Lady and the parrot.

Artist: b'LINDSAY, Norman' | Title: b'Lady and the parrot.' | Date: 1917 | Technique: b'etching, and softground-etching, printed in dark blue black ink, from one plate'

Norman Lindsay (1879–1969)

Lady and the parrot.

(1917)

etching

EXHIBITION HISTORY 1 – 2 of 2 exhibitions

Catalogue of Etchings, Watercolour Drawings, Oil Paintings, Pen-and-Ink Drawings, Rare Prints, etc., etc

Venues

Angus & Robertson Fine Art Gallery. (1920 – 1921)
89 Castlereagh Street, Sydney, New South Wales, Australia

Works

van RAALTE, Henri (1881–1929)

Two Trees and a Farm. A delightful little bit. A huge gum in the foreground, at its side on old worn-out warrior bare of leaf, in the distance the "little farm".

The gap thro' the trees. Eucalypts in foreground, through the gap a river, in the distance tree-covered hills. A quiet, restful picture.

Evening. A pool in foreground, trees on a sloping bank in middle distance, mountains in distance, setting sun and clouds in background. A beautiful etching, finely handled.

The swamp.

Red Gums. Giant trees in foreground with tremendous boles and limbs; through a gap in the centre the view fades away into valleys and hills. A majestic work; the power and strength of Mother Nature as here depicted, fill one with awe.

Ye Olde Narrogin Inn.

The old boat, Fremantle Bridge.

Vanity.

A corner of old Delft.

Artist: van RAALTE, Henri | Title: Tuarts of the South-West. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Tuarts of the South-West.

Artist: van RAALTE, Henri | Title: The shell. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

The shell.

LINDSAY, Norman (1879–1969)

THE TRIO "The Woman I was, the Woman I am, and the Woman I'll one day be.".

Ashton, Julian. (1851–1942)

Artist: Ashton, Julian. | Title: The curtsy. | Date: 1893 | Technique: etching, printed in blue ink with plate-tone, from one copper plate

The curtsy. A quite charming little etching. Girl dancing, skirt outspread and held up by extended right arm. The suggestion of movement is very fine.

Artist: Ashton, Julian. | Title: Study of a head. | Date: 1893 | Technique: etching, printed in brown ink, from one plate

Study of a head. Bust, with a sweet, pensive, dreaming face, large eyes and a wealth of soft hair.

Ashton, Julian. (1851–1942) and Ashton, Julian. (1851–1942)

The ferry. River in foreground, old-fashioned punt against the further bank, on the same bank trees thick with foliage reflected in the river by mysterious shadows, through a gap in the trees high mountains appear in the distance, a cloudy sky.

Angus & Robertson. (1886–) and Ashton, Julian. (1851–1942)

Artist: Ashton, Julian. | Title: The class room. | Date: 1893 | Technique: etching, printed in blue ink with plate-tone, from one copper plate

The class room. 14 | etching | Julian Ashton, with pupils, working at their easels in the studio. An interesting plate.

Ashton, Julian. (1851–1942)

Artist: Ashton, Julian. | Title: Gloucester Street, The Rocks, Sydney. | Date: 1893 | Technique: etching, printed in sepia ink with plate-tone, from one copper plate; watercolour additions

Gloucester Street, The Rocks, Sydney. A finely-worked plate, shewing a bit of OLD SYDNEY long since demolished. Besides being good etchings, this plate and the two named below have an historic interest. These two points make them well worth securing.

Old house, Trinity Lane. Another bit of Old Sydney now demolished.

Artist: Ashton, Julian. | Title: Cumberland Street, The Rocks, Sydney. | Date: 1893 | Technique: etching, printed in dark brown ink, from one copper plate

Cumberland Street, The Rocks, Sydney.

van RAALTE, Henri (1881–1929)

1. Two Trees and a Farm. £2.02.0 | edition of 41

2. The gap thro' the trees. £3.03.0 | edition of 41

3. Evening. £3.03.0 | edition of 41

4. The swamp. £6.06.0 | edition of 30 | 18½ x 13 inches

5. Red Gums. £5.05.0 | edition of 35 | Illustrated

6. Ye Olde Narrogin Inn. £3.03.0 | edition of 35

7. The old boat, Fremantle Bridge. £5.05.0 | edition of 14

8. Vanity. £8.08.0 | edition of 20

9. A corner of old Delft. £4.04.0 | edition of 40

Artist: van RAALTE, Henri | Title: Tuarts of the South-West. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

10. Tuarts of the South-West. £10.10.0 | 15 for sale

Artist: van RAALTE, Henri | Title: The shell. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

