, New South Wales, Australia. | £4.04.0 (unframed) | etching

56. The farm bridge, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £3.03.0 (unframed) | etching

57. Old Argyle Cut, Sydney. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

58. Over the Range. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

59. Australian sunrise. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

60. Across Lake Macquarie, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £2.02.0 (unframed) | etching

61. St. Andrew's Castle, Fife. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

62. Groote Church, Dordrecht, Holland. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

63. Rialto Bridge, Venice. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

64. The wave, Coogee, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.01.0 (unframed) | etching

65. The Duck Farm, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

66. Oxford Falls Bridge, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

72. Circular Quay, Sydney. £3.03.0 (unframed) | etching

73. Old houses, Candebec, Normandy. £2.12.6 (unframed) | etching

74. A canal in Venice. £3.03.0 (unframed) | etching

75. Barges, Chiswick Mall. £3.03.0 (unframed) | etching

76. Up Country Team. £2.02.0 (unframed) | etching

77. Windsor Castle, Berkshire. £3.03.0 (unframed) | etching

78. Windmill, Walton, Essex. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The old parchment mills £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

80. St. Paul's from the river £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

81. Friar Street, Worcester £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Beddington Corner £4.04.0 (unframed) | etching

83. Camp in the forest. £5.05.0 (unframed) | etching

84. Badnage Landscape. £4.04.0 (unframed) | etching

85. Soft Ground Pastorale. £7.07.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

86. Between the showers £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

87. The Thames from Waterloo Bridge £6.06.0 (unframed) | etching

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

88. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Wallis, Raymond. (1900–1983)

89. The Milking Shed. £2.02.0 (unframed) | etching

90. White gums. £1.11.6 (unframed) | etching

91. Lucerne Farm. £2.12.6 (unframed) | etching

92. The farmyard. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

93. The Rocks, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

94. Clyde Street, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

95. Windmill Hill, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

96. Christmas Eve, St Albans, England. 1 Bond Street, Sydney, New South Wales, Australia. | £10.10.0 (unframed) | etching

97. St. Joseph's Mulgoa, N.S.W. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

98. Sydney Observatory. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

99. Hyde Park, London. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

100. Chelsea Old Church, London. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

101. The haunted mill. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

102. Peterborough Cathedral. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

Ward, J. (1920–)

103. The Gamblers. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

104. The Drover. £3.03.0 (unframed) | etching

105. The bullocky. £3.03.0 (unframed) | etching

106. Macquarie Street. £3.03.0 (unframed) | etching

107. The Drover's Cook. £3.03.0 (unframed) | etching

108. The wool dray. £3.03.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. Melbourne Grammar School. £4.04.0 (unframed) | etching

110. The Swimming Pool, Coombe Cottage. £3.03.0 (unframed) | etching

111. From the Roof Garden, Coombe Cottage. £2.02.0 (unframed) | etching

112. Mosman. £2.02.0 (unframed) | etching

113. Port Phillip Heads. £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

114. Circular Quay. £2.02.0 (unframed) | etching

115. The White Way. £1.11.6 (unframed) | etching

116. The lake. £3.03.0 (unframed) | etching

Crisp, James. (1879–1962)

117. Young Magpies. £2.02.0 (unframed) | etching

118. Magpies. £2.02.0 (unframed) | etching

119. The quintette. £2.02.0 (unframed) | etching

Farmer, Helen. (1888–1970)

120. Cobbitty gums. £2.02.0 (unframed) | etching

121. End of the track. £1.01.0 (unframed) | etching

122. Dee Bridge, Chester. £2.02.0 (unframed) | etching

Lindsay, Daryl. (1889–1976)

123. Converter shed. £2.02.0 (unframed) | etching

124. Deserted House, Creswick. £2.02.0 (unframed) | etching

Campbell, Fred. (1851–1930)

125. The quarry. £1.11.6 (unframed) | etching

126. A sunlit sea. £1.11.6 (unframed) | etching

127. Reflections. £1.11.6 (unframed) | etching

128. Flinders Street Railway Station. £1.11.6 (unframed) | etching

129. East Coast, Port Phillip. £1.11.6 (unframed) | etching

130. In the Southern pastures. £1.11.6 (unframed) | etching

131. The beach walk. £1.11.6 (unframed) | etching

132. A fair wind. £1.11.6 (unframed) | etching

Morgan, Squire. (1886–1974)

