Chelsea Old Church, London.

A.H. Fullwood (1863–1930)

Chelsea Old Church, London.

EXHIBITION HISTORY 1 – 3 of 3 exhibitions

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Exhibition of Colour Drawings and Etchings by A. Henry Fullwood

Venues

Chenil Gallery (1 May 1910 – 1 June 1910)
Chelsea, London, England

Works

FULLWOOD, A.H. (1863–1930)

1. A waterhole. £7.07.0

1. Chelsea Old Church, London. £2.02.0

2. An Autumn Morning. £8.08.0

2. 'Lock's', St James' Street. £2.02.0 | out of print

3. Moonlight. £7.07.0

3. Entrance to 'The Vale', Chelsea. £2.02.0

4. Arundel Castle. £8.08.0

4. Back of 'Lock's' St James' Street. £2.02.0

5. Entrance to 'The Vale', Chelsea. £6.06.0

5. 'The Old Bull and Bush', Hampstead Heath. £2.02.0

6. A Street in Paris. £8.08.0

6. 'Ye Olde Cheshire Cheese', Fleet Street. £2.02.0

7. Across the fields, Wendover. £20.20.0

7. The Firs, Hampstead Heath. £2.02.0

8. Richmond on Thames (The way to the boats). £10.10.0

8. The Viaduct, Hampstead Heath. £2.02.0

9. A moonlight Sonata. £8.08.0

9. 'The Haycock' at Wansford. £3.03.0

10. Haymaking. £8.08.0

10. The Bell Inn at Stilton. £2.02.0

11. The New Forest. £10.10.0

11. The chalk hole, Rochester. £3.03.0

12. Near Kew. £7.07.0

12. The Duke of Bedford's Meet. £3.03.0

13. In Eton Fields. £10.10.0

13. King Edward VII's Visit to Eton. £2.02.0 | out of print

14. Sunlight and Shade. £7.07.0

14. The Chelsea Arts Club in. £1.01.0 | out of print

15. A Country Road. £8.08.0

15. Winsor Castle. £2.02.0

16. The Ferry. £7.07.0

16. The Storm. £2.02.0

17. Nearing Home. £7.07.0

17. Rue de Seine, Paris. £1.01.0

18. The Blush of Morn. £7.07.0

18. Town Hall, Windsor. £1.01.0

19. The long walk, Windsor. £7.07.0

19. Latin Quarter, Paris. £1.01.0

20. The Vale, Chelsea. £7.07.0

Artist: FULLWOOD, A.H. | Title: Peascod Street, Windsor. | Date: 1903 | Technique: etching, printed in black ink, from one plate

20. Peascod Street, Windsor. £1.01.0

21. Stormy. £6.06.0

21. The Vale, Chelsea. £1.01.0

22. Gateway at the Castle, Capetown. £6.06.0

22. Whistler's House, The Vale, Chelsea. £1.01.0

23. Rainy weather. £8.08.0

23. Old street, Windsor. £1.01.0

24. The Seine at St. cloud. £10.10.0

24. Old Edinburgh. £1.01.0

25. Field Flowers. £7.07.0

25. Waterloo Bridge. £2.02.0

26. A Kentish Hop Farm. £10.10.0

26. The Pool, Hampstead Heath. £2.02.0

27. Roadside prattle. £7.07.0

27. Town Hall, Peterborough. £2.02.0

28. The Quarry. £10.10.0

28. Bank holiday, Hampstead Heath. £2.02.0

29. The Gate, Peterborough Cathedral. £10.10.0

29. Old Edinburgh. £1.01.0

30. The Missenden Valley. £10.10.0

30. Richmond on Thames (The way to the boats). £2.02.0

31. A summer evening. £10.10.0

31. Jack Straw's Castle, Hampstead Heath. £2.02.0

32. Grey Morning. £10.10.0

32. 'The Fighting Cocks', St Alban's. £2.02.0

33. Moonlight off the Coast. £10.10.0

33. Carlyle's House, Chelsea. £2.02.0

34. A View in Greenwich Park. £8.08.0

Artist: FULLWOOD, A.H. | Title: The Spaniards, Hampstead Heath. | Date: 1909 | Technique: etching and drypoint, printed in black ink, from one plate