11. The shell. £8.08.0 | edition of 40

LINDSAY, Norman (1879–1969)

12. This shrine. £7.07.0 | edition of 40

13. Death of Pierrot. £15.15.0 | edition of 11 | 40 for sale

Artist: LINDSAY, Norman | Title: Lady and the parrot. | Date: 1917 | Technique: etching, and softground-etching, printed in dark blue black ink, from one plate

14. Lady and the parrot. £8.08.0 | edition of 40

15. Voice of evil. £4.04.0 | 40 for sale

16. The bride. £6.06.0 | 40 for sale

17. Promise. £7.07.0 | edition of 40

18. The terrace. £15.15.0 | edition of 40

Artist: LINDSAY, Norman | Title: Julia's monkey. | Date: 1920 | Technique: etching and roulette, printed in warm dark brown ink, from one plate

19. Julia's monkey. £7.07.0 | edition of 50

20. The dream merchant £10.10.0 | edition of 50

21. Enigma. £10.10.0 | 40 for sale

22. The curtain £10.10.0 | edition of 40

25. A Large Original Crayon Drawing.

LINDSAY, Lionel (1874–1961)

28. Portrait of Norman Lindsay. £4.04.0 | 30 for sale

29. Portrait of Henry Lawson. £4.04.0 | 50 for sale

Barker, David. (1888–1946)

30. The New Gate, Jerusalem. £1.11.6 | edition of 50

31. Church on the Hills of Lebanan. £1.11.6 | edition of 50

32. A Street in Jerusalem. £1.11.6 | edition of 50

33. A Street in Jerusalem, No. II. £2.02.0 | 50 for sale

34. Monastery, Aleppo. £2.02.0 | edition of 50

35. Church near x; Jerusalem. £2.02.0 | edition of 50

Artist: Barker, David. | Title: A tomb in Bethlehem. | Date: (1919) | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

36. A tomb in Bethlehem. £2.02.0 | 50 for sale

Artist: Barker, David. | Title: A doorway in Judea. | Date: (1919) | Technique: etching and foul biting, printed in warm black ink with plate-tone, from one plate

37. A doorway in Judea. £1.11.6 | edition of 50

38. A Street in Bethlehem. £1.11.6 | 50 for sale

39. The clock tower, Jaffa. £1.11.6 | 50 for sale

Ashton, Julian. (1851–1942)

Artist: Ashton, Julian. | Title: The curtsy. | Date: 1893 | Technique: etching, printed in blue ink with plate-tone, from one copper plate

40. The curtsy. £1.11.6 | 14 for sale

Artist: Ashton, Julian. | Title: Study of a head. | Date: 1893 | Technique: etching, printed in brown ink, from one plate

41. Study of a head. £1.11.6 | edition of 14

Ashton, Julian. (1851–1942) and Ashton, Julian. (1851–1942)

42. The ferry. £2.02.0 | 15 for sale

Angus & Robertson. (1886–) and Ashton, Julian. (1851–1942)

Artist: Ashton, Julian. | Title: The class room. | Date: 1893 | Technique: etching, printed in blue ink with plate-tone, from one copper plate

43. The class room. £1.11.6 | 14 for sale

Ashton, Julian. (1851–1942)

Artist: Ashton, Julian. | Title: Gloucester Street, The Rocks, Sydney. | Date: 1893 | Technique: etching, printed in sepia ink with plate-tone, from one copper plate; watercolour additions

44. Gloucester Street, The Rocks, Sydney. £3.03.0 | 14 for sale

45. Old house, Trinity Lane. £3.03.0 | 14 for sale

Artist: Ashton, Julian. | Title: Cumberland Street, The Rocks, Sydney. | Date: 1893 | Technique: etching, printed in dark brown ink, from one copper plate

46. Cumberland Street, The Rocks, Sydney. £3.03.0 | edition of only 14 proofs | 14 for sale | Only 14 proofs were pulled from each plate. The edition being so limited these etchings will become rare. They have an added interest from the fact that Ashton was one of the pioneers of the art of etching in Australia

ROBERTSON, Bruce (1872–1943)

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

47. Rue de l'Cordonnerie, Dinan, France £6.06.0 | edition of 50 | 14 x 9 3/4 in. | A bold, striking picture. The narrow cobbled streets and rambling old leaning houses, with their quaint gables and shutters, are excellently depicted.