133. The lake, Avoca. £3.03.0 (unframed) | etching

134. Morning sunlight. £3.03.0 (unframed) | etching

135. The sliprails. £3.03.0 (unframed) | etching

136. Ti-trees. £3.03.0 (unframed) | etching

137. Old bullock dray. £3.03.0 (unframed) | etching

138. The glade. £1.11.6 (unframed) | etching

139. Sketch, Avoca. £1.01.0 (unframed) | etching

PERCY, W.S. (1872–1946)

140. Garden Island. £1.11.6 (unframed) | etching

141. Old bark hut. £1.11.6 (unframed) | etching

Britton, Fred. (1889–1931)

142. The Bridge. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

144. Bracken banks. £7.07.0 (unframed) | etching

Britton, Fred. (1889–1931)

145. Morning light. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

145. Adelaide Cathedral. £3.03.0 (unframed) | etching

147. Wayside Gums. £4.04.0 (unframed) | etching

148. Town Hall, Perth. £3.03.0 (unframed) | etching

149. Barracks, Perth. £3.03.0 (unframed) | etching

150. Water's Edge Price on Frame. Price on frame. | etching

151. The Giant. £10.10.0 (unframed) | etching

Coffey, Alfred. (1869–1950)

152. Chapel, St. John's College, Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £5.05.0 (unframed) | etching

153. Glenyarrah (Gladswood), Double Bay. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £1.11.6 (unframed) | etching

Finley, Fred. (1894–1968)

154. The prisoners. £2.02.0 (unframed) | etching

155. Rag Pickers of the Pont Neuf. £2.02.0 (unframed) | etching

156. Mountebanks, St. Owen, Paris. £2.02.0 (unframed) | etching

157. The porcelain mender, Paris. £1.11.6 (unframed) | etching

The Painter-Etchers' and Graphic Art Society of Australia. (formerly the Australian Painter-Etchers' Society) Exhibition, 1934

Venues

Education Department Gallery (3 December 1934 – 14 December 1934)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

Squirrell, Leonard R. (1893–1979)

'The Picnic'. 4 gns

THURLOW, Ernest (1920s )

Grand Champion, 'Tricotrin Arna' (Shepherd Dog). 2 gns

'The Builders' Camp', Woy Woy. 1 gn

Wilkinson, Nevile R. Major, Sir (1869–)

Phyllis Wilkinson, (Bookplate). Not For Sale

Lord Donoughmore. (Bookplate). Not For sale | etching

Book Plates (Photogravure). Not For Sale

Crisp, James. (1879–1962)

10. A Gateway, Fernhill, Mulgoa. 1½ gns

11. Corner Old Stables, Vaucluse House. 1½ gns.

12. An old Moreton Bay Fig tree. 1½ gns | etching

MORT, Eirene (1879–1977)

13. The Lodge, Wimbourne. 2 gns

Ragless, Max. (1901–1981)

14. Melrose and Mt. Remarkable. 1½ gns

15. Clyde River, Bateman's Bay, N.S.W. 2 gns

16. Shadows on the Sand. 1 gn

Artist: Ragless, Max. | Title: The fallen branch | Date: 1934 | Technique: aquatint and drypoint, printed in brown ink with plate-tone, from one plate | Copyright: © Max Ragless

17. The fallen branch 3 gns

18. 'The Sawmill'. 2 gns

19. 'Summer Morning'. 1½ gns

Gillespie, David. (1930–)

20. Fishing boats, Hobart. 1½ gns

21. Morcate. 1½ gns

Tidswell, Quinton. (1910–1940)

22. "Sydney of Yesterday". 1 gn

TRAILL, Jessie (1881–1967)

23. Pontville Bridge, Tasmania. 3 gns

MORT, Eirene (1879–1977)

24. The Birthplace Melbourne. 1½ gns

25. The Mill, Oatlands. 1½ gns

Gillespie, David. (1930–)

26. Elvet Ridge, Durham. 1 gn

27. St. Bartholomew. 1 gn

28. Santa Cecelia, Ronda. 1½ gns

Tidswell, Quinton. (1910–1940)