34. The Spaniards, Hampstead Heath. £2.02.0

35. Sunrise at sea. £10.10.0

35. Cardinal Bethune's House, Old Edinburgh. £1.01.0

36. Afternoon glory. £8.08.0

36. 'The Star and Garter', Richmond. £2.02.0

37. Autumn mists. £8.08.0

37. A view from Greenwich Park. £2.02.0

38. The horse market, Capetown. £7.07.0

38. Peterborough Cathedral. £2.02.0

39. Doce far Niente. £10.10.0

39. The chalk pit. £2.02.0

40. The chalk cliff. £10.10.0

40. Westminster. £1.01.0

41. Season of Mists. £10.10.0

41. The Medway Valley. £1.01.0

42. Winsor Park. £8.08.0

Artist: FULLWOOD, A.H. | Title: Rochester Bridge. | Date: 1907 | Technique: lithograph, printed in black ink, from one stone

42. Rochester Bridge. £1.01.0

43. The old windmill. £8.08.0

43. Vauxhall. £1.01.0

44. Pont Royal, Paris. £8.08.0

45. The Old Store. £8.08.0

46. The Vale, Chelsea. £7.07.0

47. The chalk hole, Rochester. £8.08.0

48. The Storm Cloud. £8.08.0

49. The Mill. £8.08.0

50. A Wild Day. £8.08.0

51. The Old Slave Market, Capetown. £8.08.0

Australian Painter-Etchers Society. Second [Melbourne] Exhibition [1923]

Venues

Decoration Art Gallery (15 October 1923 – 29 October 1923)
289 Collins St., Melbourne, Victoria, Australia

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: Teamsters | Date: 1923 | Technique: aquatint and roulette, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

1. Teamsters "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Sussex Street trade | Date: 1923 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

2. Sussex Street trade "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £7.07.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The selector | Date: 1923 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

3. The selector "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

4. Ronda. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

5. Breakfast "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The house on the wall, Cordova | Date: 1923 | Technique: spirit-aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

6. The house on the wall, Cordova "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

7. The Great Fig Tree. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

8. The Old Fossicker. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £4.04.0 (unframed) | etching

9. The Log. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.12.6 (unframed) | etching

10. The Doric Porch. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £2.02.0 (unframed) | etching

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

11. The crossing "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £5.05.0 (unframed) | etching

12. The Burrow. "Meryon", Burns Road, Wahroonga, New South Wales, Australia. | £3.03.0 (unframed) | etching

FEINT, Adrian (1894–1971) and Hickey, Peter. (1943–)

Artist: FEINT, Adrian | Title: On the balcony. | Date: 1922 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

13. On the balcony. £1.11.6 (unframed) | etching

FEINT, Adrian (1894–1971)

14. Rendezvous. £2.02.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

15. Burdekin House. £3.03.0 (unframed) | etching

16. The farm sheds. £4.04.0 (unframed) | etching

17. The barn, Windsor. £3.03.0 (unframed) | etching

18. Harbour from Rose Bay. £2.02.0 (unframed) | etching

19. Windsor, N.S.W. £3.03.0 (unframed) | etching

Boyd, Penleigh. (1890–1923)

20. Edge of the clearing. £4.04.0 (unframed) | etching

21. The Stack. £4.04.0 (unframed) | etching

Artist: Boyd, Penleigh. | Title: The jetty. | Date: c.1921 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate

22. The jetty. £4.04.0 (unframed) | etching

SHIRLOW, John (1869–1936)

Artist: SHIRLOW, John | Title: Andante. | Date: 1923 | Technique: drypoint, printed in black ink, from one copper plate

23. Andante. £2.02.0 (unframed) | etching

24. From South Yarra. £2.12.6 (unframed) | etching

25. Chinese at a doorway £2.12.6 (unframed) | etching

26. Flinders Street. £2.12.6 (unframed) | etching

27. Yarraside. £3.03.0 (unframed) | etching

LINDSAY, Norman (1879–1969)

28. Scherzo. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

29. Death in the garden. Springwood, New South Wales, Australia | £10.10.0 (unframed) | etching

30. Trio. Springwood, New South Wales, Australia | £4.04.0 (unframed) | etching

31. Dryad. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

32. Julia. Springwood, New South Wales, Australia | £5.05.0 (unframed) | etching

33. Festival. Springwood, New South Wales, Australia | £8.08.0 (unframed) | etching

34. Argument. Springwood, New South Wales, Australia | £7.07.0 (unframed) | etching

Rose, Herbert. (1890–1937)

