Edge of the clearing.

Sydney Long (1871–1955)

Edge of the clearing.

EXHIBITION HISTORY 1 – 1 of 1 exhibitions

Representative Exhibition of Oils, Watercolours and Etchings by Leading Sydney Artists

Venues

Sedon Galleries [1] (16 March 1926 – 27 March 1926)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

URE SMITH, Sydney (1887–1949)

49. Hawkesbury River Farm. 5½ gns 5½ gns (Framed) 5½ gns (Unframed)

50. The willows. 4½ gns (Framed) | two copies for sale

51.

Blacksmith's Shop.

5½ gns 5½ gns (Framed) 5½ gns (Unframed)

52. Windsor, N.S.W. 5½ gns (framed)

53. Little schooner, Mosman.. 2½ gns (Framed) | one copy for sale

Gallop, Herbert. (1890–1958)

54. The farm sheds. 2 gns

55. Canberra 2 gns

56. The drinking pool. 2 gns

57. Swamp Ti Trees. 2 gns | Reproduced in Art in Australia.

58. White boat house. 2 gns

59. The deserted farm 2 gns

60. The old gateway. 2 gns.

61. Lakeside. 2 gns

62. Spreading Ti-tree. 1½ gns

63. Two Gums. 1 gn

64. Windswept Ti-tree. 1 gn

65. A Quiet Pool. 1 gn

LINDSAY, Norman (1879–1969)

66. Duke in Arcady. 16 gns (Framed)

67. Beethoven's 8th Symphony. 16 gns (Framed)

68. Mantilla. drypoint (two copies). 16 gns (Framed)

Artist: LINDSAY, Norman | Title: Lady and the parrot. | Date: 1917 | Technique: etching, and softground-etching, printed in dark blue black ink, from one plate

69. Lady and the parrot. 12 gns (Framed)

70. The fan 14 gns (Framed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

71. Unknown seas 26 gns (Framed)

72. She Arrives. 12 gns (Framed)

73. Bebut. 16 gns (Framed)

74. Song of the faun 25 gns (Framed)

75. The bride. 15 gns (Framed)

76. Oblation. 16 gns (Framed)

Artist: LINDSAY, Norman | Title: Micomicon | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

77. Micomicon 30 gns (Framed)

78. Femininity. 12 gns (Framed) | 2 copies

LINDSAY, Lionel (1874–1961)

79. Sydney from the Terrace, Abmiralty House. 2 gns (Framed)

80. Hero's Lover. 1½ gns (Framed)

81. Millar Street, Sydney. 8½ gns (Framed)

82. The Doric Porch. 4½ gns (Framed)

83. Ben Hall's. 3½ gns (Framed)

84. The Sailor's Return. 2½ gns (Framed)

FEINT, Adrian (1894–1971)

85. The Sonnet. 2 gns

86. Milson's Point. 2 gns

Artist: FEINT, Adrian | Title: Decoration. | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

87. Decoration. 1½ gns

88. The south wind. 1½ gns

Artist: FEINT, Adrian | Title: Basket willow. | Date: (1922) | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

89. Basket willow. 1 gn

LONG, Sydney (1871–1955)

92. Nymphs and Fawns. 10 gns

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

93. Porte Marechale, Bruges 3 gns

94. Edge of the clearing. 6 gns

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

95. Moonrise pastoral 5 gns

96. The distant dome. 6 gns

97. Riverside. 4 gns

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

98. Between the showers 4 gns

99. Still Pool. 4 gns

100. The quiet corner. 3 gns

101. Landscape. 3 gns