The Pigeon Cole.

James Crisp (1879–1962)

The Pigeon Cole.

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

Australian Painter-Etchers Society. Annual Exhibition 1932.

Venues

Macleod Gallery (1 December 1932 – 17 December 1932)
Bulletin Buildings, 252 George St., Sydney, New South Wales, Australia

Works

Crisp, James. (1879–1962)

Cattai Creek. 1½ gns (unframed)

A Favorite Spot. 2 gns (unframed)

The intruder [1]. 1½ gns (unframed)

Follow the Leader. 1½ gns (unframed)

The Pigeon Cole. 1½ gns (unframed)

Boxall, d'Auvergne (1895–1944)

1. St. Peter's College, Adelaide. Not For Sale

2. Avignon [pencil drawing]. Not For Sale

3. St. Mark's, Venice. [pencil drawing]. Not For Sale

4. Silver Street, London. 3 gns (unframed)

Crisp, James. (1879–1962)

10. Cocoanut Palms, Magnetic Island, North Queensland. 2 gns (unframed)

11. Young kookaburras [pencil drawing]. 2 gns (unframed) | pencil drawing

12. The conference. 1½ gns (unframed)

13. Magpies [pencil drawing]. 5 gns (unframed) | pencil drawing

Davies, L. Roy. (1897–1979)

14. Hawkesbury River. 1 gn (unframed)

15. Green and gold. 1 gn (unframed)

16. The Apothecary. Not For Sale

17. Mangrove Creek. 1 gn (unframed)

Artist: Davies, L. Roy. | Title: Forest lovers. | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

18. Forest lovers. 1 gn (unframed)

19. Burragorang. 1 gn (unframed)

20. The broken fence. 1 gn (unframed)

Dundas, Douglas. (1900–1981)

21. Ponte Vecchio, Florence. Not For Sale | dry point

Dwyer, Ella. (1887–1979)

22. A bend in the creek. 2 gns (unframed)

23. Pastoral, near Windsor. 2 gns (unframed)

24. Moonrise sandgrain. 1 gns (unframed)

25. Bookplate -.

Farmer, Helen. (1888–1970)

33. From Bradley's Head. 1½ gns (unframed)

Gallop, Herbert. (1890–1958)

37. South Coast Pastures. 2 gns (unframed)

38. Cattai Creek, Windsor. 2 gns (unframed)

39. The country road. 4 gns (unframed)

40. Old cottage, Ryde. 1 gn (unframed)

41. The Lake. 1½ gns (unframed)

42. Macquarie Shore. 1 gn (unframed)

43. The South Wind. 2 gns (unframed)

44. Mount Kiera, South Coast. 2 gns (unframed)

Godson, John Barclay. (1882–1957)

45. Self-Portrait.

46. Hilda. 5 gns (unframed)

47. Study for etching. 15 gns (unframed) | pencil drawing

48. Study for etching [pencil drawing].

49. After the ballet. 3 gns (unframed)

50. Engraved Bookplate.

51. Engraved Bookplate.

GOODCHILD, John (1898–1980)

52. Solitude. 3 gns (unframed)

53. Morning light and Ti-tree. 3 gns (unframed)

54. Otway Ranges. 4 gns (unframed)

55. Landscape, Otway Ranges. 5 gns (unframed)

56. Australian Summer Landscape. 4 gns (unframed)

57. Sydney Harbour Bridge. 5 gns (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

58. Banks of Arno 1½ gns (unframed)

59. Gums in sunlight. 2 gns (unframed)

60. The Rows, Chester pencil drawing. 7 gns (unframed)

61. Hastings [pencil drawing]. 7 gns (unframed) | pencil drawing.

62. Tied Up pencil drawing. 5 gns (unframed)

63. Banks and Ti-tree. 7 gns (unframed) | pencil drawing

Hilder, Bim. (1909–1990)

Artist: Hilder, Bim. | Title: The moderne pyramid. | Date: c.1930 | Technique: etching and aquatint, printed in black ink, from one plate

64. The moderne pyramid. 1 gn (unframed)

65. The Shallow Lake. 1 gn (unframed)

Morgan, Squire. (1886–1974)

70. Booral (The Roue of Koala Park). 1 gn (unframed)

Artist: Morgan, Squire. | Title: The bush mother. | Date: c.1932 | Technique: etching and aquatint, printed in black ink, from one plate

71. The bush mother. 1 gn (unframed)

72. Moonrise. 2 gns (unframed)

O'Reilly, Brian. (1930–)

73. Captain Murray. 3 gns (unframed)

74. Portrait. 3 gns (unframed)

O'SHEA, Molly (1890–)