35. The Sugar Mills. £7.07.0 (unframed) | etching

36. McMahon's Point, Sydney. £2.12.6 (unframed) | etching

37. Sydney Harbour from Cremorne. £2.07.6 (unframed) | etching

38. The Mosque, Cairo. £2.12.6 (unframed) | etching

Rose, Herbert. (1890–1937) and Rose, Herbert. (1890–1937)

39. Half Moon Bay. £1.11.6 (unframed) | etching

Rose, Herbert. (1890–1937)

40. Berry's Bay, Sydney. £2.12.6 (unframed) | etching

41. The Post Office, Sydney. £2.12.6 (unframed) | etching

Ashton, Will. (1881–1963)

42. Rodney Lane, Ilfracombe, England. £2.02.0 (unframed) | etching

43. Old bridge, Ayr, Scotland. £3.03.0 (unframed) | etching

ST JOHN, Ellis (1874–1949)

44. St. James' Doorway, Sydney. £2.02.0 (unframed) | etching

45. The Milking Shed. £2.02.0 (unframed) | etching

46. Lane of William Street, Sydney. £2.02.0 (unframed) | etching

TRAILL, Jessie (1881–1967)

47. Broken Hill silhouette, British Mine, Sunset. £5.05.0 (unframed) | etching

Artist: TRAILL, Jessie | Title: Testing the new turbine, Red Cliffs pumps, August 1922. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone and wiped highlights, from one plate

48. Testing the new turbine, Red Cliffs pumps, August 1922. £8.08.0 (unframed) | etching

49. The Digger, Red Cliffs. £1.01.0 (unframed) | etching

50. End of the day, Red Cliffs. £2.02.0 (unframed) | etching

51. View from Temple Court, Collins St. Melbourne. £2.02.0 (unframed) | etching

52. Super Great Power House. £5.05.0 (unframed) | etching

53. The Great Live Line. £4.04.0 (unframed) | etching

54. The Dam, Small Pump, Red Cliffs. £3.03.0 (unframed) | 1st State | etching

ROBERTSON, Bruce (1872–1943)

55. Australian Bush Road. Dee Why, via Manly, New South Wales, Australia. | £4.04.0 (unframed) | etching

56. The farm bridge, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £3.03.0 (unframed) | etching

57. Old Argyle Cut, Sydney. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

58. Over the Range. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

59. Australian sunrise. Dee Why, via Manly, New South Wales, Australia. | £2.10.0 (unframed) | etching

60. Across Lake Macquarie, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £2.02.0 (unframed) | etching

61. St. Andrew's Castle, Fife. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

62. Groote Church, Dordrecht, Holland. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

63. Rialto Bridge, Venice. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

64. The wave, Coogee, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.01.0 (unframed) | etching

65. The Duck Farm, Hunter River, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

66. Oxford Falls Bridge, N.S.W. Dee Why, via Manly, New South Wales, Australia. | £1.11.6 (unframed) | etching

Friedensen, Thomas. (1879–1931)

72. Circular Quay, Sydney. £3.03.0 (unframed) | etching

73. Old houses, Candebec, Normandy. £2.12.6 (unframed) | etching

74. A canal in Venice. £3.03.0 (unframed) | etching

75. Barges, Chiswick Mall. £3.03.0 (unframed) | etching

76. Up Country Team. £2.02.0 (unframed) | etching

77. Windsor Castle, Berkshire. £3.03.0 (unframed) | etching

78. Windmill, Walton, Essex. £3.03.0 (unframed) | etching

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

79. The old parchment mills £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

80. St. Paul's from the river £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

81. Friar Street, Worcester £2.12.6 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

82. Beddington Corner £4.04.0 (unframed) | etching

83. Camp in the forest. £5.05.0 (unframed) | etching

84. Badnage Landscape. £4.04.0 (unframed) | etching

85. Soft Ground Pastorale. £7.07.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

86. Between the showers £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

87. The Thames from Waterloo Bridge £6.06.0 (unframed) | etching

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

88. Porte Marechale, Bruges £2.12.6 (unframed) | etching

Wallis, Raymond. (1900–1983)

89. The Milking Shed. £2.02.0 (unframed) | etching

90. White gums. £1.11.6 (unframed) | etching

91. Lucerne Farm. £2.12.6 (unframed) | etching

92. The farmyard. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

93. The Rocks, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

94. Clyde Street, Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

95. Windmill Hill, Old Sydney. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

96. Christmas Eve, St Albans, England. 1 Bond Street, Sydney, New South Wales, Australia. | £10.10.0 (unframed) | etching