Martens, Conrad. (1801–1878)

49. View of Sydney. N.S.W.

Kettle, Charles Henty. (1820–1862)

51. View of the Lower Harbour of Otago, from Port Chalmers (1840), from the original picture by C.H. Kettle. Size, 17 x 30 in. Mounted, and framed in oak, with gilt slip. Rare. £4.04.0

Heaphy, Charles. (1820–1881)

52. View of a Part of the Town of Wellington, New Zealand, looking towards the South East, comprising about one-third of the Water Frontage, from the original picture by C. Heaphy in 1841. Size, 17 x 22½ in. Mounted, and framed in oak, with gilt slip. Rare. £6.06.0

Romney, George. (1734–1802)

53. Portrait of Mrs Drummond Smith, painted by George Romney. Reproduction of one of Romney's most beautiful pictures. Size, 24 x 19½ in. Framed in oak, with white mount and gilt slip. £5.05.0

Lely, Peter (1618–1680)

54. Portrait of the Beautiful Countess of Shrewsbury, from the original picture by Sir Peter lely, 1690. Size, 23½ x 19in. Framed in oak, with white mount and gilt slip. £5.05.0

GILL, S.T. (1818–1880)

55. The plates are: City Railway Terminus, Sydney; Circular Quay, Sydney; General Post Office, Sydney; Dry Dock, Balmain; Avenue Approach to Botanical Gardens, Sydney; Australian Club House, Sydney.

Representative Exhibition of Oils, Watercolours and Etchings by Leading Sydney Artists

Venues

Sedon Galleries [1] (16 March 1926 – 27 March 1926)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

URE SMITH, Sydney (1887–1949)

49. Hawkesbury River Farm. 5½ gns 5½ gns (Framed) 5½ gns (Unframed)

50. The willows. 4½ gns (Framed) | two copies for sale

51.

Blacksmith's Shop.

5½ gns 5½ gns (Framed) 5½ gns (Unframed)

52. Windsor, N.S.W. 5½ gns (framed)

53. Little schooner, Mosman.. 2½ gns (Framed) | one copy for sale

Gallop, Herbert. (1890–1958)

54. The farm sheds. 2 gns

55. Canberra 2 gns

56. The drinking pool. 2 gns

57. Swamp Ti Trees. 2 gns | Reproduced in Art in Australia.

58. White boat house. 2 gns

59. The deserted farm 2 gns

60. The old gateway. 2 gns.

61. Lakeside. 2 gns

62. Spreading Ti-tree. 1½ gns

63. Two Gums. 1 gn

64. Windswept Ti-tree. 1 gn

65. A Quiet Pool. 1 gn

LINDSAY, Norman (1879–1969)

66. Duke in Arcady. 16 gns (Framed)

67. Beethoven's 8th Symphony. 16 gns (Framed)

68. Mantilla. drypoint (two copies). 16 gns (Framed)

Artist: LINDSAY, Norman | Title: Lady and the parrot. | Date: 1917 | Technique: etching, and softground-etching, printed in dark blue black ink, from one plate

69. Lady and the parrot. 12 gns (Framed)

70. The fan 14 gns (Framed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

71. Unknown seas 26 gns (Framed)

72. She Arrives. 12 gns (Framed)

73. Bebut. 16 gns (Framed)

74. Song of the faun 25 gns (Framed)

75. The bride. 15 gns (Framed)

76. Oblation. 16 gns (Framed)

Artist: LINDSAY, Norman | Title: Micomicon | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

77. Micomicon 30 gns (Framed)

78. Femininity. 12 gns (Framed) | 2 copies

LINDSAY, Lionel (1874–1961)

79. Sydney from the Terrace, Abmiralty House. 2 gns (Framed)

80. Hero's Lover. 1½ gns (Framed)

81. Millar Street, Sydney. 8½ gns (Framed)

82. The Doric Porch. 4½ gns (Framed)

83. Ben Hall's. 3½ gns (Framed)

84. The Sailor's Return. 2½ gns (Framed)

FEINT, Adrian (1894–1971)

85. The Sonnet. 2 gns

86. Milson's Point. 2 gns

Artist: FEINT, Adrian | Title: Decoration. | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

87. Decoration. 1½ gns

88. The south wind. 1½ gns

Artist: FEINT, Adrian | Title: Basket willow. | Date: (1922) | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

89. Basket willow. 1 gn

LONG, Sydney (1871–1955)

92. Nymphs and Fawns. 10 gns

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

93. Porte Marechale, Bruges 3 gns

94. Edge of the clearing. 6 gns

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

95. Moonrise pastoral 5 gns

96. The distant dome. 6 gns

97. Riverside. 4 gns

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

98. Between the showers 4 gns

99. Still Pool. 4 gns

100. The quiet corner. 3 gns

101. Landscape. 3 gns