29. "Old Phillip Street". 1 gn

30. "Edmund's Kurrajong". 1 gn

31. "Country Road". 1 gn

32. "Burdekin House". 1½ gns

33. Bank of N.S.W., Windsor. 1 gn

LONG, Sydney (1871–1955)

34. William of Wyndham. 2 gns

35. The derelict. 3 gns

36. The little boat shed. 3 gns

37. 'Mid-day'. 4 gns

38. 'Pyrmont Bridge'. 4 gns

39. 'Old Custom House', Palm Beach. 3 gns

40. 'Landscape, Avoca'. 3 gns

41. 'Fishing Boats', Lisbon. 4 gns

42. 'Floodlighted'. 4 gns

Artist: LONG, Sydney | Title: St. Stephen's, Camperdown | Date: 1928, after | Technique: line-etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. St. Stephen's, Camperdown 4 gns

44. 'The Dredge'. 3 gns

Pratt, Douglas. (1900–1972)

Artist: Pratt, Douglas. | Title: Guardians of the Valley | Date: 1934 | Technique: etching, printed in brown ink, from one plate

45. Guardians of the Valley 3 gns

46. The Chapel, Scout Camp, Pennant Hills. 2 gns

47. Warriors of the West. 3 gns

48. A bend in the Macquarie. 1 gn

49. The roadside sentinel. 2 gns

50. Springtime Foliage. 1½ gns

Davies, L. Roy. (1897–1979)

51. High and dry. 1½ gns

GOODCHILD, John (1898–1980)

52. St. Paul's, Melbourne. 4 gns

Emanuel, Cedric. (1906–1995)

53. 'The Old Mill'. 2 gns

54. Anzac Memorial. 2 gns

55. Drying the Sail. 1½ gns

Whitney, William Montague. (1880–1946)

56. The cottage on the hill, Burragorang. 2 gns

57. Camden landscape. 2 gns

ROBERTSON, Bruce (1872–1943)

58. 'Bend of the Road', Church Point. 1 gn

59. Bush sunset. 3 gns

60. 'Evening', Lake Macquarie. 1 gn

Dwyer, Ella. (1887–1979)

61. The Gathering Storm, Mt. Cook, N.Z. 2 gns

62. Through the Trees, Athol. 1½ gns

McDonald, Sheila. (1902–1971)

63. On the road to Mt. Wilson. 1 gn

Walker, F. Sidney. (1888–1972)

64. Riverina pastoral. 2 gns

65. Poplars at Tumut. 1½ gns

Johnstone, Frank E. (1903–)

66. St. Andrew's Cathedral. 2 gns

Walker, F. Sidney. (1888–1972)

67. The University, Sydney. 1 gn

68. The Sunlit Bay. 1 gn

Garling, Lilias. (1909–)

69. 'Near Great Lake, Tasmania'. 2 gns

70. Late Afternoon, Lake Avoca. 2 gns

71. Early morning, Avoca, N.S.W. 2 gns

72. Lake Avoca, Evening. 2 gns

Johnstone, Frank E. (1903–)

73. Noon in the West. 1 gn

74. Baptistry, St. Mary's Basilica. 1½ gns

75. The Grace Tower, Sydney. 1 gn

Brodziak, Phyllis Ruby. (1916–1967)

76. Metal Crusher. 2½ gns

77. The brick ovens. 1½ gns

78. Chimney Stacks. 1½ gns

Byrne, Harold. (1899–1966)

79. The Pilgrim dry point. 2 gns

80. Night in St. Mary's. 3 gns

81. Old Cumberland Street. 2 gns

82. St. Mary's, The Organ. 2 gns

83. Noctrune, Phillip Street. 2 gns

84. St. Mary's. not for sale | dry point

85. Ecce Homo. 5 gns | dry point

86. Sailor's Rest. Not For Sale

87. Portrait Study dry point. 5 gns

88. Book Plates. Not For Sale

Gallop, Herbert. (1890–1958)

89. Pittwater. 2 gns

90. River at Ryde. 1 gn

91. The Crossing. 1½ gns

92. Old cottage. 1½ gns

93. Allynbrook. 2 gns

94. The country road. 3 gns

95. The Golf Links, Ermington. 1½ gns

Barker, H. Neville. (1900–)