97. St. Joseph's Mulgoa, N.S.W. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

98. Sydney Observatory. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

99. Hyde Park, London. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

100. Chelsea Old Church, London. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

101. The haunted mill. 1 Bond Street, Sydney, New South Wales, Australia. | £3.03.0 (unframed) | etching

102. Peterborough Cathedral. 1 Bond Street, Sydney, New South Wales, Australia. | £4.04.0 (unframed) | etching

Ward, J. (1920–)

103. The Gamblers. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

104. The Drover. £3.03.0 (unframed) | etching

105. The bullocky. £3.03.0 (unframed) | etching

106. Macquarie Street. £3.03.0 (unframed) | etching

107. The Drover's Cook. £3.03.0 (unframed) | etching

108. The wool dray. £3.03.0 (unframed) | etching

Dillon, Cyril. (1883–1974)

109. Melbourne Grammar School. £4.04.0 (unframed) | etching

110. The Swimming Pool, Coombe Cottage. £3.03.0 (unframed) | etching

111. From the Roof Garden, Coombe Cottage. £2.02.0 (unframed) | etching

112. Mosman. £2.02.0 (unframed) | etching

113. Port Phillip Heads. £2.02.0 (unframed) | etching

Shaw, Gayfield. (1885–1961)

114. Circular Quay. £2.02.0 (unframed) | etching

115. The White Way. £1.11.6 (unframed) | etching

116. The lake. £3.03.0 (unframed) | etching

Crisp, James. (1879–1962)

117. Young Magpies. £2.02.0 (unframed) | etching

118. Magpies. £2.02.0 (unframed) | etching

119. The quintette. £2.02.0 (unframed) | etching

Farmer, Helen. (1888–1970)

120. Cobbitty gums. £2.02.0 (unframed) | etching

121. End of the track. £1.01.0 (unframed) | etching

122. Dee Bridge, Chester. £2.02.0 (unframed) | etching

Lindsay, Daryl. (1889–1976)

123. Converter shed. £2.02.0 (unframed) | etching

124. Deserted House, Creswick. £2.02.0 (unframed) | etching

Campbell, Fred. (1851–1930)

125. The quarry. £1.11.6 (unframed) | etching

126. A sunlit sea. £1.11.6 (unframed) | etching

127. Reflections. £1.11.6 (unframed) | etching

128. Flinders Street Railway Station. £1.11.6 (unframed) | etching

129. East Coast, Port Phillip. £1.11.6 (unframed) | etching

130. In the Southern pastures. £1.11.6 (unframed) | etching

131. The beach walk. £1.11.6 (unframed) | etching

132. A fair wind. £1.11.6 (unframed) | etching

Morgan, Squire. (1886–1974)

133. The lake, Avoca. £3.03.0 (unframed) | etching

134. Morning sunlight. £3.03.0 (unframed) | etching

135. The sliprails. £3.03.0 (unframed) | etching

136. Ti-trees. £3.03.0 (unframed) | etching

137. Old bullock dray. £3.03.0 (unframed) | etching

138. The glade. £1.11.6 (unframed) | etching

139. Sketch, Avoca. £1.01.0 (unframed) | etching

PERCY, W.S. (1872–1946)

140. Garden Island. £1.11.6 (unframed) | etching

141. Old bark hut. £1.11.6 (unframed) | etching

Britton, Fred. (1889–1931)

142. The Bridge. £2.02.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

144. Bracken banks. £7.07.0 (unframed) | etching

Britton, Fred. (1889–1931)

145. Morning light. £3.03.0 (unframed) | etching

van RAALTE, Henri (1881–1929)

145. Adelaide Cathedral. £3.03.0 (unframed) | etching

147. Wayside Gums. £4.04.0 (unframed) | etching

148. Town Hall, Perth. £3.03.0 (unframed) | etching

149. Barracks, Perth. £3.03.0 (unframed) | etching

150. Water's Edge Price on Frame. Price on frame. | etching

151. The Giant. £10.10.0 (unframed) | etching

Coffey, Alfred. (1869–1950)

152. Chapel, St. John's College, Sydney University. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £5.05.0 (unframed) | etching

153. Glenyarrah (Gladswood), Double Bay. Trelawny Street, Woollahra, Sydney, New South Wales, Australia. | £1.11.6 (unframed) | etching

Finley, Fred. (1894–1968)

154. The prisoners. £2.02.0 (unframed) | etching

155. Rag Pickers of the Pont Neuf. £2.02.0 (unframed) | etching

156. Mountebanks, St. Owen, Paris. £2.02.0 (unframed) | etching

157. The porcelain mender, Paris. £1.11.6 (unframed) | etching

Henry Fullwood, R.B.C.

