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WORKS 11421 – 11440 of 54495 IMAGES ONLY

Olive Davies (1935–)

Decoration pen and ink.

Artist: LINDSAY, Lionel | Title: Decoration: swaggie and dog. | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Decoration: swaggie and dog.

wood-engraving

Helen Ogilvie (1902–1993)

Decorations for 'Stolne and Surreptitions Vers by.

Artist: Derham, Frances. | Title: Decorative envelope: Kangaroo with insert and outer envelope. | Date: (1934) | Technique: linocut, printed in brown ink, from one block

Frances Derham (1894–1987)

Decorative envelope: Kangaroo with insert and outer envelope.

((1934))

linocut

Artist: Watson, Percy. | Title: (Decorative landscape) | Date: 1953 | Technique: etching, printed in black ink, from one plate

Percy Watson (1919–1995)

(Decorative landscape)

(1953)

etching

Artist: WILLIAMS, Fred | Title: Decorative panel, Yan Yangs. Number 2 | Date: 1965-66 | Technique: etching, engraving, aquatint, drypoint, flat biting, messotint rocker | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

Decorative panel, Yan Yangs. Number 2

(1965-66)

etching

Artist: WILLIAMS, Fred | Title: Decorative panel, You Yangs. Number 1 | Date: 1965-66 | Technique: etching, drypoint, flat biting and mezzotint, printed in black ink, from one copper plate; counterproof | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

Decorative panel, You Yangs. Number 1

(1965-66)

etching

Artist: WILLIAMS, Fred | Title: Decorative panel, You Yangs. Number 3 | Date: 1965-66 | Technique: etching, flat biting, mezzotint, engraving, printed in black ink with plate-tone | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

Decorative panel, You Yangs. Number 3

(1965-66)

etching

Mark Denton (1961–)

Decorative Piece for a State Function.

Artist: Barker, H. Neville. | Title: Decorous interlude. | Date: 1934 | Technique: etching, printed in black ink, from one plate

H. Neville Barker (1903–1981)

Decorous interlude.

(1934)

etching

Artist: Brodie, Jim. | Title: Deddington Tasmania. | Date: 1992 | Technique: screenprint, printed in colour, from six stencils | Copyright: This work appears on screen courtesy of Jim Brodie

Jim Brodie (1946–)

Deddington Tasmania.

(1992)

screenprint

Artist: Whitelocke, Nelson P. | Title: Dedicated by permission to His Excellency Rt. Hon. Lord Augustus W.F.S. Loftus, G.C.B. | Date: 1885 | Technique: lithograph, printed in colour, from two stones

Nelson P. Whitelocke (1861–1927)

Dedicated by permission to His Excellency Rt. Hon. Lord Augustus W.F.S. Loftus, G.C.B.

(1885)

lithograph

Title: Dedication | Date: 1932 | Technique: linocut, printed in black ink, from one block

Dedication

(1932)

linocut

Louisa Anne Meredith (1812–1895)

Dedication page

((1860))

lithograph

Title: Dedication page for Bruno Leti: Landscapes, memories and fantasies | Date: 1987 | Technique: offset-lithograph, printed in black ink, from one plate

Dedication page for Bruno Leti: Landscapes, memories and fantasies

(1987)

offset-lithograph

Helen Farmer (1888–1970)

Dee Bridge, Chester.

Sydney Long (1871–1955)

Dee Why.

Artist: Long, Sydney. | Title: Dee Why landscape | Date: 1928 | Technique: line-etching, printed in red-brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Dee Why landscape

(1928)

line-etching

Squire Morgan (1886–1974)

Dee Why sketch.

(1924)

etching

Rod Albury (1944–)

Deep Brown.

etching/aquatint from magnesium.