96. 'Malice'. 3 gns

97. 'L'Apres Midi'. 2½ gns

98. 'L'Heure Sentimentale'. 2½ gns

99. 'Cruise'. 2½ gns

100. 'Fete'. 2½ gns

101. 'Introduction to Magic'. 13 gns

PERROTTET, George (1890–1971)

102. 'The Half Moon'. 1 gn

Pratt, Douglas. (1900–1972)

103. She Oaks on the Macquaire pencil drawing. 5 gns

104. Spring near Bathurst pencil drawing. 4 gns

105. 'Lowana', Neutral Bay pencil drawing Kindly lent by Mrs Leslie Waterhouse -.

106. Nature's Archway pencil drawing. 15 gns

107. 'By the Still Waters' pencil drawing. 16 gns

108. 'Approaches to Melbourne' pencil drawing. 7 gns

109. 'From Ultimo to the Glebe' pencil drawing. 5 gns

110. Morning Impression, Fitzroy Gardens. 4 gns. | pencil drawing

RICHARDS, B.

111. Steps, Vaucluse House. 2½ gns. | pencil drawing

Crisp, James. (1879–1962)

112. The Tree at St. Mark's [pencil drawing]. 2 gns (Framed)

113. Pencil Sketch pencil drawing. 2 gns (Framed) 2 gns (Unframed)

114. St. Mark's pencil drawing. 2 gns (Framed) 2 gns (Unframed)

115. Cocoanut Palms, Magnetic Island [pencil drawing]. 2 gns (Framed) 2 gns (Unframed)

116. Fernhill, Mulgoa [pencil drawing]. 2 gns (Framed) | pencil drawing.

Gallop, Herbert. (1890–1958)

117. The Little Farm. 8 gns | wash drawing.

118. At North Ryde [wash drawing]. 5 gns | wash drawing

119. Gum tree [wash drawing]. 6 gns | wash drawing

Stewart, Helen. (1900–1983)

120. Snow Sweepers. 1 gn

121. The boatshed. 1 gn

122. The canal. 1 gn

Byrne, Harold. (1899–1966)

123. Portrait (Prince). 5 gns | pencil drawing.

124. Valerie [drawing]. 10 gns | pencil drawing

Coglan, Elaine E. (1897–1989)

125. At the Lagoon, Narrabeen pencil drawing. 3 gns

126. Charcoal Drawing. 6 gns

127. An Old-fashioned Girl pencil drawing. 4 gns

Garling, Lilias. (1909–)

128. 'Approaching Storm, Signet, Tasmania' monochrome. 4 gns

Townshend, G.K. (1888–1969)

129. The ploughman [drawing]. 4 gns | black and white

130. 'Illustration' wash drawing. 3 gns

Abbott, Harold. (1906–1986)

131. Dr. George Dance. not for sale | chalk

132. From the Palatine Hill, Rome. 5 gns (framed) | pen and ink

133. Bill. Harold Abbott | 5 gns (Framed) | pencil drawing

Townshend, G.K. (1888–1969)

134. Storm clouds [pencil drawing]. 3 gns | pencil drawing

Hilder, Bim. (1909–1990)

135. The Moreton Bay Fig pencil drawing. 2 gns

Whitney, William Montague. (1880–1946)

136. The Old Shed, Emu Plains pencil drawing. 4 gns

137. Grey Morning, Emu Plains monochrome. 6 gns

Gillespie, David. (1930–)

138. The Horse Guards. 1½ gns

Hirst, G.W.L. (1868–1965)

139. St. Bridgid's, Brisbane [Pencil Drawing]. 2 gns. | pencil drawing

140. Kiama Lighthouse (Pencil Drawing). 2 gns

141. South Coast Headland [Pencil Drawing]. 3 gns | Pencil Drawing

142. The House Boat (Pencil Drawing). 2 gns

143. Old cottage, Ryde (Pencil Drawing). 1 gn

144. Ball's Head (Pencil Drawing). 3 gns

145. The Old Stone Crusher (Pencil Drawing). 1 gn

Curtis, Robert Emerson. (1898–1996)