75. St. Matthew's, Windsor. 1 gn (unframed)

76. Trinity Church, Miller's Point. 1 gn (unframed)

77. Lennox Bridge, Parramatta. 1½ gns (unframed)

78. Boat building, Brookvale. 1 gn (unframed)

79. King's School Chapel, Parramatta. 2 gns (unframed)

80. King's School, Canterbury. 1 gn (unframed)

81. Old houses, Lower Fort Street. 1 gn (unframed)

82. The Bridge, September. 1½ gns (unframed)

Pratt, Douglas. (1900–1972)

83. Paddocks on the Plains. 3 gns (unframed)

Artist: Pratt, Douglas. | Title: Lennox Bridge, Parramatta | Date: 1932 | Technique: etching, printed in brown ink, from one plate

84. Lennox Bridge, Parramatta 2 gns (unframed)

85. The roadside pool. 1½ gns (unframed)

86. Queen's club. 2 gns (unframed)

87. The Cathedral, Armidale. 2 gns (unframed)

88. Ginahgulla. Not For Sale

89. Sydney Harbour Bridge, February. 2 gns (unframed)

90. Country Road, Baulkham Hills pencil drawing. 6 gns (unframed)

91. Avoca Lagoon [pencil drawing]. 7 gns (unframed)

92. Double Bay and Darling Point pencil drawing. 5 gns (unframed)

Reid, D.G. (1862–1933)

93. The White Mill. 1 gn (unframed)

94. Cloud Shadows. 2 gns (unframed)

Sheldon, Vincent. (1895–1945)

100. Haystack. 1½ gns (unframed)

101. The retreat, Glen Innes. 1½ gns (unframed)

102. Ploughing. 1½ gns (unframed)

103. Low Tide, Hamilton. 1½ gns (unframed)

104. Trout Stream, Glen Innes. 1½ gns (unframed)

105. Feeding time. 2 gns (unframed)

106. The old barn, Grafton Road. 1½ gns (unframed)

ST JOHN, Ellis (1874–1949)

107. Entrance, Sydney University. 1½ gns (unframed)

108. Argyle. 1 gn (unframed)

109. The Thames from Chelsea Bridge. 2 gns (unframed)

Tidswell, Quinton. (1910–1940)

110. Trees and Farm Sheds. 1 gn (unframed)

111. Bank of N.S.W., Windsor. 1 gn (unframed)

112. Demolitions. 1 gn (unframed)

113. Old buildings, George Street, Windsor. 2 gns. (unframed)

Warner, Ralph Malcolm. (1902–1966)

114. West Wind. 1 gn (unframed)

115. Evening mists, Lord Howe Island. 1 gn (unframed)

116. Lord Howe Island. 1½ gns (unframed)

117. Winter, Kosciusko. 2 gns (unframed)

118. The Birth of a Ship. 2 gns (unframed)

119. The still stream 1½ gns (unframed)

Walker, F. Sidney. (1888–1972)

120. Morning surf, Collaroy. 2 gns (unframed) | sandgrain

121. The Windjammer. 1½ gns (unframed)

122. Morning light, Sydney Harbour. 1½ gns (unframed)

123. The Murrumbidgee. 1 gn (unframed)

124. Billabong. 1 gn (unframed)

SHIRLOW, John (1869–1936)

125. Laneway, St Paul's Cathedral, Melbourne. 2 gns (unframed)

126. Prince's Bridge. 3½ gns (unframed)

127. Parliament House, Melbourne. 3 gns. (unframed)

FULLWOOD, A.H. (1863–1930)

Artist: FULLWOOD, A.H. | Title: The 'Black Horse' Richmond NSW. | Date: 1894 | Technique: etching, printed in sepia ink, from one plate

128. The 'Black Horse' Richmond NSW. 5 gns (unframed)

Nathan, R.H. Jerrold. (1889–1979)

147. Jeannette. £2.02.0 (unframed)

148. Study of a head. £1.01.0 (unframed)

An Exhibition of the Works of Members of the Painter-Etchers and Graphic Arts Society of Australia.

