The Ponte Rotto, Rome.

Frank Brangwyn (1867–1956)

The Ponte Rotto, Rome.

EXHIBITION HISTORY 1 – 1 of 1 exhibitions

Royal British Colonial Society of Artists Third Annual Exhibition

Venues

Farmer & Company (26 October 1925 – 21 November 1925)

Works

Allan, Robert W. (1852–1942)

92. Off to the Trawling. £3.15.0

93. Port Knockie, Banffshire, Scotland. £3.15.0

94. Market Day, Chartre, France. £3.15.0

95. Grand Canal, Venice. £5.00.0

96. Dumblane. £3.15.0

97. Montreuil-sur-Mer. £5.00.0

OSBORNE, Malcolm (1880–1963)

98. Mrs Heverden. £7.17.6

99. Mt. St. Michel. £6.12.6

100. Chinon Castle. £5.00.0

101. Place des Halles, Tours. £3.15.0

102. Nathaniel Sparks. £6.15.0

103. Arnold Mason. £6.05.0

104. Stanley Anderson. £6.05.0

105. Dieppe. £5.00.0

106. Le Puy. £6.05.0

107. Cathedral Steps. £3.15.0

108. Cherrac. £6.05.0

SHORT, Frank (1857–1945)

109. Moonrise on the Bure. £16.10.0 | mezzotint.

110. Morning haze in Chichester Harbour. £16.10.0 | aquatint

111. The sea-road into Seaford. £6.10.0 | etching

112. Rough Weather at Blatchington. £6.10.0 | drypoint

113. The Rising Sun, Kingsdown. £5.05.0 | etching

114. Moonlight on the Medway. £13.10.0 | mezzotint,  after J.M.W. Turner, R.A.

SHORT, Frank (1857–1945) and Turner, J.M.W. (1775–1851)

115. Sheep washing, Windsor. £13.10.0 | mezzotint after J.M.W. Turner, R.A.

SHORT, Frank (1857–1945)

116. The Thames at Twickenham. £6.10.0 | aquatint

117. Dawn. £10.10.0

118. Sion House. £10.10.0 | drypoint

119. Ehrenbreitstein to Coblenz mezzotint after J.M.W. Turner, R.A. £15.15.0 | mezzotint

120. Strolling Players at Lydd. £7.17.6 | etching

121. An April Day in Kent. £7.17.6 | etching

122. A South Coast Road. £6.10.0 | etching

Wilkinson, Norman. (1878–1971)

123. The Passing of the 'Lion' (H.M.S. 'Lion' in the hands of the ship-breakers. Proof signed by Lord Beatty). £23.00.0

Brangwyn, Frank. (1867–1956)

124. The Ponte Rotto, Rome. £26.10.0

125. The Skittle Match, Dixmude. £26.10.0

Kay, Dorothy.

126. The Basuto Blanket Not arrived in.

127. Malay Driver time exhibition for.

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

133. Pan £10.10.0

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

134. Moonrise pastoral £5.05.0

135. Pastoral. £5.05.0

136. The Harbour St. Ives. £3.03.0

137. The river from Waterloo Bridge. £6.06.0

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

138. Autumn landscape £3.03.0

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

139. Staples Inn, Holborn £3.03.0

140. Pastoral. sandgrain. £3.03.0

141. Kookaburras. £3.03.0

142. Kookaburras, No. 2. £2.02.0

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

143. The little dutch mill £3.03.0

144. Stand on the Green, No. £3.03.0