146. The Pyramid of Broken Hill. 6 gns

147. Looking down on Crystal Street, Broken Hill [drawing]. 5 gns | pencil drawing.

148. 'Unloading Timber', Newcastle pencil drawing. 10 gns

149. 'In a Mine Stope' pencil drawing. 5 gns

150. The man-made Mountain. 6 gns | pencil drawing.

151. Junk of the Mine pencil drawing. 6 gns

152. Horses at the shaft head [pencil drawing]. 6 gns | pencil drawing

153. 'Exodus' pencil drawing. 6 gns

154. Sydney of the Future (an architectural fantasy) (Black and White). 8 gns

PERROTTET, George (1890–1971)

155. Linocut Book Plates. Not For Sale

Cornish, Muriel. (1893–1945)

156. Old houses, Miller's Point. 1 gn

157. The Jetty. 1 gn

Cooper, Ashley. (1889–1970)

158. Plam Beach pencil drawing. 3 gns

159. Whalers' Arms and Hero of Waterloo, Miller's Point pencil drawing. 3 gns

Walker, F. Sidney. (1888–1972)

160. The Track to the Beach. 3 gns

161. Riverina pastoral. 4 gns

162. The Red Gum. 3 gns

Davies, L. Roy. (1897–1979)

163. Up north. 1 gn

164. From Fairlight [drawing]. 3 gns

165. Rocks, Foam and Sunshine [drawing]. 3 gns

166. Rocky Foreshore [drawing]. 2 gns

167. Clouds, No.2 [drawing]. 3 gns

168. Sunsplashed. 1 gn

Walker, F. Sidney. (1888–1972)

169. The Homestead. 3 gns. | pencil drawing

Barker, H. Neville. (1900–)

170. 'Immodesty'. 6 gns

171. Approach. 6 gns

Hine, Eugene. (1934–)

172. Old court-house, Berrima [pen and ink and wash drawing]. 3 gns | pen and ink and wash drawing

173. A Cottage by the Road pen and ink and wash drawing. 3 gns

174. Pittwater [drawing]. 3 gns

175. Old-time Balmoral pen and ink and wash drawing. 3 gns

Evergood, Miles. (1871–1939)

176. Lithograph, lent by Mrs Gavin Long. Not For Sale

LONG, Sydney (1871–1955)

177. 'The Open Gate' chalk drawing. 6½ gns

Emanuel, Cedric. (1906–1995)

178. Study for etching. 7 gns | pen and ink

179. 'Tickle' pencil drawing. 3 gns

180. Study for. 3 gns

181. Idle Jinkers pencil drawing. 4 gns

Parsons, Alice Mary. (1863–1939)

182. The Ahaded Pool. 1½ gns

184. The Footbridge. 1½ gns

185. 'Peace - A Maori Settlement'. 1½ gns

Baker, Normand H. (1908–1955)

186. Alan [pencil drawing]. 12 gns

187. Self Portrait [pencil drawing]. 12 gns

188. Bruce [drawing]. 6 gns

189. The Youth sepia. 6 gns

190. Sideshow sepia. 12 gns

Morgan, Squire. (1886–1974)

191. Old bullock dray. not for sale

192. The sliprails. not for sale

193. Misty moonrise. Not For Sale

Parsons, Alice Mary. (1863–1939)

193. The Old Tree. 2 gns

Byrne, Harold. (1899–1966)

194. Trinity Church, Hobart. 4 gns (Framed) | (one proof only).

Hopkinson, Roma. (1904–1893)

195. Burdekin House. 2 gns

196. Elizabeth Bay House. 2 gns

197. The stripling. 2 gns

198. St. Mary's. 3 gns

199. St. Stephen's. 2 gns

Mahoney, Will. (1905–1989)

Artist: Mahoney, Will. | Title: The Tandem act | Date: 1931 | Technique: drypoint, printed in black ink, from one plate

200. The Tandem act 2 gns

201. Vagabonds. 1 gn

Reilly, Virgil. (1892–1974)

202. 'Lou'.