Venues

Australian Art Gallery, The (29 November 1938 – 1938)
97 Rundle St., Adelaide, South Australia, Australia

Works

Baker, Alan Douglas (1914–1987)

The Miner. 8 gns

'Tom'. 10 gns

The model. 5 gns

Baker, Normand H. (1908–1955)

The model. 5 gns

Brodziak, Phyllis Ruby. (1916–1967)

Iceland: 'The Midnight Sun'. 2 gns

Industry. 2 gns

Norway. 2 gns

St. Ives. 2 gns

Coglan, Elaine E. (1897–1989)

Model. 5 gns

10. Tree Study --.

11. Head Study. 5 gns

12. The Old Tree, Middle Harbour, N.S.W. 4 gns

Crisp, James. (1879–1962)

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

13. The gander. 1 gn

14. The old gateway. 1½ gns

15. Cocoanut Palms, Magnetic Island, North Queensland. 1½ gns

16. The Pigeon Cole. 1 gn

Dwyer, Ella. (1887–1979)

17. Flamingoes. 2 gns

18. Morning sunlight. 1 gn

19. Misty morning sandgrain. 2 gns

Emanuel, Cedric. (1906–1995)

20. Capel's boatshed, Ruschutter's Bay. 2 gns

21. Halvorsens. 2 gns

22. Farmyard, Richmond. 2½ gns

23. Queen's Square, Sydney. 4 gns

24. On the slips. 2 gns

25. Blue's Point, Sydney. 2½ gns

26. Old stable, Windsor, NSW. 2 gns

27. Hobart. 5 gns

Farmer, Helen. (1888–1970)

28. A river oak.

29. Farmyard Buildings, Yass.

30. The broken gate. 1½ gns

GOODCHILD, John (1898–1980)

31. Cloisters, Lincoln Cathedral. 8 gns

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

32. The port, London 2½ gns

33. Evening anchorage. 2½ gns

34. Martin Place, Sydney. 3 gns

35. Sydney Harbour Bridge. 5 gns

36. Trafalgar Square, London. 3½ gns

37. Road and trees. 2½ gns

38. St. Paul's Lane, Melbourne. 2 gns

39. The Blooming Mill, B.H.P., Newcastle. 12 gns

40. Plate Mill, B.H.P., Newcastle. 20 gns

Hosking, W. John. (1930–)

41. A corner of the farm. 6 gns

42. Tharwa Road, Canberra. 5 gns

Ingleton, Geoffrey. (1908–1998)

43. H.M.S. Sirius - storm driven. 3 gns

44. H.M.S. Investigator in Encountery Bay. 3 gns

45. Zeehan, Shooting the Sun. 3 gns

46. Raked fore and aft. 1½ gns

LONG, Sydney (1871–1955)

47. Petertavy Village, Devon. 2½ gns

48. A Surrey mill. 2 gns

49. The little boat shed. 2 gns

Artist: LONG, Sydney | Title: The reflected mill | Date: 1919 | Technique: line-etching and aquatint, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. The reflected mill 3 gns

51. Old Sydney, Miller's Point. 3 gns

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Fishing boats, Lisbon 4 gns

Artist: LONG, Sydney | Title: St. Stephen's, Camperdown | Date: 1928, after | Technique: line-etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

53. St. Stephen's, Camperdown 4 gns

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

54.

The blacksmith's shop

4 gns

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

55. The lake, Avoca 4 gns

56. Floodlighted. Sydney Town Hall. 4 gns

Morgan, Squire. (1886–1974)

57. Roadside shanties. 3 gns

58. Landscape near Scone. 3 gns

59. The sliprails. 3 gns

60. Scots Church. 3 gns

61. The Old Bullock Dray. 3 gns

62. Misty moonrise. 3 gns

63. The glade. 2 gns

64. Kangaroo Valley sketch. 1 gns

65. A Windsor Farm. 1 gns

66. A Hawkesbury Corn Barn. 3 gns

Reid, Stuart. (1935–)

67. On the sands, Collaroy. 8 gns

Sheldon, Pearl. (1877–)

68. Christ Church, Oxford. 4 gns

69. St. Alban's. 2 gns

70. Cloisters, Churst Church, Oxford. 2 gns

THURLOW, Ernest (1920s )

71. Tom Hegerty's Shack, Crookwell, N.S.W. 6 gns

TRAILL, Jessie (1881–1967)

74. Old Rouen. £1.10.0

75. The Wondering Shipley. £2.10.0

Walker, F. Sidney. (1888–1972)

76. Evening Shadows. 1 gn

77. Afterglow. 1 gn

78. The Populars, Tumut. 1½ gns

79. The University, Sydney. 1 gn

80. Billabong. 1 gn

81. The bush track. 1 gn

82. Newport, New South Wales. 2 gns

83. Morning at Collaroy. 2 gns

Whinnen, George. (1891–1950)

84. Roadside gums, Mount Crawford. 2½ gns

85. Morning haze. 1 gn

86. Stradbroke Farm. ½ gn

87. Roadside, Kangarilla. 1 gn

88. White gums, Woodside. 1 gn