Venues

Australian Fine Arts Gallery (19?? – 19??)
219 George St., Sydney, New South Wales, Australia

Works

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: Westminster school. | Date: 1902 | Technique: etching, printed in black ink, from one plate

32. Westminster school. 3 gns

33. The Spaniards, Hampstead Heath. 3 gns

34. Waterloo Bridge. 3 gns

35. Old slave market, Capetown. 2 gns

36. Crowhurst House, Surrey. 3 gns

37. The Way to the Boats, Richmond. 3 gns

38. The boatbuilders. 3 gns

39. The Screen Man, Putney Head. 3 gns

Artist: FULLWOOD, A.H. | Title: The Star and Garter, Richmond. | Date: 1909 | Technique: etching, printed in black ink with plate-tone, from one plate

40. The Star and Garter, Richmond. 3 gns

41. The Firs, Hampstead Heath. 3 gns

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

42. His ain fireside. 3 gns

43. Keat's House, Hampstead. 3 gns

44. Diana's Pool, Bushey Park. 3 gns

45. The Bull and Bush, Hampstead. 3 gns

46. Chelsea Old Church, London. 3 gns

47. Peascod Street, Windsor. 2 gns

48. Ludlow. 3 gns

49. Town Hall, Peterborough. 3 gns

50. King Edward VII's Visit to Eton. 5 gns

51. Fleet Street, London. 4 gns

52. View from Greenwich Park, London. 3 gns

53. Hampstead Heath. 3 gns

54. The Storm. 3 gns

55. Carlyle's House, Chelsea. 3 gns | Collection ofDresen Print Room.

56. Peterborough Cathedral. 4 gns | Collection:Dresden Print Room.

57. Mercery Lane, Canterbury. 3 gns | Collection: Dresden Print Room.

58. Richmond on Thames (The way to the boats). 3 gns

59. The Bell Inn at Stilton. 3 gns

60. Solre le Chateau, Belgium. 3 gns

61. Xmas Eve. 10 gns | Collection: Sydney National Gallery.

62. Windsor Castle and park. 5 gns | Collection of:Sydney National Gallery; Dresden Print Room

63. Dover Castle. 3 gns

64. Old Cheshire Cheese. 3 gns

66. Manly. 3 gns

67. Riverview. 2 gns

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

68. The picnic. 3 gns

69. St. Mary's. 4 gns

70. Battery, Dawes' Point. 3 gns

71. Circular Quay, Sydney. 4 gns

72. Martin Place, Sydney. 4 gns

73. Burdekin House, Sydney. 3 gns

74. Clyde Street, Sydney. 3 gns

75. Pioneers. 3 gns

76. Old House, Cumberland Street. 3 gns

77. Home, Sweet Home. 3 gns

78. Old Parliament Buildings. 3 gns

79. Rowe Street, Sydney. 3 gns

80. The Rocks, Old Sydney. 4 gns

81. Fort Street School, Sydney. 2 gns

82. King's School, Parramatta. 2 gns

83. Old bridge, Mosman Bay. 3 gns.

84. Cape Rouel, Tasmania. 2 gns

85. Coaling, Mosman Bay. 2 gns

86. Cumberland Street, Sydney. 2 gns

87. Old mill, Tasmania. 3 gns

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

88. Sydney Harbour. 4 gns

89. Cowan, N.S.W. 3 gns.

90. Kuring-gai Chase. 3 gns

91. Bank of New South Wales, Melbourne. 3 gns

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

92. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. 3 gns

93. Edwards' Beach, Middle Harbour. 3 gns

94. Edwards' Beach. 3 gns

95. Bank of Victoria, Melbourne. 3 gns

Artist: FULLWOOD, A.H. | Title: Cronulla Beach. | Date: 1924 | Technique: etching, printed in black ink, from one plate

96. Cronulla Beach. 3 gns

97. The New England Hotel, Heidelberg. 2 gns

98. St. James Church, Sydney. 3 gns

99. The Medway Valley. 2 gns

100. Houses of Parliament, London. 2 gns

101. The New Vauxhall Bridge, London. 2 gns