Curtis, Robert Emerson. (1898–1996)

203. The Warriror's Chape, Newcastle. 2 gns

Sheldon, Pearl. (1877–)

204. Christ Church, Oxford. 4 gns

THURLOW, Ernest (1920s )

205. Landscape, 'Avoca'. 1 gn

Baird, John. (1902–)

206. Nude Study. 2 gns

207. 'Torso'. 2 gns

208. 'Negro'. 2 gns

Sheldon, Pearl. (1877–)

209. Cloisters, Magdalen College, Oxford. 1½ gns

Curtis, Robert Emerson. (1898–1996)

210. Christ Church, Newcastle. 2 gns

211. 'Overlanders', Broken Hill. 3 gns

Rees, Lloyd. (1895–1988)

212. Summer Morning [pencil drawing]. 10 gns

213. Sunlit foreshores [pencil drawing]. 6 gns

214. The Giant Fig Tree [pencil drawing]. Not For Sale | pencil drawing

215. The bay [pencil drawing]. 5 gns | pencil drawing

Cain, Charles William. (1893–1962)

216. A Persian Bazaar dry point. 10 gns

217. A Desert Caravan dry point. 19 gns

218. The water carrier, Baghdad. 10 gns | dry point.

219. Hassan's house, Baghdad. 13 gns | dry point.

220. Downstream on the Tigris dry point. 6 gns

221. Latticed Windows, Baghdad dry point. 3 gns

222. Big Ben Looks Down. 5 gns | drypoint

223. St. Paul's from Bankside. 3 gns | drypoint

224. The Pool on London. 5 gns | drypoint

OSBORNE, Malcolm (1880–1963)

225. City Walls, Avignon. 8 gns

226. Chinon Castle. 8 gns

227. Dordrecht. 8 gns

228. Nathaniel Sparks, Esq. 10 gns

SHORT, Frank (1857–1945)

229. Volundam. 8 gns

230. The Mountain Torrent mezzotint. 15 gns | mezzotint.

Curtis, Robert Emerson. (1898–1996)

231. Ruins of Mt Gipps Homestead, Broken Hill. 3 gns

Phillips, Arthur.

232. The sentinel. 1 gn

Miller, Syd. (1901–1983)

233. Book Plate, Fred v. Coghlan.

234. Tenor.

235. Prima Donna.

236. Book plate, T.C. Roughley.

Dwyer, Ella. (1887–1979)

237. Sir Joseph Kinsey (Armorial Book Plate).

An Exhibition of the Works of Members of the Painter-Etchers and Graphic Arts Society of Australia.

Venues

Australian Art Gallery, The (29 November 1938 – 1938)
97 Rundle St., Adelaide, South Australia, Australia

Works

Baker, Alan Douglas (1914–1987)

The Miner. 8 gns

'Tom'. 10 gns

The model. 5 gns

Baker, Normand H. (1908–1955)

The model. 5 gns

Brodziak, Phyllis Ruby. (1916–1967)

Iceland: 'The Midnight Sun'. 2 gns

Industry. 2 gns

Norway. 2 gns

St. Ives. 2 gns

Coglan, Elaine E. (1897–1989)

Model. 5 gns

10. Tree Study --.

11. Head Study. 5 gns

12. The Old Tree, Middle Harbour, N.S.W. 4 gns

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

13. The gander. 1 gn

14. The old gateway. 1½ gns

15. Cocoanut Palms, Magnetic Island, North Queensland. 1½ gns

16. The Pigeon Cole. 1 gn

Dwyer, Ella. (1887–1979)

17. Flamingoes. 2 gns

18. Morning sunlight. 1 gn

19. Misty morning sandgrain. 2 gns

Emanuel, Cedric. (1906–1995)

20. Capel's boatshed, Ruschutter's Bay. 2 gns

21. Halvorsens. 2 gns

22. Farmyard, Richmond. 2½ gns

23. Queen's Square, Sydney. 4 gns

24. On the slips. 2 gns

25. Blue's Point, Sydney. 2½ gns

26. Old stable, Windsor, NSW. 2 gns

27. Hobart. 5 gns

Farmer, Helen. (1888–1970)

28. A river oak.

29. Farmyard Buildings, Yass.

30. The broken gate. 1½ gns

GOODCHILD, John (1898–1980)

31. Cloisters, Lincoln Cathedral. 8 gns

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

32. The port, London 2½ gns

33. Evening anchorage. 2½ gns

34. Martin Place, Sydney. 3 gns

35. Sydney Harbour Bridge. 5 gns

36. Trafalgar Square, London. 3½ gns

37. Road and trees. 2½ gns

38. St. Paul's Lane, Melbourne. 2 gns

39. The Blooming Mill, B.H.P., Newcastle. 12 gns

40. Plate Mill, B.H.P., Newcastle. 20 gns

Hosking, W. John. (1930–)

41. A corner of the farm. 6 gns

42. Tharwa Road, Canberra. 5 gns

Ingleton, Geoffrey. (1908–1998)

43. H.M.S. Sirius - storm driven. 3 gns

44. H.M.S. Investigator in Encountery Bay. 3 gns

45. Zeehan, Shooting the Sun. 3 gns

46. Raked fore and aft. 1½ gns

LONG, Sydney (1871–1955)

47. Petertavy Village, Devon. 2½ gns

48. A Surrey mill. 2 gns

49. The little boat shed. 2 gns

Artist: LONG, Sydney | Title: The reflected mill | Date: 1919 | Technique: line-etching and aquatint, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. The reflected mill 3 gns

51. Old Sydney, Miller's Point. 3 gns

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Fishing boats, Lisbon 4 gns

53. St. Stephen's, Camperdown 4 gns

54.

The blacksmith's shop

4 gns

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

55. The lake, Avoca 4 gns

56. Floodlighted. Sydney Town Hall. 4 gns

Morgan, Squire. (1886–1974)

57. Roadside shanties. 3 gns

58. Landscape near Scone. 3 gns

59. The sliprails. 3 gns

60. Scots Church. 3 gns

61. The Old Bullock Dray. 3 gns

62. Misty moonrise. 3 gns

63. The glade. 2 gns

64. Kangaroo Valley sketch. 1 gns

65. A Windsor Farm. 1 gns

66. A Hawkesbury Corn Barn. 3 gns

Reid, Stuart. (1935–)

67. On the sands, Collaroy. 8 gns

Sheldon, Pearl. (1877–)

68. Christ Church, Oxford. 4 gns

69. St. Alban's. 2 gns

70. Cloisters, Churst Church, Oxford. 2 gns

THURLOW, Ernest (1920s )

71. Tom Hegerty's Shack, Crookwell, N.S.W. 6 gns

TRAILL, Jessie (1881–1967)

74. Old Rouen. £1.10.0

75. The Wondering Shipley. £2.10.0

Walker, F. Sidney. (1888–1972)

76. Evening Shadows. 1 gn

77. Afterglow. 1 gn

78. The Populars, Tumut. 1½ gns

79. The University, Sydney. 1 gn

80. Billabong. 1 gn

81. The bush track. 1 gn

82. Newport, New South Wales. 2 gns

83. Morning at Collaroy. 2 gns

Whinnen, George. (1891–1950)

84. Roadside gums, Mount Crawford. 2½ gns

85. Morning haze. 1 gn

86. Stradbroke Farm. ½ gn

87. Roadside, Kangarilla. 1 gn

88. White gums, Woodside. 1 gn

A collected list of etchings: Squire Morgan.

Venues

Venue Not Identified. None

Works

Morgan, Squire. (1886–1974)

The Hut. edition of 5 | out of print | drypoint

Tree Study. edition of 15 | out of print

Ti-trees. edition of 50

Deserted hut. edition of 50

Old bullock dray. edition of 50

The lake, Avoca. edition of 30

Miniature. edition of 50 | out of print

Morning sunlight. edition of 50

Fagan's Farm. edition of 50

Avoca sketch. edition of 50 | out of print

The sliprails. edition of 50

The glade. edition of 50

The lakeside. edition of 50

Artist: Morgan, Squire. | Title: The lagoon, Dee Why | Date: 1924 | Technique: etching, printed in black ink with plate-tone, from one plate

The lagoon, Dee Why edition of 50

A Scone farm. edition of 60

Kangaroo Valley sketch. edition of 50

Dee Why sketch. edition of 50

Burragorang Valley. edition of 3 | out of print. | plate destroyed

Fagan's Farm (Another Plate). edition of 50

On the road to Tambourine, Queensland. edition of 50

At Palm Beach. edition of 50

The prospector. edition of 50